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How to Write a Short Story: The Short Story Checklist

Rosemary Tantra Bensko and Sean Glatch  |  May 7, 2024  |  7 Comments

how to write a short story

The short story is a fiction writer’s laboratory: here is where you can experiment with characters, plots, and ideas without the heavy lifting of writing a novel. Learning how to write a short story is essential to mastering the art of storytelling . With far fewer words to worry about, storytellers can make many more mistakes—and strokes of genius!—through experimentation and the fun of fiction writing.

Nonetheless, the art of writing short stories is not easy to master. How do you tell a complete story in so few words? What does a story need to have in order to be successful? Whether you’re struggling with how to write a short story outline, or how to fully develop a character in so few words, this guide is your starting point.

Famous authors like Virginia Woolf, Haruki Murakami, and Agatha Christie have used the short story form to play with ideas before turning those stories into novels. Whether you want to master the elements of fiction, experiment with novel ideas, or simply have fun with storytelling, here’s everything you need on how to write a short story step by step.

How to Write a Short Story: Contents

The Core Elements of a Short Story

How to write a short story outline, how to write a short story step by step, how to write a short story: length and setting, how to write a short story: point of view, how to write a short story: protagonist, antagonist, motivation, how to write a short story: characters, how to write a short story: prose, how to write a short story: story structure, how to write a short story: capturing reader interest, where to read and submit short stories.

There’s no secret formula to writing a short story. However, a good short story will have most or all of the following elements:

  • A protagonist with a certain desire or need. It is essential for the protagonist to want something they don’t have, otherwise they will not drive the story forward.
  • A clear dilemma. We don’t need much backstory to see how the dilemma started; we’re primarily concerned with how the protagonist resolves it.
  • A decision. What does the protagonist do to resolve their dilemma?
  • A climax. In Freytag’s Pyramid , the climax of a story is when the tension reaches its peak, and the reader discovers the outcome of the protagonist’s decision(s).
  • An outcome. How does the climax change the protagonist? Are they a different person? Do they have a different philosophy or outlook on life?

Of course, short stories also utilize the elements of fiction , such as a setting , plot , and point of view . It helps to study these elements and to understand their intricacies. But, when it comes to laying down the skeleton of a short story, the above elements are what you need to get started.

Note: a short story rarely, if ever, has subplots. The focus should be entirely on a single, central storyline. Subplots will either pull focus away from the main story, or else push the story into the territory of novellas and novels.

The shorter the story is, the fewer of these elements are essentials. If you’re interested in writing short-short stories, check out our guide on how to write flash fiction .

Some writers are “pantsers”—they “write by the seat of their pants,” making things up on the go with little more than an idea for a story. Other writers are “plotters,” meaning they decide the story’s structure in advance of writing it.

You don’t need a short story outline to write a good short story. But, if you’d like to give yourself some scaffolding before putting words on the page, this article answers the question of how to write a short story outline:

https://writers.com/how-to-write-a-story-outline

There are many ways to approach the short story craft, but this method is tried-and-tested for writers of all levels. Here’s how to write a short story step-by-step.

1. Start With an Idea

Often, generating an idea is the hardest part. You want to write, but what will you write about?

What’s more, it’s easy to start coming up with ideas and then dismissing them. You want to tell an authentic, original story, but everything you come up with has already been written, it seems.

Here are a few tips:

  • Originality presents itself in your storytelling, not in your ideas. For example, the premise of both Shakespeare’s A Midsummer Night’s Dream and Ostrovsky’s The Snow Maiden are very similar: two men and two women, in intertwining love triangles, sort out their feelings for each other amidst mischievous forest spirits, love potions, and friendship drama. The way each story is written makes them very distinct from one another, to the point where, unless it’s pointed out to you, you might not even notice the similarities.
  • An idea is not a final draft. You will find that exploring the possibilities of your story will generate something far different than the idea you started out with. This is a good thing—it means you made the story your own!
  • Experiment with genres and tropes. Even if you want to write literary fiction , pay attention to the narrative structures that drive genre stories, and practice your storytelling using those structures. Again, you will naturally make the story your own simply by playing with ideas.

If you’re struggling simply to find ideas, try out this prompt generator , or pull prompts from this Twitter .

2. Outline, OR Conceive Your Characters

If you plan to outline, do so once you’ve generated an idea. You can learn about how to write a short story outline earlier in this article.

If you don’t plan to outline, you should at least start with a character or characters. Certainly, you need a protagonist, but you should also think about any characters that aid or inhibit your protagonist’s journey.

When thinking about character development, ask the following questions:

  • What is my character’s background? Where do they come from, how did they get here, where do they want to be?
  • What does your character desire the most? This can be both material or conceptual, like “fitting in” or “being loved.”
  • What is your character’s fatal flaw? In other words, what limitation prevents the protagonist from achieving their desire? Often, this flaw is a blind spot that directly counters their desire. For example, self hatred stands in the way of a protagonist searching for love.
  • How does your character think and speak? Think of examples, both fictional and in the real world, who might resemble your character.

In short stories, there are rarely more characters than a protagonist, an antagonist (if relevant), and a small group of supporting characters. The more characters you include, the longer your story will be. Focus on making only one or two characters complex: it is absolutely okay to have the rest of the cast be flat characters that move the story along.

Learn more about character development here:

https://writers.com/character-development-definition

3. Write Scenes Around Conflict

Once you have an outline or some characters, start building scenes around conflict. Every part of your story, including the opening sentence, should in some way relate to the protagonist’s conflict.

Conflict is the lifeblood of storytelling: without it, the reader doesn’t have a clear reason to keep reading. Loveable characters are not enough, as the story has to give the reader something to root for.

Take, for example, Edgar Allan Poe’s classic short story The Cask of Amontillado . We start at the conflict: the narrator has been slighted by Fortunato, and plans to exact revenge. Every scene in the story builds tension and follows the protagonist as he exacts this revenge.

In your story, start writing scenes around conflict, and make sure each paragraph and piece of dialogue relates, in some way, to your protagonist’s unmet desires.

Read more about writing effective conflict here:

What is Conflict in a Story? Definition and Examples

4. Write Your First Draft

The scenes you build around conflict will eventually be stitched into a complete story. Make sure as the story progresses that each scene heightens the story’s tension, and that this tension remains unbroken until the climax resolves whether or not your protagonist meets their desires.

Don’t stress too hard on writing a perfect story. Rather, take Anne Lamott’s advice, and “write a shitty first draft.” The goal is not to pen a complete story at first draft; rather, it’s to set ideas down on paper. You are simply, as Shannon Hale suggests, “shoveling sand into a box so that later [you] can build castles.”

5. Step Away, Breathe, Revise

Whenever Stephen King finishes a novel, he puts it in a drawer and doesn’t think about it for 6 weeks. With short stories, you probably don’t need to take as long of a break. But, the idea itself is true: when you’ve finished your first draft, set it aside for a while. Let yourself come back to the story with fresh eyes, so that you can confidently revise, revise, revise .

In revision, you want to make sure each word has an essential place in the story, that each scene ramps up tension, and that each character is clearly defined. The culmination of these elements allows a story to explore complex themes and ideas, giving the reader something to think about after the story has ended.

6. Compare Against Our Short Story Checklist

Does your story have everything it needs to succeed? Compare it against this short story checklist, as written by our instructor Rosemary Tantra Bensko.

Below is a collection of practical short story writing tips by Writers.com instructor Rosemary Tantra Bensko . Each paragraph is its own checklist item: a core element of short story writing advice to follow unless you have clear reasons to the contrary. We hope it’s a helpful resource in your own writing.

Update 9/1/2020: We’ve now made a summary of Rosemary’s short story checklist available as a PDF download . Enjoy!

creative writing story

Click to download

Your short story is 1000 to 7500 words in length.

The story takes place in one time period, not spread out or with gaps other than to drive someplace, sleep, etc. If there are those gaps, there is a space between the paragraphs, the new paragraph beginning flush left, to indicate a new scene.

Each scene takes place in one location, or in continual transit, such as driving a truck or flying in a plane.

Unless it’s a very lengthy Romance story, in which there may be two Point of View (POV) characters, there is one POV character. If we are told what any character secretly thinks, it will only be the POV character. The degree to which we are privy to the unexpressed thoughts, memories and hopes of the POV character remains consistent throughout the story.

You avoid head-hopping by only having one POV character per scene, even in a Romance. You avoid straying into even brief moments of telling us what other characters think other than the POV character. You use words like “apparently,” “obviously,” or “supposedly” to suggest how non-POV-characters think rather than stating it.

Your short story has one clear protagonist who is usually the character changing most.

Your story has a clear antagonist, who generally makes the protagonist change by thwarting his goals.

(Possible exception to the two short story writing tips above: In some types of Mystery and Action stories, particularly in a series, etc., the protagonist doesn’t necessarily grow personally, but instead his change relates to understanding the antagonist enough to arrest or kill him.)

The protagonist changes with an Arc arising out of how he is stuck in his Flaw at the beginning of the story, which makes the reader bond with him as a human, and feel the pain of his problems he causes himself. (Or if it’s the non-personal growth type plot: he’s presented at the beginning of the story with a high-stakes problem that requires him to prevent or punish a crime.)

The protagonist usually is shown to Want something, because that’s what people normally do, defining their personalities and behavior patterns, pushing them onward from day to day. This may be obvious from the beginning of the story, though it may not become heightened until the Inciting Incident , which happens near the beginning of Act 1. The Want is usually something the reader sort of wants the character to succeed in, while at the same time, knows the Want is not in his authentic best interests. This mixed feeling in the reader creates tension.

The protagonist is usually shown to Need something valid and beneficial, but at first, he doesn’t recognize it, admit it, honor it, integrate it with his Want, or let the Want go so he can achieve the Need instead. Ideally, the Want and Need can be combined in a satisfying way toward the end for the sake of continuity of forward momentum of victoriously achieving the goals set out from the beginning. It’s the encounters with the antagonist that forcibly teach the protagonist to prioritize his Needs correctly and overcome his Flaw so he can defeat the obstacles put in his path.

The protagonist in a personal growth plot needs to change his Flaw/Want but like most people, doesn’t automatically do that when faced with the problem. He tries the easy way, which doesn’t work. Only when the Crisis takes him to a low point does he boldly change enough to become victorious over himself and the external situation. What he learns becomes the Theme.

Each scene shows its main character’s goal at its beginning, which aligns in a significant way with the protagonist’s overall goal for the story. The scene has a “charge,” showing either progress toward the goal or regression away from the goal by the ending. Most scenes end with a negative charge, because a story is about not obtaining one’s goals easily, until the end, in which the scene/s end with a positive charge.

The protagonist’s goal of the story becomes triggered until the Inciting Incident near the beginning, when something happens to shake up his life. This is the only major thing in the story that is allowed to be a random event that occurs to him.

Your characters speak differently from one another, and their dialogue suggests subtext, what they are really thinking but not saying: subtle passive-aggressive jibes, their underlying emotions, etc.

Your characters are not illustrative of ideas and beliefs you are pushing for, but come across as real people.

Your language is succinct, fresh and exciting, specific, colorful, avoiding clichés and platitudes. Sentence structures vary. In Genre stories, the language is simple, the symbolism is direct, and words are well-known, and sentences are relatively short. In Literary stories , you are freer to use more sophisticated ideas, words, sentence structures, styles , and underlying metaphors and implied motifs.

Your plot elements occur in the proper places according to classical Three Act Structure (or Freytag’s Pyramid ) so the reader feels he has vicariously gone through a harrowing trial with the protagonist and won, raising his sense of hope and possibility. Literary short stories may be more subtle, with lower stakes, experimenting beyond classical structures like the Hero’s Journey. They can be more like vignettes sometimes, or even slice-of-life, though these types are hard to place in publications.

In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape. In Literary short stories, you are free to explore uncertainty, ambiguity, and inchoate, realistic endings that suggest multiple interpretations, and unresolved issues.

Some Literary stories may be nonrealistic, such as with Surrealism, Absurdism, New Wave Fabulism, Weird and Magical Realism . If this is what you write, they still need their own internal logic and they should not be bewildering as to the what the reader is meant to experience, whether it’s a nuanced, unnameable mood or a trip into the subconscious.

Literary stories may also go beyond any label other than Experimental. For example, a story could be a list of To Do items on a paper held by a magnet to a refrigerator for the housemate to read. The person writing the list may grow more passive-aggressive and manipulative as the list grows, and we learn about the relationship between the housemates through the implied threats and cajoling.

Your short story is suspenseful, meaning readers hope the protagonist will achieve his best goal, his Need, by the Climax battle against the antagonist.

Your story entertains. This is especially necessary for Genre short stories.

The story captivates readers at the very beginning with a Hook, which can be a puzzling mystery to solve, an amazing character’s or narrator’s Voice, an astounding location, humor, a startling image, or a world the reader wants to become immersed in.

Expository prose (telling, like an essay) takes up very, very little space in your short story, and it does not appear near the beginning. The story is in Narrative format instead, in which one action follows the next. You’ve removed every unnecessary instance of Expository prose and replaced it with showing Narrative. Distancing words like “used to,” “he would often,” “over the years, he,” “each morning, he” indicate that you are reporting on a lengthy time period, summing it up, rather than sticking to Narrative format, in which immediacy makes the story engaging.

You’ve earned the right to include Expository Backstory by making the reader yearn for knowing what happened in the past to solve a mystery. This can’t possibly happen at the beginning, obviously. Expository Backstory does not take place in the first pages of your story.

Your reader cares what happens and there are high stakes (especially important in Genre stories). Your reader worries until the end, when the protagonist survives, succeeds in his quest to help the community, gets the girl, solves or prevents the crime, achieves new scientific developments, takes over rule of his realm, etc.

Every sentence is compelling enough to urge the reader to read the next one—because he really, really wants to—instead of doing something else he could be doing. Your story is not going to be assigned to people to analyze in school like the ones you studied, so you have found a way from the beginning to intrigue strangers to want to spend their time with your words.

Whether you’re looking for inspiration or want to publish your own stories, you’ll find great literary journals for writers of all backgrounds at this article:

https://writers.com/short-story-submissions

Learn How to Write a Short Story at Writers.com

The short story takes an hour to learn and a lifetime to master. Learn how to write a short story with Writers.com. Our upcoming fiction courses will give you the ropes to tell authentic, original short stories that captivate and entrance your readers.

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Rosemary – Is there any chance you could add a little something to your checklist? I’d love to know the best places to submit our short stories for publication. Thanks so much.

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Hi, Kim Hanson,

Some good places to find publications specific to your story are NewPages, Poets and Writers, Duotrope, and The Submission Grinder.

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“ In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape.”

Not just no but NO.

See for example the work of MacArthur Fellow Kelly Link.

[…] How to Write a Short Story: The Short Story Checklist […]

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Thank you for these directions and tips. It’s very encouraging to someone like me, just NOW taking up writing.

[…] Writers.com. A great intro to writing. https://writers.com/how-to-write-a-short-story […]

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Hello: I started to write seriously in the late 70’s. I loved to write in High School in the early 60’s but life got in the way. Around the 00’s many of the obstacles disappeared. Since then I have been writing more, and some of my work was vanilla transgender stories. Here in 2024 transgender stories have become tiresome because I really don’t have much in common with that mind set.

The glare of an editor that could potentially pay me is quite daunting, so I would like to start out unpaid to see where that goes. I am not sure if a writer’s agent would be a good fit for me. My work life was in the Trades, not as some sort of Academic. That alone causes timidity, but I did read about a fiction writer who had been a house painter.

This is my first effort to publish since the late 70’s. My pseudonym would perhaps include Ahabidah.

Gwen Boucher.

