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Cambridge C1 Advanced (CAE): How to Write an Essay

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Introduction

An essay in the C1 Advanced Writing paper is usually written for an academic tutor and may be written as a follow-up to a class activity, such as attending a seminar or watching a documentary. The main purpose of the task is to underline relevant salient issues on the stated topic, and to support an argument with subsidiary points and reasons. An essay should be well organised, with an introduction, clear development and an appropriate conclusion. It should hold the target reader’s attention and communicate complex ideas using an appropriate range of vocabulary and structures. Source: Cambridge English C1 Advanced handbook for teachers

Essays are part of the first section of the CAE Writing paper. The task is mandatory, which means that you always have to write an essay unlike the other texts ( emails/letter , proposals , reviews , reports ) where you can choose which one you would like to tackle in the exam.

Essay writing is not that difficult…

…if you know what you are doing. For most students, essay writing feels like this huge obstacle that they won’t be able to clear when, in fact, it is not as bad as you might think.

Just like every other writing task in C1 Advanced you can apply a specific structure because the different tasks share the same characteristics. Obviously, the topic changes and the input you get from the question differs, but, essentially, it is like repeating the same task over and over again. For this, you can become pretty good at essay writing in a short time just by practising regularly until most of it becomes almost automatic for you.

Long story short, in this article I’m going to take you by the hand and guide you through all the different aspects of essay writing. We’re going to see what a typical essay task looks like, the structure and language and, of course, common problems and mistakes you should avoid on your way to mastering essays.

What a typical essay task looks like

As mentioned earlier, essay tasks in C1 Advanced look very similar to each other and once you understand what those common features are, you will see that everything becomes a lot easier. A typical task might look like the one below:

Every essay writing task looks like this with the content changing, but the structure staying exactly the same.

There are also a few things highlighted for you in bold which are definitely important for you to consider when you plan and, later, write your text.

First of all, in the bigger box there is always the question you have to answer and three option s to choose from and, as the rubric tells you, you have to pick two of them . These two points need to be discussed and compared and then you explain (with reasons!) which option you think is better, more suitable, nicer or whatever the task asks you to do (Here: Which facility is it more important for local authorities to give money to?).

Apart from that, you are also gifted a few ideas in the smaller of the two boxes . You can use these in your essay (You don’t have to.), but make sure that you don’t just copy them word for word. Instead, paraphrase them and make them your own, or simply come up with your own ideas.

If you have ever written a Cambridge B2 First essay , you will immediately see the similarities between the tasks, but in C1 Advanced there is less support for you and you have to make more decisions on your own before you can even start to make a plan for your text. Read the whole task very carefully and then choose wisely based on what feels best for you in any given case .

Formal or informal language in an essay?

I’ll keep this short for you because this works in every single task: Keep your language formal , which means no contractions ( I’m , don’t , etc.), no colloquial expressions ( Hey, what’s up? , I liked it heaps ., etc.), and no slang or phrasal verbs that convey informality ( I’m bursting vs. I have had enough to eat; carry on vs. continue).

How to organise your essay

OK, we know now what we have to do and what kind of language we have to use so it’s time to look at the organisation and structure of a good essay.

When organising a piece of writing you should always think about what it is that you have to include in your text. In a C1 Advanced essay there are basically four things:

• First topic point
• Second topic point

From that, we can make four paragraphs and this applies to every single essay you are going to write to practise or in the official exam.

Let’s have another look at our example from earlier. The three options are museums, sports centres and public gardens. Museums and sports centres are both buildings and probably similar to talk about so I’m going to choose sports centres and public parks, just because we can contrast them better in my opinion.

Adding our two topic points to the list from before, this specific essay structure looks like this:

• Sports centres
• Public parks

So there you go. I think that the process up this point is fairly simple and from there most students jump right into the deep end and start to write their essay – but not so fast!

Plan before you start writing

One of the most crucial yet most undervalued tools for excellent writing is a good plan. Unfortunately, I see too many students skip this step and they often end up revising their texts over and over until they run out of time and the result is still not satisfactory.

Please don’t make the same mistake. It takes around five minutes to make a plan which helps you organise your thoughts and ideas in a way that makes sense. You will be able to focus on your language and arguments instead of worrying about possibly forgetting to include content while saving you time. It works and you should do it as well.

To make your plan just take the list we created above and add a couple of thoughts to each point so you know what you want to write about.

• Introduction (panel discussion, local authorities, sports centres & public gardens –> Which one is more important?)
• Sports centres (public health, wide variety of activities, social aspect)
• Public parks (green lung of the city, place to relax from city life, social outdoor activities)
• Conclusion (sports centres better choice –> more variety, more social, greater health benefits)

It took me 4 minutes to create this plan. I used the idea from the task for sports centres (“Sports centrs mean healthier people.”), but I paraphrased it (public health) while the idea for public parks seems too vague for me so I left it out. Remember that it is optional to include these thoughts in your essay. if you feel that you have better ones, go for it.

