i like film essay

Short Essay on the Movie I Like Most

March 5, 2019
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The following movie review is provided by a professional academic writer from a short essay writing service which helps students with academic writing. Watching a movie is a pastime that plenty of people across the world really enjoy. While many people prefer to watch their movies on the big screen at the cinema, advancements in technology enable us to stream movies at home or on the go. The cinema, as well as our mobile or tablet devices, have made it easy for us to see some documentaries and stories portrayed on screen.

Personally, the cinema is the place to be when it comes to watching a movie due to the big screen and amazing sound. The one movie that stands out in my mind, as well as the minds of many people that I like most, is “Titanic”. This movie does not only tell us what happened on 15 April 1912, but it also features some of the best actings I have ever seen.

It is a captivating and incredibly produced movie that is seen as a classic till this very day. Many people across the world have heard of this movie in some way shape or form because of its historical references. Released way back in 1997, James Cameron’s “Titanic” is a movie that successfully tells an emotional love story of two people who bumped into each other on board the ship.

The story follows lovebirds Jack Dawson, played by Leonardo DiCaprio and Rose Bukater, played by Kate Winslet. The ship was sailing from the south coast of England, heading to America. Jack and Rose come from two very different social classes but nothing stopped their love from blossoming.

Jack comes from a very poor background and is a struggling article while Rose is a beautiful woman married to a rich man who does not her. This movie brought to life a relationship that is present in this day and age. It is possible now for a young lady from a wealthy background to wed a man who comes from a poor background if they love each other so much.

The movie proves that love can indeed be found anywhere in this world, even on a ship as big as the Titanic. Leonardo DiCaprio and Kate Winslet had amazing chemistry which is clear to see especially when they shared screen time. One amazing moment in the movie is when the crew on the ship are drawn to the two teenage lovers making love.

By diverting their attention to them, no one is paying attention to the ship and it hits an iceberg. The horrible death of over 1500 people onboard the ship as well as the efforts to save as many people as possible is what makes this movie amazing. While the ship is sinking and Rose on board a life board with her mother, she decides life cannot go without Jack and jumps back onto the sinking ship.

When they two love bird eventually get united, there are no lifeboats left on the ship and passengers are dying all around them. As the ship falls apart, Jack helps Rose get on a wooden panel that can only hold one person to prevent her from drowning. In one of the most powerful scenes ever captures, he tells her she will die an old woman and Jack pays the ultimate price at the end.

He dies of hypothermia for being in the cold icy water for too long thus sacrificing his own life and saving Kate. Seeing and hearing Kate say “come back, come back” to Jack knowing her lover has passed away is one of the most emotional and touching scenes I have ever seen. It is a scene that not only brings tears to my eyes but the eyes of everyone who watches it play out.

You cannot help but feel for the poor lover especially Jack who loses his life. The reason is you become emotionally attached to Jack and Rose, their love story, their rebellious nature and to see a tragic ending like this is heartbreaking. A lot of credit has to go to the actors, writers, director, composers, and producers of this amazing film.

The script, the music and camera angles were all on point and tell a story that is experienced today. It comes as no surprise to see that the movie was well received by both critics and fans when it was released. The Titanic was a ship that cannot be sunk according to various allegations and not even God could sink it.

What I love about this film from the first time I watched it is I wanted to know if this is the case. Is the Titanic really a boat that cannot be sunk by God or any other force of nature. There are not many movies out there that can captivate an audience the same way that “Titanic” has. This movie is a timeless classic, a masterpiece and has a special place in my heart.

It is till this day remains one of my favorite movie ever made and the 5 th highest grossing movie of all time in the USA and Canada. The movie has won 4 golden globe awards for best original song, best motion picture drama, best original score, and nest direction. It was nominated for an amazing 10 BAFTA awards however, it didn’t win any which came as a surprise to many people.

Roper, G. (2017) The History of the Book in the Middle East. Routledge. 39 – 76
Arsan, A. (2015) The Routledge Handbook of the History of the Middle East Mandates. Routledge. 31 – 41
Choueiri, Y. (2008) A Companion to the History of the Middle East. John Wiley & Sons. 51 – 67
Cronin, S. (2012) Subalterns and Social Protest: History from Below in the Middle East and North Africa. Routledge. 35 – 46
Nisan, M. (2015) Minorities in the Middle East: A History of Struggle and Self-Expression, 2d ed. McFarland. 5 – 12
Cleveland, W (2010) History of the Modern Middle East. ReadHowYouWant.com. 67 – 72
Dumper, M (2007) Cities of the Middle East and North Africa: A Historical Encyclopedia. ABC-CLIO. 87 – 100

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Step By Step Guide to Writing an Essay on Film

By Film Threat Staff | December 29, 2021

Writing an essay about a film sounds like a fun assignment to do. As part of the assignment, you get to watch the movie and write an analytical essay about your impressions. However, you will soon find that you’re staring at an empty sheet of paper or computer screen with no idea what to write, how to start writing your essay, or the essential points that need to be covered and analyzed. As an essay writing service proves, watching the movie countless times isn’t all there is to write a film analysis essay. Here’s a step-by-step guide to help you with an essay service :

1. Watch the Movie

This is the obvious starting point, but surprisingly many students skip this step. It doesn’t matter if you’ve watched the movie twice before. If you’re asked to write an essay about it, you need to watch it again. Watching the film again allows you to pay more attention to specific elements to help you write an in-depth analysis about it.

Watching the movie is crucial because it helps you not specific parts of the movie that can be used as illustrations and examples in your essay. You’re also going to explore and analyze the movie theme within your structured plan. Some of the critical elements that you have to look out for while watching the movie that may be crucial for your essay are:

Key plot moments
Editing style
Stylistic elements
Scenario execution
Musical elements

2. Introduction

Your introduction will contain essential information about the film, such as the title, release date, director’s name, etc. This familiarizes the reader with the movie’s primary background information. In addition, researching the filmmaker may be crucial for your essay because it may help you discover valuable insights for your film analysis.

The introduction should also mention the movie’s central theme and explain why you think it was made that way.

Do not forget to include your thesis statement, which explains your focus on the movie.

3. Write a Summary

According to an essay writing service providing students help with essays , a movie summary comes after the introduction. It includes the film’s basic premise, but it doesn’t have to reveal too many details about the film. It’s a summary, after all. Write the summary like your readers have not heard about the movie before, so you can mention the most basic plots but assume you have minimal time so you won’t be going into great details.

4. Write Your Analysis

This is the central part of the essay in which you analyze the movie critically and state your impressions about the film. Ensure to support your claims with relevant materials from the movie.

There are also several creative elements in a movie that are connected to make the film a whole. You must pay attention to these elements while watching the movie and analyze them in this part of the essay.

In this, you are looking out for the dialogs, character development, completion of scenes, and logical event sequences in the film to analyze.

Ensure you try to understand the logic behind events in the film and the actor’s motives to explain the scenario better.

The responsibility of different parts of the movie, such as plan selection and scenario execution, falls on the director. So, your analysis here focuses on how the director realized the script compared to his other movies. Understanding the director’s style of directing may be crucial to coming up with a conclusion relevant to your analysis and thesis.

The casting of a film is a significant element to consider in your essay. Without a great actor, the scriptwriter and director can’t bring their ideas to life. So, watch the actor’s acting and determine if they portrayed the character effectively and if their acting aligns with the film’s main idea.

Musical element

A movie’s musical element enhances some of the sceneries or actions in the film and sets the mood. It has a massive impact on the movie, so it’s an essential element to analyze in your essay.

Visual elements

This includes special effects, make-up, costumes, etc., which significantly impact the film. These elements must reflect the film’s atmosphere. It is even more crucial for historical movies since it has to be specific about an era.

Ensure to analyze elements relevant to your thesis statement, so you don’t drift from your main point.

5. Conclusion

In concluding your essay, you have to summarize the primary concepts more convincingly to support your analysis. Finally, you may include a CTA for readers to watch or avoid the movie.

These are the crucial steps to take when writing an essay about a film . Knowing this beforehand prevents you from struggling to start writing after watching the movie.

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How to Write a Film Analysis Essay: Examples, Outline, & Tips

A film analysis essay might be the most exciting assignment you have ever had! After all, who doesn’t love watching movies? You have your favorite movies, maybe something you watched years ago, perhaps a classic, or a documentary. Or your professor might assign a film for you to make a critical review. Regardless, you are totally up for watching a movie for a film analysis essay.

Our specialists will write a custom essay specially for you!

However, once you have watched the movie, facing the act of writing might knock the wind out of your sails because you might be wondering how to write a film analysis essay. In summary, writing movie analysis is not as difficult as it might seem, and Custom-writing.org experts will prove this. This guide will help you choose a topic for your movie analysis, make an outline, and write the text.️ Film analysis examples are added as a bonus! Just keep reading our advice on how to get started.

❓ What Is a Film Analysis Essay?

🚦 Film Analysis Types

📽️ Movie Analysis Format

✍️ how to write a film analysis, 🎦 film analysis template, 🎬 film analysis essay topics.

📄 Essay Examples

🔗 References

To put it simply, film analysis implies watching a movie and then considering its characteristics : genre, structure, contextual context, etc. Film analysis is usually considered to be a form of rhetorical analysis . The key to success here is to formulate a clear and logical argument, supporting it with examples.

🚦 Film Analysis Essay Types

Since a film analysis essay resembles literature analysis, it makes sense that there are several ways to do it. Its types are not limited to the ones described here. Moreover, you are free to combine the approaches in your essay as well. Since your writing reflects your own opinion, there is no universal way to do it.

Semiotic analysis . If you’re using this approach, you are expected to interpret the film’s symbolism. You should look for any signs that may have a hidden meaning. Often, they reveal some character’s features. To make the task more manageable, you can try to find the objects or concepts that appear on the screen multiple times. What is the context they appear in? It might lead you to the hidden meaning of the symbols.
Narrative structure analysis . This type is quite similar to a typical literature guide. It includes looking into the film’s themes, plot, and motives. The analysis aims to identify three main elements: setup, confrontation, and resolution. You should find out whether the film follows this structure and what effect it creates. It will make the narrative structure analysis essay if you write about the theme and characters’ motivations as well.
Contextual analysis . Here, you would need to expand your perspective. Instead of focusing on inner elements, the contextual analysis looks at the time and place of the film’s creation. Therefore, you should work on studying the cultural context a lot. It can also be a good idea to mention the main socio-political issues of the time. You can even relate the film’s success to the director or producer and their career.
Mise-en-scene analysis . This type of analysis works with the most distinctive feature of the movies, audiovisual elements. However, don’t forget that your task is not only to identify them but also to explain their importance. There are so many interconnected pieces of this puzzle: the light to create the mood, the props to show off characters’ personalities, messages hidden in the song lyrics.

To write an effective film analysis essay, it is important to follow specific format requirements that include the following:

Standard essay structure. Just as with any essay, your analysis should consist of an introduction with a strong thesis statement, body paragraphs, and a conclusion. The main body usually includes a summary and an analysis of the movie’s elements.
Present tense for events in the film. Use the present tense when describing everything that happens in the movie. This way, you can make smooth transitions between describing action and dialogue. It will also improve the overall narrative flow.
Proper formatting of the film’s title. Don’t enclose the movie’s title in quotation marks; instead, italicize it. In addition, use the title case : that is, capitalize all major words.
Proper use of the characters’ names. When you mention a film character for the first time, name the actor portraying them. After that, it is enough to write only the character’s name.
In-text citations. Use in-text citations when describing certain scenes or shots from the movie. Format them according to your chosen citation style. If you use direct quotes, include the time-stamp range instead of page numbers. Here’s how it looks in the MLA format: (Smith 0:11:24–0:12:35).

Even though film analysis is similar to the literary one, you might still feel confused with where to begin. No need to worry; there are only a few additional steps you need to consider during the writing process.

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Need more information? It can be found in the video below.

Starting Your Film Analysis Essay

There are several things you need to do before you start writing your film analysis paper. First and foremost, you have to watch the movie. Even if you have seen it a hundred times, you need to watch it again to make a good film analysis essay.

Note that you might be given an essay topic or have to think of it by yourself. If you are free to choose a topic for your film analysis essay, reading some critical reviews before you watch the film might be a good idea. By doing this in advance, you will already know what to look for when watching the movie.

In the process of watching, keep the following tips in mind:

Consider your impression of the movie
Enumerate memorable details
Try to interpret the movie message in your way
Search for the proof of your ideas (quotes from the film)
Make comments on the plot, settings, and characters
Draw parallels between the movie you are reviewing and some other movies

Making a Film Analysis Essay Outline

Once you have watched and possibly re-watched your assigned or chosen movie from an analytical point of view, you will need to create a movie analysis essay outline . The task is pretty straightforward: the outline can look just as if you were working on a literary analysis or an article analysis.

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Introduction : This includes the basics of the movie, including the title, director, and the date of release. You should also present the central theme or ideas in the movie and your thesis statement .
Summary : This is where you take the time to present an overview of the primary concepts in the movie, including the five Ws (who, what, when, where, and why)—don’t forget how!—as well as anything you wish to discuss that relates to the point of view, style, and structure.
Analysis : This is the body of the essay and includes your critical analysis of the movie, why you did or did not like it, and any supporting material from the film to support your views. It would help if you also discussed whether the director and writer of the movie achieved the goal they set out to achieve.
Conclusion: This is where you can state your thesis again and provide a summary of the primary concepts in a new and more convincing manner, making a case for your analysis. You can also include a call-to-action that will invite the reader to watch the movie or avoid it entirely.

You can find a great critical analysis template at Thompson Rivers University website. In case you need more guidance on how to write an analytical paper, check out our article .

Writing & Editing Your Film Analysis Essay

We have already mentioned that there are differences between literary analysis and film analysis. They become especially important when one starts writing their film analysis essay.

First of all, the evidence you include to support the arguments is not the same. Instead of quoting the text, you might need to describe the audiovisual elements.

However, the practice of describing the events is similar in both types. You should always introduce a particular sequence in the present tense. If you want to use a piece of a dialogue between more than two film characters, you can use block quotes. However, since there are different ways to do it, confirm with your supervisor.

For your convenience, you might as well use the format of the script, for which you don’t have to use quotation marks:

Get an originally-written paper according to your instructions!

ELSA: But she won’t remember I have powers?

KING: It’s for the best.

Finally, to show off your proficiency in the subject, look at the big picture. Instead of just presenting the main elements in your analysis, point out their significance. Describe the effect they make on the overall impression form the film. Moreover, you can dig deeper and suggest the reasons why such elements were used in a particular scene to show your expertise.

Stuck writing a film analysis essay? Worry not! Use our template to structure your movie analysis properly.

Introduction

The title of the film is… [title]
The director is… [director’s name] He/she is known for… [movies, style, etc.]
The movie was released on… [release date]
The themes of the movie are… [state the film’s central ideas]
The film was made because… [state the reasons]
The movie is… because… [your thesis statement].
The main characters are… [characters’ names]
The events take place in… [location]
The movie is set in… [time period]
The movie is about… [state what happens in the film and why]
The movie left a… [bad, unforgettable, lasting, etc.] impression in me.
The script has… [a logical sequence of events, interesting scenes, strong dialogues, character development, etc.]
The actors portray their characters… [convincingly, with intensity, with varying degree of success, in a manner that feels unnatural, etc.]
The soundtrack is [distracting, fitting, memorable, etc.]
Visual elements such as… [costumes, special effects, etc.] make the film [impressive, more authentic, atmospheric, etc.]
The film succeeds/doesn’t succeed in engaging the target audience because it… [tells a compelling story, features strong performances, is relevant, lacks focus, is unauthentic, etc.]
Cultural and societal aspects make the film… [thought-provoking, relevant, insightful, problematic, polarizing, etc.]
The director and writer achieved their goal because… [state the reasons]
Overall, the film is… [state your opinion]
I would/wouldn’t recommend watching the movie because… [state the reasons]
Analysis of the film Inception by Christopher Nolan .
Examine the rhetoric in the film The Red Balloon .
Analyze the visual effects of Zhang Yimou’s movie Hero .
Basic concepts of the film Interstellar by Christopher Nolan.
The characteristic features of Federico Fellini’s movies.
Analysis of the movie The Joker .
The depiction of ethical issues in Damaged Care .
Analyze the plot of the film Moneyball .
Explore the persuasive techniques used in Henry V .
Analyze the movie Killing Kennedy .
Discuss the themes of the film Secret Window .
Describe the role of audio and video effects in conveying the message of the documentary Life in Renaissance .
Compare and analyze the films Midnight Cowboy and McCabe and Mrs. Miller .
Analysis of the movie Rear Window .
The message behind the film Split .
Analyze the techniques used by Tim Burton in his movie Sleepy Hollow .
The topic of children’s abuse and importance of trust in Joseph Sargent’s Sybil .
Examine the themes and motives of the film Return to Paradise by Joseph Ruben .
The issues of gender and traditions in the drama The Whale Rider.
Analysis of the film Not Easily Broken by Duke Bill.
The symbolism in R. Scott’s movie Thelma and Louise .
The meaning of audiovisual effects in Citizen Kane .
Analyze the main characters of The Girl with the Dragon Tattoo .
Discuss the historical accuracy of the documentary The Civil War .
Analysis of the movie Through a Glass Darkly .
Explore the core idea of the comedy Get Out .
The problem of artificial intelligence and human nature in Ex Machina .
Three principles of suspense used in the drama The Fugitive .
Examine the ideas Michael Bay promotes in Armageddon .
Analyze the visual techniques used in Tenet by Christopher Nolan.
Analysis of the movie The Green Mile .
Discrimination and exclusion in the film The Higher Learning .
The hidden meaning of the scenes in Blade Runner .
Compare the social messages of the films West Side Story and Romeo + Juliet .
Highlighting the problem of children’s mental health in the documentary Kids in Crisis .
Discuss the ways Paul Haggis establishes the issue of racial biases in his movie Crash .
Analyze the problem of moral choice in the film Gone Baby Gone .
Analysis of the historical film Hacksaw Ridge .
Explore the main themes of the film Mean Girls by Mark Walters .
The importance of communication in the movie Juno .
Describe the techniques the authors use to highlight the problems of society in Queen and Slim .
Examine the significance of visual scenes in My Family/ Mi Familia .
Analysis of the thriller Salt by Phillip Noyce.
Analyze the message of Greg Berlanti’s film Love, Simon .
Interpret the symbols of the film The Wizard of Oz (1939).
Discuss the modern issues depicted in the film The Corporation .
Moral lessons of Edward Zwick’s Blood Diamond .
Analysis of the documentary Solitary Nation .
Describe the audiovisual elements of the film Pride and Prejudice (2005) .
The problem of toxic relationships in Malcolm and Marie .

📄 Film Analysis Examples

Below you’ll find two film analysis essay examples. Note that the full versions are downloadable for free!

Film Analysis Example #1: The Intouchables

Raising acute social problems in modern cinema is a common approach to draw the public’s attention to the specific issues and challenges of people facing crucial obstacles. As a film for review, The Intouchables by Oliver Nakache and Éric Toledano will be analyzed, and one of the themes raised in this movie is the daily struggle of the person with severe disabilities. This movie is a biographical drama with comedy elements. The Intouchables describes the routine life of a French millionaire who is confined to a wheelchair and forced to receive help from his servants. The acquaintance of the disabled person with a young and daring man from Parisian slums changes the lives of both radically. The film shows that for a person with disabilities, recognition as a full member of society is more important than sympathy and compassion, and this message expressed comically raises an essential problem of human loneliness.

Movie Analysis Example #2: Parasite

Parasite is a 2019 South Korean black comedy thriller movie directed by Bong Joon-ho and is the first film with a non-English script to win Best Picture at the Oscars in 2020. With its overwhelming plot and acting, this motion picture retains a long-lasting effect and some kind of shock. The class serves as a backbone and a primary objective of social commentary within the South Korean comedy/thriller (Kench, 2020). Every single element and detail in the movie, including the student’s stone, the contrasting architecture, family names, and characters’ behavior, contribute to the central topic of the universal problem of classism and wealth disparity. The 2020 Oscar-winning movie Parasite (2019) is a phenomenal cinematic portrayal and a critical message to modern society regarding the severe outcomes of the long-established inequalities within capitalism.

Want more examples? Check out this bonus list of 10 film analysis samples. They will help you gain even more inspiration.

“Miss Representation” Documentary Film Analysis
“The Patriot”: Historical Film Analysis
“The Morning Guy” Film Analysis
2012′ by Roland Emmerich Film Analysis
“The Crucible” (1996) Film Analysis
The Aviator’ by Martin Scorsese Film Analysis
The “Lions for Lambs” Film Analysis
Bill Monroe – Father of Bluegrass Music Film Analysis
Lord of the Rings’ and ‘Harry Potter’ Film Analysis
Red Tails by George Lucas Film Analysis

Film Analysis Essay FAQ

Watch the movie or read a detailed plot summary.
Read others’ film reviews paying attention to details like key characters, movie scenes, background facts.
Compose a list of ideas about what you’ve learned.
Organize the selected ideas to create a body of the essay.
Write an appropriate introduction and conclusion.

The benefits of analyzing a movie are numerous . You get a deeper understanding of the plot and its subtle aspects. You can also get emotional and aesthetic satisfaction. Film analysis enables one to feel like a movie connoisseur.

Here is a possible step by step scenario:

Think about the general idea that the author probably wanted to convey.
Consider how the idea was put across: what characters, movie scenes, and details helped in it.
Study the broader context: the author’s other works, genre essentials, etc.

The definition might be: the process of interpreting a movie’s aspects. The movie is reviewed in terms of details creating the artistic value. A film analysis essay is a paper presenting such a review in a logically structured way.

Film Analysis – UNC Writing Center
Film Writing: Sample Analysis // Purdue Writing Lab
Yale Film Analysis – Yale University
Film Terms And Topics For Film Analysis And Writing
Questions for Film Analysis (Washington University)
Resources on Film Analysis – Cinema Studies (University of Toronto)
Does Film Analysis Take the Magic out of Movies?
Film Analysis Research Papers – Academia.edu
What’s In a Film Analysis Essay? Medium
Analysis of Film – SAGE Research Methods
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Have you ever read a review and asked yourself how the critic arrived at a different interpretation for the film? You are sure that you saw the same movie, but you interpreted it differently. Most moviegoers go to the cinema for pleasure and entertainment. There’s a reason why blockbuster movies attract moviegoers – cinema is a form of escape, a way to momentarily walk away from life’s troubles.

