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Bimbisara Movie Review : Kalyan Ram exudes brilliance in this epic fantasy tale of transformation and time travel

• Times Of India

Bimbisara - Official Trailer

Bimbisara | Song - Eeswarude (Lyrical)

Bimbisara | Audio Song - O Tene Palukula

Bimbisara | Song Promo - O Tene Palukula

Bimbisara | Song Promo - Eeswarude

Bimbisara - Official Teaser

Bimbisara - Motion Poster

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Guest 1 140 days ago

Bimbisara Is a Very Good film It is a good narrative story

Aarav Aman Aarav Kumar 2 285 days ago

There should be a new movie in which Bimbisara return again

rishitborra 12 397 days ago

This movie looks awful with serial vfx and bad emotions between characters... But they tried to pull off a time machine adventure fantasy film...

obulustar 415 days ago

Rajini musi 509 days ago.

It's very interesting movie .extreme acting.

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'Bimbisara' movie review: Kalyan Ram shines bright in this riveting fantasy drama

Telugu filmmakers’ fascination with the fantasy genre dates back many decades. Films like Pathala Bhairavi (1951), Mayabazar (1957), Yamagola (1977), Jagadeka Veerudu Athiloka Sundari (1990), Bhairava Dweepam, Yamaleela (1994), Ammoru (1995), Yamadonga (2007) and Arundhati (2009) among others mesmerised the audience with their storytelling, special effects, costumes, grand sets, soothing music and lots of adventure and drama. The genre has evolved so much that filmmakers are finding new ways to blend fantasy, folklore, and mythology in a contemporary milieu. And one such attempt is Kalyan Ram-starrer Bimbisara, which marks the debut of director Vassishta.

The film was released with a lot of promise and let’s see what worked for it. Bimbisara fits nicely within the impressive canon of Tollywood’s fantasy entertainers. After all, the legend of Bimbisara, a ruthless tyrant, whose quest for power and his resolve to conquer the kingdoms of the region, has all the melodrama, adventure, and action that have become the debutant’s mainstay.

Expectedly Vassishta delivers a film that is richly cinematic, but whose story —as it turns out — has little of the emotional complexity that powered the earlier films of this genre. Set in 500 BC in the Trigartha empire, Bimbisara tells the story of an invincible ruler, who threatens anyone who comes his way or at least, tries to cross paths with him. He slaughters anyone who opposes him in sight and is evil personified. What happens when this authoritarian king unexpectedly lands in the modern-day world?

Bimbisara is enhanced by uncompromising action, its striking camera work, and impressive visual effects, especially the ones set in the ancient period. In fact, Kalyan Ram’s entry into his kingdom reminds us of the iconic NTR as Duryodhana from Dana Veera Soora Karna (1977).

It’s refreshing to see Kalyan make his character his own — his sheer bulk adds to the overall evil of Bimbisara. His presence is freakishly powerful, shrewd, and stays with you.The film has spectacular action sequences, striking the right balance between grand scale and chilling confrontations.

In one sequence, a cloud of smoke fills up the screen when Bimbisara’s enemies kidnap a young girl, making it impossible to see what’s happening on the ground. The image that follows, of Bimbisara emerging from the cloud of smoke, is all you need to know about the severity and the intensity of the fight, and it quickly establishes the brutality that Bimbisara is capable of. In fact, it acts as a precursor to the climax.

There is opulence and ferocity in virtually every frame of the film and the director has made good use of the concept to present every scene on a grand scale. Kalyan Ram breathes life into the character of the barbaric, eccentric, menacing, power-hungry king, giving us a villain for the ages. Sporting a beard, unkempt long hair, kohl in the eyes, pierced ears, and the swagger of an evil man, he is both fascinating and intense at once. Bimbisara finds loyalty in Zubeida (Srinivas Reddy), who indulges in goofy and slap-stick humour. Some of their moments are thoroughly entertaining in the film.

In comparison, the romance between Bimbisara and the two leading ladies (Catherine Tresa and Samyuktha Menon) is lackluster and slackens the film’s pace. Both these ladies lack substance in the story and were relegated as mere caricatures. Samyuktha, who plays a cop, is zany! It is where Vassishta fails to weave magic and we are fortunate that these episodes were cut short.

Vivan Bhatena is passable as Subrahmanya Sastry, but a quirkier actor could have added more seriousness to the role. Ayyappa P Sharma as Ketu is at ease and gets a little more to work with. Of the supporting cast, Brahmaji, Chammak Chandra, and Vennela Kishore make efforts to generate silly laughs. Dialogues by Vasudeva Muneppagari are catchy.

