speech festival 2023

75th Hong Kong Schools Speech Festival 2023 (English)

98 S.5 students joined Hong Kong Schools Speech Festival 2023 (English) in November 2023 organized by Hong Kong Schools Music & Speech Association. They are awarded 2 First, 3 Second, 6 Third, 78 Merit and 8 Proficiency. The winners are as follows:

Great job, Shungtakians!

K S LO ENGLISH

An english blog by hkma k s lo college, 75th speech festival (2023) entries now open, september 3, 2023 ken kum comments 0 comment, for the list of poems and entry link, refer to the related email on eclass., ⇒ log in to eclass.

• For ‘ Area Code (地區代號) ‘, please enter ‘ Y ‘.
• The ‘ Class No. (項目編號) ‘ corresponds to the  number of the poem you have chosen . For example, if you have chosen poem Y63, enter ’63’ for the Class No.
• Don’t forget to  click  ‘ Submit to School / Tutor (提交至學校 / 老師) ‘ located at the bottom right of the page in the final step.
• https://drive.google.com/file/ d/19xydxoTgSQSTJHHal- 6abTYhG9MN9jAo/view?usp=drive_ link
• https://www.hksmsa.org.hk/en/? page_id=5166

The entry fee for the competition is $150, but  you will only be required to pay  $50  as the school will sponsor the remaining $100.This year,  all competitions will be held in  live competition mode , meaning you will need to attend the competition at a designated venue. For more details, visit the official website:

• https://www.hksmsa.org.hk/en/ speech-festival/hong-kong- schools-speech-festival- english-speech/

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Speech Festival 2023

Secondary Girls Poems

Great BONUS HK Speech Festival examples for the Girls Poetry Recital on Youtube

S1: https://www.youtube.com/watch?v=katBv3yefoM

S2: https://www.youtube.com/watch?v=Tfjv15EOuUY

S3: https://www.youtube.com/watch?v=ysgyOJcfFR0

S5: https://www.youtube.com/watch?v=VqyNv3_-Fi0

Note: Couldn't find an S4 example

Secondary Boys Poems

Great BONUS HK Speech Festival examples for the Boys Poetry Recital on Youtube

S1: https://www.youtube.com/watch?v=xvyWmRtm5qU

S2: https://www.youtube.com/watch?v=klD4WsfEX1g

S3: https://www.youtube.com/watch?v=nXmqPwB2Brg

S5: https://www.youtube.com/watch?v=7AHfsywO7k4

8 - 10 June 2024

Venue sponsor dalton school hong kong, accepting late application, event categories, nursery rhyme.

The piece performed must be memorised and recited in spoken format, without melody. No props are allowed.

Age 3 years

Ages 4 - 10 years, ages 5 - 12 years, reading aloud.

The piece performed must be read aloud from the text which should be held in the hand and referred to, not memorised. No props are allowed.

Ages 6 - 10 years

Public speaking.

Each speaker may speak for up to 3 minutes. An easel will be available if the speaker wishes to use a presentation board but this is not compulsory. Cue cards are allowed and optional.

Ages 8 - 12 years

Find your event, the event age is the age your child will be on 11 june 2024.

Please note that your child's event age and current age may not be the same

Please select your child's event age from the bar below TO access the performance pieces

Mary Had a Little Lamb

VENUE SPONSOR

Dalton school, 10 hoi fai rd, tai kok tsui, hong kong.

Competition schedule will be announced via email

(email sent from  [email protected] ) in April 2024.

NJSDL December 2023 Speech Festival

General information

This is a High School tournament in New Jersey .

View manager contact information

• October 2023 NJSDL Online Speech Festival Registration and videos due by October 15, 2023; Asynchronous Judging 10/16/23-10/19/23  
• December 2023 NJSDL Online Speech Festival Registration and videos due by December 3, 2023; Asynchronous Judging 12/4/23-12/7/23  
• May 2024 NJSDL Online Speech Festival Registration and videos due by May 1, 2024; Asynchronous Judging 5/2/24-5/7/24
• The October 2023 NJSDL Online Speech Festival will celebrate Hispanic Heritage Month.
• The December 2023 NJSDL Online Speech Festival will celebrate International Day of Persons with Disabilities.
• The May 2024 NJSDL Online Speech Festival will celebrate Asian American & Pacific Islander Heritage Month
• Congressional Debate Authorship Challenge ( December 2023 Legislation Packet )
• Prepared Prompt ( December 2023 Prompts )
• Orginal Spoken Word Poetry (December 2023 submissions should celebrate International Day of Persons with Disabilities)

The other NJSDL events offered will be:

• Children's Literature (HS Only)
• Dramatic Performance (MS & HS)
• Humorous Performance (MS & HS)
• Prose Interpretation (MS & HS)
• Poetry Interpretation (MS & HS)
• Program Oral Interpretation (MS & HS)
• Original Oratory (MS & HS)
• Informative Speaking (MS & HS)
• Declamation (MS & HS Freshman/Sophomores)
• Pro Con Challenge (MS & HS using the current Policy, LD or PFD Topics)

Manager contact information

Raymond Shay Email address: [email protected] Phone number: 6107160344

Mailing address

Box #337 203 Main Street Flemington, NJ 08822

CCM shares 2024 alumni and distinguished service awards

The college recognizes alumni and community members for their achievements and support.

UC's College-Conservatory of Music is proud to present alumni and distinguished service awards to outstanding members of our community at the end of each academic year. The 2024 awards are presented to four accomplished alumni and one dedicated patron in a private virtual event on April 23. 