It’s an interesting point of view. Thank you for your opinion, Sourav!

EXCELENT COVERAGE!

Thank you, Mike!

Hi Rebecca,

Glad you liked the post. Sure thing, feel free to share the link with your audience!

All the best.

Film Essays: The Ultimate Guide to Writing a Film Essay

By Essaywriter

Film Essays: The Ultimate Guide to Writing a Film Essay

If you’re a film buff or a student of film studies, you’ve probably encountered film essays at some point in your academic career.

Writing a film essay can be challenging, but with guidance, you can craft a compelling analysis of any cinematic masterpiece.

One of the world’s most well-liked and regularly watched forms of entertainment is a film, whether blockbusters or indie movies. The film has become an essential part of culture and society worldwide.

A film is a powerful tool for social critique and cultural expression. Despite changes, movies have never lost their capacity to amuse, instruct, and inspire. This post offers knowledge, suggestions, and resources for writing film essays. An analysis of a particular film’s many elements is done in a film essay.

Understanding the Elements of Film Analysis

Film analysis comprises evaluating and comprehending the many components that make up a film. These include the movie’s cinematography, sound, editing, acting, and narrative. It is possible to gain a deeper understanding of the movie’s themes, messages, and overall relevance by analyzing these components.

Films comprise certain components, which directors and movie producers tend to tweak to recreate different cultures and historical points in time. For instance, a movie set in the 1980s will have very different scenery, costumes, and soundtrack than a movie set in the present.

There has been a major advancement in technology, music, fashion, and social conventions between the 1980s and now. Therefore, these film components need to be properly considered when writing a film essay.

Tips for Writing Film Essays

Researching and selecting a film to analyze.

To explore possible films, choose your areas of interest, such as a specific genre, era, or filmmaker. After that, you can use various tools to gather information and ideas for new films.

Thousands of films, reviews, and ratings are available through online databases such as IMDb and Rotten Tomatoes. Search engines such as Google and Bing can also be used to find articles, criticisms, and analyses of certain films or directors.”

Outlining and Organizing the Film Essays

Outlining and arranging a film essay can help ensure that your analysis is clear and succinct. Create an outline that breaks down the various parts of the film you will be analyzing, such as the narrative, characters, cinematography, and symbolism so that you can arrange your thoughts.

Maintain focus by avoiding needless details. Instead, concentrate on offering specific examples from the film to back up and connect your analysis. You should also employ transitions between paragraphs to make it easier for the reader to follow your train of thought.

Citing Sources and Formatting the Film Essays

Citation of sources and Proper formatting gives credit to the film’s creators, but it also demonstrates the credibility of your research and analysis. When citing a film, it’s important to follow the guidelines of the citation style you use, whether it be MLA, APA, or Chicago.

This includes the title of the film, the director, and the year of release. When citing sources such as articles or books, it’s important to include the author, title, publication date, and page number(s).

Tips for Incorporating Film Terminology and Analysis Techniques

It is critical to strike a balance between employing technical language and making it accessible to your audience when incorporating cinema vocabulary and analysis procedures in a film essay.

One technique is to start with a clear and short statement that defines your essay’s major argument or purpose. From there, you can support and deepen your thesis by employing specialized cinema terminology and analysis approaches. Use film examples to illustrate your views and make them more accessible to the reader.

Use a clear and simple writing style and be consistent in using technical language and analysis methodologies. This will help the reader follow your argument and understand your views.

Finally, to provide a full understanding of the film, employing a variety of analysis methodologies such as formalism or psychoanalysis. This will not only help you obtain a deeper understanding of many components of the film, but it will also allow you to provide a more sophisticated analysis.

Sample Film Essays Outline

Thesis statement: “Through its use of surreal imagery and unconventional narrative structure, ‘Mulholland Drive’ deconstructs the Hollywood dream and exposes the darkness at the heart of the film industry.”

Main point 1: The cinematography and mise-en-scène of ‘Mulholland Drive’

Main point 2: The themes and messages of ‘Mulholland Drive’

Main point 3: The cultural and historical context of ‘Mulholland Drive’

Conclusion: Recap of main points and analysis of the lasting impact of the film

Film elements are what make each film production distinct from every other. Therefore, understanding them empowers writers with the tools to analyze and write fitting essays adequately.

When writing a film essay, tips like researching and selecting a film to analyze, outlining and organizing the essay, citing sources and formatting the essay, and incorporating film terminology and analysis techniques help present your essay in the most logical, clear, clear, concise, and comprehensive way.

If you’re looking to write a film essay anytime soon, following this stepwise guide on writing film essays will get you critical acclaim when your work is peer-reviewed.

Perhaps you do not have the time to write a film essay or any other paper, or maybe you need professional help writing your paper.

Our website, ThePaperExperts.com , is a place you can visit to get your paper professionally written and delivered on time, irrespective of the type of essay you need to be written.

Try us now by calling 1-888-774-9994 and speak to an academic advisor today and get help with film essays!

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Leveraging Military Skills in Academic Assignments

Website of Filmmaker Lynne Sachs

“on writing the film essay” by lynne sachs.

“On Writing the Film Essay” by Lynne Sachs Published in Essays on the Essay Film , edited by Nora M. Alter and Tim Corrigan Columbia University Press, 2017

Note: All of the films I discuss in this essay can be found on www.lynnesachs.com

Throughout the 1990s, I gravitated toward the simultaneously visceral and cerebral French feminist theory of Hélène Cixous and Luce Irigaray. As a moving image artist searching for a new discourse that spoke to radical issues with an equally radical form, I embraced this kind of writing as it led me toward the non-narrative, unconventional grammar of experimental film as well as the self-reflexivity of the essay. My first essay film was “The House of Science: A Museum of False Facts” (1991), a personal rumination on the relationship between a woman’s body and the often-opposing institutions of art and science. While I was shooting this film, I was also keeping a diary:

“My memory of being a girl includes a “me” that is two. I am two bodies – the body of the body and the body of the mind. The body of the body was flaccid and forgotten. This was the body that was wet with dirty liquids, holes that wouldn’t close, full of smells and curdled milk. Of course there was the skeleton. This was assumed and only reconsidered upon my very rare attempts at jumping farther than far enough, clearing the ditch, lifting the heave-ho. But the body of the body was not the bones. This body wrapped and encircled the bones, a protective cover of flesh, just on the other side of the wall I call skin.”

I will never forget a cross-country plane ride I took near the end of editing this film. Throughout the time I was in the air, as I flew across the Mississippi, the Great Plains, and the Rockies, I was searching frantically for the hidden skeletal structure of the film. I’d committed to a premiere at the Los Angeles Film Forum, and I only had a couple of months until my screening date. (Stupid me. I’ll never do that again!) Midway into the flight, I realized it was all laid out before me in the form of the poetry journal I carried in my backpack. The writing had been with me all along; I simply hadn’t realized that this text was more than a dispensable traveling partner in the “journey” that was the production of the movie. Over the next few weeks, my poems began to guide my editing of the images and sounds,. Ever since that early period in my filmmaking career, I’ve kept a handwritten journal during the making of my films. In addition to contributing an often times essential narrative element, this kind of writing can also be the critical link to the “naïve” yet curious person I may no longer really “know,” the person I was when I embarked on the intellectual and artistic adventure that is the creation of a film.

In my 1994 essay film “Which Way is East: Notebooks from Vietnam” (1994), I built a voice-over narration out of two surprisingly oppositional perspectives on post-war Vietnam. My sister Dana Sachs, one of the first American journalists to live for an extended period of time in Vietnam, offered expansive, highly informed insights on Vietnamese daily life. In contrast, my writing traced my own transformation from earnest, war-obsessed American tourist to more keenly observant traveler:

“Driving through the Mekong Delta, a name that carries so much weight. My mind is full of war, and my eyes are on a scavenger hunt for leftovers. Dana told me that those ponds full of bright green rice seedlings are actually craters, the inverted ghosts of bombed out fields. At Cu Chi, we pay three U.S. dollars so that a tour guide will lead us through a section of this well-known 200-kilometer tunnel complex. This is the engineering masterpiece of the Viet Cong, a matrix of underground kitchens and living rooms and army headquarters. As I slide through the narrow, dusty passageway, my head fills up with those old war movies Dad took us to in the ’70′s. My body is way too big for these tunnels. I can hardly breathe. After five minutes, I come out gasping. We decide not to spend the extra ten dollars it costs to shoot a rifle.”

Only by reconnecting to the developing stages of my awareness through my journal could I provide an opening to my American audience. The narrative trajectory of this half-hour film follows our evolving understanding of the landscape and the people of Vietnam. Honestly, my sister Dana and I fought all the through the shaping of the film’s voice over. If she hadn’t been my sister, I probably would have fired her as a collaborator! The fundamental tension between the two of us grew out of several distinct differences between our points of view. While she had very much completed her own reckoning with the destruction of the war between Vietnam and the United States, I, like most tourists, was still dealing with the war’s echoes and the guilt that came with that psychic burden. While she wanted to follow the order of events to the letter, I felt free to articulate our experiences by distilling our stories into anecdotes that could function like parables. By recognizing the inherent tension between my position as a non-narrative experimental filmmaker and my sister’s commitment to a more transparent commentary, we were able to find a rhetorical strategy that mirrors the most fundamental conflicts around discourse and truth facing an essayist in any format. In several quintessentially self-reflexive moments, my sister expresses exasperation with almost every aspect of my production process:

“Lynne can stand for an hour finding the perfect frame for her shot. It’s as if she can understand Vietnam better when she looks at it through the lens of her camera. I hate the camera. The world feels too wide for the lens, and if I try to frame it, I only cut it up.”

In 1997, I completed “Biography of Lilith” (1997), a film exploring the ruptures both women and men must confront when transitioning from being autonomous individuals to parents with responsibilities. I began making this film when I discovered I was pregnant with my first daughter and by the time I finished three years later I was able to punctuate the final sound mix with the cries of my second child. Inspired by the theoretical texts of Julia Kristeva and Antonin Artaud, in particular, this film celebrates my most intimate and abject concerns about the changes in my body and my place in the world as a woman. My film on Lilith, Adam’s first mate, is also a portrait of a female archetype who boldly wanted to be on top during sex. The film matches a non-authoritative exposition of Lilith in a multiplicity of cultures – both ancient and contemporary – with my own pre and post-partum writing. In this way, I juxtaposed two years of historical and cultural research and interviews with intimate ruminations on my own sexuality and motherhood.

“I’m learning to read all over again. A face, this time, connected to a body. At first, I feel your story from within. Nose rubs against belly, elbow prods groin. Your silent cough becomes a confusing dip and bulge. You speak and I struggle to translate. I lie on my side, talk to myself, rub my fingers across my skin, from left to right. I read out loud, and I hope you can hear me. I’m learning to read all over again, but this time I have a teacher.”

In “States of UnBelonging” (2005), my fourth film in a five-film body of work I call “I Am Not a War Photographer”, I turned to Terence Malick’s “The Thin Red Line” and to the “Hell” section of Jean Luc Godard’s “Notre Musique” for lessons from makers who were capable of articulating the horror of war. I constructed this film around an epistolary friendship I had with an Israeli student who moved back to Tel Aviv during an extremely volatile period in Israel-Palestine. A meditation on war as well as land, the Bible, and filmmaking, this essay film is built from over three years of emails. With enormous hesitation and intimidation, we reveal our anguish and bewilderment in the film’s soundtrack as well as on the screen as text. With an awareness of my own position in this charged political landscape, I start the film with a kind of meta-historical lamentation on the way that human beings organize time:

“Do you ever have the feeling that the history you are experiencing has no shape?

Even as a teenager I was obsessed with history’s shifts and ruptures. Wars helped us order time. A war established beginnings and endings. There is “before.” There is “during.” There is “after.”

I am currently working on “Tip of My Tongue” , a film on memory that began with 50 autobiographical poems I wrote about each year from my birth in 1961 to my 50 th birthday. Unlike my previous films, in which the research and shooting themselves prompted the text, this project grew directly from my poetry. Without the slightest concern for how the poems would eventually shimmy their way into one of my movies, in 2012 I gave myself the unencumbered freedom to write about my own life. In each poem, I looked at the relationship between a large public event and my own insignificant, yet somehow personally memorable, connection to that situation. Now, three years later, I am working with a cast of eleven people from almost every continent, each of whom was born around the year 1961. Together we are creating an inverted history of our collective half-century through a series of spoken story distillations that place the grand in the shadow of the intimate. From glimpsing a drunken Winston Churchill on the streets of London to watching the Moon landing from a playground in Melbourne to washing dishes during the Iranian Revolution to feeling destitute during the Recession, we are working collaboratively to construct our own recipe for a performative sound-image essay film.

Excerpt from Review by Tanya Goldman in Cinema Journal:

“There is often a poetic dialogue extending between sections when a voice of the past rhymes with the present. In 1948, Alexandre Astruc wrote of a cinema that should function as “the seismograph of our hearts, a disorderly pendulum inscribing on film the tense dialectics of our ideas.” This quality is echoed in Lynne Sachs’s 2016 reflections on her own practice through which she feels a stronger sense of kinship with writers, poets, and painters than film directors. She states that her job “is not to educate but rather to spark curiosity in my viewer that moves from the inside out.” Observations such as these bestow the essay film with a distinct emotive quality much at odds with classical documentary’s association with sobriety.”

Tanya Goldman Cinema Journal, Volume 57, Number 4, Summer 2018, pp. 161-166 (Review) Published by University of Texas Press DOI: https://doi.org/10.1353/cj.2018.0064

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Film Writing: Sample Analysis

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Summary: A sample analysis of a filmic sequence that makes use of the terminology on the OWL’s Writing About Film page .

Written by Kylie Regan

Introductory Note

The analysis below discusses the opening moments of the science fiction movie Ex Machina in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.: The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.: The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.: These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.: In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note: Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

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Talking about movies is one of our favorite pastimes, maybe even more than the movies themselves. It’s irresistible to critique someone’s work, point out flaws, and relive some of the key moments. But, for filmmakers, talking about movies isn’t just fun—it’s essential.

As all of us well know, nothing in a film happens by accident (ok, almost nothing). So, when we notice that a film looks, feel, or sounds a certain way, then there’s a great chance it’s worth talking about. Outside of making a film yourself, examining other filmmakers’ works is probably the quickest way to learn the craft.

Most of us have a little extra time on our hands these days. So, instead of falling into the abyss of the endless scroll or rewatching the entirety of The Office for the sixth time, we wanted to take an opportunity to provide you with some valuable alternatives.

Here are 5 essential film essays for you to learn from, plus a few channels to explore.

Thomas Flight | Chernobyl – A Masterclass in Perspective

In case you missed what may be one of the best miniseries of all time, we highly recommend stopping everything to watch Chernobyl . Then, watch Thomas Flight’s incredible examination of how to tell a story through a character’s eyes. The lessons to learn here are essential for effective storytelling, and he uses key examples of how to do it and how not to do it (sorry, Mark Wahlberg).

Nerdwriter | Mandy: The Art of Film Grain

“Time has no meaning anymore. Every aesthetic of the past is a pallet of the future.” That’s a pretty bold statement, but in this video from Nerdwriter, they do a pretty good job of backing it up. Now, there’s a lot to talk about with Mandy , but this examination of film grain is a great way to dive into how we connect with things, how aesthetics can play a role in filmmaking, and why it matters at all.

The Discarded Image | Once Upon a Time… in Hollywood | Tarantino at his Most Meta

This great essay from our friends at The Discarded Image has more “I never thought of that” moments than we can count. The video uses Once Upon a Time…in Hollywood as a launching point to explore Quentin Tarantino’s career, and how he uses our preconceived notions to subvert our expectations. There are some mind-blowing moments here, including how Tarantino casts actors based on our pop-culture awareness of them. Crazy stuff.

Hurlbut Academy | Parasite | The Look Of…

Parasite is destined to be a “film school” film, and for good reason. Director Bong Joon-ho’s instant classic is one of the most intentional movies we’ve ever seen. Literally every decision was made to tell a story, either consciously or unconsciously, and in this essay from the Hurlbut Academy, they explore the visual decisions behind its production. They break down everything from camera choice to set creation, and how they all worked together to make a masterpiece.

Anna Catley | Die Hard: A Christmas Movie

There aren’t a whole lot of lessons to learn from this one, but this essay from Anna Catley settles the timeless debate: Is Die Hard a Christmas movie? With her characteristic humor and wit, she breaks down her argument while also reminding us why we love to talk about movies in the first place—because it’s fun. Do we really need a better reason than that?

Channels to Follow for more Film Essays

These are just a few recent examples of film essays for you to check out, but there are countless others. And, just like the classic films they explore, they’re pretty timeless as well. We can always learn lessons from the masters, which makes these channels worth revisiting time and time again. Here’s a short list of some essential video essay channels:

Every Frame a Painting
Thomas Flight
The Discarded Image
Hurlbut Academy
Lindsay Ellis
Anna Catley
We Need to Talk About Film
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How to Write a Film Analysis Essay – Step by Step

So, your assignment is to watch a movie and analyze it in an essay. Great!

I’m Tutor Phil, and in this tutorial I’ll show you how to write a film analysis.

In short, to write a film analysis means to:

Identify the elements of the film
Identify the relationships among those elements
Form an argument about your findings
Support your argument using evidence

If this task seems daunting, don’t worry – it is actually fun once you know exactly what to do.

So, let’s dive right in. Here are…

7 Steps to Writing a Film Analysis Essay

Step 1. Watch the movie while taking notes

If you already saw the film you need to analyze, you’ll probably need to watch it again, this time taking some notes.

Why is note taking important? Well, to analyze really means to break something into parts and to discuss relationships among them.

And to identify parts (or elements) of a movie, you need to watch it while paying attention to details and writing down your observations.

Taking notes will allow you to do several things:

Identify some of the elements of the film so you have something to discuss
Uncover details you would otherwise miss
Make connections between ideas
Get some raw content you can readily use in your essay

How to take notes

Here’s a tip on how to do it most efficiently. Play the movie on one device while taking notes on another.

For example, play the movie on your TV or iPad, and take notes on your laptop. This way, you can pause the movie and make a note without switching apps on your laptop.

What to look for

When watching the movie, you are looking for elements that it is made up of. You can simply start a bulleted list with a timeline and some of the things you observe.

Importantly, you usually don’t want to simply describe every event of the film. You need some kind of a theme or motif to focus on because otherwise you’ll simply write a synopsis if the movie.

But you want some useful notes. Here’s how to choose what to focus on.

First, your assignment should determine your focus. For example, if your instructor wants you to write about a particular character, then pay special attention to that character.

If your assignment includes more details, that’s even better. Maybe you have to pick a character and write about her love life or her relationship with her mother.

Great – that will help you narrow down your focus.

Second, you can choose your own theme to focus on. If your assignment is very general, don’t worry – just pick your own character, theme, or something in the movie you want to write about.

In this case, if you’ve already seen the film, just think back and choose something to focus your analysis on.

Third, you can simply analyze the entire film. In this case, your task is to identify the overall message of the film and how its elements help deliver this message.

Each of these ways to approach writing a film analysis essay works great. And the steps you learn here will help you whatever approach you choose.

Example of note-taking

Let me give you an example. Recently, I had to write about one particular character in a movie. I also had to discuss the mental health of the character. So, I paid special attention to anything that had to do with mental health.

I chose the movie The Hours based on Michael Cunningham’s book of the same title. And by the way, let’s use this film from now on as an example to illustrate our seven steps to writing a film analysis.

This movie follows three women at different periods of the twentieth century. One of them is Virginia Woolf, based on the real-life writer of the same name.

Since my task was to write about her, I took notes primarily related to her. But I also noted relevant elements in other parts of the film.

Note that I time-stamped the events that happen on the screen. This would help me orient myself in the story when I later read my notes.

This can also help you use quotations from the film because in some citation styles you are required to provide exact time stamps for the dialogue lines.

Here is a sample of the notes that I took while watching the movie:

00:00 – 3:30 Very compulsive behavior. Frantically dressing up.

“I feel that I’m going mad again.”

08:35 – ~11:00 “How was your sleep?” “Uneventful. No headache. I believe I may have the first sentence.”

“Always giving parties to cover the silence.” – Ed Harris. ~22:00

27:44 – 31:50 “Her fate becomes clear to her.”

Makes demands on her cook. Being kind of rude.

43:20 Doesn’t comply with doctors. Depressed all the time. Lies down by the dead bird, as if wanting to join it.

01:05:45 Talking to herself, mumbling, in the presence of others – sister, nephews, niece.

-What were you thinking about?

-I was going to kill my heroine but I changed my mind.

01:08:05 “I’m afraid I might have to kill someone else instead.”

Your notes don’t have to consist of perfect sentences. You can jot down sentence fragments, phrases, or even just words.

But complete sentences, or at least sentence fragments, will help you understand what you were thinking when taking the note. A sentence will tell you more than a word or a phrase.

Write down some important dialogue verbatim. You can later use these quotations in your essay.

Elements to look for

Let’s explore what kinds of elements you can look for while watching the movie. Cinema is an amazing medium that combines a multitude of things to talk about.

A film can contain everything a novel can. And in addition, it has visuals and sound. So, it’s very rich. Let’s divide the elements into two categories – literary and cinematic.

Literary elements

Story (the beginning, middle, and end)
Plot (how events are arranged in time and space)
Setting (where and when the action takes place)
Characterization (characters and their unique qualities)
Themes (recurring elements that link things together by topic)
Message (the point, the argument, if you will, of the movie)
Dialogue (what characters say)
Symbols (concrete visual or auditory bits that stand for abstract ideas)
Contrast (highlighting differences)

Cinematic elements

Sound (music, noises, or the use of silence)
Lighting (how light is used to convey or emphasize ideas)
Camera angles (positioning of the camera when shooting a scene)
Editing (putting different shots together in a sequence)
Mise-en-scene (everything you see on the screen)
Casting (the choice of actors)
Acting (the art of playing a character)

If you’re a film or literature student, many of these elements will sound familiar to you. But even if you’re not, you don’t have to know much about all or even most of these to write a great film analysis.

All you need is a few good elements that will serve as ideas to organize and develop your paper. And you are probably already familiar with some of them, such as story and characters, for example.