The music of Chirranthan Bhat and the background score of MM Keeravani have their high points. The songs, especially, Eeswarude and the much-hyped special number featuring Warina Hussain stand out. Overall, Bimbisara belongs to Kalyan Ram whose delicious performance is its biggest draw. The actor keeps you invested in the film even when it plods on for around 150 minutes.

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Bimbisara, a Telugu fantasy action film written and directed by debutant Mallidi Vashist starring Nandamuri Kalyan Ram as the ancient king Bimbisara alongside a slew of well-known actors, will surprise the audience with its grandeur, power-packed performances, epic background score and fantastic visuals. The movie's first half is a runaway hit, and the second half could have been better. Kalyan Ram as Bimbisara was brilliant — probably his best performance to date

Bimbisara Movie Review: Kalyan Ram exudes brilliance in this epic fantasy tale of transformation and time travel

• Times of India

Bimbisara - Official Trailer

Bimbisara | Song - Eeswarude (Lyrical)

Bimbisara | Audio Song - O Tene Palukula

Bimbisara | Song Promo - O Tene Palukula

Bimbisara | Song Promo - Eeswarude

Bimbisara - Official Teaser

Bimbisara - Motion Poster

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Guest 1 140 days ago

Bimbisara Is a Very Good film It is a good narrative story

Aarav Aman Aarav Kumar 2 285 days ago

There should be a new movie in which Bimbisara return again

rishitborra 12 397 days ago

This movie looks awful with serial vfx and bad emotions between characters... But they tried to pull off a time machine adventure fantasy film...

obulustar 415 days ago

Rajini musi 509 days ago.

It's very interesting movie .extreme acting.

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• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor. Share
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Release Date : August 05, 2022

123telugu.com Rating : 3.25/5

Starring: Nandamuri Kalyan Ram, Catherine Tresa, Samyuktha Menon, Warina Hussain.

Director: Mallidi Vashist

Producer: Hari Krishna K

Music Directors: M. M. Keeravani, Chirrantan Bhatt, Varikuppala Yadagiri

Cinematography : Chota K. Naidu

Editor: Tammi Raju

Bimbisara is a film that has been promoted quite well in the last few days. The film has been released with very good hype today. Let’s see whether it lives to the expectations or not.

Bimbisara is a ruthless king of the Trigartala kingdom. He is evil and his only motto is to conquer kingdoms without any mercy. But due to a curse, his life changes and he is sent to the present-day world filled with problems. What is that curse? What’s the connection between the past and present? Who is Bimbisara in the first place? To know the answers you need to watch the film on the big screens.

Plus Points

Director Vasshist makes his debut with this film and he needs to be credited for penning a very interesting story. The way he mixed the time travel concept with fantasy and modern-day emotions is quite good and gives the audience a new experience.

Kalyan Ram gets a striking makeover and gives his career-best performance. He is menacing as the ruthless king and showcased a solid negative touch in his character. Be it his expressions or body language as a king, Kalyan Ram is top-notch. He also should be hailed for picking up a risky subject and standing by it.

MM Keeravani is yet another main pillar of the film and gives a solid music score. Be it the songs or his BGM, the legendary musician elevates the film completely. Catherine Tresa is good as the princess. After a long time, Srinivas Reddy gets a good role and entertains the audience.

The first half of the film is superb as the story is established superbly. The best part is the manner in which the time travel concept is established without missing any logic. The situational comedy once the king lands in the present day is also quite good.

The action blocks especially in the second half are established quite well by the director. The emotional quotient related to a small girl and her link to the king is quite good and evokes solid emotions.

The film has rich visuals and the VFX is superb and gives the audience a thrilling experience. The second half is ended on a very sensible note and leaves the audience impressed. Vennela Kishore and the supporting cast led by Prakash Raj do well in the film.

Minus Points

The heroines in the film do not get much to do with their characters. Samyuktha Menen is just a spectator in the whole narrative.

The second half becomes a tad slow once the key twists are revealed. The other character of Kalyan Ram is not etched well and more drama related to him and the king would have elevated the proceedings even more.

One of the biggest drawbacks is the main villain who is weak. A proper Telugu actor with more intensity would have made a world of difference to the film.

Technical Aspects

Kalyan Ram has spent a lot of money on the project and it shows in every scene. The production design and camera work especially showcasing the kingdom are amazing. Songs are packed quite well in the narrative. The dialogue especially mouthed by Kalyan Ram is just amazing.

The costumes picked for the king are good. The fight sequences are choreographed well and the VFX needs a special mention. The screenplay is quite interesting for the most part but becomes a bit dull in the latter part.

