what is the genre of creative writing

What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

• Short stories
• Screenplays
• Flash fiction
• Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

• Find a time of day when your mind is most alert and creative.
• Create a comfortable writing space free from distractions.
• Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
• Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
• Reading is fuel for your writing. Explore various genres and styles.
• Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
• Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
• Small projects can help you hone your skills and boost your confidence.
• Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
• Participating in workshops or classes can also provide valuable insights into your writing.
• Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
• Be open to feedback and willing to rework your pieces.
• Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
• These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

• What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
• What Is A Personal Account In Writing? (47 Examples)
• How To Write A Fantasy Short Story (Ultimate Guide + Examples)
• How To Write A Fantasy Romance Novel [21 Tips + Examples)

What is Creative Writing? A Key Piece of the Writer’s Toolbox

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

• short stories
• screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

• the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

Inspiring Ink: Expert Tips on How to Teach Creative Writing

You may also like, how to journal for self growth and improvement (+ 20 self growth journaling prompts).

How to Wake Up at 5am Everyday

Analog vs digital journaling should you go with paper or an app, leave a reply cancel reply.

Save my name, email, and website in this browser for the next time I comment.

• Productivity
• Favorite Journals

VIDEO COURSE

Finish your draft in our 3-month master class. Sign up now to watch a free lesson!

Learn How to Write a Novel

Finish your draft in our 3-month master class. Enroll now for daily lessons, weekly critique, and live events. Your first lesson is free!

Guides • Perfecting your Craft

Last updated on Feb 14, 2023

10 Types of Creative Writing (with Examples You’ll Love)

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

Want to give short story writing a go? Give our free course a go!

FREE COURSE

How to Craft a Killer Short Story

From pacing to character development, master the elements of short fiction.

Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

We made a writing app for you

Yes, you! Write. Format. Export for ebook and print. 100% free, always.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

Genres of Writing: Definition, Examples, and 12 Types

What is the definition of Genre? 

Genre is a label that tells audience members what to expect from our stories.

It is a clear framework to catalog all stories and helps writers give audience members what they are hoping for—and more. The genres of writing choices are the most important ones we need to make.

When people use the term genre, they often refer to different story elements at different times. They might mean the content of the story, the medium through which the story is presented, or even its sales category.

Without clear definitions, these labels don’t help us deliver what readers want when they choose to read, watch, or listen to a particular story .

In the Story Grid Universe, we break genre into five clear categories to help us identify, meet, and innovate story requirements. Understanding genre helps us delight audiences by meeting their expectations in unexpected ways.

Download Our In-depth Guide to Genre

This 99-page book written by Story Grid founder Shawn Coyne, walks you step-by-step through each of the twelve genres and what you need in your story to make it work.

Genre Categories: Introducing the Story Grid Genre 5-Leaf Clover

The Story Grid Genre 5-Leaf Clover is the tool we use to define the genres of writing in our stories. Each of the five leaves helps us determine a different element of a story’s experience. It helps to think of the five categories visually, so we present them as a five-leaf clover. 

The goal of the Genre Five-Leaf Clover is to help us think about how each element or leaf comes together to form the global story. We can check our stories to make sure we are using the best combination possible to deliver a satisfying story experience.

By defining the specific genres and their conventions, we can start to look for each element within masterworks and study to understand ways of meeting these expectations within our own stories.

1. What is the Time Genre?

The TIME GENRE indicates how the reader experiences the time it takes to go from the beginning to the end of our stories. It answers how long the story will take to consume.

There are three categories of the Time Genre our stories can fall into: Short, Medium, and Long form.

Read more about the Time Genre .

2. What is the Structure Genre?

The STRUCTURE GENRE indicates to our reader who or what the change of the story will affect. It addresses whether the change will occur for a single AVATAR or throughout the whole system or context.

There are three categories of the Structure Genre our stories can fall into: Archplot, Miniplot, and Antiplot.

Read more about the Structure Genre .

3. What is the Style Genre?

The STYLE GENRE sets the tone for what the audience will experience during the story. It puts constraints on what we include in the story to keep a consistent feel so the audience does not get confused.

This genre leaf is divided into two broad categories and several mediums. The broad categories are Drama and Comedy. The mediums include Documentary, Musical, Dance, Literary, Theatrical, Cinematic, Epistolary, and Animation.

Read more about the Style Genre .

4. What is the Reality Genre?

The REALITY GENRE constrains the way the ALTERNATE WORLD of our story operates by establishing codes, laws, and norms. It dictates how much readers must suspend disbelief when building the worlds of our stories in their minds.

There are four categories of the Reality Genre our stories can fall into: Absurdism, Factualism, Realism, and Fantasy.

Read more about the Reality Genre .

5. What is the Content Genre?

The CONTENT GENRE defines what is contained in a story and specifically determines the need and VALUE at stake. It sets expectations for the reader using the FOUR CORE FRAMEWORK , CONVENTIONS , and OBLIGATORY MOMENTS . The Content Genre is divided into two sections: external and internal. 

The external content genres of writing are: 

Action Genre

An external story in the Action genre focuses on the protagonist’s sacrifice for positive movement along the death / life   VALUE spectrum while generating feelings of excitement in the reader. 

In Action stories, readers see the lengths the protagonist will go to protect themselves and/or other potential victims.

Read our in-depth article on the Action Genre .

An external story in the War genre focuses on the self-actualization of the protagonist through the expression of the gifts of love and self-sacrifice. Each AVATAR can act heroically by defending fellow warriors honorably in the face of horrific pain and loss.

Read our in-depth article on the War Genre .

Horror Genre

An external story in the Horror genre focuses on the ability of a protagonist to self-actualize through the expression of the gift of courage and selflessness in the face of fear. The Horror genre pits a single victim (even though there may be multiple AVATARS) against impossible odds and a supernatural, scientifically explainable or ambiguous monster possessed by evil and intent on annihilation.

Read our in-depth article on the Horror Genre.

Crime Genre

An external story in the Crime genre focuses on the Justice / Injustice spectrum while generating feelings in the reader of intrigue (solving the puzzle) and security or personal safety when the perpetrator is exposed.

Read our in-depth article on the Crime Genre .

Thriller Genre

An external story in the Thriller genre focuses on the protagonist’s need for safety. This leads the reader to identify with the protagonist, who seeks to defeat an antagonist that personifies evil. 

Thriller stories blend elements of three other genres as the powerful individual protagonist from the  ACTION  genre faces the embodiment of evil (the monster) from the  HORROR  genre in a story about unmasking an antagonist who has committed a crime against society, as in the  CRIME  genre. The protagonist ends up as a victim and faces damnation if they fail to identify and defeat the villain.

Read our in-depth article on the Thriller Genre .

Western/Eastern Genre

An external story in the Western or Eastern genres focuses on the conflict between the individual and society. It turns on the  subjugation / freedom  spectrum while generating feelings of intrigue in the reader.

Read our in-depth article on the Western/Eastern Genre .

An external story in the Love genre focuses on the need for connection in a variety of forms, including desire, commitment, and intimacy, allowing readers to identify with the lovers as protagonists and respond to the fulfillment of the couple’s fate on the hate-love spectrum with a feeling of romance.

Read our in-depth article on the Love Genre .

Performance Genre

An external story in the Performance genre focuses on the outward expression of the protagonist’s internal gifts and need for approval. It turns on the  shame / respect spectrum while generating feelings of triumph in the reader.

Read our in-depth article on the Performance Genre .

Society Genre

An external story in the Society genre focuses the protagonist’s need for recognition in a disenfranchised group. It turns on the impotence / power spectrum while generating feelings of triumph or righteous indignation depending on whether the Revolution succeeds or fails.

Read our in-depth article on the Society Genre .

The internal content genres of writing are:

An internal story in the Status genre focuses on the protagonist’s need for respect. These stories turn on the failure / success spectrum while generating feelings of admiration or pity in the reader, depending on the outcome.

Read our in-depth article on the Status Genre .

An internal story in the Morality genre focuses on the choice to act on behalf of ourselves or others and the consequences of that choice. It turns on the  selfishness / altruism  spectrum while providing feelings in the reader of satisfaction or contempt.

Read our in-depth article on the Morality Genre .

An internal story, Worldview genres focus on the lens through which we view the world and the consequences of those lens choices. It turns on the  naivete/sophistication  spectrum, while providing readers with feelings of relief at the protagonist’s emerging whole from a threat to their internal status quo, or pity for a less fortunate avatar.

Read our in-depth article on the Worldview Genre .

Additional Resources for Genres of Writing:

• Story Grid 101: The First Five Principles of the Story Grid Methodology by Shawn Coyne
• The Four Core Framework: Needs, Life Values, Emotions and Events in Storytelling by Shawn Coyne

Share this Article:

🟢 Twitter — 🔵 Facebook — 🔴 Pinterest

Sign up below and we'll immediately send you a coupon code to get any Story Grid title - print, ebook or audiobook - for free.

Level Up Your Craft Newsletter

Writing Nestling

What Is Creative Writing? (Definition & 11 Best Steps)

Creative writing is the celestial dance of words, an art form that transcends the ordinary to forge literary constellations that illuminate the human experience.

At its core, creative writing is a cosmic exploration of imagination, a journey into the uncharted realms where storytelling becomes a vehicle for self-expression, creativity, and connection.

It encompasses a diverse array of genres, from the poetic landscapes of verse to the intricate narratives of fiction and the introspective reflections of creative nonfiction.

Creative writing is both an ancient practice, rooted in the oral traditions of storytelling, and a contemporary force, shaped by the dynamic currents of literary movements and the digital age.

In this cosmic voyage of words, writers become cosmic architects, crafting worlds, characters, and emotions that resonate across the galaxies of human thought and emotion.

This exploration delves into the historical evolution, elements, genres, and the transformative process of creative writing, inviting both novice stargazers and seasoned explorers to embark on a literary odyssey through the cosmos of human imagination.

Table of Contents

What Is Creative Writing?

Creative writing is the process of expressing thoughts, ideas, and emotions through the artful use of language. Here’s a step-by-step breakdown:

Idea Generation

Start by brainstorming and generating ideas. This could be inspired by personal experiences, observations, or purely imaginative concepts.

Organize your thoughts and structure your writing. This might involve outlining the plot for a story, creating characters, or planning the flow of a poem.

Choosing a Form or Genre

Decide on the type of creative writing you want to pursue – whether it’s fiction, non-fiction, poetry, drama, or any other form.

Setting the Tone and Style

Define the tone and style of your writing. This could range from formal to informal, humorous to serious, depending on the intended effect.

Creating Characters or Themes

Develop characters, themes, or central ideas that will drive your narrative and engage your audience.

Begin writing your first draft. Allow yourself the freedom to explore ideas without worrying too much about perfection at this stage.

Review and revise your work. This involves refining your language, improving clarity, and ensuring your writing effectively communicates your intended message or story.

Pay attention to grammar, spelling, and punctuation. Edit your work to eliminate errors and enhance overall readability.

Seek feedback from peers, writing groups, or mentors. Constructive criticism can help you identify areas for improvement and refine your work.

Make final adjustments based on feedback and your own revisions. Polish your creative writing until you are satisfied with the result.

Publishing or Sharing

Decide whether you want to share your work publicly. This could involve submitting it to literary magazines, self-publishing, or simply sharing it with friends and family.

Creative writing is a dynamic and iterative process, allowing for continuous refinement and exploration of ideas.

Historical Evolution of Creative Writing

Embarking on a literary time-travel, the historical evolution of creative writing unfolds like an intricately woven tapestry, blending the whispers of ancient oral traditions with the bold strokes of individual expression that emerged during the Renaissance.

Picture storytellers captivating audiences with folk tales around ancient campfires, only to witness the metamorphosis into written words that took place during humanity’s transition from the spoken to the written word.

As the winds of change blew through literary landscapes, the Renaissance breathed life into personal narratives, and Romanticism embraced the turbulent storms of emotion.

Modernism then shattered conventional boundaries, paving the way for experimental forms that mirrored the tumultuous twentieth century.