As you watch the movie and take notes, keep these elements somewhere in your document so you could check in with the list at any time.

Step 2. Make some connections among the elements

If you really want to do well on this paper, you might want to watch the movie one more time after you’ve taken your initial notes. This time, you’ll be making connections using these elements.

You can do this step from memory and your initial set of notes, but if you do it while watching the film one more time, your paper will be a lot stronger. And the writing part will be easier.

As you watch the film, especially for the second and maybe even a third time, you’ll notice patterns.

You’ll begin to see how different elements are connected by themes and other unifying elements.

Here are examples of how different and seemingly distant elements can be connected in a movie:

Thematic connection

Two or more characters have the same pattern of behavior. They may not know each other or may even live on different continents or in different time periods. But they both feel stuck in their marriages, for example.

Connection through dialogue

Two or more characters who, again, seem completely unrelated say the same things. Or, one character says something, and another picks it up or answers it in the next scene or shot.

Connection through mise-en-scene

Mise-en-scene is all the visual elements on the screen. A recurring visual can link different elements, such as characters, together.

For example, a character can have a red rose in her hand. Another character, in a different time and space, can also have a red rose in her hand. This is a director’s way of saying: “Pay attention and look for connections between these characters.”

Musical connection

The same music can play in different scenes. Or, the same tune can be played in a major, happy key in one scene but in a minor, sad key in another. Or, a short motive can be repeated at pertinent moments in the film.

Movie writers and directors make all kinds of other connections in their films. If you watch the movie more than once while being consciously aware of the possibilities, you’ll notice things.

You can choose any types of connections you want. If your instructor wants you to be specific and use cinematography and dialogue, for example, then use these two categories.

But if you identify some nice connections in other categories, put them in your notes, too. You’ll use them as supporting ideas in your essay.

Example of making connections

Let me give you an example of how I used elements of film to make some connections for that film analysis I worked on.

Note that I’m using only four categories of these elements because to discuss more of them would only make the essay get out of hand. It’s better to focus on a few. Make sure it’s no fewer than two, and preferably three or four.

The first one or two can be the main ones, and the rest can be used as supporting ideas (more on this later).

To make better sense of the example below, keep in mind that the movie The Hours follows three women in different times and places.

I used letters V, L, and C as acronyms of their first names, because it’s faster and easier that way.

Here is a sample of connections (as brief notes)

Homosexuality and bisexuality.
Around 42:00 – L kisses her neighbor Kitty. Later, V kisses her sister Vanessa. Both women are not only stuck in their situations – they are also stuck in the closet.
C is also stuck, according to her own words.
V tries to write a novel. L tries to bake a cake. C tries to throw a party. Each one is frustrated.
But there is a progression from V-L-C. V never succeeds. L fails at first attempt but succeeds with the second one. C makes everything ready, but the party never happens through no fault of her own.
Also, trying to run away. V fails. L succeeds. So does Louis in modern times.
C says at one point, “From then on I’ve been stuck.” It seems she’s stuck in bisexuality.
When L drops off her son, it’s with Mrs. Latch (note the name). A latch is a fastening or binding device.
Louis Waters says, “The day I left him, I got on a train and made my way across Europe. I felt free for the first time in years.”
V succeeds on the third attempt. L contemplates it but changes her mind. C never attempts. But Richard succeeds.
13:54 – (1951) L’s son asks to help with the cake. L: “Of course you can, sweet pea. I’m not gonna do anything without you.” Cuts to 2001 New York: C: “No, of course!”
It’s as if the director is being sarcastic: “Yeah, sure. Of course I’m not gonna do anything without you.”
L eventually abandons her family, including her son. So, this juxtaposition seems sarcastic and acts as foreshadowing.

Mise-en-scene (visual elements)

Each of two women, V and L, is alone in a bed; one is in bed with a partner.
L is particularly emphasized as alone with an empty half bed – happens again later in the film.
The light is pouring in from outside, but the room is dark. She is isolated by the window frame. Isolated from everything in the home, including her son.
Later, around 17:30, her son will be alone in a very dark apartment: “I needed to let in some light.” Maybe light is associated with freedom.
V depressed, even disturbed
L wondering what the day will bring
C excited about the upcoming day.
There seems to be a progression from worse to better in V-L-C.

When you actively look for connections, you’ll make many of them. In this step, you’re not thinking deeply about them. You’re just noticing things and jotting them down.

The main thinking is done in the next step.

Step 3. Formulate your main argument

Now that you have your elements and you’ve perceived some relationships among them, it’s time to formulate your thesis.

A thesis is the main point of your essay. This step is the most important because this is where you take a stand.

This is also a creative step. You’re essentially making a decision about what to say about this movie or an aspect of the movie.

Here’s a short video I created, explaining what a thesis is:

Read back through your notes

Read through the initial notes you took and the connections that you’ve made.

What stands out to you as the most important, the most general and overarching idea that is probably the main one?

Make your thesis about this idea. And the rest of the elements or ideas will act as supporting points (we’ll add them in the next step).

Choose the subject

Let’s choose what to write about – our subject – in our sample film analysis. We have four categories of elements in which we’ve made notes and connections:

Mise-en-scene

Just by looking at this list and reading through the connections made, it is easy to notice:

One or more of the themes are dominant, and the rest is supportive. Therefore, our main point should probably be about a theme .

Again, if your instructor has given you a specific subject to focus on, then that’s what your thesis will be about.

In this example, let’s assume that we must simply write a film analysis, and we’re free to choose what to write about.

So, we’ll pick one of the themes, take a stand on it, and formulate our thesis based on it. Let’s look at the themes we’ve picked out again:

Repressed sexuality
Frustration
Being stuck
Seeking freedom

Which of these is the dominant one? Which one is all-encompassing? Which one includes some of the others?

These are some of the questions we might ask to pick the main subject for our essay. Let’s arrange these themes in the order of more general to more specific:

Why is being stuck the most general and all-encompassing theme? That’s because it seems that the rest of the themes are either the signs or the effects of it.

Repressed sexuality and frustration in trying to accomplish things and failing are signs, examples, or manifestations of being stuck.

It is only possible to seek freedom if you feel stuck. And suicide, at least in this film, is a result of being stuck and seeing no way out.

This tells us that being stuck as a theme is the best candidate for our thesis. In other words, this essay will be about the theme of being stuck in the film The Hours .

Formulate the thesis

At this point, we have everything we need to formulate our thesis, our main point that we’ll be supporting in the essay. Let’s do it:

“In the film The Hours, the feeling of being stuck in terms of their sexualities and life situations plagues the main characters. And the earlier in the century the action takes place, the more disastrous the consequences of them feeling stuck.”

What’s going on in this thesis?

First, we have two sentences because this film analysis is kind of complex. It is possible to write out the main point in only one sentence, but then it would be too long and complicated.

Second, note that we have all the main elements either explicitly or implicitly present in this statement. In other words, this thesis summarizes our entire essay perfectly.

It contains the themes of:

Being stuck (which is our main subject)
Sexuality (one supporting idea)
Seeking freedom (from an unwanted life situation)
Sucide (a disastrous consequence)

In other words, it’s all there in the thesis. And we’ll unpack these concepts more in the next two steps.

Step 4. Write the introductory paragraph

The introductory paragraph consists of three parts:

An introductory sentence
The thesis (main point)
The supporting points

Here is a diagram of how it is organized:

We already have one of these parts, which is the thesis (part 2). Now, all we need is the introductory sentence and the supporting points.

Let’s put together our supporting points – the crucial part of a thesis statement. A full thesis statement always includes the main point and the supporting ideas. And then we’ll write out the complete introductory paragraph.

Keep in mind that each of our supporting points will correspond to a section of our essay. And I always recommend using the Power of Three to organize a paper.

Three is a great number to divide one idea into many. Note that writing an essay on any topic is very much a matter of dividing big topics into subtopics.

What three supporting points or sections can we have in this essay? Well, luckly, it just so happens that the film The Hours centers around three main characters set in different time periods and places.

This makes a perfect division into three parts. Now, your movie may not have such a clear division, and in that case you’ll need to come up with three supporting ideas creatively.

For example, you could discuss the feeling or predicament if being stuck in terms of these concepts:

And your essay would have three main sections. Each section would be devoted to being stuck in a particular sense.

In our essay, the three women are:

Virginia Woolf (1923)
Laura Brown (1951)
Clarissa Vaughan (2001)

From our thesis, we know two things:

They all share the feeling of being stuck, in similar ways
There is a progression from past to present in how it affects them

So, now, let’s write out the complete thesis statement. Note that we’re also including the introductory sentence, whose function is to pull the reader into the subject matter of the essay.

Our film analysis thesis statement example

“Through the power of narrative and visual elements, cinema allows the viewer a glimpse into worlds she otherwise could not know, revealing difficulties people have faced throughout history. In the film The Hours, the feeling of being stuck in terms of their sexualities and life situations plagues the main characters. And the earlier in the century the action takes place, the more disastrous the consequences of them feeling stuck. Virginia Woolf, set in 1923, is in the worst situation because while she suffers from repressed homosexuality and hates living in the country, it is next to impossible for her to find a viable way out. Laura Brown, set in 1951, is also a closet lesbian and lives a small-town family life she despises. But she eventually finds a way to liberate herself. Finally, Clarissa Vaughn, set in 2001, is stuck in her bisexuality. But her life situation, while challenging, is otherwise better than those of the other two characters.”

Step 5. Outline the essay

The thesis statement that we just put together also acts as our big-picture outline. Let’s see how our essay will be organized, in terms of the main sections:

Notice that this big-picture outline is dictated completely by our thesis statement. This is why a great, detailed thesis statement is so important.

Fulfilling the word count requirement

Your film analysis essay assignment may have a specific word or page count requirement. Let me give you an example of this film analysis outline with a breakdown of words per section and subsection.

Let’s say you need to write a 2,000-word paper. Well, right now our introductory paragraph contains about 150 words. Here is how we could distribute words to meet that word count requirement.

Outline with word count distribution

Introductory paragraph (150 words)
Sexuality ( 300 words )
Life situation ( 300 words )
Conclusion (100 words)

If you add up all the sections and subsections, you’ll get 2,050, which is about our desired word count.

If you need to write 5,000 words, then distribute your words accordingly. You’ll have about 250 words per introduction and conclusion, which will leave you with 4,500 words for the body of the essay.

That will be 1,500 words per main section. Divide each main section into three subsections using the Power of Three, and you have 500 words per subsection.

It’s very helpful to know how to distribute your words because that allows you to map out how much you’re writing in each section and paragraph.

Step 6. Write the body of the essay

The body of a film analysis essay consists of sections, and each section consists of one or more paragraphs.

So, your main building block in the body of the essay is the body paragraph. Here is how a body paragraph is structured:

The first sentence is the so-called lead sentence. It must summarize the contents of the paragraph succinctly and perfectly.

An explanation is where you have a chance to provide any reasoning or describe a process.

And examples are the most specific parts of any paragraph or essay. They are the most fun to write and to read.

Let’s write a body paragraph to illustrate exactly how such a building block works in a movie analysis.

Our example is about Virginia Woolf. It belongs in Section 1, subsection 1 – about being stuck with repressed homosexuality.

Note that this subsection can have more than one paragraph. This will be one of the paragraphs in this section.

Film analysis body paragraph example

“Virginia feels stuck in her personal life as if in a prison because of her repressed sexuality. She appears to be a closet homosexual, which is a difficult predicament to endure in the early 20th century England. Homosexuality was looked down upon, and a woman had to be married to a man, regardless of her innate sexual preferences. She lives with her husband who takes care of her and clearly loves her. However, when her sister Vanessa comes to visit, at the end of the visit, Virginia gives her a long, passionate kiss on the lips that is apparently reciprocated. The kiss is so intense that it indicates a repressed desire. Vanessa accepts it, but it is not clear whether she does so out of mutual attraction or compassion for her sister’s suffering.”

This paragraph follows the structure illustrated in the diagram.

It opens with a lead sentence which summarizes and introduces the entire contents of the paragraph perfectly. It is also the most general statement of the essay.

Next comes the explanation. We explain why we think that Virginia has a problem. The time period she lives in makes it difficult to be a sexual minority.

Finally, we provide an example – the most specific kind of evidence in an essay. It is an example of a kiss, with a description and implications.

To complete the body of the essay, we would need to build it out by writing one paragraph after another, following the outline and maintaining this body paragraph structure.

Note that you can also use outside sources to support your points. But first write out what you can without resorting to research. And only then go and find sources that would confirm your thinking and ideas.

Step 7. Write the conclusion

This is the final step and the easiest one. I usually advocate for concluding with a simple restatement.

All you need to do is write out the thesis statement using different words so it doesn’t come across as a mere copy.

Your conclusion can be shorter than the introductory paragraph. After all, you’ve already said it all. And now, just restate in fewer and different words. You can also add a more general statement at the very end, as a finishing touch.

And let’s do it.

“The Hours is a fascinating study of how repressed sexuality and confining life situations have affected people’s lives throughout the twentieth century. The three characters live in different times, and the earlier the period the more difficult the situation and the harder it is to endure. Virginia commits suicide because she can’t find a way out of her situation. Laura almost commits suicide but then chooses to abandon her situation, which is physically a little easier in the 1950’s. And Clarissa lives with her girlfriend. Her situation is better although she is still stuck as a bisexual. Life in 2001 is significantly better, though not devoid of challenges.”

And there you have it. Now you know exactly how to write a film analysis paper.

I hope this was helpful!

Tutor Phil is an e-learning professional who helps adult learners finish their degrees by teaching them academic writing skills.

Essay on My Favourite Film

Students are often asked to write an essay on My Favourite Film in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on My Favourite Film

Introduction.

My favourite film is “Toy Story”. This animated movie, created by Pixar, is a delightful adventure that brings toys to life.

The story revolves around toys that secretly come to life when humans are not around. Woody, a cowboy doll, and Buzz Lightyear, a space ranger, are the main characters.

Each character is unique, with their own personality. Woody is loyal and brave, while Buzz is adventurous and daring.

“Toy Story” is my favourite film because it’s imaginative, fun, and teaches valuable lessons about friendship and loyalty.

250 Words Essay on My Favourite Film

Every cinephile has that one film that resonates with them on a deeply personal level. For me, that film is Christopher Nolan’s “Inception.” A blend of science fiction and heist thriller, “Inception” is a cinematic masterpiece that pushes the boundaries of storytelling and visual effects.

Plot and Characters

The plot revolves around Dom Cobb, played by Leonardo DiCaprio, a skilled thief who steals secrets from people’s subconscious while they dream. The film takes a thrilling turn when Cobb is tasked with planting an idea into someone’s mind, a process known as inception. The ensemble cast, including Ellen Page, Joseph Gordon-Levitt, and Tom Hardy, deliver stellar performances that add depth to the complex narrative.

Cinematic Techniques

Nolan’s use of cinematic techniques is nothing short of spectacular. The film’s dream sequences are visually stunning, and the use of practical effects provides a sense of realism that enhances the viewing experience. The non-linear storytelling keeps the audience engaged, constantly challenging them to discern between dream and reality.

“Inception” explores several profound themes, such as the nature of reality, the power of ideas, and the struggle with guilt and redemption. These themes are woven seamlessly into the narrative, prompting viewers to question their perceptions and reflect on their own experiences.

“Inception” is more than just a film; it is an immersive experience that invites viewers to journey into the depths of the subconscious. It is my favourite film because it combines thought-provoking themes with innovative storytelling and stunning visuals, making it a compelling cinematic experience.

500 Words Essay on My Favourite Film

My favourite film, “Inception,” directed by Christopher Nolan, is a cinematic masterpiece that delves into the intricate complexities of the human mind. Its unique blend of science fiction and heist thriller genres, coupled with an exceptional cast and thought-provoking narrative, make it a film that continues to captivate me.

“Inception” explores the concept of dream manipulation, where a group of ‘extractors’ infiltrates the subconscious mind to steal or implant ideas. The film’s protagonist, Dom Cobb (played by Leonardo DiCaprio), is an expert extractor who is offered a chance to erase his criminal past by performing an ‘inception’ – planting an idea in someone’s mind. The plot’s intricacy, the layering of dreams within dreams, and the exploration of the subconscious mind’s labyrinth make it an intellectual feast.

Characterization

The characters in “Inception” are well-rounded and complex, each contributing to the story’s depth. Dom Cobb’s struggle with his haunting past, the ambitious architect Ariadne (Ellen Page), and the enigmatic businessman Saito (Ken Watanabe) all add to the film’s richness. The character development is subtle yet profound, adding layers of emotional depth to the intricate plot.

Nolan’s use of cinematic techniques in “Inception” is another aspect that makes it my favourite film. The innovative special effects, particularly the dream sequences, are visually stunning. The rotating hallway fight scene, the crumbling cityscape, and the weightless elevator sequence are unforgettable. The film’s non-linear narrative structure, combined with Hans Zimmer’s haunting score, creates an immersive viewing experience.

Themes and Symbolism

“Inception” is rich in themes and symbolism, exploring concepts such as reality versus illusion, guilt, and redemption. The spinning top, Cobb’s totem, symbolizes his struggle to distinguish reality from dreams. The film also delves into the power of ideas, suggesting that a single idea can define or destroy one’s life. These themes provoke introspection, making the film a philosophical exploration of the human psyche.

“Inception” is a film that transcends the boundaries of conventional storytelling. Its thought-provoking narrative, complex characters, innovative cinematic techniques, and philosophical themes make it a film that resonates with me on many levels. It is a film that encourages viewers to question their perception of reality and the power of their subconscious mind. For its intellectual depth, emotional resonance, and cinematic brilliance, “Inception” remains my favourite film.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

Essay on My Notebook
Essay on My Favourite Story Book
Essay on My Favourite Author

Apart from these, you can look at all the essays by clicking here .

Happy studying!

Film Analysis: Example, Format, and Outline + Topics & Prompts

Films are never just films. Instead, they are influential works of art that can evoke a wide range of emotions, spark meaningful conversations, and provide insightful commentary on society and culture. As a student, you may be tasked with writing a film analysis essay, which requires you to delve deeper into the characters and themes. But where do you start?

In this article, our expert team has explored strategies for writing a successful film analysis essay. From prompts for this assignment to an excellent movie analysis example, we’ll provide you with everything you need to craft an insightful film analysis paper.

📽️ Film Analysis Definition

📚 Types of Film Analysis

✍️ How to Write Film Analysis
🎞️ Movie Analysis Prompts
🎬 Top 15 Topics

📝 Film Analysis Example

🍿 More Examples

🔗 References

📽️ what is a film analysis essay.

A film analysis essay is a type of academic writing that critically examines a film, its themes, characters, and techniques used by the filmmaker. This essay aims to analyze the film’s meaning, message, and artistic elements and explain its cultural, social, and historical significance. It typically requires a writer to pay closer attention to aspects such as cinematography, editing, sound, and narrative structure.

Film Analysis vs Film Review

It’s common to confuse a film analysis with a film review, though these are two different types of writing. A film analysis paper focuses on the film’s narrative, sound, editing, and other elements. This essay aims to explore the film’s themes, symbolism , and underlying messages and to provide an in-depth interpretation of the film.

On the other hand, a film review is a brief evaluation of a film that provides the writer’s overall opinion of the movie. It includes the story’s short summary, a description of the acting, direction, and technical aspects, and a recommendation on whether or not the movie is worth watching.

This image shows the difference between film analysis and film review.

Wondering what you should focus on when writing a movie analysis essay? Here are four main types of film analysis. Check them out!

📋 Film Analysis Format

The movie analysis format follows a typical essay structure, including a title, introduction, thesis statement, body, conclusion, and references.

The most common citation styles used for a film analysis are MLA and Chicago . However, we recommend you consult with your professor for specific guidelines. Remember to cite all dialogue and scene descriptions from the movie to support the analysis. The reference list should include the analyzed film and any external sources mentioned in the essay.

When referring to a specific movie in your paper, you should italicize the film’s name and use the title case. Don’t enclose the title of the movie in quotation marks.

📑 Film Analysis Essay Outline

A compelling film analysis outline is crucial as it helps make the writing process more focused and the content more insightful for the readers. Below, you’ll find the description of the main parts of the movie analysis essay.

Film Analysis Introduction

Many students experience writer’s block because they don’t know how to write an introduction for a film analysis. The truth is that the opening paragraph for a film analysis paper is similar to any other academic essay:

Start with a hook to grab the reader’s attention . For example, it can be a fascinating fact or a thought-provoking question related to the film.
Provide background information about the movie . Introduce the film, including its title, director, and release date. Follow this with a brief summary of the film’s plot and main themes.
End the introduction with an analytical thesis statement . Present the central argument or interpretation that will be explored in the analysis.

Film Analysis Thesis

If you wonder how to write a thesis for a film analysis, we’ve got you! A thesis statement should clearly present your main idea related to the film and provide a roadmap for the rest of the essay. Your thesis should be specific, concise, and focused. In addition, it should be debatable so that others can present a contrasting point of view. Also, make sure it is supported with evidence from the film.

Let’s come up with a film analysis thesis example:

Through a feminist lens, Titanic is a story about Rose’s rebellion against traditional gender roles, showcasing her attempts to assert her autonomy and refusal to conform to societal expectations prevalent in the early 20th century.

Movie Analysis Main Body

Each body paragraph should focus on a specific aspect of the film that supports your main idea. These aspects include themes, characters, narrative devices , or cinematic techniques. You should also provide evidence from the film to support your analysis, such as quotes, scene descriptions, or specific visual or auditory elements.

Here are two things to avoid in body paragraphs:

Film review . Your analysis should focus on specific movie aspects rather than your opinion of the film.
Excessive plot summary . While it’s important to provide some context for the analysis, a lengthy plot summary can detract you from your main argument and analysis of the film.

Film Analysis Conclusion

In the conclusion of a movie analysis, restate the thesis statement to remind the reader of the main argument. Additionally, summarize the main points from the body to reinforce the key aspects of the film that were discussed. The conclusion should also provide a final thought or reflection on the film, tying together the analysis and presenting your perspective on its overall meaning.

✍️ How to Write a Film Analysis Essay

Writing a film analysis essay can be challenging since it requires a deep understanding of the film, its themes, and its characters. However, with the right approach, you can create a compelling analysis that offers insight into the film’s meaning and impact. To help you, we’ve prepared a small guide.