Coming to the director Vasshist, he makes a sparkling debut and is the one to watch out for. His strength lies in the script as the time travel concept is not easy to convince today’s educated youth. But the director passes with flying Colours and narrated the film on a sensible note.

The way he showcased Kalyan Ram as the ruthless king who gets transformed is the best part aspect of the film. Just when you think the film is losing grip, a new twist is revealed and makes things interesting. If he would have packed the second half with more drama, the output would have been even more intense.

On the whole, Bimbisara is a well-made fantasy drama with a solid backdrop and entertainment. Kalyan Ram gives his career-best performance and the narration is gripping. Apart from a few patchy scenes in the second half, this film has emotions, action, comedy, and good visuals that will be lapped by the audience and ends as an interesting film to watch on the big screen. Go for it.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team

Click Here For Telugu Review

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• తెలుగు

Bimbisara Review: Works in Parts

Movie: Bimbisara Rating: 2.5/5 Banner: NTR Arts Cast: Kalyan Ram, Catherine Tresa, Samyuktha Menon, Warina Hussain, Vennela Kishore, Brahmaji, Srinivasa Reddy, and others Dialogues: Vasudev Muneppagari Music: MM Keeravani DOP: Chota K Naidu Editor: Tammi Raju Art: Kiran Kumar Manne  Stunts: Venkat & Ram Krishan Producer: Hari Krishna K Written and Directed by: Vassishta Release Date: August 5, 2022

Films mounted on a big scale and loaded with visual effects are being liked by the audiences these days. Following the trend, Kalyan Ram came up with “Bimbisara” with a similar setup. The film’s trailer wowed everyone and set the expectations soaring high.

Let’s find out whether “Bimbisara” reaches the expectations.

Story: There lived a king named Bimbisara (Kalyan Ram) many centuries ago. He is power-thirsty and evil. He hides all his wealth (money and jewelry) in a secret room.

He doesn’t spare anyone who talks or goes against him. He even kills an innocent girl. One day, an artist presents him with a magical mirror that transports him to the future (to 2022). 

In the modern era, a doctor is in search of a book stashed in the locked room belonging to Bimbisara. Meanwhile, Bimbisara gets saved by a young girl from an accident. The girl looks exactly like the one he killed in his kingdom.

Will this incident transform him into a good man?

Artistes’ Performances: Kalyan Ram has a role that has him showing three shades. He plays the role of Bimbisara and his twin brother Deva Datta. As an evil king of Bimbisara, he does justice but he shines better in the modern version. The film entirely revolves around him.

Except for Kalyan Ram’s role, all the characters are cardboard. Catherine Tresa in the role of princess Ira is there for a song.

Samyuktha Menon’s role is silly. The heroine’s roles are forgettable.

Srinivasa Reddy’s comedy is typical. Vivan Bhatena in the role of the villain makes no impact.

Technical Excellence: Lavishly made and shot, the visual effects are top-class. Touted to be the costliest movie in Kalyan Ram’s career, the movie boasts a grand production design.

The 5th-century setting is a right mix of artwork and VFX. The cinematography is rich. Music is a mixed bag. “Eeswarude” song stands out, while Keeravani’s BGM is effective.

Highlights: Time travel concept Kalyan Ram Grand visuals

Drawback: Heroines  Villain’s characterization Weak second half

Analysis Time travel is the concept of “Bimbisara”. We have seen a couple of films in this genre but the new director has brought some novelty to this theme: an evil king gets transported to the future to realize how evil he was and how bad king he was. The idea is exciting.

New director Vashisht doesn’t beat around the bush to come to the point. King Bimbisara’s evil acts and his story are presented without wasting time. After negatively painting Kalyan Ram, the film introduces the second character – his twin brother, again played by Kalyan Ram.

The first hour is entirely set in the fifth century and the drama. The time travel angle comes just before the interval and the story cuts to the current era. Unlike the previous movies, the past and the present go parallel here.

The toughest job for any director to handle time-travel concepts is with the present-day sequences. We have seen films where Yama or angels come to earth and are confused about the lifestyle of modern humans and gadgets. Director Vashist briefly treads the same path as those movies but he thankfully keeps it short. The comedy portions involving Vennela Kishore and Chammk Chandra are one such example. 

The problem with “Bimbisara” is it doesn’t have a proper conflict. The villain’s character is so weak. There is no emotional connection. Even the thread of Bimbisara going all out to save the child, who he killed in the past, is clumsy. The resolution (the final part) is the biggest problem with this story.

While Bimbisara is evil, we also get the second character Deva Dutta to balance the good. So, it is like a regular mass film, when a hero plays a bad character, the other character has to be a good guy. 

And Samyuktha Menen plays a cop. Do cops behave like that? New director Vashisht has a grip on production design and visuals but his writing needed sharpness. 

