essay about tv shows

130 TV Show Essay Topic Ideas & Examples

🏆 best tv show topic ideas & essay examples, 👍 good essay topics on tv show, ⭐ simple & easy tv show essay titles, 🎓 good research topics about tv show, ❓ research questions about tv shows.

• What Is a Reality Show? Reality shows can be devoted to different subjects but the main fact is that they should provide the participants of the shows with the freedom to play and react in the most real and typical […]
• The US in the 1950s in “Leave It to Beaver” TV Show The period after World War II and the transition to the time of the Cold War affected the culture of American society in many ways. We will write a custom essay specifically for you by our professional experts 808 writers online Learn More
• Survivor Reality Show from Sociological Perspective The perspective also view social systems as unjust and often cruel upon the “have-nots” of the social order as the systems are repeatedly used by the “powerful” in society to promote their views and defend […]
• The “Friends” TV Show as a Cultural Artifact The intended audience is men and women between the ages of 15 and 20 or the ones who were born after the 2000s.
• Impact of Television Shows on Family Values Creation of awareness of the surrounding by bringing the most current news has aided in decision making such as those decisions related to the participation of the family unit to issues affecting the society such […]
• TV Show Classification According to my classification system, TV shows can be classified according to main theme of the show. Under the theme of conflict, three different types of conflicts were used to categorize the TV shows.
• “Empire”: TV Show Overview In particular, the analysis will be comprised of the introduction of the selected show, the examination of its background, and the impressions it makes on critics, the industry that produces the show, the social context […]
• Television Advertising and Television Shows In the show, there is always a change in the life of the characters based on the episodes. A clear picture of the family is brought to fore in the drama Bette and Boo.
• Why America is Obsessed with Reality Shows? In order to understand why reality shows have garnered such a negative reputation, it is necessary to understand the dynamics of communication, authenticity and performance.
• Child’s Emotional Development in Caillou TV Show The main conclusion of the article is as follows: it is critical to make an effort to establish secure attachment between parents and children in order to avoid the development of RAD.
• TV Shows v. The Common View of Nuclear Families In the traditional view of a nuclear family, it is the woman who is supposed to be patient with the man. It challenges the model of a happy and perfect family which was and is […]
• Changing Notion of Nuclear Family as Portrayed in Television Shows The Simpson displays frustrations and irritations in a family and how sometimes it suffers lack of money and other important effects and it portrays nuclear family which is a very important image of the family.
• TV Culture: The Oprah Winfrey Show The theme chosen for the discussion is intriguing and important to the American viewers of the program. In addition, the multi-camera style allows the audience to capture the host and guests as well as the […]
• The Types of Features Used in Different Television Shows Other factors that the television stations consider include the setup of the studios or the show rooms, the characters that will participate in the shows and the kinds of languages to be used in the […]
• Non-Verbal Communication in “When They See Us” TV Show Other forms of non-verbal communication include the way that the interrogators use the tone of the voice. The boys also use a range of non-verbal signs that reveal their true feelings and the way that […]
• La Hija Del Jardinero Television Show With the theme of love, the focus of the episode was Luis Haundra and Caros Eduardo Gomes relationship and Petro who mistakenly becomes a father.
• Reality TV Show Analysis: Masterchef Australia The analysis of this reality TV show can therefore be taken as the comprehensive analysis of the majority of today’s reality TV shows that have the same aspects of style as this one.
• TV Shows Shaping Human Expectations About the World This show taught me to expect that a supportive family and friend base will be with you through the good and difficult times.
• Rhetorical Modes of the “Billions” TV Show On the one hand, the attorney is desperate to reveal the secrets and wrongdoings of Axe Capital, which would help the legal system battle all evil.
• The “16 and Pregnant” Reality TV Show The audience gets to know the characters and sees part of the pregnancy, preparation for childbirth, the process of birth, and the postpartum period.
• Ethics of Television Reality Shows From the audience’s perspective, these shows should preserve the principles of honesty and responsibility to show behavior that could become a universal law in accordance with Kant’s categorical imperative.
• Women in Society Through the Prism of TV Shows At the center of the plot of the current British project, Fleabag is the story of the life of an unnamed young woman suffering from nymphomania and friend loss syndrome.
• The Popular TV Shows: Political and Social Topics The Laugh-In and The Smothers Brothers Comedy Hour make counter-cultural ideas more accessible to Middle America by acknowledging the racial tensions and the Vietnam war, unlike mainstream television.
• Analysis of “Brigerton” TV Show I think that this TV series is art because it is made in a form of a novel and contains various elements of art.
• The Depiction of Birth in Reality TV Show Given the advent of hospitals, the need for midwifery decreased and eventually, the majority of women lacked the know-how on childbirth.
• Popular Culture and TV Shows: Analysis of American Idol The positive aspect of the show is the interactive aspect that is essential in all popular cultures. The first group is comprised of the judges who guide and monitor the performance of the contestants.
• Philosophical Aspect of “Judge Judy” TV Show The reason why this approach is the most appropriate when analyzing the case of a traffic officer and a speed driver is that it focuses on the immorality of the young girl’s behaviour and situation […]
• How Television Shows Reflect American Culture In this show, the characters are portrayed as very energetic, romantic, and wealthy because those elements are the most attractive to the set of viewers. It appeals to the adult population who face many of […]
• “RuPaul’s Drag Race” Reality Show Reaction Thus, the show is organized in such a way that people can be able to appreciate those who dress in drags.
• “Super Nanny” and “Wife Swap”: Analysis of Episodes From TV Shows The main behavioral problem of this family is the mother’s inability to make the children respect her. The head of the Wiggins family is ex-marine; the family has a high socio-economic status; they are respected […]
• Big Brother: Famous Reality Shows The members of the family are one in saying that they have been watching Big Brother since it was introduced in TV.
• The Reality TV Shows Addiction: Cause-Effect The viewers feel like the actors are just in the same scenario as them and every development is a success to both the actor and his viewer.
• Group Roles in the “Survivor” TV Show The purpose of this paper is to identify the stages of group development processes as well as individual group roles, as shown in the first episode of season one of Survivor: New Mexico.
• “Gossip Girl” the TV Show Analysis Based on the thorough investigation of the scholarly sources, which discuss the primary aspects of the theory and its criticism, the foundation for the development of the original research will be established.
• Violence Against Women in the TV Shows It is possible to analyze two scenes from the TV shows in question to consider the meanings behind the depiction of violence against women and the use of the word “whore”.
• The Television Show “Law and Order: SVU” The pacing of the show supports the formula and leads to a suspenseful hour of television. Unfortunately, my favorite character has left the show, but I do not intend to stop watching because it is […]
• Northern Exposure TV Show of Medical Dramedy Genre Northern Exposure is a dramedy that is defined as a TV show with the elements of dramas and comedies where the development of a character is present, the inner conflict is discussed, and the plot […]
• Chicana and Mexican in Films and TV Shows On the other hand, Machete, who is the main character in the film Machete, operates in a Mexican setting where the use of guns and other crude weapons is the order of the way.
• Trisha TV Show Analysis and Pop Culture Issues The factor which contributed to my awareness of the audience is the plot of the show, which touches on family disagreements, deception, and emotions.