1. Understand the Prompt

When approaching a film analysis essay, it is crucial to understand the prompt provided by your professor. For example, suppose your professor asks you to analyze the film from the perspective of Marxist criticism or psychoanalytic film theory . In that case, it is essential to familiarize yourself with these approaches. This may involve studying these theories and identifying how they can be applied to the film.

If your professor did not provide specific guidelines, you will need to choose a film yourself and decide on the aspect you will explore. Whether it is the film’s themes, characters, cinematography, or social context, having a clear focus will help guide your analysis.

2. Watch the Film & Take Notes

Keep your assignment prompt in mind when watching the film for your analysis. For example, if you are analyzing the film from a feminist perspective, you should pay attention to the portrayal of female characters, power dynamics , and gender roles within the film.

As you watch the movie, take notes on key moments, dialogues, and scenes relevant to your analysis. Additionally, keeping track of the timecodes of important scenes can be beneficial, as it allows you to quickly revisit specific moments in the film for further analysis.

3. Develop a Thesis and an Outline

Next, develop a thesis statement for your movie analysis. Identify the central argument or perspective you want to convey about the film. For example, you can focus on the film’s themes, characters, plot, cinematography, or other outstanding aspects. Your thesis statement should clearly present your stance and provide a preview of the points you will discuss in your analysis.

Having created a thesis, you can move on to the outline for an analysis. Write down all the arguments that can support your thesis, logically organize them, and then look for the supporting evidence in the movie.

4. Write Your Movie Analysis

When writing a film analysis paper, try to offer fresh and original ideas on the film that go beyond surface-level observations. If you need some inspiration, have a look at these thought-provoking questions:

How does the movie evoke emotional responses from the audience through sound, editing, character development , and camera work?
Is the movie’s setting portrayed in a realistic or stylized manner? What atmosphere or mood does the setting convey to the audience?
How does the lighting in the movie highlight certain aspects? How does the lighting impact the audience’s perception of the movie’s characters, spaces, or overall mood?
What role does the music play in the movie? How does it create specific emotional effects for the audience?
What underlying values or messages does the movie convey? How are these values communicated to the audience?

5. Revise and Proofread

To revise and proofread a film analysis essay, review the content for grammatical, spelling, and punctuation errors. Ensure the paper flows logically and each paragraph contributes to the overall analysis. Remember to double-check that you haven’t missed any in-text citations and have enough evidence and examples from the movie to support your arguments.

Consider seeking feedback from a peer or instructor to get an outside perspective on the essay. Another reader can provide valuable insights and suggestions for improvement.

🎞️ Movie Analysis: Sample Prompts

Now that we’ve covered the essential aspects of a film analysis template, it’s time to choose a topic. Here are some prompts to help you select a film for your analysis.

Metropolis film analysis essay . When analyzing this movie, you can explore the themes of technology and society or the portrayal of class struggle. You can also focus on symbolism, visual effects, and the influence of German expressionism on the film’s aesthetic.
The Godfather film analysis essay . An epic crime film, The Godfather , allows you to analyze the themes of power and corruption, the portrayal of family dynamics, and the influence of Italian neorealism on the film’s aesthetic. You can also examine the movie’s historical context and impact on future crime dramas.
Psycho film analysis essay . Consider exploring the themes of identity and duality, the use of suspense and tension in storytelling, or the portrayal of mental illness. You can also explore the impact of this movie on the horror genre.
Forrest Gump film analysis essay . If you decide to analyze the Forrest Gump movie, you can focus on the portrayal of historical events. You might also examine the use of nostalgia in storytelling, the character development of the protagonist, and the film’s impact on popular culture and American identity.
The Great Gatsby film analysis essay . The Great Gatsby is a historical drama film that allows you to analyze the themes of the American Dream, wealth, and class. You can also explore the portrayal of the 1920s Jazz Age and the symbolism of the green light.
Persepolis film analysis essay . In a Persepolis film analysis essay, you can uncover the themes of identity and self-discovery. You might also consider analyzing the portrayal of the Iranian Revolution and its aftermath, the use of animation as a storytelling device, and the film’s influence on the graphic novel genre.

🎬 Top 15 Film Analysis Essay Topics

The use of color symbolism in Vertigo and its impact on the narrative.
The moral ambiguity and human nature in No Country for Old Men .
The portrayal of ethnicity in Gran Torino and its commentary on cultural stereotypes.
The cinematography and visual effects in The Hunger Games and their contribution to the dystopian atmosphere.
The use of silence and sound design in A Quiet Place to immerse the audience.
The disillusionment and existential crisis in The Graduate and its reflection of the societal norms of the 1960s.
The themes of sacrifice and patriotism in Casablanca and their relevance to the historical context of World War II.
The psychological horror in The Shining and its impact on the audience’s experience of fear and tension.
The exploration of existentialism in Eternal Sunshine of the Spotless Mind .
Multiple perspectives and unreliable narrators in Rashomon .
The music and soundtrack in Titanic and its contribution to the film’s emotional resonance.
The portrayal of good versus evil in the Harry Potter film series and its impact on understanding morality.
The incorporation of vibrant colors in The Grand Budapest Hotel as a visual motif.
The use of editing techniques to tell a nonlinear narrative in Pulp Fiction .
The function of music and score in enhancing the emotional impact in Schindler’s List .

Check out the Get Out film analysis essay we’ve prepared for college and high school students. We hope this movie analysis essay example will inspire you and help you understand the structure of this assignment better.

Film Analysis Essay Introduction Example

Get Out, released in 2017 and directed by Jordan Peele, is a culturally significant horror film that explores themes of racism, identity, and social commentary. The film follows Chris, a young African-American man, visiting his white girlfriend’s family for the weekend. This essay will analyze how, through its masterful storytelling, clever use of symbolism, and thought-provoking narrative, Get Out reveals the insidious nature of racism in modern America.

Film Analysis Body Paragraphs Example

Throughout the movie, Chris’s character is subject to various types of microaggression and subtle forms of discrimination. These instances highlight the insidious nature of racism, showing how it can exist even in seemingly progressive environments. For example, during Chris’s visit to his white girlfriend’s family, the parents continuously make racially insensitive comments, expressing their admiration for black physical attributes and suggesting a fascination bordering on fetishization. This sheds light on some individuals’ objectification and exotification of black bodies.

Get Out also critiques the performative allyship of white liberals who claim to be accepting and supportive of the black community. It is evident in the character of Rose’s father, who proclaims: “I would have voted for Obama for a third term if I could” (Peele, 2017). However, the film exposes how this apparent acceptance can mask hidden prejudices and manipulation.

Film Analysis Conclusion Example

In conclusion, the film Get Out provides a searing critique of racial discrimination and white supremacy through its compelling narrative, brilliant performances, and skillful direction. By exploring the themes of the insidious nature of racism, fetishization, and performative allyship, Get Out not only entertains but also challenges viewers to reflect on their own biases.

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The Social Network : Film Analysis
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Marriage Story Film Directed by Noah Baumbach

❓ Film Analysis Essay: FAQ

Why is film analysis important.

Film analysis allows viewers to go beyond the surface level and delve into the deeper layers of a film’s narrative, themes, and technical aspects. It enables a critical examination that enhances appreciation and understanding of the film’s message, cultural significance, and artistic value. At the same time, writing a movie analysis essay can boost your critical thinking and ability to spot little details.

How to write a movie analysis?

Watch the film multiple times to grasp its key elements.
Take notes on the story, characters, and themes.
Pay attention to the film’s cinematography, editing, sound, message, symbolism, and social context.
Formulate a strong thesis statement that presents your main argument.
Support your claims with evidence from the film.

How to write a critical analysis of a movie?

A critical analysis of a movie involves evaluating its elements, such as plot, themes, characters, and cinematography, and providing an informed opinion on its strengths and weaknesses. To write it, watch the movie attentively, take notes, develop a clear thesis statement, support arguments with evidence, and balance the positive and negative.

How to write a psychological analysis of a movie?

A psychological analysis of a movie examines characters’ motivations, behaviors, and emotional experiences. To write it, analyze the characters’ psychological development, their relationships, and the impact of psychological themes conveyed in the film. Support your analysis with psychological theories and evidence from the movie.

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Favorite Movie: “Home Alone” by John Hughes Essay

Recently, I have watched one of the most famous American movies produced by John Hughes’ Home Alone . It is indeed an excellent family comedy because it evokes all sorts of nostalgia. Mainly, it reminded me of the childhood times when my parents would leave me alone, and I could do anything I wanted. Yet, I had mixed emotions being on my own in the empty apartment – I could sense weird noises coming from the middle of nowhere, or it was simply my imagination getting on my nerves. As far as the audience is concerned, Home Alone is a traditional Christmas comedy; yet, I assume one can watch it any time of year just to make a day better and recall Christmas family evenings.

The main character is a young boy named Kevin who is featured by Macaulay Culkin. The guy is celebrating Christmas with his family, which enlarges since all the relatives gather for this winter holiday. Kevin dislikes being surrounded by numerous kids who constantly tease him and dreams that his family would disappear one day (Hughes). When his dream comes true, and he finds himself in the empty apartment, Kevin starts doing every little thing his parent would forbid: he eats ice cream for breakfast, plays video games, and watches violent films. While he is enjoying his loneliness, Kevin’s parents realize they accidentally left their child at home before flying to Paris for a Christmas trip (Hughes). Yet, Kevin demonstrates himself as a young but increasingly responsible housekeeper and even protects his home from burglars.

To my mind, the actors chosen to perform each character have done a perfect job since they have managed to transmit their feelings, intentions, and emotions to the audience. Despite the fact that the film is primarily associated with Macaulay Culkin, the rest of the actors have contributed significantly to the movie’s atmosphere. Joe Pecsi deserves special attention since his acting was stunning and witty. What makes the film unique is the character’s personal traits – they are all different, at times, contradictory, but they make up a real movie family. In general, the actors performed at a high level, which made the film increasingly believable and indeed brought it to life.

Not solely the plot and acting make the movie atmospheric, but the scriptwriters, camera operators, and composer just did a fantastic job to entertain the audience. I believe the scenario was well-elaborated because, despite numerous events, there was no confusion between the scenes and the heroes. Moreover, the dialogues are just witty and hilarious; it almost felt like a comedy show even in the appalling moments. The filmmakers ingeniously used camera angles to set the tone in the film. For instance, a spectator could observe adult characters from Kevin’s perspective and vice versa. Besides, there is a beautiful background music theme throughout the whole movie. It is almost like a second character who leads the audience through the story.

In conclusion, I would restate my viewpoint that this film can surely lift one’s mood. Everything seems perfectly balanced in the story: characters, acting, music, editing, dialogues, and other details. Actors played a major role in transmitting a true Christmas atmosphere to the audience. I would recommend watching this classic of the genre to those who have not done it yet because it evokes pleasant childhood memories.

Home Alone . Directed by John Hughes, performance by Macaulay Culkin, Hughes Entertaiment, 1990.

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IvyPanda . 2023. "Favorite Movie: "Home Alone" by John Hughes." October 30, 2023. https://ivypanda.com/essays/favorite-movie-home-alone-by-john-hughes/.

1. IvyPanda . "Favorite Movie: "Home Alone" by John Hughes." October 30, 2023. https://ivypanda.com/essays/favorite-movie-home-alone-by-john-hughes/.

Bibliography

IvyPanda . "Favorite Movie: "Home Alone" by John Hughes." October 30, 2023. https://ivypanda.com/essays/favorite-movie-home-alone-by-john-hughes/.

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Essays About Cinema: Top 5 Examples and 10 Prompts

Are you writing an essay on cinema? Check out our round-up of great examples of essays about cinema and creative prompts to stir up your thoughts on this art form.

Cinema is primarily referred to as films. With the power to transport people to different worlds and cultures, cinema can be an evocative medium to tell stories, shape beliefs, and seed new ideas. Cinema can also refer to the production process of films or even film theaters.

If you’re writing an essay about cinema, our inspiring essay examples and prompts below can help you find the best way to express your thoughts on this art form:

Best 5 Essay Examples

1. french cinema is more than just entertainment by jonathan romney, 2. “nope” is one of the greatest movies about moviemaking by richard brody, 3. the wolf of wall street and the new cinema of excesses by izzy black, 4. how spirited away changed animation forever by kat moon, 5. from script to screen: what role for intellectual property by cathy jewell, 1. the history of cinema, 2. analysis of my favorite movie, 3. the impact of cinema on life, 4. the technological evolution of cinema, 5. cinema and piracy, 6. how to make a short film, 7. movies vs. film vs. cinema, 8. movie theaters during the pandemic, 9. film festivals, 10. the effect of music on mood.

“In France, cinema is taken seriously, traditionally considered an art rather than merely a form of entertainment or an industrial product. In that spirit, and in the name of ‘cultural exception,’ the French state has long supported home-grown cinema as both art and business.”

The culture of creating and consuming cinema is at the heart of French culture. The essay gives an overview of how the French give premium to cinema as a tool for economic and cultural progress, inspiring other countries to learn from the French in maintaining and elevating the global prestige of their film industry.

“‘Nope’ is one of the great movies about moviemaking, about the moral and spiritual implications of cinematic representation itself—especially the representation of people at the center of American society who are treated as its outsiders.”

The essay summarizes “Nope,” a sci-fi horror released in 2022. It closely inspects its action, technology play, and dramatic point-of-view shots while carefully avoiding spoilers. But beyond the cinematic technicalities, the movie also captures Black Americans’ experience of exploitation in the movie’s set period.

“These films opt to imaginatively present the psychology of ideology rather than funnel in a more deceptive ideology through moralizing. The hope, then, perhaps, that indulging in the sin that we might better come to terms with the animal of capitalism and learn something of value from it. Which is to say, there is a moral end to at all.”

This essay zooms into various movies of excess in recent times and compares them against those in the ‘60s when the style in the cinema first rose. She finds that current films of excess do not punish their undiscerning heroes in the end. While this has been interpreted as glorifying the excess, Black sees this as our way to learn.

Check out these essays about heroes and essays about college .

“Spirited Away shattered preconceived notions about the art form and also proved that, as a film created in Japanese with elements of Japanese folklore central to its core, it could resonate deeply with audiences around the world.”

Spirited Away is a hand-drawn animation that not only put Japanese cinema on the map but also changed the animation landscape forever. The film bent norms that allowed it to break beyond its target demographics and redefine animation’s aesthetic impact. The Times essay looks back on the film’s historic journey toward sweeping nominations and awards on a global stage long dominated by Western cinema.

“[IP rights] help producers attract the funds needed to get a film project off the ground; enable directors, screenwriters and actors, as well as the many artists and technicians who work behind the scenes, to earn a living; and spur the technological innovations that push the boundaries of creativity and make the seemingly impossible, possible.”

Protecting intellectual property rights in cinema has a significant but often overlooked role in helping make or break the success of a film. In this essay, the author identifies the film-making stages where contracts on intellectual property terms are created and offers best practices to preserve ownership over creative works throughout the film-making process.

10 Exciting Writing Prompts

See below our writing prompts to encourage great ideas for your essay:

In this essay, you can write about the beginnings of cinema or pick a certain period in the evolution of film. Then, look into the defining styles that made them have an indelible mark in cinema history. But to create more than just an informational essay, try to incorporate your reflections by comparing the experience of watching movies today to your chosen cinema period.

Pick your favorite movie and analyze its theme and main ideas. First, provide a one-paragraph summary. Then, pick out the best scenes and symbolisms that you think poignantly relayed the movie’s theme and message. To inspire your critical thinking and analysis of movies, you may turn to the essays of renowned film critics such as André Bazin and Roger Ebert .

Talk about the advantages and disadvantages of cinema. You can cite research and real-life events that show the benefits and risks of consuming or producing certain types of films. For example, cinematic works such as documentaries on the environment can inspire action to protect Mother Nature. Meanwhile, film violence can be dangerous, especially when exposed to children without parental guidance.

Walk down memory lane of the 100 years of cinema and reflect on each defining era. Like any field, the transformation of cinema is also inextricably linked to the emergence of groundbreaking innovations, such as the kinetoscope that paved the way for short silent movies and the technicolor process that allowed the transition from black and white to colored films. Finally, you can add the future innovations anticipated to revolutionize cinema.

Content piracy is the illegal streaming, uploading, and selling of copyrighted content. First, research on what technologies are propelling piracy and what are piracy’s implications to the film industry, the larger creative community, and the economy. Then, cite existing anti-piracy efforts of your government and several film organizations such as the Motion Picture Association . Finally, offer your take on piracy, whether you are for or against it, and explain.

Essays About Cinema: How to make a short film

A short film is a great work and a starting point for budding and aspiring movie directors to venture into cinema. First, plot the critical stages a film director will undertake to produce a short film, such as writing the plot, choosing a cast, marketing the film, and so on. Then, gather essential tips from interviews with directors of award-winning short films, especially on budgeting, given the limited resource of short film projects.

Beyond their linguistic differences, could the terms movie, film, and cinema have differences as jargon in the film-making world? Elaborate on the differences between these three terms and what movie experts think. For example, Martin Scorsese doesn’t consider the film franchise Avengers as cinema. Explain what such differentiation means.

Theaters were among the first and worst hit during the outbreak of COVID-19 as they were forced to shut down. In your essay, dig deeper into the challenges that followed their closure, such as movie consumers’ exodus to streaming services that threatened to end cinemas. Then, write about new strategies movie theater operators had to take to survive the pandemic. Finally, write an outlook on the possible fate of movie theaters by using research studies and personally weighing the pros and cons of watching movies at home.

Film Festivals greatly support the film industry, expand national wealth, and strengthen cultural pride. For this prompt, write about how film festivals encouraged the rise of specific genres and enabled the discovery of unique films and a fresh set of filmmakers to usher in a new trend in cinema.

First, elaborate on how music can intensify the mood in movies. Then, use case examples of how music, especially distinct ones, can bring greater value to a film. For example, superhero and fantasy movies’ intro music allows more excellent recall.

For help with your essays, check out our round-up of the best essay checkers .

If you’re still stuck, check out our general resource of essay writing topics .

Yna Lim is a communications specialist currently focused on policy advocacy. In her eight years of writing, she has been exposed to a variety of topics, including cryptocurrency, web hosting, agriculture, marketing, intellectual property, data privacy and international trade. A former journalist in one of the top business papers in the Philippines, Yna is currently pursuing her master's degree in economics and business.

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The Writing Center • University of North Carolina at Chapel Hill

Film Analysis

What this handout is about.

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.
Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?
Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically . For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema .

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement . Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.
In most cases, the director’s name is used to talk about the film as a whole, for instance, “Alfred Hitchcock’s Vertigo .” However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.
When describing a sequence in a film, use the literary present. An example could be, “In Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”
Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo , but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on “using evidence” in our evidence handout .

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

What objects or images are repeated throughout the film?
How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?
How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question “So what?” in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?
What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?
Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?
How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo , a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

What effects are created in a scene, and what is their purpose?
How does this scene represent the theme of the movie?
How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films . Paris: Nathan.

Media & Design Center. n.d. “Film and Cinema Research.” UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch .

Oxford Royale Academy. n.d. “7 Ways to Watch Film.” Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Film Analysis Example: A Complete Guide to Ace Your Task

Film Analysis Example With Key Steps to Write an A-Grade Paper

Compared to music, painting, literature, and many others, film is a relatively new form of art. The earliest surviving film is believed to be the Roundhay Garden Scene, introduced in 1888, creating an entirely new age of art. And just like any other kind of art, it drew a lot of attention and opinions from the audience. Thus, soon after its release, the first-ever film critique paper was released by The Optical Lantern and Cinematograph Journal in the early 1900s.

Not many know this, but early writing on film aimed to prove that cinematography is an actual art in the first place. One of the most famous manifestations of this proclamation was introduced in 1911 by Ricciotto Canudo, arguing that cinema is the “Sixth Art.”

A lot has changed since that time. As cinematography was expanding, somewhere in the late 1930s, audiences became more influenced by print resources providing criticism and analysis of movies. That’s how film analysis became widespread and even integrated into the academic landscape.

Today, film analysis is a common type of academic assignment facing students of different academic levels and majors. Handling this form of writing is uneasy due to a number of reasons. Most importantly, a movie analysis requires an incredibly deep analysis that goes far beyond a film’s plot.

If you are struggling with this assignment, this guide is here to help you ace it. Read on to learn what a film analysis is and how to write one step by step, and find a winning film analysis example for inspiration.

What Is a Film Analysis?

A film analysis essay requires you to watch and assess a specific movie. The analysis must consider different characteristics of a film, such as its genre, structure, contextual meaning, sound, editing, etc. The paper is typically presented in the form of a rhetorical analysis. Logic and strong argumentation with examples are the keys to success in this type of work.

Writing a Movie Analysis Essay

Writing a film analysis requires you to watch a movie and evaluate different parts of it that create a complete piece. This involves delving into such specs as lighting, camera angles, setting, costumes, and other choices.

A simple way to handle this task is to find a professional writer and ask them to write my essay . However, if you want to ace it yourself, the first step is watching a movie.

Watching the Film

For everyone wondering how to start a film analysis essay, the answer is pretty simple — by watching a movie that you are going to analyze. Later in this guide, we will give you a complete film analysis example based on the Waltz with Bashir film. But first, let’s start with a few tips on how to watch a movie effectively before you can start writing your analysis.

When writing a film analysis, you will need to watch a film multiple times.

Here are some key tips to watch it critically:

Give it your undivided attention when watching for the first time;
When watching a movie for the second time, focus on its different aspects, such as dialogue, acting, etc.;
Take notes with timestamps on the most important moments that you notice;
Consider watching a film on mute to evaluate the visual part.

When making an analysis of such a complex documentary piece like Waltz with Bashir the movie, you should consider watching it more than three times to make more observations.

Brainstorming Ideas

After watching your film multiple times and collecting your notes, you need to define what exactly you will be writing in your paper. Before you do this, it could be a good idea to check a good film analysis example (or a few) to understand what the final piece should look like and gain some inspiration. After this, you need to consider different aspects of a movie to understand what to include in your paper.

Here are a few ideas of what you could consider:

Genre — Define what’s the genre of a film and what elements confirm that it belongs to that genre;
Cinematography — Study and evaluate the visual part of a film, such as settings, colors, camera angles, and other visual elements that create the atmosphere of a film;
Characters — Analyze and assess characters, their development, conflicts, motivations, etc. And define how they contribute to the narrative.