Despite not so rousing the second half, “Bimbisara” makes a decent watch for its grander setting and time-travel element. And the film is a better-made film among Kalyan Ram’s recent films. 

Bottom line: Mixed bag

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Tags: Bimbisara Bimbisara Review Bimbisara Movie Review Bimbisara Rating Bimbisara Movie Rating Bimbisara Telugu Movie Review

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Bimbisara Movie Review

Article by Suman M Published by GulteDesk --> Published on: 1:25 pm, 5 August 2022

2 Hrs 27 Mins   |   Socio Fantasy   |   05-08-2022

Cast - Kalyan Ram, Catherine Tresa, Samyuktha Menon, Warina Hussain

Director - Mallidi Vashist

Producer - Harikrishna K

Banner - NTR Arts

Music - MM Keeravani

Kalyan Ram is always inclined towards versatility in films. The actor-producer once again picked a unique concept to execute. Kalyan Ram acted and produced Bimbisara, the movie claims to be based on time travel concepts, and many more. The trailer of Bimbisara is interesting with mythological fantasy concepts. The movie was released today in theaters. Here is the review.

What Is It About?

Bimbisara (Kalyan Ram) is a ruthless emperor of Trigarala in 500 BC. In unexpected circumstances, Bimbisara travels in time and reaches the current day not knowing that a power-thirsty doctor Subramanya Sastry and Kethu (Ayyappa P Sharma) are already waiting for him to come. What made Bimbisara travel in time and what did he do? The answers to these questions are all about Bimbisara.

Performances

Kalyan Ram had to appear as the same person in two different worlds. He did justice for the role.

Catherine Tresa is confined to a limited role and a song. She is alright as the princess.

Srinivasa Reddy gets a meaty role and he did very well. He reminds us of the comedy from great fantasy films from the past.

Samyuktha Menon’s role is small and there is nothing much for her to perform. Prakash Raj, Rajeev Kanakala, and Vennela Kishore were given routine roles. For a story like Bimbisara, a powerful villain would be great, but here the villain character is too weak and hollow.

Technicalities

The first thing that impresses Bimbisara is the graphics. Just like the trailer hinted at good VFX work, the movie has got the graphics part done very well. Though the movie did not have any foreign technicians, Bimbisara has got that visual effects part done well.

Bimbisara’s storyline starts as a unique line, but the commercial elements in the second half pull the graph down a bit. The screenplay is good. There are many dragged scenes in the second half. The cinematography is fine. The background music is very good, but the songs are just okay.

Sci-fi storyline Kalyan Ram Keeravani music

Thumbs Down

Weak villain Rushed climax

Besides Aditya 369, not many Telugu films have the time travel concept for a full-length movie. Bimbisara uses the idea of traveling in time and blends some commercial and fantasy elements.

The director cleverly made it uncomplicated with the parallel worlds concept. He also chose a simple mirror as a medium of non-stop travel. The logical question arises on why the travel is specific to two particular times, but the answer is just the relevance to the story.

The first half has got a few surprises that worked well. Though the introduction to the brutality of Bimbisara took a while, it slowly falls in track with the story until the interval.

The second half hardly touches the 5th century BC because the story goes completely into the commercial mode. Though the little girl’s sentiment is linked to the treasure from a parallel world, it slows down the pace at times.

The curiosity factor from the first half slowly falls back after the interval with the commercial formula approach dominating after each scene. The loud but weak villain remains one of the main drawbacks of the movie.

There are few scenes and dialogues that immediately remind us of Yamagola and Yamaleela, except that Bimbisara has the time travel theory. The villain gang kidnapping the whole family to get things done by the protagonist is a vintage idea that our filmmakers could avoid for good.

Overall, Bimbisara is a storyline that has a new concept of time travel that starts good but slows down with routine narrative later on. With the sci-fi storyline and Kalyan Ram’s performance, Bimbisara has got fair chance to impress the audience.

Bottom Line: Box Office ki Aasara

Rating: 3 /5

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The protagonist time travels from his kingdom to the present world. How and why does he do it? The protagonist time travels from his kingdom to the present world. How and why does he do it? The protagonist time travels from his kingdom to the present world. How and why does he do it?

• Mallidi Vasishta
• Vasudev Muneppagari
• Nandamuri Kalyan Ram
• Samyuktha Menon
• Catherine Tresa
• 81 User reviews
• 4 Critic reviews
• 1 win & 1 nomination

• Bimbisara …

• Princess Aira

• Vyjayanthi's uncle

• Grandfather Vishwanandan Varma

• Villain side role
• Guest Apperance

• Subramanya Shastri

• Brahmakamalam

• Godman Kethu
• Vishwanandan Varma's elder son

• Devadutta's friend
• (as Viva Harsha)
• Subramanya Shastri's father

• Item number 'Gulebakavali'
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Alternate versions The UK release was cut, the distributor chose to make changes to the film in order to obtain a 12A classification. Sequences of bloody violence were removed. An uncut 15 classification was available.

