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‘Ponniyin Selvan: Part One’ Review: Promising Tamil Franchise Kicks Off With Faithful Take on a Literary Classic
Director Mani Ratnam's blockbuster adaptation of Indian author Kalki Krishnamurthy’s bestselling series of historical novels launches the beloved tale on a suitably massive scale.
By Shalini Dore
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Tamil filmmaking legend Mani Ratnam takes on the formidable task of adapting Indian bestseller “Ponniyin Selvan” as a two-part epic, the first of which released to excellent box office at home and abroad on Sept. 29. Streamlining the source material considerably, this impressive franchise starter — co-written by Ratnam, Jayamohan and Kumaravel — remains mostly faithful to Kalki Krishnamurthy’s five novels, first serialized in the 1950s in the Tamil magazine Kalki before being translated into multiple other languages, including English.
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Vandiyadevan soon falls in with a religious man, Azhwarkadiyan Nambi (Jayaram), another spy who also provides some comic relief. Together, they discover a plot to take the crown from the ailing king Sundara Chola and give it to his nephew, who had been passed over. Among those trying to use Vandiyadevan is the beautiful Nandini ( Aishwariya Rai Bachchan ), who uses her looks to get her husband, commander Chinna Pazhuvettariyar (R. Parthiban).
Things get more involved as the film goes along, of course, but Ratnam keeps the different strands moving at a fast enough pace so that you don’t notice the nearly three-hour running time. Nor does it matter that the titular Ponniyan Selvan doesn’t make an appearance until nearly the intermission.
DP Ravi Varman does justice to the sweep of the story, while CG battle scenes are staged like set-pieces from the “The Lord of the Rings” trilogy, a comparison underscored by Rahman’s soaring music. The below-the-line work is top-notch throughout — not just with camera and music, but also in the production design (Thotta Tharani). The Cholas were famous for the temples they built, with the Thanjavur temple standing even now as a testament to their artistry.
Augmented with excellent visual effects, sets representing the city of Thanjavur, the new city of Kanchi and Sri Lanka, bring to life Kalki’s prose that enchanted so many readers. Similarly fine attention to detail went into the costume design, hair and makeup, as well as the jewelry (pieces of which are now offered on sale) for not only the princes and other nobles but also the ladies from Nandini to the princess Kundavai (Trisha Krishnan).
Ratnam has always had a knack for drawing out the best performances from Rai Bachchan (with whom he collaborated on “Iruvar,” “Guru” and “Raavanan”), doing so once again in the star’s first screen role since 2018, even if her dialogue is spoken by Deepa Venkat. In the role of Vandiyadevan, Karthi brings exuberant action to the film; Ravi charms as Arunmozhi; and Vikram and Parthiban exhibit dangerous intent. Rai Bachchan is suitably scheming, as is Krishnan as the princess who only cares about the Chola kingdom and is jealous (with reason) of Nandini’s beauty and ability to beguile.
The film ends on a cliffhanger. While not yet shot, Part Two has been announced and is expected to be released in 2023.
Reviewed at Norwalk AMC Theaters, Los Angeles. Oct. 9, 2022. Running time: 166 MIN.
- Production: (India) A Red Giant Movies release of a Madras Talkies, Lyca Prods. production. Producers: Mani Ratnam, Subaskaran Allirajah.
- Crew: Director: Mani Ratnam. Screenplay: Mani Ratnam, Jayamohan, Kumaravel, based on the novel "Ponniyin Selvan" by Kalki Krishnamurthy. Camera: Ravi Varman. Editor: A. Sreekar Prasad. Music: A.R. Rahman
- With: Vikram, Jayam Ravi, Karthi, Aishwariya Rai Bachchan, Trisha Krishnan, Sobhita Dhulipala, Aishwarya Lekshmi, Jayaram, Vikram Prabhu, Sarath Kumar, R. Parthiban, Prabhu, Prakash Raj, Nassar. (Tamil dialogue)
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