Today, creative writing stands at the intersection of tradition and innovation, a dynamic force shaped by the echoes of the past and the untamed creativity of the present.

Origins in oral traditions

The origins of creative writing can be traced back to the rich tapestry of human storytelling woven through the fabric of oral traditions.

In the dim glow of ancient campfires, our ancestors spun tales that danced between reality and imagination, passing down knowledge, wisdom, and cultural identity from one generation to the next.

These oral narratives, often rooted in folklore and myths, were the heartbeat of communities, connecting individuals through shared stories.

From the captivating epics of Homer to the enchanting fairy tales whispered in the corners of the world, the oral tradition laid the foundation for the written word, embodying the essence of human creativity, imagination, and the innate desire to communicate through the power of narrative.

Development through literary movements

The historical journey of creative writing unfolds through the dynamic currents of literary movements, each a vibrant chapter in the evolution of human expression.

The Renaissance, a cultural rebirth, marked a pivotal shift as writers embraced the power of individual expression and departed from medieval constraints.

Romanticism followed, a tempest of emotion that stormed the structured landscapes of literature, championing nature, passion, and the sublime.

Modernism emerged as a bold departure from traditional forms, ushering in experimental narratives and fragmented perspectives that mirrored the complexities of the 20th century.

Today’s creative writing landscape, shaped by these movements, is a kaleidoscope of diverse voices and styles, a testament to the enduring influence of literary evolution on the human experience.

Elements of Creative Writing

Dive into the alchemy of creative writing, where the elements of storytelling blend and dance like cosmic particles in a celestial ballet.

Picture the plot and structure as the architectural skeleton, a blueprint for worlds yet to be born. Characters, like sentient constellations, come to life, breathing the very essence of authenticity into the narrative cosmos.

Amidst the vast expanse of setting and atmosphere, landscapes materialize like dreams, painting scenes that are both vivid and haunting.

Style and voice emerge as the enchanting melodies, each writer composing a unique symphony that resonates in the reader’s soul.

In this literary crucible, the elements fuse, giving birth to tales that are not just written but are crafted, where words become spells, and the act of creation is nothing short of magical.

Genres in Creative Writing

Step into the kaleidoscope of creative expression, where genres in creative writing are the vibrant hues that paint the literary canvas with boundless imagination.

Fiction, a realm where novel universes unfurl with every turn of the page, beckons explorers to traverse landscapes of intrigue and emotion.

Poetry, the language of the soul, weaves verses that resonate in the heart’s chambers, from the traditional sonnets to the avant-garde free forms that defy gravity.

Creative nonfiction becomes a literary mirror, reflecting the kaleidoscope of reality through memoirs and essays, blurring the lines between experience and artistry.

These genres are not mere labels; they are portals into worlds where storytelling transcends boundaries, and writers become architects of realms that captivate the mind, stir the emotions, and linger in the echoes of the reader’s imagination.

Fiction, the enchanting realm where the alchemy of words transforms imagination into reality, beckons readers into worlds unknown.

It is the literary tapestry where storytellers weave tales that dance on the precipice between reality and fantasy. Novels, the architects of this fantastical landscape, sculpt characters with palpable depth, crafting intricate plotlines that unfold like secrets waiting to be revealed.

From the classic works of timeless masters to the contemporary symphonies of emerging voices, fiction transcends time and space, inviting readers to escape the ordinary and venture into the extraordinary.

In this boundless expanse, emotions become tangible, and the echoes of imaginary footsteps resonate long after the last page is turned. Fiction is not merely a genre; it is a passport to alternate realities, a magic carpet that carries readers to places uncharted and emotions unexplored.

Poetry, the language of the heart and the echo of the soul, is an art form that transcends the boundaries of ordinary expression.

In the symphony of words, poets become maestros, conducting emotions and experiences into verses that sing with rhythm and grace.

From the structured elegance of traditional forms to the unbridled freedom of free verse, poetry captures the ineffable and distills it into the purest essence.

Every line is a brushstroke painting vivid imagery, and each stanza is a melody that resonates in the chambers of the reader’s spirit. Poets wield words like alchemists, transforming mundane moments into profound revelations.

In the delicate dance between language and emotion, poetry stands as a testament to the human capacity to turn the ordinary into the extraordinary, inviting readers to immerse themselves in the beauty of finely crafted language and the endless possibilities of the poetic imagination.

Creative Nonfiction

Creative nonfiction, a captivating blend of factual precision and artistic expression, serves as a literary bridge between the realms of truth and imagination.

In this genre, writers embark on a compelling journey of storytelling that mines the depths of reality to craft narratives as rich and engaging as any fiction.

From memoirs that illuminate the intricacies of personal experiences to thought-provoking essays that dissect the tapestry of the human condition, creative nonfiction is a mosaic of authenticity painted with the brushstrokes of literary finesse.

The genre encourages writers to artfully blur the lines between fact and narrative, weaving a tapestry that captures the essence of life in all its complexities.

It is a genre where truth is not merely recounted but elevated to the status of art, inviting readers to explore the profound and the ordinary with fresh eyes and a heightened appreciation for the power of storytelling.

The Creative Writing Process

Embark on the enigmatic odyssey of the creative writing process, where inspiration is a clandestine muse that whispers in the stillness of creativity.

The inception, a cosmic spark, ignites the imagination, unleashing a torrent of ideas that cascade like shooting stars across the writer’s mind. The drafting phase is a dance with chaos, a raw manifestation of thoughts and emotions onto the blank canvas of the page.

Yet, the revision process emerges as the phoenix rising from the literary ashes, where words transform and refine, revealing the alchemical magic of refining ideas into a harmonious narrative.

Seeking feedback becomes a cosmic conversation, where the writer navigates the cosmos of criticism to unveil hidden constellations in their work.

The creative writing process is not a linear trajectory but a celestial dance , where writers traverse the nebulae of creativity, forging galaxies of prose and poetry that linger in the reader’s universe long after the final punctuation mark.

Idea generation, the pulsating heartbeat of the creative process, invites writers into the boundless cosmos of imagination.

It is an ethereal dance with inspiration, where sparks of creativity ignite the mind like constellations in the night sky. Whether drawn from personal experiences, fleeting observations, or the whispers of dreams, ideas are the raw stardust that writers mold into narrative galaxies.

The process is as unpredictable as a meteor shower, with writers navigating the celestial expanse to capture elusive fragments of brilliance.

From the quiet corners of introspection to the cacophony of the world, the art of idea generation transforms the mundane into the extraordinary, inviting writers to embark on a cosmic odyssey where every fleeting notion has the potential to blossom into a literary supernova.

Drafting and Revising

Drafting and revising, the twin constellations of the writing process, encapsulate the transformative journey of turning nebulous ideas into polished prose.

In the initial act of drafting, writers plunge into the creative abyss, weaving words into a tapestry of raw emotions and vivid imagery.

It is an untamed exploration, where the exhilarating rush of creation takes precedence over perfection. Yet, the true alchemy occurs in the refining crucible of revision. Like a sculptor chiseling away excess stone to reveal a masterpiece, writers meticulously carve and reshape their narratives.

It is a dance with words, a delicate balancing act of preserving the authenticity of the initial draft while enhancing clarity, coherence, and resonance.

Revision is not merely correction; it is the conscious evolution of a narrative, where every nuanced change breathes new life into the prose.

The tandem of drafting and revising, akin to the ebb and flow of cosmic forces, is the dynamic heartbeat that propels a piece of writing from its embryonic stages to the polished brilliance that captivates the reader’s soul.

Publishing and Sharing

Publishing and sharing mark the culmination of a writer’s odyssey, where the crafted words are prepared to venture beyond the solitary realm of creation.

It is a moment of revelation, where the manuscript, once a private universe, prepares to meet the wider cosmos of readership.

The publishing process, be it through traditional avenues or the burgeoning world of self-publishing, involves the meticulous preparation of the work for public consumption.

The act of sharing becomes a cosmic ripple, as the writer’s voice resonates across the literary landscape, forging connections with readers who may find solace, inspiration, or sheer enjoyment in the words.

It is a dance of vulnerability and courage, as writers release their creations into the literary cosmos, hoping their narrative constellations will find a home in the hearts and minds of others.

The symbiotic relationship between writer and reader transforms the act of publishing into a shared cosmic experience, where words transcend the individual and become part of a collective literary universe.

Challenges and Rewards of Creative Writing

Navigating the cosmos of creative writing reveals a celestial dance of challenges and rewards, where each word penned is a step into the cosmic unknown.

The challenges emerge like elusive comets, from the gravitational pull of writer’s block threatening to derail creativity, to the constant cosmic quest for a harmonious balance between originality and marketability.

Yet, these challenges are the cosmic forge that tempers the writer’s mettle, honing resilience and creativity in the crucible of adversity.

The rewards, akin to dazzling supernovae, illuminate the journey. The cathartic joy of crafting a sentence that resonates, the cosmic connections formed with readers who find solace or delight in the prose – these are the celestial jewels that make the struggles worthwhile.

In the vast expanse of creative writing, challenges and rewards orbit each other like binary stars, their gravitational pull shaping the unique trajectory of every writer’s cosmic odyssey.

Overcoming writer’s block

Writer’s block, that elusive shadow cast over the creative landscape, can feel like navigating a cosmic void where inspiration is but a distant star.

It is the gravitational force that stymies the flow of words and leaves the writer stranded in a sea of blank pages. Yet, overcoming writer’s block is an act of cosmic resilience.

Writers embark on a journey through the nebulae of creativity, employing various strategies to break free from the entangled cosmic web.

Whether it’s the cosmic power of free writing to unravel mental knots or the meteoric inspiration found in changing the writing environment, overcoming writer’s block becomes a transformative process.

It is the writer’s spacecraft pushing through the cosmic fog, a testament to the indomitable spirit that seeks to create even in the face of cosmic resistance.

In this dance with the muse, writers rediscover the cosmic symphony of their imagination and emerge from the creative void with newfound brilliance.

Balancing originality and marketability

In the cosmic dance of creative writing, striking the delicate balance between originality and marketability is akin to navigating the gravitational forces of two celestial bodies.

Originality, the pulsating core of creativity, propels writers into uncharted literary realms, forging unique constellations of thought and expression.

Yet, the cosmic reality of marketability orbits nearby, where commercial considerations seek gravitational stability.

It’s an intricate interplay; too much originality may risk veering into the obscure, while an excessive focus on marketability might compromise the authenticity of the creative vision.

Writers become cosmic architects, constructing narratives that not only resonate with their individual voice but also align with the gravitational pull of audience preferences.

Balancing these cosmic forces is a perpetual challenge, requiring writers to dance on the edge of innovation while staying tethered to the gravitational pull of a wider readership.

In this cosmic balancing act, writers discover the celestial equilibrium where originality and marketability harmonize, creating literary galaxies that captivate both the cosmos of creativity and the earthly realms of audience engagement.

Impact of Creative Writing on Society

Creative writing is the cosmic echo of the human soul, resonating through the annals of time and leaving an indelible imprint on the fabric of society.

It serves as a literary constellation, illuminating the collective consciousness with narratives that mirror, challenge, and redefine societal values.

From ancient epics that shaped cultural identities to contemporary works that spark revolutions of thought, creative writing is a cosmic force that fosters empathy, dismantles prejudices, and holds a mirror to the complexities of the human experience.

It is the catalyst for societal metamorphosis, a cosmic dance that encourages dialogue, fuels revolutions, and shapes the very contours of cultural evolution.

In the vast cosmos of creative expression, the impact of writing is not merely confined to the pages; it permeates the collective psyche, becoming a celestial force that guides, questions, and ultimately shapes the destiny of societies on this cosmic voyage through time.

Educational and Professional Opportunities in Creative Writing

Embarking on the cosmic odyssey of creative writing isn’t just a journey into the realms of imagination; it’s a launchpad to educational and professional constellations that illuminate diverse career trajectories.