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Writing Beginner

What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Bright, colorful creative writer's desk with notebook and typewriter -- What Is Creative Writing

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

  • Short stories
  • Screenplays
  • Flash fiction
  • Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

  • Find a time of day when your mind is most alert and creative.
  • Create a comfortable writing space free from distractions.
  • Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
  • Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
  • Reading is fuel for your writing. Explore various genres and styles.
  • Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
  • Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
  • Small projects can help you hone your skills and boost your confidence.
  • Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
  • Participating in workshops or classes can also provide valuable insights into your writing.
  • Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
  • Be open to feedback and willing to rework your pieces.
  • Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
  • These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

  • What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
  • What Is A Personal Account In Writing? (47 Examples)
  • How To Write A Fantasy Short Story (Ultimate Guide + Examples)
  • How To Write A Fantasy Romance Novel [21 Tips + Examples)
  • How to write a story
  • How to write a novel
  • How to write poetry
  • Dramatic writing
  • How to write a memoir
  • How to write a mystery
  • Creative journaling
  • Publishing advice
  • Story starters
  • Poetry prompts
  • For teachers

44 Short Story Ideas

Here are lots of short story ideas that you can use as writing prompts. Any of these ideas can be used either humorously or dramatically... or you can try both. Have fun!

Story ideas - 3 elements

Choose a set of three elements and write a story that contains all three of them! Extreme challenge: combine three of the elements with one of the other short story ideas on this page.

  • A stolen ring, fear of spiders, and a sinister stranger.
  • A taxi, an old enemy, and Valentine's Day.
  • Identical twins, a party invitation, and a locked closet.
  • A broken wristwatch, peppermints, and a hug that goes too far.
  • Aerobics, a secret diary, and something unpleasant under the bed.
  • An ex-boyfriend, a pair of binoculars, and a good-luck charm.
  • An annoying boss, a bikini, and a fake illness.
  • The first day of school, a love note, and a recipe with a significant mistake.
  • A horoscope, makeup, and a missing tooth.
  • A campfire, a scream, and a small lie that gets bigger and bigger.

More short story ideas

Challenge: 4 stories in 4 weeks using these short story ideas. Are you up to it? Extreme challenge: Why not write a book of short stories? Choose seven or eight short story ideas to get started.

11. A babysitter is snooping around her employer's house and finds a disturbing photograph...

12. At a Chinese restaurant, your character opens his fortune cookie and reads the following message: "Your life is in danger. Say nothing to anyone. You must leave the city immediately and never return. Repeat: say nothing."...

13. Your character's boss invites her and her husband to dinner. Your character wants to make a good impression, but her husband has a tendency to drink too much and say exactly what's on his mind...

14. It's your character's first day at a new school. He or she wants to get a fresh start, develop a new identity. But in his or her homeroom, your character encounters a kid he or she knows from summer camp...

15. Your character has to tell his parents that he's getting a divorce. He knows his parents will take his wife's side, and he is right...

16. At the airport, a stranger offers your character money to carry a mysterious package onto the plane. The stranger assures your character that it's nothing illegal and points out that it has already been through the security check. Your character has serious doubts, but needs the money, and therefore agrees...

17. Your character suspects her husband is having an affair and decides to spy on him. What she discovers is not what she was expecting...

18. A man elbows your character in a crowd. After he is gone, she discovers her cell phone is too. She calls her own number, and the man answers. She explains that the cell phone has personal information on it and asks the man to send it back to her. He hangs up. Instead of going to the police, your character decides to take matters into her own hands...

19. After your character loses his job, he is home during the day. That's how he discovers that his teenage son has a small marijuana plantation behind the garage. Your character confronts his son, who, instead of acting repentant, explains to your character exactly how much money he is making from the marijuana and tries to persuade your character to join in the business...

20. At a garage sale, your character buys an antique urn which she thinks will look nice decorating her bookcase. But when she gets home, she realizes there are someone's ashes in it...

Learn to make your story a page-turner with our online course Irresistible Fiction.

Even more short story ideas

21. Your character starts receiving flowers and anonymous gifts. She doesn't know who is sending them. Her husband is suspicious, and the gifts begin to get stranger....

22. A missionary visits your character's house and attempts to convert her to his religion. Your character is trying to get rid of him just as storm warning sirens go off. Your character feels she can't send the missionary out into the storm, so she lets him come down into her basement with her. This is going to be a long storm....

23. Your character is caught shoplifting. The shop owner says that she won't call the police in exchange for a personal favor....

24. Your character is visiting his parents over a holiday. He is returning some books to the library for his mother and is startled to notice that the librarian looks exactly like him, only about thirty years older. He immediately begins to suspect that his mother had an affair at one time and the librarian is his real father...

25. Your character picks up a hitchhiker on her way home from work. The hitchhiker tries to persuade your character to leave everything and drive her across the country...

26. Your character has to sell the house where she grew up. A potential buyer comes to look at it and begins to talk about all of the changes she would make to the place. This upsets your character, who decides she wants to find a buyer who will leave everything the way it has always been....

27. A bat gets in the house. Your character's husband becomes hysterical, frightened that it might be rabid. In his panic, he ends up shutting the bat in a room with your character while he calls an exterminator from a safe place in the house. His behavior makes your character see her husband in a new way....

28. Your character changes jobs in order to have more time with his family. But his family doesn't seem interested in having him around...

29. Your character develops the idea that she can hear the voices of the dead on a certain radio channel. She decides to take advantage of this channel to find answers to some questions that are bothering her about her dead parents....

30. Your character's dream is to be a professional dancer. At a party, she mentions this dream to a stranger, who says that he has contacts in the dance world and gets her an audition for a prestigious dance troupe. One problem: your character doesn't know how to dance. Your character decides to accept the audition anyway and look for a solution....

And still more short story ideas

31. Your character thinks her boss is looking for an excuse to fire her. She decides to fight back....

32. Your character goes out for dinner on a date and becomes attracted to the waiter or waitress....

32. Your character notices that a stranger is following her. She pretends not to notice. The stranger follows her home and watches her go inside. Then when he leaves, your character turns the tables and starts to follow him....

34. A child moves into a new house and finds out that the other kids in town think it's haunted. She begins to invent ghost stories to tell at school in order to get attention. But the more stories she tells, the more frightened she becomes of the house...

35. Your elderly character escapes from the retirement home where his or her children have placed him or her....

36. Your character gets cosmetic surgery in an attempt to make her boyfriend love her more. But then she worries he only loves her for her looks....

37. Your character is a writer. But his new neighbors are so noisy that he can neither work nor sleep. He decides to take action....

38. Your character's mother-in-law comes to visit for a week, and your character suspects she is trying to poison him. He shares his suspicion with his wife, who says he's always hated her mother but this accusation is going too far. Meanwhile, your character has stomach cramps, and his mother-in-law is downstairs making breakfast again....

39. It's a freezing cold night. Your character finds a homeless family on his doorstep and invites them into his home to sleep. But in the morning, the family doesn't leave....

40. Your character has recently married a man with two teenage children. The children resent her, and she tries to avoid them altogether. Then her new husband (their father) disappears suddenly, leaving only a short good-bye note....

Story ideas: personal creative writing challenges

41. Make a list of five things you're afraid of happening to you. Then write a story in which one of them happens to your character..

42. Think of a big problem that one of your friends had to face. Then write a story in which your character battles with that problem..

43. What is one of your bad habits? Invent a character who has the bad habit, but a much worse case of it than you have. Write a story where this habit gets your character into trouble.

44. What is one of your greatest strengths? Invent a character who doesn't have this strength. Create a situation in which having this strength is very important for your character. What does your character do? Write the story.

Keep the short story ideas flowing

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104 Of The Best Short Story Ideas And Prompts To Grab Your Readers

So, you want to write a short story — and not just a mildly entertaining short story but one your readers can’t put down until they’ve finished it.

You want a story that gets reactions like “Wow!” and “How did you do that?” and “Do you have more like this?”

What writer doesn’t want that kind of reaction, right?

And since short stories are short, you have less time to wait for your readers’ reactions — but you also have less time to grab their attention.

That’s why a great topic is worth its weight in gold when it comes to writing these little gems.

Even with the challenges inherent to short story writing, you’ll most likely finish a short story in far less time than you would a novel.

So, you’ll get to explore more story topics in less time than if you were writing longer works.

But how do you generate short story ideas that are worth the time you’ll invest in crafting a short story your readers will love?

If you’ve been writing for long enough, you already know good story ideas are everywhere, and you might even have some in mind as you read this.

But which of those ideas should be on your shortlist for story writing projects?

And if you don’t have any great ideas at the moment, where do you get some?

Short Story Idea Generator (how to generate story ideas)

Short story writing exercises, generating story ideas with the short story formula, timeless themes and emotional impact, 35 short story ideas, 69 short story writing prompts.

When it comes to generating new story ideas, you can take more than one approach. You might try these three:

man typing on laptop short story ideas

  • Writing exercises
  • Writing prompts
  • The Short Story Formula

Think of your school days when your English teacher assigned an essay or invited you to write a paragraph in answer to a question.

Maybe all you had to do was write one complete sentence. Or maybe your teacher wanted a haiku — or a rhyming couplet.

School isn’t the only place for writing exercises , though. If you’ve ever joined a creative writing group, your leader may have encouraged you to spend some time each day freewriting or writing a character sketch .

The purpose of writing exercises is to practice writing — or to practice a specific kind of writing (voice journaling, essays, persuasive ad copy, song lyrics, etc.).

So, whether it’s NaNoWriMo, Twitter’s #VSS (Very Short Story) challenge, or writing sprints, the more time you invest in these exercises, and the more you open yourself up to constructive criticism, the more quickly your writing will improve.

The most effective writing prompts and writing exercises make use of themes with a history of captivating and inspiring others. Because of this, either one might lead you to a story idea that you can hardly wait to explore.

Take one (or more) of those popular themes and combine them with a context that is both unique and relatable, and you have the formula for a compelling story idea.

Story writing ideas are generally more fully developed than writing prompts. It’s not unusual, for example, to begin with a writing prompt , develop it into a story idea, and then write the actual story.

And don’t beat yourself up if the first idea that comes to mind is a cliché. You’re human, and familiar ideas are the easiest to think of. Nothing wrong with that. The first idea is like a first draft , in that it gives you something to start with.

And don’t be afraid to mix it up — literally. Take one idea, mix it up with another, and play with it for a while. Who knows how you might juice up your story idea without even trying?

The best fiction story ideas make use of timeless themes. You’ll find one or more of the ten themes that follow in most stories that have been written, read, and shared over the centuries.

  • The End of a Relationship
  • Rags to Riches
  • Scars / Wounds
  • Ghosts / the Paranormal
  • Deepest Fears
  • A Soulmate Encounter
  • A Journey Interrupted
  • Monsters (human or otherwise)

The story idea itself — in its simplest form — doesn’t have to be original, and in fact, it shouldn’t be. But the way you embody and develop that idea should surprise your readers and evoke an emotional response in them.

It’s that emotional impact that makes your story not only worth finishing but memorable.

Short story ideas will look different from novel ideas, though — mainly because short stories have to make a big impact with fewer words. And because of this, the most powerful short stories have what James Scott Bell describes as the “one shattering moment.”

In his book, How to Write Short Stories and Use Them to Further Your Writing Career, Bell describes that moment as “something that happens to a character, an emotional blast which they cannot ignore. It changes them, in a large or a subtle way — in a way that cannot be ignored.”

Any one of the popular themes listed above could you give your main character a shattering moment that would change that character’s life or perspective.

woman typing on laptop short story ideas

Take a look at the following creative story ideas, many of which combine two or more of the popular themes listed, and feel free to modify any of them to create your next unputdownable short story.

1. Your character’s loved one has died , and he learns while going through that loved one’s belongings that the latter had a terrible secret that unnervingly correlates to your character’s deepest fear.

The rest of the story explores your character’s reaction to this discovery and how it affects his/her relationships and decision-making.

2. Your character has married the man she saw as her “soulmate.” During their honeymoon, he shows her his list of goals for their first five years together, and they have their first real argument over one of those goals — which requires something of her that she never agreed to.

She has a sudden memory of their first date and of the moment when she first decided he was the one, but she sees it now from his perspective, and it changes everything.

3. Your orphaned character inherits a house and moves in to find that it’s already occupied — by the spirits of the character’s long-deceased parents, who aren’t at all like the people other relatives have described.

4. Your character is having trouble getting past his anger over the wounds inflicted by those who raised him and by those with whom he had one failed relationship after the next.

woman at laptop looking out window Short Story Ideas

After losing his job, he goes on a journey to change the direction of his life, but that journey is interrupted by the death of one of his parents — the one who hurt him the most.

5. Your character is widely regarded as a monster and doesn’t deny or hide from that designation.

When his closest confidante gets fed up with him, tells him off, and leaves the company they founded together, your character finds himself disoriented by grief and does something different.

6. Your character is content with her life but suddenly inherits a large sum of money and a palatial estate on the east coast.

She sees the inheritance as proof that the Law of Attraction works, and she invites family and a few close friends to move with her and share the wealth. On the first night of their stay, someone dies.

7. Your character’s snake-loving neighbor has just been found in the belly of her pet boa constrictor (who she swore was a better “snuggler” than her ex).

The ex shows up and is angry when he finds out that your neighbor left the house and everything in it to your character. He threatens to ruin her life if she doesn’t turn the house over to him.

8. Your character meets his/her soulmate on a flight that almost doesn’t make it to its destination; both of them respond to emergencies on the plane (one as a cop and the other as a doctor).

Once at the airport, your character learns that this soulmate is already in a relationship with a well-known philanthropist. But your character notices something odd and calls the philanthropist out.

9. Your character’s best friend just announced the end of a relationship, and your character is surprised to find this friend in a celebratory state of mind (rather than heartbroken).

Your character then finds out the disturbing reason for the friend’s manic behavior.

10. One of your character’s siblings is getting married, and during wedding preparations, your character learns something she was never meant to know. This discovery changes her relationships with everyone.

11. The happy couple living next door to your character has died in a horrific accident, and when the parents show up for the funeral, you find out why the couple always changed the subject whenever you asked them about their families.

12. Your character starts receiving messages from someone who knows his/her deepest fears and intends to exploit them. At the same time, your character is discovering a latent ability that relates to those fears but might also help him overcome them. Or they might change him into something the messenger never saw coming.

13. Your character meets a soulmate at a community grief counseling group meeting and learns that this soulmate also attends AA meetings (like your mc) — though with a different group and with a friend who doesn’t particularly like your main character.

The surprising reason comes out when your character goes on a first date with this soulmate. The soulmate’s friend swears he/she knows your mc from a different reality — which he/she visits in dreams.

14. Your character breaks free of a painful relationship and embarks on a journey to discover what she’s capable of. After volunteering at a nursing home — reading to vision-impaired residents and writing letters for them — she agrees to personally deliver one of those letters to the resident’s estranged son.

15. After avoiding close relationships because of deep scars from his childhood, your main character learns something about one of his parents that changes everything for him. He then has an opportunity to take a step off his accustomed path.

16. Your character has been married for 19 years before her spouse — after a weekend that reminds her of when they met and why she married him — hands her divorce papers.

17. Your character is making a list of reasons to break up with her boyfriend of two years when the latter comes home early and tells her he’s won the lottery jackpot.

18. Your character is a locally famous writer whose hero story ideas come from his freewheeling lifestyle and insatiable curiosity about others.

One day, out of boredom, he offers a homeless man $100 to propose to the first woman he takes a fancy to, while he watches from a safe distance. The proposal goes terrifyingly wrong.