• Utopia Fantasia in the “Black Mirror” TV Show Stated differently, this paper demonstrates how the concept of utopia has evolved from the quest for a virtuous and free life to the desire for people’s approval from the lens of an individualised life.
• Television Show Suggestion: M*A*S*H While the unit that was shown in the series was fictitious and the story was focused not on the war itself but the individuals working in the MASH, the portrayal of war events also contributed […]
• Reality Shows Influence and Culture Corrosion We are in the twenty-first century, and the reality shows in the media are proverbial and trendy and very entertaining. The scenario in most of reality shows is that we are competing to be happy […]
• TV Shows: House, Scrubs and Quincy The main idea is to reflect the life of a young doctor through the prism of J.D.’s point of view. D, is in the fight between the good and the evil.
• Oprah Winfrey, a Show Host and Businesswoman Oprah Winfrey is the personality behind the “Oprah Winfrey Show,” and I have been observing her since I was very young.
• Television Show: “Wil Time Bigtime” Since its inception, Wil Time Bigtime has aired a number of shows that can deemed offensive and bad for society and this is one of the reasons why the show had to change its name […]
• Political Issues of “The American Idol” Television Show This paper presents a comprehension of the issue of democracy and participation through the lenses of the political landscape and the reality television show, the American Idol, which is followed by the exploration of the […]
• TV Shows’ Influence on Families Despite the fact that the article is long as compared to the other article, the story and all its explanations flow in a rhythm that is encouraging and not tiring.
• Television Show “What’s My Line?” The show was a hit in the US and was aired in the CBS Television. In the resent years, in the year 2013, the show was ranked in the 7th position among the sixty greatest […]
• Does TV Shows Have a Negative Influence on the Children? While a section of the society argues that television shows are beneficial to children because they are educative, others feel that they have a negative influence on them.
• The Oprah TV Show One of the most influential and successful talk shows is the Oprah Winfrey Show that aired between the years 1986 and 2011.
• Television Shows and Obscene Language Thus, television shows should not be allowed to use the obscene language because the television language is based on the definite language norms, and the usage of obscene and profane words cannot be discussed as […]
• “10 Years Younger” and “How to Look Good Naked” Television Shows The most important thing about appearances here is that the older get to look younger on the “10 Years Younger” show and those with insecurities about their shapes and sizes get to accept who they […]
• The Role of Interactivity to the Success of Reality Television Shows The two have explicitly examined and documented the importance of the role of interactivity to the success of the reality television show.
• TV Show’s Influence on Perception The frequency of the television shows is a pattern that is interesting to monitor in the shows watched. Negative influences could be dangerous and therefore it is important to discourage their course in the lives […]
• TV Show Analysis: The Simpsons The setting of this show is a fictional and unknown US state, Springfield, and the name Simpsons is used in the show as a family name.
• Television Shows Taxonomy The decision to classify this show as a ‘Test Romance’, which is a completely new classification, is because of the nature of romance experienced.
• Bridalplasty Television Show Bridalplasty is based on the principle that the bridegrooms of the women in the show value the physical appearance of their women.
• Understanding Media: Reality TV Shows—The Jersey Shore In the Jersey Shore, storytelling is typified by the show participants through the use of common communication language and engaging in habitual things that are common and relevant to the world today like going to […]
• The Oprah Winfrey Show and Why Self Promotion Is Complicated The popularity of The Oprah Winfrey Show was a major boost to the television broadcaster owners, Oprah Winfrey, and the audience.
• The Reality Show “Intervention” In a similar manner, Scheck argues that the family members in the reality show as well as the general audience serve to open an addict’s eyes to the realities of drug abuse.
• Psychometrics and Reality Television Shows
• Commercials From Idea Studio During the TV Show Baywatch
• How Television Shows Fuel Stereotypes in the Society
• Watching Violent Television Shows Has an Impact on the Rates of Violence in Society
• Are Television Shows, Video Games, and Homework Contributing to Making Americans Become Smarter
• Television Shows and Offensive Language
• Ethics of Reality Television Shows That Include Pranks
• The Reason Why Reality Television Shows Attracts an Audience
• Analysis for Without Prejudice TV Show
• Television Shows and Obscene Language
• Difference Between Television and Television Show
• Television Shows Based Around Family Life
• Does Health Food Film and Television Shows Influence
• Media Communications and Television Shows
• How Race, Sexes, and Gender Are Represented in the American TV Show Grey’s Anatomy
• How Much Does Weight Affect a Television Show
• Evaluation Oprah Winfrey Channel TV Show: Long-Running Talk Show
• Reality Television Shows Corrupt the Minds of Youth
• Getting Away With Murder: The Negative Impact of Violent Television Shows on the Mindsets of Teenagers
• Television Shows Reflect American Culture
• The Good and the Bad Sides of the TV Show Family Guy in an Article by Antonia Peacocke
• How Television Shows Have Affected the Television Industry in America
• Arrow TV Show – An American Superhero Television Series
• Television Shows Impact the American View on the Political
• Relationship Between Television Advertisements and TV Shows
• American Horror Story Television Show
• Culturally Insensitive Television Shows
• Race Class and Gender in a Television Crime Show
• Television Shows Accurately Reflect American Culture
• Effectiveness of Two Promotional Methods From Different Media Platforms Used by the TV Show
• The West Wing: An American Serial Political Drama TV Show
• Television and Reality Television Shows and American Culture
• Everybody Loves Raymond: The Gender Roles Played Out in This Particular Television Show
• Netflix and the Internet Delivery of Television Shows
• Problematic Aspects of Copyright Protection for TV Show Formats
• Television Shows From a Sociological Perspective
• Does the Television ‘Talk Show’ Industry Represent a Positive or a Negative Social Phenomenon
• Marketing Analysis of Kids TV Show
• The Objectification, Sexualization, and Utilization of Children in the Reality TV Show Toddlers & Tiaras
• Globalization: Sociology and American Television Shows
• Does Watching Violent TV Shows Affect the Level of Violence in Society?
• What Is Symbolic Interactionism and What Are Its Functions in Modern TV Shows?
• Is the TV Show Gossip Girl Appropriate for a 14-Year-Old?
• Why Shouldn’t Television Shows Be Allowed to Use Obscene Language?
• How Does the Animated Television Show the Simpsons Affect Children?
• What Is the Role and Significance of Music in a TV Show?
• Is the Television Talk Show Industry a Positive or Negative Social Phenomenon?
• What Is the Social and Emotional State of Good TV Shows?
• Are the Simpsons One of the Greatest Animated Shows in TV History?
• What Lessons Do the Television Show “Friends” Teach Viewers?
• Is Breaking Bad the Greatest TV Show of All Time?
• Why Do Viewers Love the TV Show “Prison Break”?
• How Do Media Movies and TV Shows Affect New York?
• What Is the Value of Reality Shows About Teenage Pregnancy?
• Is the Simpsons Television Show a Pop Culture Icon?
• What Are the Pros and Cons of Popular TV Shows and Media?
• How Do Disney Movies and TV Shows Affect Women’s Perceptions of Love and Life?
• What Is the Influence of the Television Show the Simpsons on Pop Culture?
• Is There a Need for More Educational Shows on Television?
• Why Should Hollywood Provide Family-Oriented TV Shows?
• Should the Government Control What Is Shown on TV Shows?
• What Are the Good and Bad Points of the TV Show Family Guy?
• Is There Reality in Reality TV Shows?
• What Influences the Voting Pattern in Reality Shows?
• How Are Race, Sex, and Gender Represented in the American Television Show Grey’s Anatomy?
• Why Do Television Shows Attract Audiences?
• Is It Not a Crime to Download Movies and Series?
• What TV Shows Accurately Reflect American Culture?
• Are Fantasy Books, Movies, and TV Shows Damaging to the Developing Adolescent Mind and Personality?
• What Are the Reasons for the Popularity of Reality TV Shows?
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IvyPanda . 2023. "130 TV Show Essay Topic Ideas & Examples." October 26, 2023. https://ivypanda.com/essays/topic/tv-show-essay-topics/.