Some other things that you can consider include symbolism and themes, narrative structure, social and cultural impact, directorial style, etc.

Of course, analyzing all these aspects on your own can be a challenge. Luckily, if it gets too tough, you can always find professionals on EssayService to satisfy your request.

Film Analysis Essay Types

There are several different ways to approach a movie analysis essay. Respectively, there are several types of this paper.

In this part of our guide, we are going to tell you about the most common types of film analysis to help you find an approach that perfectly aligns with your vision and task requirements.

Cultural/Historical Analysis

As the name suggests, this type of work focuses on analyzing a film from a historical or cultural point of view. It assesses how a movie reflects or comments on the period in which it was produced and what cultural (as well as social or political) impact it made during that time.

Semiotic Analysis

This type of analysis focuses on deeper, hidden meanings of the symbols in a film. Typically, movies contain a variety of different symbols. Moreover, some directors tend to use certain symbols repeatedly as their signature thing. Finding and analyzing these symbols requires exceptional attention to detail, but it can be a great way to approach the task.

Mise-en-Scene Analysis

In French, “mise-en-scene” means “setting the stage.” This type of film analysis essay analyzes all distinctive features of a movie, including the set design, lighting, audiovisual elements, etc. Your goal, in this case, is to define the main distinctive features and explain how they complement a movie — for example, lighting creates a certain mood, music evokes a certain emotion, etc.

Narrative Analysis

This type of analysis focuses on the narrative. It evaluates a movie’s plot, themes, and motives. If you choose it, you need to identify the three primary elements of narration — setup, confrontation, and resolution and assess how well a film discloses them. Also, this type of paper can include character analysis.

How to Write a Film Analysis Step-by-Step

If you were assigned to write a film analysis and are struggling with this task, the first step to solving this problem is creating a step-by-step plan of action. In this part of our guide, we are going to give you a plan that you can rely on in this situation.

As you should already know, the academic writing process consists of multiple stages. The same is true for writing an analysis essay. Here are the steps for tackling this task:

Making a detailed outline;
Coming up with a thesis statement;
Writing an introduction;
Writing body paragraphs;
Writing a logical conclusion.

Now, let’s look at each of these steps in detail to help you get started.

Step 1: Writing a Film Analysis Outline

Writing an outline is the first step after actually watching a movie you are going to analyze.

Before writing an outline, be sure to study the instructions provided by your professor. Pay attention to the assignment requirements, such as word count, and keep them in mind while making an outline.

Once you are clear on the instructions, start making an outline. Use the notes you already have and organize them into logical paragraphs. Note down the core things that you want to include in your paper in your outline. Get as detailed as possible.

Step 2: Formulating a Film Analysis Thesis Statement

A thesis statement is a crucial element of your paper. It must be clear, straight to the point, and logical in order to capture the reader’s attention.

In a thesis, you need to outline the core idea of your analysis and prompt the reader on what you are going to discuss in your paper. To write it, focus on three core points:

Film expectations;
Author’s point of view;
Your own opinion about a film.

Based on these points, formulate a concise statement that reveals the central idea of your analysis.

Step 3: Writing a Film Analysis Introduction

An introductory paragraph performs several roles — it grabs the reader’s attention and informs them about a film.

How to write a film analysis introduction? Typically, you want to start an intro with a hook. It can be a quote, rhetorical question, shocking fact, or any other trick that will get your readers interested.

Next, after a hook, you should provide general background info, such as a movie title, director, release date, cast, and so on.

After providing a general background, dive deeper. Explore the specific features of a film and provide valuable insights to spark readers’ interest. Then, state your thesis.

Step 4: Writing Body Paragraphs

The body is the biggest part of your paper, where you are going to break down a movie into its different features and elements, analyzing each of them. Typically, first, you’ll want to analyze every creative element separately and then make a comprehensive analysis of all of them.

What film features should you focus on? Unfortunately, there is no one-size-fits-all film analysis example or structure that you must follow. Every movie consists of a variety of creative elements that you can use for your analysis. And you will need to pick the features that you find the most significant.

Namely, you can consider writing about:

Directing manner — Analyze what tools and patterns the director used and how they are different (or similar) to their other works;
Scenario — Analyze the script and how it complements the overall atmosphere of a movie. Also, assess the script clarity, novelty, narrative, etc.
Characters and acting — Evaluate how characters are presented in a film, how they change, and how good the acting is.
Sound and visual — Analyze music, visual effects, settings, costumes, and other features of a movie.

While assessing all these features in your paper, don’t forget to add logical transitions between them. And if you are still hesitating about whether you can handle the task, hire a professional writer to ace it with no effort.

Step 5: Writing a Killer Conclusion

Once the rest of your paper is ready, it’s time to give it a sense of closure with a good conclusion. A conclusion should not make any new statements or provide additional information. Instead, it should finalize everything you’ve discussed in your essay and logically link back to your thesis statement. And there should be a logical transition to the conclusion from your body paragraphs.

Crafting a conclusion is the final stage of the writing process. So, now that you have a step-by-step plan of action, let’s see how to write a solid movie analysis essay based on a real example.

Film Analysis Example

Now that you know the steps to writing a movie analysis, let us give you some inspiration for your paper. Below is a film analysis example based on Waltz with Bashir the movie.

The purpose of documentary movies is to document real life, whereas the purpose of animated movies is to create life. Somehow, the film Waltz with Bashir managed to combine these two genres to deliver a powerful message. The film is a 2008 animated war docudrama by Ari Folman that unfolds the events of the 1982 Lebanon War. What tools did Folman use to convey his message? And did he manage to resonate with the audience?

The film maintains a simple story. The protagonist is the filmmaker who sets off on a journey to regain his lost memories of the experience of being a soldier during the war. The character collects interviews from different participants of past events, and gradually, these interviews connect the dots and build up the complete story.

One of the brightest features of Waltz with Bashir is its animation and directing techniques. The main trick is the use of hyperreal rotoscope animation techniques similar to those we’ve seen made by Richard Linklater. Live-action footage has been transformed into a bizarre dreamscape that’s somewhere between two and three dimensions.

Aside from a powerful plot and animation, Waltz with Bashir delivers its extratextual, rhetorical-heavy atmosphere with the help of its soundtrack. The movie leverages an instrumental score by Max Richter, recognizable pop songs, covers, and original ballads. The film employs audio elements to pull the reader right into the action of the scenes.

Together, a simple yet powerful plot, unique directing techniques, and hard-hitting music helped the film deliver all the terror of the war to the audience. At the same time, according to Waltz with Bashir film reviews, the director managed to emphasize the important topics of morality — “One man’s personal experience with the 1982 invasion of Lebanon becomes a stimulating and provocative meditation on responsibility and morality…”

How to write a film analysis essay like a pro?

A good film analysis essay offers readers a 360-degree view of a film. It should go deeper than just your opinion on a movie. Instead, it should help readers look at it from different angles.

Ideally, your essay should answer several core questions:

What is the key goal of the movie? Was it achieved?
Does it speak effectively to its target audience?
What primary conflicts are there?
What important topics does it raise?

What is the main purpose of writing a film analysis?

Movies do much more than just tell a story. They raise different important topics, teach audiences valuable lessons, provoke certain feelings, and bring an important message. To achieve all these goals, a big team of people makes certain choices related to the script, settings, directing manners, and other features of a film.

A film analysis essay strives to critique and analyze a movie from various angles. It aims to extract other value from a film, except for entertainment and leisure.

A film analysis essay is a common type of assignment in schools and colleges. Despite its commonness, this task turns out to be a real challenge for many students.

There are many challenges that you might face while working on this task. First and foremost, it requires a very in-depth analysis and critical assessment of different creative features of a film, which is hard to do on your own.

Luckily, after reading this guide, you know exactly how to write a film analysis like a pro. Use the steps, tips, and tricks from this article to write your own A-grade film analysis. And don’t hesitate to use our movie analysis example for inspiration. Good luck!

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Essay on My Favourite Movie | Short & Long Essay For Students

If you are trying to write an essay on the topic my favorite Movie then you can read here a sample essay on topic of my favorite movie. Everyone loves different movies my favorite movie can be; 3 idiots, fast & furious, harry potter, bahubali 2 etc.

List of Topics

The following sample essay on my favorite movie in English, in 150, 300 words will help you to write an essay on my favorite movie easily.

Essay on My Favorite Movie For Children & Students

The entertainment industry is very popular for making hundreds of exciting movies to entertain us. Each film has a different genre like there are social, historical, science, fiction, documentary-based, religious, thriller, or horror movies.

I also like to watch movies in my spare time. According to me, a good movie is the one in which we can relate with the characters and share the excitement or sorrows.

My Favorite Movie Essay

The movie that I like the most is “Taarezameen per”. It is my favorite movie and I have seen it so many times. There are no bold scenes in this movie and people of every age can watch it. This is my favorite movie because the story is very touching. This movie is both entertaining and educational. All the characters have acted so well in this movie.

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It is an emotional movie which always keeps me glued to the screen. It tells about the story of a boy who suffers from dyslexia due to which he is unable to identify speech sounds and how they relate to letters. Because of this disorder, he cannot excel in any activity.

He finds all the subjects difficult to study. Even with this disorder, he is very good at painting. However, he gets expelled from school because of his poor performance.

All the teachers tell his parents that their boy is not normal and he should be sent to school which is especially made for special children like him. Later, his parents send him to boarding school. There he sinks into a state of nervousness and fear because of new environment. Fortunately, he finds an art teacher there who is very supportive and caring.

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His teacher realizes that it is not ishaan’s fault to get bad grades but a disorder which makes it difficult for him to focus. He visits ishaan’s home and gets surprised to see his drawings.

He also gets to know that ishaan’s dad does not understand him and often shouts at him for not getting good grades. Because of this, ishaan no longer paints and suffers from anxiety.

He gets motivated to improve ishaan’s writing and reading by using techniques developed by dyslexia specialists. These techniques help ishaan to score good grades in school. In the end, he also wins a painting competition because of his striking creative style.

I like how this story is relevant in today’s society. According to me, this is a movie which gives best moral to parents, teachers and every child. It is a marvelous piece of work which shows a perfect relationship between a teacher and a student. It highlights the issue that sometimes, parents do not understand that every kid is different.

If he is not good at studies then there must be some other thing which he is good at. He might be interested in painting, acting, singing or sports. Therefore, parents should not discourage their children but help them in what they like.

I like how the director of this movie has brought out a clear message that parents should not ignore the interests of kids and they should not snatch their childhood from them by giving them burden of getting good grades or efficient performance in every field.

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I just hope that this movie will change the thinking of parents and society. I have seen this movie so many times with my family. Every aspect of this movie, from cast to location selection is amazing. All the actors have done an amazing job. I really cried while seeing this movie. I know, I will never get bored from this movie.

Essay on My Favorite Movie Harry Potter

My love for movies started when I was a kid, and ever since then, movies have been my favorite pastime. From action-packed thrillers to romantic comedies, there’s a movie genre for every mood. But if I have to pick just one movie as my all-time favorite, hands down it would be the Harry Potter series.

For those who are not familiar with the name, Harry Potter is a fictional character created by British author J.K. Rowling. The series consists of seven books and eight movies, which follows the journey of a young wizard named Harry Potter, who discovers his true identity as “The Chosen One” and battles against the dark wizard, Lord Voldemort.

I was first introduced to Harry Potter when I was in elementary school, and I still remember the excitement of reading the books for the first time. The magical world of Hogwarts, spells, potions, and flying broomsticks had me completely captivated. As a kid, I would often daydream about receiving my acceptance letter to Hogwarts and attending classes with Harry, Ron, and Hermione.

When the movies were released, I was ecstatic! It was a dream come true to see my favorite characters and their adventures brought to life on the big screen. The cast, especially Daniel Radcliffe as Harry Potter, Emma Watson as Hermione Granger, and Rupert Grint as Ron Weasley, did an incredible job of portraying their characters and staying true to the books.

One of the things I love most about the Harry Potter series is the way it tackles important themes such as love, friendship, courage, and good vs. evil. The characters face challenges and overcome them by staying true to their values and relying on each other for support. This message of unity and strength in the face of adversity resonated with me, and I believe it’s one of the reasons why the series has such a huge fan base.

Moreover, the world-building in the Harry Potter series is impeccable. J.K. Rowling’s attention to detail and ability to create a vivid and complex magical world is truly impressive. From Diagon Alley to Hogsmeade, each location has its own unique charm and adds depth to the story. The spells and magical creatures introduced in the series are also fascinating, and I love how each one has its own history and significance.

Apart from the story and characters, the music in the Harry Potter movies is another aspect that makes them stand out for me. The iconic theme song composed by John Williams never fails to give me chills, and it perfectly captures the essence of the series. The rest of the soundtrack is also beautifully crafted and adds to the overall magical atmosphere of the movies.

As I grew older, my love for the Harry Potter series only intensified. I started noticing and appreciating the deeper themes and symbolism in the story that went beyond just a tale of magic and adventure. The series also taught me valuable life lessons about courage, friendship, and standing up for what is right.

Even today, I find myself re-reading the books and re-watching the movies whenever I need a break from reality. The Harry Potter series has become a timeless classic, and I believe it will continue to capture the hearts of audiences for generations to come.

In conclusion, the Harry Potter series holds a special place in my heart as my all-time favorite movie. It’s not just about magic and adventure, but it’s a story about love, friendship, and overcoming challenges. The series has sparked my imagination and taught me valuable life lessons that I will carry with me forever. And for that, I will always be grateful to J.K. Rowling for creating such a magical world and to the cast and crew for bringing it to life on the big screen.

My Favorite Movie PK

Are you a big movie fan? Do you ever find yourself eagerly waiting for new releases, rewatching old classics, and discussing plot twists with your friends? If so, then you probably understand the feeling of having a favorite movie. For me, that movie is PK.

Released in 2014, PK is an Indian satirical comedy-drama directed by Rajkumar Hirani. The film stars Aamir Khan as the lead character, an alien who lands on earth and becomes stranded when his remote control to return home is stolen. He then embarks on a journey to retrieve it and encounters various aspects of human society, including religion, superstition, and love.

The first time I watched PK, I was blown away by its unique concept and thought-provoking message. The film uses comedy to address serious issues, making it both entertaining and meaningful. It challenges societal norms and beliefs, encouraging viewers to think critically about their own values.

One of the things I love most about PK is its ability to make me laugh while also making me reflect on larger societal issues. The character of PK himself is endearing and hilarious, with his childlike innocence and curiosity about human behaviors. Aamir Khan’s performance as PK is outstanding, bringing the character to life in a way that captures the audience’s hearts.

The film also has a stellar supporting cast, including Anushka Sharma, Sushant Singh Rajput, and Boman Irani. Each actor delivers a memorable performance, adding depth and complexity to the film’s themes. The chemistry between the characters is palpable, making their relationships feel authentic and relatable.

One of the most impactful aspects of PK is its commentary on religion. The film presents a thought-provoking argument against blind faith and superstition, showcasing how religious leaders can exploit people’s beliefs for personal gain.

It also highlights the importance of questioning and understanding one’s own beliefs rather than blindly following societal norms. This message resonated with me deeply and has stayed with me long after watching the film.

In addition to its thought-provoking themes, PK also boasts stunning cinematography and a captivating soundtrack. The music adds emotion and depth to key scenes, enhancing the overall viewing experience. The film’s settings, from the bustling streets of Mumbai to the tranquil beauty of Rajasthan, further immerse viewers into PK’s world.

But what truly makes PK my favorite movie is its ability to make me feel a range of emotions. I laughed at PK’s antics, cried during emotional moments, and felt anger towards societal injustices portrayed in the film. It takes skillful storytelling to evoke such strong emotions from the audience, and PK does it flawlessly.

PK has received both critical and commercial success, becoming one of the highest-grossing Indian films of all time. It also won several awards, including Best Film at the 60th Filmfare Awards. However, what matters most to me is its impact on society and its ability to spark important conversations.

The film’s message is timeless and relevant, making it a must-watch for people of all ages and backgrounds.

In conclusion PK is more than just a movie to me. It’s a thought-provoking masterpiece that challenges societal norms and encourages viewers to question their own beliefs. Its unique blend of comedy, drama, and social commentary makes it my favorite movie, one that I will continue to rewatch and recommend to others. If you haven’t seen PK yet, do yourself a favor and add it to your must-watch list. Who knows, it may become your favorite movie too. So, what are you waiting for? Grab some popcorn and hit play on PK – an unforgettable cinematic experience awaits!

Essay on My Favorite Movie Fast and Furious:

The Fast and Furious franchise has been a staple in the action movie genre for over two decades. With its adrenaline-fueled car chases, heart-stopping stunts, and diverse cast of characters, it’s no wonder that this series has become a favorite among fans worldwide.

My love for this franchise began when I first watched The Fast and the Furious back in 2001. From the very first race scene, I was hooked. The sound of revving engines and the sight of sleek cars racing through the streets had me on the edge of my seat. But what truly drew me in was the chemistry between characters Dominic Toretto and Brian O’Conner.

Their bromance and loyalty to each other despite their differences resonated with me. It’s not just about fast cars and action-packed scenes, but also about the bond of family and friendship that has kept this franchise going strong.

One of the most appealing aspects of the Fast and Furious series is its diverse cast. From street racers to former criminals, each character brings their own unique skills and personalities to the table. And as the franchise grew, so did the representation of different cultures and backgrounds.

The shift from street racing to heists in Fast Five not only upped the ante with thrilling action sequences but also introduced us to fan-favorite characters like Han, Tej, and Roman. Even more diversity was brought to the franchise with strong female characters like Letty, Mia, and most recently Hattie Shaw. Seeing people from all walks of life come together and form a strong bond is what makes this series stand out for me.

But it’s not just the characters that make this franchise special; it’s also the crazy stunts and over-the-top action sequences. From driving cars off cliffs to jumping between skyscrapers, each movie manages to push the limits of what we thought was possible. And the fact that most of these stunts are done practically is a testament to the dedication and hard work put in by the cast and crew.

It’s also worth mentioning how well this franchise has evolved over time. From humble beginnings as a street racing movie, it has now become a global phenomenon with spin-offs, video games, and even a live show. The Fast and Furious franchise has proven that it can adapt and continue to entertain audiences with each new installment.

While I have enjoyed all the movies in this franchise, there are a few that stand out for me. Fast Five, in particular, holds a special place in my heart. It was the first movie that fully embraced the heist aspect of the series while still maintaining its signature car chases and fight scenes. The addition of Dwayne Johnson’s character, Luke Hobbs, also added an extra layer of excitement to the movie.

Another favorite of mine is Furious 7. Not only did it have some of the most thrilling action sequences in the franchise, but it also served as a touching tribute to Paul Walker, who tragically passed away during filming. The emotional impact of his absence was felt throughout the movie, and it truly showed how much this cast had become a family both on and off-screen.

In conclusion, the Fast and Furious franchise holds a special place in my heart as my favorite movie series. Its diverse cast, heart-pumping action sequences, and themes of family and friendship make each movie a joy to watch. While the franchise may have started as a simple movie about street racing, it has now become a global phenomenon that continues to entertain audiences worldwide.

And with more movies and spin-offs in the works, I can’t wait to see what other exciting adventures this franchise has in store for us. So, if you haven’t watched any of the Fast and Furious movies yet, I highly recommend you give them a chance and join in on the ride. So buckle up and get ready for some high-speed action with the Fast and Furious franchise!

Essay on My Favorite Movie Twilight:

My favorite movie of all time is Twilight. I know, I know, it may sound cliché but hear me out. The reason why it’s my favorite movie goes beyond the romantic vampire and werewolf love triangle that captured the hearts of millions around the world.

Twilight is not just a typical romance film. It’s a story about self-discovery, acceptance, and the power of love to transcend all boundaries.

The movie is based on the novel by Stephenie Meyer and follows the story of Bella Swan, a teenage girl who moves to the small town of Forks, Washington to live with her father. There she meets Edward Cullen, a mysterious and handsome vampire who she falls in love with. However, their love is not without challenges as they must navigate the dangerous world of vampires and werewolves while also facing their own personal demons.

One of the reasons why I love this movie is because of its strong female lead. Bella is not your typical damsel in distress waiting to be saved by her prince charming. She is independent, brave, and unafraid to stand up for what she believes in. Her character development throughout the series is inspiring and relatable, making her a role model for young girls everywhere.

Another aspect of the movie that I enjoy is its beautiful cinematography. The stunning scenery of the Pacific Northwest adds to the mystical and enchanting atmosphere of the story. It’s no wonder that fans from all over the world travel to Forks to visit some of the filming locations.

But what makes this movie truly special to me is its theme of love conquering all. Despite their differences, Bella and Edward’s love for each other remains strong and unwavering. It shows that true love knows no boundaries, whether it be race, social status, or even species.

Twilight may have its fair share of critics but for me, it will always hold a special place in my heart. It’s not just a movie, it’s a reminder that love is the most powerful force in the world and can overcome any obstacle.

In conclusion, Twilight is more than just a teenage romance movie. It’s a beautiful story about love, growth, and acceptance. Its captivating characters, breathtaking scenery, and timeless message make it my all-time favorite movie. It’s a film that I can watch over and over again, always finding something new to love about it. And for that, it will forever hold a special place in my heart.

So the next time someone asks me why Twilight is my favorite movie, I’ll simply smile and say “because it’s not just a movie, it’s a love story that transcends all boundaries.” So, if you haven’t watched it yet, I highly recommend giving it a chance and experiencing the magic of Twilight for yourself. Trust me, you won’t regret it.

Essay on My Favorite Movie Dangal:

As a movie buff, I have watched hundreds of movies spanning different genres. But there is one movie that stands out amongst them all and holds a special place in my heart – Dangal.

Dangal is an Indian sports biographical drama based on the real-life story of former wrestler Mahavir Singh Phogat and his daughters Geeta Phogat and Babita Kumari. Directed by Nitesh Tiwari, the movie stars Aamir Khan as Mahavir Singh Phogat and Fatima Sana Shaikh and Sanya Malhotra as his daughters. The film was released in 2016 and has since become one of the highest-grossing Indian films of all time.

What makes Dangal my favorite movie is not just its box office success, but the powerful message it delivers. The film challenges societal norms and stereotypes by showcasing the struggle of a father who defies all odds to train his daughters in a male-dominated sport like wrestling. It breaks gender barriers and inspires young girls to pursue their dreams, no matter how unconventional they may seem.