19. Your character has just lost a child by miscarriage , and when she comes home, her married life has changed. Her husband, who was always the more talkative of the two, spends their time together quietly grieving in his own way.

Your character, on the other hand, becomes more outgoing and starts spending more time (and money) on her appearance.

20. Your young adult character finds himself suddenly orphaned when his parents die in a plane crash. The funeral is the beginning of a dramatic shift in his perspective and in the choices he makes.

He breaks off a relationship with a woman his parents adored, he quits the lucrative job that he hates, and he leaves the country.

21. Your character has just learned that his spouse has been cheating on him, and he confronts her when she gets home that night.

She reveals that what he saw as proof of her infidelity was something completely innocent — but that she’s already decided to make a permanent and dramatic end to their marriage.

22. The only child of your character is diagnosed with a fatal illness, and your character doesn’t know how to deal with the worry and dread that now consumes her.

Her doctor suggests one anti-anxiety med after another, and her husband and his family urge her to try one — for her husband’s and her son’s sakes. She goes into a fugue state with the experimental drug she tries, and she wakes up to the consequences.

23. Your character’s new glasses — created as a free gift from an old friend with unusual connections — reveal more than the physical objects in his field of vision.

After looking at a coworker and seeing the latter’s death just hours before it happens, he goes to replace the glasses with a plain pair from a local chain. Then he catches his full-length reflection in a window.

24. Your character wakes up alone in an unfamiliar place and is told by everyone he encounters that the life he thought he’d lived for the past six years — with a wife and three kids and with the job that barely paid the bills — must have been a dream.

He’s actually stunningly wealthy, treated with respect by everyone he meets, and desired by more than one woman. So, why is there a picture of him with his nonexistent family on his desk?

25. A year ago, your character met someone who offered her the power to transform the interior of her home to anything she wants — in exchange for a DNA sample from her only child, who is a gifted storyteller.

During the year after she accepted the offer, her home becomes everything she wants it to be, but her son stops telling stories, and one day she finds out why.

26. Your character makes drastic changes to his diet and adopts new habits that alienate him from his usual circle of friends but lead him to a new one.

He then wins a large sum of money from a scratch ticket that an estranged friend (a compulsive gambler) slipped under his door.

27. Your character has returned from a successful quest to find his home empty, with no sign of his loved ones other than a note left on the refrigerator.

Not only does he now have no one with whom to share his victory, but what he learns calls that very victory into question.

28. Your character has spent eleven years living with the consequences of a vow she has taken. When she forges a new friendship with a counselor, she learns something about herself that scares her and makes her avoid the counselor, for his own sake.

Keenly aware of her own vulnerability, she brands herself to ward off unwelcome attention.

29. Your character, after 15 years of living in a house chosen mainly to fit her spouse’s preferences, sees an ad for an apartment in town that represents the life she gave up to make her husband happy.

After hearing him complain about his life and their house for one too many times, she goes to look at this apartment and finds it has almost everything she wants. The apartment manager, a well-dressed woman close to her own age, hears your character’s last name and appears shaken by it.

30. Your character splurges on a new rug for her living room floor — the kind of rug she’s coveted for years — and her S.O. criticizes it and later “accidentally” spills his drink on it.

The final straw is his suggestion that she wait ‘til it dries and return it to the store for a refund or exchange it for something more practical.

31. Your character has recently broken free from a cult that had drawn him in when he was vulnerable from a family tragedy. His new support system — a group of other cult survivors — is having varying degrees of difficulty re-entering society and repairing damaged relationships.

Your character meets with them one evening at their accustomed café table and confronts a server whose off-handed comment provokes him. What begins as a calm request for respectful treatment escalates as other members of the group chime in and the server’s manager gets involved.

32. Your character has joined a church and finds herself under the tutelage of a church member who leans toward the traditionalist end of the spectrum and who regards her as the daughter he never had.

When he decides to renounce the church’s leadership and join an extreme traditionalist group, she backs away from him — after explaining to him why she won’t do the same. His behavior toward her changes and she makes a change of her own.

33. Your character is so desperate for money that he does something he never would have done otherwise. He doesn’t get caught, but he doesn’t get away with it, either. Consumed by guilt, he undergoes a penance of his choosing, which spirals out of control.

34. Your character walks into a tourist shop and buys a homemade “tonic” freshly mixed by the owner, after tasting and enjoying an innocuous sample in the same flavor. The tonic changes him in a way he can’t ignore or undo.

35. Your character inherits an old music shop with a secret back room where his uncle kept a few instruments that can make even someone like him — who has never played an instrument — a virtuoso in seconds. He takes the piano to his apartment and learns why his uncle (in a letter he’d written before his death) had warned him not to — and why his uncle kept the door to that secret room locked.

With writing prompts , you get a launching pad of sorts: a question, an idea, a provocative quote, or something that inspires a reaction — specifically a written one. Maybe that reaction is an argument, or maybe it’s an impassioned defense of an idea.

Whatever it is, the purpose here is to take that prompt and use it to generate a written response in one form or another. The aim of writing prompts for short stories is to get you started on a new short story .

The prompt could be as simple as a word or as detailed as a character sketch or an elevator pitch. It could even be a picture or a song. It could be an observation you make while (discreetly) people-watching.

We’ve create 69 short story writing prompts that flesh out an idea more thoroughly, giving you a good headstart for your story.

1. You get a new job, and your new boss approaches you on the first day with an invitation to the “After Hours Club.” He tells you it’s no big deal if you decline, but you get a strong impression that it would be.

2. One day, on the way home from work, your new car takes over and drives you to a remote area, stopping beside other cars in a clearing underneath a new moon. You wake up underneath a full moon and drive yourself home. But much has changed in your absence — and so have you.

3. You bake pies for a local bakery, and when a celebrity comes to town and tastes your locally famous turtle pie, he invites you to go on tour with him — to a movie set somewhere in Europe — to be his personal pie maker. You say yes.

4. You buy a single rose from a street vendor, and it lasts a week, then two weeks, then three, and then a full month. Only then does someone point out to you that previously healthy people in the neighborhood have been falling ill and dying at an abnormal rate.

5. It’s time for your 10-year-old daughter to make her First Confession, but when her turn comes to go into the confessional, she panics and won’t be persuaded to go in.

6. You’re stranded in a small village down a winding road from Burgos (Spain) on a Sunday. A stranger comes by on a motorcycle and goes to fetch a taxi for you. You’re waiting at the bus station when he tells you he knows you’re meant to replace his recently deceased wife.

7. The bartender brings you your first Irish coffee in what looks like a candy dish. Halfway through, you notice the whole cafe seems to be floating, and since you can’t put the rest into a to-go cup (alas), you pay your tab and head out. You think you’re doing fine until your key doesn’t work in the front door of your apartment building. Someone else kindly lets you in, and you recognize him as the bartender from that cafe.

8. You’re exploring an old Spanish town, and you realize someone is following you. You turn and find an old woman who asks if you’ll help her find her hotel. You help her, and she invites you in, telling you she has a son who shares your interest in all things Tolkien. You’re not in a hurry to get back to your hotel room, so you go up with her.

9. Your fingers don’t respond to you the way they used to, and you’ve been having other difficulties. You go see your doctor, and they run some tests to check for neurological diseases but don’t find anything. They think it’s probably stress-related. Your life has been stressful lately, and it doesn’t help that your new roommate has been acting strangely toward you.

10. You wake up with your heart racing, but you don’t remember why. You almost never remember your dreams but often wake up covered in sweat with your heart pounding. You’re tired of having to shower every morning and feeling sick for the rest of the day, so you decide to undergo hypnosis, hoping to find out what’s going on.

11. Your neighbors have been up to some strange shenanigans lately, and their lights are on well into the wee hours of the morning. You’d like to know why, but every neighbor you’ve talked to who have gone over there to ask about it has, later on, told you that nothing suspicious is going on and that those neighbors are “very spiritual, and so, so nice!”

12. The street lamps that light up your cul de sac have gone dark, and you’re outside waiting for your spouse to get home when something large and dark brushes past you, almost knocking you off balance. Then a man appears and asks, “Have you seen my cat?”

13. Someone has broken into your house while you were away and has taken all the religious articles out of it — every statue, every picture, and every holy water bottle. The thief left everything else alone.

14. You move into an apartment that used to be a hoarder’s paradise, and your manager gives you permission to paint the walls a different color and add some new flooring. You get to work removing the kitchen’s linoleum floor and find something you never expected.

15. You joined a wine delivery service, and the delivery person is every bit as charming as the labels on the posh wine he brings to you each week. When you lose your job and cancel the service, the wine keeps coming.

16. You buy a pound of gourmet coffee beans at a local food festival, and as you’re sipping the first cup from the first pot you’ve brewed, you have a vision, which feels as real as though it were actually happening to you. When the vision ends, you’re still in your kitchen, holding your cup. You take another sip.

17. You’re about ready to gather up all the ceramic village pieces that have been cluttering up your living room and toss them in the trash bin, but your spouse, who knows you hate them, insists you should try selling them on eBay, instead. That’s when the fight starts.

18. You buy a new pair of Bluetooth earbuds that are supposed to enhance your listening experience. You plug them in and use them while watching a movie, and suddenly, you’re there on the scene, about to get flattened (or eaten) by a dinosaur.

19. You need a new toilet, and someone shows up at the door (as though sent by heaven) to sell you a toilet that will flush down ANYTHING. Oddly enough, it doesn’t even need to be hooked up to your septic system. “All you have to do is remove and empty the dust tray at the base every evening, reinsert it for the next day’s flushes, and voila!”

20. You buy a new keyboard , and after typing a few sentences of a new story, it starts typing on its own, and you watch in surprise as it types out a new short story. You submit it to a contest you’ve never won and win first prize. You start thinking you’ll never have trouble paying the rent again! Then you accidentally spill wine on the keyboard, and even stranger things start happening.

Related:  55 Funny Writing Prompts To Inspire Your Inner Comedian

21. Your famous stew recipe has won an award. You go to collect it (a cash prize), and meet the next runner-up, who believes she should have won the first prize instead with her three-bean salad. She warns you not to spend the money, because she will prove you won unfairly. You go home and find a bowl of three-bean salad and a note.

22. You suggest at the breakfast table one morning that you might actually have too many books, and your SO seizes upon this and offers to help you thin out your collection. After breaking up with him, you cull a few volumes for donation and run into the author of one of them.

23. Your first issue of Real Simple magazine has finally arrived, but something has come with it — something you can’t see but that makes your life anything but simpler.

24. A girl scout comes to the door selling cookies, and you tell her you already bought some from her at the table outside your grocery store, and you’ve spent enough for the year. Suddenly, all the food in your house (including the canned food) becomes moldy or rotten. And every bit of food that passes your threshold becomes inedible.

25. You buy a new whiteboard to help you keep track of your writing assignments, but you wake up one morning, and new items have somehow been added to your list. And the new titles have a sinister edge to them. You live alone.

26. You buy a new poster that looks exactly like the TARDIS door, and you put it up on your bedroom wall. One night, right at midnight (you’re up working at your computer), the door opens and you walk through it.

27. You buy a CD with music that’s supposed to help you write more creatively and also lose weight more easily. You start playing it during your writing time, and sure enough, the words flow without effort, and you love what you’ve written. You also start losing ten pounds a week, and soon you can’t afford to lose another ten, but you’ve come to depend on that music CD.

28. You’re a carpenter who has joined a construction team to build a new development of 3,000+ square foot houses. All is going well until someone on the team discovers something buried in the lot for the third house. The foreman removes it and tells everyone to get back to work, but you have a bad feeling. And you’re right to have it.

29. Your boss announces they’re having a potluck and you’re all expected to show up and bring something. He also tells you it has to be homemade. You tell him you can’t cook, but he tells you, “Well, learn, then!” Strangely enough, you do, and you create an entree that has everyone’s mouth-watering when you open the lid at the potluck. But your boss is conspicuously absent.

30. You wake up in the middle of the night and rush to the bathroom, where you empty your stomach of everything you ate that day. Something else comes out, and it’s moving.

31. You stop at a coffee shop while making stops to apply for a new job, and the barista tells you the new bed and breakfast is looking for someone to handle their advertising. You apply, are accepted, and agree to start immediately. But the owner, who openly admires your bicycle, offers you a room at the B&B, so you’ll be more accessible.

32. You have way too much time on your hands since your latest project has earned you enough to more than double your previous year’s salary, and you’re taking a sabbatical. You see an ad for an opportunity to spend a month at a castle in Wales, with full room and board and a bicycle for exploring the countryside. You call the agent and book a flight.

33. One night, as you’re coming back from the bathroom, you see a bright light and follow it to see that your front window is wide open and bugs are swarming in and out. You rush to close it but then you see the view from it — which is not your usual view of the front yard. You see something you want to investigate.

34. Sometimes, people stare when you pull out an index card and start scribbling furiously onto it, but you don’t care. Then someone accuses you of writing something about him and, pulling out a gun, demands you hand the card over to him.

35. You’re starting a new job, and one of your co-workers tells you it’s up to the new guy to keep the coffee pot full for his first week. While you’re brewing the latest refill, muttering to yourself about how little you’re getting done that day, one of your co-workers starts choking and accuses you of trying to poison her.

36. Your home-brewed ale is the talk of the neighborhood, but your next-door neighbor frequently buys up your newest batch. You start imposing limits. He then starts telling other neighbors that your secret is adding pee from your pet guinea pigs, “But it’s cool, because urine is sterile. And that guinea pig pee really adds something!”

37. You inherit a lighthouse from your deceased uncle — along with the small living quarters attached to it. You move right in, looking forward to the solitude. But whenever you’re up at the top scanning the surface of the ocean, you see things that can’t possibly be there. And one of them sees you — and comes to visit.

38. You stop at the local nursery and pick up a new houseplant — a tiny, adorable succulent. The cashier looks nervous as she rings you up. “That plant isn’t normal. If you want to pick another one, I would totally understand.” She’s nodding with wide eyes as she says this, clearly hoping you’ll agree.

39. You live in a studio apartment. Your boss comes to bring you soup when you call in sick and sees the quilt on your bed, which you won at a raffle. “That’s the quilt my mom made!” she says. “She told me someone stole it.”

40. You take your kids trick-or-treating, and you go to your boss’s neighborhood (your boss suggested it). Most houses gave out full-sized candy bars, but one gave out treasure maps, and your kids want to find their treasures before you leave the neighborhood.

41. Someone offers you a chance to win a million dollars just by visiting his website and typing in your address. “I don’t need your checking account info. It’s not safe to give that to just anyone. I’ll just mail the check to you,”he writes.

42. You wonder what it would be like to be a famous actor, and someone, out of the blue, invites you to perform in his movie as an extra — “and, who knows, maybe something more… prominent.”

43. You get a call from the principal’s office that your daughter has been involved in a bullying incident. Someone was bullying her, and she punched him. There were witnesses, and the principal reminds you of their zero-tolerance policy for physical violence…

44. You get a call from the principal’s office that your son has been acting out toward his classmates (who, according to what he’s told you, have been behaving aggressively toward him) and had brought a weapon to school to protect himself. They’ve confiscated the weapon (a paring knife) and have called the police.

45. Your kid has an IEP, and the Special Ed staff at the school always sound so caring and professional at the meetings you attend with them. But your son tells you they behave very differently toward him. The principal assures you that she knows the staff would never do what your son has accused them of doing. She suggests your son may be lying.

46. Your young daughter notices that one of your trees is “sick,” and she goes to visit the tree, talks to it, leans against it, and tells it to please get better. It responds by growing stronger and larger, spreading its branches out and downward to create a sort of cave for your daughter to rest in when she wants to be alone. It becomes her haven.