• Young Alumni Awards:  Connor Chee  (MM Piano, ’11),  J.T. Rooney  (BFA Media Production, ’11),  Brian Raphael Nabors’  (MM Composition, ’15; DMA Composition, ’19)
• Distinguished Alumni Award:  Melody Moore  (MM Voice, ’05)
• Distinguished Service Award: Jeffrey W. Thomas

“It is one of the greatest honors of my career thus far to receive recognition from the people and institution that have molded me into the artist, composer and professor I stand as today," Nabors says. " I feel prepared to do anything and I’m forever grateful to CCM for cultivating in me an artistic tenacity that will last a lifetime. One of my greatest joys is to share these lessons with the next generation of composers whose voices are wide ranging and deserving of every opportunity to create work that affirms and inspires us all.”

Young Alumni Awards

Connor Chee  (MM Piano, ’11) is known for combining his classical piano training with his Native American heritage. Chee made his Carnegie Hall debut at the age of 12 after winning a gold medal in the World Piano Competition. Chee’s 2020 album “Scenes from Dinétah” features piano pieces written about elements of Navajo life and culture, accompanied by several music videos filmed on the reservation, directed by Navajo filmmaker Michael Etcitty Jr. Chee’s most recent release, ”Across the Desert: The Long Walk Home,” stands as a musical tribute to the Navajo people’s journey through adversity and the triumphant return to their cherished ancestral lands.

Connor Chee. Photo/Provided

Navajo pianist and composer Connor Chee (b. 1987) is known for combining his classical piano training with his Native American heritage. Chee made his Carnegie Hall debut at the age of 12 after winning a gold medal in the World Piano Competition. A graduate of the Eastman School of Music and the University of Cincinnati’s College-Conservatory of Music, Chee’s solo piano music is inspired by traditional Navajo chants and songs.

Chee has released 5 studio albums of original pieces and piano transcriptions of Navajo music. The Navajo Piano won Best Instrumental Recording at the 16th Annual Native American Music Awards, and his piece “Beginnings” won Best New Age Song. The Navajo Piano (Revisited), features new recordings of his original 15 compositions from 2014, as well as recordings of the traditional songs they were based on. Chee’s 2020 release, Scenes from Dinétah, features piano pieces written about elements of Navajo life and culture. It was accompanied by the release of several music videos filmed on the reservation, directed by Navajo filmmaker Michael Etcitty Jr. Chee’s most recent release, Across the Desert: The Long Walk Home, stands as a musical tribute to the Navajo people’s journey through adversity and the triumphant return to their cherished ancestral lands.

J.T. Rooney  (BFA Media Production, ’11) is a screen producer at Silent Partners Studio in Los Angeles, California. He served as Projection Designer for the Superbowl LII halftime show in 2018, has toured with Taylor Swift, Katy Perry, Billy Joel, Kanye West and more. He was named to Live Design Online’s “30 under 30” list in 2018. 

Across his work on some of the largest music, corporate, broadcast, and sport projects in the world, J.T. Rooney pushes the limits of creative design and execution for live entertainment. With more than a decade of experience in the industry, J.T. leads the XR Studios team, overseeing trailblazing broadcast projects with world-renowned clients such as Twitch, Katy Perry, Snapchat, Riot Games, Billie Eilish, Viacom, Black Eyed Peas, Amazon, Tik Tok, and more.

J.T. began his career creating immersive visuals and controlled advanced systems for the New World Symphony, later joining creative agencies Lightborne and then Silent Partners Studios where he screen-produced for international artists and brands including Katy Perry’s Super Bowl Halftime Show, Kanye West’s Yeezus and Saint Pablo Tours, the Muse Simulation Theory Tour, Audi, Flume, and Taylor Swift’s reputation Stadium Tour. Utilizing his resources and valuable experience, J.T. came together with his collaborators to create, produce, and execute productions in an entirely new way, resulting in the creation of XR Studios. Specializing in live entertainment, corporate and brand events, commercial, music video, and product work, he and his team at XR Studios continue to elevate immersive experiences utilizing modern technology in extended, augmented, and virtual reality. J.T. currently splits his time across Montreal, London, and Los Angeles, where XR Studios is building the XR Studios Hollywood Campus dedicated to immersive technologies.

Brian Raphael Nabors’  (MM Composition, ’15; DMA Composition, ’19) music has been throughout the United States and at many international events, including the Lucerne and Helsinki music festivals, National Orchestral Institute (NOI), Aspen and Tanglewood Music Festivals. Upcoming projects in ‘24-25 include the world premiere of a chamber ballet (Black Iris Project), a choir and chamber orchestra arrangement for Carnegie Hall (Mid-America Productions), a co-commissioned premiere with Seattle Symphony, and a concerto for orchestra with Chineke! for premiere at Elbphilharmonie, Hamburg, Germany.

Brian Raphael Nabors. Photo/Provided

Brian Raphael Nabors (b. April 10, 1991, Birmingham, AL) is a composer of emotionally enriching music that tells exciting narratives with its vibrant themes and colorful harmonic language.

Nabors' music has been performed by the Boston, Atlanta, Nashville, Cincinnati, Detroit, Fort Worth, and Munich Symphonies among others. His music has been performed at many events internationally, including the Lucerne and Helsinki music festivals, National Orchestral Institute (NOI), Aspen and Tanglewood Music Festivals.

Upcoming projects and premieres in ‘24-25 include the world premiere of a chamber ballet (Black Iris Project), Choir and chamber orchestra arrangement for Carnegie Hall (Mid-America Productions), Co-Commissioned premiere with Seattle Symphony, and a concerto for orchestra with Chineke! for premiere at Elbphilharmonie, Hamburg, Germany. 