1. IvyPanda . "130 TV Show Essay Topic Ideas & Examples." October 26, 2023. https://ivypanda.com/essays/topic/tv-show-essay-topics/.

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IvyPanda . "130 TV Show Essay Topic Ideas & Examples." October 26, 2023. https://ivypanda.com/essays/topic/tv-show-essay-topics/.

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126 TV Show Essay Topic Ideas & Examples

Inside This Article

Are you struggling to come up with a topic for your TV show essay? Look no further! We have compiled a list of 126 TV show essay topic ideas and examples to help inspire your writing. From analyzing character development to discussing social themes, there is a wide range of topics to choose from. Whether you are a fan of drama, comedy, or reality TV, there is something for everyone on this list. So grab your popcorn and get ready to dive into the world of television!

• Analyze the character development of Walter White in Breaking Bad.
• Discuss the representation of mental illness in the TV show Crazy Ex-Girlfriend.
• Explore the theme of power dynamics in Game of Thrones.
• Compare and contrast the relationships between the characters in Friends and How I Met Your Mother.
• Examine the role of technology in Black Mirror.
• Discuss the portrayal of race and ethnicity in Orange is the New Black.
• Analyze the impact of social media on reality TV shows like The Bachelor.
• Explore the theme of family in The Simpsons.
• Discuss the representation of gender in The Marvelous Mrs. Maisel.
• Analyze the use of flashbacks in Lost.
• Compare and contrast the different seasons of American Horror Story.
• Discuss the role of religion in The Handmaid's Tale.
• Explore the theme of identity in The Good Place.
• Analyze the role of humor in The Office.
• Discuss the representation of LGBTQ+ characters in Modern Family.
• Explore the theme of survival in The Walking Dead.
• Analyze the use of music in Glee.
• Discuss the portrayal of mental health in BoJack Horseman.
• Compare and contrast the different generations of Doctor Who.
• Analyze the role of politics in House of Cards.
• Discuss the representation of women in Sex and the City.
• Explore the theme of friendship in Brooklyn Nine-Nine.
• Analyze the use of symbolism in Twin Peaks.
• Discuss the portrayal of addiction in Shameless.
• Compare and contrast the different timelines in Westworld.
• Analyze the role of nostalgia in Stranger Things.
• Discuss the representation of disabilities in Breaking Bad.
• Explore the theme of morality in The Good Place.
• Analyze the use of animation in Rick and Morty.
• Discuss the portrayal of class in Downton Abbey.
• Compare and contrast the different settings in Game of Thrones.
• Analyze the role of technology in Black Mirror.
• Discuss the representation of race and ethnicity in Orange is the New Black.
• Discuss the portrayal of gender in The Marvelous Mrs. Maisel.

With so many TV show essay topic ideas to choose from, you are sure to find the perfect topic for your next paper. Whether you are interested in analyzing character development, exploring social themes, or discussing the impact of technology, there is something for everyone on this list. So grab your remote, turn on your favorite show, and start brainstorming your next TV show essay topic!

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64 TV Show Essay Topics

🏆 best essay topics on tv show, 🌶️ hot tv show essay topics, 🎓 most interesting tv show research titles, 💡 simple tv show essay ideas.

• Why Reality Shows are So Popular?
• Classification of Television Programs
• Impact of Reality Shows on Youth: Essay Sample
• Reality Music Television Shows
• Life in the 1950S through the Lens of a TV Show: “Leave It to Beaver”
• Behavior Analysis in “The Office” TV Show
• Government Must Control TV Shows Contents
• Genderlect in the TV Show Parks and Recreation The term genderlect refers to the different styles of communication that men and women have. It is a kind of language dialect that is shaped by the sex of an individual
• Intercultural Communication in TV Shows The paper discusses filmmaking that used various television series and movies to examine the question of intercultural communication.
• Gender Display in TV Shows, Movies and News From the television to the movies going to the news, men have always been at the forefront, eventually overshadowing women in the media industry.
• Discussion of Satire in “The Boys” TV Show The satire that is going to be analyzed and discussed is from the TV show “The Boys” where superheroes indeed exist, but they behave more like celebrities than classic heroes.
• Complex Technology in Reality TV Shows We have reality shows with everything from finding the best stand-up comic, to facing our biggest phobias. Reality shows are a way of life for the television viewer of this era.
• Primetime TV Shows and Gender Portrayals TV shows and advertising use gender portrayal for the purpose of direct influence on the target audience; the reasons for such situation depend on the strategies of commercials’ promotion and development.
• The Bachelor, a Widely Popular Reality TV Show The Bachelor is a widely popular reality TV show revolving around a single bachelor who is presented with a pool of potential romantic interests.
• “CSI: Web Adventures the Experience” Simulation TV Show Analysis CSI simulator provides a good insight into the work of a forensic examination. The process can be improved in several aspects.
• TV Shows: Depiction of Criminal Investigation What people see in the TV shows regarding a criminal investigation can encourage them to engage in crime-solving activities.
• “The Baker and the Beauty”: A Failed Television Show The TV show “The Baker and the Beauty” received quite favorable reviews and had rather high ratings. At the same time, it has the lowest rating among ABC products.
• Latinxs’ Image in the “Dynasty” TV Show This paper examines the TV show “Dynasty” and Latinx’s image as a significant part of the demographic that is mainly stereotyped on screen.
• TV Shows: “Transcendent” and “Queer Eye for the Straight Guy” Transcendent represents almost all the racial and cultural groups focusing on transgender people, Queer Eye for the Straight Guy cast dominantly white actors.
• An Idea of a Television Show Overview An Idea of a Television Show: New York, four people, four different lives: recent graduate rented together with one apartment and became friends despite various backgrounds.
• Computer Software Development and Reality Shows Computer software development has grown at such a rapid pace over the past decade that it have invaded every aspect of our lives and ever fiber of our being.
• Black-ish TV Show and Recommendations Black-ish is an American TV show about an upper-middle-class black family living in a predominantly white community. Black-ish includes some stereotypes and generalizations.
• Legal System in the “To Catch a Predator” TV Show This paper pays attention to the show To Catch a Predator and its impact on the way of how people understand various legal issues and practices.
• TV Show: Cooking Network In her project, Swenson reviewed Cooking Network for the purpose of studying the portrayal of gender roles that are changing rapidly in the modern society in relation to consumption and television.
• Effects of TV Crime Shows on the Behavioral Development of Children
• How Race, Sexes, and Gender Are Represented in the American TV Show “Grey’s Anatomy”
• Evaluation of Oprah Winfrey Channel TV Show
• The 100 Greatest TV Shows of All Time
• What Should Happen to Old Movies and TV Shows That Contain Racist, Sexist, or Homophobic Content?
• Difference Between Television and Television Show
• The Objectification, Sexualization, and Utilization of Children in the Reality TV Show “Toddlers & Tiaras”
• What Happens to Your Brain When You Binge-Watch TV Shows?
• Gender Oppression in Hollywood TV Shows From the 2000s to Present
• How the Animated Television Show “The Simpsons” Affects Children?
• 11 Reasons You Should Stop Watching TV Shows Now
• How Reality TV Show Has Changed Since “Real World”
• The Reasons Why the Popular TV Show “That’s So Raven” is Worth Watching
• Just Entertainment: Effects of TV Series About Intrigue on Young Adults
• Budgetary Law and Lawmaking in the Television Show “Parks and Recreation”
• The Best Television Show From My Grandfather
• Everybody Loves Raymond: The Gender Roles Played Out in the Television Show
• How Much Does Weight Affect a Television Show?
• “I’ll Be There for You” if You Are Just Like Me: An Analysis of Hegemonic Social Structures in TV Show “Friends”
• Why Rewatching Your Favorite TV Show Is Good for You?
• What to Do When Your Favorite TV Shows Trigger Anxiety?
• Strategies and Clues and My Thoughts About a Non-English Language Television Show
• The Good and Bad Effects of TV Shows on Children
• How to Create a TV Show?
• Television Show “Extreme Makeover” From a Sociological Perspective
• TV Shows’ Impact on American Society and Culture
• What Makes “Industry” the Most Thrilling TV Show?
• The Effects of The Simpsons Television Show on POP Culture
• How TV Shows Impact Society?
• 7 Ways Television Has Changed the World
• Understanding Emerging Adults’ Consumption of TV Shows in the Digital Age
• What Is the Effect of TV Shows on Young Children?
• “Powerpuff Girls” TV Show: Fighting Evil Gender Messages or Postmodern Paradox?
• The Role and Importance of Music in a Television Show
• 3 Ways to Make Your TV Show
• The Best TV Shows to Learn English
• Children’s TV Show: A Content Analysis of Communication Intent in “Arthur and Rugrats”
• Why TV Shows Are Popular Among Students?
• You Are What You Watch? The Social Effects of TV Shows
• How TV Shows Influence Human Behavior?

Cite this post

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StudyCorgi. (2022, October 26). 64 TV Show Essay Topics. https://studycorgi.com/ideas/tv-show-essay-topics/

"64 TV Show Essay Topics." StudyCorgi , 26 Oct. 2022, studycorgi.com/ideas/tv-show-essay-topics/.

StudyCorgi . (2022) '64 TV Show Essay Topics'. 26 October.

1. StudyCorgi . "64 TV Show Essay Topics." October 26, 2022. https://studycorgi.com/ideas/tv-show-essay-topics/.

Bibliography

StudyCorgi . "64 TV Show Essay Topics." October 26, 2022. https://studycorgi.com/ideas/tv-show-essay-topics/.