47. You wake up one morning and start loading your excess possessions into boxes and bags and hauling it off to Goodwill to donate it. That’s when you find the tiny cameras hidden in the bathroom, and bugs hidden in every room.

48. Your favorite coffee mug has broken, and you’re in mourning. The mug you just bought as your “second” just doesn’t feel the same in your hand, but it surprises you by magically refilling your drink with every sip — and keeping it hot for you.

49. The moth on your ceiling doesn’t bother you — much. But every time you look, it’s there. And you wonder why it never leaves. When you finally get a step ladder to get a closer look at it, you can hardly believe what you’re seeing.

50. Your neighbors on the home office side of your house have never been friendly, but one day, the wife comes over with a pie and tells you she made it herself and that she’s tired of being cooped up in the house with no one but her husband to talk to. You look over and see the outline of her husband in an upstairs window.

51. Tired of getting hair in your face, you take an electric hair-trimmer and run it all over your head with the one-inch attachment. You look at the results with satisfaction.

52. Your spouse, who has never done or said a romantic thing since your honeymoon, suddenly comes home with an expensive bouquet and a travel brochure for a place you’ve always wanted to visit. Later on, someone delivers the car you’ve always wanted, and your husband unconvincingly feigns surprise. You ask him if he won the lottery, but he shakes his head and says, “This is way better. You’ll see.”

53. You’re out in your backyard and stumble over something, which turns out to be a small brick half-buried in the grass. You see initials etched into the brick, along with a crudely-shaped heart. You wonder what — or whom — might be buried beneath. Soon, you find other markers like it, and you wonder how you failed to notice them before.

54. Your neighbor invites you over to her house, and you see that every wall has a cross painted on it with crude, hurried strokes. You ask why, and she nervously clears her throat and says, “This place needs them.”

55. You watch an infomercial and order a new face cream, hoping it will restore a youthful look to your face. It does more than that.

56. Your teenage son gets a job and, on his first day, he encounters a rude customer. Unaccustomed to responding with calmness and diplomacy, he lashes out at the customer and gets himself fired. Instead of calling home for a ride, though, he takes a walk through town and runs into the same customer holding up a cardboard sign.

57. You put your headphones on when you start on your writing project, and, at some point, an unfamiliar voice interrupts your playlist to tell you he likes what you’ve written so far. And he thinks you’d get along great.

58. Your spouse starts trying different paint samples on walls all over the house, and you don’t like any of the colors; they’re either too bright or too dark. One day, you paint patches of a pale green-gray that you like next to his acid-bright or dark color patches, and he tells you it’s boring, and that he’s painting the house his way.

59. Someone keeps writing fortune-cookie phrases on your new whiteboard at work, and it’s irritating you. You ask around, and no one knows who keeps writing the messages. Then, one of the predictions comes true.

60. You look out the window while you’re working and you see one neighbor attacking his spouse, knocking her down and then kicking her. You call 9-1-1, but later on, the wife comes over and says, “I know it was you who called. And you’ve made everything worse!”

61. Every time you look outside and see the wind in the trees, you take a deep breath and feel calmer. When the air is still, you feel as though the whole world is holding its breath and that something bad is about to happen. So, when it’s calm outside, you picture wind in the trees and take a deep breath.

62. You see movement in the corner of your eye and whenever you look, you see a huge, black dog in the neighbor’s yard, running back and forth. This time, though, he runs into your yard and starts barking at your front door.

63. Your eight-year-old son gets up and immediately goes for his Kindle Fire to play Minecraft. You’ve found some educational apps you want him to try, so you’ve installed them on his Kindle. He comes to you a few minutes later and says, “This app is telling me to do things I’m not supposed to do.”

64. You try a new recipe for a potluck, hoping it will wow your boss and coworkers, but it turns out terrible, and you end up rushing to a restaurant for something to bring before arriving (late) to find out everyone has already eaten the entree you were most looking forward to trying. When the cops show up later to ask why everyone is violently ill except you, you tell them everything you know.

65. You take your teenage son to his orientation for a new job, and when you come back to pick him up an hour later, you find out no one has seen him — though you saw him walk in the door before you drove off.

66. You’re living in a world where everyone is born with a birthmark that matches that of their soulmate. But you are born without one.

67. You and your best friend are in a terrible car accident, and you both die. Your friend, however, has a very different account of what he saw on the other side.

68. You’re born with the ability to mentally manipulate DNA. You started with plants and moved on to your pets, who now have unique abilities. For the past few years, you’ve been hacking your own DNA.

69. You were raised in the deep South where manners and feigned politeness were a thin veneer covering your family’s questionable history and lingering dysfunction.

More Related Articles:

7 Of The Best Writing Prompts Apps You Need To Try

List of Tragic Hero Traits To Flesh Out Your Character

107 Character Mannerisms For Writers

Did you find these short story ideas and prompts useful?

I hope your mind is buzzing with an idea you can’t wait to start playing with. Keep this article handy, so you can return to it when you’re looking for a new short story idea. You don’t have to follow any of them verbatim; take one and change the details however you like to make the idea your own.

Just don’t forget the “one shattering moment” for your character — and the importance of making an emotional impact on your reader. You make this impact as much with dialogue as with description and the structure of your story. Make it all count.

And when it comes time to edit, cut everything that dampens the impact of your story. Your readers will love you for it!

If you found value from this list of short story prompts, please share it and encourage others to pass it on to support and inspire as many fellow writers out there as possible. Why not even invite them to share their new short stories with you after they’ve written them?

And may your creative energy and goodwill infuse everything else you do today.

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The Write Practice

How to Write a Story: 10 Steps to Master the Art of Storytelling

by Joe Bunting | 372 comments

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I used to wonder how Pixar came out with such great movies year after year. Then, I found out a normal Pixar film takes six years to develop, and most of that time is spent on the story.

creative writing story

Everything I Know About How to Write a Story

Since I started The Write Practice over a decade ago, I’ve been trying to wrap my head around how to write a good story. I’ve read books and blog posts on writing, taken creative writing courses , asked dozens of other story writers, and, of course, written stories myself.

Book Idea Worksheet

1. Write In One Sitting

Write the first draft of your story in as short a time as possible. If you’re writing a short story, try to write it in one sitting. If you’re writing a novel, try to write it in one season (three months).

Don’t worry too much about detailed plotting or outlining beforehand. You can do that once you know you have a story to tell in the first place.

Also, don't worry about plot holes or getting some details wrong as you write. At this point, you don't even have to have finalized character names.

Your first draft is a discovery process. You are like an archeologist digging an ancient city out of the clay. You might have a few clues about where your city is buried beforehand, but you don’t know what it will look like until it’s unearthed.

All that’s to say, get digging!

2. Develop Your Protagonist

Stories are about protagonists, and if you don’t have a good protagonist , you won’t have a good story.

The essential ingredient for every protagonist is that they must make decisions. As Victor Frankl said, “A human being is a deciding being.” Your protagonist must make a decision to get themselves into whatever mess they get into in your story, and likewise, their character arc must come to a crisis point and they must decide to get themselves out of the mess.

To further develop your protagonist, use other character archetypes like the villain , the protagonist’s opposite, or the fool , a sidekick character that reveals the protagonist’s softer side.

It's a good idea to develop a character profile for every single character. This will help you make more believable characters and keep you from getting character details wrong. Some kind of character sheet is essential for your POV character at the very least.

Note: Character development isn't just for fictional characters! You need to have a well-rounded character if you're writing memoir/personal narratives (you're the perspective character) or certain types of nonfiction as well. Readers fall in love with characters.

3. Create Suspense and Conflict

Conflict is essential to every type of story. Conflict is what drives your characters and what keeps your readers reading. If there is no conflict, your reader will be bored, and there is no story.

There are two basic types of conflict. External conflict is the action of your story, the thing everyone sees on the surface. But don't forget about internal conflict! This is the process of your POV character warring with themselves and is what sets up the crisis point of the story and the character arc.

You also need suspense for a compelling story. Suspense isn't just for thrillers; it's a plus for any type of story.

To create suspense, set up a dramatic question . A dramatic question is something like, “Is he going to make it?” or, “Is she going to get the man of her dreams?” By putting your protagonist’s fate in doubt, you make the reader ask, what happens next?

To do this well, you need to carefully restrict the flow of information to the reader. Nothing destroys drama like over-sharing.

4. Show, Don’t Tell

Honestly, the saying “ show, don’t tell ” is overused. However, when placed next to the step above, it becomes very effective.

When something interesting happens in your story that changes the fate of your character, don’t tell us about it. Show the scene ! Your readers have a right to see the best parts of the story play out in front of them. Show the interesting parts of your story and tell the rest.

5. Write Good Dialogue

Good dialogue comes from two things: intimate knowledge of your characters and lots of rewriting.

Each character must have a unique voice, and to make sure your characters all sound different, read each character’s dialogue and ask yourself, “Does this sound like my character?” If your answer is no, then you have some rewriting to do. (Want more character development tips? Click here. )

Also, with your speaker tags , try not to use anything but “he said” and “she said.” Speaker tags like “he exclaimed,” “she announced,” and “he spoke vehemently” are distracting and unnecessary. The occasional “he asked” is fine, though.

6. Write About Death

Think about the last five novels you read. In how many of them did a character die?

Best-selling fiction often involves death. Harry Potter , The Hunger Games , Charlotte’s Web , The Lord of the Rings , and more all had main characters who died.

Death is the universal theme because every person who lives will one day die. You could say humans versus death is the central conflict of our lives. Tap the power of death in your storytelling .

7. Edit Like a Pro

Most professional writers have an established writing process that often involves writing three drafts or more. The first draft is often called the “vomit draft” or the “shitty first draft.” Don’t share it with anyone! Your first draft is your chance to explore your story and figure out what it’s about.

Editing is often the part of the writing process that causes the most anxiety, but it's necessary. Your second draft isn’t for polishing, although many new writers will try to polish as soon as they can to clean up their embarrassing first draft.

Instead, the second draft is meant for major structural changes (make sure it's a complete story!), for cleaning up any plot holes, or for clarifying the key ideas if you're writing a non-fiction book. This is where you make sure your story is complete, has believable characters (they should have character names now!), and that everything makes sense.

(Need a refresher on the basics of story structure? Click here .)

The third draft is for deep polishing. Now is when everything starts to gel. This is the fun part! But until you write the first two drafts, polishing is probably a waste of your time.

8. Know the Rules, Then Break Them

Good writers know all the rules for the type of story they're writing and follow them. Great writers know all the rules and break them .

However, the best writers don’t break the rules arbitrarily. They break them because their stories require a whole new set of rules.

Respect the rules, but remember that you don’t serve the rules. You serve your stories.

9. Defeat Writer’s Block

The best way to defeat writer's block is to write. If you’re stuck, don’t try to write well. Don’t try to be perfect. Just write.

Sometimes, to write better stories, you have to start by taking the pressure off and just writing.

10. Share Your Work

You write better when you know someone will soon be reading what you’ve written. If you write in the dark, no one will know if you aren’t giving your writing everything you have. But when you share your writing , you face the possibility of failure. This will force you to write the best story you possibly can and to amp up your creative writing skills with each story you write.

(Not quite ready to publish, but are interested in beta readers? Read our definitive guide on beta readers here .)

One of the best ways to write a story and share your writing is to enter a writing contest . The theme will inspire a new creation, the deadlines will keep you accountable, and the prizes will encourage you to submit—and maybe win! We love writing contests here at The Write Practice. Why not enter our next one ?

How to Write a GOOD Story

All these tips will help you write a story. The trick to writing a good story? Practice. Practice on a daily basis if you can with a regular writing schedule.

Do you have a story to tell?

Take fifteen minutes to start. Write the first draft of a short story in one sitting using the tips above.

Need a prompt to get started? Try this one: She was pretty sure that tree hadn't been there yesterday.

Then, share your story in the practice box below. (Now you're practicing tip #10!) And if you share your practice, be sure to leave feedback on a few practices by other writers, too. Excited to see your story take shape!

creative writing story

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Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

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Picture Prompts

125 Picture Prompts for Creative and Narrative Writing

What story can these images tell?

Paper sits in a typewriter. The words “It was a dark story night” have already been typed.

By The Learning Network

For eight years, we at The Learning Network have been publishing short, accessible, image-driven prompts that invite students to do a variety of kinds of writing via our Picture Prompts column.

Each week, at least one of those prompts asks students: Use your imagination to write the opening of a short story or poem inspired by this image — or, tell us about a memory from your own life that it makes you think of.

Now we’re rounding up years of these storytelling prompts all in one place. Below you’ll find 125 photos, illustrations and GIFs from across The New York Times that you can use for both creative and personal writing. We have organized them by genre, but many overlap and intersect, so know that you can use them in any way you like.

Choose an image, write a story, and then follow the link in the caption to the original prompt to post your response or read what other students had to say. Many are still open for comment for teenagers 13 and up. And each links to a free Times article too.

We can’t wait to read the tales you spin! Don’t forget that you can respond to all of our Picture Prompts, as they publish, here .

Images by Category

Everyday life, mystery & suspense, relationships, science fiction, travel & adventure, unusual & unexpected, cat in a chair, happy puppy, resourceful raccoon, cows and cellos, people and penguins, opossum among shoes, on the subway, sunset by the water, endless conversation, falling into a hole, lounging around, sneaker collection, the concert, meadow in starlight.

creative writing story

Related Picture Prompt | Related Article

Public Selfies

Night circus, tarot cards, castle on a hill, security line, batman on a couch, reaching through the wall, beware of zombies, haunted house, familial frights, witches on the water, blindfolded, phone booth in the wilderness, shadow in the sky, a letter in the mail, hidden doorway.

creative writing story

Point of No Return

Darkened library, under the table, playing dominoes, looking back, a wave goodbye, out at dusk, conversation, walking away, alone and together, a new friend, heated conversation, up in a tree, hole in the ceiling, under the desk, at their computers, marching band, band practice, in the hallway, in the lunchroom, the red planet, tech gadgets, trapped inside, astronaut and spider, computer screen, special key, tethered in space, on the court, in the waves, city skateboarding.

creative writing story

Fishing in a Stream

Over the falls.

creative writing story

Under the Sea

Sledding in the mountains, cracked mirror, wilderness wayfaring, car and cactus, walking through town, tropical confinement, travel travails, roller coasters, atop the hill, climbing a ladder, under the ice, other selves.

Students 13 and older in the United States and Britain, and 16 and older elsewhere, are invited to comment. All comments are moderated by the Learning Network staff, but please keep in mind that once your comment is accepted, it will be made public and may appear in print.

Find more Picture Prompts here.

  • Writing Prompts

150+ Story Starters: Creative Sentences To Start A Story

The most important thing about writing is finding a good idea . You have to have a great idea to write a story. You have to be able to see the whole picture before you can start to write it. Sometimes, you might need help with that. Story starters are a great way to get the story rolling. You can use them to kick off a story, start a character in a story or even start a scene in a story.

When you start writing a story, you need to have a hook. A hook can be a character or a plot device. It can also be a setting, something like “A young man came into a bar with a horse.” or a setting like “It was the summer of 1969, and there were no cell phones.” The first sentence of a story is often the hook. It can also be a premise or a situation, such as, “A strange old man in a black cloak was sitting on the train platform.”

Story starters are a way to quickly get the story going. They give the reader a place to start reading your story. Some story starters are obvious, and some are not. The best story starters are the ones that give the reader a glimpse into the story. They can be a part of a story or a part of a scene. They can be a way to show the reader the mood of a story. If you want to start a story, you can use a simple sentence. You can also use a question or an inspirational quote. In this post, we have listed over 150 story starters to get your story started with a bang! A great way to use these story starters is at the start of the Finish The Story game .