Apart from its impactful message, Dangal also delivers exceptional performances by its lead actors. Aamir Khan once again proves his versatility as an actor with his portrayal of Mahavir Singh Phogat. He not only physically transforms himself to play the role of a wrestler but also brings out the emotional side of a father who is determined to see his daughters succeed. Fatima Sana Shaikh and Sanya Malhotra also shine in their roles as the Phogat sisters, displaying strong-willed and determined characters.

The film’s screenplay and direction are top-notch, keeping the audience engaged from start to finish. The wrestling scenes are choreographed brilliantly, making them look realistic and intense. The soundtrack of the movie is another highlight, with songs like “Dangal” and “Haanikaarak Bapu” becoming instant hits.

In addition to its commercial success, Dangal has also received critical acclaim. The film won several awards, including the National Film Award for Best Popular Film Providing Wholesome Entertainment and three Filmfare Awards. It was also India’s official entry for the Academy Award for Best Foreign Language Film.

In conclusion, Dangal is a movie that has it all – a powerful message, exceptional performances, and top-notch execution. It not only entertains but also educates and inspires its audience. For me, it will always remain my favorite movie and one that I highly recommend to everyone. So if you haven’t watched it yet, do yourself a favor and add it to your must-watch list. You won’t be disappointed. So, keep watching amazing movies!

Short Essay on My Favorite Movie Bahubali:

Bahubali is an epic Indian movie that swept the nation off its feet with its grandeur, action-packed scenes, and compelling storyline. Released in 2015, this movie was a game-changer for Indian cinema as it broke all box office records and took the world by storm.

Directed by S.S. Rajamouli, Bahubali tells the story of two brothers, Amarendra Bahubali and Bhallaladeva, who fight for the throne of the ancient kingdom of Mahishmati. The movie is set in a fictional world filled with political intrigue, love, war, and betrayal.

One of the reasons I fell in love with this movie is its incredible action sequences. From sword fights to larger-than-life battle scenes, Bahubali has it all. The special effects and CGI used in the movie are top-notch and make the fight scenes even more captivating.

But what truly sets Bahubali apart is its strong characters, especially its female lead Devasena. She is a fierce warrior who can hold her ground against any opponent. Her character challenges traditional gender roles and stands out as a symbol of strength and resilience.

Apart from the action, Bahubali also has a heart-wrenching love story between Amarendra Bahubali and Devasena. Their chemistry is palpable, and their love for each other is portrayed beautifully on screen. This adds an emotional depth to the movie that makes it even more impactful.

Moreover, what I admire about Bahubali is how it showcases the rich culture and traditions of India. The sets, costumes, and music all beautifully capture the essence of Indian mythology and history.

Aside from its entertainment value, Bahubali also has a powerful message about good triumphing over evil. Through the character of Amarendra Bahubali, the movie teaches us that true strength lies in compassion and not violence.

In conclusion, Bahubali will always hold a special place in my heart as it is not just a movie but an experience. It has set the bar high for Indian cinema and has left its mark on audiences worldwide. This movie truly represents the magic of storytelling and proves that with passion and dedication, anything is possible. So, if you haven’t watched Bahubali yet, do yourself a favor and experience this masterpiece for yourself. So, don’t wait any longer and dive into the world of Bahubali – you won’t regret it!

How do I write an essay about my favorite movie?

Answer: To write an essay about your favorite movie, start with an introduction, provide a brief summary of the film, discuss the plot, characters, and themes, share personal insights and emotions it evoked, and conclude with your overall assessment.

How do I write an essay about a movie?

Answer: To write an essay about a movie, introduce the film and its context, summarize the plot, analyze elements like characters, themes, and cinematography, discuss the impact and significance of the movie, and conclude with your evaluation and personal reflections.

How would you describe your favorite movie?

Answer: My favorite movie is “The Shawshank Redemption.” It’s a powerful and poignant drama set in a prison, focusing on the themes of hope, friendship, and the resilience of the human spirit. The film’s characters and storytelling are exceptional, making it a timeless classic.

What is your favorite movie and why?

Answer: My favorite movie is “The Lord of the Rings: The Fellowship of the Ring.” I love it because of its epic fantasy world, compelling characters, and the timeless battle of good versus evil. The storytelling, visuals, and music combine to create an immersive and magical experience that never gets old

Essay on My Favourite Movie For Children & Students

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Hey! Can you make a essay on Break the Silence: The movie💜

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Hey! Can you make a essay on Frozen and How to train your dragon: The movie💜

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How to Write a Film Analysis Essay: Examples, Outline, & Tips

22 December 2023

last updated

This guideline is designed to teach people how to write a film analysis essay. Basically, students and anyone interested in writing a good movie analysis essay should read the details and tips that can help them to produce a high-standard piece. The article begins by defining what a film analysis is, listing the possible topics of such an essay, and giving a sample outline and example. The guideline also teaches about the various types of film analysis and the most common concepts that such a paper may address. As a result, the article concludes with tips, including ten things to do and ten not to do when writing a film analysis essay.

General Aspects of How to Write an Outstanding Film Analysis Essay

A college education is dynamic and robust because students undertake various academic activities in and out of the lecture room. Typically, activities within lecture halls are theoretical, and those that happen outside are practical. A critical academic exercise is a film analysis assignment, where professors require students to watch a movie and discuss using particular elements. The elements directors and producers use to bring the action alive include the stage, lighting, sound, and other special effects. As such, analyzing a film is a complex exercise that requires one to perfect the art of writing. In turn, this article is a guideline for how to write a film analysis essay. By reading this text, students can gain insights into the details and elements they must address when writing a movie analysis essay.

How to Write a Film Analysis Essay: Examples, Outline, & Tips

Definition of What Is a Film Analysis and Its Meaning

According to a simple definition, film analysis explores the use of particular elements in a film, including mise-en-scène, cinematography, sound, and editing. Students should talk about actors’ positioning, scenery adaptation, physical setting, stage lighting, and cultural context when writing this kind of essay. Another critical fact to consider is that films come in various genres, including action, documentaries, drama, horror, romance, and science fiction. Each type of movie analysis utilizes the above elements differently. Therefore, film analysis means writing an in-depth examination of how directors and producers approach their productions to make them entertaining and informative. For example, most science fiction films are futuristic, showing how society may change. In this respect, all films have a cultural context students must address in their movie analysis essay.

Unique Features of a Film Analysis

Generally, film analysis essays differ from other types of papers , including an argumentative essay , a cause and effect essay , and a research paper , because they focus on a single production and explore the use of the above elements. Some unique features that differentiate film analysis papers from other types of essays include a short plot summary where writers briefly tell readers what the movie is about, such as exterminating evil. In this type of analysis, writers evaluate the use of the elements above and state whether they make the film great or below expectations. Another feature is a poster showing sceneries to give readers a visual experience of the movie. Such visuals are essential to arouse the reader’s emotions and mental involvement in a movie analysis. Therefore, when writing a film analysis essay, students should focus on telling the story and depicting it.

6 Common Types of a Film Analysis Essay

Students must determine the type of film analysis essay to avoid sounding ignorant and irrelevant when writing about the movie. The most common types are semiotic, narrative, contextual, mise-en-scène, cultural, and historical analyses. Each type requires students to adopt a singular focus, meaning one cannot concentrate effort on elements that do not fall under the study. The reason for these types of analyses is that it is not always possible to understand an entire film in an essay, which is generally a short text of about two to three pages. Nonetheless, it is prudent for students to know how to write each type, meaning understanding the approach and unique features they must discuss and evaluate.

🔸 Semiotic Analysis

A semiotic essay involves discussing, evaluating, and interpreting the use of literary analysis elements, including analogies and metaphors, to inanimate characters and objects. Generally, these elements have different meanings, and students should determine what a particular feature stands for in the film they are analyzing vis-à-vis its broader cultural or historical significance in society. For example, when analyzing the 1958 film Vertigo , one may discuss the symbolism of flowers by stating how some images of them falling apart depict the heroine’s vulnerability. In turn, when conducting a semiotic analysis, one should consider several issues, including the repetition of objects or images throughout the movie, the association of a character with particular objects, and the relation between an object and other objects. Hence, a semiotic analysis essay requires students to examine the use of objects and symbols to communicate a deep meaning.

🔸 Narrative Analysis

A narrative analysis essay involves examining the elements that directors or producers use to construct the storyline, including characters, the plot, the setting, and the narrative structure. As such, students should focus on the entire movie and the message it seeks to communicate. Considering the example above of Vertigo , writers may discuss the narrative role of flowers by analyzing how director Alfred Hitchcock introduces them as the film begins and only brings them up again toward the end to complete the heroine’s character arc. Students should also consider several issues when conducting a narrative analysis essay, including the plot and how it unfolds. For example, one may talk about whether events are systematic or out of order and what that signifies. However, students should not focus on summarizing the plot at the expense of making and defending an argument.

🔸 Contextual Analysis

A contextual analysis of a film is a discussion of the placement of the movie within particular contexts, such as slavery, women’s suffrage, the civil rights movement, or the industrial revolution. In this case, filmmakers produce movies and base their identity on the unfolding circumstances or themes defining a particular time in history.

🔸 Mise-en-Scène Analysis

A mise-en-scène analysis essay involves discussing and evaluating compositional elements, including sets, props, actors, costumes, and lighting, and how they complement or conflict with cinematography, sound, and editing. The most effective approach in conducting this movie analysis is to focus on one or a few scenes rather than the entire film, telling readers how they support or undermine the plot. As such, mise-en-scène is part of the director’s narrative because this element influences how the audience understands the central message in the production. Taking Vertigo as a case study , one may discuss how Hitchcock incorporates lighting and camera angles to characterize Jimmy Stewart (starring as former police detective John “Scottie” Ferguson) as acrophobic. When adopting a mise-en-scène analysis, students should consider how particular scenes create effects and their purpose and how different scenes emphasize a theme central to the plot.

🔸 Cultural Analysis

A cultural analysis essay examines, evaluates, and interprets the broader cultural disposition the director adopts to tell the story. Students must understand that, regardless of a film’s production period, a culture influences its various elements, like characters and their mannerisms. Taking Vertigo as an example, one may interpret the scene where a man observes a woman without her knowing it to mean the sexual policing of women in mid-20th century America. When analyzing the context of a movie, students should consider how the film captures, reinforces, or critiques social norms in a particular culture or era.

🔸 Historical Analysis

A historical analysis essay means writing about a particular film from the perspective of the period underscoring its production. Ideally, filmmakers place their work into a historical context, such as the colonial era or ancient civilizations. Therefore, when writing a film analysis essay, students should focus on the period the director situates its plot.

How to Write a More Technical and Focused Film Analysis Essay

Film analysis helps readers to understand essential details, including the plot and its central themes, characters and their disposition, scenes and significance, and effects and the message they communicate. In this respect, one must be ready to undertake a technical, focused, and vigorous analysis of one or several of these elements. In most instances, instructions dictate the aspects students should write about. However, without such specifications, they should focus on a few elements and examine them vigorously. For example, one may decide to focus on the plot. In this instance, a movie analysis essay must examine the plot from different perspectives, including the characters, central themes, and the message. Such a focused analysis allows readers to gain an in-depth understanding of a particular element of movie reviews instead of an analysis that discusses several elements superficially. Some elements and terms that students can use for writing a film analysis essay include:

Flashback and flashforward: Flashbacks are scenes that recount events that have a powerful influence on the current or unfolding event. On the other hand, flashforwards are scenes that reveal events that will occur later in the film, and their purpose is to create anticipation in the audience.
Time framework: Film directors structure time linearly to depict an orderly unfolding of events. The most common time framework is omitting events to move the story forward.
Setting: The environment within which a director creates a movie, including physical surrounding like a city and period like a year or century.
Range of events: The different events in a film sustain the plot. Typically, these events directly or indirectly affect protagonists because they facilitate the storyline.
Cast: The people producing a film, including the main actors and the production crew. However, actors take priority when discussing the cast.
Plot: The sequence of events that directors create to communicate a central message in a movie analysis. When writing a film analysis essay, students should never ignore this aspect because it underscores the storyline.
Shot, scene, and sequence: Features that tell the quality of a film but, most importantly, the interconnectivity of elements in the director’s aim to tell a story.
Genre: The classification of movies into various forms, such as action, documentaries, science fiction, horror, or romance. Knowing a film’s genre under analysis is helpful in identifying the significance of cinematography and mise-en-scène elements.
Directing: Supervising film production by visualizing the script, controlling and managing the artistic and dramatic aspects, and guiding the actors and technical crew.
Scenario: The aspect of a movie analysis that provides the audience insight into the plot or characters. Ideally, scenarios are scenes that convey critical details of the storyline, such as climax.
Acting: The role that individuals play to bring a film’s plot alive. As such, it involves all people who assume different characters in a movie, including protagonists, antagonists, heroes, and heroines.
Visual effects: The qualities that filmmakers use to bring the action alive, such as images, shots, and scenes. When discussing visual effects in a film analysis essay, students should comment on how they reinforce certain concepts or themes, like mood, fear, and suspense.
Music and audio effects: Sound and language that enhance the audience’s understanding of the central message. Most films incorporate background sounds in multiple scenes to arouse reactions in the audience.
Camera angle: The positioning of the camera to capture precise shots in films. Filmmakers use camera angles in relation to scenes and characters to affect the audience’s perception.
Lighting: A mise-en-scène element that filmmakers use to create different effects in a film. Ideally, movies involve different lighting techniques, such as key light, fill light, and backlight, to guide the audience’s attention, create a visual impact, give the film a texture, or create an atmosphere.
References: Features that indicate how a film uses dialogue and images in its storyline to allude to, recall, or refer to another movie. Ideally, filmmakers use this feature to contextualize their productions within a cultural or historical space.
Animation: The use of drawings or puppets with mobility like humans. Although it is a movie genre for analysis today, filmmakers use animation to give objects animal or human qualities, such as walking, talking, crying, or fighting. Animations effectively depict society as a complex system comprising different life systems.
Protagonist: The character that takes center stage in a film and whom the director uses to construct the plot. While a film’s plot may revolve around several actors, only one is central, and others only assist the main hero in accomplishing agendas. In this respect, when students are writing a film analysis, they should tell the audience the main protagonist(s).
Antagonist: Characters that stand opposite of protagonists. Filmmakers use them to depict the main character as assailed by forces aiming to thwart their agenda.
Climax: The point in a movie where the plot peaks and where the protagonist puts into motion a series of events that significantly determine their final experience. These events may include betrayal, heroism, or tragedy. Therefore, one can identify a film’s climax by assessing how the plot intensifies and events directly impacting the protagonist unfolds.
Hero vs. anti-hero: Heroes stand out as brave because they attempt what others fear. In most movies, protagonists are heroes because they survive what consumes others. On the other hand, an anti-hero is a central character who lacks heroic qualities like bravery but is timid, fearful, frustrating, and irritating. As a result, the audience celebrates heroes under analysis and loath anti-heroes.
Atmosphere: The environment in which a movie imbues the audience through the sequence of events revolving around the plot. Generally, action films create an intense atmosphere because of the frequency of fights. On the other hand, romantic movies create an emotional atmosphere characterized by attraction and happiness. On their part, horror films create an uneasy atmosphere because of the constant anticipation of evil.
Background: The technique of capturing an image or object from a distance, often giving other images or objects prominence. Filmmakers use this quality to create a sense of authenticity in scenes. For example, a scene capturing a rioting crowd may have in its background an image of anti-riot police forming a barrier using their bodies. Looking at the imagery, one may see rioters more clearly but also understand the situation’s intensity because of the police in the background.
Cameo: The dramatic appearance of a famous actor or personality in a movie for various reasons, including fun, publicity, or to give the film credibility. However, such characters do not become protagonists because they appear briefly and only once. When doing a film analysis, students should indicate such personalities and the role they may have played in the plot.
Cinematography: The artistic use of technology and visual effects to dramatize the sequence of events in a film. Ideally, writers should examine the scenes’ general composition, locations’ lighting, camera angles and movements, and special effects, like illusions or camera tricks.
Comic relief: A scene that allows the audience to release emotional weight or tension that may have built up due to escalating events with a negative outcome, such as betrayal and a series of murders. Filmmakers interpose comic relief in tragic scenarios to avoid burdening the audience emotionally to the point of refusing to watch the film to its conclusion . The only film genre that rarely uses comic relief is gothic.
Film critics: Individuals who have made criticizing films a part- or full-time engagement. Ideally, these people watch movies to identify negative qualities, like a confused plot, poor lighting, and sound effects. While one may consider them an appropriate source of film reviews, they rarely highlight a good analysis of a movie.
Director’s cut: An edited film version that represents the director’s original edit before the release of the theatrical edit that reaches the screens. This part of the film is important because it shows scenes that some editors may cut or altered. By examining the director’s cut, the writer of a film analysis essay looks at the complete production and tells how it may enhance the audience’s viewing experience.
Foreshadowing: The technique of giving the audience a sneak preview of events yet to unfold to build anticipation and heighten dramatic tension. Filmmakers use this quality early in the film to create excitement in the audience and make them want to view the production to the end. Typically, foreshadowing focuses on events directly affecting the protagonist, such as a tragedy.
Editing: Perfecting a film by deleting, arranging, and splicing scenes and synchronizing all elements, including cinematography, mise-en-scène, sound, and special effects. The goal of editing is to make a film perfect for airing on the big screen. In this respect, it aims to remove all features affecting quality.
Long shot: A scene in a film that filmmakers shoot from a considerable distance to give images and objects indistinct shapes, almost unrecognizable. An excellent long shot captures people walking New York City streets from the city’s skyline. While one would know the images are people walking, they cannot describe their demographics, such as age, gender, or race.
Metaphor: A literary device that allows filmmakers to represent similarities between objects. An example of a metaphor in a movie is a visual metaphor, where filmmakers represent nouns through graphical images to suggest a particular association or resemblance. For example, an advert can represent beauty through the appearance of a flawless face, implying that beauty is equal to a look without flaws. Such an advert increases people’s interest in having a perfect face, leading to purchasing beauty products.
Montage: The film editing technique where filmmakers combine a series of short shots into one sequence to condense time, establish continuity, or provide contrast. Montages take different forms, including repetition of camera movements, minimal or no dialogue, quick cuts, music, and voice narration.
New wave: A French art film movement that emerged in the late 1950s to pave the way for experimentation and iconoclasm, thus rejecting traditional filmmaking conventions. Filmmakers who subscribed to this wave used film as a medium, like pottery or novels, for telling stories and translating thoughts and ideas by experimenting with form and style.
Mockumentary traits: Films that assume a documentary genre, although they do not tell true stories. Instead, filmmakers use parody, satire, and humor to describe contemporary society through events, ideas, and emerging trends. Simply put, a movie is a mockumentary if it is a fictional documentary.
Slow motion: A filmmaking effect where time appears to slow down because the film captures footage at a slower speed. This technique is common for rewinding scenarios to reinforce an idea in the audience. For example, most productions of sports tournaments use slow motion to provide viewers with detailed and perfect shots that leave no room for imagination and analysis.
Soundtrack: The sound, often music, which filmmakers incorporate in a plot to accompany scenes for heightened effects, such as arousing the audience’s emotions. In most instances, this music plays in the background, often from a low to high intensity and vice versa, depending on the scene.
Theme: The concept, idea, or principle that emphasizes a film’s plot and central message, such cas sadness, victory, morality, or community. By identifying the themes that a director uses to construct the plot, authors of a film analysis essay can tell the audience their meaning and significance through the story of the protagonist.
Symmetry: The quality of balancing shots between characters or placing shots symmetrically to each other to create a pattern. For example, visual symmetry involves repeating parts of an image along a path, across an axis, or around a center. Filmmakers use symmetrical patterns to convey a sense of unity or uniformity.
Symbolism: The literary device of using objects to symbolize ideas. For example, a filmmaker can use a dove to symbolize peace or the color black to symbolize evil. In essence, symbolism allows filmmakers to communicate profound messages to the audience. Therefore, students need to identify symbols representing ideas in film analysis.

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Topic Examples for Writing a Film Analysis Essay

Video Review: Salt (2010)
Video Review and Approval of Black Panther (2018)
Analysis Essay of Volodymyr Zelensky’s Speech “I Call for You to Do More”
Examining Gender Issues Through Symbolism in The Ugly Truth (2009)
Discussing the Narrative Structure in The Godfather (1972)
Evaluating Christopher Nolan’s Use of Mise-en-Scène Elements in Oppenheimer (2023)
What Features Indicate the Context of Amy Tan’s The Joy Luck Club (1993)?
What Is the Cultural Context of City of God (2002)?
How Does History Feature as an Element in the Star Wars Trilogy?
How Does Roman Polanski Employ Flashback and Flashforward to Tell the Story of Wladyslaw Szpilman in The Pianist (2002)?
Discussing the Conception of Time in The Matrix (1999)
How Does the Setting of The Departed (2006) Underscore the Film’s Contemporary Significance?
Describing the Chronology of Events in The Bark Night Rises (2012)
How Does Casting Affect the Plot in American Beauty (1992)?
What Central Themes Describe the Plot in Inglorious Bastards (2009)?
Discussing How Scenes in Idiots (2009) Facilitate the Plot
Analysis of Gothic Elements in the Horror Genre via the Lens of The Mummy (2017)
Evaluating Mel Gibson’s Directing of The Braveheart (1995)
Discussing the Scenarios that Construct the Climax in Capernaum (2018)
Evaluating Al Pacino’s Acting in Scarface (1983)
Analyzing the Significance of Visual Effects in Film From the Perspective of Indiana Jones and the Last Crusade (1989)
How Does Sound Affect the Audience in Monster House (2006)?
Evaluating How Camera Angle Enrich Viewer Experience in Top Gun: Maverick (2022)
How Does Lighting Fit in the Gothic Film Sleepy Hollow (1999)?
How Does Steven Spielberg Employ References in E.T. The Extra-Terrestrial (1982)?
Analysis of Animation in a Film From the Perspective of King Kong (1933)
Who Is the Protagonist in The Wolf of Wallstreet (2013) and Why?
What Makes Saruman the Antagonist in The Lord of the Rings Series?
How Does Climax Underpin the Plot in Casino (1995)?
Analyzing the Difference Between Heroes and Anti-Heroes via the Lenses of Black Panther (2018) and Black Adam (2022)
How Does Suspense Create an Atmosphere of Anticipation in Black Swan (2010)?
Discussing How Background Influences Viewer Experience in No Country for Old Men (2007)
Evaluating the Impact of Harrison Ford’s Appearance in Anchorman 2: The Legend Continues (2013)
How Does M. Night Shyamalan Employ Cinematography in The Sixth Sense (1999)?
Explaining Comic Relief in Film Using Uncut Gems (2019) as a Case Study
Criticizing Jurassic Park (1993) from the Perspective of Cinematography
How Does Director’s Cut Enrich the Storyline in Blade Runner (1982)?
Exploring Foreshadowing in the Film Using 12 Years a Slave (2013)
Explaining the Link Between Film Editing and Quality Using Mad Max: Fury Road (2015) as an Example
How Do Long Shots Affect Viewers’ Experience in Film?
Understanding a Visual Metaphor in Hotel Rwanda (2004)
How Does Dialogue Underscore Montage in The Terminator (1984)?
Analysis of How the Mid-20th Century New Wave Impacted French Filmmaking
How Does Forgotten Silver (1995) Incorporate Mocumentary Traits?
What Role Does Slow Motion Play in Films?
Analyzing the Importance of Soundtracks From the Perspective of Horror Films
How Do Film Directors Use Themes as Conveyors of the Central Message?
Discussing How Symmetry Affects the Quality of Films
Exploring Symbolism in the Film Using Angels & Demons (2009)

Sample Outline Template for Writing a Film Analysis Essay

I. College Essay Introduction

Introduce the film’s title, followed by the director’s name and year of production.
Give a short description of the film or some context underpinning its release.
End this paragraph with a thesis statement about the film.