StudyCorgi . 2022. "64 TV Show Essay Topics." October 26, 2022. https://studycorgi.com/ideas/tv-show-essay-topics/.

These essay examples and topics on TV Show were carefully selected by the StudyCorgi editorial team. They meet our highest standards in terms of grammar, punctuation, style, and fact accuracy. Please ensure you properly reference the materials if you’re using them to write your assignment.

This essay topic collection was updated on December 27, 2023 .

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How to Write a TV Show Title in an Essay: In APA, MLA, and more

Writing TV Show Title in Different Formats

Precision and adherence to formatting styles are paramount in the academic writing arena. One often overlooked aspect is how to write a TV show title within an essay while following specific style guidelines, such as APA, MLA, and more. 

Mostly, this guide will illuminate the importance of proper formatting and how to incorporate captivating TV show titles into your essays seamlessly. It ensures your writing is academically sound and engaging for your readers.

Now, let’s dive into the nuances of formatting TV show titles in different styles, ensuring your essays shine clearly and professionally.

Basic Rules for TV Show Title Formatting

1. capitalization rules.

Regardless of the formatting style (APA, MLA, etc.), always capitalize the first and last words of the TV show title. For example, in the title “Breaking Bad,” both “Breaking” and “Bad” would be capitalized.

Major words within the TV show title should also be capitalized. These include nouns, verbs, adjectives, and adverbs. In “Game of Thrones,” “Game” and “Thrones” are major words and should be capitalized.

In most formatting styles, small words like conjunctions (e.g., “and,” “or”), prepositions (e.g., “in,” “on”), and articles (e.g., “the,” “a”) are not capitalized unless they are the first or last words of the title. For example, “The Office” follows this rule.

2. Use of Italics

Using italics correctly for TV show titles in your essays is crucial to distinguish them from the rest of the text. Here’s when and how to use italics:

When to Use Italics:

• Total Titles:  Italicize the full title of a TV show when mentioned in your essay. For example, “Friends” should be written as Friends.
• Episode Titles:  Italicize individual episode titles when discussing specific episodes within the TV show. For example, “The One with the Prom Video” from Friends.
• Series Names:  When you refer to the name of the TV series as a whole, it should also be italicized. For example, “The overarching storyline in Game of Thrones is captivating.”
• Titles within Titles:  If a TV show title appears within the title of another work, italicize both. For example, “The Simpsons parody in Family Guy was hilarious.”

3. Using Quotation Marks

Quotation marks are used for specific instances when referencing TV show titles in your essays. So, when do you use quotation marks? 

Episode Titles: Use double quotation marks to enclose the titles of individual TV show episodes, like “The One with the Prom Video” from “Friends.”

If a character within a TV show quotes something or if you’re discussing dialogue from the show, use single quotation marks inside double quotation marks.

4. Punctuation and TV Show Titles

When it comes to punctuation and TV show titles in your essays, it’s essential to handle them correctly for clarity and consistency:

Punctuation marks that are part of the TV show’s title should be included. For example, “Grey’s Anatomy.”

When using a TV show title at the end of a sentence, the ending punctuation (such as a period or comma) comes after the title. For instance, “I enjoy watching ‘Breaking Bad’.”

Special characters and symbols within TV show titles should be retained as they appear in the original title.

For example, “Law & Order: SVU” should be written exactly as shown, including the ampersand (&).

Tips when Incorporating TV Show Titles in Essay Text

Proper integration.

Properly integrating TV show titles into your essay is essential for a seamless and grammatically correct presentation. To achieve this:

Introduce the title with a clear context, such as “In the popular TV show ‘Breaking Bad,’…”

Ensure that the title is grammatically integrated into your sentence structure. For example, “The characters of ‘Friends’ exhibit various personality traits.”

Verb Tense and TV Show Titles

Matching verb tense with the timing of TV show titles is essential to maintain consistency and clarity in your writing:

Use the present tense when discussing events or actions in the TV show. For example, “In ‘The Office,’ Jim pranks Dwight.”

Use the past tense when referring to events or actions within the show. For instance, “In the last episode of ‘Breaking Bad,’ Walter White faced a crucial decision.”

Citing TV Shows in Different Citation Styles

Structure of the citation:  In an MLA citation , include the TV show’s title in italics, the season and episode number (if applicable), the director’s name, the production company, and the broadcast year. For example: “Breaking Bad, created by Vince Gilligan, AMC, 2008-2013.”

In-text citations:  In MLA, parenthetical in-text citations should include the title of the episode or TV show in quotation marks. 

Citing TV shows in APA style: In APA, reference TV shows as part of the broader category of audiovisual materials. Include the title in italics, the production company, and the year. For example: “The Crown, Left Bank Pictures, 2016-present.”

Including TV show titles in the reference list: In your reference list, TV show titles should be italicized, and the format should follow APA guidelines for audiovisual materials.

Chicago Style

In Chicago style, you can use footnotes or endnotes to cite TV shows. Include the title in italics, the episode title (if applicable), the production company, and the year. In your bibliography, list the TV show similarly.

Common Mistakes to Avoid when Writing Film Titles

When writing film titles, there are common mistakes that writers should avoid to maintain clarity and accuracy in their work:

Incorrect Capitalization

One of the most prevalent errors is failing to capitalize words appropriately within film titles. Writers may capitalize minor words like prepositions or articles when they should not be.

For example, writing “The Lord of The Rings” instead of “The Lord of the Rings” is a common mistake.

Misuse of Italics or Quotation Marks

It is essential to use either italics or quotation marks consistently, depending on your style guide. Mixing them or omitting them altogether can lead to confusion.

For instance, writing “Harry Potter and the Prisoner of Azkaban” instead of “Harry Potter and the Prisoner of Azkaban” or “Harry Potter and the Prisoner of Azkaban” is incorrect.

Inconsistent Formatting

Ensuring uniformity in formatting is crucial. Writers sometimes use different styles for the same film title throughout their work, which can be distracting. Consistency is key.

Ignoring Special Characters

Some films include special characters or symbols in their titles, such as “&” or “-” (“Men in Black” or “Spider-Man”). Neglecting these characters can result in inaccuracies.

Omitting Necessary Details

Failing to provide additional details like release years or directors for clarity can be a mistake. For example, “The Matrix” could refer to the original 1999 film or its sequels.

Improper Punctuation

Please place punctuation marks within film titles, such as commas or colons, to avoid misunderstandings. Writers should follow the proper punctuation rules for titles.

Incomplete Titles

Abbreviating film titles without clear context can confuse readers. For example, “The Empire Strikes Back” should not be shortened to “Empire Strikes Back” without proper introduction.

Understanding how to format and integrate TV show titles in your essays is vital for precise and consistent writing. Proper capitalization, italics or quotation marks, verb tense, and citation styles are crucial.

Avoiding common mistakes, such as inconsistent formatting or ignoring special characters, ensures accuracy.

As you navigate the world of TV show titles in academic writing, remember to adhere to the style guide you use, whether it’s MLA, APA, or Chicago.

You not only maintain academic integrity but also enhance the readability and professionalism of your essays. So, use TV show titles effectively to elevate the quality of your academic work.

Josh Jasen or JJ as we fondly call him, is a senior academic editor at Grade Bees in charge of the writing department. When not managing complex essays and academic writing tasks, Josh is busy advising students on how to pass assignments. In his spare time, he loves playing football or walking with his dog around the park.

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Blog • Perfecting your Craft

Posted on Mar 22, 2017

Netflix & Write: 8 Shows That Will Make You a Better Novelist

Reedsy editor and novelist Andrew Lowe highlights an excellent way to improve your writing craft without the need to read a word or skip a YouTube ad. You’ve probably already absorbed it without even knowing.

I’ll bet you have stacks of writing-advice books stashed away, unopened, on your Kindle, as well as reams of writing-advice features bookmarked in your browser or read-later apps. While you should absolutely adopt a learning mindset when it comes to becoming a better novelist , don’t forget that you can immerse yourself in a fine source of writing advice that’s probably already sitting right there on your TV, laptop, tablet and phone: streaming TV shows.

Unlike feature films, which have to accelerate character development and struggle, streaming shows need to pace themselves — gradually cranking up the heat, seeding recurring themes, applying subtle shifts and teases. Their job is to introduce — and market — a concept, then grow it over a pre-set period, keeping the consumer compelled and invested.