If you want more story starters, check out this video on some creative story starter sentences to use in your stories:

150+ Creative Story Starters

Here is a list of good sentences to start a story with:

  • I’ve read about a million stories about princesses but never thought I could ever be one.
  • There was once a man who was very old, but he was wise. He lived for a very long time, and he was very happy.
  • What is the difference between a man and a cat? A cat has nine lives.
  • In the middle of the night, a boy is running through the woods.
  • It is the end of the world.
  • He knew he was not allowed to look into the eyes of the princess, but he couldn’t help himself.
  • The year is 1893. A young boy was running away from home.
  • What if the Forest was actually a magical portal to another dimension, the Forest was a portal to the Otherworld?
  • In the Forest, you will find a vast number of magical beings of all sorts. 
  • It was the middle of the night, and the forest was quiet. No bugs or animals disturbed the silence. There were no birds, no chirping. 
  • If you wish to stay in the Forest, you will need to follow these rules: No one shall leave the Forest. No one shall enter. No one shall take anything from the Forest.
  • “It was a terrible day,” said the old man in a raspy voice.
  • A cat is flying through the air, higher and higher, when it happens, and the cat doesn’t know how it got there, how it got to be in the sky.
  • I was lying in the woods, and I was daydreaming.
  • The Earth is a world of wonders. 
  • The fairy is the most amazing creature I have ever met.
  • A young girl was sitting on a tree stump at the edge of a river when she noticed a magical tree growing in the water.
  • My dancing rat is dressed in a jacket, a tie and glasses, which make him look like a person. 
  • In the darkness of the night, I am alone, but I know that I am not. 
  • Owls are the oldest, and most intelligent, of all birds.
  • My name is Reyna, and I am a fox. 
  • The woman was drowning.
  • One day, he was walking in the forest.
  • It was a dark and stormy night…
  • There was a young girl who could not sleep…
  • A boy in a black cape rode on a white horse…
  • A crazy old man in a black cloak was sitting in the middle of the street…
  • The sun was setting on a beautiful summer day…
  • The dog was restless…”
  • There was a young boy in a brown coat…
  • I met a young man in the woods…
  • In the middle of a dark forest…
  • The young girl was at home with her family…
  • There was a young man who was sitting on a …
  • A young man came into a bar with a horse…
  • I have had a lot of bad dreams…
  • He was a man who wanted to be king…
  • It was the summer of 1969, and there were no cell phones.
  • I know what you’re thinking. But no, I don’t want to be a vegetarian. The worst part is I don’t like the taste.
  • She looked at the boy and decided to ask him why he wasn’t eating. She didn’t want to look mean, but she was going to ask him anyway.
  • The song played on the radio, as Samual wiped away his tears.
  • This was the part when everything was about to go downhill. But it didn’t…
  • “Why make life harder for yourself?” asked Claire, as she bit into her apple.
  • She made a promise to herself that she would never do it.
  • I was able to escape.
  • I was reading a book when the accident happened.
  • “I can’t stand up for people who lie and cheat.” I cried.
  • You look at me and I feel beautiful.
  • I know what I want to be when I grow up.
  • We didn’t have much money. But we knew how to throw a good party.
  • The wind blew on the silent streets of London.
  • What do you get when you cross an angry bee and my sister?
  • The flight was slow and bumpy. I was half asleep when the captain announced we were going down.
  • At the far end of the city was a river that was overgrown with weeds. 
  • It was a quiet night in the middle of a busy week.
  • One afternoon, I was eating a sandwich in the park when I spotted a stranger.
  • In the late afternoon, a few students sat on the lawn reading.
  • The fireflies were dancing in the twilight as the sunset.
  • In the early evening, the children played in the park.
  • The sun was setting and the moon was rising.
  • A crowd gathered in the square as the band played.
  • The top of the water tower shone in the moonlight.
  • The light in the living room was on, but the light in the kitchen was off.
  •  When I was a little boy, I used to make up stories about the adventures of these amazing animals, creatures, and so on. 
  • All of the sudden, I realized I was standing in the middle of an open field surrounded by nothing but wildflowers, and the only thing I remembered about it was that I’d never seen a tree before.
  • It’s the kind of thing that’s only happened to me once before in my life, but it’s so cool to see it.
  • They gave him a little wave as they drove away.
  • The car had left the parking lot, and a few hours later we arrived home.
  • They were going to play a game of bingo.
  • He’d made up his mind to do it. He’d have to tell her soon, though. He was waiting for a moment when they were alone and he could say it without feeling like an idiot. But when that moment came, he couldn’t think of anything to say.
  • Jamie always wanted to own a plane, but his parents were a little tight on the budget. So he’d been saving up to buy one of his own. 
  • The night was getting colder, and the wind was blowing in from the west.
  • The doctor stared down at the small, withered corpse.
  • She’d never been in the woods before, but she wasn’t afraid.
  • The kids were having a great time in the playground.
  • The police caught the thieves red-handed.
  • The world needs a hero more than ever.
  • Mother always said, “Be good and nice things will happen…”
  • There is a difference between what you see and what you think you see.
  • The sun was low in the sky and the air was warm.
  • “It’s time to go home,” she said, “I’m getting a headache.”
  • It was a cold winter’s day, and the snow had come early.
  • I found a wounded bird in my garden.
  • “You should have seen the look on my face.”
  • He opened the door and stepped back.
  • My father used to say, “All good things come to an end.”
  • The problem with fast cars is that they break so easily.
  • “What do you think of this one?” asked Mindy.
  • “If I asked you to do something, would you do it?” asked Jacob.
  • I was surprised to see her on the bus.
  • I was never the most popular one in my class.
  • We had a bad fight that day.
  • The coffee machine had stopped working, so I went to the kitchen to make myself a cup of tea.
  • It was a muggy night, and the air-conditioning unit was so loud it hurt my ears.
  • I had a sleepless night because I couldn’t get my head to turn off.
  • I woke up at dawn and heard a horrible noise.
  • I was so tired I didn’t know if I’d be able to sleep that night.
  • I put on the light and looked at myself in the mirror.
  • I decided to go in, but the door was locked.
  • A man in a red sweater stood staring at a little kitten as if it was on fire.
  • “It’s so beautiful,” he said, “I’m going to take a picture.”
  • “I think we’re lost,” he said, “It’s all your fault.”
  • It’s hard to imagine what a better life might be like
  • He was a tall, lanky man, with a long face, a nose like a pin, and a thin, sandy moustache.
  • He had a face like a lion’s and an eye like a hawk’s.
  • The man was so broad and strong that it was as if a mountain had been folded up and carried in his belly.
  • I opened the door. I didn’t see her, but I knew she was there.
  • I walked down the street. I couldn’t help feeling a little guilty.
  • I arrived at my parents’ home at 8:00 AM.
  • The nurse had been very helpful.
  • On the table was an array of desserts.
  • I had just finished putting the last of my books in the trunk.
  • A car horn honked, startling me.
  • The kitchen was full of pots and pans.
  • There are too many things to remember.
  • The world was my oyster. I was born with a silver spoon in my mouth.
  •  “My grandfather was a World War II veteran. He was a decorated hero who’d earned himself a Silver Star, a Bronze Star, and a Purple Heart.
  • Beneath the menacing, skeletal shadow of the mountain, a hermit sat on his ledge. His gnarled hands folded on his gnarled knees. His eyes stared blankly into the fog. 
  • I heard a story about a dragon, who was said to be the size of a house, that lived on the top of the tallest mountain in the world.
  •  I was told a story about a man who found a golden treasure, which was buried in this very park.
  • He stood alone in the middle of a dark and silent room, his head cocked to one side, the brown locks of his hair, which were parted in the middle, falling down over his eyes.
  •  Growing up, I was the black sheep of the family. I had my father’s eyes, but my mother’s smile.
  • Once upon a time, there was a woman named Miss Muffett, and she lived in a big house with many rooms.
  • When I was a child, my mother told me that the water looked so bright because the sun was shining on it. I did not understand what she meant at the time.    
  •  The man in the boat took the water bottle and drank from it as he paddled away.
  • The man looked at the child with a mixture of pity and contempt.
  • An old man and his grandson sat in their garden. The old man told his grandson to dig a hole. 
  • An old woman was taking a walk on the beach. The tide was high and she had to wade through the water to get to the other side.
  • She looked up at the clock and saw that it was five minutes past seven.
  • The man looked up from the map he was studying. “How’s it going, mate?”
  • I was in my room on the third floor, staring out of the window.
  • A dark silhouette of a woman stood in the doorway.
  • The church bells began to ring.
  • The moon rose above the horizon.
  • A bright light shone over the road.
  • The night sky began to glow.
  • I could hear my mother cooking in the kitchen.
  • The fog began to roll in.
  • He came in late to the class and sat at the back.
  • A young boy picked up a penny and put it in his pocket.
  • He went to the bathroom and looked at his face in the mirror.
  • It was the age of wisdom and the age of foolishness. We once had everything and now we have nothing.
  • A young man died yesterday, and no one knows why.
  • The boy was a little boy. He was not yet a man. He lived in a house in a big city.
  • They had just returned from the theatre when the phone rang.
  • I walked up to the front of the store and noticed the neon sign was out.
  • I always wondered what happened to Mary.
  • I stopped to say hello and then walked on.
  • The boy’s mother didn’t want him to play outside…
  • The lights suddenly went out…
  • After 10 years in prison, he was finally out.
  • The raindrops pelted the window, which was set high up on the wall, and I could see it was a clear day outside.
  • My friend and I had just finished a large pizza, and we were about to open our second.
  • I love the smell of the ocean, but it never smells as good as it does when the waves are crashing.
  • They just stood there, staring at each other.
  • A party was in full swing until the music stopped.

For more ideas on how to start your story, check out these first-line writing prompts . Did you find this list of creative story starters useful? Let us know in the comments below!

150 Story Starters

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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A blog for students of creative writing at York St John University

creative writing story

The Theme of Unspoken Stories – Beyond the Walls 2024

Initially, when I think of an unspoken story, I imagine a mystery novel that is impossible to follow and leaves you feeling more confused than ever. I also imagine gentle poetry written for a secret lover that no one would understand at first glance. For me, that would be ‘A Red, Red Rose’ by Robert Burns which at first was beyond difficult to decipher.

But upon reading people’s work, talking amongst my fellow authors and listening to the Unspoken Stories podcast (wink, wink, subtle promotion). I have come to a somewhat better understanding of the theme ‘unspoken’.

Unspoken stories are stories we otherwise would keep to ourselves, not ready to show to the ever judging public, stories we may keep close to our hearts for they are written from a personal experience. The theme of an unspoken story doesn’t have to follow the mystery route or a romantic poem, it can follow any genre you put your heart to.

What I learnt and saw was that this specific theme for the anthology allows people to come together who have an uncommon yet shared experience which in itself is beautiful and unique. It brings people together who otherwise would never have spoken or even known they share a similar interest or history.

Although, unspoken doesn’t necessarily mean unheard of. An unheard story has never been written before and isn’t implied in any kind of manner whereas unspoken may not be said in a straightforward manner but can be implied in many, many different ways. I personally find that an unspoken story is almost like a love letter, that might be the romance author in me, but truly, any story that I haven’t heard about before or haven’t read about is truly beautiful.

When I had learned what this theme meant, I quickly realised that most stories are unspoken, I myself have many hidden away in old note books and in the endless files of my Drive, and technically even those cringe Wattpad fanfics and stories we read as impressionable twelve year olds (don’t try to deny it, we’ve all been there) are unspoken.

Mental health was something I found was very helpful amongst authors who wrote from an anonymous stand point as it allowed them to freely speak of their personal and perhaps hidden mental health problems without fear of judgement from the people they know. I found this very moving and think it is another example of how beautiful the theme of unspoken stories actually is.

So, there it is, the theme of Unspoken Stories written by a procrastinating second year student who found this theme to be utterly confusing and complicated to understand. It has been a strange learning journey but I think/hoped I managed to convey what the theme of unspoken truly means. But then again, any unspoken story is one we haven’t heard before, right?

Phoebe Rogers

Phoebe Rogers (she/her) is a twenty-one second year student at York St John with a love for writing sloppy romance stories with twists of real life inspiring hidden amongst the pages.

In 2023-24 , Articles , Beyond the Walls

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Writers Retreat: Grasmere 2024

What the editors read in april.

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From writing to roleplays: ASU grad shares her experiences as a student, worker and creative force on campus

Editor’s note:  This story is part of a series of profiles of  notable spring 2024 graduates .

Profile photo of Grace

Grace Peserik, a writer for ASU Student Life and a communications aide for the School of Politics and Global Studies , spends her time outside of work writing fiction and playing tabletop roleplay games.

Now, as she prepares for graduation this spring, Peserik reflects on both her studies as an English literature major through The College of Liberal Arts and Sciences and her favorite memories as a Sun Devil at work. 

The start of Peserik’s academic career at ASU was rather untraditional. She started taking classes during the COVID-19 pandemic in fall 2020, which was a difficult adjustment compared to the normal trajectory from high school into college life. 

“It made my first year of college feel like we were in a limbo state,” Peserik said. “It was very odd for me personally because it is much harder to meet people and make friends when you are essentially on lockdown in your dorm.”

Since the height of the pandemic, Peserik has adjusted and found friends and communities she can engage with on campus. 

Work experiences on campus

Before taking on her dual communications positions for Arizona State University as a student employee, Peserik began as an office aide for  the ASU School of Art . Throughout her professional work experience, Peserik has had a wide range of responsibilities that have helped prepare her for entering the job market post-graduation. 

“A lot of these positions have taught me to be more willing to advocate for myself and to feel confident in the things I am doing,” Peserik said. “As a writer, it is really critical to have those good communication skills.” 

Perserik first honed her prose as a creative writer, working through genres ranging from young adult to sci-fi and fantasy. During her time with ASU Student Life, she has worked closely with many Sun Devils to help tell their stories on and off campus. 

“One of my favorite pieces I’ve written at ASU Student Life was about a roleplaying game through Solis Diaboli ,” Peserik said. “It was one of the first stories that I pitched, and it was a fun piece to write.”

When asked about the importance of her work at ASU Student Life, Peserik expressed a sincere appreciation for the stories she got to tell during her employment. One of the latest pieces she worked on was about the Special Supplemental Nutrition Program for Women, Infants and Children, also known as WIC.

“That one was a fairly big undertaking and took a lot of work to make happen,” Peserik said. “I am very proud that it's out there.” 

Peserik enjoyed her time as a student employee at ASU and highly recommended it to other Sun Devils searching for reliable and adaptable employment. 

“Student jobs are a great way to meet other people that aren’t necessarily in your major or academic program,” Peserik said. “Who doesn’t want to get a job that will also work around your school schedule?” 

Life as an ASU student

One of Peserik’s favorite memories as an ASU student came about through a forensic anthropology class she took in her first year, a course she selected to fulfill her major’s science requirement. It taught her early on to explore the wide range of classes available at ASU, even if it isn’t one she would normally go for.

“I was told I needed to take a science class, and it was the only one that sounded particularly interesting to me,” Peserik said. “I learned so much about the human skeleton and the different ways to identify people based off their skeletal structure. You can tell what gender someone was assigned at birth from different aspects of their skull alone.”

During her time as a Sun Devil, Peserik has found hobbies outside of work and class, predominantly manifesting in her involvement with Solis Diaboli , the classical civilizations club at ASU alluded to above. She began her time with the club as a traditional member and eventually took on the role of president, having held office for close to two years. 

“Solis Diaboli is essentially a bunch of people who enjoy Greco-Roman history getting together and playing games related to that,” Peserik said. “As president, I mostly planned our meetings and any of the fun events that we hosted.” 