Nabors earned a Doctor of Musical Arts and Master of Music degree in Composition at the University of Cincinnati College-Conservatory of Music (CCM) and a Bachelor of Music Theory & Composition degree from the School of the Arts at Samford University.

Distinguished Alumni Award

Melody Moore  (MM Voice, ’05) is enjoying a thriving career on the world’s leading stages, prompting Opera News to label her “a revelation,” and of her sold-out appearance at Carnegie Hall to rave, “As I left the auditorium, I could only think: more of Moore, please.” She has performed with La Opera, Minnesota Orchestra, Atlanta Symphony Orchestra, San Francisco Opera, Houston Grand Opera, Washington National Opera, Opéra de Montréal, Glimmerglass Festival, Lincoln Center Festival and more.

Melody Moore. Photo/Provided

Soprano Melody Moore is enjoying a thriving career on the world’s leading stages, prompting  Opera News to label her “a revelation,” and of her sold-out appearance at Carnegie Hall to rave, “As I left the auditorium, I could only think: more of Moore, please.”

Ms. Moore enjoyed a triumphant return to LA Opera during the 2021-2022 season, repeating her tremendous success in the role of Amneris in Verdi’s Aida opposite Latonia Moore in the title role and tenor Russell Thomas as Radames. Concert highlights of the season included Beethoven’s 9th Symphony with the Minnesota Orchestra under the baton of Juraj Valčuha and the Mother in Hansel and Gretel with the Atlanta Symphony Orchestra, with Sir Donald Runnicles at the helm. The season also saw the release of Moore’s interpretation of the title role in Puccini’s Madama Butterfly (available on Pentatone), and the recording of a critically acclaimed concert of Puccini’s Tosca, captured live in Berlin, Germany. Ms. Moore continues to remain active in the recording studio throughout the season, marking the 100th anniversary of the birth of legendary soprano Renata Tebaldi with an album featuring selections from the Italian repertoire for which she was most famous (to be released in 2023), and singing Kathie/Linford in the world premiere recording of Gordon Getty’s opera, Goodbye, Mr. Chips. In the fall of 2022, Moore will make a much-anticipated return to San Francisco Opera as Mère Marie in the Olivier Py production of Dialogues des Carmélites.

Despite a number of postponements and cancelled productions due to COVID closures, the 2020-2021 season offered Ms. Moore an opportunity to focus on recording projects, and that season’s resulting releases of Mascagni’s Cavalleria Rusticana and Puccini’s La Fanciulla del West (both released on the Pentatone label) have been widely praised by reviewers and consumers alike.

Highlights of the 2019-2020 season included her debut as Amneris in a new production of Aida at the Houston Grand Opera. Concert highlights included her debut with the Houston Symphony Orchestra in Mahler’s Das klagende Lied under the baton of Music Director Andrés Orozco-Estrada.

In the 2018-2019 season, Ms. Moore returned to Houston Grand Opera to reprise the roles of Senta in the season opening production of Die fliegende Holländer led by Music Director Patrick Summers, and Donna Elvira in Mozart’s Don Giovanni in a new production by Kasper Holten, and returned to LA Opera for a role debut as Gertrude in Hänsel and Gretel under the baton of Music Director James Conlon. On the concert stage, she debuted with the Dresdner Philharmonie in the roles of Giorgetta in Puccini’s Il Tabarro and Santuzza in Mascagni’s Cavalleria Rusticana, both of which were recorded for commercial release by Pentatone. Ms. Moore also sang Senta with the Milwaukee Symphony Orchestra, under the baton of Music Director Edo de Waart, enjoyed a debut with the Grant Park Music Festival for Delius’ A Mass of Life, and sang the title role in Salome in Daegu, South Korea. In the 2017-2018 season, Moore made three major role debuts: Elisabetta in Don Carlo at Washington National Opera; the title role in Salome at Florida Grand Opera; and Tatyana in Eugene Onegin at Hawaii Opera Theatre, as well as singing her signature roles of Tosca in a return to Opéra de Montréal and Senta in Wagner’s Der fliegende Holländer in a new production by Tomer Zvulun at The Atlanta Opera.  Her portrayal of Desdemona in a full recording of Verdi’s Otello was also released by Pentatone.

Other recent career highlights include a house and role debut at Seattle Opera in the title role of Janáček’s Kátya Kabanová; appearances with San Francisco Opera in the title role of Tosca, Susan Rescorla in Heart of a Soldier, Mimì in La bohème, and the Countess in Le nozze di Figaro; Houston Grand Opera as Julie in Show Boat, Marta in the American premiere of Weinberg’s The Passenger, the title role in Carmen, Dorabella in Così fan tutte; Washington National Opera as the title role of Catán’s Florencia en el Amazonas, Phillip Glass’ Appomatox, and in Francesca Zambello’s highly acclaimed production of Wagner’s full Ring cycle; LA Opera as Tosca, the Countess in Le nozze di Figaro and in productions of Der Zwerg and Der Zerbrochene Krug; Opéra de Montréal as Cio-Cio San in Madama Butterfly; Glimmerglass Festival as Lady Macbeth in Verdi’s Macbeth and Senta in Der fliegende Holländer; Lincoln Center Festival in The Passenger; English National Opera as Mimi and as Marguerite in Faust; New York City Opera as Rita Clayton in the New York premiere of Stephen Schwartz’s Séance on a Wet Afternoon and as Regine St. Laurent in Rufus Wainwright’s Prima Donna; and Austin Lyric Opera as Senta in Der fliegende Holländer. Additional performances include the title roles of Manon Lescaut at New Orleans Opera, Tosca with the Lyric Opera of Kansas City, Pamina in Die Zauberflöte at Opéra de Bordeaux; and Donna Elvira in Don Giovanni with The Atlanta Opera and Opera Colorado.