User reviews 81

• amithdasari
• Aug 5, 2022
• How long is Bimbisara? Powered by Alexa
• August 5, 2022 (India)
• Watch Bimbisara on ZEE5
• See more company credits at IMDbPro

Technical specs

• Runtime 2 hours 26 minutes

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Bimbisara Movie Review: Kalyan Ram shines bright in this riveting fantasy drama

Rating: ( 3 / 5).

Telugu filmmakers' fascination with the fantasy genre dates back many decades. Films like Pathala Bhairavi (1951), Mayabazar (1957), Yamagola (1977), Jagadeka Veerudu Athiloka Sundari (1990), Bhairava Dweepam, Yamaleela (1994), Ammoru (1995), Yamadonga (2007) and Arundhati (2009) among others mesmerized the audience with their storytelling, special effects, costumes, grand sets, soothing music and lots of adventure and drama. The genre has evolved so much that filmmakers are finding new ways to blend fantasy, folklore, and mythology in a contemporary milieu. And one such attempt is Kalyan Ram-starrer Bimbisara , which marks the debut of director Vassishta.

The film was released with a lot of promise and let's see what worked for it.

Cast: Nandamuri Kalyan Ram, Catherine Tresa, Samyuktha Menon, Prakash Raj Director: Vassishta  

Bimbisara fits nicely within the impressive canon of Tollywood's fantasy entertainers. After all, the legend of Bimbisara, a ruthless tyrant, whose quest for power and his resolve to conquer the kingdoms of the region, has all the melodrama, adventure, and action that have become the debutant's mainstay.

Expectedly Vassishta delivers a film that is richly cinematic, but whose story – as it turns out – has little of the emotional complexity that powered the earlier films of this genre. Set in 500 BC in the Trigartha empire, Bimbisara tells the story of an invincible ruler, who threatens anyone who comes his way or at least, tries to cross paths with him. He slaughters anyone who opposes him in sight and is evil personified. What happens when this authoritarian king unexpectedly lands in the modern-day world?

Bimbisara is enhanced by uncompromising action, its striking camera work, and impressive visual effects, especially the ones set in the ancient period. In fact, Kalyan Ram's entry into his kingdom reminds us of the iconic NTR as Duryodhana from Dana Veera Soora Karna (1977). It's refreshing to see Kalyan make his character his own -- his sheer bulk adds to the overall evil of Bimbisara . His presence is freakishly powerful, shrewd, and stays with you.

The film has spectacular action sequences, striking the right balance between grand scale and chilling confrontations. In one sequence, a cloud of smoke fills up the screen when Bimbisara’s enemies kidnap a young girl, making it impossible to see what’s happening on the ground. The image that follows, of Bimbisara emerging from the cloud of smoke, is all you need to know about the severity and the intensity of the fight, and it quickly establishes the brutality that Bimbisara is capable of. In fact, it acts as a precursor to the climax.

There is opulence and ferocity in virtually every frame of the film and the director has made good use of the concept to present every scene on a grand scale.

Kalyan Ram breathes life into the character of the barbaric, eccentric, menacing, power-hungry king, giving us a villain for the ages. Sporting a beard, unkempt long hair, kohl in the eyes, pierced ears, and the swagger of an evil man, he is both fascinating and intense at once. Bimbisara finds loyalty in Zubeida (Srinivas Reddy), who indulges in goofy and slap-stick humour. Some of their moments are thoroughly entertaining in the film.

In comparison, the romance between Bimbisara and the two leading ladies (Catherine Tresa and Samyuktha Menon) is lackluster and slackens the film’s pace. Both these ladies lack substance in the story and were relegated as mere caricatures. Samyuktha, who plays a cop, is zany! It is where  Vassishta fails to weave magic and we are fortunate that these episodes were cut short.

Vivan Bhatena is passable as Subrahmanya Sastry, but a quirkier actor could have added more seriousness to the role. Ayyappa P Sharma as Ketu is at ease and gets a little more to work with. Of the supporting cast, Brahmaji, Chammak Chandra, and Vennela Kishore make efforts to generate silly laughs.

Dialogues by Vasudeva Muneppagari are catchy. The music of Chirranthan Bhat and the background score of MM Keeravani have their high points. The songs, especially, Eeswarude and the much-hyped special number featuring Warina Hussain stand out.