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The different parts of an essay

So far, we’ve looked at a typical essay task and we put everything in order. The next step, of course, is to put our pen to paper and turn our ideas into a great essay. Please be aware that these are simply my recommendations and if you feel that they are helpful, you’re welcome, and if not, modify them or change whatever you think makes more sense for you.

The introduction to your essay serves several different purposes. It presents the topic/question to the reader and puts it in context, introduces the topic points you are going to discuss and creates interest and anticipation in the reader.

All of this sounds like an awful lot of stuff to include, but with a little bit of practice you’ll find out that it is a fairly repeatable process. Once you’ve got the hang of it, you’ll produce one great introduction after another without having to think about it too much.

With all that being said, let’s look at a possible introduction for our example task.

In recent years, public funding for local facilities has become more problematic for many towns, which has become more obvious to me after listening to a panel on the financial needs of several different local facilities like sports centres and public parks. As these places battle for funds, the main question is which ones deserve the money more.

Let’s have a closer look at this intro. At the beginning the whole issue is put into the context of the financial problems many local authorities have experienced. Sports centres and public parks as our two topic points are included as well and, last but not least, a question is asked to create a little more interest in the reader.

With all our boxes being ticked we can now move on to the next part of the essay.

After you finish your introduction, you can turn your attention towards the main topic paragraphs. These are called ‘the body’ of you essay. I always compare it to a hamburger where the introduction and the conclusion are the bread bun while the patty, lettuce, tomatoes and sauce are the body. You want to make your essay tasty so make sure that the body is just as great as your intro.

Your topic paragraphs should be longer than the introduction and conclusion, but at the same time balanced and about the same length between the two of them. Remember, however, to stay within the limit of 220-260 words total.

A couple of characteristics that are useful and important for every topic paragraph are the following:

• Start with a topic sentence that makes it clear what the paragraph is about.
• Always support your arguments with reasons and/or examples .
• Avoid being too personal unless you give your own opinion at the end of the paragraph.

This is not rocket science, but let me show you what I mean in a couple of examples.

It is widely known that sports centres provide many different benefits to the local community. Someone on the panel mentioned that, from a public-health standpoint, it is crucial to offer opportunities to exercise in order to keep everyone healthy physically as well as mentally due to the social character of sports. In addition to that, exercise comes in many different shapes and forms, from team sports to individual activities like swimming, so there is something for everyone to enjoy in a dedicated group of people. While green spaces in a town or city have their own benefits, it can be difficult to maintain such large areas in order to keep parks pleasant and inviting to everyone. Nevertheless, considered by many as the green lung of a city their use as a refuge from hectic city life cannot be debated, and groups of people as well as individuals can be seen following their favourite pastime or socialising with others, which makes the discussion about allocating funds even more difficult.

At the beginning of each paragraph it immediately becomes clear what to expect as I mention sports centres and public parks (green spaces, parks). I managed to include all the points from our plan and I supported my arguments with some examples . Also, you can see that, for example, I didn’t use the word ‘I’ in these paragraphs at all even though my opinion on each point is pretty clear. Instead, I used more general statements (“It is widely known that…”, “considered by many as…”, “…can be seen”) which help convey your opinion without simply stating it .

Last but not least, both parts are balanced in terms of their length, but I don’t want you to think that they have to be perfectly equal. If there is good reason to give one part a little bit more attention over the other, that’s fine. For example, you can say in your essay that one of the ideas is more complex than the other, which tells the examiner that you actually thought about this instead of just having messed up your text. Be clear about it and think it through before you even start writing.

Finally, the conclusion of your essay is there to summarise and to give your opinion on the topic as well as to answer the question in the task (Which facilities should receive money from local authorities?). Your opinion can be nuanced and doesn’t have to be simply black or white as long as you can justify what you say.

In our example, a conclusion might look something like this:

Taking into account all the positions from above I come to the conclusion that funding should be allocated to both facilities as they provide essential resources to the local community. However, due to their more social character and possibly greater public health benefits I would give more funds to sports centres.

There you have it. The conclusion summarises the findings from the body of the essay and I answered the question giving my opinion. That’s really all you have to do in order to finish off your text well.

Time to start practising

With all the information provided in this article I hope you feel ready to start your journey to become an excellent essay writer. As you can see, the structure is clear and the tasks are always similar. Practise regularly in order to improve until essay writing becomes second nature for you.

Lots of love,

Teacher Phill 🙂

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How to Write an Essay for C1 Advanced (CAE)

Luis @ kse academy.

• diciembre 21, 2022

As I’m sure you already know, Cambridge exams have several papers (Reading, Writing, Use of English, Speaking and Listening), and each of these components is divided into different parts. In this post, I want to focus on Writing Part 1 of the C1 Advanced, that is, how to write an Essay for the CAE . Because, remember, C1 Writing Part 1 will always be an essay 🙂 

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What are the parts of the C1 Advanced Writing?