Creative writing programs become celestial academies, nurturing literary supernovae through workshops, mentorship, and the exploration of narrative galaxies.

The academic pursuit of the craft transforms writers into cosmic architects, honing not only their creativity but also the analytical skills essential for dissecting the intricacies of language.

Beyond the academic cosmos, the professional opportunities in creative writing are as vast as the universe itself.

Writers may navigate the celestial waters of journalism, become starry-eyed screenwriters crafting cinematic adventures, or soar as literary explorers, publishing novels that leave an indelible mark on the literary cosmos.

In the intersection of education and profession, creative writing unfolds as a cosmic tapestry where words aren’t just written but become portals to boundless opportunities in the vast expanse of the literary universe.

Frequently Asked Questions (FAQ) about What Is Creative Writing?

What exactly is creative writing, and how does it differ from other forms of writing.

Creative writing is the vibrant, expressive art of using words to craft narratives that go beyond mere conveyance of information. It stands apart by prioritizing imagination, self-expression, and often blurs the lines between reality and fiction.

How does the historical evolution of creative writing influence contemporary practices?

The historical journey of creative writing, from ancient oral traditions to the digital age, has shaped the very DNA of the craft. It influences contemporary practices by offering a rich tapestry of literary movements, styles, and themes that writers can draw inspiration from or subvert.

Can anyone become a creative writer, or is it a skill reserved for a select few?

Absolutely anyone can become a creative writer! While innate talent can be an asset, the essence of creative writing lies in practice, exploration, and the willingness to cultivate one’s unique voice and perspective.

What are the key elements that make up creative writing, and how do they contribute to the overall narrative?

The elements of creative writing, such as plot, characterization, setting, style, and voice, are the building blocks that construct the literary cosmos. They contribute by creating immersive worlds, memorable characters, and distinctive narratives that resonate with readers.

How can one overcome writer’s block, a common challenge in creative writing?

Overcoming writer’s block is like navigating through a cosmic fog. Strategies include engaging in free writing, changing the writing environment, seeking inspiration from different mediums, or simply taking a cosmic break to recharge creative energies.

Is creative writing limited to novels and poetry, or are there other genres to explore?

Creative writing spans a diverse universe of genres. While novels and poetry are prominent, there’s also creative nonfiction, flash fiction, screenplays, and more. The cosmos of creative writing is vast and welcomes exploration.

How does one balance the fine line between originality and marketability in creative writing?

Balancing originality and marketability requires navigating a cosmic dance. It involves maintaining authenticity while considering the audience’s preferences, creating a celestial equilibrium where the writer’s unique voice resonates within a broader readership.

What educational and professional opportunities are available in the field of creative writing?

The educational galaxy offers creative writing programs and degrees, nurturing writers with both theoretical knowledge and practical skills. Professionally, opportunities range from traditional publishing avenues to scriptwriting, journalism, and the expansive realm of digital content creation.

In conclusion, creative writing is a cosmic odyssey, an ever-expanding universe of imagination, expression, and connection.

From its ancient roots in oral traditions to the dynamic currents of contemporary literary movements, creative writing has evolved into a diverse and influential art form.

It is a transformative process that involves the careful balance of elements, the exploration of various genres, and the persistent journey through the challenges and rewards of crafting narratives.

Creative writing is not confined to the realms of novels and poetry; it encompasses a vast cosmos of possibilities, from memoirs to screenplays, flash fiction to creative nonfiction.

As writers embark on this celestial exploration, they become architects of worlds, sculptors of characters, and composers of narratives that resonate across the collective human experience.

The educational and professional opportunities within this realm further amplify its significance, turning creative writing into both a personal pursuit and a communal force shaping the literary landscape.

In the grand celestial tapestry of human expression, creative writing emerges as a luminous constellation, inviting writers and readers alike to traverse the cosmic expanse of imagination and storytelling.

Related Posts:

• What Is Medium Used For? Ultimate Guide For Beginners
• What Is A Personal Account In Writing? (Explained)

What Is A Universal Statement In Writing? (Explained)

• What Does Freeform Mean In Fanfiction?
• How To Describe A Spaceship In A Story (10 Best Tips)
• Body Swap Writing (9 Best Tips & Ultimate Guide)

Similar Posts

How To Become A Writer For SNL (10 Best Tips)

Embarking on the journey to become a writer for Saturday Night Live (SNL) is akin to stepping into the heart of a comedic whirlwind, where laughter is both the currency and the reward. The halls of SNL echo with the legacies of comedy legends, and securing a place among these esteemed ranks requires more than…

Can You Become A Millionaire From Blogging?(Explained &11 Best Ways)

Embarking on the journey of blogging is more than a creative pursuit; it’s an exploration of entrepreneurial possibilities, where the quest for success often converges with the tantalizing prospect of financial abundance. The question echoing in the minds of aspiring bloggers is a compelling one: Can you become a millionaire from blogging? Beyond the enchantment…

In the realm of writing, a universal statement stands as a literary lodestar, guiding authors through the expansive seas of human expression. It encapsulates ideas or themes that possess an enduring relevance, transcending the constraints of time, culture, and individual perspectives. Akin to a literary North Star, a universal statement beckons readers from diverse backgrounds,…

Do You Italicize Titles? (Easy Guide & Explained)

Welcome to the intriguing realm of typographical finesse – the nuanced practice of italicizing titles. In the vast landscape of written expression, the question of whether to italicize titles can be a labyrinthine endeavor, navigating the subtle nuances that distinguish literary works. As we embark on this linguistic odyssey, we’ll unravel the conventions, explore the…

How Much Is Sky Writing? (Ultimate Guide)

Embarking on the ethereal journey of skywriting unveils a celestial tapestry where messages unfurl across the vast canvas of the open sky. However, the enchanting spectacle of transforming the heavens into a personalized billboard comes with a celestial price tag. “How much is skywriting?” becomes a question that delves into the intersection of art, aviation,…

What Is A Website Maintenance Plan? (Complete Guide 2024)

A Website Maintenance Plan serves as the strategic blueprint for the ongoing health, evolution, and success of a digital presence. In the fast-paced and ever-changing landscape of the internet, a static website is akin to a neglected garden that may wither over time. A well-crafted maintenance plan is the horticulturist’s guide, outlining the meticulous care…

Elements of Creative Writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

Content Accuracy rating: 5

As far as I can tell, content is accurate, error free and unbiased.

Relevance/Longevity rating: 5

The book is relevant and up-to-date.

Clarity rating: 5

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Modularity rating: 5

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Organization/Structure/Flow rating: 5

Topics are presented in logical, clear fashion.

Interface rating: 5

Navigation is good.

Grammatical Errors rating: 5

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

Contribute to this Page

• QUT Library
• Library guides
• Library course and unit guides
• Course guide: Creative Writing

Writing genre

• Australian Voices
• Creative non-fiction
• Editing and publishing
• The short story

Genre & genres

• Genre generally
• SciFi & speculative
• Fantasy & horror

• The Routledge companion to science fiction

• << Previous: The short story
• Last Updated: Mar 6, 2024 10:49 AM
• URL: https://libguides.library.qut.edu.au/CreativeWriting

Global links and information

• Current students
• Current staff
• TEQSA Provider ID: PRV12079 (Australian University)
• CRICOS No. 00213J
• ABN 83 791 724 622
• Accessibility
• Right to Information

Acknowledgement of Traditional Owners

QUT acknowledges the Traditional Owners of the lands where QUT now stands.

What is Creative Writing?

by Melissa Donovan | Dec 7, 2023 | Creative Writing | 20 comments

What is creative writing?

Today’s post is an excerpt from the book  Ready, Set, Write: A Guide to Creative Writing . This is the entirety of the first chapter, “What is Creative Writing?” Enjoy!

Creative writing can be difficult to define.

Certainly, fiction and poetry are forms of creative writing, but what about journal writing, articles and essays, memoirs and biographies? What about textbooks and copywriting? Technical writing? Blog posts?

Where do we draw the line between what is creative writing and other types of writing?

Have you ever read the terms and conditions on a website? Ever browsed through an instruction manual? Surely, you’ve suffered through a boring textbook. While these types of writing might require some level of creativity, they are not usually considered creative writing.

It’s easy to glance at a poem and know that it’s a piece of creative writing, and it’s easy to flip through a legal document and know that it’s not.

So what is creative writing?

If a historical textbook is not creative writing, then wouldn’t that exclude other nonfiction works like memoirs and biographies from the creative writing category?

Not necessarily.

While nonfiction indicates that the writing is rooted in fact, it can be written with emphasis on language and craftsmanship and therefore creative. Creative nonfiction is a broad genre that includes memoirs and biographies, personal essays, travel and food writing, and literary journalism.

Ultimately, we each get to decide what is art and what is creative writing. Most of us will know creative writing when we experience it, either as a writer or as a reader.

In the big scheme of things, it may not be that important to go around labeling what is and isn’t creative writing, but it’s certainly worthy of a few brief moments of consideration. You can determine what creative writing is for yourself, but others might see things differently.

Do you differentiate between creative writing and other types of writing? Do you feel that copywriting (ads, commercials, etc.) can be classified as creative writing even though its purpose is strictly commercial? If most textbooks are not considered creative writing, does that mean a textbook can never be written creatively? Is writing creative because of how the writer approaches the project, or how the reader receives it?

What is creative writing to you? Share your thoughts by leaving a comment, and keep writing.

Don’t forget to pick up a copy of  Ready, Set, Write.

20 Comments

The act of creation, the literal source of the term creative, is an unbounded event that accepts a poorly whittled twig as company to the Mona Lisa. We have weakened that magnanimous gesture by listening to critics and marketers. That is the world, we are told, deal with it. Is it really?

The curse of the moniker “expert” is the finite limitations of experience. An expert can, truly, only judge a thing based on his personal experience. In many fields that is sufficient for a normalized event. You know a balanced perspective, what makes a pleasing composition, what pleases the ear, the pallet and the psyche. When something arises that does not fit the normal patterns, what then? Can you really use normal criteria to weigh it’s value? Experts do, of course, what choice do they have?

I have issue with kind and gracious critiques given so liberally to work the expert didn’t understand; but because the artist was renowned, and popular, it must be so. I read drivel, knowing it has been proclaimed a masterpiece, and laugh to myself. I study paintings that were little more than bovine scratching, and marvel at how highly prized it is, while brilliant groundbreaking work all around is ignored.

Creative writing – creative anything, is literally everything. Marketable work, is the term you are searching for. That has little to do with artistic merit, though some remarkable work does find it’s way to the light.

Caliban, thanks for sharing your thoughts. I believe that a true expert will know when faced with work that is beyond their experience or expertise and will act accordingly. I know nothing about football, so if someone asked me to critique a football player’s performance on the field, I would politely decline.

Having said that, everyone seems to have an opinion. Some may hold more weight than others. For example, I care more about what a well-read person thinks of my work than someone who rarely or never reads any kind of literature. I too have read drivel that has been declared a masterpiece and it’s frustrating to me. It’s difficult to understand, for example, why a shoddy writer is putting out two novels a year and consistently appearing on the bestseller list and receiving rave reviews. Yet it happens all the time (and no, I’m not naming any names!).

You’re right, creative writing or creative anything is literally everything. However, that is subjective. Me? I don’t consider legal, medical, or scientific writing to be creative. I worked as a technical writer and there was nothing creative about it, although it did require considerable skill in terms of language and grammar.

Really great questions here. Creative writing is such a broad category that so many things can fall under it. I personally think that when I’m at work, writing work documents like memos, press releases, contracts, etc., I’m not being creative. When I’m writing on my blog, in my journal, or a story/novel, I’m using my creative writing skills. Now, if only I could get a job where I can use my creative writing all the time…. 😉

Wouldn’t it be exciting to make a full-time living with creative writing? Successful novelists and freelance writers are able to do that, as are screenwriters. Where there’s a will, there’s a way.

Good stuff.

I think it’s words that make you think, feel, or act. It’s evocative. It’s clever in action. It’s looking at something a new way. I think the most evocative writing can win over the most evocative painting. Of course, it depends on whose eye the apple is in. It’s subjective and some of the most beautiful art is precisely divisive.

Ooh…evocative writing versus evocative painting. That would be quite a fight!

Interesting question! When somebody says “Creative writing,” I DO tend to think FICTION before anything else. Because that’s something that comes entirely from your own head. Whereas with non-fiction, you’re writing to a purpose or from a set of facts.

But the actual act of writing? Creative, either way.

Well, when it’s being done right. Because, of course, you can write a quick promotion on auto-pilot and have it be … fine. Routine. Run-of-the-mill. But the good ones? That give you that glow of satisfaction? Pure creativity, all the way!

I tend to immediately think fiction and poetry whenever people start talking about creative writing, but it turns out there’s a whole genre of nonfiction that is creative (and it has tons of sub-genres). For example, the memoir is quite popular right now. I guess it all has to do with how creative or literary your work is.

Really interesting question, the differentiation between what is creative writing and what is not is extremely subjective.

In some ways I think that all writing is somewhat creative as it has emerged from the mind and the writer has had to think about what they are going to produce and how they are going to do it.

I can appreciate that novels and poems are more likely to be considered creative and perhaps even more worthy to be described as such.

I agree with you – we can bring creativity into just about anything we do (including any type of writing), but some forms of art require a little more creativity than others.

Anything that doesn’t make me ‘want’ to read it, is in my mind, non creative as in business manuals, contracts,academic materials, etc. But, written stuff that contains a story line, causes me to reflect, chuckle and ‘want’ to read more of the same would be the creative side of writing for me. Most times, I don’t think about the difference, I just naturally ‘feel’ it:)

Yes, it’s hard to think of the dry writing (business, manuals, contracts) as creative. I do believe there are exceptions, but they are few and far between.

I agree with everyone in terms of the question itself being worthy of contemplation. I think there’s a difference between noise and music, so I will say there is a distinction between creative writing and other types of writing, just as there is art and non-art.

To use the music analogy again, I think technical documents are like playing perfect scales. Kudos to those who have the skill to do that really well, but it’s not a creative act until someone rearranges those notes into something unique and pleasant.

Thanks for getting me thinking this evening. Give us more to contemplate.

Sarah, this is an excellent analogy. I wish I’d thought of it myself. Your examples of noise vs. music and technical documents being similar to playing scales are spot-on! Thanks so much for adding your ideas to this discussion.

Completely stunned and baffled! I am dangling in between the two worlds of what is and isn’t on creative writing arena. Does that mean any writing can be said creative and also not, depending how we passive the pieces of works we may come across?

I think it’s just a judgment call. Each of us gets to decide.

I’m eighty-five years old and have only started writing in the past year or so. My writings have consisted of stories from my own life. My idea of creativity is to make those past experiences interesting. I’ve always been an avid reader of both fact and fiction. I relied heavily on self-help books while struggling with depression during my earlier years. Self-help books aren’t fiction, but I’ve found them to be creatively written.

Creative writing might also be described as, “making myself look pretty darn good” while telling tales of my past.

One of the great things about writing is that we can start it at any time in life. I have always found writing to be calming and therapeutic and a useful tool for self-expression. Thanks for sharing your experiences with writing, Richard.

Creative writing, literally focoses on the imaginative and true skillful arts of bring thoughts into words and actions. Thereby, imbues in readers the ability to critique on the applied skills levelled up by the writer in his or her works of art.

The purpose of creative writings varies. Some works are meant to entertain; others are meant to inform or inspire. While readers can certainly critique, that is actually not the common purpose from an author’s perspective. And most readers don’t get too deep into critiques. Most readers want to be entertained or learn something.

Submit a Comment Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Subscribe and get The Writer’s Creed graphic e-booklet, plus a weekly digest with the latest articles on writing, as well as special offers and exclusive content.

Recent Posts

• What is Free-Verse Poetry?
• Grammar Rules: Lay or Lie
• Writing While Inspired
• Thoughts on Becoming a Writer
• How to Write a Book

Write on, shine on!

Pin It on Pinterest

What are the Genres of Creative Writing?

The Black Bear Review boasts about accepting work in all four literary genres, but what does that mean? In simplest terms, genres are used to organize, categorize, and classify literature. The four primary genres of creative writing are fiction, creative non-fiction, poetry, and drama.

Fiction:  The fiction genre includes all works conceived primarily out of the writer’s imagination. Although fiction may include some elements of reality (names of real-life towns or natural phenomena), it relies on make-believe events to drive plots that often parallel, rather than recite, real-life circumstances. Some examples of fiction form are the novel, short story, or novella.

Creative Non-Fiction:  Writers of creative non-fiction develop stories based on true to life events but often infuse their own personal views and experiences in their work. Creative non-fiction pieces go beyond fact to appeal to readers through story, experience, and imagery. Some examples of creative non-fiction forms are personal essays, book reviews, memoirs, interviews, and cultural criticisms.

Poetry:  Poetry includes writing meant to be heard out loud as well as read on the page. Although poetry can take many forms, its foundation is built on a balance of rhythm, imagery, metaphor, and other techniques used to communicate abstract ideas to readers. Poems may be structured (haikus, and sonnets), unstructured (free verse), or even appear to read as a narrative (prose poems).

Drama:  The genre of drama can include both the fictitious and the fact. In a drama, the story is primarily conveyed through dialogue between characters. It may reference sound and movement, but much is left to reader’s imaginations. Drama includes movie scripts, ten-minute plays, screenplays, and written stage productions.

* Much of the information in this article has been taken from “Imaginative Writing: The Elements of Craft” by Janet Burroway and “Write Moves” by Nancy Pagh. We recommend looking into these books for yourself. They’re excellent resources to add to any writer’s toolbox!

Copyright © 2020 Black Bear Review

Holiday Savings

cui:common.components.upgradeModal.offerHeader_undefined

Writing in genre: the way we tell stories and why it matters, let's look at what genre is, how we define genre today, and why it's important to know what genre you’re writing in.

Table of Contents

The concept of genre has long been a source of discussion and debate in literature and the arts. An idea that is both simple and complex, it’s constantly changing and has been adapted to fit numerous contexts over the course of centuries.

Let’s look at the definition of genre today and most importantly, why you need to know what genre you’re writing in.

What is Genre?

At its core, genre is a term we commonly use to refer to a category or type of creative work , typically denoting a specific style of writing or form of artistic expression.

For example, we have different classifications for a romance novel or a gothic horror novel for literature, heavy metal or lo-fi songs for music, and impressionism or surrealism for art.

The Literary Definition of Genre

Today we define literary genres as categories of fictional works that share story elements in similar ways. The characteristics of a literary genre aren’t singularly defined by, but can include, elements such as setting, plot, characters, and themes.

We have clear ideas and expectations for the various literary genres: fantasy, science fiction, romance, mystery, poetry, nonfiction, and so on.

Sub-Genres and Blended Genres

But even though genre is a concept we try to box up into these clearly defined categories, there are still many grey areas. Genre categories can be broken up into several sub-genre categories, and sometimes even these sub-genres are nebulous blends of their parent genres.

For example, dystopian literature is typically shelved in Science Fiction and Fantasy or general Fiction , mostly depending on its inclusion of any fantastical elements. Walk into any major bookstore and you’re likely to find N.K. Jemisin’s otherworldly The Fifth Season in Science Fiction & Fantasy, while Margaret Atwood’s eerily familiar The Handmaid’s Tale will be tucked into the general Fiction section.

Then take contemporary works of climate fiction , such as Clean Air by Sarah Blake or Migrations by Charlotte McConaghy , yet another pairing with one in Science Fiction & Fantasy and the other in general Fiction. Blake's novel is a post-apocalyptic work of eco-fiction, yet it also leans heavily towards being a thrilling mystery. McConaghy penned a meditative cli-fi story of a woman studying a dying species, but it remains very grounded in its human themes.

Some creative works just don’t fit neatly into the current idea of what genre is, yet we love to classify things anyway. It’s how we make sense of our world and the things that exist in it, or simply, how we determine what section of the bookshop we head toward first.

The Conventions of Genre

Genre conventions can include tropes, settings, theme, character archetypes, or even plot structures. They alone do not make up genre, but arranged in a certain way, they can. If genre is the whole puzzle, genre conventions are its puzzle pieces.

Here are some examples of how genre conventions typically work in different genres:

Genre Tropes

You’re most likely to find the chosen one trope in a fantasy novel, or a marriage of convenience trope in a romance. In an adventure novel, it’s probable that the main character gets involved in a quest for some powerful, ancient artifact; and they’re probably being pursued by a band of faceless mercenaries.

In a Gothic novel, you’re likely to find a moody, decrepit setting, like an abandoned castle. If you’re reading a space opera, it’s possible you’re reading about characters on a spaceship traveling around the galaxy.

You’ll often see a theme like fear (or confronting it) expressed in a horror novel, or a theme of true love in a romance. In fantasy or science fiction, themes of overcoming some powerful personal or external obstacle are common. Your main character from a small village no one has ever heard of discovers their inherent worth or your ragtag crew of space travelers is fighting a galaxy-spanning political power.

Character Archetypes

It’s common to find wizards in fantasy, hackers or androids in science fiction, and monsters in horror novels . You can, of course, find these beings in other genres, but there is a reason we associate them in the way that we do.

Plot Structures

Romance novels typically follow a structure of (1) meet-cute, (2) romantic tension, (3) break-up, and (4) happily ever after. If you’re writing a romance that doesn’t end in a happily ever after , you’re probably not actually writing a romance.

Understanding genre conventions will help you avoid tangents that might confuse audiences.

What Makes Genre Fiction?

Genre fiction is a modern term that generally refers to fantasy, science fiction, romance, and mystery. For fiction writers especially, choosing a genre for your book ultimately comes down to understanding the conventions used in your story.

🚀 Does your book take place in a futuristic setting where your characters can use advanced technology for various means? You’re probably writing science fiction.

💞 Are you writing a story with two main characters who fall in love, and where the main plot of the story is about these characters getting together? You’re writing romance.

🧝‍♂️ Are there elves in your book? You’re definitely writing fantasy.

Pretty much anything that is not general fiction, literary fiction, or dramatic fiction, can be referred to as genre fiction, and it’s written in a formulaic manner for a reason.

Readers have certain expectations about these different types of stories, and authors and publishers want to meet those expectations.

What’s the Most Popular Fiction Genre?

The most popular fiction genre in 2023 is by far, the romance genre. The latest sales figures put romance at the top of the list with a total annual sales volume of $1.4 billion. This is double the figure of the second most-sold genre (mysteries & thrillers) at $728 million.

Then, in 2022, Colleen Hoover’s books made up 6 out of 10 of the bestselling books of the year. Insane. Hoover is well-known for writing contemporary romance.

Both Hoover's and romance's popularity can partially be attributed to the power of social media . Romance readers dominate the various social book communities from Booktok to Bookstagram to BookTube. Romance books can also be read quite fast, generally, and thanks to their formulaic happily-ever-after endings, they often provide a guaranteed serotonin boost to readers. What’s not to love ?

But the interests of readers are constantly changing. Not too long ago, the most popular fictional genre category was mysteries & thrillers , no doubt thanks to the way they can induce an adrenaline rush.

Genre fiction is probably so popular because it promises the same or a similar experience each time , no matter the story. People enjoy being (reliably) entertained by their fiction.

Does The Genre of a Book Matter?

In short: Yes, the genre of a book matters. It helps communicate necessary information to readers, which in turn, helps you better market your book. The nuances between genres can dramatically change who your readers are and how you’ll sell your book to those readers.

For example, are you writing dark fantasy or grimdark fantasy ? They both stem from the same branch of darker-flavored fantasy, but there are subtle nuances between them. However, you're likely to find the same or similar audience craving these subgenres.

A more extreme example might be that you're writing a book with both a romantic element and fantastical elements. But are you writing a romance set in a fantasy world? Or are you writing a fantasy that has a romantic subplot?

There’s a very clear difference between romantic fantasy books and fantasy books that have romance in them. Sure, there is some overlap between general fantasy and romantic fantasy audiences. But you may have a hard time selling a general fantasy book with a romantic subplot to romance readers who prefer romance to be front and center in the story.

Can a Book Be Two (Or More) Genres?

A book can absolutely be more than one genre. But, there is an art and a science to blending genres in your novel , or so author Robert Jackson Bennett believes. He had this to say about his Founders trilogy , which transitioned from pure cyberpunk fun to a discussion on transhumanism during the course of the three books:

I’d say it worked out for him, though, as the series remains rather popular in the science fiction and fantasy community. To some extent, your brand as an author holds more weight than any individual body of your work. If readers already know you and enjoy your books, they’re more likely to be open-minded when you want to explore different genres with your novels.

Clear-cut literary genres are dominant in traditional publishing too, but a few more daring publishers have been known to take chances on genre-bending books. Science fiction and fantasy publisher DAW Books did just that with The Initiate Brother duology , an Eastern Asian historical fantasy series by Sean Russell. In an introduction to the omnibus Russell wrote in 2013, he states:

Examples of cross-genre books can be found everywhere in literature today. Yes, some readers absolutely don’t or won’t like change. And it’s true that if a book doesn’t perfectly fit into checked-off boxes, it can be harder to sell, simply because it has to appeal to multiple audiences. But as an author, it’s a risk that you may have to take if you want to write what matters to you, versus writing to the market .

Can You Be a Multi-Genre Writer?

Contrary to many authors thinking or being told that they can’t be a romance author and a science fiction author, it is okay to be a multi-genre writer ! Yes, there are many writers who do stick to one genre, almost exclusively for marketing purposes, but you don’t have to stay in one genre for the entirety of your writing career.

Several authors have even been known to write in various genres (or sub-genres), sometimes under different pen names:

• Take fantasy author Carol Berg, who has published her more traditional fantasy works under her real name but used the pseudonym Cate Glass for her contemporary fantasy trilogy, The Chimera .
• You know traditionally published Eleanor Marie Robertson best as author Nora Roberts for her wildly popular romance books, and as J.D. Robb for her equally popular series of In Death mystery books.

As readers, as people , we love to indulge in a variety of genres, topics, and general interests, so why should we limit ourselves when we put on our writing hats?

Those who choose to pursue the path of being a multi-genre writer should keep these tips in mind:

Do Your Research on Genres

Understand the different genres you’re writing in. Contemporary romance is different from epic fantasy or hard-boiled detective fiction. Story structures may look the same, or similar themes may be expressed, but everything from the cover of these books to the titles or tropes they use, to the general mood of them, will be different in order to meet the expectations of various reading audiences.

Consider Using a Pen Name

Pen names abound in the literary world, and authors—both traditionally and independently published—have been using them for as long as books have been written. Author Rob Boffard (who you probably know better as Jackson Ford), is known for science fiction stories. When he wrote his contemporary speculative fiction series, the Frost Files , he opted to publish it under a pen name to market the series better.

Communicate Clearly With Readers

In the 70s and 80s, Stephen King decided to publish new books under the pseudonym, Richard Bachman, without saying anything, essentially so that he could write more books. At the time, it wasn’t standard for an author to publish more than one book a year. The books under his pen name sold moderately well, but when it came out that he was the author, book sales increased to be “more in line with what publishers would expect from a King title.”

Readers tend to be more willing to buy books from authors they’re already familiar with, so it’s worth it to let them know when you write under a different name or in a different genre.

Deciding to write in multiple genres ultimately depends on you and your goals. Your most diehard readers will follow you wherever you go, and you’ll find new readers along the way, too. But if you’re on the fence, perhaps indie author J. Dianne Dotson can inspire you with this tweet :

And, well, I couldn’t agree more with her.

Writing Genre: In Conclusion

As we’ve seen, the definition of genre definitely comes with a complexity to it that has been adapted over time to fit various contexts. And it continues to change as we express new ideas in our stories today.

The lines of genre blend further—on one hand, we welcome genre distinctions; on another, we want to reject them.

While it is important that we have these easy-to-reference categories for our stories, both to consistently find books we love to read, as well as write books to an audience of expectant readers, don’t let the perceived boundaries of genre hold back your creativity.

If you want to write a romantic, yet suspenseful space opera, with a terrifying eldritch monster waiting in the pits of a planet, you do you. We can’t wait to read it.

Table of Contents

Ai, ethics & human agency, collaboration, information literacy, writing process.

• © 2023 by Joseph M. Moxley - University of South Florida

Genre may reference  a type of writing, art, or musical composition; socially-agreed upon expectations about how writers and speakers should respond to particular rhetorical situations; the cultural values; the epistemological assumptions about what constitutes a knowledge claim or authoritative research method; the discourse conventions of a particular discourse community . This article reviews research and theory on 6 different definitions of genre, explains how to engage in genre analysis, and explores when during the writing process authors should consider genre conventions. Develop your genre knowledge so you can discern which genres are appropriate to use—and when you need to remix genres to ensure your communications are both clear and persuasive.

Genre Definition

G enre may refer to

• by the  aim  of discourse
• by discourse conventions
• by  discourse communities
• by a type of technology
• a social construct
• the situated actions of writers and readers
• the situated practices and epistemological assumptions of discourse communities
• a form of  literacy .

Related Concepts: Deductive Order, Deductive Reasoning, Deductive Writing ; Interpretation ; Literacy ; Mode of Discourse ; Organizational Schema; Rhetorical Analysis ; Rhetorical Reasoning ; Voice ; Tone ; Persona

Genre Knowledge – What You Need to Know about Genre

Genre plays a foundational role in meaning-making activities, including interpretation , reading , writing, and speaking.

In order to communicate with clarity , writers and speakers need to understand the expectations of their audiences regarding the appropriate content, style, design, citation style, and medium. Genres facilitate communication between writers and readers, authors and audiences, and writers/speakers and readers/listeners. Genre and genre knowledge increase the likelihood of clarity in communications .

Writers use their knowledge of genre to jumpstart composing: a genre presumes a formula for how to organize a document, how to develop and present a research question , how to substantiate claims–and more. For writers, genres are an efficient way to respond to recurring situations . Rather than reinvent the wheel every time, writers save time by considering how others have responded in the same or a similar situation . Genres are like big Lego chunks that can be re-used to start a new Lego creation that is similar to past Lego creations you’ve created.

In turn, readers use genres to more quickly scan information . Because they know the formula, because they share with the author as members of a discourse community a common language, common topoi , archive , canonical texts , and expectations about what to say and how to say it in, they can skip through a document and grab the highlights.

Six Definitions of Genre

1. genre refers to a naming and categorization scheme for sorting types of writing.

“… [L]et me define “genres” as types of writing produced every day in our culture, types of writing that make possible certain kinds of learning and social interaction.” (Cooper 1999, p. 25)

G enre  refers to types of writing, art, and musical compositions. For instance

• alphabetical texts may be categorized as Expository Writing, Descriptive Writing, Persuasive Writing, or Narrative Writing .
• movies may be categorized as Action & Adventure, Children & Family Movies, Comedies, Documentaries, Dramas.
• music may be categorized as Artist, Album, Country, New Age, Jazz, and so on.

There are many different ways to define and sort genres. For instance, genres may defined based on their content, organization, and style. Or, genres may be defined and categorized based on

• Examples: Drama, Fable, Fairy Tale, etc.
• Move 1 Establish a territory
• Move 2 Establish a niche
• Move 3 Occupy the niche (Swales and Feak 2004)
• A research article written for a scientific audience most likely uses some for of an “IMRAC structure”–i.e., an introduction, methods, results, and conclusion
• An article in the sciences and social sciences would use APA  style for citations
• by the type of technology used by the sender and the receiver of the information.

2. Genre is a Social Construct

“Genres are conventions, and that means they are social – socially defined and socially learned.” (Bomer 1995:112) “… [A] genre is a socially standard strategy, embodied in a typical form of discourse, that has evolved for responding to a recurring type of rhetorical situation.” (Coe and Freedman 1998, p. 137)

Genre is more than a way to sort types of texts by discourse aim or some other classification scheme: Genres are social, cultural, rhetorical constructs. For example,

• writers draw on their expectations about what they believe their readers will know about a genre–how it’s structured ( what it’s formula is! ) and when it’s socially useful.
• readers draw on their past experiences as readers and as members of particular discourse communities. They hold expectations about the appropriate use of particular textual patterns in specific situations.

Or, consider this example: in the social situation of seeking a job, an applicant knows from  the archive , the culture,  the conversations about job seeking , that they are expected to create a  letter of application  and a  résumé . More than that, they know the  point of view  they are to take as well as the  tone –and more.

Writers and readers develop textual expectations tacitly — by reading and speaking with others — and formally: by studying genres in school. Students are inculcated in textual practices of particular disciplines (e.g., engineering or biology) as part of their academic and professional training.

3. Genres Reflect the Situated Actions of Writers and Readers

“a rhetorically sound definition of genre must be centered not on the substance or the form of discourse but on the action it is used to accomplish” (Miller 1984, p. 151)

Carolyn Miller (1984) extends this social view of genre in her article Genre as Social Action by operationalizing genre from a rhetorical perspective. Miller asserts genres are the embodiment of situated actions. In her rhetorical model of genre, Miller theorizes

• writers enter a rhetorical situation guided by aims (e.g., to persuade users to support a proposal ). The writer assesses the rhetorical situation (e.g., considers audience , purpose , voice , style ) to more fully understand the situation and the motives of stakeholders.
• For instance, a researcher could dip into a research study seeking empirical support for a claim . A graphic designer could open a magazine looking for layout ideas.

4. Genres Embody the Situated Practices and Values of Discourse Communities

“Genre not only allows the scholar to report her research, but its conventions and constraints also give structure to the actual investigations she is reporting” (Joliffe 1996, p. 283).

The textual practices of discourse communities reflect the epistemological assumptions of practitioners regarding what constitutes an appropriate rhetorical stance , research method , or knowledge claim . For instance, a scientist doesn’t insert their subjective opinions into the methods section of a lab report because they understand their audience expect them to follow empirical methods and an academic writing prose style

Academic documents, business documents, legal briefs, medical records—these sorts of texts are grounded in the situated practices of members of particular discourse communities . Practitioners — e.g., scientists in a research lab, accountants in an accountancy firm, or engineers in an engineering firm— share assumptions, conventions, and values about how documents should be researched, written, and shared. Discourse communities develop unique ways of communicating with one another. Their daily work, their situated practices, reflect their assumptions about what constitutes knowledge , appropriate research methods, or authoritative sources . Genres reflect the values of communities . They provide a roadmap to rhetors for how to engage with community members in expected ways. (For more on this, see Research ).

5. Genre Knowledge Constitutes a Form of Literacy

Genres  are created in the forge of recurring  rhetorical situations . Particular  exigencies  call for particular  genres . Applying for a job? Well, then, a résumé and cover letter are called for. Trying to report on an experiment in organic chemistry? Well, then a lab report is due. Thus, being able to recognize which  genre  is called for by  a particular exigency, a particular call to write , is  a form of literacy : If you’re unfamiliar with a genre and your reader’s expectations for that genre, then you may as well be from mars.

Genre Analysis – How to Engage in Genre Analysis

When we enter a rhetorical situation , guided by a sense of purpose like an explorer clutching a compass, we invariably compare the present situation to past situations. We reflect on whether we have read the work of other writers who have also addressed the same or somewhat equivalent rhetorical situation , the topic, we’re facing. If you have a proposal due, for instance, it helps to look at some samples of past proposals–particularly if you can access proposals funded by the organization from whom you are seeking support. 

For genre theorists, these are acts of typification –a moment where we typify a situation: “What recurs is not a material situation (a real, objective, factual event) but our construal of a type” (Miller 157).

In other words, genres are conceptual tools, ways we relate situated actions to recurring rhetorical situations. When first entering a situation, we assess whether this is a recurring rhetorical situation and whether past responses will work equally well for this new situation—or if we’ll need to tweak our response, our text, a bit. For instance, if applying for a job, you might look at previous drafts of job application letters

Genres are like prefabricated Lego pieces that we can use to jumpstart a new Lego masterpiece.

We abbreviate the experiences of our lives by creating idealized versions–i.e., metatexts that capture the gist of those experiences. Or, we access the archive , or our memory of the archive, and seek exemplars — canonical texts , the works of others who addressed similar exigencies , similar rhetorical situations.

To make this less abstract, let’s consider what might go through the mind of a writer who wants to write a New Year’s party invitation. If the writer were an American, they might reflect on the ritual ball drop in Times Square in New York City. They might recall past texts associated with New Year’s celebrations (party invitations, menus, greeting cards, party hats, songs, and resolutions) as well as rituals (fireworks, champagne, or a New Year’s kiss). They might even conduct an internet search for New Year’s Eve party invitations or download a party template from Google Docs or Microsoft Word. Over time, that writer’s sense of the ideal New Year’s party invitation becomes typified —a condensation of the texts and rituals and stories.

Because we tend to have unique experiences and because we have different personalities, motives, and aims , our sense of an ideal New Year’s Eve invitation might be somewhat different from those of our friends and family—or even the broader society. Rather than assuming it’s a good time to go out and party and dance, you may think it’s a good time to stay home and meditate. After all, as writers, we experience events, texts and rituals subjectively and uniquely. Thus, we don’t all have the same ideas about what should happen at a New Year’s party or even what the best party invite should look like. Still, when we sit down to write a party invitation for New Year’s Eve, this is a reoccurring situation for us, and we cannot help but be influenced by all of the past invitations we’ve received, what our friends and loved ones have recommended, and what we see online for party invite templates (if we engage in strategic searching).

Sample Genre Analysis

Below are some sample questions and perspectives you may consider when engaging in Genre Analysis.

1. When During Composing Should I Engage in Genre Analysis?

Early in the writing process — during prewriting — you are wise to identify the genre your audience expects you to follow. Then, engage in strategic searching to identify exemplars and canonical texts that typify the genre.

Next, you might begin your first draft by outlining the sections of discourse associated with the genre you’re writing in. For example, if you are writing an Aristotelian argument for a school paper, you might jumpstart your first draft by listing the rhetorical moves associated with Aristotelian argument as your subject headings:

• Introduce the Topic
• Introduce Claims
• Appeal to Ethos & Persona to Establish an Appropriate Tone
• Appeal to Emotions
• Appeal to Logic
• Present Counterarguments
• Search for a Compromise and Call for a Higher Interest
• Speculate About Implications in Conclusions

That said, it’s important to note that some people prefer not to think about genre at all during drafting. Research in writing studies has found that there is no single, ideal writing process . Instead, our personalities, rhetorical stance , openness to information , rhetorical situation (e.g., contextual factors such as time available and access to information )–and more — influence how we compose.

You may not want to think much about genre when

• You’re the type of writer who needs to write your way to meaning. For you, writing is rewriting
• Your audience may have specific expectations in mind that you haven’t addressed. You may be unfamiliar with how other writers have addressed that situation in the past. You may lack access to the information you need to research how others typically respond to the rhetorical situation you are facing

In summary, thinking about genre and reading the works of other writers addressing similar rhetorical situations will probably help you jumpstart a writing project. However, at the end of the day, only you can decide how to work with genres of discourse.

Coe, R., & Freedman, A. (1998). Genre theory: Australian and North American approaches. In M. L. Kennedy (ed), Theorizing composition: A critical sourcebook of theory and scholarship in contemporary composition studies (p p. 136-147). Greenwood Press.

Joliffe, D. A. (1996). Genre. In T. Enos (ed), Encyclopedia of rhetoric and composition: Communication from ancient times to the information age (pp . 279-284). Garland Publishing.

Miller, R. (1984). Genre as social action. Quarterly Journal of Speech, 70 , 151-167.

Swales, J., & C. Feak (2004). Academic writing for graduate students: Essential tasks and skills . University of Michigan Press

Related Articles:

Annotated bibliography.

Argument - Argumentation

Autobiography, conclusions - how to write compelling conclusions, cover letter, letter of transmittal.

Dialogue - The Difficulty of Speaking

Executive summary, formal reports, infographics, instructions & processes.

Introductions

Presentations, problem definition, progress reports, recommendation reports, research proposal, research protocol.

Reviews and Recommendations

Subjects & concepts, team charter, suggested edits.

• Please select the purpose of your message. * - Corrections, Typos, or Edits Technical Support/Problems using the site Advertising with Writing Commons Copyright Issues I am contacting you about something else
• Your full name
• Your email address *
• Page URL needing edits *
• Email This field is for validation purposes and should be left unchanged.

• Joseph M. Moxley

Argument is an iterative process that informs humankind’s search for meaning. Learn about different types of argumentation (Aristotelian Argument; Rogerian Argument; Toulmin Argument) so you can identify the best way...

• Jennifer Janechek

• David Kranes
• Angela Eward-Mangione , Katherine McGee
• Joseph M. Moxley , Julie Staggers

Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen...

Featured Articles

Academic Writing – How to Write for the Academic Community

Professional Writing – How to Write for the Professional World

Credibility & Authority – How to Be Credible & Authoritative in Speech & Writing

What is Creative Writing?

Written by Scott Wilson

Creative writing is any kind of writing that employs creative literary or poetic techniques in the service of either fiction or non-fiction writing. It involves original composition and expressiveness of the individual author.

Ask ten creative writing professors what creative writing is, and you’ll get eleven different answers. Turn to the dictionary and the definition invokes invention and incorporation of imagination. But what are the limits of imagination? Where does invention begin?

Every sentence in every work ever written began as an act of creation in the mind of the writer.

Creative writing may be most easily defined by what it is not…

• Technical writing
• Professional or business writing
• Scholarly or academic writing

Creative writing is the entire body of the writer’s craft that falls outside the boundaries of the ordinary.

Yet you will find many entries in the canon of those fields that might also be considered creative writing. No one would consign Truman Capote’s groundbreaking In Cold Blood to the sterile cells of mere journalism. But that haunting novel is unquestionably also an important work of investigative reporting.

So, what is creative writing, if a non-fiction novel of a horrific quadruple murder falls into the same scope as a classic of American literature like To Kill a Mockingbird ?

It has to do with style and art. Creative writing goes to the heart of the individual expressiveness of the writer. It breaks the boundaries of the typical. That’s an exercise of artistic skill that can happen in any topic, toward almost any goal. And it’s the heart of what it is to be a writer, no matter what you write about.

Defining creative writing isn’t easy. Rooms full of the best authorities routinely disagree. But what is creative writing , isn’t the most interesting question to ask here. Instead, we would be best served by asking another:

Why Is Creative Writing Important?

Storytellers were plying their craft thousands of years before the written word was invented. The creative spark doesn’t belong to words. It may not even depend on language. It draws instead on a deep part of what it is to be human. Invention, imagination, the urge to create… these are all deep and vital parts of the human experience.

Creative writing is important because it is evocative.

That well of creativity flows forth in many arts and forms of expression. But in creative writing it has found a medium where it can be both preserved and shared. It’s a method of human connection that has no expiration date, no geographical or even cultural limit.

Writers touch the souls of their contemporaries first. But like Shakespeare, Wordsworth, and Lady Murasaki, their reach may also span generations.

Creative Writing Fuels Communication in All Forms of Writing

Although fiction is the first refuge of creative writing, that expressiveness serves the purposes of just about any kind of author.

The goals of most other forms of writing are focused on various kinds of literal communication. A journalist seeks to convey the facts and the context of important news stories. Technical writers need to communicate the details of operating programs and machinery, clearly describing all kinds of minute details with zero ambiguity. Business communications are created with a view toward clarity and concision—helping readers get the main points of the piece quickly and without confusion.

Creative writing can also help to serve these purposes.

Creative writing taps into a different level of communication. While it may, and often does, aspire to other goals like offering clarity and detail, it also goes toward developing emotional connection. The reader will take away more than mere words from a piece of creative writing.

Creative Writing is Important For Making Other Kinds of Writing Compelling

Just as importantly, creative writing entertains. In a story about the importance of algorithmic and high-frequency trading, all kinds of technical details must be absorbed to make sense of the issues. Both technological and economic concepts have to be introduced. In a comprehensive article about the subject, readers from outside the field could be expected to nod off about two pages in.

But put the story in the hands of Michael Lewis, and you get Flash Boys , a New York Times Best Seller.

It’s not important that Flash Boys did well because it was entertaining, however. It’s important because the market trends and activities it described have real impacts on many of the readers. Retirement funds, college savings, family investments… all are affected by the story Flash Boys tells. Today, millions of readers who would never otherwise have understood how their investments were being handled can make an informed assessment… thanks to creative writing.

How To Separate Creative Writing From Less Creative Forms of Writing

In general, it’s safe to say that a piece of writing is creative when it makes use of literary devices such as:

• Narrative development
• Imagination and invention

In Cold Blood passes this test due to Capote’s use of characterization, plot development, and world-building. It’s considered today to be a pioneering example of the non-fiction novel, a paragon of the creative writing world.

The original crime reports, local newspaper articles, and subsequent court documents detail the same events with the same participants. Yet they are not works of creative writing. The incident is described in dry, straightforward, technical language. The timeline is linear and offered without consideration of pace or drama.

Both Capote and the authors of those other articles and documents set out to inform. But Capote’s goal was also to captivate.

New Journalism Tells the Story of How Creative Writing Has an Important Role in Non-Fiction

Books like Wolfe’s The Right Stuff mixed truth and dramatization, documentation and invention, to tell larger stories about serious events. In dramatizing those stories, New Journalism writers also drew more readers and achieved broader awareness of the stories.

At the same time, long-form New Journalism pieces, deeply researched and documented, were able to report stories in depth in a way that traditional journalism often did not. By invoking plot, characterization, and narrative structures, the New Journalists could keep readers involved in long and complex issues ranging from crime to politics to culture.

New Journalism is important in defining what is creative writing because it is clearly an example of both creative and journalistic writing. It demonstrates the ways that creative writing can serve other forms of writing and other kinds of writers.

Of course, it’s also possible to come at the divide from the other shore. Categories of writing that are clearly creative in nature include:

• Novels and novellas
• Flash fiction and short stories
• Plays and film scripts

These works incorporate elements of storytelling that may not always be present in other forms of writing. A newspaper article will often have a setting, action, and characters; creative writing will offer plot, pacing, and drama in describing the same story.

What is Creative Writing Coursework Like in College Degree Programs?

All university students are exposed to basic coursework in English language and communication skills. These all go to the elementary aspects of writing—the ability to construct a sentence, a paragraph, a paper. They teach grammatical rules and other elements that make a work readable to any reader of the English language.

Even the general education requirements in college programs touch on creative writing, however. Students may be assigned to write essays that explore creative styles and imagination. They’ll be assigned to read novels and stories that are time-tested examples of the finest kinds of creative writing. And they’ll be asked to explore their impressions and feelings, and to exercise their imaginations and analyze the intent of the author.

Creative writing programs go beyond the basics to touch the imagination of the writer.

Creative writing exists just on the other side of those general English and literature courses. Students in creative writing classes will be asked to take the extra step of creating their own stories using the techniques they have learned.

In fact, they may be encouraged to break the same rules that were so laboriously learned in their regular English writing classes. Creative writing works to allow writers to tap into their own imagination and emotion to forge a deeper connection with readers.

Student Workshops Offer an Interactive Way of Learning What Creative Writing Is All About

Creative writing degrees will go much further into developing a sense of what creative writing is. they continue to include many reading assignments. but instructors also introduce concepts such as:.

Genre is the method used to categorize written works. Creative writing programs explore the tropes and expectations that exist for different genres and deconstruct them for better understanding.

Story structure and form

The structure and form of a novel and a short story are very different. Creative writing programs explore different formats and how they impact creative storytelling.

Plot is not a universal feature of creative writing, but a good plot can make or break a creative work. Classes look at the features and composition of plot, and also teach plotting.

Voice, tone, and creative expression all come out of the narration of a piece of creative writing. Creative writing courses explore both the textbook forms of narrative and show how to use it to serve plot and story.

Style and rhythm

One clear feature of creative writing in all genres is that it rests on a sense of rhythm and of styling that other types of writing ignore. Many courses found in creative writing degree programs explore the ways in which writing style serves story and hooks the reader.

In addition to formal classes, students will better learn why creative writing is important and the purposes it serves through workshops. These informal gatherings are designed to foster discussion, to present examples of different types of writing, and to critique and hone individual creative writing skills .

Through that process, creative writing degrees help students better identify what creative writing is and how to use it effectively.

Creativity is Important No Matter What Your Career Goals in Writing May Be

Creative writing training allows writers in any genre to develop more complete, more meaningful, and more memorable ways to get a point across. Using the skills and techniques learned in creative writing courses can inject humor, gravity, and other sensations into any piece of writing. And those very techniques can improve concision and clarity.

Figuring out what creative writing is and what it is not, is the first thing you should leave behind in a writing career. The dry definitions of the dictionary or droning English professors are the last place you should look.

Creative writing is the process of engaging your imagination and talent to serve the purpose of whatever piece of writing you are working on. And that’s why creative writing is important.

School of Writing, Literature, and Film

• BA in English
• BA in Creative Writing
• About Film Studies
• Film Faculty
• Minor in Film Studies
• Film Studies at Work
• Minor in English
• Minor in Writing
• Minor in Applied Journalism
• Scientific, Technical, and Professional Communication Certificate
• Academic Advising
• Student Resources
• Scholarships
• MA in English
• MFA in Creative Writing
• Master of Arts in Interdisciplinary Studies (MAIS)
• Low Residency MFA in Creative Writing
• Undergraduate Course Descriptions
• Graduate Course Descriptions
• Faculty & Staff Directory
• Faculty by Fields of Focus
• Faculty Notes Submission Form
• Promoting Your Research
• 2024 Spring Newsletter
• Commitment to DEI
• Twitter News Feed
• 2022 Spring Newsletter
• OSU - University of Warsaw Faculty Exchange Program
• SWLF Media Channel
• Student Work
• View All Events
• The Stone Award
• Conference for Antiracist Teaching, Language and Assessment
• Continuing Education
• Alumni Notes
• Featured Alumni
• Donor Information
• Support SWLF

What is a Genre? || Definition & Examples

"what is a genre": a literary guide for english students and teachers.

View the full series: The Oregon State Guide to English Literary Terms

• Guide to Literary Terms
• BA in English Degree
• BA in Creative Writing Degree
• Oregon State Admissions Info

What is a Genre? Transcript (English and Spanish Subtitles Available in Video, Click Here for Spanish Transcript)

By Ehren Pflugfelder , Oregon State University Associate Professor of Rhetoric

12 February 2020

You know that moment when you’re watching a movie, and it’s been really captivating, and you’re getting interested in the characters, and a little bit lost in the story, when something shifts and you can sense what might happen next? Well in those moments, you might be experiencing what it’s like to recognize genre. And genre is a term frequently used to define the elements that repeat themselves in similar kinds of movies, books, television shows, music, and more.

I like to define genre. Genre? Jean? Jahnrah?

breakfast_at_tiffanys_kiss.jpg

Uh, let’s just go with genre (zhan-rah). OK. Genre is what some might call “typified rhetorical action” and what that means is that there are features that repeat again and again, over time, with few differences, in part because audiences expect certain things to happen or because they want certain kinds of experiences. Genre is the name we use to describe the categories that have developed over time for what we read, what we watch, and what we listen to. And the kinds of genres that exist in one culture at one time may not exist in another culture at another time – they’re constantly changing.

crazy_rich_asians_kiss.jpg

The main kinds of literary genre that you might be familiar with are fiction, poetry, and nonfiction. But those are the biggest categories we can think of, really. For example, non-fiction can encompass everything from a memoir, to a to a biography, to an instruction manual. All are kinds of non-fiction writing – the only thing that ties them together is that they’re not made up. The same is true for fiction and poetry, too, and when we read poetry or prose fiction, we, as the audience, have some expectations as to what should be included. That is, when we read fiction, we expect the narrative to be made up, and when we read poetry, we expect that the each line of a poem match with other lines in a particular way, or it rhyme in the manner of a  sonnet , or break rules of punctuation, or simply take us through a lot of figurative language in a very short amount of time.

But those are the big genre categories. Genre gets especially interesting when we find even smaller categories like action movies, or superhero action movies, or parody superhero action movies. So think of the superhero genre this way: there’s usually an evil villain trying to do something terrible that the superhero is going to try and stop; there’s usually smaller fight scenes throughout the movie and a big fight scene at the end where the superhero, or group of superheroes, triumph, often by using their superpowers. The reason I didn’t have to mention a SPOILER ALERT is because I didn’t give any of the plot away, and you all know that superhero movies follow this pattern. That narrative pattern , and all the other ways that we can describe other repeating features, are what makes up a genre.

What’s more is that more than one genre can exist at once. Think of Ant Man. It’s a superhero movie, an action movie, a comedy, and a parody of other superhero movies. In fact, parodies are where we really see how genres work. After all, the reason Ant Man is funny is because it’s making fun of our expectations of what a superhero movie should be – its making fun of the genre of superhero movies.

ant_man_image.jpg

We use these same terms and descriptions to analyze literary works, works of nonfiction, and poetry, too. So, if I want to understand gothic novels, like Frankenstein by Mary Shelley, or Dracula by Bran Stoker, I’m going to look for literary tropes that they share. Some of those tropes could be similar kinds of characters , plots, settings , or themes . Is there a creepy stranger in a cape? Is there danger lurking in the shadows? Is there a haunted castle? Are you encouraged to think of the sinister side of humanity? If so, you might be reading a gothic novel. When I analyze a genre, I’m likely to compare and contrast those features and try to understand how one novel adheres to the conventions of a particular genre or breaks away from our expectations and does something different. We can describe a genre by showing how similar features are repeated, and those elements include most any of the many literary terms that are featured in the other videos in this series. For a gothic novel, we might see metaphors  that connect events to scary or dangerous things, we might see foreshadowing of horrible events yet to come, or we might see a flashback to something terrifying that happened in them past and that changes how characters act in the present. All of these are features of a particular genre.

Now, one thing not to confuse with the idea of a genre is that of a medium. A medium is the form in which something is delivered, so we might say the medium of gothic novel is a printed book, or the medium of a superhero movie is that of film. Medium describes the kind of technology that is used to convey a story to us, but doesn’t necessarily help us understand the genre of what we’re reading or watching. People often ask me is email a genre of writing? And I respond by asking when writing an email if we’re required to write in a particular way. And for the most part, we’re not. In email, you can write a love letter, you can write an angry message to the company that sold you a dodgy product, or you can write a poem. Email itself might suggest certain kinds of writing – for example, you shouldn’t break up with someone through email – but it’s a medium that can hold lots of different genres – it itself is not a genre. Describing and analyzing genre is a powerful way to understand how narratives work, and a really useful way to make sense of stories and texts that surround us.

Want to cite this?

MLA Citation: Pflugfelder, Ehren. "What is a Genre?" Oregon State Guide to English Literary Terms, 12 Feb. 2020, Oregon State University, https://liberalarts.oregonstate.edu/wlf/what-genre . Accessed [insert date].

Further Resources for Teachers

Other examples of texts that parody the genres within which they work include Jorge Luis Borges's short story "Death and the Compass," Karen Russell's "Vampires in the Lemon Grove," Lewis Carroll's "Jabberwocky," Paolo Bacigalupi's "The Tamarisk Hunter," William Shakespeare's Sonnet 130, and Chris Ware's strange short graphic narrative "Thrilling Adventure Stories (I Guess)." For an example of a character who laughs at the genre he has found himself in, see our "What is a Flashback?" video.

Writing prompt: Select one of the above examples and explain how the author invokes the genre being parodied through the example's form or content. Next, try to explain the significance of the parody. What insight does the parody provide into the limitations of the genre? What tone or attitude does the poem or short story take towards the genre it parodies?

Interested in more video lessons? View the full series:

The oregon state guide to english literary terms, contact info.

Email: [email protected]

College of Liberal Arts Student Services 214 Bexell Hall 541-737-0561

Deans Office 200 Bexell Hall 541-737-4582

Corvallis, OR 97331-8600

liberalartsosu liberalartsosu liberalartsosu liberalartsosu CLA LinkedIn

• Dean's Office
• Faculty & Staff Resources
• Research Support
• Featured Stories
• Undergraduate Students
• Transfer Students
• Graduate Students
• Career Services
• Internships
• Financial Aid
• Honors Student Profiles
• Degrees and Programs
• Centers and Initiatives
• School of Communication
• School of History, Philosophy and Religion
• School of Language, Culture and Society
• School of Psychological Science
• School of Public Policy
• School of Visual, Performing and Design Arts
• School of Writing, Literature and Film
• Give to CLA

The 17 Most Popular Genres In Fiction – And Why They Matter

We have put together a list of the 17 most popular genres in fiction to help you with your writing.

What Is Genre?

Genre is a style or category of art, music, or literature. As an author, genre controls what you write and how you write it. It describes the style and focus of the novel you write. Genres give you blueprints for different types of stories.

There are general rules to follow, for example, manuscript length , character types , settings , themes , viewpoint choices, and plots . Certain settings suit specific genres. These will vary in type, details, intensity, and length of description .

The tone employed by the author, and the mood created for the reader, must also suit the genre.

There are often sub-genres within genres, for example, a fantasy story with sinister, frightening elements would belong to the dark fantasy sub-genre.

Why Does Genre Matter?

Genres are great because they fulfil reader expectations . We buy certain books because we have enjoyed similar stories in the past. Reading these novels gives us a sense of belonging , of sitting down with an old friend and knowing we’re on familiar ground . There is also a camaraderie between readers who follow the same genres.

Writers can use this to their advantage because their boundaries are models on which to base stories. Genres reflect trends in society and they evolve when writers push the boundaries. Readers ultimately decide if the experiment has worked by buying these books.

The most important part of genre fiction, though, is that it fulfils our human need for good, old-fashioned storytelling . We sometimes need stories we can rely on to blunt the harsh realities of life.