One of the events Peserik cherished during her time with Solis Diaboli was an escape room she helped build for their team. Peserik and others transformed a classroom into a wild, Greek mythology-themed space. 

“The club members definitely made the escape room unsolvable,” Peserik said, reflecting on that night with a smile. “They broke more than one puzzle in trying to get out, but it was really fun, at the end of the day.” 

Not only did Solis Diaboli give Peserik a community of friends on campus, but it also connected her to her long-term boyfriend. 

“Not to sound mushy, but one of my favorite memories as a student has to be meeting my boyfriend here,” Peserik said. “I technically met him through Solis Diaboli, but I didn’t acknowledge him fully until we had a class together. From then on, he and I became very close friends and then ended up dating.” 

In Peserik’s own words, all of her creative work also ties back to tabletop roleplay games, a hobby that she and her friends can join together in, suspending belief and relishing in a uniquely innovative atmosphere. Peserik gets to not only play these games, but she also takes on the role of writer from time to time, developing the plots and settings her friends then get to explore. 

“I’m excited for this upcoming game we’re starting up,” Peserik said. “I’m writing a very weird Star Wars-esque story and making my friends play it. Our first session is next weekend.” 

After her graduation this spring, Peserik is looking forward to pursuing a career that involves writing, such as content writing or running social media accounts for large companies. Her dream job is to one day write fiction full-time. 

To find Peserik’s work for ASU Student Life, read more of our student stories here.

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College delegation presents at creative writing festival

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Clatsop Community College participated in the Raymond Carver and Tess Gallagher Creative Writing Festival in Port Angeles, Washington, from April 25 to April 27.

Associated Student Government president and creative writing major Asher Finch, along with writing instructor Kama O'Connor, did a presentation at the event about the work that is put into Rain Magazine, the college's annual literary publication. Joining Finch and O'Connor, adjunct writing faculty Marianne Monson read from her novel, "The Opera Sisters."

The delegation participated in various conference activities, including academic panels, plenary talks and special events. Over the course of the three-day event, they also had discussions with English faculty from colleges across the Pacific Northwest, exploring potential partnerships and collaborations.

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creative writing story

Vicky Nordlund And Room 224: Rockville High School's Writing Legacy

V ERNON, CT — The teacher who has statistically been the top creative writing coach in Connecticut for the past several years was almost at a loss for words Wednesday.

"I'm emotional ... it's been emotional," Vicky Nordlund said from Room 224 at Rockville High School. "I'm moving stuff around that I want to pass on, packing things I want to keep. Yes ... it's emotional."

This is Nordlund's last semester at RHS after announcing her retirement earlier in the school year. It's No. 34 at RHS — all in Room 224.

In the words of Joyce Hida, a 2017 RHS graduate and a 2021 University of Pennsylvania graduate who currently works in communications for a law firm, "Nordland's World never leaves you."

Room 224 ... Rockville High School ...

For three decades, it's been the epicenter for thinking, creating, sharing, comfort in both joy and solace — and winning — with the RHS creative writing students averaging nearly 100 state, regional and national awards over the past several years, easily tops in Connecticut.

"And this is a public school," Nordlund is quick to say. "When you see who else is winning, it's private schools ... and Greenwich (High School). This is a special place and a special program."

Added, Hida, "The room is a manifestation of how to teach writing at all levels, plus the collective history that has been assembled. You think of the room and say, 'Oh s---, oh my God,' and realize all this is a connection to history and what a great teacher and author she is in her own right. It's always been our own room ... it's writing as a visual art. This has been always a serious class in a whimsical, beautiful, historic room."

And Room 224 has taken on a life of its own over the past 34 years. Norlund cals it "magical." One is greeted by gnomes, a giraffe couch, gargoyles, comfy chairs, posters from Broadway plays students and Nordlund have seen, and murals and quotes on the walls.

There is an entire section of Thank You notes from students, adjacent to national medals.

And THE PODIUM.

RHS Senior Jenny Michaud cherishes THE PODIUM.

"This room has helped me grow so much as a person," she said. "When I first came here, I was quiet. Now, I'm comfortable in a room full of people."

She shared a recent experience when she read at the Sunken Garden Poetry Festival at the Hill-Stead Museum in Farmington.

"In the days leading up to it, I thought I'd be nervous," she said. "Then, I got there, walked in and I wasn't. The class not only teaches writing, put public speaking."

How respected is Nordland? Take a recent honors program overview session at Eastern Connecticut State University, for example. As students were filing in, Dean of Arts and Sciences Emily Todd introduced herself to after noticing the RHS creative writers hoodie on one student.

"I see you are in Vicky's class," Todd said. "You know, we are looking for well-rounded liberal arts students for the honors program, not just the student who does well on the SAT."

Taking the hint, the student applied, was accepted and will attend Eastern as an honors student.

Another school district in the state is building a creative writing based on Rockville's model.

RHS Principal Jason Magao was complimentary.

"It has been my sincere pleasure to work with Mrs. Victoria Nordlund over the past none years," he said. "She is both a talented teacher and writer herself and the students of Rockville High School have benefited tremendously from her insights. I wish her all the best in retirement."

Retirement has translated into some sadness for RHS junior Athena Lavigne but one consolation prize might be preserving Room 224's character. She is spearheading a "save the murals" petition. If she can't have Nordlund, she is reasoning, maybe the students can keep the vibe alive.

"This room means comfort and growth — those are the two words that come to mind immediately," she said. "So much growth comes out of this room. It also feels like home, not a classroom. It's a creative space, a comfortable space. This room creates an environment in which children want to learn."

The petition, she said, is conceptual now. She added, though, it's a serious sentiment.

"This room turns school into a place you want to be," she said. "This room means acceptance."

Senior Kim Yankson pointed to the "history" of the room.

"There is a lot of history in here," she said. "And it's not only the past, but my four years here. We should keep the majesty of this room intact. It means so much to people."

Nordlund said she'll miss teaching, but retirement won't be reserved for just sipping wine while tailgating at concerts. She will travel a bit to lead writing workshops, work at the mark Twain House and finishing more of her own works. She has already had her work published several times.

"I'm very emotional, but I'll be ok," she said. "What's wonderful is all the students who have kept in touch. It's not just the Thank You notes throughout the years, but phone calls and messages on Facebook. The classes will live on and it will always be a part of us."

The article Vicky Nordlund And Room 224: Rockville High School's Writing Legacy appeared first on Vernon Patch .

This is Vicky Nordlund's last semester at RHS after announcing her retirement earlier in the school year. It's No. 34 at RHS — all in Room 224.

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Book News & Features

Ai is contentious among authors. so why are some feeding it their own writing.

Chloe Veltman headshot

Chloe Veltman

A robot author.

The vast majority of authors don't use artificial intelligence as part of their creative process — or at least won't admit to it.

Yet according to a recent poll from the writers' advocacy nonprofit The Authors Guild, 13% said they do use AI, for activities like brainstorming character ideas and creating outlines.

The technology is a vexed topic in the literary world. Many authors are concerned about the use of their copyrighted material in generative AI models. At the same time, some are actively using these technologies — even attempting to train AI models on their own works.

These experiments, though limited, are teaching their authors new things about creativity.

Best known as the author of technology and business-oriented non-fiction books like The Long Tail, lately Chris Anderson has been trying his hand at fiction. Anderson is working on his second novel, about drone warfare.

He says he wants to put generative AI technology to the test.

"I wanted to see whether in fact AI can do more than just help me organize my thoughts, but actually start injecting new thoughts," Anderson says.

Anderson says he fed parts of his first novel into an AI writing platform to help him write this new one. The system surprised him by moving his opening scene from a corporate meeting room to a karaoke bar.

Authors push back on the growing number of AI 'scam' books on Amazon

"And I was like, you know? That could work!" Anderson says. "I ended up writing the scene myself. But the idea was the AI's."

Anderson says he didn't use a single actual word the AI platform generated. The sentences were grammatically correct, he says, but fell way short in terms of replicating his writing style. Although he admits to being disappointed, Anderson says ultimately he's OK with having to do some of the heavy lifting himself: "Maybe that's just the universe telling me that writing actually involves the act of writing."

Training an AI model to imitate style

It's very hard for off-the-shelf AI models like GPT and Claude to emulate contemporary literary authors' styles.

The authors NPR talked with say that's because these models are predominantly trained on content scraped from the Internet like news articles, Wikipedia entries and how-to manuals — standard, non-literary prose.

But some authors, like Sasha Stiles , say they have been able to make these systems suit their stylistic needs.

"There are moments where I do ask my machine collaborator to write something and then I use what's come out verbatim," Stiles says.

The poet and AI researcher says she wanted to make the off-the-shelf AI models she'd been experimenting with for years more responsive to her own poetic voice.

So she started customizing them by inputting her finished poems, drafts, and research notes.

"All with the intention to sort of mentor a bespoke poetic alter ego," Stiles says.

She has collaborated with this bespoke poetic alter ego on a variety of projects, including Technelegy (2021), a volume of poetry published by Black Spring Press; and " Repetae: Again, Again ," a multimedia poem created last year for luxury fashion brand Gucci.

Stiles says working with her AI persona has led her to ask questions about whether what she's doing is in fact poetic, and where the line falls between the human and the machine.

read it again… pic.twitter.com/sAs2xhdufD — Sasha Stiles | AI alter ego Technelegy ✍️🤖 (@sashastiles) November 28, 2023

"It's been really a provocative thing to be able to use these tools to create poetry," she says.

Potential issues come with these experiments

These types of experiments are also provocative in another way. Authors Guild CEO Mary Rasenberger says she's not opposed to authors training AI models on their own writing.

"If you're using AI to create derivative works of your own work, that is completely acceptable," Rasenberger says.

Thousands of authors urge AI companies to stop using work without permission

Thousands of authors urge AI companies to stop using work without permission

But building an AI system that responds fluently to user prompts requires vast amounts of training data. So the foundational AI models that underpin most of these investigations in literary style may contain copyrighted works.

Rasenberger pointed to the recent wave of lawsuits brought by authors alleging AI companies trained their models on unauthorized copies of articles and books.

"If the output does in fact contain other people's works, that creates real ethical concerns," she says. "Because that you should be getting permission for."

Circumventing ethical problems while being creative

Award-winning speculative fiction writer Ken Liu says he wanted to circumvent these ethical problems, while at the same time creating new aesthetic possibilities using AI.

So the former software engineer and lawyer attempted to train an AI model solely on his own output. He says he fed all of his short stories and novels into the system — and nothing else.

Liu says he knew this approach was doomed to fail.

That's because the entire life's work of any single writer simply doesn't contain enough words to produce a viable so-called large language model.

"I don't care how prolific you are," Liu says. "It's just not going to work."

Liu's AI system built only on his own writing produced predictable results.

"It barely generated any phrases, even," Liu says. "A lot of it was just gibberish."

Yet for Liu, that was the point. He put this gibberish to work in a short story. 50 Things Every AI Working With Humans Should Know , published in Uncanny Magazine in 2020, is a meditation on what it means to be human from the perspective of a machine.

"Dinoted concentration crusch the dead gods," is an example of one line in Liu's story generated by his custom-built AI model. "A man reached the torch for something darker perified it seemed the billboding," is another.

Liu continues to experiment with AI. He says the technology shows promise, but is still very limited. If anything, he says, his experiments have reaffirmed why human art matters.

"So what is the point of experimenting with AIs?" Liu says. "The point for me really is about pushing the boundaries of what is art."

Audio and digital stories edited by Meghan Collins Sullivan .

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R.O. Kwon Is Writing Into Desire

By Keziah Weir

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“I’m so obsessed with every word, every comma of a novel, that it was initially hard for me to contemplate letting go,” R.O. Kwon says of the screen adaptation of her best-selling 2019 debut novel, The Incendiaries. “My first reaction for half a day was like, ‘Well, guess I’m just going to learn how to make TV shows.’” But publishing has brimmed with lessons in surrender for the writer. “I was just like, ‘Well, no, I've read exactly one script of my life. I’m not versed in this.’” She relinquished control to two filmmakers whose work she admires. A collaboration between screenwriter Lisa Randolph ( Jessica Jones , Prodigal Son ) and director Kogonada ( Columbus, Pachinko ) is now underway.

She’s found other outlets for her comma tinkering. In 2014, Kwon started writing Exhibit (Riverhead) , and over the intervening decade has polished it so it glitters like a garnet in firelight. “I want the prose to get to a place where I can pick it up at random, read two sentences and not want to change anything about those sentences.” In the novel, a Korean American photographer named Jin finds herself creatively blocked at the same time her husband’s longing to become a father diverges painfully from her own desire to remain childless. An injured ballerina named Lidija, whom she meets at a party, unleashes both an artistic and a sensual awakening.

Kwon, who lives in San Francisco (“the long-term plan is to be here until climate change chases us out”), says that Exhibit bloomed from her longtime appreciation of photography and its “complicated and fraught relationship to reality, and to hanging on to a little bit of time, a little bit of the past” along with a more recently discovered love of dance. While watching a San Francisco Ballet performance of Alexei Ratmansky’s Shostakovich Trilogy, “I had this full body experience while watching, where I thought the dancers’ bodies—like, the cells —were directly talking to my body.” Kwon took introductory photography and ballet classes in an attempt to capture the bodily sensation of creating both art forms.

Earlier this year, Kwon wrote an essay about why she hopes her parents won’t read the book, given its frank depictions of lust and queerness—subjects into which Kwon took an exploratory dip with the best-selling 2021 story anthology Kink, which she co-edited with Garth Greenwell. It comprises fiction that explores desire from such authors as Alexander Chee, Melissa Febos, Roxane Gay, and Chris Kraus. Kwon’s own story, “Safeword,” was first published by Playboy and centers on a man navigating his girlfriend’s newly disclosed submissive sexual desires with a joint visit to a dominatrix.

“One of the strongest antidotes to the deepest kinds of loneliness, the worst shame I have felt, has been the fellowship I have found in literature and other people’s art,” Kwon says. “That's a guiding principle for me in my work. I so badly want to meet other people’s loneliness and other people’s solitude and other people’s shame.”

This interview has been edited and condensed for clarity.

Vanity Fair: Where did the book start for you?

R.O. Kwon: One of the first sparks for the book was that I was interested in what, as a woman, I feel allowed and encouraged to want, and what I feel pressured to hide my desire for. I wanted to have women on the page who want a great deal, to see what happens if they're given a space to run after what they desire. Ambition continues to feel like a really fraught thing for, I think especially, my woman artist friends and woman writer friends to even say out loud. Saying the words, "I am an ambitious woman" still feels really dangerous.

Jin, like the narrators in The Incendiaries and in your short story “Safe Word,” was raised Christian and lost their faith, which I know is something that you experienced too. But both of those narrators were white men. Of course, I understand that Jin is fictional, and that you are not Jin, but I am curious about the difference between writing a narrator who feels biographically, on paper, different or more similar to you.

With The Incendiaries, it wasn't as though I walked in telling myself, I'm going to write a book from the point of view of a white man. It was actually initially told from Phoebe, the Korean woman’s point of view, and that ended up changing. I believe very strongly in following the book's desires and needs, and not imposing what I think the book should be.

But with this book, I wanted very much to write from a Korean woman's point of view, and to not let the book morph again, in that way, if at all possible. In retrospect, I thought that maybe part of why that happened with The Incendiaries, it could have been some part of me was trying to protect myself a little. A lot of people seem to assume that Phoebe was a stand-in character for me, which was definitely a little wild because I was like, I haven't bombed an abortion clinic! That was definitely the most common question: How autobiographical was this book? And my goodness, well, I haven't done that.