The C1 Advanced (CAE) Writing, as we have already seen in another article, has 2 parts , and for each one you will have to write a text according to the exercise instructions. What you should know is that there is a limited range of text types that you may be asked to write in each part, so let’s see: 

• Writing Part 1: In this part you will always have to write an essay, and you will have no other options to choose from. That’s why it is really important that you pay attention to this article and learn how to write an essay for C1 Advanced to the best of your ability. 
• Formal letter/email
• Informal letter/email
• Review 
• Proposal 

Each writing task you do should be between 220 and 260 words long, approximately, and, as they are different types of writing, you should take into account the peculiarities of each one in terms of structure, register, grammar and vocabulary, etc. 

So let’s start with the one that concerns us in this article: Essays! 

What is an essay ?

An Essay is a text of opinion in which we analyse a topic, a situation or a problem from different points of view or by considering several points or solutions to the problem. In each of the paragraphs, we deal with each point and express different facts, considerations and opinions. 

Now that we know what an essay is, let’s look at how to write an essay and its characteristics. 

How to Write an Essay for CAE Writing

Here are the main characteristics of a C1-level essay so that you can keep them in mind when writing: 

• Purpose: With an essay, what we do is evaluate a topic, situation or problem that is of some interest or controversy (e.g. teenage mobile phone use ). Often, the Writing activity is set as a task that takes place after a class debate. In an exam, you will have to imagine the debate for yourself (duh!).
• Tone and register: As it is a text on a serious or controversial topic, the Essay is always written in a formal context, so we must use an objective tone. Furthermore, the linguistic register should always be formal, avoiding common words such as things , stuff , get , etc.; contractions ( can’t , don’t , won’t , etc.); or expressions that may sound informal. 
• Structure: Like all writing tasks, an essay has a fairly well-defined structure, although it is not 100% fixed and immovable. To begin with, we can choose to give it a title or not, but, personally, I find it more appropriate to write an Essay with a title. Have you ever seen a text published without a title? Probably not.  As for the body of the essay, it should be divided into the following paragraphs: introduction, point 1, point 2 and conclusion. In other words, in general, a Cambridge C1 Essay should have 4-5 paragraphs.
• Opinion: This is where we have the most leeway when writing an essay for C1. There are many ways of expressing your opinion in an Essay, so you should choose the one that best suits your Writing approach. What I usually recommend, however, is that you remain impartial throughout the whole text and only express your opinion at the end, in the last paragraph, as a conclusion. As always, the most important thing is that you justify everything you say in your writing and that your conclusion answers the main question of the assignment.
• Coherence and progression: Coherence is essential in all Writings, but especially in the essay. As it is a supporting and argumentative text, you cannot write unconnected sentences and paragraphs; the ideas must follow a logical and well-connected order, using connectors appropriate to C1 level, in this case. Furthermore, the reader must perceive a logical progression of paragraphs, without losing the thread of what you are trying to argue. Otherwise, when they get to the last paragraph, they won’t know what you are talking about and our writing will have failed catastrophically. 

CAE Writing Essay Example

Now that we are familiar with the main features of an essay for Cambridge Advanced (CAE) Writing, let’s look at a sample essay at C1 level, both the sample instructions and a possible answer.

C1 Essay Instructions

In the picture below you can see an example from the Cambridge website. 

From these instructions, we must always extract the essentials: 

• Topic: facilities which should receive money from local authorities
• sports centres
• public gardens
• «Museums aren’t popular with everybody!»
• «Sports centres mean healthier people.»
• «A town needs green spaces – parks are great for everybody.»
• Address only 2 of the 3 points given. 
• Answer and justify the main question (« to which facility is it most important that local authorities give money «).
• Justify your answer (« giving reasons in support of your answer «)
• Use your own words (« use your own words as far as possible «)

According to the task model outlined above, we can approach out writing with the following structure: 

• Introduction
• Point 1 (museums)
• Point 2 (sports centres)

Although it is not set in stone, you will normally get 4 paragraphs. So now let’s look at an example Essay for CAE Writing: 

At first glance, we can see that this Essay for C1 has an introductory title and 4 paragraphs ( introduction , museums , sports , conclusion ). In addition, if we read the text carefully, we can see the following aspects: 

• Title: The title perfectly summarises for the reader the topic to be covered in the text. Sometimes, a title in the form of a question such as « Which facilities should receive funding from local authorities? » can be a good idea, although I always prefer more concise titles.
• Introduction : introduces the topic and mentions the two options we are going to discuss in the following paragraphs. 
• Museums : Discusses the benefits of museums and the benefits of investing money in them. 
• Sports centres : Discusses the benefits of sports centres and the consequences of investing money in them. 
• Conclusion : In a very clear way, museums are seen as the ones that should receive the investment for certain reasons that are well justified. 
• Connectors: Connectors are used that clearly define the coherence and progression of the text.: on the one/other hand, in addition, ultimately, however, while, etc. 
• We do not use contractions or catch-all words.
• When it comes to
• comes to mind
• valuable cultural resource
• heritage 
• generating income
• engage in physical activity
• positive outlet for energy
• Grammar is also advanced (E.g.: Not only can…, but they also… )

In short, this is a good example of an Essay for CAE Writing. It should be noted, however, that this writing is written to simulate a strong C1 level, perhaps without necessarily going into a C2 level.

