creative writing lesson plan

Creative Writing Lesson Plans: Week One

Looking for creative writing lesson plans? I am developing creative writing lesson ideas! 

I’ve written and revamped my creative writing lesson plans and learned that the first week is vital in establishing a community of writers, in outlining expectations, and in working with a new class.

What are some good creative writing exercises?

Some good creative writing exercises include writing prompts, free writing, character development exercises, and fun writing games.

The first week, though, we establish trust—and then we begin powerful creative writing exercises to engage young writers and our community.

How can add encouragement in creative writing lesson plans?

I’ve found students are shy about writing creatively, about sharing pieces of themselves. A large part of the first week of class is setting the atmosphere, of showing everyone they are free to create. And! These concepts will apply to most writing lesson plans for secondary students.

Feel free to give me feedback and borrow all that you need! Below, find my detailed my day-by-day progression for creative writing lesson plans  for week one.

Creative Writing Lesson Day One: Sharing my vision

Comfort matters for young writers. I’m not a huge “ice breaker” type of teacher—I build relationships slowly. Still, to get student writing, we must establish that everyone is safe to explore, to write, to error.

Here are some ideas.

Tone and attitude

For day one with any lesson plan for creative writing, I think it is important to set the tone, to immediately establish what I want from my creative writing students. And that is…

them not to write for me, but for them. I don’t want them writing what they think I want them to write.

Does that make sense? Limitations hurt young writers. My overall tone and attitude toward young writers is that we will work together, create and write together, provide feedback, and invest in ourselves. Older kiddos think that they must provide teachers with the “correct” writing. In such a course, restrictions and boundaries largely go out the window.

Plus, I specifically outline what I believe they can produce in a presentation to set people at ease.

The presentation covers expectations for the class. As the teacher, I am a sort of writing coach with ideas that will not work for everyone. Writers should explore different methods and realize what works for them. First, not everyone will appreciate every type of writing—which is fine. But as a writing community, we must accept that we may not be the target audience for every piece of work.

Therefore, respect is a large component of the class. Be sure to outline what interactions you find acceptable within your classroom community.

Next, as their writing coach, I plan to provide ideas and tools for use. Their job is to decide what tools work for their creative endeavors. My overall message is uplifting and encouraging.

Finally, when we finish, I share the presentation with students so they can consult it throughout the semester. The presentation works nicely for meet-the-teacher night, too!

After covering classroom procedures and rules, I show students a TED Talk. We watch The Danger of a Single Story by Chimamanda Adichie. My goal is to show students that I don’t have a predetermined idea concerning what they should write. This discussion takes the rest of the class period.

Establishing comfort and excitement precedents my other creative writing activities. Personalize your “vision” activities for your lessons in creative writing. Honestly, doing this pre-work builds relationships with students and creates a positive classroom atmosphere.

Creative Writing Lesson Day Two: Activating prior knowledge

Students possess prior knowledge concerning creative writing, but they might not consider that. Students should realize that they know what constitutes a great story. They might not realize that yet. An easy lesson plan for creative writing that will pay off later is to activate prior knowledge. Brainstorm creative, memorable, unforgettable stories with students. Share your thoughts too! You will start to build relationships with students who share the same tastes as you (and those that are completely different!).

Activation activity

During this activity, I want to see how students work together, and I want to build a rapport with students. Additionally, activating prior knowledge provides a smooth transition into other creative writing activities.

This creative writing activity is simple:

I ask students to tell me memorable stories—books, play, tv shows, movies—and I write them on the board. I add and veto as appropriate. Normally doing these classroom discussions, we dive deeper into comedies and creative nonfiction. Sometimes as we work, I ask students to research certain stories and definitions. I normally take a picture of our work so that I can build creative writing lessons from students’ interests.

This takes longer than you might think, but I like that aspect. This information can help me shape my future lessons.

With about twenty minutes left in class, I ask students to form small groups. I want them to derive what makes these stories memorable. Since students complete group and partner activities in this class, I also watch and see how they interact.

Students often draw conclusions about what makes a story memorable:

• Realistic or true-to-life characters.
• Meaningful themes.
• Funny or sad events.

All of this information will be used later as students work on their own writing. Many times, my creative writing lessons overlap, especially concerning the feedback from young writers.

Creative Writing Lesson Day Three: Brainstorming and a graphic organizer

From building creative writing activities and implementing them, I now realize that students think they will sit and write. Ta-da!  After all, this isn’t academic writing. