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Reality Shows: Advantages and Disadvantages of TV

Table of contents

Advantages of reality shows, disadvantages of reality tv shows, solutions to overcome the addiction of reality shows.

• Andrejevic, M. (2004). Reality TV: The work of being watched. Rowman & Littlefield Publishers.
• Bell, M. (2015). Reality TV and class. In A. Hill (Ed.), Reality TV: Key ideas (pp. 135-150). Routledge.
• Choueiti, M., Khanduri, R., & Pieper, K. (2019). Inequality in 1,200 popular films: Examining portrayals of gender, race/ethnicity, LGBTQ, and disability from 2007-2018. USC Annenberg Inclusion Initiative.
• Hill, A. (2015). Introduction. In A. Hill (Ed.), Reality TV: Key ideas (pp. 1-10). Routledge.
• Holmes, S. (2004). Reality TV: Audiences and popular factual television. Routledge.
• Mastro, D. E., & Kopacz, M. A. (2016). Race, reality television, and stereotypes: Examining the content of network and cable reality series. Journal of Broadcasting & Electronic Media, 60(2), 208-227.

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Home » Reality TV: How it Reflects and Shapes Society’s Values

Reality TV: How it Reflects and Shapes Society’s Values

Reality TV has become a major cultural phenomenon, changing the way we consume television and influencing our conceptions of what’s “normal”. As viewers, it’s important to consider how this type of programming is reflecting and shaping the values of society.

Reality TV ⁤has had a huge influence on the‍ way people‌ view and interact with the ​world around ‌them. There is no doubt‍ that many of these shows have become an integral part ⁢of ‍popular culture, captivating viewers‌ with ⁤a mix of drama, competition, and often-bizarre storytelling. But beyond the interesting‌ entertainment these shows offer, they also play an important role in reflecting and shaping society’s values. ⁢In this article, we’ll discuss‍ how ‍television shows‍ about everyday people often tap into the collective mindset of a nation, bringing to light issues that people care about. We’ll take ​a look at how reality TV has impacted our ⁤culture and what that ‌might mean⁤ for the future.

Table of Contents

1. Introduction ⁤to⁣ Reality TV

What is Reality TV?

Reality television is an umbrella term for various forms‌ of television programming that feature unscripted interactions, documentary​ or⁤ competition-type situations, and people in real-world situations. Some of the most popular ‌shows of all-time have fit under this⁤ umbrella, including Big Brother, Survivor, The Real World, and Jersey Shore.

How Does Reality TV Reflect and Shape Society’s⁣ Values?

Reality TV gives viewers an insight into how ‍people ​in different‌ roles, professions, and backgrounds behave in various situations. Reactions​ can often reflect the shared cultural values and beliefs of a society, and ‍in some cases, viewers⁢ can even learn valuable lessons from these shows. This type of programming often gives viewers a new perspective on what’s considered socially acceptable or ⁣acceptable⁣ behavior.

In addition to this, many reality​ shows touch on emotional and moral dilemmas that can bring up‌ difficult questions⁢ and discussions among viewers. This can spark conversations about cultural issues‍ and help viewers learn ⁣empathy and‍ understanding of other people.

These‌ shows also tend to reinforce traditional values and stereotypes, and many shows feature messages about the ⁢way people should dress, act, and live their lives in line ​with a⁣ certain standard. This sends the message⁣ to viewers that they have to conform to certain social norms to be accepted.⁢

Reality television acts as a window ‌into society, ‍offering viewers a glimpse ​into ⁢people’s​ lives and into the values and behaviors that our society ​considers acceptable. It can give viewers perspective, spark‍ conversations and discussions, and ​even teach viewers ​valuable lessons. However, it can also reinforce traditional values⁢ and stereotypes, sending a message‌ that viewers must conform to certain standards in order to “fit in.”

2. Impact of Reality TV on Society’s Values

The popularity of reality ⁢TV has allowed it to become a prominent part of pop culture, influencing viewers on both subtle and overt levels. While ⁤this programming can vary widely in ⁣its content and genre, it often reflects the values of society that created it. It ⁤can feel ‌like ‌a reflection of our influences ​and‌ prejudices that no⁤ one has created for us, yet everyone is ​very aware of.

In ‍some ways, reality TV creates​ a shared experience ​by reflecting society’s values.⁣ Whether it’s a competition ‌series like⁣ The‍ Bachelor or a home renovation show like Fixer Upper, ⁢viewers form strong ⁣opinions and connections based on their own beliefs and‌ values. This can shape how people‍ think as⁤ much as what they‍ think, setting⁤ expectations ‍and standards that can be accepted or ​rejected across the ‌board. ​Members of society often use these ⁣shows as a⁤ way to understand far-fetched concepts such as success, fame, and wealth.

At the same time, there are underlying implications of reality TV that ‌don’t always⁤ reflect society’s values. For example, some shows feature contestants who are‌ encouraged to engage in explosive arguments or unconventional behavior, making drama ‌a⁤ key component. Similarly, shows ‌can focus on reality stars as they perform outrageous ‌stunts – often for the sake of creating an entertaining episode. While some of these storylines are simply designed to keep⁢ viewers hooked, they may encourage people to accept practices or values that contradict those of the mainstream public.

Reality ​TV highlights some‍ of the core values of society , including the need for ⁢entertainment and voyeurism as ⁤well as‌ a ⁤desire to connect ‍with ‍people⁤ from other backgrounds, cultures, ⁣or worlds. On​ the other hand, ‍viewers can end up taking away unfavorable values such as narcissism, immorality, selfishness, and elitism – values that could be portrayed as ⁢acceptable by certain shows. Ultimately, it’s up⁣ to the⁣ individual to‌ decide which values to take away ‌from watching – ‍if any.

• Reality TV shapes viewers’ perceptions and⁢ opinions.
• It⁢ creates expectations and⁢ standards.
• Sometimes⁣ reality TV perpetuates ⁤values that don’t reflect society’s values.
• The values can be‍ accepted or rejected across ​the board.
• Viewers have to be mindful of which values to take away.

3. Influence of Reality ‌TV on ​Self-perception

Reality TV has become a defining part of ⁢modern‌ culture, entertaining audiences around the world, and offering a platform for people to express ⁢themselves and their opinions. But beyond the entertainment factor, the ‍increasing prevalence of reality TV has raised questions about its influence on ⁢society—especially on ​young viewers—and how it shapes⁢ our attitudes and values.

We often fall​ prey to the ⁤idea that reality TV⁢ is ‌based on ‍real life and reflect what⁤ society‌ values. This creates a false impression that the unrealistic lifestyles and situations​ seen on television are ⁢indicative ⁣of ​reality, sucking us⁣ into​ a pseudo-reality‍ and⁣ away⁣ from our pursuit of true ‌reality and authentic ⁤relationships.

Reality TV​ shows tend to be focused⁢ on individual successes and personal relationships, ​providing little to no focus on⁢ the collective experiences within a society.⁤ This creates a skewed perception of ​what is ‌considered “normal” or “ideal”, creating ​unrealistic expectations that‍ are almost‍ impossible to⁤ live up ⁤to.

There is also a tendency for reality TV to glamorize and exaggerate negative behaviour,‌ from overspending and ‌gossiping to profanity and manipulation. This further perpetuates a negative image of what society values, and encourages⁤ viewers—especially young viewers—to live a ⁢life similar to that depicted in these shows.