Will I be penalised if I write less than 220 or more than 260 words?

This is the most typical question in this part of the exam and the answer is: yes and no. Let me explain. The assessors won’t count the words and penalise you according to the number of words only. There is a rumour going around among students and teachers that for every 10 words they take away X points, but this is not true. However, if you have gone over 260 words by 50 or 100 words, or more, there is probably some content that is not relevant to the assignment, and that is penalised. Likewise, if you write less than 220 words, you are probably missing important information or you are not covering it in the detail required by the task instructions.

For this reason, I always recommend going over 20 words at most. That way you won’t lose points if your assignment covers the required topics and points. 🙂

The best guide for C1 Advanced Writing with examples and useful expressions

Although I will be publishing more articles explaining how to do each type of task for C1 Advanced, the best thing you can do to get plenty of information and practice is to buy the official KSE Academy guide to CAE Writing. In this guide you will find the following:

I hope you found this post useful. If you did, don’t forget to share with your friends and family. 🙂

I’ll see you in the next post. Until then, don’t forget to keep smiling! 

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From drab to fab: elevate your essay writing with powerful techniques, sponsored post.

• May 28, 2024

Essays. The mere word can make some students groan and break out in a cold sweat. Some of them don’t know where to start, and others wonder, “How do I make my essay better to get a good grade?” But essays don’t have to be your nemesis. With the right tools and tricks, you can transform your essays from drab to absolutely fabulous!

Whether you panic at the sight of a blank page or feel like your texts always end up being a confusing jumble, you’re in the right place. And yes, sometimes it helps to get extra guidance from websites like WritePapers when it comes to academic writing. Yet, with the strategies we’ll talk about here, you can start crafting those A+ essays your teachers will rave about. 

Let’s ditch the dull texts and get creative!

Spice Up Your Sentences

Basic sentences get the job done, but they won’t make your essay pop. To really elevate your writing, you should experiment with different sentence structures and words. 

Think about how you can add flair to your writing strategies. A mix of sentence lengths is a great starting point. Short, punchy sentences can create emphasis. Longer, detailed sentences are perfect for describing complex ideas. 

And don’t forget the power of those vivid verbs! They bring your writing to life. Instead of describing something as “interesting,” try words like “fascinating,” “captivating,” or “riveting.”

Master Transitions

Smooth transitions are essential for creating a strong, cohesive essay. Imagine trying to cross a river without any bridges…it’d be tough! Effective transitions show the relationships between your ideas, taking your reader on a clear and logical journey. 

Using signal words and phrases is a cornerstone of successful transitions. For example, if you’re adding onto a previous point, words like “furthermore” or “additionally” work wonders. Want to show contrast? Try “however” or “on the other hand.” To demonstrate cause and effect, use words like “consequently” or “therefore” are your friends. 

But transitions can be more subtle than just these signal words. A well-placed example or brief anecdote can seamlessly move from one concept to the next.

Apply the Right Evidence

Using relevant evidence is one of the best essay writing strategies. But simply dropping a quote won’t cut it. The real magic comes from analyzing and integrating evidence into your own words. Explain why that particular quote or piece of data backs up your argument. 

Moreover, you should provide context for your evidence. Don’t let it stand alone in a disconnected way – weave it seamlessly into your writing. 

And lastly, remember that variety is key when it comes to essay writing tips. Mix up the types of evidence you use – a poignant quote, a relevant statistic, or a vivid example – to keep your reader engaged and make your points even more convincing.

Don’t Skip the Revision Step

Never underestimate the power of thorough revision. It’s where you can refine your ideas, polish your writing, and truly make your essay better. 

One crucial step in the revision process is to take a break after writing your first draft. Returning to your work with fresh eyes lets you catch those sneaky errors or confusing passages you might have glossed over initially.

Reading your work aloud is another invaluable strategy! Hearing your words spoken out loud helps you notice awkward phrasing or areas where the flow feels off. This is a simple yet highly effective way to identify where you might need to focus on how to improve writing skills.

Finally, remember that revision isn’t just about fixing typos (although those are important, too!). Take a step back and ask yourself the big questions: 

• Is your thesis statement crystal clear? 
• Is your essay well-organized? 
• Does each paragraph seamlessly support your main argument? 

If you find yourself needing guidance or an extra set of eyes, don’t hesitate to seek out help with writing. There are numerous resources available, including online platforms and essay writing services, that can provide valuable feedback and help you take your writing to the next level.

Embrace Your Voice

One of the easiest ways to fall into the “drab essay” trap is by trying to sound overly formal or academic. While correct grammar and good structure are non-negotiable, letting your own voice shine through is what makes your writing memorable. Think about these tips:

• Write like you talk (but a bit more polished). Imagine you’re explaining your essay topic to a friend. What kind of language would you use? Keep the tone engaging and natural.
• Don’t be afraid of strong opinions. Essays are opportunities to argue your point of view. Using words like “clearly,” “undoubtedly,” or “importantly” adds conviction to your statements.
• Own your perspective. Share insights or experiences that relate to your topic. This sets your essay apart from the crowd.

Your writing doesn’t have to be filled with complex jargon to be impressive. Clarity, confidence, and a dash of personality can create an engaging essay that your teachers won’t soon forget!

Final Thoughts

Essays aren’t always the most thrilling thing in the world. But with the strategies we talked about, you can learn to craft sentences that make your reader lean in, not zone out. You’ll master the art of making your ideas flow effortlessly, and you’ll use evidence like a pro to back up your arguments.

The revision process allows you to look at the piece of writing from another perspective. Don’t be afraid to read your essay out loud, get feedback from others, and ask those big-picture questions about your organization and thesis statement. 

And hey, we all need a little extra support sometimes! There are tons of amazing resources out there to help if you need guidance on how to write better essays.

Most importantly, don’t try to sound like someone you’re not. Let your personality be reflected in your writing. Share your unique perspectives, use vivid language, and express your opinions with confidence. Your teachers will notice the difference!

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• School Education /

Essay On What Makes Me Happy for Students in English

• Updated on  
• May 30, 2024

What makes you happy? A normal person is happy when he/ she is surrounded by his/ her loved ones. Family, friends, success in life, and personal interests are the main factors determining our happiness. However, feeling happy is a subjective view that differs from person to person. Here are some samples of how to write an essay on what makes me happy for school students.

Table of Contents

• 1 Short Essay On What Makes Me Happy
• 2 Essay On What Makes Me Happy For Class 6 
• 3 10 Things That Makes Me Happy

Short Essay On What Makes Me Happy

Also Read: National Science Day

Essay On What Makes Me Happy For Class 6 

Also Read: Digital India for Students

10 Things That Makes Me Happy

• Spending time with my family and friends- Spending time with my loved ones makes me very happy. Whether it’s doing an activity together or simply enjoying each other’s company in silence, these simple moments are worth sharing with your friends and family.
• Connecting with nature – Nature provides a sense of relaxation and calm. The sound of birds and a calm breeze might bring you joy along with peace.
• Engaging in hobbies – Doing something you enjoy can connect you to your creative side, which can provide a sense of relaxation and happiness.
• Helping others – Helping others, even in simple ways like being nice or offering a listening ear, can give you a sense of purpose and fulfilment. 
• Learning new things – Learning something new can provide a sense of satisfaction, which promotes growth. This might be a great opportunity to grow in a variety of ways.
• Achieving goals – Achieving your goal after a lot of effort can provide a sense of accomplishment and fulfilment, bringing peace to one’s mind.
• Enjoying a good meal – A good meal can improve your mood. So, whether you’re making or eating meal, it will give you a lot of joy.
• Expressing Gratitude- Acknowledging and appreciating the things around us reflects blessings in our life, which promotes a sense of contentment.
• Relax – Relaxing does not just mean sleeping or taking a nap; it also includes ways that recover your body from tiredness. It could be a relaxing bath, meditation, or anything else that reduces stress.
• Laughter – Laughing for a few seconds can instantly improve your mood. Have a good laugh whenever you get the chance. It can be an inside joke or watching a comedy scene; just a few seconds can re-energize you.

A.1 True and lasting happiness comes from deeper sources like meaningful relationships, personal fulfilment, and a sense of life satisfaction.

A.2 Being in nature brings peace, which reduces anger, anxiety, and stress. Spending a few minutes in nature can improve your emotional well-being.

A.3 Happiness differs from person to person because everyone has a different sense of what makes them happy. Their pleasure is determined by their life expectations, cultural and societal impact, and purpose in life.

Related Essay Topics

For more information on such interesting topics, visit our essay writing page and follow Leverage Edu.  

Bhumika Sharma

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• How to write a C1 Advanced Essay

• Posted on 26/02/2020
• Categories: Blog
• Tags: C1 Advanced , Cambridge Exams , Writing

The Cambridge C1 Advanced is an excellent qualification to aim for if you’re thinking of studying or working abroad. It’s recognised by universities and governments all over the world and also helps you prove your language skills to future employers.

One of the most demanding parts of the exam is Part 1 of the Writing paper, which includes writing an essay. For many of you, this won’t come naturally… especially in another language.

So, to give you the best chance at success, we’ve created this in-depth guide full of Cambridge C1 Advanced Writing tips and useful language to get you producing excellent essays in no time.

So, pick up your pen, and let’s get started!

If you’d like to get more help with the C1 Advanced, consider our exam preparation class!

C1 Advanced Writing Requirements

The C1 Advanced Writing exam has two writing parts, which you must complete in 90 minutes. Both parts have a word limit of between 220-260 words. We recommend getting lots of writing practice under these conditions!

Part 1 is always a discursive essay . It requires you to think about arguments for and against a topic.

Part 2 is a situationally based writing task. This could be a letter , an email , a report , a proposal or a review and you have three options to choose from.

Today, we’ll be looking at how to do your best in part 1.

Before you begin

When you turn over the paper and begin Writing Part 1, take some time to read the task instructions. Identify all parts of the question, underlining which parts are obligatory and noting which parts are optional.

Let’s take a look at an example question!