Like a novel.

So go ahead. Put on your 'critical thinking hat,' and catch up on eight shows that will teach you pretty much everything you need to know about characters, pacing, thematic development, and more! (Warning: major spoilers ahead!)

On starting a story — Better Call Saul

Thriller writers will be aware of the need to start a story with a bang : a Bond movie-style pre-credits action sequence, or an intense prologue that serves as an entry point to spike a reader’s attention before getting down to the initial, usually more sedate, stirrings of the narrative. Better Call Saul is even bolder.

The opening sequence of Series One shows a monochrome flash-forward with the character Breaking Bad fans recognize as sleazy-smart lawyer Saul Goodman, toiling in a branch of Cinnabon. His hair has thinned, and he seems limp and downtrodden as he prepares the gloopy mixture and locks up to head home for an evening with Mr. Jack Daniels. After the credits roll, we zoom back to the pre-glory days, with the nascent ‘Saul’ — Jimmy McGill — working his way up from the mailroom at an eminent law firm.

Showrunner Vince Gilligan poses a powerful question: how does it all go wrong? Since the show is a spin-off, and most viewers will be aware of the character’s eventual association with high-powered drug cartels, we’re being told to strap in for a serious fall-from-grace story. (Which can be just as compelling as a rise-to-power.)

In your writing, there are multiple techniques to grab a reader’s attention from the first page . Better Call Saul is a great example — particularly for series writers with characters who are already established — of how you can present a future ‘spoiler’ as a twisted sort of punchline , and then construct your story around the telling of the joke.

Where to watch? Netflix

On how to build suspense — The OA

A former tutor once gave me a great tip that applies to writing: don’t give away all your sweets at the start.

You need to engage your reader and get things moving early on, but if you reveal too much, too soon, you will struggle to maintain interest. Leave room to bring in side-themes, callbacks, reveals, reinforcements. You need to create a sense that more will be revealed and that it’s worth waiting for.

In The OA, the writers open the story with the sudden reappearance of an adopted young woman, Prairie, who has been missing for seven years. Though her blindness appears to have been cured, she has strange scars on her back, and she insists on calling herself “The OA”.

The show takes two hour-long episodes to examine Prairie’s family and her local connections. It then reveals how a near-death experience as a child led to her being captured and studied by an obsessive recluse bent on discovering the secret to immortality.

Those two hours are crucial in building the culture of the show and drawing the viewer into Prairie’s story. We begin the third hour almost overloaded with questions. Is she telling the truth? Why has she returned now? What has happened to the recluse’s other subjects? How did she get away? And, of course, is all of this true or is she just crazy?

Resist the urge to offer up too many answers in the initial part of your narrative . Mystery, wanting to know what happens next, second-guessing based on little teases and detail… It’s what keeps the reader turning the pages. Don’t worry about ‘losing’ them by not giving enough away. If you seed your early intrigue with care and craft, the reader will stay with you. It’s more powerful to place a question in their mind than it is to gratify them with an answer. Hold on to those sweets.

On creating interesting, relatable characters — Fargo

We all know that classic cardinal rule of storytelling: make me care. But there’s a myth that readers have to “like” a character in order to be engaged in what happens to them. All you really need to do is to make the character real, authentic, believable, human ; someone who looks, talks and acts like a relatable person; someone with all-too-typical human doubts, frailties, impulses; someone who doesn’t always make the “right” decision and is often forced to improvise. If you can get that right, then your reader will root for the character and be engaged with your story, because they will recognize little bits of themselves.

The underdog is a timeless character concept because all the readers not born into a life of easy privilege (i.e. most of them) will feel an instant personal connection to a story of survival against the odds.

In the second series of Fargo , beautician Peggy and her butcher husband Ed try to cover up their hit-and-run killing of a crime family’s youngest son. The writers portray Peggy and Ed as an average blue-collar couple swept into a vortex of gang warfare and in-fighting. They’re (relative) innocents who are bullied and hunted and brutalized, and when their fight-back finally comes, it’s loaded with righteous rage that will have every viewer cheering them on.

When you’re planning a piece of writing, pay close attention to your characters’ journeys (economic, social, emotional, romantic). Generally, the further the character has to travel, the more powerful the connection with the reader will be. If you can take a character from the lowest low to the highest high across the course of a novel , then you’ll have something almost fable-like in its universal appeal to empathy. (See Rocky, Slumdog Millionaire, even  Scarface .) This is also the reason why Die Hard is such a feel-good Christmas classic. (Ordinary guy trying to reconnect with his estranged wife becomes an overnight hero.)

Where to watch?  Hulu (US), Netflix (UK)

On character development — Breaking Bad, Designated Survivor, The Girlfriend Experience

We’re all works in progress, being molded and remolded by our choices and experiences. By the time your novel comes to its conclusion, your characters will feel more authentic if they’ve developed or diminished as a result of the story you’ve just told. The transformation can be radical or subtle, but the reader should not leave the characters as they found them.

Maybe they start the novel believing one thing, and the events shift them to the other end of the scale: from obedient automaton to wild-eyed advocate of free-thinking. (In Nineteen Eighty-Four, Winston Smith moves from one end of the scale to the other, and then back again.)

Maybe the story is all about them wanting something and having trouble getting it — and then, when they get it, their outlook has changed so much they’ve realized they don’t want it anymore. (This is what happens in Pixar’s Cars . Lightning McQueen starts the film thinking that life is all about being the fastest, the best. But by the end, he’s realized that slowing down and being connected to friends is more important.)

The effect of character change can be so satisfying, it’s possible to make it the subject of the entire story.

A familiar theme of transformation is often the shift towards more control. In Designated Survivor, Kiefer Sutherland’s Tom Kirkman moves from the powerless post of Secretary of Housing to the all-powerful POTUS. In The Girlfriend Experience, Riley Keough’s Christine transforms from a dead-eyed, bullied legal intern into a formidable high-class escort who, in the extraordinary final episode, becomes the puppet-master of a complex power play.

In Breaking Bad, high-school chemistry teacher Walter White (Bryan Cranston) transforms from nebbishy suburban dad in slacks to his badass alias, ‘Heisenberg’ — a brutal and venal meth kingpin, smiting his enemies with a remote-controlled machine-gun. The writers even found time to build in dialogue telegraphing the Breaking Bad character change, right there in Episode One, when Walter is teaching a class.

“Chemistry is the study of change. It is growth, then decay, then transformation.”

The trick is to manage the change, so it feels plausible and woven into the fabric of the story. Make it slow and subtle and deliberate and, crucially, close to the key theme or through-line. Walter White’s change is satisfying because of the way his morality is eroded by his situation. At the start, he justifies his behavior as something he has to do to provide for his family. But by the end, he freely admits that he did it all because he “liked it,” and the character has done more than just change in behavior and outlook; he has mirrored his academic discipline and alchemized from one state to another.

Where to watch? The Girlfriend Experience: Starz (US), NowTV (UK); Designated Survivor: Hulu (US), Netflix (UK);  Breaking Bad:  Netflix

On choosing your setting — Bloodline

Think of your novel’s geographical setting as a character , and you’ll realize you can do a lot more than just use the locations as a static backdrop. Incorporate the subtleties of the geography as a direct influence on your characters’ behavior, or as a way for them to achieve their goals, good or bad.

Bloodline explores the murky secrets of a dysfunctional family after they gather for an anniversary celebration at their seaside hotel in the Florida Keys. The idyllic tropical setting is an ideal contrast to the family’s interpersonal fault lines: a blissful natural exterior to offset the corrosive psychological interior. The oppressive heat mirrors the family’s simmering grudges, the isolated location ramps up the tension and enhances the horror of the violence, and of course, the local swamps are ideal metaphors for those hidden motives and long-concealed secrets.

If Bloodline were set in some out-of-town country hotel, in a mild climate and with good connections to nearby civilization, it would still be possible to tell the story, but the storytelling tools would be blunted, and the effect would be half as rich.

On finding your theme — Stranger Things

There are two questions non-writers will often ask writers.

• Where do you get your ideas from?
• What’s it about?

(1) varies from writer to writer, but if you can’t answer (2) with something solid and succinct, there’s a chance that your novel needs restructuring or simplifying .