On the concert stage, Ms. Moore has appeared with the Atlanta Symphony Orchestra for Bruckner’s Te Deum led by Music Director Donald Runnicles; Bard SummerScape Festival as the title role in Turandot; Bavarian Radio Symphony in performances and a recording of excerpts of Gordon Getty’s opera, Plump Jack, conducted by Ulf Shirmer and with the New Century Chamber Orchestra conducted by Nadja Salerno-Sonnenberg.  She has joined Rufus Wainwright for gala concerts at the Kimmel Center in Philadelphia and at Roy Thomson Hall in Toronto.

A Masters of Music graduate of the UC College-Conservatory of Music, Melody Moore is a former Adler Fellow of San Francisco Opera and an alumni of the prestigious Merola program.

Distinguished Service Award

Jeff Thomas. Photo/Provided.

Jeffrey W. Thomas  (BBA UC, '79; MBA NKU '83) founded Jeff Thomas Catering July 1985, which has supported many special events at CCM with delicious food. After 39 years, he plans to retire in December 2024. Throughout his career, he has been deeply involved in community organizations including the CCMpower Board, the Carnegie of Covington, Kentucky Board, Caracole Board, Children’s Home of Northern Kentucky and he was a past recipient of Lighthouse Youth Services Beacon of Light Award.

"If I was making a list of most loyal supporters of CCM, Jeff Thomas would be near the top," says Elaine Cox, Senior Director of Development at CCM. "Through his own personal support of the college and his eponymous catering company, Jeff (and Kent’s) donations are closing in on $300,000."

His generous contributions to CCM and UC include 29 different funds across 8 colleges and UC areas, including: annual fund for CCM, CCMpower, CCM Dean's Innovation Fund, Innocence Project at the College of Law, Brain Tumor Center Fund at UC Gardner Neuroscience Institute, Veteran’s Discretionary Fund , CCM’s trip to Carnegie Hall in January of this year, CCM TAPAA Production Fund, CCM Senior Showcases, CCM Moveable Feasts dating back to 2003 — and many more. 

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PEN America cancels literary festival, citing pressure on writers

The world voices festival is the second event that the free-speech nonprofit has recently struck from its calendar, following criticism of its response to the war in gaza.

The literary and free-speech nonprofit PEN America has canceled its annual World Voices Festival less than two weeks before it was to begin, after mounting pressure from critics who say the organization has inadequately responded to the suppression of pro-Palestinian speech and to Israel’s actions in the war in Gaza .

This is the second major event that the organization has called off in less than a week. On Monday, it announced that the ceremony for its annual literary awards would not go forward , after nearly half the nominees withdrew in protest.

The World Voices Festival was due to take place in New York and Los Angeles starting May 8. The first signs of trouble came in March, when prominent authors, including honorary festival co-chair Naomi Klein, publicly withdrew . In a letter explaining their decision, they wrote, “In the context of Israel’s ongoing war on Gaza, we believe that PEN America has betrayed the organization’s professed commitment to peace and equality for all.” An initial lineup for the festival was rolled out on April 9, with organizers touting a full complement of 35 readings and panels, featuring nearly 100 writers from around the world. But as more writers dropped out, their names and events quietly disappeared from the online calendar.

“Many writers explained their withdrawal from the event as an expression of protest directed toward PEN America’s response to the war in Gaza,” PEN America said in a statement. “However, we have also heard from dozens of writers who have had to endure harsh attacks on social media and heavy demands to distance themselves from PEN America.” In such a climate, the statement said, the festival had become untenable.

The statement also expressed regret that “a central feature of the planned festival” involving “multiple Palestinian writers” would not go forward, but it wasn’t clear from earlier information posted about the festival online who or what that featured event entailed.

PEN America chief executive Suzanne Nossel said in the statement that while the organization was listening to its critics, “we now face a campaign that casts our struggle to reflect complexity, uphold our identity as a big tent organization, and show fealty to our principles as a moral abdication. The perspective that engaging with those who hold a different point of view constitutes an impermissible act of legitimization negates the very possibility of dialogue.”

This raft of cancellations calls into question whether PEN America’s annual fundraising gala, slated to feature singer Paul Simon and late-night talk show host Seth Meyers on May 16, will go forward. “We’re taking it day by day,” Nossel told the New York Times.

PEN America did announce that it would host a new event: a town hall for members and former festival participants.

The town hall will be a way to “wrestle with the issues gripping the literary community and our own organization,” Clarisse Rosaz Shariyf, PEN America’s chief officer of literary programming, said in a statement. No date for the event has been announced.

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PEN America Cancels World Voices Festival Amid Israel-Gaza Criticism

The decision by the free expression group came after intense criticism of its response to the war in Gaza. A wave of participants had pulled out of the festival in protest.

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By Jennifer Schuessler

The free expression organization PEN America has canceled its annual World Voices Festival after a wave of participants withdrew, spurred by a boycott campaign led by writers who say the group’s response to the war in Gaza has been insufficiently critical of Israel.

The festival, which was supposed to begin on May 8, was canceled on Friday, days after PEN America canceled the prize ceremony for its literary awards after nearly half of the nominees withdrew in protest. The festival , held in New York and Los Angeles, was to have included writers from around the world and dozens of panels, readings and events.

In a news release, PEN America said it made the decision because a growing number of writers had pulled out, some because of differences with the group as well as some who said they had felt pressured to do so and felt “genuine fear.”