Remember, you don’t have to use the opinions expressed in the box, but they may help you to get the ball rolling . Also, you only have to talk about two of the options given, not all three.

Make a plan

Take ten minutes to lay out your ideas. Make a pros and cons list for each of the three options and then decide which two you feel most confident with. Here’s some things you might come up with, can you think of any more?

Structure your essay

The essence of a good essay is a clear structure.

Introduction

Here you want to introduce the topic in your own words. Your first line should also grab the reader’s attention, then you should paraphrase the question. Finally, try using a statistic or a rhetorical question. This will make them want to read on, right?

Paragraph 1

Discuss the first option you’ve chosen. Include a good topic sentence and remember to give reasons for your answer. Describe some of the advantages, and even some of the disadvantages too. This will give a well-balanced argument.

Paragraph 2

Here’s where you introduce the second option. Again, try to present both sides of the argument and give reasons for your ideas. Gradually work towards the conclusion.

State your final opinion. This should be a summary of the rest of the essay and point clearly to which option you think is the most important. Do not introduce any new arguments at this stage. The conclusion is where you tie-up any loose ends .

This is an advanced piece of writing, so make sure your choice of language reflects it. You will get marked for accuracy, however, occasional errors can still be present as long as they do not impede understanding. So don’t play it too safe . This is your opportunity to show what you can do, so take some risks and have fun with it!

In the writing paper you should use a range of vocabulary, including less common lexis. Brainstorm some vocabulary related to the topic. Take your time to think of nouns and compound nouns that you know at C1 level. Really let your vocabulary sparkle .

No one likes a broken record . Find synonyms for simple words. You want to use a variety of language, and try not to repeat yourself too much. Check out these different ways of saying the same thing:

advantage = benefit, positive, upside

disadvantage = downside, drawback

effect = influence, impact, result, outcome

problem = issue, challenge, difficulty, obstacle, setback, complication

important = valuable, essential, beneficial

expensive = costly, dear, high-priced, extortionate

cheap = inexpensive, affordable, economical

big = great, large, sizeable, considerable, wide, vast

small = slight, tiny, little

Quick tip: Visit Thesaurus.com to study more synonyms!

Experiment with different grammatical forms. At this level you’re expected to have a good grasp on the grammar. You should use a range of simple and complex grammatical forms with control and flexibility. So challenge yourself with some of these…

• Participle clauses
• Conditionals
• Modal verbs
• Passive with reporting verbs
• Cleft sentences
• Comparatives
• Relative clauses

Useful expressions

To make your essay flow it’s best to use some key phrases. These will link all your ideas together, and help it sound semi-formal. Take a look at the expressions below. Why not use some in your next essay?

Introduction:

It is often said that…

Many people feel that…

We live in an age when..

More and more…

Introducing & Addition:

Firstly, secondly, thirdly…

On the one hand…

In addition…

What is more…

For example…

For instance…

As a case in point…

Contrasting:

In contrast…

On the other hand…

Alternatively…

However…

Conclusion:

All things considered…

As far as I’m concerned…

In light of the above…

What the examiners are looking for

When writing your essay, bear in mind what you’ll be marked on:

Have you answered all parts of the question? Is everything relevant to the question?

Communicative Achievement

Is the style and tone appropriate? Remember it should be semi-formal and neutral.

Organisation

Does it follow a logical order? Have you used paragraphs and linking devices?

Are you using a variety of grammar and vocabulary? Is it accurate?

Now your masterpiece has come together. Remember to take time to check your work. Here’s the official Writing Checklist from Cambridge Assessment English . And our list of the most common mistakes:

• subject + verb agreement
• singulars / plurals
• question formation
• variety of tenses
• dependent prepositions

Some final tips

Avoid contractions (I’m, they’re, we’re) as this is a formal writing.

Don’t use first person pronouns (I, my, our, us).

Practise under timed conditions.

Use model answers to practise fixed expressions.

——

Looking for more help with your Cambridge C1 Advanced exam? Here are our other guides from our blog:

C1 Advanced Reading and Use of English – Part 1 , Part 2 , Part 3

And if you are not sure if you’re ready for the C1 Advanced, check out our article Am I ready for the C1 Advanced exam? to find out!

Glossary for Language Learners

Find the following words in the article and then write down any new ones you didn’t know.

Get the ball rolling (exp) : to start something.

Lay out (v): to explain something in detail.

Paraphrase (v): to say the same thing in a different way.

Tie-up any loose ends (exp): to resolve issues.

Play it safe (exp): to act cautiously.

A broken record (exp): when someone repeats themself.

Sparkle (v) : to shine.

Good grasp (exp): a good knowledge.

Bear in mind (exp) : to consider.

Masterpiece (n): an incredible work of art.

exp = expression

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Small Talk For Business English

• By: oxfordadmin
• Posted on 19/02/2020

Your Guide To Moving To The USA

• Posted on 04/03/2020

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Guest Essay

A Chill Has Fallen Over Jews in Publishing

By James Kirchick

Mr. Kirchick is a contributing writer to Tablet magazine, a writer at large for Air Mail and the author of “Secret City: The Hidden History of Gay Washington.”