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I wanted to let myself be much more unprotected in this book. Sex is at the center of this book. And being Korean, ex-Catholic, and ex-Christian, part of the journey of this book has involved some of the most overwhelming anxiety and panic that I've ever experienced in my life.

I'm sorry!

Part of me would just be watching myself and being like, you did this to yourself. Why? No one made you do this. No one made you write this very queer, kinky novel.

It's still true that every cell in my body seems to feel convinced that…honestly, a message I keep hearing is: You're going to be killed. It wasn't that long ago that a Korean woman could be divorced for talking too much. You could be divorced for—this one kills me, I flew into a day’s outrage about this—you could be divorced for moving during sex. And at the time, being divorced was a death sentence. I'm just not that far removed from when that was true. And my body's fully aware that giving any hint to the world that I've ever had sex is such a rule-breaking thing. I'm pretty sure I haven't even told my grandmother I’m queer. I just let her live her life in peace. She almost certainly thinks being queer is an illness. It's just not that uncommon. It's not just my grandmother's generation, at all.

Part of the deep anxiety about this has also come from the ways in which I write about sexuality and kink, especially Jin's sexuality, is that it can be misinterpreted as aligning exactly with some of the most harmful stereotypes about people who look like me. That we’re submissive, hypersexual, compliant, that we’re up for being mistreated. But I do believe that turning away from naming what I feel compelled to name, that itself brings its own harm.

I think a lot about something that my friend Garth Greenwell said. I'm paraphrasing, but he said something like, "I'm not writing for people who think I'm disgusting. I'm writing for people who already think I'm beautiful." Jin clearly has very conflicted feelings about her desires, and is working through those conflicted feelings. I hoped that this book would at least in part turn into or turn toward a celebration of our bodies, and a celebration of bodies who are told that we don't get to want what we want.

In talking about her lack of a desire to have a child, Jin says that she can't argue the urge into being, which felt like such a parallel to the surety or lack thereof about faith in God.

That was one obsession of the book, these different ways—with faith, with wanting children or not, with sexual desire, with appetites in general, including for food—that our bodies are so powerful. I haven't been able to—and I've tried—I can't argue myself into believing in a Christian God. Again, I can't argue myself into or out of sexual desire. I am fascinated by the ways in which I haven't been able to ever reason or argue myself out of who I seem to be and what I want and what I believe.

I have friends and loved ones who so desperately want kids. And I know how absolutely, with all my being, I've never had that desire. With Jin and her husband, she, even more adamantly than I do, doesn't want kids. I always said if my partner woke up one day realizing he definitely wants kids, then I've told him, we will work with that and figure something out. But for Jin, it's further along on the spectrum than I am. She's just like, "I can't imagine this." And so there's the profound heartbreak of what do you then do when your life becomes incompatible with someone you love very much?

There’s another love story of sorts—the ghost of a kisaeng starts speaking to Jin.

The kisaeng story, the bare bones of the double suicide, with someone who was going to marry her, that's very loosely based on a family story. It has been fascinating to me, in part, because some of the family stories I've heard most often, and I really haven't heard that many family stories, have to do with people blowing up their lives for love. This became especially personal to me when the conflict that Jin has with her parents, where they didn't want to, where they say, "If you don't have a marriage in the church then we won't come." My parents said that to me. I took a less hard-line position. I’m so not Christian. That said, I thought, if this matters so much to y’all, then all right, whatever. We can have a priest involved.

The kisaeng who plays this large role in my own family's mythology, her name hasn't survived. I plunged into research, which itself started feeling really restrictive, because I just became increasingly obsessed with needing the historical details to be exactly right. And at one point, what became very liberating was I read about Korean men in Korea looking through Korean history and anointing people of the past as queer ancestors, because of all the ways in which queer people are erased from history. That really liberated me. I was like, You know what? We're talking about a ghost, channeled through a shaman, and she can fly. I can make some things up.

One of my biggest pleasures in a book is finding a character from another one of the author’s books—and I got that in The Exhibit, with a visit from the world of The Incendiaries.

There's a part of me that almost believes that an ideal version of a book pre-exists me. And I feel less that I'm making anything up with fiction, and that I’m more working my way toward a book that's already there. Honestly, that feels more reassuring than...

That you're liberating a form rather than having to find it yourself.

That way it’s not the wide open vista of infinite choice, but instead working my way toward liberating, like a sculpture out of a rock. The world of The Incendiaries feels to me as though it almost exists. When I feel extra down about the world, I sometimes turn to quantum physics for consolation, the articles and books that are for lay people. I love reading that there are infinite versions of the world, and in ways that almost exceed language. In The Incendiaries, a world where those abortion clinics were bombed, that version of the world, it seems to exist to me. It still felt so vibrant, that it felt natural for the world of Exhibit to also belong there.

I'm most likely working toward either a trilogy or triptych, or a quartet, of books where they're very loosely connected. But where what happens in the past, in these past books, continues to exist in future books. I think Jin's photos—I mean, who knows, it's early days—I think Jin's photos will show up in the next book.

It sounds like you're already working on that third book.

I'm having more trouble really pulling myself into fiction than I've ever had. It's been really disorienting. It just remains such a central terror, that terror Jin feels in Exhibit , her fear that the photos have left. Because it does happen sometimes. Every now and then, there are artists who just don't ever write again, don't make their art again. I’m so afraid that the words have left. But I'm trying to be patient, and I've been storing up, and I've been collecting accounts of writers who fall into years of quiet, because I know my mind and body are at their best when I’m writing fiction every day. And currently I’m not able to, but I'm trying.

Below, Kwon shares some of the creative inspirations behind Exhibit.

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When is Teacher Appreciation Week 2024? How to celebrate the educators in your life

Second to parents, teachers probably spend the most time with youngsters, playing a huge role in shaping the minds of tomorrow. And now it's time to show them a little love, celebrating them during Teacher Appreciation Week.

Here's what to know about Teacher Appreciation Week and what you can do for the teachers in your life.

It's Teacher Appreciation Week: Here's how to show your appreciation

When is Teacher Appreciation Week 2024?

In 2024, Teacher Appreciation Week is May 6 to 10. It's always the first full week of May, according to Teachers of Tomorrow .

What is Teacher Appreciation Week?

The week is a time to show teachers and educators appreciation for their dedication and hard work. According to Teachers of Tomorrow, they take on a "tremendous responsibility" shaping the minds of their students and preparing them for the future.

How did Teacher Appreciation Week begin?

In the 1950s, a teacher named Mattie Whyte Woodridge began a push for a national day to honor teachers, according to Teachers of Tomorrow. Eleanor Roosevelt took up the cause, and in 1953 persuaded Congress to establish a day. Then, in 1986, the National Education Association successfully lobbied to turn it into a full week.

Teacher Appreciation Week gifts: 12 best personalized teacher gifts

How to show appreciation to teachers

Teachers of Tomorrow has many suggestions on how parents and students can show their appreciation.

Students can write a letter to their teacher or create a presentation. They can bring a meaningful gift, like the teacher's favorite candy, a personalized coffee mug or gift certificate to the teacher's favorite store. Students can also organize a surprise celebration or a class gift.

Teach Appreciation Week isn't just for students.

Parents can volunteer at the school, write a letter or create a social media post supporting their child's favorite teacher, or help decorate the classroom.

The National PTA also suggests donating school supplies. The PTA has a toolkit available to help throw a little creativity into cards, certificates, fliers and social media graphics to thank teachers.

The National Education Association is looking for stories of extraordinary educators. You can submit one online as well as share a message on social media, tagging @NEAToday, and using the hashtag #ThankATeacher.

Teacher Appreciation Week deals

Teach for America has a long list of deals available for Teacher Appreciation Week, including:

  • Apple : For faculty, staff, and homeschool teachers of all grade levels, Apple offers a range of special savings and pricing on Apple Music, Macs and iPads, select accessories, and more.
  • Dell : Public school teachers and K-12 students receive exclusive discounts on select laptops, desktops, tablets, and other Dell products and accessories through Dell's Member Purchase Program.
  • Jo-Ann Fabric : Snag a Teacher Rewards Discount Card for 15% off every purchase year-round.
  • Michael’s : Teachers get 15% off purchases at this craft superstore.
  • Barnes & Noble : Receive 20% off purchases for the classroom and enjoy discounts of up to 25% off the publisher’s list price during Educator Appreciation Days.
  • Books-A-Million : Receive free custom quotes for your classroom, special pricing on shipping, bulk orders and more when you sign up for the BAM Educator Card!
  • USA Today : Educators can get up to 45% off classroom subscriptions.

Meanwhile, Teachers of Tomorrow's list of deals includes discounts for vacations, software, school supplies and more. The organization said these were the best deals of 2023, which could return this year:

  • Office Depot / OfficeMax:  Offering 30% back in Bonus Rewards on a qualifying in-store purchase. This is a great opportunity to stock up on classroom essentials.
  • Staples:  Keep an eye out for deals and promotions tailored for teachers. Staples often provides special discounts during Teachers Appreciation Week.
  • Ford:  Teachers who take a virtual test drive through May 7 will receive a $50 e-gift card that can be used to contribute to teacher requests on DonorsChoose. 
  • Burger King:  Enjoy free fries with any purchase. Teachers and all other customers can indulge in this savory treat during Teachers Appreciation Week.
  • Buffalo Wild Wings:  Offering six boneless wings for just $1 with the purchase of any BBW Burger. 
  • The Coffee Bean & Tea Leaf:  Providing any large drink for $5 if you have a valid teacher’s ID from May 6 to 15.

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Spotlight: Collaborative Writing to Solve Real-World Problems

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The Communication Spotlight features innovative instructors who teach written, oral, digital/technological, kinetic, and visual communication modes.

What is the assignment .

Collaborative Technical Proposal

The students collaborate as a team across different engineering disciplines to produce a technical proposal (written paper and verbal presentation) to solve a real-world problem. The proposed technology should be new (never seen before) or improve an existing product. Think about this as a problem in search of a technology solution, NOT a technology in search of a problem to solve. The proposal should address the solution’s technical feasibility and provide credible evidence to validate the problem, target customer, competition, development timeline, cost estimations, and user risk management, all critical issues that need to be addressed to bring any idea into fruition in the industry.

How does it work?

I like this assignment because it asks students to learn and practice multifaceted skills, including critical thinking, problem-solving, and team collaboration. The assignment challenges students to identify real-world problems and develop innovative solutions by applying technical knowledge in practical scenarios. The students practice iterative critical thinking (evidence-based research) during the outlining process to validate and organize their points of view before any drafting should begin. The writing then focuses on self-reflection, iterative peer editing, and feedback for improvements. The students’ learning outcome is the ability to communicate a technical solution to a real problem effectively and with credibility, both in written and oral forms. The goal is to persuade a broad audience, such as senior executives and investors, to invest in their ideas. Additionally, the structured feedback process and collaborative environment foster professional growth, leadership skills, and ethical considerations in a workplace-like setting. This comprehensive learning experience is designed to prepare students academically and professionally, equipping them with a growth mindset, grit, and agency needed to succeed in ever-changing future workforce demands.

What do students say?

Aside from technical knowledge, I believe it’s also essential for engineers to demonstrate strong communication skills. These skills will help clearly and effectively present complicated ideas and technical plans or create technical reports for company leaders or academic peers. Additionally, I find communication very beneficial for productive collaboration and valuable for engineers when working with others across different projects and disciplines. – Student A
Communication is essential in engineering; ideas could never become reality without communication. It takes clear communication and teamwork to manufacture new products and explain them to others. Engineers must be able to discuss their creations with a diverse audience, most unfamiliar with their area of expertise. – Student B 
Being able to communicate with others effectively is essential for engineers. This is especially true in work environments where engineers must collaborate and pitch proposals to managers and directors. The ability to communicate is a skill that all engineers should continuously work on to express their ideas more clearly and effectively. – Student C 
Communication is essential for engineers because every calculation or design we create would linger on paper without it. Ideas would not be able to come to fruition, and nothing would be built. Communicating thoughts or ideas may be complex for engineers because we spend most of the time designing and understanding how things work. However, practicing delivering presentations and preparing articles or documents allows us to learn how to explain our thoughts and ideas. – Student D

Student Artifact: 

Proposal Excerpt:

“The proposed EzBreathe inhaler attachment, along with the integrated smartphone app, is designed to help people manage their asthma more effectively. By integrating a spirometer and nitric oxide level measurements, patients will be able to assess their lung function and any indication of airway swelling on a regular basis using the corresponding user-friendly app. The app will also include features such as clear and concise results, tips for correct breathing techniques to properly inhale the prescribed amount of medicine, and reminders to help patients stay consistent with treatment and assessment. The Asthma Therapy Assessment Questionnaire (ATAQ) will also be integrated into the app to evaluate patients’ asthma control and management. Based on this, patients will be notified when they need more intense treatment and what areas of management they can improve on.”

Read the Full Proposal Here

The 2021-2022 UCI Writing Award-winning technical proposal EzBreathe demonstrated exemplary mastery of all learning outcomes. The proposal showed excellence in critical thinking and analysis, use of evidence and research, development and structure, and language and style conventions. The added challenge for this proposal is its goal, where the team needed not only to address the technical feasibility of their solution to solve a real-world problem, but also had to go beyond their engineering studies to address business value questions such as customer and competitive analysis, critical for product development in the professional world. Moreover, since the proposal’s target audience is not just engineers, the team explained all the topics convincingly with appropriate background and context so that even a non-technical audience can follow and easily understand. While the technical proposal demonstrated writing excellence, it is even more remarkable considering this project was completed by a team, and each member is from a different engineering discipline: biomedical engineering, chemical engineering, civil engineering, and material science engineering. To produce one technical proposal of such detail where every part of the content is cohesively aligned from the beginning to the end is already challenging for one person, let alone a group of students with different majors and time commitments. Each member in this project has demonstrated their respective substantive contributions and excellence in teamwork, as well as additional learning outcomes assessed for the course needed for success in the professional world. 

Why does this work?

This collaborative writing assignment provides students with the opportunity to think critically about a real-world technical program with their classmates and practice developing their writing processes as a team. This assignment also underscores the importance of providing students with a specific audience – in this case, potential investors – to write for.  

Check out these resources for developing collaborative and audience-aware assignments in your communication classes:

  • Collaborative Writing Assignment Resources from UCONN Writing Center
  • Group Writing Strategies and Pitfalls from UNC Writing Center
  • Start thinking about audience, genre, and the rhetorical situation with Understanding Writing Situations from WAC Clearinghouse

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Last updated on Aug 16, 2023

How to Start a Story: 10 Top Tips From Literary Editors

This post has been written with contributions from editors and authors including Tom Bromley , Fran Lebowitz , and Rebecca Heyman .

The opening lines of a story carry a lot of responsibility. They act as an invitation for someone who’s glanced at the first page of your book to either put it back down or keep reading. 

To help us understand how bestselling authors open up their stories, we've asked for tips from ten of Reedsy's top professionals.

How to start a story:

1. Craft an unexpected story opening

2. start with a compelling image, 3. create interest with immediate action, 4. begin the book with a short sentence , 5. pose a question for the reader, 6. engage a sense of curiosity, 7. build a convincing world and setting, 8. do something new with your writing, 9. create tension that has room to grow, 10. capture your readers’ attention.

Some of the most memorable opening lines are ones that hook readers with something out of the ordinary. Literary editor Gareth Watkins often encourages writers to explore this in their own books.

"Think of the opening to Nineteen Eighty-Four , or Iain Banks’s, The Crow Road (It was the day my grandmother exploded ). Of course, your opening doesn’t have to be as outrageous as these but always aim for the unusual.

"In other words: think of how people will expect the book to start, then take the plot in another direction."