Overall, Bimbisara belongs to Kalyan Ram whose delicious performance is its biggest draw. The actor keeps you invested in the film even when it plods on for around 150 minutes.

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Bimbisara Review: మూవీ రివ్యూ: బింబిసార

టైటిల్: బింబిసార రేటింగ్: 2.5/5 తారాగణం: నందమూరి కళ్యాణ్‌ రామ్‌, కేథ‌రిన్ థ్రెసా, సంయుక్త మీనన్, వారిన హుస్సేన్, వెన్నెల కిషోర్, శ్రీనివాసరెడ్డి, బ్రహ్మాజి, ప్రకాశ్ రాజ్, అయ్యప్ప శర్మ తదితరులు కెమెరా: చోటా కె నాయుడు ఎడిటింగ్: తమ్మి రాజు సంగీతం (బ్యాక్ గ్రౌండ్): ఎం.ఎం. కీరవాణి సంగీతం (పాటలు): చిరంతన్ భట్, వరికుప్పల యాదగిరి, కీరవాణి నిర్మాత: ఎన్.టి.ఆర్ ఆర్ట్స్ దర్శకత్వం: మల్లిడి వశిష్ట్ విడుదల తేదీ: 5 ఆగస్టు 2022

బింబిసారుడనగానే క్రీస్తుపూర్వం 5వ శతాబ్దం నాటి మగథసామ్రాజ్యాధినేత గుర్తొస్తాడు. హిందీలో వైజయంతిమాల నటించిన "ఆమ్రపాలి"లో సునీల్ దత్ పోషించింది అజాతశత్రు పాత్ర. ఆ అజాతశత్రు తండ్రే బింబిసారుడు. అది చరిత్ర.

టైటిల్ చూసి ఇది ఆ చారిత్రాత్మక చిత్రమేమో అనుకుంటే పొరపాటే. దానికి, ఈ సినిమాకి ఏ సంబంధమూ లేదు. సౌండింగ్ బాగుందనో, హిస్టారికల్ పేరైతే క్యాచీగా ఉంటుందనో ఈ టైటిల్ పెట్టారు తప్ప ఇంకేం కాదు. సింపుల్ గా చెప్పాలంటే రాజమౌళి తీసిన ఆర్.ఆర్.ఆర్ కి అల్లూరి సీతారామరాజుకి, కొమురం భీం కి ఎంత సంబంధముందో ఇదీ అంతే.

ట్రైలర్ చూస్తే మగధీరని, బాహుబలిని చూసి అనుకరించినట్టుందని చాలామందికి అనిపించింది. అయినా కూడా కళ్యాణ్ రామ్‌ కష్టానికి తగిన ప్రతిఫలం రావాలని కోరుకున్న వారూ లేకపోలేదు.

ఇంతకీ ఇందులో ఏముందో, ఎలా ఉందో చెప్పుకుందాం.

క్రీస్తుపూర్వం 5 వ శతాబ్దంలో అత్యంత కౄరుడైన త్రిగర్తల సామ్రాజ్యాధినేత బింబిసారుడు.ఆక్రమణలతో రాజ్యాన్ని విస్తరించుకోవడం, ఎదురు తిరిగిన వాళ్లని హింసించడం, నచ్చకపోతే చిన్నకారణాలకే అమాయకుల్ని చంపేయడం అతని నైజం. మద్యం మరియు మగువలతో కాలం గడపడం అతని దినచర్య.

ఇదిలా ఉంటే మాయాదర్పణం అనే ఒక నిలువుటద్దం కథలోకొస్తుంది. దానికి కాలాలను కలిపే శక్తుంటుంది. ఆ సంగతి బింబిసారుడికి తెలియదు.

ఒక సందర్భంలో నరరూపరాక్షసుడు లాంటి ఈ బింబిసారుడు దైవాన్ని కూడా ధిక్కరిస్తాడు. తనని లొంగదీయగలిగే శక్తి సృష్టిలోనే లేదంటాడు. ఒక చిన్న పిల్లని మదమెక్కి చంపేస్తాడు.

ఆ తర్వాత ఒకడు ఆ బింబిసారుడిని ఒక్క తన్ను తంతే ఆ మాయాదర్పణంలో పడి మన కాలాంలోకొచ్చి పడతాడు.

అక్కడి నుంచి ఈ కొత్త కాలంలో అతను పడే కష్టాలు, అతనిలో చోటు చేసుకున్న మార్పు మిగిలిన కథ.

ఈ కథలో పాయింట్ కొత్తగా అనిపిస్తుంది కానీ, అ పాయింటుకి, కథనానికి అన్నింటికీ రకరకాల సినిమాల నుంచి స్ఫూర్తి ఉంది.