II. Summary

Overview the film by describing its context, setting, plot, and main characters.

III. Analysis

Describe several scenes in more detail by focusing on various elements, including cinematography, mise-en-scène, and others that help to evaluate the film.
Provide and cite some scenes as details and supporting evidence for analysis.
Evaluate and interpret the use of the above elements.

IV. Conclusion

Remind the audience about the film’s context and plot.
Recapitulate information in the analysis section.
Interpret the film’s significance.

Example of a Film Analysis Essay

Topic: What Features Indicate the Context of Amy Tan’s The Joy Luck Club (1993)?

I. Example of Writing an Introduction for a Film Analysis Essay

Films play a crucial role in educating people about the context within which movies come into their lives. Ideally, filmmakers implement various societal elements to construct ideas and use cinema as a conveyor belt to pass movies to different populations. Therefore, analyzing the film’s context is critical in understanding the ideas that the director embraced to produce the work. Several features in the 1993 film The Joy Luck Club indicate the film’s context.

II. Example of Writing a Summary Paragraph for a Film Analysis Essay

Directed by Wayne Wang, The Joy Luck Club tells the story of an Asian woman named Jun, born of the late Suyuan, who founded the Joy Luck Club social group. The movie’s plot revolves around the experiences of Asian mothers as immigrants in America from the perspective of their daughters. In this respect, the film takes a narrative approach. The movie’s setting alternates between San Francisco, California, and China, with the scenes in San Francisco representing the present day. Set in the 1980s, the storyline takes the viewer across generations. In this case, the mothers have flashbacks of the 1920s and 1940s.

III. Example of Writing an Analysis Paragraph for a Film Essay

A. physical landscape.

A key feature that reveals the context of The Joy Luck Club is the physical landscape. The film captures San Francisco as an urban place populated by buildings, busy streets, and a coastline. The movie contrasts this landscape with the mountainous landscape in China, where natural elements exceed physical structures.

B. Cultural Nuances

Another feature that reveals the film’s context is cultural nuances between mothers and their daughters. The viewer learns how mothers went through a world so different from that of their daughters to the extent they loathe some of the behaviors and mannerisms they see in them. However, the viewer can tell that some cultural differences between mothers and daughters may explain why there is confusion between two generations. Born in the conservative Chinese culture, mothers experience a cultural shock once in America, which does not happen for their daughters because they have only experienced the liberal American culture. In this respect, life values and perspectives of mothers and their daughters are constantly in conflict.

C. Conflict Between Generations

Although the scenes in San Francisco and China are essential to the storyline, cultural nuances of mothers and their daughters take center stage in a conflict between generations in the film. While daughters seem relaxed and willing to engage in fantasies, their mothers insist they embrace education as the noblest achievement. As such, two generations are always at loggerheads about leisure time because mothers seek to utilize every minute to work, while daughters want to have fun most of the time. Ironically, mothers see education as the tool to make their daughters truly American because it determines their quality of life.

IV. Example of Writing a Conclusion for a Film Analysis Essay

The Joy Luck Club exposes the experiences of Chinese mothers in America, showing some cultural nuances that influence their relationships with their daughters. The film depicts immigration as crucial to the women’s experiences in the movie because it is the avenue through which mothers arrived in America. In essence, the film depicts mothers as caring despite their unpleasant experiences and their daughters’ ignorance.

4 Easy Steps for Writing a Film Analysis Essay

Writing a good film analysis essay is a technical process that requires students to grasp and demonstrate certain qualities. Ideally, one should know how to produce a high-standard paper, including adequate preparation, stage setup, creating an initial draft, and perfecting a final draft. These details summarize the steps of writing a great film analysis essay.

Step 1: Preparation

Preparation is the first step of writing a film analysis essay and involves several tasks. The first aspect is defining possible essay topics if instructions from tutors do not specify them. In turn, one may select film research paper topics that are easy yet challenging. The second task is to generate ideas that the audience can relate to, such as the cultural or historical issues in the film.

Step 2: Stage Set Up

Setting the stage is the second step of writing a film analysis essay. It involves watching the film to understand its context and plot and using cinematography and other elements. The second task is to research credible sources that help to analyze the movie, such as scholarly reviews and scholarship on film, including gothic movies and the use of literary or rhetorical devices . The next task is to create a clear essay outline according to the sample above.

Step 3: The Writing Process of Starting a First Draft

The third step of writing a film analysis essay is to write a paper focusing on producing an initial draft. The text activity should combine all ideas to create a document with a logical order of ideas and content. Some of the activities in this stage include adding or deleting reliable sources to fit a paper and altering an initial outline to organize ideas. Students should also focus on developing a clear thesis statement when writing the introduction because it summarizes the paper’s aim. Students should adopt evidence-based writing by incorporating evidence and corresponding citations in the body. The last aspect is to restate the thesis and summarize the analysis in the conclusion by mentioning the most critical points.

Step 4: Wrap-Up and Finishing a Final Draft

The final step of writing a film analysis essay is to wrap it up by perfecting a first draft. In this respect, students should focus on revising their first drafts to eliminate flaws like inconsistent ideas. The second task is to edit a film analysis essay by adding to deleting words and sentences to foster a logical flow of thought. Students should also ensure each body paragraph has a topic sentence , evidence, scenes, or details cited from academic sources or films, explanation and analysis sentences, concluding remark, and transition to the next paragraph, not forgetting to check if the paper’s formatting is perfect. Concerning formatting, students should adopt one style in the entire document: APA , MLA , Harvard , or Chicago/Turabian . Considering The Joy Luck Club , templates and examples of citations should read as follows:

📕 Citing a Film in APA

Reference entry: Wang, W. (Director). (1993). The Joy Luck Club [Film]. Walt Disney Studios.
In-text citation: (Wang, 1993, 00:46:00-00:50:00)

📕 Citing a Film in MLA

Work Cited entry: The Joy Luck Club . Directed by Wayne Wang, performances by Suyuan Woo and Rose Hsu Jordan, Walt Disney Studios, 1993.
In-text citation: ( The Joy Luck Club 00:46:00-00:50:00)

📕 Citing a Film in Harvard

Reference List entry: The Joy Luck Club (1993). Directed by Wayne Wang. Burbank, CA: Walt Disney Studios.
In-text citation: ( The Joy Luck Club 1993, 00:46:00-00:50:00)

📕 Citing a Film in Chicago/Turabian

Bibliography entry: Wang, Wayne, director. The Joy Luck Club . Walt Disney Studios, 1993.
Footnote: 1. The Joy Luck Club , directed by Wayne Wang (Walt Disney Studios, 1993), 00:46:00-00:50:00.

20 Tips for Writing a Good Film Analysis Essay

Students must learn essential tips for writing a high-standard film analysis essay. These tips include watching a specific film before starting a movie analysis paper; determining the aspects to cover, such as the plot, cinematography, context, or setting; selecting suitable sources to construct ideas and defend arguments; and creating a well-organized outline.

10 things to do when writing a film analysis essay include:

watching the film at least once;
considering the audience;
commenting on the acting;
criticizing the directing by mentioning cinematography, mise-en-scène, or special effects;
supporting the criticism;
talking about the plot;
consulting professional reviewers, like Roger Ebert and Rotten Tomatoes;
reading, rereading, editing, and revising;
cultivating a personal voice to demonstrate knowledge;
proofreading the final text.

10 things not to do include:

retelling the film;
overusing sentences;
generalizing ideas;
continuously comparing the movie with its adaptations, like a book or novel;
ignoring or doing superficial research;
telling irrelevant details;
writing poorly with too many grammar and format errors;
getting too personal;
reviewing another film;
plagiarizing reviews.

Summing Up on How to Write a Perfect Film Analysis Essay

Watch a chosen film while notetaking.
Read several reviews focusing on the plot, context, setting, characters, scenes, and elements, like cinematography and mise-en-scène.
Create a list of ideas.
Organize the ideas to fit various aspects of a film indicated above: plot, context, and other elements.
Write an appropriate introduction.
Summarize the film.
Analyze the film by exploring one or several aspects comprehensively.
Write a conclusion, which must satisfy the audience.

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In This Article Expand or collapse the "in this article" section Essay Film

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Essay Film by Yelizaveta Moss LAST REVIEWED: 12 April 2023 LAST MODIFIED: 24 March 2021 DOI: 10.1093/obo/9780199791286-0216

The term “essay film” has become increasingly used in film criticism to describe a self-reflective and self-referential documentary cinema that blurs the lines between fiction and nonfiction. Scholars unanimously agree that the first published use of the term was by Richter in 1940. Also uncontested is that Andre Bazin, in 1958, was the first to analyze a film, which was Marker’s Letter from Siberia (1958), according to the essay form. The French New Wave created a popularization of short essay films, and German New Cinema saw a resurgence in essay films due to a broad interest in examining German history. But beyond these origins of the term, scholars deviate on what exactly constitutes an essay film and how to categorize essay films. Generally, scholars fall into two camps: those who find a literary genealogy to the essay film and those who find a documentary genealogy to the essay film. The most commonly cited essay filmmakers are French and German: Marker, Resnais, Godard, and Farocki. These filmmakers are singled out for their breadth of essay film projects, as opposed to filmmakers who have made an essay film but who specialize in other genres. Though essay films have been and are being produced outside of the West, scholarship specifically addressing essay films focuses largely on France and Germany, although Solanas and Getino’s theory of “Third Cinema” and approval of certain French essay films has produced some essay film scholarship on Latin America. But the gap in scholarship on global essay film remains, with hope of being bridged by some forthcoming work. Since the term “essay film” is used so sparingly for specific films and filmmakers, the scholarship on essay film tends to take the form of single articles or chapters in either film theory or documentary anthologies and journals. Some recent scholarship has pointed out the evolutionary quality of essay films, emphasizing their ability to change form and style as a response to conventional filmmaking practices. The most recent scholarship and conference papers on essay film have shifted from an emphasis on literary essay to an emphasis on technology, arguing that essay film has the potential in the 21st century to present technology as self-conscious and self-reflexive of its role in art.

Both anthologies dedicated entirely to essay film have been published in order to fill gaps in essay film scholarship. Biemann 2003 brings the discussion of essay film into the digital age by explicitly resisting traditional German and French film and literary theory. Papazian and Eades 2016 also resists European theory by explicitly showcasing work on postcolonial and transnational essay film.

Biemann, Ursula, ed. Stuff It: The Video Essay in the Digital Age . New York: Springer, 2003.

This anthology positions Marker’s Sans Soleil (1983) as the originator of the post-structuralist essay film. In opposition to German and French film and literary theory, Biemann discusses video essays with respect to non-linear and non-logical movement of thought and a range of new media in Internet, digital imaging, and art installation. In its resistance to the French/German theory influence on essay film, this anthology makes a concerted effort to include other theoretical influences, such as transnationalism, postcolonialism, and globalization.

Papazian, Elizabeth, and Caroline Eades, eds. The Essay Film: Dialogue, Politics, Utopia . London: Wallflower, 2016.

This forthcoming anthology bridges several gaps in 21st-century essay film scholarship: non-Western cinemas, popular cinema, and digital media.

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Essay on “the film i liked most” english essay, paragraph, speech for kids and students for classes 6, 7, 8, 9, 10, 11 and 12 cbse, icse board, 272 words., the film i liked most.

Films are a cheap means of entertainment. They break the dullness of our daily life. They help us to forget the worries of life for a few hours. Whenever some new film comes, there is a heavy rush of the people in front of a cinema hall. I am not crazy after films. But whenever there is some good movie, I love to watch it at any cost.

Last week I chanced to see “Baiju Bawra.’ It is a classic movie of past years. Its story dates back to the period of Mughal king, Akbar. A classical singer named Tansen was his court musician. He was known as a top-class musician. There was no match for him. The story of the film describes how Baiju, a less known singer, defeated Tansen in a music competition.

The setting of the story is very fine. Bharat Bhushan and Meena Kumari are the key-characters. Bharat Bhushan plays the part of Baiju. Meena Kumari is Gauri in the film. Baiju and Guari are in love. Baiju’s love for Gauri inspires Baiju to achieve perfection in classical music. It finally helps him to defeat Tansen in a music competition. Tansen accepts Baiju’s superiority in music. However, Baiju is humble enough to uphold Tansen’s prestige.

The film has a number of classical songs. There are also songs sung by Lata and Rafi. These songs are full of melody. They transport listener to a world of romance and beauty. These songs are still sung and enjoyed. I liked the film very much. It reminded me of those days when films were made for pure enjoyment. The film did not have any vulgar scene. It was a piece of art for the sake of art. I was thoroughly delighted to see this film.

These songs are full of melody. They transport listener to a world of romance and beauty. These songs are still sung and enjoyed. I liked the film very much. It reminded me of those days when films were made for pure enjoyment. The film did not have any vulgar scene. It was a piece of art for the sake of art. I was thoroughly delighted to see this film.

Julia Stiles Wanted to Be Just Like Kat Stratford, Too

Twenty-five years after “10 Things I Hate About You” made her stand out among a generation of young stars, she’s stayed true to the ideals of her most famous character.

Credit... OK McCausland for The New York Times

Supported by

By Jessica M. Goldstein

Published April 3, 2024 Updated April 5, 2024

Julia Stiles starts lunch with a disclaimer: “I’m kind of like a bundle of emotions, because I have a 5-month-old baby and I went into directing my first movie.”

Maybe you didn’t know Stiles had gotten into directing. Her feature, “Wish You Were Here,” doesn’t yet have a release date and has only been lightly covered . You definitely didn’t know about the baby, because Stiles declined to do the standard-issue celebrity-birth promotion (post an announcement on Instagram to get aggregated by People magazine). She’s been in the business for nearly three decades. It’s not that she doesn’t know the norms. But participating in the norms just because they’re the norms has never been her thing.

“I didn’t really talk about it,” she said of her latest pregnancy, though she was excited to talk about it now, about how being a parent (her older sons are 6 and 2) nourishes her work. “I think that actually being a mom is really great training for being a director,” she said. “You have to think 10 steps ahead but also be in the present moment. You have to be good at time management. You have to be sensitive to people’s needs and guide them, but also hold a boundary.”

Over a two-hour lunch at Jack’s Wife Freda in the West Village — a likely place to spot a celebrity, though unlikely for said celebrity to have gone to school just a few blocks away at P.S. 3, as Stiles did — she was exhausted but animated, especially when the conversation turned to directing. “I am running on fumes in terms of sleep,” she said. “But I feel more energized than I ever have.”

Julia Stiles wears a pink baseball cap and New York Mets jacket as she holds a film camera in front of her.

On the second day of shooting, she said, her script supervisor told her to stop apologizing. “I wasn’t saying ‘sorry,’” Stiles said. “But she meant, ‘Just stop qualifying your opinions and your ideas. You don’t have to explain them. You’re the director.’ And she was totally right. I took it to heart and I put on my big girl pants and leaned into being a director as opposed to a people-pleasing actress.”

It’s strange to hear Stiles, 43, describe herself as struggling with this sort of thing — being unapologetic about her vision, holding the line against external pressures — given the role that launched her career. As the acid-tongued, defiant Kat Stratford in “10 Things I Hate About You,” Stiles provided, for a generation born just too late to be riot grrrls, a vision for how to be a cool teenage girl whose every move did not revolve around appeasing the appetites or fulfilling the fantasies of teenage boys.

Kat reads Sylvia Plath and rails against “the pathetic emptiness of meaningless, consumer-driven lives.” Popularity contests bore and disgust her; she only smiles when she feels like it. Kat is many things girls of the era (1999) were explicitly told they shouldn’t be (abrasive, outspoken) or couldn’t be (funny, intellectual) yet, in staying true to herself, she reaps the finest rewards (Sarah Lawrence, Heath Ledger).

Unlike many cultural artifacts from that turn-of-the-aughts time, “10 Things,” which just celebrated its 25th anniversary, feels fresh and vibrant. It’s a testament not just to the whip-smart script by Karen McCullah and Kirsten Smith (the pair who would go on to write “Legally Blonde” and “She’s the Man ,” among others) but also to the magnetism of the film’s leads — and what Stiles’s Kat came to mean for those who emulated her.

“Julia did such a magnificent job of embodying that, I think in large part just because she lived it genuinely,” said Joseph Gordon-Levitt, one of her co-stars in “10 Things.” “She was not someone I would at all call a shrew” — as in the Shakespeare play “The Taming of the Shrew,” upon which “10 Things” was loosely based — “but someone I would call razor-sharp.”

Larisa Oleynik, who played Kat’s kid sister, Bianca, recalls rewatching “10 Things” recently. “The thing I love so much — and I’m going to get emotional — is, she’s so earnest,” Oleynik said. “She’s so genuine. And to me, that is the most beautiful thing about Julia’s portrayal of that character. It is coming from a deeply heartfelt, vulnerable, sensitive, insanely intelligent place,” she said, while adding: “I don’t think anyone else would have been able to be that real.”

Stiles started acting as a 12-year-old in New York’s La MaMa Experimental Theatre Club, but had a hard time finding her place in film. “I was a 17-year-old girl, auditioning for romantic comedies and commercials and TV shows and always being told, ‘You’re too serious,’” she said. “You know, ‘Smile. You’re too angsty.’” That changed when she read the “10 Things” script. “It was the first time that I had read a character in a teenage romantic comedy that spoke to me,” she said.

As Oleynik remembers it, Stiles was that girl, “a cool, downtown New Yorker” who, though only a few months Oleynik’s senior, “seemed so much more mature.” Before the “10 Things” table read, Oleynik had gone to Fred Segal to buy her real-life junior prom dress, an indigo slip that wasn’t all that dissimilar to the prom dress Kat wears in the movie . “I really, really wanted her approval,” Oleynik said. “I remember thinking, if Julia approves, I can go .”

IN 2002, ACCORDING TO THE self-appointed cultural anthropologists at Newsweek magazine, there were exactly three types of teenage girls in America. You could be an Alpha: a blonde who loved cheerleading, worshiped Gwyneth and Vogue, and managed to be “both bitchy and nice.” You could be a Beta, which was basically an aspiring Alpha; Betas reportedly took diet pills as after-school snacks, spent after-prom at a motel, and were, tragically, brunette. Or you could be a part of a rising cohort of Gamma Girls: “Buffy the Vampire Slayer”-watching, flare-jeans-wearing freethinkers who were “obsessed with Shakespeare,” dated the “class smartass,” and subscribed to Jane magazine. The poster child for the Gamma Girl: Julia Stiles.

Stiles had zero recollection of this (her teasing reply, via text: “please don’t make me Google myself”). When I sent her the images from the issue, she responded with barf emojis. “I do remember the media pitting us against each other, though,” she added. When she was on the cover of Rolling Stone that same year, the magazine could not praise her without denigrating her “squeaky-voiced, three-named contemporaries.”

In her late teens and into her 20s, Stiles was on the receiving end of what could feel like an overwhelming amount of attention, both from the highbrow sect — she was crowned one-to-watch by Vanity Fair, which put her on the cover of their 1999 Hollywood issue before “10 Things” was even released — and the teenage masses, winning back-to-back MTV Movie Awards, including Best Kiss in 2001 alongside her “Save the Last Dance” co-star Sean Patrick Thomas.

“How did I handle it? I sometimes imploded,” she said. “I also rebelled against it, probably, by running in the other direction a little bit.” Rather than go all-in on acting to capitalize on whatever momentum she had from “Ten Things,” Stiles attended Columbia University. “I went to college so that I could focus on other things. I would take time off from work … to not give it as much power.” She also worried that one day she would be the only one among her peers who hadn’t gone to college. “I know that I was thinking: I don’t want to be sitting around at 40 with a bunch of studio executives or other people that have had that experience and I didn’t.”

Stiles was in her dorm room freshman year when she was sent pages from “The Bourne Identity” script. All she could think was: Oh my God, I can’t do this because I’m going to miss my final exams . She took the part and lost all her credits from that semester. “But I was at least able to go and do the movie and still graduate.”

Gordon-Levitt also enrolled at Columbia that year; he and Stiles lived in the same freshman hall. “She really was very much an intellectual seeker of a person,” he said. “And going to a university like Columbia is, I think, just the allure of the world of ideas — as alluring as the world of Hollywood is, that’s not the kind of thing that ever seemed to motivate her.”

TODAY’S YOUNG STARS CAN SEEM preternaturally-savvy, as if they were born with an innate understanding of how to pick projects and manage their brand across multiple platforms. “I don’t know how strategic or conscious I was of, ‘This is what I’m going to do in my career,’” Stiles said. She chose roles mostly on instinct, if they seemed like they’d be fun: more modern twists on Shakespearean classics (“O,” “Hamlet”); the well-it-seemed-progressive-at-the-time teen love story, “Save the Last Dance"; the midcentury feminist-awakening drama “Mona Lisa Smile.” Her part in the “Bourne” franchise, intended as a one-off, was brought back for the three subsequent installments, and her performance in the fifth season of “Dexter,” as a vengeance-seeking rape survivor, earned her an Emmy nomination.