As Stuart Horwitz puts it in his excellent Book Architecture (one of the writing-advice books you should definitely read), “A book can only be about one thing.” It can be about lots of individual struggles, but they should all orbit a single underlying theme.

It will enhance your story if the key characters all want different versions of the same thing, or if their change or development is influenced by a unifying theme. You don’t want characters to feel like ciphers; window-dressing for the story. You want them to be an integral part of the way the story functions. The way to do this is to be absolutely clear about your theme. You need to be able to answer that second question with total confidence; ideally, in the fewest possible words.

In the Duffer Brothers’ Stranger Things, they’ve boiled their theme down to a single four-letter word: loss. Joyce is a mother who’s lost her son, Will. Jim is a police officer who’s lost his daughter to cancer. Eleven is a young girl who’s lost her childhood. Mike, Dustin, and Lucas have lost a friend. Jonathan Byers has lost his younger brother and his father.

All the characters are pulling in the same direction, and so all the writers have to do is examine their differing motivations as the characters set about finding the things they’ve lost or achieving some kind of related redemption. If you can set your story around a potent central theme, then it will go a long way towards making your characters believable, your story multilayered and — a big bonus, this — because of the clear focus, that dreaded synopsis will be a lot easier to write.

Or if you want to read some of the books that inspired the series, check out our quintessential Stranger Things book list here !

Andrew Lowe is one of our top copy-editors on Reedsy, and you can visit his profile here. His novels The Ghost and Savages  are  available now.

What have you learned about writing by watching your own favorite TV series? Share your thoughts in the comments below, but be warned once more: there will be spoilers.

5 responses

Ginger Monette says:

23/03/2017 – 17:01

I write romance, and I often find inspiration for scenes and characters in TV series and movies. Last week I binged watched the Turkish drama Kurt Seyit and Sura on Netflix. The lead male was beyond outstanding. His every mannerism, facial expression, and tone of voice further supported his character's persona. Turns out he has the perfect personality for a novel I've been daydreaming about. Now that I have a 'real person' in mind (whom I observed for 46 episodes), I can imagine this character, his mannerisms, etc, as I weave him into my own story.

↪️ Ronel van Tonder replied:

12/01/2018 – 15:14

I do this often - use a person from a show I've watched as a template for my character. Luckily, by the fourth or fifth chapter they've already evolved into their own person, but it's such a great start!

Megan Saunders says:

23/03/2017 – 17:16

Personally, I love the character development over one of my favorite shows, CSI: Miami, particularly in the case of Horatio Caine. While his overall personality as a CSI changes only slightly in the first couple of seasons, we do see slight changes in the way he interacts with his family - his sister-in-law, his nephew, and (spoilers) his brother. All of these things subtly influence the way he handles his job - slowly making him harder. Things really ramp up in season 4, when the creators introduced a romantic angle for him - one that was short lived and ended in tragedy, but from that point on, we see him go to some very, very dark places and the change is striking and compelling. On the surface, very little changes for him - he remains soft spoken, gentle when interacting with children and women, and intensely devoted to his job. But the way he deals with the criminals he interacts with goes to a new level each time the creators hit him with a sucker punch in terms of his personal life and his interactions with his co-workers and subordinates.

Evelyn L Morgan says:

25/03/2017 – 02:20

I really liked this piece. Some of these shows are my special favorites. I also like to watch with closed captioning because I also write screenplays and that really helps me hone my own dialogue.

Kristen Steele says:

11/04/2017 – 15:00

In my opinion, Breaking Bad is one of the best stories (not just TV shows) of all time. Writers can certainly learn a lot about character development and how to move a plot forward from watching this show.

Comments are currently closed.

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• Essay Database >
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• Essay on Women

Example Of Reality TV Shows Essay

Type of paper: Essay

Topic: Women , Time , Color , Reality , Life , Water , Family , Literature

Words: 1100

Published: 08/04/2021

ORDER PAPER LIKE THIS

Write an intricate, confessional, or embarrassing essay

Introduction

Today, there is an obsession with reality and this is reflected in the great number of TV shows and series such as Survivor, The Apprentice, Hell’s Kitchen, Shark Yank etc. The success of these “reality” shows goes to show that life is made up of different components and is not a neat narrative as previously implied in conventional novels and fiction stories. This is captured by the statement: "As a work gets more autobiographical, more intricate, more confessional, more embarrassing, it breaks into fragments" (Shield 308). This statement is true because people are bored with the ordered fiction stories and TV shows, which do not reflect what truly happens in day to day life. This paper critically examines this statement and provides an example of an embarrassing essay to illustrate the meaning of: "As a work gets more autobiographical, more intricate, more confessional, more embarrassing, it breaks into fragments."

Real stories, which are intimate, confessional or embarrassing, carry different elements and ideas which lend themselves to various interpretations. They do not consist of a series of events leading up to one great revelation, but are a series of interestingly disparate and divergent revelations in themselves. This is because life is not prepackaged along narrative lines, which are always strictly followed but it consists of many points of diversion. This means that a confessional, embarrassing and intricate story presents the truth about life in a better manner than a reported fictional story presenting imaginations of what life is about. This is true because of the very nature of difference in characters between individuals, which is expressed in different reactions to different situations. Life is not a coherent, measurable whole which concludes in a major single revelation but it comes in bits and pieces which change characters, decisions and outcomes. This fact is illustrated through the following confessional story. I am sitting on my front porch thinking about what will be happening later today: I will be taking my five year old son and seven year old daughter for a swim. I can’t help but feel a sense of apprehension at the thought of having to see them attempt something I never quite became used to. More worrying to me is the likelihood of one of them failing or drowning. I have never quite known how to swim. I can float for thirty seconds but after that I just sink slowly to the cold floor of the pool. I have been to schools where swimming was taught but no. I remember our teacher in school shouting “move your legs! Move your legs!” as my classmates and I clung onto the rails of the swimming pool and oscillated our feet at the surface of the water. It was a great lesson on how to move on the water and attempt to float. The previous teacher, Mr. Smith had drowned in this very pool just a month to this lesson. That, coupled with my fear of large masses of water became a great impediment to my learning.

Here comes my son now. He is looking excited as he runs around the porch barefoot. He reminds me of myself, learning new things, feeling new textures for the first time and tasting new things: soil, grass, butterflies and even unmentionable stuff. He is wearing a flowered shirt and green shorts. The shirt looks a bit inappropriate I think it has a large marijuana leaf at the back. Something a hippy might wear. He is a naughty one, this one, always breaking things. But aren’t all boys? My daughter is more mannered. How could I have fathered such a composed and mature creature? She is asking me what time we shall be leaving the house and whether we should carry lunch money. We are getting closer and closer to the dreaded moment but I find solace in the little things I am currently experiencing. My wife Carol is in the kitchen putting together sandwiches for everyone. We have been married for thirteen years. Yes, I know. I also get surprised together with those people I tell this. She is a wonderful wife and her cooking is always delectable. Maybe it is responsible for my ever expanding gut but hey! I am not complaining. Her favorite color is blue and this can be seen all over the house and in her car. It reminds me of the ocean and Oh! It reminds me that soon, I will be taking my children out for a swim.

More importantly, it reminds me that cannot swim. She will not be coming to our little get away but how I wish she would. She is an excellent swimmer. She swam competitively in college and even has a few trophies on the mantelpiece. 17-nil is how I like to think of her achievements in comparison to mine. This is a little bit harsh but it is the reality I have to try and avoid every day. Remembering this gives me a bad feeling in the stomach. Don’t get me wrong, I love her to the moon and back. However, her achievements and her favorite color remind me of my failures and numerous “miss-hits” I almost became a doctor; I almost bought a Ferrari in college; I almost became rich but sold my shares too early; I almost became drafted to the NBA; I almost learnt how to swim. I cannot swim.

Life is made up of different splinters of, which do not necessarily lead to a big revelation. The more biographical, intricate and confessional a work becomes, it splinters. Life is not ordered or structured along narrative lines which must be strictly followed. This means that the different constituent happenings in life affect decisions, directions and outcomes. This is reflected in the confessional story above where different reflections and memories lead to fragments of ideas and plot. Different events are interwoven into each other rather than being one continuous stream of happenings. This should be considered in various shows and literary works to avoid the “unreal” unidirectional narrative type of work.