రాజులకాలం, ప్రస్తుతకాలం మధ్యన కథనగానే "మగధీర" గుర్తొస్తుంది. అందులో రావురమేష్ పాత్రలాగ ఇందులో అయ్యప్పశర్మ పాత్రుంది. అక్కడ విలన్ లాగానే ఇక్కడా ప్రస్తుత కాలంలో విలనుంటాడు. అయితే మగధీర పునర్జన్మల కాన్సెప్ట్. ఇది అలా కాదు.

ఉన్నపళంగా ఒకానొక కాలానికి చెందిన వ్యక్తి వేరే కాలంలోకి వెళ్లడమనే కాన్సెప్ట్ ఈ మాధ్య జెర్మన్ వెబ్ సిరీస్ "డార్క్" లో పాపులరయింది. మనుసులు ఒక సొరంగం ద్వారా వేరు వేరు కాలాల్లోకి వెళ్లిపోతుంతారు ఈ సిరీస్ లో. ఇలాంటి ఐడియాతో నైజీరియన్ చిత్రం "డే ఆఫ్ డెస్టినీ" వచ్చింది. అందులో ఒక మెజీషియన్ ద్వారా పాత్రలు ఒక కాలంలోంచి ఇంకో కాలనికి వెళ్తారు. అలాగే ఇందులో మాయాదర్పణం ద్వారా కాలాల మధ్య ప్రయాణం చేస్తుంటుంది ప్రధానపాత్ర.

బాహుబలి స్ఫూర్తైతే అడుగడుగునా కనిపిస్తుంది ఇందులో. బింబిసారుడిగా కళ్యాణ్ రామ్‌ సభలోకి నడుచుకుంటూ వచ్చేటప్పుడు పాదాల దగ్గర పెట్టిన కెమెరా యాంగిల్, ఒక పాత్రని హఠాత్తుగా కత్తితో తలనరకడం, చివరికి దర్జాగా కూర్చుని చచ్చిపోవడం ఇలా చాలా ఘట్టాలు బాహుబలిని గుర్తుచేస్తాయి. అయితే భళ్లాలదేవుడి పాత్రలాగ మొదలయ్యి చివరికి అమరేంద్ర బాహుబలిగా ముగుస్తుంది కళ్యాణ్ రామ్‌ క్యారెక్టర్.

అన్నట్టు ఒకానొక చోట ధన్వంతరిపురం అనే ఊరి ఎపిసోడ్ వస్తుంది. అదేంటో గానీ ఒక్క క్షణం "ఆచార్య"లోని పాదఘట్టం గుర్తొచ్చి కంగారుపెట్టింది. కానీ అంతలోనే సర్దుకుని కథ ఆ దిశగా వెళ్లకుండా ట్రాకు మారింది.

అలాగే "యమగోల", "యమలీల" సినిమాల్లో యముడు, చిత్రగుప్తుడు భూలోకానికి వచ్చినట్టు ఇందులో కూడా అలాంటి సీన్స్ రిపీటైనట్టు అనిపించాయి.

పాయింట్ పరంగా బాగానే అనిపించినా ట్రీట్మెంటులో కానీ, సన్నివేశలు కన్సీవ్ చెయడంలో కానీ ఒరిజినాలిటీ చూపించలేదు. ఆల్రెడీ చూసేసిన పెద్ద సినిమాల తరహా సీన్లొస్తుంటే పులిని చూసి నక్క వాతలు పెట్టుకున్నట్టు అనిపిస్తుంది తప్ప అద్భుతమనిపించదు.

సాంకేతికంగా ఉన్నంతలో బాగానే తెరకెక్కించారు. కొన్ని చోట్ల గ్రాఫిక్స్ చీప్ గా అనిపించినా చాలా చోట్ల బాగున్నాయి. నేపథ్య సంగీతం ఆకట్టుకుంది.

పాటలు మాత్రం పెద్ద గుర్తుండేలా, హం చేసుకునేలా లేవు. అయితే "ఈశ్వరుడే చేసినాడు కొత్త గారడి.." అనే పాట మాత్రం సందర్భోచితంగా చూస్తున్నప్పుడు ఆకట్టుకుంది. ఆ పాటకి చేసిన ఎడిటింగ్ కూడా బాగుంది. "గులేబకావళి అందం.." మాత్రం పాత తరహా ఆర్కెస్ట్రాలా వినిపిస్తుంది.