 The 17 Most Popular Genres In Fiction

• Romance .   These stories are about a romantic relationship between two people. They are characterised by sensual tension, desire, and idealism. The author keeps the two apart for most of the novel, but they do eventually end up together.  There are many sub-genres, including paranormal, historical, contemporary, category, fantasy, and Gothic. There are also many tropes in the genre: 101 Romance Tropes For Writers
• Action-Adventure . Any story that puts the protagonist in physical danger, characterised by thrilling near misses, and courageous and daring feats, belongs to this genre. It is fast paced, the tension mounting as the clock ticks. There is always a climax that offers the reader some relief.
• Science Fiction . This genre incorporates any story set in the future, the past, or other dimensions. The story features scientific ideas and advanced technological concepts. Writers must be prepared to spend time building new worlds and using genre-specific words . The setting should define the plot. There are many science fiction sub-genres . There are also many tropes in the genre: 101 Sci-Fi Tropes For Writers
• Fantasy .   These stories deal with kingdoms as opposed to sci-fi, which deals with universes. Writers must spend plenty of time on world building. Myths, otherworldly magic-based  concepts, and ideas characterise these books. They frequently take cues from historical settings like The Dark Ages. There are also plenty of sub-genres here. There is also a specific terminology and many tropes in the genre: 101 Fantasy Tropes For Writers
• Speculative Fiction . These stories are created in worlds unlike our real world in certain important ways. This genre usually overlaps one or more of the following: science fiction, fantasy fiction, horror fiction, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history.
• Suspense/Thriller . A character in jeopardy dominates these stories. This genre involves pursuit and escape. It is filled with cliffhangers and there are one or more ‘dark’ characters that the protagonist must escape from, fight against, or best in the story. The threats to the protagonist can be physical or psychological, or both. The setting is integral to the plot. This is often described as a gripping read . A Techno Thriller is a sub-genre.
• Young Adult . Young Adult (YA) books are written, published, and marketed to adolescents and young adults. The Young Adult Library Services Association (YALSA) defines a young adult as someone between the ages of 12 and 18, but adults also read these books. These are generally coming-of-age stories, and often cross into the fantasy and science fiction genres. YA novels feature diverse protagonists facing changes and challenges. This genre has become more popular with the success of novels like The Hunger Games , The Fault in Our Stars , and Twilight .
• New Adult . New Adult (NA) books feature college, rather than school-aged, characters and plotlines. It is the next age-category up from YA. It explores the challenges and uncertainties of leaving home and living independently for the first time. Many NA books focus on sex, blurring the boundary between romance and erotica.  
• Horror /Paranormal/ Ghost .  These are high-pitched  scary stories involving pursuit and escape. The protagonist must overcome supernatural or demonic beings.  Occult is a sub-genre that always uses satanic-type antagonists. There are also many tropes in the genre: 101 Horror Tropes For Writers
• Mystery/Crime .  These are also known as ‘whodunits’. The central issue is a question that must be answered, an identity revealed, a crime solved. This novel is characterised by clues leading to rising tension as the answer to the mystery is approached.   There are many sub-genres in this category.
• Police Procedurals are mysteries that involve a police officer or detective solving the crime. The emphasis rests heavily on technological or forensic aspects of police work, sorting and collecting evidence, as well as the legal aspects of criminology.
• Historical. These fictional stories take place against factual historical backdrops. Important historical figures are portrayed as fictional characters. Historical Romance   is a sub-genre that involves a conflicted love relationship in a factual  historical setting .  
• Westerns . These books are specifically set in the old American West. Plotlines include survival, romance, and adventures with characters of the time, for example, cowboys, frontiersmen, Indians, mountain men, and miners.  
• Family Saga . This genre is about on-going stories of two or more generations of a family. Plots revolve around things like businesses, acquisition, properties, adventures, and family curses. By their nature, these are primarily historical, often bringing the resolution in contemporary settings. There is usually a timeline involved in these books.
• Women’s Fiction.  These plot lines are characterised by female characters who face challenges, difficulties, and crises that have a direct relationship to gender. This is inclusive of woman’s conflict with man, though not limited to that. It can include conflict with things such as the economy, family, society, art, politics, and religion.

• Literary Fiction .  This genre focuses on the human condition and it is more concerned with the inner lives of characters and themes than plot. Literary fiction  is difficult to sell and continues to decline in popularity.

Writing For Children

Writing for children is not really a genre, but a way of writing.

Please read these posts:

• Writing For Children – 12 Practical Tips To Get You Started
• 10 Powerful Recurring Themes In Children’s Stories
• Everything You Need To Know About Creating Characters For Children’s Book

Changes In Genres

With the advent of self-publishing and ebooks, these genre guidelines have become less strict. This is because a publisher does not have to produce thousands of physical copies of the book. However, if you want to publish traditionally, you should still consider genre requirements.

How To Become Generic

Isolate your target market, research it, and adapt your story if necessary. Look in bookshops – they are generic, sorting books into categories to make it easier for their busy readers to choose and buy whatever will guarantee them a good read. Read: How To Choose Your Genre .

TIP: If you want help with your elements of fiction writing, buy The Novel Writing Exercises Workbook .

If you enjoyed this post, read:

• The 5 Essential Elements Of A Perfect Ending
• 5 Really Good Reasons To Outline Your Novel
• How To Resuscitate A Lifeless Scene
• The 7 Critical Elements Of A Great Book
• 12 Crucial Things To Remember About Setting
• 9 Literary Terms You Need To Know

Top Tip : Find out more about our workbooks and online courses in our shop .

• Genre , Publishing , Writing Tips from Amanda Patterson

7 thoughts on “The 17 Most Popular Genres In Fiction – And Why They Matter”

This is wonderful and so easy to read. I wish there were more sub-genres and I guess there are, but it would be weird to list them, like steampunk, vintage, and Western could be in every category except maybe sci-fi. LOL!

~Tam Francis~ http://www.girlinthejitterbugdress.com

I’m glad you enjoyed it, Tam. Yes, I could have listed many sub-genres, but it would have been overwhelming. Thank you for the feedback.

Amanda, thanks for the concise but telling descriptions. One question I have is about overlapping genres. Above, there are aspects of the Action Adventure genre that seem to overlap with the Thriller genre. It seems to me many stories have components of multiple genres and I assume you pick the one that fits best. Great article!

Thank you, Robert. You are correct. Genres do bleed into each other, but it’s impossible to categorise everything perfectly. When we teach our courses, we talk about crossing genres. In point 5, I talk about how genres overlap, and they all do to some extent. You might find this article helpful. It deals with children’s fiction – which is an age group – not a genre, and it shows how many genres and grey areas one can find in this age group. http://imc.library.appstate.edu/bibliographies/genres I hope this helps.

Maybe this is just the difference between South Africa and North America, but here we use “speculative fiction” to encompass both Science Fiction and Fantasy and all their subgenres. So in the US and Canada we wouldn’t say that speculative overlaps SciFi or Fantasy. We’d say the set SciFi and the set Fantasy are both subsets of the set Speculative Fiction. For more info: http://whatisspecfic.com/

Kristen, I do not think it is accepted as a fact anywhere in the world. There are many critics and writers who try to use speculative fiction as a blanket term, but there are just as many who reject it. ‘Margaret Atwood is one of these writers, and her use of the term “speculative fiction” generates strong reactions from her own readers as well as from science fiction readers in general. Atwood stresses the idea of speculative fiction is different from science fiction, for she sees science fiction as “filled with Martians and space travel to other planets, and things like that.” Atwood seems to view science fiction as inferior to speculative fiction in that science fiction seeks only to entertain, whereas speculative fiction attempts to make the reader rethink his or her own world based on the experiences described the novel. ‘ http://www.gradesaver.com/the-handmaids-tale/study-guide/about-speculative-fiction I have included more links about how these genres are seen to differ below: http://annieneugebauer.com/2014/03/24/what-is-speculative-fiction/ https://www.sfsite.com/columns/amy26.htm – This says that speculative fiction is a sub-genre of Science Fiction and Fantasy http://io9.gizmodo.com/5650396/margaret-atwood-and-ursula-k-le-guin-debate-science-fiction-vs-realism

Gosh … nothing for Comedy? 🙁 That’s my main interest ~

Comments are closed.

© Writers Write 2022

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Welcome to the Purdue Online Writing Lab

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

The Online Writing Lab at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects. Teachers and trainers may use this material for in-class and out-of-class instruction.

The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

A Message From the Assistant Director of Content Development 

The Purdue OWL® is committed to supporting  students, instructors, and writers by offering a wide range of resources that are developed and revised with them in mind. To do this, the OWL team is always exploring possibilties for a better design, allowing accessibility and user experience to guide our process. As the OWL undergoes some changes, we welcome your feedback and suggestions by email at any time.

Please don't hesitate to contact us via our contact page  if you have any questions or comments.

All the best,

Social Media

Facebook twitter.

University of Notre Dame

Department of English

College of Arts and Letters

• Home ›
• News and Events ›
• News ›

Creative Writing MFA Alumni Spotlight: Monica Mody ('10)

Published: May 14, 2024

Author: Paul Cunningham

"The MFA program I attended at the University of Notre Dame allowed for and encouraged radical experimentation with form, language, and genre. I was able to familiarize myself with avant-garde currents in art and literature cross-culturally, and any static ideas about what I thought a poem could do exploded during my experimentations at Notre Dame." — Monica Mody in conversation with Sophia Naz, The Bangalore Review

Dr. Monica Mody moved to the Santa Barbara area to teach as core faculty in the Pacifica Graduate Institute's Mythological Studies MA/PhD Program. Her areas of specialization include decolonial, indigenous, and women of color paradigms and epistemologies; Anzaldúan frameworks; earth-sourced and feminist spirituality and ritual; poetry, divination, oracular speech, and arts-based research; and nondual embodiment, in conversation with ancestral lineages from South Asia. Her most recent full-length poetry collections include Wild Fin (Weavers Press, 2024) and  Bright Parallel (Copper Coin, 2023).

Of  Wild Fin , Maw Shein Win (author of  Storage Unit for the Spirit House ) notes how it "weaves the reader through an eclectic warp and weft of grief and fury, rupture and suture, mysticism and calls for climate and social justice." Divya Victor (author of Curb ) calls Wild Fin a “A deeply personal and tender contemplation of ecological grief which, in impressionistic and reflective disclosures, asks us to acknowledge our inalienable enmeshment with each other and with the earth.” Of Bright Parallel , Sumana Roy (author of V.I.P.: Very Important Plant ) writes "Everywhere inside this book I found soil—living, dying, composting, growing, resting, and restless. I emerged frome very page with some of it in my hands." Sampurna Chattarji (author of  Dirty Love ) describes Mody's "attunement to the natural world" as "precise," asserting that the "feministic enquiry is utterly embodied . . . she draws all to the brink of the motherpool."

For me, the poem is in some ways a zone of communion where many meanings and horizons can be attained, because, the way my brain works, no monomyth settles it. I am continually doing the work of seeing who I am in relationship with, who is before me inviting me into the task of becoming. — Monica Mody in conversation with Sophia Naz, The Bangalore Review

Mody is also the author of the cross-genre Kala Pani (1913 Press, 2013), and three chapbooks including Ordinary Annals (above/ground press, 2021). In a review of Kala Pani that appears in Rain Taxi , Elizabeth Robinson writes "With great inventiveness, Mody wends narrative around and within narrative, as though the bonds and bounds of story could twist, Houdini-like, to effect their own escape." Joyelle McSweeney (author of Death Styles ) writes "Gender, genre, national identity, multiple languages, and the body's 'natural' borders are all debased and reworked in this queer, unstable mix, which releases energy as it forms and breaks down and forms again."

Her peer-reviewed article, " Arts-based Practices: Research and Transformation in the Academy ," was published in the  Transformative Power of Art Journal . Tarka Journal published her scholarly essay and poem sequence, "When Yoginis Appear with Animals: Animistic Relational Elements and the Non-Dual Matrix." Her conversation with Pakistani-American poet Sophia Naz, " Roots and Resonance ," was published by The Bangalore Review , and a poem "Glasshouse—Anthropocene" came out in Greening the Earth: A Global Anthology of Poetry (Penguin Random House India, 2023). She read at the South Asian Literary and Arts Festival in Menlo College, CA, where she also interviewed poet, curator, and cultural critic Ranjit Hoskote on his aesthetics.

The Center for Black & Indigenous Praxis at the California Institute of Integral Studies invited her to speak on a BIPOC Scholar Panel, and the Department of Women's Spirituality invited her to do a book talk/reading and conversation in conjunction with her two new poetry collections, in October 2023 and then in March 2024. Other presentations included the El Mundo Zurdo Conference and a Scholar Salon at the Association for the Study of Women and Mythology; readings included the 2023 Lit Crawl San Francisco. Monica was also invited on The Beat: A Poetry Podcast and the Mythic Podcast .

Dr. Monica Mody holds a Ph.D. in East-West Psychology from the California Institute of Integral Studies and an M.F.A. in Creative Writing from the University of Notre Dame, and is a Bachelor of Arts and Laws (Hons.) from the National Law School of India University. She was born in Ranchi, India, and lives on the Chumash coast, California.  Stay in touch with her via her substack ( monicamody.substack.com/ ).