Example: Nineteen Eighty-Four , George Orwell

Starting a Story — 1984

Orwell immediately alerts the reader to the fact that we're not in a normal world by deploying a single strange fact at the end of Nineteen Eighty-Four's opening sentence

It was a bright cold day in April, and the clocks were striking thirteen.

However, not all books need to start with a twist. Sometimes, all you need is a single strong image.

Tweet "We asked our editors: "how would you start a story?" They came up with 10 insightful ways #amwriting"]

Many editors will tell you to avoid exposition — the dreaded info dump — at the start of your manuscript. Editor Harrison Demchick suggests one of the best ways to avoid this is to begin with an image.

"By focusing on sensory detail right at the start — sight, sound, taste, touch, smell — and by conveying a particular, defined setting, you can immediately absorb readers within your novel's tangible world.

"Context and background will come later, but a compelling image can be a fantastic hook."

Example: Fahrenheit 451 , Ray Bradbury

The image of fire is central to Bradbury's dystopian classic. Appropriately enough, he opens his novel with a maelstrom of images comparing the fire to a snake and a symphony.

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history.

Starting with an image requires a deft hand from the writer. This image must be compelling enough to make the reader continue turning the pages. A simpler alternative may be to throw readers into the middle of the story.

Novels that open in medias res (Latin for "in the midst of action" ) are often really effective at immediately grabbing the reader and establishing stakes and tension.

However, editor Jeanette Shaw warns that readers can become untethered without context and a central character. "If you go this route, you must be sure your opening action is compelling enough that the reader is prepared to wait for character setup later."

Example: Lord of the Flies, William Golding

This classic novel starts with a scene of young boys living on a deserted island with no adults in sight. Only later do we learn how they got there in the first place.

The boy with fair hair lowered himself down the last few feet of rock and began to pick his way toward the lagoon. Though he had taken off his school sweater and trailed it now from one hand, his grey shirt stuck to him and his hair was plastered to his forehead.

PRO-TIP:  Want to find out which famous author you write like? Take our 1-minute quiz below!

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How to Start a Story — Brevity

As Polonius tells young Hamlet, brevity is the soul of wit. But for editor and literary agent Fran Lebowitz (who has represented the Bridgerton novels amongst other bestsellers), being frugal with your opening sentence can also intrigue a reader and force them to lean in: "Start with something sparse that flicks on our curiosity, above all."

Example: The Hobbit , J.R.R. Tolkien

For a man who's known for writing lengthy tomes, Tolkien opens up his novel, The Hobbit, with a simple and matter-of-fact sentence that introduces something readers had never encountered before: a hobbit.

“In a hole in the ground there lived a hobbit.”

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But sometimes, a simple question can be just as powerful as a statement.

a Story — Question

"The reader should be looking for an answer," says Nathan Connolly , an editor and the directing publisher of Dead Ink Books.

"The opening to your novel should be a question that can only be answered by reading on. This doesn't need to be literal, or overt, it can even be poetic, or abstract, but there must be a wound that can only be healed by reading on."

Example: The Bell Jar, Sylvia Plath

While the first line of Plath's only novel doesn't end with a question mark, it certainly poses a few mysteries.

It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York.

What was queer and sultry about this summer? How does the narrator's story relate to the execution of Julius and Ethel Rosenberg? And does she actually not know why she's in the Big Apple? The only way to find out is to read on...

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And speaking of unanswered questions, the next tip digs deeper into this idea of intriguing openings.

For in the experience of editor Britanie Wilson , the most successful beginnings have the magnetic effect of appealing to an emotion that all readers possess: curiosity.

"Make them immediately ask of your characters: What is this place? Why are they here? What are they doing? Who is involved? Where is this going?

"If you can pique your readers' curiosity from the very first sentence, you can will them to keep reading before they even know they like your book."

Example: "Royal Beatings", Alice Munro

The first story in Munro's 1978 short story collection, Who Do You Think You Are? gives its readers an unusual phrase that instantly piques their curiosity. 

Royal Beating. That was Flo's promise. You are going to get one Royal Beating.

As with the Orwell opening, the reader is presented with an unusual turn of phrase repeated several times — including in the title. By the time we're just 15-words deep into the story, we have a burning question: what is a Royal Beating?

While creating curiosity and mystery is powerful, it's important that the start of your book isn't entirely cryptic . Your opening must sustain your readers' interest in some way if you are to keep them reading through to chapter two, and reveal more and more information in the plot points to come .

Pro tip: Starting your writing with dialogue is considered a no-no by some, but can actually be a great way of achieving this effect.

"To give readers the confidence to continue reading a story they've just started, it's important to give them enough detail to know where and when a story takes place," says author and ghostwriter Tom Bromley .

"Sometimes when stories begin, there's a danger that the scenes are a little bit 'floating' — where the reader isn't given enough information to visualize what's going on. Details of location and time, when provided with enough specificity, will ground the reader and make them feel secure." 

Example: The Corrections , Jonathan Franzen

This novel, set in the American Midwest, opens by instantly grounding the reader in visuals related to the when and where  of the story.

The madness of an autumn prairie cold front coming through. You could feel it: something terrible was going to happen. The sun low in the sky, a minor light, a cooling star. Gust after gust of disorder. Trees restless, temperatures falling, the whole northern religion of things coming to an end. No children in the yards here. Shadows lengthened on yellowing zoysia. Red oaks and pin oaks and swamp white oaks rained acorns on houses with no mortgage. Storm windows shuddered in the empty bedrooms. And the drone and hiccup of a clothes dryer, the nasal contention of a leaf blower, the ripening of local apples in a paper bag, the smell of the gasoline with which Alfred Lambert had cleaned the paintbrush from his morning painting of the wicker love seat.

If you were to think of this opening scene in a cinematic sense, it reads like a slow montage that cuts between different images that set up the tone and atmosphere of the piece. Note how the first sentence describes the wind — a classic piece of literary imagery that almost always signifies the same thing: that change is a'coming. 

Avoiding clichés is something that should always be avoided. And in the experience of Thalia Suzuma , and editor who has worked with authors ranging from David Baldacci to Ken Follett, clichés can be avoided with some simple, unusual choices:

"Consider these two lines:

1) I'm sitting writing this at my desk.

2) I write this sitting in the kitchen sink.

"Which line makes you want to read on? I'd hazard a guess that it's probably the sentence about being perched at a sink — the opening line to one of my favorite novels, I Capture the Castle by Dodie Smith.

"Say something in your first few sentences that hasn't often been said before! A brief line laden with foreboding and heavy with what has not been said often works well, too."

Example: Jane Eyre , Charlotte Brontë

Opening a book by talking about the weather is just about as clichéd as things come. ( It was a dark and stormy night... ) But in the opening paragraph of Jane Eyre, we are presented with an image of cold weather — but filtered through the eyes of its title character.

There was no possibility of taking a walk that day.

More importantly than discovering the weather in chapter one, we learn something about the narrator: that she is a woman of absolutes. 

Again, the weather is used to create a sense of foreboding — a perfect segue into our next tip.

Openings should be intense, but for editor Rebecca Heyman , that doesn’t necessarily mean loud or explosive .

"So many authors are keen to start with a literal bang — something going up in flames, or a car accident, or some other catastrophe. But recall that even a smoldering fire can burn your hand; draw us in like moths to the flame, but don’t let the bonfire rage so fierce we can’t get close."

Example: All The Light We Cannot See, Anthony Doerr

Remember what we said about winds signifying change? In the opening chapter of Anthony Doerr's novel set around the Second World War, we open with a description of the wind, bringing with it a literal message of change:

At dusk they pour from the sky. They blow across the ramparts, turn cartwheels over rooftops, flutter into the ravines between houses. Entire streets swirl with them, flashing white against the cobbles. Urgent message to the inhabitants of this town, they say. Depart immediately to open country.

This image we're presented with is almost playful (turning cartwheels, fluttering into ravines), making the message the pamphlets bear even more insidious.

For the final tip of this post, we give you what is perhaps the cardinal rule of starting a story...

You want your reader to be swept up in the story— for its entirety, but especially at the beginning, says editor Anne McPeak:

"This is your chance to intoxicate your reader and convince them that they can’t not read on. This doesn’t mean your story needs drama, or fireworks, or shocking material; what your story really needs is close attention to language, tone, and pacing.

"Dazzle your reader from the start, and they will willingly take your hand for the ride." 

Example: Fortress of Solitude , Jonathan Lethem

Centering on the lives of two friends in Brooklyn and spanning decades, Lethem's novel opens with an everyday image — of girls rollerskating on the sidewalk — and filters it through the eyes of a narrator, who interprets the scene in quite an arresting fashion that's bound to capture the reader's attention:

Like a match struck in a darkened room:

Two white girls in flannel nightgowns and red vinyl roller skates with white laces, tracing tentative circles on a cracked blue slate sidewalk at seven o'clock on an evening in July.

The girls murmured rhymes, were murmured rhymes, their gauzy, sky-pink hair streaming like it had never once been cut.

Establishing best practices for starting a story can be tricky because, as Nathan Connolly says, “Fiction should, by nature, seek to defy, redefine or expand beyond rules." It should not be an author’s goal to emulate the words or tastes of another person while writing a novel.

However, many well-loved novels share a thread of commonality when it comes to their first few lines — such as a question, a brief to-the-point line, or in the middle of action. While there’s no hard rule for what works, these are guidelines you can follow when determining how to hook readers down your story’s path.

26 responses

Paynes says:

04/01/2017 – 21:13

"Years ago, down in the Amazon, Santiago set me up. He said, 'Lives are stories told over and over. The good ones keep getting better. Think about that, Daniel. And while you're at it, think about thinking. We learn best by thinking, just as fish breathe by drinking.' He said this very matter-of-factly. Then he asked me, 'Don't they?' He asked me this when he was about to die." "Santiago and the Drinking Party" by Clay Morgan That's one of my favorite beginnings.

↪️ Reedsy replied:

09/01/2017 – 16:48

This is really great because I actually did sit and think for a few moments about the line "lives are stories told over and over." So mission accomplished! Thanks for the contribution, Paynes!

Nathan Van Coops says:

06/01/2017 – 14:26

"There was a boy called Eustace Clarence Scrubb, and he almost deserved it." --C.S. Lewis- The Voyage of the Dawn Treader.

06/01/2017 – 14:36

Haha, that's a good one, Nathan!

Tripehound says:

07/01/2017 – 12:33

The Dodie Smith sentence - she's not sitting at the sink. She's sitting in the sink.

07/01/2017 – 16:56

Ah, good catch, thanks! We've edited accordingly.

RanaShubair says:

07/01/2017 – 16:16

The ideas are great. I find number 1 and number 9 most appealing to me. And thanks for the book examples you included- this helped me look them up and put them on my reading list.

07/01/2017 – 16:57

Glad you like it, Rana!

Carol Pearson says:

08/01/2017 – 20:01

"There are gods in Alabama: Jack Daniel's, high school quarterbacks, trucks, big tits, and also Jesus. I left one back there myself, back in Possett. I kicked it under the kudzu and left it to the roaches." Gods in Alabama by Joshilyn Jackson. Stunning.

09/01/2017 – 16:45

That is definitely unique — it's not "once upon a time", that's for sure :) Thanks for the comment Carol!

↪️ Carol Pearson replied:

09/01/2017 – 17:14

ha! no indeed. And the book delivered, too. Compelling from start to finish. Great read!

Rock Higgins says:

17/01/2017 – 17:08

"I am doomed to remember a boy with a wrecked voice – not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God; I am a Christian because of Owen Meany." John Irving, A Prayer for Owen Meany It is the whole 600+ page novel in a sentence, that takes 600+ pages to unpack.

17/01/2017 – 17:18

Wow, great one, Rock! You know an author really knows their story when they're able to condense 600 pages of it into a single sentence. Thanks for the quote :)

polfilmblog says:

24/02/2017 – 22:08

Venomous python? Really? "with this great python spitting its venomous kerosene upon the world," The only thing I get from this opening is that the author royally fucked it up. Pythons are constrictors of course. Most everyone knows that.

↪️ Elizabeth replied:

19/11/2019 – 08:01

Well, shoot! And Mr. Bradbury seemed to have such promise. I'm sure if he was still among the living you could teach him a thing or two. About snakes, anyway.

Dennis Fleming says:

24/07/2017 – 21:52

"Not wanting to arouse Vishnu in case he hadn't died yet, Mrs. Asrani tiptoed down to the third step above the landing on which he lived, teakettle in hand." The Death of Vishnu by Manil Suri

Astoria Eincaster says:

17/10/2017 – 19:57

I don't see anything strange and unexpected with 1984's opening sentence. Thirteen o'clock is basically 1 pm. In Europe the clock goes from 0 to 23. So 1:15 pm for example will be 13:15, 3:45 pm will be 15:45, while 4 am would be simply 4 o'clock. I don't know about other continents, but I'm sure about Europe, as I live there. And where does 1984 take part? In London, you ignorant Americans! Just stop citing 1984 as an example of an unexpected opening. Seriously, this is not the first post about types of book openings where I see 1984 mentioned. Its first sentence is not and it wasn't supposed to be strange, although some ignorant hacks still think it is.

17/10/2017 – 20:06

Analog clocks do not generally include the number "13." So while it is not strange for it to be thirteen o'clock, it remains a strange image for the hand of a clock to "strike thirteen," and I don't believe anyone aside from George Orwell ever said or wrote "the clock strikes thirteen." In 1984, the clock "strikes thirteen", as we can later surmise, because this is a military state and they use military time. So this opening is not only unexpected, it sets the mood for the rest of the book. Ah, and most of Reedsy's team is based in Europe, by the way, so the "ignorant American" argument doesn't really stand with us — sorry!

↪️ 4kidsandacat replied:

24/07/2018 – 11:09

Keep in mind, Orwell wrote this story in 1948, long before digital clocks were in common use. Thirteen o'clock doesn't sound strange today, but it may well have at the time.

↪️ Doug McNett replied:

19/04/2020 – 13:32

I completely agree with you. I am American, but when I first read those lines I thought nothing of it as to me they were referring to military time,

Diane Callahan says:

30/01/2018 – 16:11

Loved this article! I found it through your Novel Revision course. I'm pleased to see that your editors picked many of the same first lines I discussed in my YouTube video on the topic: https://www.youtube.com/watch?v=bm9trk8xRpg&t=2s Patrick Ness’s "The Knife of Never Letting Go" hooked me right away by opening with a strong narrative voice and humor: “The first thing you find out when yer dog learns to talk is that dogs don’t got nothing much to say.”

Evelyn Sinclair says:

11/03/2018 – 16:42

"Master was a little crazy: he had spent too many years reding books overseas, talked to himself in his office,did not always return greetings and had too much hair." Opening sentence from 'Half a Yellow Sun' definitely hooked me in to this story.

Candace says:

03/08/2019 – 01:56

Yeah. I know. You guys are going to read about how I died in agony, and you're going to be like, "Wow! That sounds cool, Magnus! Can I die in agony too?" - Magnus Chase and the Gods of Asgard: The Sword of Summer by Rick Riordan One of my favorite opening lines of all time.

↪️ Yvonne replied:

08/08/2019 – 02:01

That is indeed an awesome line! Thanks so much for the quote (and the book rec).

Alice says:

19/09/2019 – 19:20

My favorite line is from Charles Dickens "a Tale of two Cities" It was the best of times, it was the worst of times.

Elizabeth says:

19/11/2019 – 08:18

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.” "Fear and Loathing in Las Vegas" by Hunter S Thompson. Okay, technically it's a classic HST hybrid - part semi-autobiography and part novel. But still one of the greatest beginnings I've ever had the pleasure of reading.

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