This month, an account on X with the handle @moyurireads and 360 followers published a link to a color-coded spreadsheet classifying nearly 200 writers according to their views on the “genocide” in Gaza. Titled “Is Your Fav Author a Zionist?,” it reads like a cross between Tiger Beat and “The Protocols of the Elders of Zion.”

The novelist Emily St. John Mandel, the author of “Station Eleven” and “Sea of Tranquility,” earned a red “pro-Israel/Zionist” classification because, according to the list’s creator, she “travels to Israel frequently talks favorably about it.” Simply for posting a link to the Israeli chapter of the Red Cross, the novelist Kristin Hannah was deemed a “Zionist,” as was the author Gabrielle Zevin for delivering a book talk to Hadassah, a Jewish women’s organization. Needless to say, the creator of the list — whose post on X announcing it garnered over a million views within a few days — encourages readers to boycott any works produced by “Zionists.”

The spreadsheet is but the crudest example of the virulently anti-Israel — and increasingly antisemitic — sentiment that has been coursing through the literary world since the Hamas massacre of Oct. 7. Much of it revolves around the charge of genocide and seeks to punish Zionists and anyone else who refuses to explicitly denounce the Jewish state for allegedly committing said crime. Since a large majority of American Jews (80 percent of whom, according to a 2020 poll , said that caring about Israel is an important or essential part of their Judaism) are Zionists, to accuse all Zionists of complicity in genocide is to anathematize a core component of Jewish identity.

Over the past several months, a litmus test has emerged across wide swaths of the literary world effectively excluding Jews from full participation unless they denounce Israel. This phenomenon has been unfolding in progressive spaces (academia, politics, cultural organizations) for quite some time. That it has now hit the rarefied, highbrow realm of publishing — where Jewish Americans have made enormous contributions and the vitality of which depends on intellectual pluralism and free expression — is particularly alarming.

As is always and everywhere the case, this growing antisemitism is concomitant with a rising illiberalism. Rarely, if ever, do writers express unanimity on a contentious political issue. We’re a naturally argumentative bunch who — at least in theory — answer only to our own consciences.

To compel them to express support or disapproval for a cause is one of the cruelest things a society can do to writers, whose role is to tell society what they believe, regardless of how popular the message may be. The drawing up of lists, in particular, is a tactic with a long and ignominious history, employed by the enemies of literature — and liberty — on both the left and the right. But the problem goes much deeper than a tyro blacklist targeting “Zionists.”

One of the greatest mass delusions of the 21st century is the belief that Israel is committing a genocide against Palestinians. This grotesque moral inversion — in which a genocidal terrorist organization that instigated a war with Israel by committing the largest massacre of Jews since the Holocaust is absolved of responsibility while the victim of Hamas’s attack is charged with perpetrating the worst crime known to man — began taking shape before Israel even launched its ground invasion of Gaza.

A charitable description of those imputing genocidal motivations to Israel is that they are ignorant, essentially believing the word to mean “large numbers of civilian casualties.” (Here it’s worth noting that the United Nations, to little notice, has significantly lowered its estimate of the number of women and children killed in Gaza.) For others, accusing Israel of genocide is an emotional outlet for expressing outrage at such a horrific loss of life. A third, more pessimistic, characterization of the ubiquitous genocide canard is that it is only the latest iteration of the ancient antisemitic blood libel, which held that Jews murdered gentile children in order to use their blood for religious rituals.

College students and professional activists using overheated and imprecise language to convey their strongly held beliefs is hardly uncommon, and much of the intemperate language being directed at Israel and its Zionist supporters can be attributed to the hyperbole that increasingly characterizes our political discourse. What should worry us more is when people who have dedicated their lives to the written word manipulate language for a political end, one that is stigmatizing Jews.

Nine days after the Oct. 7 attack, the popular website Literary Hub began publishing what has since become a near-daily torrent of agitprop invective against what it describes as the “rogue ethnostate” of Israel, which it routinely accuses of committing genocide. In March, after a mass resignation of its staff members , the literary magazine Guernica retracted a personal essay by a left-wing Israeli woman about her experience volunteering to drive Palestinian children to Israel for medical treatment. In her resignation letter, one of the magazine’s co-publishers denounced the piece as “a hand-wringing apologia for Zionism and the ongoing genocide in Palestine.”

Whereas antisemitism in the literary world used to lurk in the shadows, according to the Jewish Book Council’s chief executive, Naomi Firestone-Teeter, since Oct. 7, it has become increasingly overt. “The fact that people have felt so proud and open about it is a different beast entirely,” she said. One of the most disturbing developments in this regard has been the frequency and contempt with which the word “Zionist” is now spit from people’s mouths in the United States.

Until relatively recently, the use of “Zionist” as a slur was most commonly confined to Soviet and Arab propagandists, who spent decades trying to render the word the moral equivalent of “Nazi.” Today many progressives use the word in similar fashion, making no distinction between a Zionist who supports a two-state solution (which, presumably, most Jews in the overwhelmingly liberal literary world do) and one who believes in a “Greater Israel” encompassing the entirety of the West Bank and Gaza Strip. And while anyone can be a Zionist, I’ve found in my 20 years of reporting on antisemitism that many Jews essentially hear “Jew” when someone shouts “Zionist" at them.