Shields, David. Reality hunger: a manifesto. New York: Alfred A. Knopf, 2010. Print.

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Stephen King loves 'Baby Reindeer' so much he's written an essay about it

Stephen King often recommends shows he likes on X (formerly Twitter), but it's not often he writes a whole essay about them.

That's exactly what the horror master has done for Baby Reindeer , Richard Gadd's limited Netflix series based on his own experience of being stalked.

"I have an essay about BABY REINDEER in the London Times," posted King. "I can’t believe they paid me for writing about such a cool show, but they did."

The essay sees King talking about how he discovered Baby Reindeer , which he goes on to compare and contrast with his own novel Misery .

"Unlike most streaming series’ episodes, which can feel bloated at 50 minutes — or even longer — the episodes of Baby Reindeer , each about 30 minutes, are like short, swift stabs administered by a very sharp knife," King writes.

The essay is essentially a very positive review, with King even saying that the penultimate episode is "one of the best things I’ve ever seen on television (or in the movies, for that matter)."

The show already has a very high score on Rotten Tomatoes and a large viewership — but a glowing essay from one of the world's most successful writers isn't something you get every day.

How to watch: Baby Reindeer is now streaming on Netflix .

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Home — Essay Samples — Information Science and Technology — Effects of Watching too much TV — Disadvantages of Reality TV Shows

Disadvantages of Reality Tv Shows

• Categories: Effects of Watching too much TV

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Words: 686 |

Published: Aug 24, 2023

Words: 686 | Pages: 2 | 4 min read

Table of contents

Disadvantages of reality tv shows: a critical examination, perpetuation of stereotypes and negative behaviors, impact on participants' mental and emotional well-being, distorted reality and ethical concerns, diminishing value of authentic content, conclusion: a need for critical examination.

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‘Guilt’ Review: When the Lights Go Out in Edinburgh

The final season of Scotland’s most notable TV drama, on PBS’s “Masterpiece,” is a suitably twisty and sardonic send-off for the battling McCall brothers.

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By Mike Hale

Contains spoilers for Seasons 1 and 2 of “Guilt.”

“Guilt,” a pioneering series in Scottish television — it was the first drama commissioned by the newly formed BBC Scotland channel in 2019 — has built an audience well beyond its borders. A melancholy tale of family dysfunction presented as a complicated crime thriller, it combines British regionalism with peak TV-style poker-faced comedy in a way that has made it a critical darling around the world.

Created and written by Neil Forsyth, “Guilt” has arrived in dense, lively four-episode bursts; the third and final season has its American premiere on PBS’s “Masterpiece” beginning Sunday. Each installment has been organized around a psycho-philosophical theme: first guilt, then revenge in Season 2, and now, as Forsyth described it in a BBC interview, redemption.

But the pleasure of the show does not come from diagraming its moral lessons (unless that’s your thing), or from unwinding Forsyth’s sometimes maddeningly convoluted plots, which entangle sons and daughters of Edinburgh’s rough-and-tumble Leith district with the city’s gangsters, cops and politicians.

What makes “Guilt” worthwhile is Forsyth’s knack for creating characters who work their way into our affections, less by their actions than by their unconscious, soul-deep responses to life in the grim confines of Leith and the promise of something better in Edinburgh’s more comfortable precincts.

At the center of the web are Max and Jake McCall (Mark Bonnar and the marvelous Jamie Sives), brothers with very little use for each other who become bound in a seemingly endless cycle of lies, danger and recrimination. It begins in the opening minutes of Season 1 when Jake, with Max in the car’s passenger seat, accidentally runs into an old man, killing him. Jake, a gentle soul with an encyclopedic knowledge of pop music (he could have wandered in from a Nick Hornby novel), wants to call the police; Max, a rapacious lawyer with a near-sociopathic lack of empathy, says no.

This is the original sin for which the brothers are still paying. Covering up their hit-and-run homicide embroils them with the Lynches, a married pair of quietly vicious gangsters whom Max and Jake are both on the run from, and scheming to take down, across the show’s three seasons. While the brothers work together for survival, they are also at each other’s throats, taking turns ruefully betraying each other, leading to imprisonment, exile and worse.

Sives brings a natural soulfulness to Jake while also making his cold double crosses of his brother believable; Bonnar is just as capable given the inverse challenge, conveying Max’s venality, vanity and desperation for success (pegged to being abandoned as a child) while also making credible his rare flashes of sympathy.

But even more crucial to the show’s effect are the amusingly vivid characters who surround the brothers: Kenny (Emun Elliott), the formerly alcoholic, surprisingly capable investigator who serves as the show’s wobbly moral center; Stevie (Henry Pettigrew), the hilariously jumpy corrupt cop; Teddy (Greg McHugh), who fully communicates his ability to dispense extreme violence while rarely actually dispensing it; Sheila (Ellie Haddington), the deadpan black widow; and Maggie Lynch, the show’s motherly, ruthless big bad, with Phyllis Logan of “Downton Abbey” playing wonderfully against type.

(Even incidental characters have distinctive moments. In the new season, Anita Vettesse, as the girlfriend of a man who gets thrown from a great height, gets to deliver this memorable couplet: “There’s nobody better at keeping their head down than me. It’s probably my biggest talent, if I’m honest with you.”)

The first season of “Guilt” was a self-contained triumph. It offered a cleverly satirical structure — as Jake and Max’s cover-up rippled out, one character after another found his lot improved, or his aspirations stoked, in confounding ways — and a satisfying ending that sent Jake out of the country and Max, accepting that he had been sold out by his brother, off to prison.

The second season, in which Max was released and pursued his improbable campaign of revenge against the Lynches, was over-plotted and overwritten, full of action-halting speeches about life and Leith. And it suffered from the absence of Jake for more than half the season — Max’s fervor was not nearly as moving or entertaining without his brother there to react to it.

The brothers are together from the start of Season 3, which puts them at the lowest, most perilous point they have reached so far. And it is largely a return to form, a suitable send-off for the battling McCalls. Kenny, Teddy, Stevie and Sheila all return, and join Max, Jake, an honest cop (Isaura Barbé-Brown) and Kenny’s no-nonsense niece (Amelia Isaac Jones), in a coalition of the somewhat willing, to take on Maggie Lynch one last time. Forsyth has fully assimilated the lessons of the Coen brothers and the history of the caper film, and with an ending that lets in more sentiment than the show has previously allowed, he gives Jake and Max slivers of their Scottish dreams.

Mike Hale is a television critic for The Times. He also writes about online video, film and media. More about Mike Hale

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TV Shows Archives for May 2024 (4)

• February 46

A drawn-out finale for Cobra Kai.

The best entertainment of 2024, crunchyroll is about to get a little more expensive, just like all the other streamers, apple tv plus’ presumed innocent crime drama will lay down the law this june..

Episode 1846: The Papers - Thursday May 2nd 2024

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Drew Barrymore tells Kamala Harris that America needs a 'Momala,' draws mixed reactions

Drew Barrymo re's on-screen behavior during her daytime talk show typically has people talking, but her recent comments toward Vice President Kamala Harris are raising eyebrows, too.

During Monday's episode of "The Drew Barrymore Show," the vice president told the actress and TV host about the first time she met first gentleman Doug Emhoff's children, Cole Emhoff and Ella Emhoff .

"We kind of don't use the term 'step' because I just think, Iove Disney, but Disney kind of messed that up for a lot of us over the years, you know the evil stepparent?" Harris said, referring to "the evil stepmother" trope in Disney films. Harris said her children call her "Momala."

Meet Vice President Harris' family: from Doug Emhoff's kids to Phenomenal designer Meena Harris

Later in the conversation about co-parenting, Barrymore pivoted and said "that's a great segue to say that I keep thinking in my head that we all need a mom.

"I've been really thinking we really all need a tremendous hug in the world now, but in our country we need you to be 'Momala' of the country," Barrymore told Harris. She leaned into the vice president, grabbed her hands and delivered a short monologue before telling Harris "we need a great protector."

Drew Barrymore's 'Momala' comments yield mixed reactions

While the audience clapped during the moment, viewers had mixed reactions on social media.

"'Momala' is INSANE. Not it’s up to a black woman to rock us in her bosom and heal our wounds," one commenter added.