The⁤ influence ⁢of reality television on self-perception can⁢ be a ‍double-edged sword. On one hand, it can give viewers the⁣ courage to pursue their dreams and be true to themselves. On the‍ other hand, it can condemn viewers to​ a⁢ false⁤ reality, creating the wrong⁤ idea of how society works and what it values. The depiction of life on reality TV can‌ create a disconnect between viewers and ‌their actual lives, blurring the line between what is real and what is idealized.

4. How ⁣Reality TV Portrays Cultural ⁢Norms

Reality ‍television has quickly become one of the most watched‍ genres of television. It offers viewers ‌a refreshing escape from the⁢ mundane, offering insight into‌ the private lives of everyday people. It’s a window into the greater culture as ‌a whole, providing a ‍partial glimpse into the values, morals, and⁤ norms of a certain population. Here are four ways ⁣in which reality television reflects and even shapes the cultural norms of ⁣society.

• It reflects current values. One of the ways reality television⁤ reflects⁢ cultural norms is‌ by reflecting the current values of society. The ⁤programs that are popular, ⁤what their ⁣contestants ⁢do on the⁤ show, and the ⁣values that are portrayed on the‌ show are based on the values of a​ large portion of ⁣the population. This includes ​everything from the language used to the behaviors that are accepted or discouraged.
• It promotes stereotypes. Reality⁤ television is often ‍used⁤ to promote stereotypes about different groups of people. This is especially true in shows ⁢that feature people from different ⁢backgrounds,‌ such as race and economic status. Whether it is intentional or not, stereotypes about various groups of people are portrayed and accepted on reality television.
• It⁣ encourages aggressive behavior. Reality​ television ‍is notorious for creating conflict between‌ its contestants and ⁣encouraging​ them to act in​ a‍ certain way. This is done in⁤ order to create drama, which is entertaining to viewers. However, this aggressive behavior⁣ can also send a message ‌that this type of behavior is⁤ acceptable and even​ desirable.
• It glamorizes certain lifestyles. Finally, reality television can glamorize certain lifestyles, ‌promoting them to viewers. This can have​ an effect on viewers as it encourages them to pursue these lifestyles. This ​can even shape the decisions ‍viewers make regarding⁣ the values they follow and the lifestyle they pursue.

Ultimately, reality television is both a reflection ‌of society’s current values and a tool for shaping them. It‌ is important for⁣ viewers to be aware of ‌this so that they can make more informed ‌choices about what they watch ‍and how it affects them.

5. Benefits of Reality TV

1. Increased Participation Reality TV‍ not only reflects society values; it also shapes them. It popularizes different values and encourages greater participation in activities that society⁤ values. ⁣This‍ leads to more people taking part in activities that would otherwise have been overlooked.

2.⁤ Involves Everyone Unlike‌ traditional live TV, ​reality TV emphasizes the experiences of ⁣ordinary‍ people within society,​ allowing everyone to participate regardless of their class or socio-economic background. This means the general public growing ⁤increasingly aware of the different issues and topics that are⁤ important in society.

3. Strives for Progressive Values Reality TV strives​ to​ further progressive values and to bring about a global change. By ⁣encouraging a‍ discussion around these values, reality TV encourages everyone ⁤to‌ participate in the decision making process that‍ can shape future trends and behaviors.

4. Inspires ​Action Reality TV can motivate and inspire audiences to take action ⁢and become more involved in ‌the causes and issues addressed by ​programs. As such, it can play a major ​role in shaping social values and ⁣attitudes and ‌the way that people behave.

5. Challenges ⁤Conventional Thinking Reality TV can challenge conventional ⁣thinking and inspire people to‌ question what has always been accepted ‍as ‍the ‍status quo. This‍ can create a much healthier⁣ and more open-minded ⁤debate around society values, one that encourages more creative and innovative perspectives.

6. Potential Harms of Reality TV

Possible Loss of Reality

Reality TV can present somewhat distorted versions of actual reality. By literally creating drama and ⁢emphasizing certain behaviors, it ​may⁤ give viewers a false impression. This often‍ leads to the⁣ belief that certain lifestyles and characters are normal,‍ which can lead to a dangerous, distorted⁣ view of the⁤ world in general.

Social Implications‍

The language and content featured in ‌some reality shows can normalize and glamorize behaviors that society typically frowns upon. Everything from the flaunting of wealth to physical abuse can be seen in some of these programs, making it appear somewhat ⁣normal when ‌it is‍ far from‍ it. Many viewers may ⁣also be exposed to ‌risk-taking behaviors such as reckless driving, drinking,⁤ and ⁤drug use, among other activities.

Influential Nature of Reality‍ TV

The ‍short-term and long-term effects on the viewers of⁤ these shows can be significant. There is ⁣evidence⁣ that these ​programs‍ impact emotional development, the ‌views of those who watch on ‍marriage and relationships, and even​ the ways in which they view ⁢the world. With the‍ influence of the media,⁣ specifically reality TV, negative ​messages can become deeply embedded in viewers’ attitudes, beliefs,⁤ and behaviors.

Risky Behaviors

Due‌ to the influence of this genre of television, the increase in ⁤risky behavior​ among teens and tweens has been well-documented. Research suggests that exposure to risky behavior that is commonly seen on‌ reality TV has contributed to an ‍increase in criminal behavior,‍ related to both ‌the reckless nature​ of the characters and the​ desensitization ⁣that results.

Difficulty​ in Setting⁤ Limits

Parents and ⁢caregivers often struggle when it comes to setting limits ⁤and⁤ monitoring TV exposure in the home. There appears ‌to ⁢be a general lack of understanding ​with regard​ to​ the negative influence that reality TV can provide, in large ⁤part due to the fact that the line between reality and fiction is often blurred. This​ makes it very difficult for parents to⁤ keep⁣ track of what their ‌kids are watching and what sort of messages they ⁢are absorbing.

7. Strategies for Conscious Viewing

Nowadays, TV ⁤is a tool to‍ share opinions and ideas and Reality TV ⁢is⁤ a popular genre that reflects and shapes society’s values. For those who want to learn more ‍and become aware⁤ of our society’s culture, here are seven ⁣ that will help with the task:

• Pay attention to subtle messages and symbols: Keep an eye open‍ to what ‌producers are saying without actually saying ⁤it. What kind of attitudes are being promoted? ⁣Is there a particular message being presented? For example, does a ​given show rely ⁣upon stereotypes, or use one-dimensional depiction of a certain group/culture?
• Note the way people are being treated: Are ‌people judged solely ‍on their appearance or characteristics? ⁤Or, is there ⁢an appreciation‍ and ‌respect for diversity and all different‌ types of people, especially those⁢ from ‌marginalized ⁢backgrounds?
• Focus on the consequences of the show: How does the show affect people’s attitude and behavior? Does it have a positive or a ⁢negative⁢ influence on society? Additionally, note the ‌reaction ‌of​ the‌ audience–for ex, enforcing gender⁢ stereotypes could have disastrous consequences on the children watching.
• Be mindful of‍ the ​editing techniques: Low-quality editing and fast-paced editing can manipulate⁢ viewers’⁤ perceptions and subtly distort a show’s content. Be⁣ aware of editing techniques and​ how they might ⁤be used‍ to influence the audience or direct them towards predetermined outcomes.
• Analyze the topics that are explored: Do they ​encourage viewers to ‍think ‍critically? Or, are they just ‍an excuse ‍to stir⁣ controversy or boost ratings? Are serious topics handled with the dignity they deserve or are⁤ they played up⁣ or ⁢sensationalized?
• Look for creative choices: Are the ‍producers attempting something new or ⁢just trying to keep up with the latest trends? How does the ‍show ⁤benefit from creative choices? ‍
• Check your biases:⁣ As viewers, we have preconceived notions and expectations about this kind of content. Are those expectations ‍being ⁣met? Are our biases influencing ‍our opinion ‌of the show?

By being conscious viewers, we can get a better understanding of our ‌society​ and‍ how Reality TV is shaping it. It is a ⁤powerful tool for ⁣shaping public opinion and developing social values. Furthermore, being mindful of ⁢our⁣ own bias, ⁣and ​being aware of⁢ the editing techniques​ and​ other‌ subtle messages, ⁤will help us form realistic opinions and​ attitudes.

8. ‌Conclusion

Reality TV has become a⁤ part of everyday ⁣life for many,⁣ offering ‍an escape and a ⁤chance to observe human behavior and⁣ society’s ⁤values and morals. ‌It ⁤has been a ⁤great tool in allowing‍ people​ to discuss difficult topics ⁢in a safe space. It has enabled us to digest ‍contentious content in our ‌own time, to experiment with roles that aren’t⁣ our own and to learn from the mistakes of others. Reality TV has the power to both reflect and shape the values of society, allowing us to gain ⁣a‌ deeper understanding of ourselves and those around us.

Overall, ⁣while there is ⁢some debate about the ‌accuracy of reality TV, it’s undeniable that it has ⁣a⁣ huge impact⁢ on the values ‌and norms of society. It brings controversial ⁣topics out of ​the shadows and forces us to confront our own perspectives ⁤on the ‍world. Ultimately, it provides ​an invaluable window into the inner workings of our society and culture, and this is ⁣something⁤ that will continue ⁤to shape and be shaped​ by reality TV ​for years to come.

• Reflection: Reality TV reflects the values‍ and morals of society.
• Confrontation: ⁤ Reality TV forces us⁣ to‍ confront our own perspectives.
• Shaping: Reality TV ​shapes the values and norms of ⁢society.

From⁣ The Bachelor to Big Brother, reality TV is here to ⁣stay and it⁢ will only​ continue to be a prominent part⁣ of our lives. As such, it ‍is important to consider the impact that it has on society’s values, both positive and‌ negative. Only⁣ then can ‌we truly gain a better understanding of the people and cultures that shape our lives.

Reality TV may be ⁤fun ⁤to watch but it also provides us with an opportunity to consider our own⁢ values and where⁣ we stand⁢ as a society. While reality ⁢TV often gets criticized for being overly dramatic ‍and sensationalized, it’s important ‍to note that it ‌is a reflection of society’s values and ⁢beliefs. Thank⁤ you for reading ⁣this article and ⁢learning more about ‌the role of reality TV in our‍ culture.

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Reality Television and Social Evaluation Essay

Introduction, fascinating viewers, works cited.

Television networks strive to produce unique programming each year. New-fangled programs guarantee more anticipation, comedy as well as amusement whereas they push the envelope of communally and ethically suitable, exciting, humorous, and enjoyable programs away.

A reality founded television, with regard to the current towering ratings, fits all these criteria. Reality Television is a programming genre that revolves around the daily practices of “real life” citizens.

This is, in contrast to the fictional characters, assumed by actors. In reality, TV shows that an individual is followed personally by the cameras.

On the other hand, it is possible to say that viewers do not really participate in the whole production process but only become involved in the fascinating day-to-day drama and plotlines as depicted on their screens (Frisby 35). It appears that individuals simply have fun and contentment in studying other individual’s lives.

There exist three very important classes within the reality field. These include: dating shows such as “The Bachelor”, game shows like “Survivor” as well as talent shows such as the “American Idol”.

Despite the fact that reality programming intensely runs during the normal season, there is a greater superfluity in the summer because such programs are economical to create and, in case they fail to portray ratings, they can easily be done away with. Furthermore, they can quickly be replaced with programmes that show progress and high ratings.

It is becoming more and more complicated to keep away from reality TV today. In restaurants, offices, health clubs and bars, the citizens are engrossed in discussions with regard to whatever they viewed on television the previous night.

Interestingly, such talk does not touch on world news but rather personalities. For instance, the topic may be based on what occurred on “The Apprentice.” Consequently, the talk may be a “did-you-see” discussion with regard to “The Bachelor” or any other Reality TV show such as “Cheaters” (Frisby 135).

Programs like such as “Fear Factor”, “The Apprentice,” “American Girl”, “Survivor,”, “American Idol”, “Temptation Island,” “Big Brother,” “Cheaters,” “Extreme Makeover” “Queer Eye for the Straight Guy,” “The Bachelorette” as well as “The Bachelor,” have become so popular and taken hold of the current television viewer.

During the 2003-2004 interval, ten reality shows were categorized among the twenty five influential prime-time series. These were in the audience-masterpiece directory for adults aged between eighteen and forty nine.

The income realized from these shows was approximately seventy five thousand dollars. It is further approximated that over seventy million viewers are captivated by television programs that places an individual in a position that enables him or her to contend in the current dispute while at the same time, being screened.

What is in these shows that keep millions of viewers daily? This question has triggered a lot of answers yet there is no satisfying reason as to why such programs attract such attention.

From “Survivor” to “Average Joe,” it looks like reality television thrives since it is concerned with real-life situations such as contending for a job or award, love, or achieving ones vision of becoming rich.

Most individuals can relate to these issues. Nonetheless, as these programs grow to be more invasive, their clutch on “reality” seems to become tenuous.

It is refreshing and encouraging to see that new faces get some spotlight, rather than the usual stars, mostly from the movie industry. The very aspect of being human that gives confidence to individuals to rumor about their family, friends, and even a foreigner is what constitutes and promotes an audience for such reality television shows. It is more of a car crash on one side of the freeway.

The glimpses into the lives other individuals are regularly shucking, yet impractical to ignore. Based on this theory, television show, “The Real World,” was discovered.

It is frequently known as “the forerunner of reality television shows.” In this show, seven foreigners are chosen to live jointly (Frisby 232). The viewers are presented with the opportunity to watch and discover what happens when strangers with varying backgrounds are made to live together.

Researchers regularly acknowledge, as a minimum, six gratifications of media exploits. These include: information which is also referred to as “knowledge” or surveillance, entertainment, escape, relaxation, passing time, and social viewing or status enhancement.

Even though the brands for these indulgences may be changed, diverse studies substantiate that they are sustainable and targets all circumstances. Based on this, the main question would be on the type of indulgence that viewers obtain from such reality television shows.

The social comparison theory might play a crucial role in explaining and uncovering a very essential motive which a lot of individuals might not be able or are not willing to articulate openly.

Researchers have referred to communal evaluation as “the procedure of contemplating about information with regard to one or more individuals in relation to personality.”

Communal evaluation theory puts forward that people have a need or drive to evaluate their opinions and abilities. In the year nineteen fifty four, Festinger, the individual who came up with the theory and established research in this field, proposed that individuals who were uncertain about their opinions and abilities would evaluate themselves through associations linked to their equals. In fact, people evaluate themselves for a range of reasons.

This may include: to establish a virtual standing on a particular matter or related aptitude; verify norms; emulate behaviors; raise spirits or feel better about life (Frisby 262). In addition, they may want to establish their personal situations as well as evaluate personality, emotions, and self-worth.

Those individuals who were better than others were known as “Upward comparisons”. These individuals who engaged in “upward comparison” would discover from others, be motivated by their illustrations, and become extremely aggravated to attain analogous goals.

Research states that “Upward comparisons” are solicited when an individual is provoked to modify or prevail over difficulties and obstacles (Frisby 262).

Self-development is the key result of a growing evaluation since the targets act as role models. It also motivates and teaches individuals to accomplish or conquer related problems.

On the other hand, a communal evaluation that encompasses a target who is regarded to be substandard, inept, or less providential is referred to as a descending evaluation.

Its fundamental principle is that individuals feel healthier about their own condition and develop their prejudiced well-being when they do comparisons.

Hypothetically, downward comparisons assist individuals to cope with individual predicaments by allowing them to view themselves and their troubles in a more constructive way by acknowledging that there are others with more complex matters.

Reality televisions enable the audience to live vicariously, giggle, and weep via the daily, average individuals who have the chance to experience things, which until the minute they are shown, a lot of individuals only dream of.

Viewers mostly tune into these programs since they posses elements that the audience would admire to experience on their own. In addition, it enables them to express amusement at other’s mistakes or commemorate successes. This makes them feel healthier about themselves since they are not as “bad as the individuals on television.”

Introduction to heartbreaking events or terrible news calls for social comparison among the viewers. It is supposed that reality viewers may be encouraged to evaluate and differentiate their own state of affairs with those stars of the reality shows.

This comparison procedure could ultimately create a sense of self-satisfaction. To better comprehend the reactions made when an individual is exposed to media content, an analysis of the opinions made in the course of watching the reality television was carried out. The investigator coded all the opinions that contained terms of social comparisons which members made on their own volition.

It is an actuality that reality television can enthrall thousand of spectators at any given occasion on a particular day. Research has started to document on how individuals get involved in impulsive and habitual communal evaluations when exposed to particular media pictures, especially those of reality television.

It is also evident that one main impact of being exposed to reality television program is to feel healthier with regard to an individual’s aptitude, life situations as well as gifts.

Reality TV further acts as a much-required diversion from the constant parade of disastrous global events. It enables viewers to have an option of watching others triumph over adversity, escape menace, get a job, learn to endure and even discover feeling of affection.

Whether the plan is adoration, cash, motivated expression, becoming a star, or just an opportunity to be seen on television, the impact on the audiences is similar.

Individuals admire to know that there are other people who are facing similar situations that they may be in. They also do make the same mistakes (Frisby 275). Regardless of the changing desires of the community and the uncertainty of television viewers, the humans’ requirement to evaluate and communicate has guaranteed a market for this venture.

A social evaluation does not call for an individual to provide elaborate, careful, conscious ideas about the assessment, but it means that there ought to be, to some extent, an endeavor to discover or look for resemblance or disparities between the self and other on a few particular aspects.

Quite a number of theorists would argue that for an evaluation to be regarded as a comparison, the individual ought to have knowledge about the assessment and get in touch with with the other person directly.

Nevertheless, social evaluations do not need individual contact or awareness since imaginary characters showed in the media could represent significant standards of evaluation.

Information on social evaluation and media utilization suggests that daily encounters with television programs may provide the viewers with information that persuades them to participate in a customary and impulsive communal evaluation.

This eventually impacts on mood and other features of prejudiced well-being. Individuals may not be in a position to deliberately articulate the evaluation process or willfully register its impact on issues such as self-development and self-improvement.

Frisby, Cynthia. Getting real with Reality TV . New York, NY: Mc-Graw Hill, 2010.

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Does Reality TV Deserve Its Bad Rap?

Is reality television valuable or a waste of time? What messages have you gotten from these kinds of shows?

By Callie Holtermann

Students in U.S. high schools can get free digital access to The New York Times until Sept. 1, 2021.

Do you watch any reality television shows? If so, what are your favorites? What do you like about them?

Do you think of reality television as a time-waster, or a guilty pleasure? Or do you think that TV snobs are the ones missing out?

In “ 11 Reality Shows to Watch With Your Older Kids ,” Noel Murray recommends several entertaining, even substantive, reality shows for teenagers to watch with their families:

The reality TV genre often gets dismissed as irredeemably trashy and filled with fame-starved men and women who’ll stab each other in the back to get more time on camera. But that’s not always the case. Many reality series are more like a cross between a documentary and a game show, featuring a diverse assortment of ordinary people who demonstrate their wits, skills and simple human decency as they compete to win a lot money. And some, like the recent Netflix hit “Floor Is Lava,” are just good, goofy fun, ideal for all ages. The 11 shows below are exciting, funny, moving and educational — and exactly the kind of television that parents should be watching with their kids.

The article continues with Mr. Murray’s recommendations:

‘The Great British Baking Show’ There’s a reason this internationally popular cook-off is considered the nicest show on television. In addition to making some eye-catching cakes, pies and breads, the amateur bakers are all friendly and supportive rather than ruthless. By casting people who represent a variety of ages, ethnicities and religious backgrounds, “The Great British Baking Show” producers are presenting an encouragingly utopian vision of Britain in the 21st century, depicting an eclectic and inviting nation where people appreciate each other for both their differences and for what they have in common. ‘Nailed It!’ Maybe the funniest reality series, “Nailed It!” functions like a parody of “The Great British Baking Show,” replacing skilled home cooks with more ordinary, bumbling bakers. Tasked to replicate impossibly intricate and beautifully decorated confections — under ridiculously tight deadlines, with weird impediments to overcome — these lovable schmoes do their best to produce something that looks and tastes at least passable. Host Nicole Byer brings just the right note of cheery whimsy to a series that allows the audience to laugh at the contestants’ foibles while also encouraging us to admire their pluck. ‘Project Runway: Junior’ Most Little League versions of reality competitions are way too simplified and cutesy; but “Project Runway: Junior” contains nearly everything that made the original a hit, from the fiendish design challenges to the shrewd judging. The big difference is that these teenage designers treat their time together more like a fun and congenial summer camp than like a must-win struggle to become fashion’s next big thing. This is a “Project Runway” with a refreshing feel-good vibe, populated by some arty high school outsiders who boost each other’s self-esteem as they make amazing clothes. ‘Survivor’ It’s only right to end with the granddaddy of American reality TV competitions, which has been on the air for 40 seasons stretched across 20 years. It’s as fascinating in 2020 as it was in 2000 to watch a group of strangers test their physical limits on a remote beach while also forging alliances and secretly strategizing. As with so many other shows on this list, “Survivor” is packed with teachable moments, offering lessons about game theory, trust and the foundations of society itself.

Students, read the entire article, then tell us:

Mr. Murray writes that “the reality TV genre often gets dismissed as irredeemably trashy.” Do you agree with this judgment? Why do you think that some television shows are labeled “highbrow” or intellectual, while others are considered “lowbrow” or trashy? Is this distinction valuable? How do you think art and culture are used to signal social status or class?

What worthwhile reality shows would you add to Mr. Murray’s list? Who are some of your favorite contestants, hosts or guest stars you’ve encountered on reality TV and why?

Mr. Murray describes two of the shows he mentions as “depicting an eclectic and inviting nation where people appreciate each other for both their differences and for what they have in common” and “offering lessons about game theory, trust and the foundations of society itself.” What messages have you gotten from reality television? What lessons have you learned from your favorite shows?

What would you change about reality television? Do you think the genre promotes dangerous stereotypes or underrepresents people of color ? How do you think these issues should be addressed?

In 2015, we asked students which reality shows they would want to join as a guest star or contestant. Which shows would you want to enter? Why?

About Student Opinion

• Find all our Student Opinion questions in this column . • Have an idea for a Student Opinion question? Tell us about it . • Learn more about how to use our free daily writing prompts for remote learning .

Students 13 and older in the United States and the United Kingdom, and 16 and older elsewhere, are invited to comment. All comments are moderated by the Learning Network staff, but please keep in mind that once your comment is accepted, it will be made public.

How reality TV has played with our reality

Reality tv ‘puts us in this inherently ambiguous moral situation… with real people,’ says writer.

Social Sharing

For a once-disdained television genre, reality TV has sustained its appeal to audiences through more than 25 years of programming.

IDEAS explored the history and meaning of some key shows for audiences, and how our own reality meets up with their constructed reality.

Here are five shows that generated popular, critical, and academic interest.

An American Family (1973) 

This experimental PBS docu-series is often seen as the precursor of reality TV. It followed the lives of an upper-class California family named the Louds. Filmed for weeks in their home, the footage was edited down to 12 one-hour episodes.

The family included an openly gay son, Lance Loud, and his parents, who were heading toward divorce. Though sedate by today's standards, America audiences were transfixed by this troubled depiction of domestic life, caught on camera. 

"Interesting is the illusion of filming the Louds as if TV weren't there. The producer's triumph was to say: 'They lived as if we were not there.' An absurd, paradoxical formula — neither true nor false."

– French philosopher Jean Beaudrillard

Teen Mom (2009-2021) and Sixteen and Pregnant (2009-2014)

MTV reality series' that following the lives of, and challenges faced by new teenage mothers, the shows sparked a brief media panic that young female viewers could get dazzled by the glamour of reality TV, and get pregnant simply for the fame. In actual fact, teen pregnancy rates in the U.S were already in steep decline when they aired, and declined faster after their release. 

"I think audiences have always been more nuanced than that, but there's a lot of moral panic around feminized texts as a bad influence on young women. (There is a) concern that it's a bad influence, even as many of them are reinforcing dominant norms or stereotypes about femininity."

– Erin Meyers, American academic and author of  Extraordinarily Ordinary: Us Weekly and the Rise of Reality Television Celebrity 

The Real Housewives of Beverley Hills  (2006-present)

 The extravagant lives and drama-filled friendships of wealthy, entitled women has meant audience gold for the Bravo network, generating endless spin-offs. These series coincided with the rise in social media discourse around reality shows, with viewers commenting not only on the drama, but on time disjunctions, manufactured controversies, and inconsistencies in the presentation of the wives' lives: the unreal reality presented by the makers of the shows.

"We're aware of how things are mediated in our own lives. And I think there's been a lot of talk, in general about media construction and media framing, everything from entertainment shows to including news reporting. I wouldn't say we're a fully media literate society. But there is a greater awareness of the construction of media, and that becomes part of the fun. 'If this is supposed to be real, how am I able to see the moments where the construction is happening?''

– Erin Meyers, academic and author  

Vanderpump Rules (2013-present)

What began as a reality show about broke servers working at one of the Housewives' restaurants, became a reality show about reality show stars, balancing their personal lives and the scrutiny of reality stardom. In 2023, "Scandoval," a cheating scandal involving cast members Tom Sandoval and longtime girlfriend Arianna Madix, rocked the show and caused reality to break out in unexpected ways.

"It puts us in this inherently ambiguous moral situation because we are dealing with real people, or they're at least a form of real or a form of half real, half fictional. The story's not over until they die. And human beings are endlessly interpretable and reinterpretable. There's always another layer to a human being, always another backstory that nobody knows about yet. Always the possibility of forgiveness and redemption."  

– Tom Syverson, magazine writer and author of Reality Squared

Love is Blind (2020-present)

The Netflix series, in which attractive romantic hopefuls meet behind walls, encounter each other face-to-face, and then try to continue the journey from engagement to marriage, has been enormously popular with audiences and is internationally franchised.

Viewers debate as to whether contestants are 'authentic' in their desire to meet a mate, what they might be hiding in their pasts, and whether they have the emotional breadth to satisfy each other. But is our sense of romantic reality real?

"What doesn't change is that people are attracted to each other, right? What changes, what shifts historically is the way that that attraction is coded. In other words, how it's made meaningful. What do you do with those feelings? How do you make those feelings meaningful through various kinds of practices, various modes of speech. 

"And of course, what you do when you are in romance is one of the things that reality TV might provide a context for. So what's interesting, I think, about romance and reality TV are the kinds of practices that are established around what it is to be in a romance."

 – Brett Nicholls, New Zealand academic, and editor of the international academic journal, Baudrillard Now.   

Listen to Reality Check by downloading the IDEAS podcast from your favourite app.

Guests in this episode:

Dave Moses is a television writer and producer, who worked on  Real Housewives of Toronto , Emergency Room: Life and Death at VGH , and Tricked.

Brett Nicholls is a senior lecturer in the department of media, film and communication at the University of Otago in New Zealand.

Erin Meyers is a professtor of communication at Oakland University in Rochester, Michigan, and the author of Extraordinarily Ordinary: Us Weekly and the Rise of Reality Television Celebrity. 

Tom Syverson is a writer and the author of Reality Squared.

*This episode was produced by Matthew Lazin-Ryder.

Related Stories

• Group Chat Does the Love Is Blind experiment actually work?
• Magic man: P.E.I.'s Dave Moses gets tricky on TV

The Impact of Reality Television on Society: a Critical Analysis

This essay about the impact of reality television on society explores how the genre shapes cultural perceptions, influences political discourse, and affects individuals’ mental well-being. It examines how reality TV can perpetuate unrealistic standards, manipulate narratives, and blur the lines between entertainment and exploitation. Despite its drawbacks, the essay acknowledges the potential for reality television to spark important conversations and inspire social change, particularly through documentaries and inclusive programming. It emphasizes the need for critical inquiry when consuming reality TV, highlighting its power to both reflect and shape societal values, political ideologies, and individual psyches.

How it works

Reality television has etched itself into the very fabric of contemporary society, weaving a tapestry of unscripted drama, larger-than-life personas, and a voyeuristic allure that captures audiences worldwide. Yet, beneath the glitz and glamour lies a nuanced landscape of influence that molds perceptions, shapes behaviors, and redefines societal norms. In this exclusive examination, we unravel the intricate impact of reality television on the collective psyche.

A defining facet of reality TV is its ability to sculpt cultural perceptions and societal standards.

Shows such as “The Real Housewives” or “Love Island” often exalt materialism, superficiality, and sensationalism, presenting an exaggerated portrayal of reality that viewers may idealize. This glorification of excess can breed unrealistic expectations of wealth, beauty, and interpersonal relationships, fostering a culture fixated on image and instant gratification.

Moreover, reality television serves as a potent catalyst for shaping public discourse and political ideologies. Programs like “The Apprentice” or “Big Brother” often mirror real-world power dynamics and social stratifications, providing a platform for discussing leadership, competition, and social hierarchies. However, the editorial process can distort narratives, perpetuating stereotypes or reinforcing biases. This manipulation of reality blurs the lines between fact and fiction, influencing viewers’ perceptions of societal issues and political figures.

Furthermore, reality TV’s impact extends to individuals’ mental well-being and self-esteem. Contestants are thrust into the spotlight, subjected to relentless scrutiny, and often criticized for their actions, appearances, or personal lives. This relentless exposure can take a toll on their mental health, leading to anxiety, depression, or even identity crises. Similarly, viewers are inundated with images of curated perfection, leading to feelings of inadequacy, comparison, and self-doubt, particularly among impressionable audiences.

On a broader scale, reality television perpetuates voyeuristic tendencies and desensitizes viewers to exploitation and sensationalism. Shows like “The Bachelor” or “Keeping Up with the Kardashians” thrive on conflict, controversy, and spectacle, often at the expense of participants’ dignity and privacy. This normalization of voyeurism and sensationalism can desensitize viewers to real-world issues, blurring the boundaries between entertainment and exploitation.

Despite its pitfalls, reality television has the potential to provoke meaningful conversations and incite social change. Documentaries and reality series focusing on topics like poverty, addiction, or environmental activism can raise awareness, challenge stereotypes, and inspire action. Platforms like “Queer Eye” or “RuPaul’s Drag Race” celebrate diversity, empathy, and authenticity, promoting inclusivity and acceptance in a polarized world.

In conclusion, reality television wields a profound influence on society, shaping cultural values, political ideologies, and individual psyches. While it can perpetuate harmful stereotypes, exploit participants, and foster voyeurism, it also has the power to educate, inspire, and unite audiences across the globe. As discerning viewers, it is imperative to approach reality TV with critical inquiry, scrutinizing its motives, representations, and societal implications. Ultimately, the impact of reality television on society reflects the intricate interplay between entertainment, influence, and the human condition, illuminating both the complexities and contradictions of our shared reality.

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We Ruined Reality TV

H eather Gay is standing on the beach, her long blonde hair and pale yellow-caped dress blowing gingerly in the wind with the green-tinted waves behind her. The sky in Bermuda—or, perhaps, the filter chosen by editors to emulate the look of a Christopher Nolan film—is gray, an indicator of the storm about to crash down onto the Real Housewives of Salt Lake City . Lisa Barlow, Meredith Marks, and Whitney Rose (all cast members since the first season, which debuted in 2020) descend onto the beach to join Gay, who drops the bombshell about newbie housewife Monica Garcia while the show’s signature chorus sings a tune more dramatic than “Carol of the Bells.” This is cinema.

“Monica is not who she says she is. She’s not our friend,” Gay says. “She’s someone that has schemed and worked to infiltrate our friend group. And the name that you all know her as, is Reality von Tease.”

Reality von Tease is not a name even the most-engaged consumer of Bravo’s programming would know, but it is a name that is “triggering” for the cast, to use an overused word in the Real Housewives universe. Garcia was outed as the anonymous user behind the Instagram account named which has been responsible for spreading gossip and rumors about the Real Housewives of Salt Lake City since 2021. When confronted at the reunion, Garcia said she started the account to expose the “truth” about Jen Shah.“I honestly feel like that page did not come for any of [the other cast members],” Garcia explained. Gay quickly chimed in, citing cruel names that the page has posted about her. “Every person on this couch can go through that page and give you 10 personal examples," Gay said. Host Andy Cohen sided with the other housewives, stating that Garcia would’ve never been cast if production had known she was running a burner account. Garcia has since been let go from the series.

While the season finale, cheekily titled “Mysteries, Revealed?,” was riveting thanks to clever non-linear editing that built up to the plan to expose Garcia combined with Gay’s committed self-aware performance (Oscar-winner Jennifer Lawrence quoted, “Receipts! Timeline! Screenshots!” on the Golden Globes red carpet), it’s also an indicator of an inflection point: Reality television is broken. And it’s because the fourth wall—which exists for a reason—has been shattered by not only too much self-awareness by its cast members but also, frankly, too much information.

More From TIME

Read More : Every Unanswered Question We Have About That Real Housewives of Salt Lake City Bombshell

The Real Housewives shows , in particular, have morphed from frivolous farce about delusional but entertaining women who contain multitudes into shows that demand sincerity and gravitas (the delusion remains). Cast members’ have learned how to self-produce, how to be the favorite (Beverly Hills’ Sutton Stracke’s “name em!” is a perfect example) and over time, storylines have become more about being a reality star than being a person.

The most obvious influence of the state of reality television is the overflow of information from an insurmountable level of sources. There are rumor accounts such as Reality von Tease, whose rise can be linked to the rise of the blind celebrity gossip accounts like DeuxMoi. These accounts run by anybody (even an actual cast member like Garcia) eliminate the element of surprise within the shows themselves.

Scandal, rumors, and gossip have always been the building blocks for storylines on shows like Real Housewives or even their spin-offs like Vanderpump Rules . It keeps things interesting. It starts fights. It creates a narrative—who to root for and who to despise. But with an array of gossip readily available any time of day at the tip of your fingers, the shows seem to find themselves in a perpetual game of catch up. The element is no longer surprising because once it airs, it feels like old news. Imagine how inconsequential Teresa Giudice’s table flip in the Real Housewives of New Jersey would have been if we knew it happened months before it aired? It wouldn’t be the same, because we would have already seen it unfold online, commented on it, and overanalyzed it to death.

This is a primary problem that’s made Hulu’s The Kardashians , essentially a behind the scenes show about the family’s Instagram grids, a well-produced bore. The third season of the series was defined by a fight between sisters Kim Kardashian and Kourtney Kardashian about Dolce & Gabbana. Kourtney claims that Kim, who collaborated with the Italian fashion house and walked the runway for its Spring/Summer 2023 show, stole her “dolce vita lifestyle.” Kourtney’s claim to the lifestyle: her wedding in Portofino, Italy. The conflict inspired the most authentic drama seen on the show in years, but something was missing: At this point, the Kardashians loom so large that they can have relationships with brands like Dolce, and despite even their best attempts, they don’t discuss the complexities of “the business” on camera. And, in Kim and Kourtney’s case, with each other. In the new age of reality TV, the subjects, more hyper aware of their audience than ever before, decide what the audience sees and how much or, more significantly, how little it sees.

Reality TV has always been loosely scripted, but now, it makes The Hills look like a documentary. And while social media shapes the lives of everyone who exists today, it rules supreme in reality TV. Bravo’s Summer House , a series that follows a group of New Yorkers in their 20s and 30s every weekend when they rent a house in the Hamptons, used to have natural conflict and interesting cast members who actually worked full-time jobs in Manhattan. Now, the show primarily revolves around whether or not the cast follows each other on Instagram, rumors they get in their DMs, what they discuss on their reality TV podcast, or if they even liked each other’s Instagram posts. Any real-life conflict created off-camera is never really explained. Stars avoid the true stories at the heart of their conflicts to preserve their reputation.

Although the fourth season of Real Housewives of Salt Lake City was successful in its conceit, it revolved around rumors we now know came from Garcia (though, generally speaking, the cast refused to acknowledge or even say what the rumors were on camera). Competition shows are a different beast than Real Housewives , but Survivor —which one could argue has social strategy in common with the Real Housewives franchise — has a similar problem: it is so studied by its superfan cast members that the game feels hacked, with winners more impressive for luck or finding advantages than for their gameplay.

Social media participation—both from talent and audience—has also contributed to this, with too many explanations, too many complaints, and, particularly in Bravo’s case, too much listening to its audience. Outrage on social media led to the dissolution of the original cast of the Real Housewives of New York after its first and only bad season (a reboot, featuring Jenna Lyons , premiered in 2023), and has created a blueprint for the Housewives universe where slow-burn cast members don't get a renewed contract. Then, there is the abysmal hate Vanderpump Rules’ Rachel Levis got during “Scandoval,” resulting in her opting out of coming back on the show, which proves that the audience can get too involved. If the stars of a show like Vanderpump Rules —which revolves around sloppy people who lie and cheat—are morally policed, do they even have a show? Or, at least, a compelling one?

The internet is oftentimes an easy thing to blame, but in this case, it’s true: the dissolution of reality TV as we know it is the result of an overflow of information. We simply know too much now, and casts are in turn too aware of how these shows work. What used to be a necessary separation between audience and cast feels snapped in two, and Bravo has mended it with Scotch tape.

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Home — Essay Samples — Information Science and Technology — Effects of Watching too much TV — Disadvantages of Reality TV Shows

Disadvantages of Reality Tv Shows

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Published: Aug 24, 2023

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Disadvantages of reality tv shows: a critical examination, perpetuation of stereotypes and negative behaviors, impact on participants' mental and emotional well-being, distorted reality and ethical concerns, diminishing value of authentic content, conclusion: a need for critical examination.

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Reality TV, Essay Example

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The concept of Reality TV is a prefabricated attempt to entertain the mass with engineered realism of drama, backstabbing, and betrayals.  Producers, operating void of talent and morals, continually push the shock value to new limits in order to entertain the viewing audience.

Reality TV allows viewers to see the realms of what dysfunctional lives can consist of.  The growing popularity of such television shows is based on entertainment and does not demand increased titillation for its continued success.  Reality shows are generally based on the same premise and still continue to grow in popularity.  These shows does not require death for entertainment, the current contents will continue to captivate the viewing audience.

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Review: Jia Tolentino on the realities of life

Is self-delusion a bad thing? In a recent interview with a Filipino news station , Jia Tolentino remarked “to be a writer necessarily involves self-delusion. You have to think that what you have to say is important enough for people to listen.” But, she warns, that egoism has to be tempered by honesty. Thus, the question becomes: In an age of limitless self-expression, is self-reflection without self-delusion even possible?

Penguin Random House

Tolentino, a staff writer for The New Yorker, attempts this seemingly impossible task in her debut book, Trick Mirror: Reflections on Self-Delusion. In this collection of nine essays, Tolentino writes about a range of topics including the advent of our internet culture, the modern wedding industry, megachurch evangelical Christianity, market-driven feminism and college rape culture.

Cautious readers might assume that Trick Mirror must be oversaturated and contrived. Set your minds at ease, dear readers: These essays are expertly written. This is in large part because Tolentino seamlessly weaves anecdotes into her well-explained research. Each essay reads as a literary narrative that treats the reader as an intelligent conversation partner.

The author’s combination of humor and sharp criticism serves as a common thread throughout Trick Mirror. Very quickly, Tolentino becomes like a favorite friend who speaks honestly and authoritatively about her experiences of subtle racism, outright misogyny and the one time she was on a teenage reality television show. (See her essay, “Reality TV Me.”)

Jia Tolentino's combination of humor and sharp criticism serves as a common thread throughout Trick Mirror.

Of all the essays, “Ecstasy” stands out among the rest. In it, Tolentino juxtaposes her evangelical upbringing with her introduction to drug use. Her particular experience of the $34 million campus of Houston’s Second Baptist Church (which she and her friends called “the Repentagon”) and the type of caustic, corrupt religion it symbolized continues to resonate today.

As a child, Tolentino writes, “believing in God felt mostly unremarkable, sometimes interesting, and occasionally like a private, perfect thrill.” Yet, as she grew older, the easy Christianity she knew quickly broke down. She grew irritated by how church leaders handled tragedy and change. Theatrical sermons and worship services could not compete with the burgeoning and artistic hip-hop scene in Tolentino’s adolescence.

“I can’t tell whether my inclination toward ecstasy is a sign that I still believe,” Tolentino writes, “or if it was only because of that ecstatic tendency that I ever believed at all.” For people of faith today, this essay pierces through our own self-delusion when we speculate about why young people are leaving our churches, synagogues and mosques. Tolentino shows that in some cases, certain theologies are simply not robust enough to contend with the realities of life.

This article also appeared in print, under the headline “Self-expression, self-delusion,” in the May 25, 2020 , issue.

Angelo Jesus Canta is a graduate student in theology at the Boston College School of Theology and Ministry and a former O’Hare fellow at America .

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20 Most Memorable Reality TV Moments of All Time

Posted: May 5, 2024 | Last updated: May 5, 2024

1. The First Tribal Council in “Survivor”

The inaugural season of “Survivor” in 2000 introduced viewers to the Tribal Council, a cornerstone of the series. The suspense and drama surrounding the first-ever vote-off set the tone for what would become a reality TV staple. This moment not only captivated audiences but also established “Survivor” as a groundbreaking show in competitive reality TV.

2. The “Snooki Punch” on “Jersey Shore”

“Jersey Shore” featured many shocking moments, but none as startling as when Nicole “Snooki” Polizzi was punched at a bar. This incident in 2009 not only caused outrage but also sparked discussions about violence on television. The moment was so controversial that it was eventually edited out of the episode.

3. Susan Boyle’s Audition in “Britain’s Got Talent”

Susan Boyle’s 2009 audition for “Britain’s Got Talent” remains one of the most uplifting moments in reality TV history. Her performance of “I Dreamed a Dream” instantly transformed her from an unknown to an international sensation, challenging stereotypes and highlighting the unexpected talent reality TV can uncover.

4. The “Chicken George” Campaign on “Big Brother”

“Big Brother” has had its fair share of memorable characters, but “Chicken George” Boswell from Season 1 stands out. His creative campaign to stay in the house, which involved dressing in a chicken suit, showcased the lengths participants would go to win and highlighted the show’s unique blend of strategy and personality.

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5. Kim Kardashian Losing Her Earring in “Keeping Up with the Kardashians”

In a moment that epitomizes the blend of luxury and drama in “Keeping Up with the Kardashians,” Kim Kardashian losing her diamond earring in the ocean became an iconic scene. Her distraught reaction, followed by her sister Kourtney’s famous line, “Kim, there are people that are dying,” captured the show’s essence perfectly.

6. Pedro Zamora’s Wedding on “The Real World”

“The Real World” is known for its groundbreaking content, and in 1994, it featured one of the first same-sex commitment ceremonies on TV. Pedro Zamora’s wedding to Sean Sasser was not just a significant moment for reality TV but also a pivotal point in the representation of LGBTQ+ relationships in the media.

7. The Reveal of “The Masked Singer”

“The Masked Singer,” with its unique concept of celebrities performing in elaborate costumes, created a buzz from its inception. The reveal of each singer became a highly anticipated moment, combining suspense, surprise, and entertainment in a novel format that rejuvenated the singing competition genre.

8. Tiffany Pollard’s “David Is Dead” Misunderstanding in “Celebrity Big Brother”

Tiffany Pollard’s reaction to mistakenly believing David Gest had died in the “Celebrity Big Brother” house in 2016 became a viral moment. This misunderstanding, while humorous in hindsight, underscored the potential for confusion and drama in the closed environment of reality TV.

9. The Breakdown of Jon and Kate Gosselin’s Marriage on “Jon & Kate Plus 8”

“Jon & Kate Plus 8” provided an intimate look into the lives of a couple raising sextuplets and twins. However, it was the breakdown of Jon and Kate Gosselin’s marriage in 2009 that captivated viewers, highlighting the impact of reality TV fame on personal lives and the complexities of family dynamics under public scrutiny.

10. Richard Hatch’s Naked Strategy on “Survivor”

Returning to “Survivor,” Richard Hatch’s strategy of playing the game naked during the first season was as controversial as it was memorable. This bold move, part of his larger strategy, was a topic of much discussion and set a precedent for the psychological gameplay that would become synonymous with “Survivor.”

11. The “Vanilla Ice Meltdown” on “The Surreal Life”

“The Surreal Life,” known for casting celebrities past their prime, featured a memorable moment in 2004 when Vanilla Ice had a meltdown, destroying the set. This incident highlighted the emotional volatility that can be present in reality TV and the pressures of living under constant surveillance.

12. Tyra Banks’ “We Were All Rooting for You” on “America’s Next Top Model”

One of the most quoted lines in reality TV history came from Tyra Banks in “America’s Next Top Model.” Her passionate outburst, “We were all rooting for you,” during a contestant’s elimination, showed the emotional investment and intensity behind the glamorous façade of modeling competitions.

13. The First Ever “American Idol” Winner Announcement

The announcement of Kelly Clarkson as the first winner of “American Idol” in 2002 was a defining moment for reality TV. It marked the birth of a new era in talent shows and highlighted the power of audience engagement, with millions voting and tuning in for the finale.

14. The “Blindside” in “Survivor: Micronesia”

“Survivor” is known for its blindsides, but none as dramatic as when Erik Reichenbach gave up his immunity necklace in “Survivor: Micronesia.” This moment, driven by convincing social gameplay, is often cited as one of the biggest strategic errors in the show’s history.

15. “The Hills” Finale Revelation

“The Hills,” a reality show that blurred the lines between reality and fiction, ended in 2010 with a scene that pulled back to reveal a set, suggesting that much of the show was scripted. This ending prompted discussions about the authenticity of reality TV and its impact on viewers’ perceptions.

16. The “Unforgivable Blackness” Episode in “The Challenge”

“The Challenge” had a powerful episode titled “Unforgivable Blackness,” where the cast engaged in candid conversations about race and privilege. This 2020 episode was a significant moment for the series, demonstrating how reality TV can be a platform for important social discussions.

17. The “Great British Bake Off” #Bingate Controversy

“The Great British Bake Off” faced its own drama in 2014 when a contestant allegedly sabotaged another’s baked Alaska, leading to its meltdown. Dubbed #Bingate, this incident became a national talking point in the UK, highlighting the intense pressure contestants face in even the most wholesome of competitions.

18. Ozzy Lusth’s Self-Exile on “Survivor”

Ozzy Lusth’s decision to voluntarily go to Exile Island in “Survivor: Micronesia” was a bold strategic play. His move, aimed at gaining sympathy votes and testing his survival skills, was a memorable example of the innovative strategies that “Survivor” contestants employ.

19. NeNe Leakes’ “Close Your Legs to Married Men!” on “The Real Housewives of Atlanta”

NeNe Leakes’ fiery line, “Close your legs to married men!” during a reunion episode of “The Real Housewives of Atlanta,” showcased the intense and often personal confrontations that are a hallmark of the series. This phrase became iconic, emphasizing the show’s blend of drama and quick-witted banter.

20. The “Jersey Shore” Italy Season

“Jersey Shore” took their antics international in the Italy season, introducing a new dynamic to the show. The clash of cultures, coupled with the cast’s unique personalities, created a series of memorable moments, underlining the show’s ability to remain engaging and fresh.

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Andy Cohen Disagrees With a Reality TV Union

Former RHONY Bethenny Frankel is trying to make a reality TV union happen and Andy Cohen isn't a fan.

The Big Picture

• Reality stars have other jobs, so they're not solely dependent on television salaries.
• There are instances where reality stars struggle financially, prompting interest in forming a union.
• Joining The Real Housewives isn't mandatory, and some leverage show exposure for future business opportunities.

Andy Cohen has been going through it. The housewives of Bravo have begun to speak out about the franchise, and it hasn't ended well for Cohen or Bravo as a whole. And now, in a new interview with The Hollywood Reporter , Cohen is talking about exactly what he thinks is happening and what his next steps are. One of the things he won't agree with is the fact that some stars want to form a reality television union.

When asked about Bethenny Frankel leading the charge in calling for a union and taking care of the housewives as you would actors on a show, Cohen wasn't shy about his thoughts. "I have a lot to say about that. But I need to make clear that I’m speaking as an independent producer. This is not Bravo speaking," he said. "This is my take on it. If you look at shows like American Idol , Survivor , The Bachelor or the Below Deck people, 90 percent or more of the reality stars on them are on for one season or less. Also, acting is a full-time profession. You don’t go to school to be a reality star."

The Real Housewives of New York City

A fast-paced reality show that follows several incredibly busy and ambitious Manhattan women. Watch as they balance envious social calendars, challenging careers, and motherhood, with the hustle and bustle of the big city all around.

'You Either Want To Be on the Show or Not'

Cohen went on to seemingly justify this by saying that our favorite reality stars are not just reality stars. "Reality stars typically have other jobs. They’re bar owners, they’re designers. They’re doctors. I think the way that Bravo pays people is that it’s a buyout — they’re buying them out for a show that can be distributed in certain ways, and the longer you stay on, the higher your salary gets. And salaries for people who have been on a long time are really high," he said. "Look, you’re not drafted into the Real Housewives . You either want to be on the show or not, and you either see it as having some greater benefit for you or not. You have a business you’re trying to launch, you have a music career you’re trying to launch, you want exposure. And so you say, 'OK, I’m going to look at this for the long game and maybe parlay my exposure on the show into other lucrative opportunities.' And many of them do just that."

Cohen's point that reality television stars have other jobs is the reason why stars like Frankel want to unionize. Sure, there are overly rich housewives that do not need more money added to their bank. But casts like Vanderpump Rules have had to fight to pay their rent while on one of the biggest reality television shows around. Maybe Cohen needs to realize that a union for reality television stars may not be that bad of an idea. All seasons of The Real Housewives franchise can be streamed on Peacock. Watch on Peacock