The corruption of the words “genocide” and “Zionist” lies at the root of the controversy threatening to unravel PEN America, the storied writers’ organization. As with many a literary contretemps, it involves a cascade of open letters. In February a missive that gained almost 1,500 signatures was published demanding that PEN “wake up from its own silent, tepid, neither-here-nor-there, self-congratulatory middle of the road and take an actual stand against an actual genocide.” The dozens of statements PEN had issued by that time calling attention to the plight of writers in Gaza (who the letter, without citing evidence, claimed had been “targeted” by Israel for assassination) were insufficient. “We demand PEN America release an official statement” about the writers killed in Gaza the letter read, “and name their murderer: Israel, a Zionist colonial state funded by the U.S. government.”

On March 20, PEN acceded to the ultimatum that it endorse the call for a cease-fire. But that did not satiate its critics.

Last month, in advance of PEN’s annual literary awards ceremony, nearly half of the nominated writers withdrew from the competition. A subset of those writers then released another open letter , declaring, “Among writers of conscience, there is no disagreement. There is fact and fiction. The fact is that Israel is leading a genocide of the Palestinian people.” They accused PEN of “normalizing genocide,” denounced PEN for its “platforming of Zionists” and, most shamefully, called for the resignation of its Jewish chief executive, Suzanne Nossel, on account of her “longstanding commitments to Zionism.”

Along with eight other past presidents of PEN, Salman Rushdie signed a letter in defense of the organization , an intervention that earned him an “unclear” rating on the anti-Zionist blacklist. (He has braved far worse from Islamist zealots and their Western apologists.) PEN ultimately canceled both the awards ceremony and subsequent World Voices Festival.

Dissatisfaction with PEN’s purported lack of indignation over the deaths of Palestinian writers is a fig leaf. Where were the efforts by those now decrying PEN to protest the complete absence of freedom of expression that has characterized the Gaza Strip under 17 years of Hamas rule?

The real objectives behind the cynical weaponization of the word “genocide” and the authoritarian insistence that anyone who disagrees with it is an enabler of one are to shut down debate, defame dissenters and impose a rigid orthodoxy throughout the publishing world. It is a naked attempt to impose an ideological litmus test on anyone hoping to join the republic of letters — a litmus test that the vast majority of Jews would fail.

A campaign of intimidation, the sort of thing that happens to the dissident writers in closed societies whom PEN regularly champions, is afoot to pressure writers into toeing this new party line. PEN’s current president, Jenny Finney Boylan, recently said that she had heard from “many, many authors who do not agree with those withdrawing from PEN events and who do not wish to withdraw from our events themselves but are afraid of the consequences if they speak up.”

Compelling speech — which is ultimately what PEN’s critics are demanding of it — is the tactic of commissars, not writers in a free society. Censorship, thought policing and bullying are antithetical to the spirit of literature, which is best understood as an intimate conversation between the author and individual readers.

PEN’s detractors aren’t helping the Palestinian people with their whitewashing of Hamas. They’re engaged in a hostile takeover of a noble organization committed to the defense of free expression in order to advance a sectarian and bigoted political agenda.

Neil Gaiman, Taylor Jenkins-Reid, Ms. Mandel and other hugely successful authors need not worry that being denounced as a Zionist will hurt their careers. But the blacklists and the boycotts do not really target them. The actual targets of this crusade are lesser-known authors, budding novelists, aspiring poets and creative writing students — largely but not exclusively Jewish — who can feel a change in the air.

“I do now definitely have concern as a Jewish author — two years working on a novel that has absolutely nothing to do with Jews in any way, just because it says ‘National Jewish Book Award winner’ in my bio — that it may change the way readers see the work,” said a Jewish creative writing professor and novelist who spoke to me on the condition of being quoted anonymously.

No longer is being on the receiving end of a review bomb the worst fate that can befall a Jewish writer exploring Jewish themes; even getting such a book published is becoming increasingly difficult. “It’s very clear you have to have real courage to acquire and publish proudly Jewish voices and books about being Jewish,” a prominent literary agent told me. “When you are seen as genocidal, a moral insult to humanity because you believe in Israel’s right to exist, you are now seen as deserving of being canceled.”

There’s a distasteful irony in a literary community that has gone to the barricades fighting book “bans” now rallying to boycott authors based on their ethnoreligious identity. For a growing set of writers, declaring one’s belief that the world’s only Jewish state is a genocidal entity whose dismantlement is necessary for the advancement of humankind is a political fashion statement, a bauble one parades around in order to signify being on the right team. As was Stalinism for an earlier generation of left-wing literary intellectuals, so is antisemitism becoming the avant-garde.

James Kirchick is a contributing writer to Tablet magazine, a writer at large for Air Mail and the author of “Secret City: The Hidden History of Gay Washington.”

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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