ప్రధమార్థంలో చాలా సేపటి వరకు తెర మీద సన్నివేశాలు మారుతుంటాయి తప్ప ఎమోషన్ అందదు. నెమ్మదిగా కథ అందుకుని ఇంటర్వల్ బ్యాంగ్ కి వచ్చేసరికి ఎమోషనల్ గా మారుతుంది. సెకండాఫ్ కూడా మరీ ప్రెడిక్టబుల్ గా కాకుండా ప్యారలెల్ వర్డ్ల్స్ టైప్ లో ప్యారలల్ టైం లో జరిగే సన్నివేశాలు కొత్తగా ఉన్నాయి. అయితే వీటికీ ఈ మధ్యన వచ్చిన "ప్లే బ్యాక్" కి కొంచెం పోలికలు కనిపిస్తాయి.

రొటీన్ రొట్టకొట్టుడు కాకుండా కొత్తగా ఆలోచించి మల్టిపుల్ జానర్ సినిమా తీయాలనుకున్న ఐడియాని మెచ్చుకోవాలి. అయితే స్క్రిప్ట్ దగ్గరే ఇంకా కసరత్తు చేసి సన్నివేశ రూపకల్పనలోనూ, డయలాగ్స్ విషయంలోనూ ఇంకా ఫోకస్ పెట్టుంటే గొప్ప సినిమా అయ్యుండేది. ఫైట్స్ విషయంలో కూడా వైవిధ్యం మిస్సయ్యింది. ప్రతి వాడు తంతే గోడకెళ్లి గుచ్చుకోవడం మళ్లీ మళ్లీ రిపీటయ్యే సరికి యాక్షన్ కోరియోగ్రఫీలో భావదారిద్ర్యం కనిపిస్తుంది.  

కళ్యాణ్ రామ్‌ కష్టాన్ని మెచ్చుకోవచ్చు. ద్విపాత్రాభినయంలో చక్కని వైవిధ్యం కూడా చూపించాడు. కానీ అక్కడక్కడ అవసరానికి మించి అరిచినట్టు లౌడ్ గా అనిపించింది. క్యాథరీన్ మాత్రం లావుగా ఉన్నా ఆ పాత్ర వరకు సరిపోయింది. అయ్యప్ప శర్మ ఓకే. మిగిలిన వాళ్లంతా తమతమ పాత్రల్లో మమ అనిపించారు తప్ప ప్రత్యేకమైన మెరుపులు మెరిపించలేదు. దర్శకత్వపరంగా ప్రస్తుత స్టాండర్డ్స్ ని దృష్టిలో పెట్టుకుంటే యావరేజని చెప్పాలి. ఇలాంటి సినిమాలకు పని చేసేటప్పుడు ఇంకా సాన పెట్టాల్సిన అంశాలు ఎన్నో ఉన్నాయి. అయినప్పటికీ నిరుత్సాహపరచకుండా తీసిన సినిమా ఇది.

ఎలా చూసుకున్నా పలు సన్నివేశాల్లో ఒరిజినాలిటీ లోపించడమే ప్రధానమైన మైనస్. ఎలాగో లాస్ట్ సీన్లో సీక్వెల్ కి సంకేతమిచ్చారు కనుక దాంట్లో మరిన్ని జాగ్రత్తలు తీసుకోవాల్సిన అవసరం మెండుగా ఉంది.

అద్భుతం కాదు.. అలాగని విసిగించదు. సోషియో ఫ్యాంటసీ సినిమాలు నచ్చేవాళ్లు ఒకసారి ట్రై చేయొచ్చు.

బాటం లైన్: భల్లాలదేవుడు బాహుబలైతే!

అందరూ ఒక వైపు.. ఆ ఒక్కడూ మరో వైపు

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• గట్టిగా ట్రై చేశాడు కానీ ఫలితం లేదు

Jeevi rating: 3/5 Punchline : Mass Masala with Novelty Genre: Action/Period Type: Straight Banner : NTR Arts Runtime: 147 minutes Release date : 5 August, 2022 Theatre watched: Audi 8, PVR Nxt Galleria Mall, Punjagutta, Hyderabad Cast : Nandamuri Kalyan Ram, Catherine Tresa, Samyuktha Menon, Prakash Raj, Vivan Bhatena, Vennela Kishore, Srinivas Reddy, Brahmaji, Ayyappa P. Sharma, Rajeev Kanakala, Sai Kiran, Tanikella, Viva Harsha, Warina Hussain Music: Chirrantan Bhatt Background Score : MM Keeravani Cinematography: Chota K Naidu Dialogues: Vasudev Muneppagari Editing : Tammiraju Production design : Kiran Kumar Manne Action choreography : Venkat & Ram Krishan Story - screenplay - direction: Vassisht Producer: Hari Krishna K

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