“As an organization that cares deeply about the freedom of writers to speak their conscience, we are concerned about any circumstance in which writers tell us they feel shut down, or that speaking their minds bears too much risk,” the statement said. “Amid this climate, it became impossible to mount the festival in keeping with the principles upon which it was founded 20 years ago.”

PEN America, which describes itself as sitting “at the intersection of literature and human rights,” is the latest cultural organization thrown into crisis by the fallout from the Hamas-led attack on Israel on Oct. 7, which killed roughly 1,200 people, according to the Israeli government, and Israel’s military response in Gaza, which has left about 34,000 dead, according to Gazan authorities.

As organizations like 92NY and the Frankfurt Book Fair have canceled or restricted pro-Palestinian writers or events, PEN America has issued a string of statements criticizing such decisions. “We are disturbed by the swelling momentum of calls to ban, cancel, shun and stigmatize,” Suzanne Nossel, the group’s chief executive, said on Friday.

But in recent months, PEN America has been increasingly consumed with defending itself, as a series of open letters have sharply criticized the group’s leadership and position on the war, with some even accusing it of being a mouthpiece for the United States or Israeli governments.

Shuttering two of its signature events raises questions about whether PEN America will proceed with its annual gala at the Museum of Natural History, which brings together writers, donors and celebrities for one of the most glamorous events on the New York literary calendar. It is scheduled for May 16.

“We’re taking it day by day,” Nossel said.

Nossel and Clarisse Rosaz Shariyf, PEN America’s director of literary programming, said on Friday that the cancellation of the events was a blow not just to the organization but to the ideals of open debate, argument and disagreement that it champions.

“When you look around at our literary landscape, a lot of institutions are struggling to do that,” Rosaz Shariyf said. “At PEN, that’s our mission, our reason for being.”

Nossel, who has led PEN America since 2013, lamented that the idea of civil but fractious debate — which had animated the festival since its founding in 2005, in the midst of the divisions over the Iraq war — had “fallen away.”

Since Oct. 7, PEN America’s leadership has been under pressure internally, with some employees concerned by what they consider a timid response to the impact of Israel’s military campaign on free expression and cultural life, including the deaths of large numbers of Palestinian journalists and attacks that have damaged or destroyed Palestinian universities and cultural institutions.

In recent months, the internal conversation has been echoed in often fierce public criticism of the organization.

In February, hundreds of writers signed an open letter denouncing PEN America after organizers of a PEN-sponsored event involving the pro-Israel actress Mayim Bialik removed a Palestinian American writer who had disrupted it .

The signatories called on PEN America to speak more strongly about the Palestinian writers and scholars killed in the war and to name “their murderer: Israel, a Zionist colonial state funded by the U.S. government.” If the group was unwilling to do so, the letter stated that “PEN should disband.”

The signatories of that letter initially included few PEN America members or prominent figures. But pressure intensified in March, when more than a dozen well-known writers, including Naomi Klein, Lorrie Moore and Hisham Matar, announced that they were withdrawing from the festival in protest.

“In the context of Israel’s ongoing war on Gaza, we believe that PEN America has betrayed the organization’s professed commitment to peace and equality for all, and to freedom and security for writers everywhere,” they wrote in an open letter.

Some of those who dropped out initially, according to PEN America, had been set to appear on a panel about threats to free speech for Palestinians and others with pro-Palestinian perspectives. More writers continued to withdraw, with another surge after the cancellation of the literary awards.

Rosaz Shariyf said some writers told her they had faced intense online pressure to pull out. Much of it, she said, has had “an element of a shame campaign.”

When contacted by The New York Times, several writers whose names had disappeared from the festival website in recent days declined to comment or clarify whether they had dropped out. (The festival’s website has since been taken down.)

But some writers pushed back against the idea that there was any pressure campaign, and disputed that their withdrawal represented a “silencing” of themselves or others, as some statements from PEN leadership have implied.

The novelist Hari Kunzru, who withdrew from the festival in late March, said that while he believed strongly in PEN America’s mission, remaining in the festival would have seemed like an endorsement of what he called the group’s failure to engage “deeply and honestly” with the war in Gaza.

Kunzru said that some of PEN America’s recent response to criticism — like the announcement of a $100,000 fund for Palestinian writers and a promise to conduct a systematic review of its work over the past decade — was “too little too late.”

“It feels like managing perceptions,” he said.

In a letter this month , nine former PEN America presidents, including Salman Rushdie, Ayad Akhtar and Jennifer Egan, urged writers to “keep faith” with the group, which “has always embraced dissent within its ranks.”

On Friday, its current president, Jennifer Finney Boylan, expressed concern that people had lost track of all the urgent work PEN America does, including its fights against book bans , opposition to laws restricting teaching on controversial subjects and its efforts to counter other growing threats to free expression in the United States.

But staying true to its mission, Boylan said, also means listening to its critics.

“What we are fighting for,” she said, “is people’s right to criticize.”

Jennifer Schuessler is a culture reporter covering intellectual life and the world of ideas. She is based in New York. More about Jennifer Schuessler

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Keith Urban Recalls Being 'Nervous' to Call Nicole Kidman After They First Met: She's 'a Real-Life Princess'

The singer candidly spoke about his wife during his speech at her AFI tribute on April 27

Michael Kovac/Getty

Keith Urban is reminding everyone that he got it right when it comes to his longtime love for Nicole Kidman .

During the country crooner’s emotional speech honoring his wife at the star-studded 49th AFI Life Achievement Award Gala on Saturday, April 27, Urban recalled why he was too “nervous” to make a move after they first met.