But in the lulls between work, especially as she left her 20s behind, she started feeling unmoored. “There’s only so much control that actors have over their own careers,” she said. She wasn’t necessarily worried that she’d never get to act anymore. “But it was like, am I going to only be given opportunities to work on things that I don’t really believe in or don’t really care about?” she wondered. “They’re not going to know what to do with me, because I’m not the ingénue anymore and I’m not the mom. So what’s in between?”

It took 2019’s “Hustlers,” the true-crime indie about strippers scamming their Wall Street regulars in the aftermath of the 2008 crash, for Stiles to feel compelled to go after a role the way she had for Kat. She was cast as the journalist, Elizabeth, whose reporting brings the women’s stories to the world. “It really wasn’t until then that I was able to try and take more control over what direction my career is going to go,” she said.

With “Wish You Were Here,” Stiles is fulfilling an ambition she’s had for ages. “It took a long time to find the right story to tell,” she said. The film, based on the novel by Renee Carlino, is about a woman who believes she’s been unceremoniously dumped after a passionate first date, only to reconnect with the guy who ghosted her when she learns he’s terminally ill.

Just before “Wish You Were Here” started shooting, Stiles acted in “Chosen Family,” directed by Heather Graham. Graham says she wasn’t able to get her independent film financed until Stiles signed on. “It’s hard to make movies, especially movies that are female-driven,” Graham said. “A lot of people will say that they want to support female directors and filmmaking, but she really took a chance on working with me, a newer director who’s an actress. It meant a lot.”

Graham was impressed by Stiles right away. “She has a strong presence,” Graham said. “When she comes in, you’re like: This woman could be President of the United States. You’d believe she could do it!”

The star of “Wish You Were Here,” Isabelle Fuhrman, was 2 years old when “10 Things” premiered. And yet, when she joined the cast of Stiles’s directorial debut, she said “10 Things” was the reason.

“She said that she was a teenager who was always told she was too much and too opinionated and too loud,” Stiles said. “She really loved my character, and that was very meaningful to me.”

Like Kat, Stiles’s “10 Things” castmate Oleynik went to Sarah Lawrence College. This was years after the film’s release, when it wasn’t exactly a box office smash. “I thought no one had seen it,” she said, but on campus, she found some of the film’s most devoted fans. “It’s because of Kat! It’s because that character resonated so much. Kat’s probably why I went to Sarah Lawrence.”

Stiles’s recollection is that, as a young woman and an actress, she cared more about other people’s perceptions than Kat did. The character with whom she became instantly and eternally identified was, in fact, “ a bit aspirational,” she said.

“Part of being an actor,” she said, “is you get to play out onscreen all the things that you can’t really do in real life.”

In her 20s, Stiles said, she was apprehensive of whatever fame “10 Things” had brought her. From her present vantage point, she’s appreciative and at ease with what her early work still means to other people, and grateful for it. “As a performer, to be in something that people are talking about 25 years later is very special and very meaningful.”

The experience of being known this way, for this long, isn’t one she anticipated or even prepared for. “I feel like I’m still figuring it out, too.”

An earlier version of this article misstated the name of a university. It’s Sarah Lawrence College not Sarah Lawrence University.

An earlier version of this article gave the wrong title for the person who told Julia Stiles to stop apologizing onset. It was a script supervisor, not a supervisor.

How we handle corrections

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‘The Antisocial Network: Memes to Mayhem’ Review: A Netflix Doc Smartly Tells an Internet Hate Story: When 4Chan Met QAnon

4Chan was like the original TikTok, and it spawned QAnon as a goof. What ruled it all was the lust for eyeballs.

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But no. Ironically, the genesis of QAnon is the lightest and most amusing part of “The Antisocial Network.” That’s not because QAnon itself has been anything less than disastrous in the wreckage it has caused this country. Of all the things that account for the stubborn popularity of Donald Trump, the fact that so many of his supporters are QAnon heads, believers in the idea that they’re fighting a Satanic cult of pedophiles who have the support and protection of the Democratic Party, is no minor factor. There have been good documentaries that trace the QAnon phenomenon (like “After Truth: Disinformation and the Cost of Fake News,” in which we got to see dash-cam footage of Edgar Maddison Welch, the assault-rifle-toting Pizzagate “avenger,” on the way to his mission), and the baroque paranoid beliefs of QAnon followers have been amply chronicled.

One of the things that lent Q credibility is that he would tweet out a message, and 10 minutes later it would be echoed in a Trump tweet. How could that happen? The documentary reveals how: The Q tweet was actually done after the Trump tweet, and simply mimicked it — but the timecode on the tweet was altered, to make it look like Trump was taking his cues from Q. That’s called basic deepfake Internet flimflam. But it worked. It fooled people. The 4Chan programmers got their viral sensation and their jollies.

What no one in their right mind could have predicted is that huge swaths of the country would start to take this stuff more seriously than a report in The New York Times. That they did was, on some level, a bad joke, even if it’s now a joke that threatens to trash America. QAnon is a cult, but part of the freakish nature of it is that it’s a cult that came into being by accident. There was no mastermind at its center; Q barked out his pronouncements, but was no more real than the Wizard of Oz. That’s what makes QAnon the pyramid scheme of conspiracy theories: a sinister “plot” that consists of nothing so much as each and every one of its followers holding up his or her small sliver of the belief system. QAnon’s virality is its only reality.

So how did we get here? “The Antisocial Network” traces how 4Chan, over the last 20 years, pioneered an online universe where outrageous satires, “Jackass” stunts, and a free-floating impotent political rage could fuse into an “outlaw” stance of permanent rebellion. The site’s model was 2Chan, the Japanese site of the early 2000s that most Japanese citizens accessed on their cell phones, which didn’t have much bandwidth. That was part of what gave rise to the emoji, and to the idea of a bulletin board grounded in anonymity.

A user named “moot” downloaded a copy of 2Chan’s software and, in October 2003, launched an English version called 4Chan. It was jammed with cartoons, videos, and what would come to be known as memes. A point I’m surprised the documentary doesn’t make is that it was, in essence, the early version of TikTok. It was catchy, extreme, blasphemous, at times reactionary stuff, driven by a Darwinian spirit: The most outlandish posts got the most clicks. The first official 4Chan panel took place in 2005 at Otakon, an anime convention in Baltimore, and it was there that “moot” made his public debut. He turned out to be a grinning kid named Christopher Poole who looked like Matt Damon at 15. From the start, he had a Zuckerbergian aura. He wanted 4Chan to be the Facebook of bro anarchy.

The trouble is, it’s tricky to be caring one day and making jokes about AIDS the next. Everything 4Chan did was ultimately for show, and its representatives who appear in the movie, like the placid hippie Fuxnet or the angry Kitaner, have some regrets but aren’t exactly fountains of self-awareness. They seem to have no idea that one of the worst things they did was to help transform “activism” into a form of virtue-signaling.

I’m not entirely sure the documentary understands that either. Yet as directed by Giorgio Angelini and Arthur Jones, with plenty of virtual image-blitz montages, “The Antisocial Network” is a lively lesson in digital history, one that leaves you with the disquieting feeling that some of the most influential outgrowths of Internet culture, like QAnon, were essentially flukes. On the other hand, maybe there was a perverse design to it. The hackers and programmers of 4Chan were out for kicks. They wanted eyeballs and would do anything to get them. QAnon brainwashed the nation, but in its way it was the fulfillment of that dream. It got America addicted to demented conspiracy theory because demented conspiracy theory is more entertaining than reality.

Reviewed online, April 4, 2024. In SXSW. Running time: 85 MIN.

Production: (Documentary) A Netflix release of a Boardwalk Pictures production. Producers: Giorgio Angelini, Andrew Fried, Arthur Jones, Dane Lillegard, Jordan Wynn. Executive producer: Ariane Wu.
Crew: Directors: Giorgio Angelini, Arthur Jones. Camera: Alexander Paul. Editors: Arthur Jones, Drew Blatman, Devin Concannon, David Osit. Music: Martin Crane.
With: Fuxnet, Amanda, Kirtaner, Matt Alt, W.T. Snacks, Dale Beran.

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“He was like, ‘That’s not the movie that we had signed up to do.’”

Cianfrance was in a bind, since the film was partially funded due to Cooper’s involvement.

“I was moving my family up to Schenectady the next day [to be on location] and the whole crew was coming up there. I had all the money anyway,” Cianfrance said. He asked Cooper for an in-person visit .

“So I went up to Montreal, and I had a long conversation with him from midnight to 3:30 in the morning where I got him back on. It was only in the last five minutes [when I convinced him]. I think he just got tired. He wanted to go to bed.”

Cianfrance is now the producer of Exhibiting Forgiveness , Titus Kaphar’s feature directorial debut, which is part of the New Directors/New Films program.

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A trip to the last Blockbuster on Earth

Visiting the bend, ore., store is like stepping back in time.

BEND, Ore. — My family used to go to Blockbuster every Friday. Walking to the store on 19th Street and First Avenue in Manhattan, we’d wander through the aisles of DVDs, negotiating what to rent for our weekly ritual of making pizzas and watching movies, and I’d try to sweet-talk my way into a Nerds Rope or a box of watermelon Sour Patch Kids.

We cycled through countless discs before my parents signed up for Netflix’s DVD service. Our local store closed in 2010 — the year Blockbuster corporate filed for bankruptcy protection — and less than a decade later, almost all of Blockbuster’s 9,000 stores had followed suit.

These days, there’s only one Blockbuster left on Earth . It’s in Bend, Ore., about 820 miles from my home in Los Angeles.

But I’ve traveled farther for stupider reasons.

So I took a trip to Bend with my partner, Reanna (who loves DVDs even more than I do). Our journey there involved an extensive delay that stretched into 13 hours of travel — via cab, bus, plane and rental car — but it all felt worth it when we caught a glimpse of the glowing yellow Blockbuster sign in the distance.

‘A huge movie town’

Most of the tourism in Bend revolves around the city’s outdoor wonders, attracting people who love hiking, skiing, canoeing and exploring the local terrain.

But the city has always been filled with movie lovers, according to Ken Tisher, who owns the Blockbuster on Revere Avenue with his wife, Debbie.

“For those who don’t know, Bend is a huge movie town,” Ken said in the 2020 documentary “ The Last Blockbuster .”

The Tishers opened their first video rental store as Pacific Video in the early 1990s. With business booming, they launched two more locations, but when Blockbuster moved into town they had one option for survival: They made the store on Revere Ave into a Blockbuster franchise in 2000.

As a chain, Blockbuster peaked in 2004, when there were 9,000 locations worldwide. The company has shut down thousands of locations over the years, making the Bend Blockbuster the last Blockbuster in the United States in 2018 (after two stores in Alaska closed), and the only one in the world by April 2019 (after the second-to-last Blockbuster in a suburb of Perth, Australia, shut down).

Sandi Harding, the general manager of the Bend Blockbuster, has been working there since 2004. She watched the franchise’s decline from the front lines, giving countless interviews and figuring out how to keep the store stocked and relevant.

Since there’s no corporate supplier left, Harding buys candy and snacks in bulk from Costco and has figured out how to print and laminate new membership cards. Most of the DVD vendors that they have worked with have closed over the years, and the ones that are still open have minimum orders that are far too big for her store.

“I can’t afford to purchase movies through them, so I’m back to buying 100 percent of everything at Walmart and Target,” Harding told me.

The staff’s DIY efforts pay off: Harding estimates that they still get 500 to 1,000 customers over the course of a weekend.

“It’s all tourism driven now, where before it was all rental driven,” Harding said. “So it’s totally a different experience.”

The last on Earth

We made it to Bend a little before 7:30 p.m., exhausted but relieved that we didn’t miss our chance to indulge in some retro movie magic. It was a sleepy Sunday evening, so the store was nearly empty.

“The winter months used to be our bread and butter, like, that’s when we were the busiest: when people couldn’t go outside or travel,” Harding said. “Now it’s the opposite, the winter is quiet. So this time of year we get lots of projects done. We all take vacations, and we do things, because the summer is when we’re just crazy busy.”

Most of the store is straight out of the early 2000s: The walls are lined with DVDs and VHS tapes to purchase or rent; the location’s original triangular checkout counter has endured the test of time; and the staffers still wear blue and yellow shirts (though they’re not forced to don the retro polos ).

“The ticket tee that we have out there is the T-shirt we’ve always had here at the store for our employees,” Harding said, referring to the ticket stub design on the shirts that her employees wear. “But on the back of it used to say ‘your ticket to the movies,’ and then it went to ‘last one in America,’ and now it’s ‘last one on the planet.’”

The rentals are still reasonably priced: New releases cost $3.99 and older DVDs are just 99 cents. And these days, nobody complains about late fees.

“Now everybody is like, ‘Aw man, we miss it,’ which is always funny,” Harding said. “You’d be surprised how many people insist on paying their late fees now to support the store.”

Unsurprisingly, rentals and late fees aren’t enough to keep the store afloat. Harding estimates that 80 percent of its business comes from selling merchandise, including T-shirts, hoodies, sweatpants, postcards, keychains and popcorn-scented candles.

Most of that merch is made by local artisans, since Harding wants to support her fellow Oregonians.

“We’re proud of the fact that we’re able to source as much as we can here in town,” she said. “If we can’t have them made in Bend, we buy them through another small business.”

“People come in and see [the merch] and then I remember why we’ve got it, because people smell the candle or they see the T-shirt and they’re like, ‘Oh my gosh, this so brings me back,’” she added.

A blast from the past

As I browsed the aisles of Blockbuster, it felt like I stepped into a memory. The space was still warm and comforting, the snack and drink options were abundant, and the staff clearly had great taste.

There are a few things in the store that bring visitors back to 2024: Some of Russell Crowe’s costumes — passed along from the closed Anchorage store — sit next to a wall of Blockbuster memorabilia and letters that have been sent to the store. A modest living room occupies one corner, reminiscent of the Airbnb experience the store offered in 2020. The checkout counter also has a guest book, so visitors can sign their names and leave sentimental notes.

“I opened up an account the other day for somebody from Seattle, and she was like, ‘We’re on our way home, but we had to stop and rent a movie. I’m going to mail it back to you.’” — Sandi Harding, general manager of the Bend Blockbuster

“We have almost 30 of those little guest books signed,” Harding said. “I’m actually looking forward to the day when I can sit down and just go through them all.”

The store has welcomed visitors from all six habitable continents, and Harding can rattle off plenty of states and countries that people have traveled from. She tries to be as accommodating as possible for those who are passing through town and want the full rental experience.

“I opened up an account the other day for somebody from Seattle, and she was like, ‘We’re on our way home, but we had to stop and rent a movie. I’m going to mail it back to you,’” Harding said. “Sometimes people just do it and walk around outside and put it back in the drop box, just because they want to have that experience of renting the movie and returning it.”

Reanna and I had one night in Bend at an Airbnb with a DVD player , so we took our time perusing the shelves. Instead of doom scrolling through a streaming app on my TV, or trusting an algorithm to pick something out, I looked at a wall of the staff’s Valentine’s Day picks, feeling a kinship with Santana, who recommended the 2018 remake of “A Star is Born,” and Aidan, whose picks included “Moonlight” and “Knocked Up.”

That sense of connection is really what we’re looking for when we visit an old school video store.

“Video stores and movie theaters have always kind of felt like my church,” Jared Rasic, a local critic, said in “The Last Blockbuster” documentary. “They’ve always felt like the place where I go to feel the most like the calm, normal human being that I’ve always wanted to be.”

Reanna and I eventually settled on renting “Gentlemen Broncos,” a sci-fi comedy directed by the man who made “Napoleon Dynamite,” and “Vanilla Sky,” a thriller starring Tom Cruise. After grabbing some merch, a locally brewed Blockbuster beer and a respectable assortment of candy and microwave popcorn, we were ready to check out.

We also got two membership cards along with our wares; small yellow and blue reminders that sit in our wallets and remind us that we might get the chance to go back one day.

Julia Carmel is a Los Angeles-based writer. You can follow them on X: @julcarm .

A photo caption incorrectly said a visitor was from Cambi, Ore. They are from Canby, Ore. This article has been corrected.

Where to go

Our favorite destinations: These 12 destinations are at the top of our wish list for where to go this year, without crowds. In 2023, we explored an Alaskan bear paradise, Brooklyn’s famous pizzerias and a hidden gem in Italy, among other highlights ..

Travel like a local: Residents share their favorite places in our top city guides: New Orleans , Rome , Tokyo and Mexico City .

National parks: This comprehensive guide has details on all 63 U.S. national parks. For a deep dive into five of the most well-known, you can listen to the Field Trip podcast . Then explore tips from locals for visiting Yosemite , Glacier and Everglades .

Tales from the road: Dolly Parton has opened a new resort at her theme park complex in Tennessee, while “Fixer Upper” stars Chip and Joanna Gaines have a new hotel in Waco . Road-trippers may be just as excited to see the cartoon beaver at Buc-ee’s , and bargain-hunters should consider a stop at the Unclaimed Baggage store in Scottsboro, Ala.

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Seize Them! review – a comic romp through medieval Britain

A spoilt queen strives to reclaim her throne from revolting peasants in a film that feels more like a sweary episode of Horrible Histories

B ritain, the dark ages. Spoiled dimwit monarch Queen Dagan ( Sex Education ’s Aimee Lou Wood) is toppled by an insurrection led by woman of the people Humble Joan (Nicola Coughlan, best known for Bridgerton and Derry Girls ). With just her quick-witted maidservant Shulmay (Lolly Adefope) and Bobik (Nick Frost), an itinerant manure shoveller, for support, Dagan must make her way across lands that are hostile to her and all she stands for in the hope of mustering support and reclaiming her throne. Despite a cast that reads like a who’s who of British comedy, both rising and established, this broad romp is only sporadically funny. The quixotic, child-queen character was crueler and sharper when she was played by Miranda Richardson in Blackadder ; the small-screen tone of the picture makes it feel like a duff episode of Horrible Histories , albeit with considerably more swearing.

Comedy films
The Observer
Nicola Coughlan
Aimee Lou Wood
Lolly Adefope

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2 Years After Admitting She Felt "Embarrassed" By Criticism Of "Bring It On," Kirsten Dunst Has Revealed She's Discussed A Remake With The Director

"People want us to make another Bring It On , too... I mean, the script would have to be really good."

BuzzFeed Staff

If you're anything like me, you'll agree that Bring It On is one of the greatest teen movies of the '00s.

Kirsten Dunce as a cheerleader in Bring It ON

Directed by Peyton Reed, the film stars Kirsten Dunst as head cheerleader Torrance Shipman, whose team rivals Isis's ( Gabrielle Union ) — with Torrance's team notably discovering that their previous captain, Big Red, had been stealing cheer moves directly from Isis's team's.

Torrance and Isis face off in Bring It On

As well as giving us so many iconic scenes and quote-worthy lines, Bring It On also does a great job at confronting the appropriation of Black culture.

A scene from a movie showing Gabrielle Union as the character Isis with her cheerleading squad in the background

With all of this in mind, it's perhaps no surprise that Bring It On has been branded a fan-favorite since its release in 2000. But despite its success, Kirsten has admitted in recent years that she felt ashamed of her part in the film due to some of the unjust criticism it received.

Kirsten Dunst posing, sleeveless collared dress, earrings, simple makeup

Appearing on The Hollywood Reporter's Awards Chatter podcast in 2022, Kirsten noted that she was left feeling "terrible" after a mystery fellow actor branded Bring It On a "dumb cheerleader movie."

Kirsten Dunt at an event wearing a floral dress with ruffle details

"I remember another actress said something actually. She was like, 'Well, I'm not in a dumb cheerleader movie,'" she shared. "And her saying that just made me feel so terrible about myself."

At the time, Kirsten was concerned about being "taken seriously" as a professional in Hollywood — despite having starred in several acclaimed films before and around the release of Bring It On , like Interview With A Vampire and The Virgin Suicides .

"I was a little embarrassed," Kirsten said of the actor's criticism. "I think there's a part of me that always checks myself, or checks what's around me."

Social media users were not impressed by the actor's critique of Bring It On and ended up discussing just how much the so-called "dumb cheerleader movie" contributed to the culture.

Celebrity at an event poses in a sleek outfit on the red carpet

But fast forward to now, and it looks like Kirsten is considering a Bring It On remake!

Sitting down with GQ this week, Kirsten revealed that she's discussed a potential Bring It On remake with director Peyton.

Peyton in a velvet blazer and turtleneck at the "Quantumania" event

"People want us to make another Bring It On , too," she said. "I mean, the script would have to be really good, and I don't know what our positions would be or whatever... I talked to Peyton Reed, the director, about it."

Kirsten Dunst at an event wearing a satin gown with an ornate jeweled neckline

" Mean Girls got redone, and I think that right now, women my age are the most powerful viewers, in a weird way," she added, referencing Samantha Jayne and Arturo Perez Jr's 2024 Mean Girls remake.

We'll be sure to keep you posted if anything else unfolds! You can read Kirsten's full GQ interview here .

Topics in this article.

Bring It On
Kirsten Dunst
Gabrielle Union

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The term "essay film" has become increasingly used in film criticism to describe a self-reflective and self-referential documentary cinema that blurs the lines between fiction and nonfiction. Scholars unanimously agree that the first published use of the term was by Richter in 1940. Also uncontested is that Andre Bazin, in 1958, was the ...
Essay on "The Film I Liked Most" English Essay, Paragraph, Speech for
Essay on "The Film I Liked Most" English Essay, Paragraph, Speech for Kids and Students for Classes 6, 7, 8, 9, 10, 11 and 12 CBSE, ICSE Board, 272 Words.
Julia Stiles Wanted to Be Just Like Kat Stratford, Too
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Short Essay on the Movie I Like Most

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1. Watch the Movie

2. Introduction

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4. Write Your Analysis

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How to Write a Film Analysis Essay: Examples, Outline, & Tips

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Starting Your Film Analysis Essay

Making a Film Analysis Essay Outline

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Film Analysis Example #1: The Intouchables

Movie Analysis Example #2: Parasite

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Understanding the Elements of Film Analysis

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Sample Film Essays Outline

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