"Drew Barrymore really sat 2 inches away from VP Harris' face and asked her to mammy the nation. The look on Harris' face is the look of generational rage, but Kamala sat right there and lapped it up, like the agent of white supremacy she is," another person said.

"I'm gonna leave Drew Barrymore alone. That woman is a survivor. She's quirky, but she's a survivor. She's always been very cool to people. No hate for her at all," one commented said on X, in reference to her traumatic childhood.

"Drew Barrymore is the worst host of any show I've ever seen. She is an embarrassment," one user said on X.

"I usually advocate for Drew’s quirky brand-but this is too far," another user wrote , while another added, "We women are not just automatic maternal figures forever and always."

'Momala is my favorite,' Kamala Harris wrote in 2019 essay

Harris has opened up about being "Momala" before. In a Mother's Day 2019 Instagram post with Cole Emhoff and Ella Emhoff, Harris wrote that " of all the titles I've ever had, Momala is my favorite."

She also shares a close bond with their mother and the first gentleman's ex-wife, film producer Kerstin Emhoff. Harris wrote about their "modern family" and called Kerstin Emhoff "an incredible mother" in a 2019 Elle essay.

"Kerstin and I hit it off ourselves and are dear friends. She and I became a duo of cheerleaders in the bleachers at Ella’s swim meets and basketball games, often to Ella's embarrassment. We sometimes joke that our modern family is almost a little too functional," Harris wrote.

Barrymore has long been open about her traumatic youth as a childhood star.

She was born to actors Jaid and John Drew Barrymore in 1975. The Emmy-nominated actress became emancipated from her parents during her turbulent childhood which included  drug-fueled outings to nightclubs with mother Jaid , a compulsory stint in rehab at age 13 and  a pair of suicide attempts .

Contributing: Edward Segarra

Todd Howard says the Fallout show was so fanatical about detail that 'We were sharing the files right from the games and they were 3D printing things'

"I'm like, 'You didn't even fake the stack of papers!'"

Say what you like about Bethesda ( and I will ), but it's a studio that's great at detail. Both Tamriel and the Wasteland overflow with gewgaws and knick-knacks that add life and colour to their respective worlds, alongside all the obligatory skeletons on toilets. Imagine, then, just how detailed the sets of the Fallout show had to be to surprise ol' Todd Howard himself.

In a chat with Kinda Funny , ​​Howard said that the experience of visiting the set for Amazon's Fallout was "surreal," noting that he "thought there'd be more movie magic, like, 'Eh, they're gonna fake a lot of stuff, a lot of it's gonna be CG,'" before coming face-to-face with the show's Vaults.

"You step in and they've built this two-story Vault, and the lights are all—they're not fake lights… it's incredible attention to detail." Howard says Fallout's production designer Howard Cummings was "meticulous about translating every little thing," to the point that Bethesda was "sharing the files right from the games and they were 3D printing things." The set designers even had to apologise when they couldn't replicate the scale of a hallway one-to-one from the games.

Howard says his favourite example of the show's fanatical obsession with detail (one he's chatted about before ) comes from visiting a Vault Overseer's office. "You sit down and they have all the papers, and they have this note that no one will ever see that's, like, to the Overseer that they had written." Even the paperwork was in order: "You have the stack of papers and you flip it over and they have the power report in the Vault and then, like, the food supply. I'm like, 'You didn't even fake the stack of papers!'"

The detail stretched out beyond the Vault, too. Howard says the Wasteland dentist's office was full of grisly tokens like "the most realistic, gross-looking teeth" in a bucket of assorted odds and ends that probably won't ever be noticed by the audience at home.

The attention to detail is something that the Fallout cast have called out, too. In an interview with GamesRadar , Ella Purnell (who plays protagonist Lucy MacLean) noted that stuff like completed paperwork "allows you to be better at your job because you’re reacting in real time. You’re able to improvise a little" using the detailed props that surround actors in their scenes.

All of which just makes me like the show even more than I already did. And hey, credit to Howard, he doesn't take the show's respect for Fallout as a compliment to himself personally. Howard says he's a "caretaker" for the series, and shouted out the "400 people" currently at Bethesda who help make the games as well as "the developers from the past: Tim Cain, Leonard Boyarsky, all of them at Interplay over the days," and, yes, "the folks at Obsidian," too. I don't know about you, but I'm beginning to think Bethesda doesn't hate Obsidian and New Vegas after all .

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One of Josh's first memories is of playing Quake 2 on the family computer when he was much too young to be doing that, and he's been irreparably game-brained ever since. His writing has been featured in Vice, Fanbyte, and the Financial Times. He'll play pretty much anything, and has written far too much on everything from visual novels to Assassin's Creed. His most profound loves are for CRPGs, immersive sims, and any game whose ambition outstrips its budget. He thinks you're all far too mean about Deus Ex: Invisible War.

That's rad: with 65 million viewers, the Fallout show is Amazon's biggest hit since The Rings of Power

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Lifestyle Trends

12 Signs Your Relationship Is More Like a Reality Show

Posted: May 1, 2024 | Last updated: May 1, 2024

<strong>1. The Confessional Booths Have Nothing on Your Late-Night Text Rants</strong>

Reality TV loves a good confessional booth, but they pale in comparison to the essays you text each other at 2 AM. Whether it’s declaring undying love or arguing over who forgot to buy milk, your text history is a rollercoaster of emotion that producers would kill for.

<strong>2. Rose Ceremonies are Amateur Hour Next to Your Weekly Date Nights</strong>

In reality shows, giving out a rose is the height of romance. In your relationship, it’s deciding where to eat for date night. The tension, the suspense, the sudden twist when someone says, “I don’t mind, you choose.” It’s television gold.

3. Your Fights Could Win Awards for Best Drama

Every reality show has its fair share of arguments, but your spats? They’re on another level. You don’t just argue; you perform. There’s pacing, hand gestures, maybe even a dramatic exit. It’s not just a disagreement; it’s a Broadway show.

<strong>4. The In-Laws are Like Recurring Guest Stars Who Spice Things Up</strong>

Ah, the in-laws. They drop in every few episodes to stir the pot and leave viewers at home clutching their pearls. Your in-laws have the uncanny ability to make every visit an adventure, and by adventure, I mean an exercise in biting your tongue.

Follow us for more of these articles.

<strong>5. Your Pet Names Are More Ridiculous Than Any Reality TV Nickname</strong>

Reality TV contestants have nothing on the absurd pet names you’ve come up with. From “Snookums” to “Boo Bear,” each one is a linguistic masterpiece that deserves its own spin-off series.

<strong>6. The Plot Twists in Your Relationship Rival Soap Operas</strong>

Just when you think everything’s going smoothly, boom, a plot twist. Forgot your anniversary? Plot twist. Accidentally liked your ex’s photo from 2014? Major plot twist. Your life’s scriptwriters are working overtime.

7. Every Outing is a Potential Group Date Episode

Remember those group dates from reality shows where everything goes sideways? That’s basically every outing with your friends. Someone’s always late, someone else forgot their wallet, and there’s always that one couple arguing in the corner.

<strong>8. The Over-the-Top Apologies are Emmy Worthy</strong>

In the world of reality TV, apologies involve grand gestures and maybe a tearful speech. In your relationship, it’s even better. Whether it’s a heartfelt note or a surprise puppy, you’ve raised the bar for apologies.

<strong>9. Your Love Story Has More Seasons Than ‘The Bachelor’</strong>

‘The Bachelor’ has nothing on the longevity of your relationship. You’ve been through more ups and downs than a long-running TV show, and every season (year) adds more depth to your storyline.

<strong>10. The Make-up Sessions are Like Season Finales</strong>

In reality shows, the season finale is where all the drama comes to a head. In your relationship, it’s the make-up sessions. There’s passion, there’s resolution, and there’s the promise of another season.

<strong>11. The Holiday Episodes are Always Extra Special</strong>

Holidays in your relationship are like the special episodes of a show. There’s always something memorable, whether it’s an unforgettable gift or that time you both got food poisoning from the Thanksgiving turkey.

<strong>12. Your Love Life Needs Its Own Spin-Off Series</strong>

Let’s face it, with the amount of drama, romance, and comedy in your relationship, it deserves its own show. It’s got all the ingredients: love, laughter, and just the right amount of craziness.

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