“I was trying to play it cool, but inside I felt like I'd snuck into the royal ball simply because Nic had such a truly otherworldly aura about her,” said Urban, 56, remembering when he met Kidman, also 56, in January 2005 at a G'Day LA event in California.

Michael Kovac/Getty 

“I felt a bit like I was meeting a real-life princess,” Urban added. “And despite all of that, I did manage to get her phone number on a tiny piece of paper.”

Urban carried her number in his pocket for a week, occasionally pulling it out to try to muster enough courage to call her. 

“I was scared. I was nervous to call her,” he continued during his speech at Hollywood’s Dolby Theatre. “I did, as you probably figured out, pluck up the courage to finally call her.”

The call went well, with the once-nervous Urban recalling how “this mystic creature” turned out to be “just a wide-eyed, giddy girl from the Sydney suburbs” who is “utterly Aussie through and through,” even though she was born in Honolulu. 

The AFI tribute to Kidman, which also marked the first public red carpet event for her and Urban's teenage daughters , included other speeches from celebrity friends such as Reese Witherspoon , Naomi Watts and Zac Efron.

“Everyone’s speaking here tonight is going to talk about Nic’s talent, and I could easily do that myself,” Urban said. “I mean, she truly is one of the greats, as Russell Crowe said, and tonight proves that I’m not just a biased husband.” 

The proud husband went on to discuss how Kidman loved him even when he went to rehab for substance abuse shortly after they got married. 

“I do want to take an opportunity to talk about Nic's heart and her spirit. We got married in June, 2006 and barely four months into our marriage, my addictions that I’d done really nothing about, blew our marriage to smithereens,” Urban admitted. “And I went into the Betty Ford Center for three months. Four months into a marriage I’m in rehab for three months. I had no idea what was going to happen to us.”

VALERIE MACON/AFP via Getty

The story brought Kidman to tears as she listened in the audience, alongside her Big Little Lies costars —  Meryl Streep and Witherspoon — and Morgan Freeman , who worked with her on Lioness .

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

“And if you want to see what love in action really looks like, give that a whirl,” he said. “Nic pushed through every negative voice, I’m sure even some of her own. And she chose love. And here we are tonight, 18 years later.”

Not long after rehab, Urban released a song about Kidman called “Got It Right This Time,” featuring the heartfelt lyrics, “She believes in me like I’ve been trying to do, I’m seeing things I’ve never seen before. Ever since she came into my life, I’ve been a better man.”

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Donors criticize 'Gaza Solidarity Encampment', request further Penn hate speech regulation

The 'Gaza Solidarity Encampment' on College Green is prompting renewed scrutiny of Penn administration by some of the donors who have been most outspoken in their disapproval of the University since the start of the Israel-Hamas war.

In light of alumni's role in the resignation of former Penn President Liz Magill over her own handling of pro-Palestinian activism, The Daily Pennsylvanian contacted over 150 of the University's largest donors to understand how they view the encampment, including several alumni who paused their financial support last fall. Whether Interim Penn President Larry Jameson's handling of the encampment will have a financial impact remains unclear.

The ongoing pro-Palestinian demonstration began Thursday afternoon following the intersection of a march beginning at City Hall and a faculty walkout on Penn’s campus. After Jameson called on the encampment to disband immediately on Friday night, the encampment has remained present on campus, and organizers have stated that they will remain at the encampment until their three demands are met.

The encampment's three main goals are the disclosure of University investments, financial divestment from Israel, and the defense of Palestinian students — including the reinstatement of Penn Students Against the Occupation of Palestine, which was banned last weekend. A source familiar told the DP that PAO was banned due to three violations of University requirements.

A look at the pro-Palestine encampment’s demands: Penn’s processes governing disclosure and divestment

Penn's interim president, provost meet with organizers of pro-Palestinian encampment

Several alumni have taken views of the encampment that resemble broader discourse over when and whether anti-Israel protests approach antisemitism.

1984 College graduate Steven Eisman, a senior portfolio manager at investment firm Neuberger Berman, donated at least $25,000 to Penn between July 1, 2013 and June 30, 2014, according to Penn’s annual giftbook from that time. On Nov. 2, 2023, Eisman publicly requested that Penn remove his name from a scholarship amid donor backlash over Penn’s response to the Oct. 7, 2023 Hamas attack on Israel and the Palestine Writes Literature Festival.

Eisman called the encampment and similar protests an "expression of Jew hatred that can’t be tolerated.” 

“If I was at the University, which obviously I'm not, I would give them a three hour window to vacate the premises," Eisman said on Friday afternoon. “And if they don't, they'll all be expelled. Effective immediately.”

The Philadelphia Police Department has not indicated it will become involved in the encampment, although it has said it is "monitoring" the demonstration. Jameson has said that the encampment is responsible for policy and legal violations.

Eisman added that he would like to see every professor participating “fired immediately,” and “whatever disciplinary actions that University rules allow” taken against tenured professors participating.

He cited the rhetoric used by protestors — specifically chants of “From the river to the sea” — as justification for his perspective. 

In response to a request for comment on the encampment, an anonymous large financial donor said that — while they are not familiar enough with the encampment to comment on it — they would like to have the administration take a stronger stand against hate speech on campus.

The donor added that they have previously been in communication with University administration regarding the difference between free speech and hate speech, the latter of which they said "the administration does not seem to want to do anything about."

1979 Wharton graduate Philip Darivoff, the chair of an asset management firm, is a member of the Board of Advisors at the Katz Center for Advanced Judaic Studies, an ex officio member of the Penn Arts & Sciences Board of Advisors, and a former member of the Wharton School’s Board of Advisors.

In response to a request for comment, Darivoff — whose donation established the Ella Darivoff Directorship in the Herbert D. Katz Center for Advanced Judaic Studies — directed the DP to an opinion article from a Gaza resident which alleges that campus protesters are hurting the Palestinian cause.

1960 and 1961 engineering graduate Melvyn Miller — who was also a Penn lecturer — donated more than $100,000 to Penn in 2023, according to the Engineering Honor Roll . He said that three generations of his family have donated to Penn, but his family paused donations to the University in fall 2023 — describing himself as “one of the donors who has held up very substantial donations,” but clarifying that his family has not permanently stopped donating.

Miller described the encampment as “counterproductive for the people who were doing it and for the University.” When asked how he would like University administrators to respond to the encampment, Miller said that he “[doesn’t] think it matters."

“The war is going to go on … I can assure you that both sides have strong feelings and those feelings are not going to go away,” he said. “People are proceeding essentially on passions. They're going to do what they're going to do, and none of it matters."

Miller also criticized “some people in the University faculty” prioritizing “fairly poorly defined philosophical constructs, such as academic freedom and freedom of speech” over Penn’s federal funding — citing an ongoing investigation from the House Committee on Education and the Workforce into alleged antisemitism on Penn’s campus and the upcoming 2024 presidential election.

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“But this month, I can assure you [that] federal funding that Penn gets is in danger,” Miller said.

Both the rights to academic freedom and freedom of speech on campuses are central to a number of ongoing debates at Penn and nationwide. 1987 Wharton and Engineering graduate Richard Forman, who donated over $100,000 to Penn in 2023, previously served on Penn Engineering's Board of Advisors, and chairs the Board for Online Engineering Education, said the Palestine Writes Literature Festival was a "precursor" to the current campus environment nationwide.

“I'm glad Penn is not the only university dealing with this, and maybe it is dealing with it better because of its experience with the Palestine Writes Literature Festival," Forman said.

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43 facts about bratsk.

Written by Elvira Llamas

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

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Bratsk, a city located in the Irkutsk Oblast region of Russia, is a hidden gem worth exploring. With a rich history and a vibrant culture, Bratsk offers a unique experience to its visitors. From breathtaking natural landscapes to architectural wonders, there is something for everyone in this enchanting city.

In this article, we will uncover 43 fascinating facts about Bratsk that will pique your curiosity and make you want to pack your bags and embark on an adventure. Whether you are a history buff, nature enthusiast, or someone who appreciates art and culture , Bratsk has it all. So, let’s dive into this incredible city and discover what makes it so special!

Key Takeaways:

• Bratsk, a city in Russia, boasts a rich history, stunning landscapes, and a vibrant community, offering a unique experience for residents and visitors alike.
• With its impressive hydroelectric power station, beautiful natural reserves, and diverse cultural scene, Bratsk is a city poised for promising growth and development.

Bratsk is a city in Irkutsk Oblast, Russia.

Located in Siberia, Bratsk is situated on the Angara River and is known for its breathtaking natural landscapes.

The city of Bratsk was founded on August 26, 1947.

It was established as a residential settlement for the workers of the Bratsk hydroelectric power station.

Bratsk is home to one of the largest hydroelectric power plants in the world.

The Bratsk Hydroelectric Power Station has a capacity of 4,500 MW and plays a significant role in Russia’s energy production.

The population of Bratsk is approximately 246,000 people.

It is the third-largest city in Irkutsk Oblast, after Irkutsk and Angarsk.

The name “Bratsk” is derived from the word “brothers”.

It symbolizes the unity and cooperation of the workers who contributed to the construction of the city.

Bratsk experiences a continental climate with long, cold winters and short, warm summers.

The average temperature in January is around -19°C (-2°F), while in July , it reaches an average of 18°C (64°F).

The Bratsk Reservoir, created by the damming of the Angara River, is one of the largest artificial lakes in the world.

It covers an area of 5,470 square kilometers (2,110 square miles) and provides opportunities for various water activities.

Bratsk is a major transportation hub in Siberia.

It has a well-developed railway system and is connected to other cities in the region through an extensive network of roads.

The city of Bratsk is known for its vibrant cultural scene.

It is home to several theaters, museums, and art galleries that showcase the rich history and traditions of the region.

Bratsk is surrounded by picturesque natural landscapes, including dense forests, mountains, and rivers.

The area offers opportunities for outdoor activities such as hiking, fishing , and wildlife watching.

The Bratsk Dam, which forms the Bratsk Reservoir, was completed in 1967.

It stands at a height of 124 meters (407 feet) and is an impressive engineering feat.

The construction of the Bratsk Hydroelectric Power Station required the relocation of several villages and towns.

Efforts were made to ensure the smooth transition and well-being of the affected residents.

Bratsk has a diverse economy, with industries including energy, metallurgy, forestry, and agriculture.

The city’s development is closely tied to the Bratsk Hydroelectric Power Station and the surrounding natural resources.

Bratsk is home to several educational institutions, including universities, colleges, and vocational schools.

It serves as an educational center for the region, attracting students from different parts of Siberia .

The people of Bratsk are known for their warm hospitality and welcoming nature.

Visitors to the city often praise the friendly atmosphere and genuine kindness of the locals.

Bratsk has a rich cultural heritage, with influences from various ethnic groups living in the area.

The city celebrates traditional festivals, music, and dance, reflecting the diversity of its population .

The Bratsk Fortress is an important historical landmark in the city.

It dates back to the 17th century and serves as a reminder of Bratsk’s significant role in the region’s history.

Bratsk is known for its delicious cuisine, which features traditional Siberian dishes as well as Russian favorites.

Visitors can enjoy hearty soups, smoked fish , and locally sourced berries and mushrooms.

The Bratsk Museum of Local Lore showcases the history, culture, and natural wonders of the region.

It is a must-visit for those interested in learning more about Bratsk and its surroundings.

Bratsk has a well-developed sports infrastructure and supports various athletic activities.

The city has produced many talented athletes who have competed at national and international levels.

Bratsk is surrounded by beautiful nature reserves and national parks.

These protected areas are home to a wide range of flora and fauna, offering breathtaking sights for nature enthusiasts.

The Bratskaya street, one of the main streets in the city, is lined with shops, restaurants, and cafes.

It is a popular spot for locals and tourists to stroll, shop, and enjoy a meal.

Bratsk has a well-developed healthcare system, with modern hospitals and clinics.

The city prioritizes the health and well-being of its residents by providing quality medical facilities.

The Bratsk Opera and Ballet Theater is a cultural hub in the city, hosting performances by talented artists.

It showcases ballets, operas, and other musical events, attracting audiences from near and far.

Bratsk has a vibrant music scene, with local bands and musicians performing a variety of genres.

Music lovers can enjoy live performances at venues throughout the city.

The annual Bratsk International Film Festival celebrates the art of cinema.

It attracts filmmakers, industry professionals, and film enthusiasts from around the world.

The Bratsk Circus is a popular entertainment venue, featuring thrilling acrobatic performances and animal shows.

It offers fun-filled experiences for both children and adults.

Bratsk has a strong sense of community, with various civic organizations and volunteer groups working towards the betterment of the city.

Citizens actively participate in initiatives aimed at improving the environment, education, and social welfare.

The beautiful Bratsk City Park is a favorite spot for leisurely walks, picnics, and outdoor activities.

It offers a tranquil escape from the bustling city life.

Bratsk is known for its stunning sunsets, which paint the sky with vibrant colors.

The breathtaking views make for memorable moments and great photo opportunities.

The local markets of Bratsk are vibrant hubs of trade, showcasing a variety of local produce and goods.

Visitors can explore the stalls and sample fresh fruits, vegetables, and handicrafts.

Bratsk is an important center for scientific research and innovation.

The city is home to various research institutes and laboratories that contribute to advancements in different fields.

The Bratsk State University offers a wide range of educational programs across various disciplines.

It attracts students not only from Bratsk but also from other parts of Russia and abroad.

Bratsk is a city that embraces technology and digital connectivity.

The city’s infrastructure is well-equipped to meet the demands of the digital age.

Bratsk hosts various cultural events throughout the year, including music festivals, art exhibitions, and theatrical performances.

The city’s calendar is filled with opportunities to immerse oneself in the vibrant cultural scene.

Bratsk is a city where old traditions and modernity coexist harmoniously.

While the city embraces progress, it also values and preserves its rich cultural heritage.

Bratsk is surrounded by vast forests, making it an ideal destination for nature lovers and outdoor enthusiasts.

Hiking, camping, and wildlife spotting are popular activities in the area.

The Bratsk Philharmonic Orchestra is renowned for its exceptional performances and talented musicians.

It enchants audiences with a diverse repertoire that includes classical, contemporary, and traditional pieces.

Bratsk takes pride in its strong educational system, which emphasizes the importance of knowledge and skills.

It prepares the younger generation for bright futures and successful careers.

Bratsk is a city that celebrates diversity and promotes inclusivity.

It values the contributions of people from different backgrounds and fosters a sense of unity among its residents.

The Bratsk Mosque is an important religious landmark in the city.

It serves as a place of worship for the Muslim community and represents the city’s religious tolerance.

Bratsk is a city with a strong sense of environmental consciousness.

Efforts are made to protect and preserve the natural resources and promote sustainable practices.

Bratsk is a city that holds great potential for growth and development.

With its rich resources, vibrant community, and forward-thinking outlook, it is poised for a promising future.

In conclusion, these 43 facts about Bratsk showcase the fascinating history, natural wonders, and cultural significance of this city. From being home to one of the world’s largest hydroelectric power stations to boasting stunning landscapes like Lake Baikal and the Taiga forests, Bratsk has something for everyone. Its rich history, with traces of ancient civilizations and Soviet-era industrial development, adds a unique charm to the city.Whether you’re interested in adventure tourism, exploring historical sites, or simply immersing yourself in the local culture, Bratsk offers a myriad of experiences. The city’s warm hospitality, friendly locals, and delicious local cuisine make it a memorable destination for travelers.Don’t miss the opportunity to witness the breathtaking beauty of Bratsk. Visit this city and unlock its hidden gems, unforgettable experiences, and the chance to create lifelong memories.

Q: When is the best time to visit Bratsk?

A: The best time to visit Bratsk is during the summer months of June to August when the weather is pleasant and outdoor activities are in full swing.

Q: How do I get to Bratsk?

A: Bratsk can be reached by air through the Bratsk Airport, which has regular flights from major cities in Russia. Alternatively, you can also travel by train or bus from neighboring cities.

Q: Are there any popular attractions in Bratsk?

A: Yes , Bratsk is known for its popular attractions such as the Bratsk Hydroelectric Power Station, Lake Baikal, Taiga forests, and the Bratsk Reservoir.

Q: Is Bratsk safe for tourists?

A: Yes, Bratsk is generally safe for tourists. However, it is always advisable to take necessary precautions and be aware of your surroundings, especially in crowded areas.

Q: What are some traditional dishes to try in Bratsk?

A: Some traditional dishes to try in Bratsk include Siberian pelmeni, omul fish, stroganina, and local berry desserts.

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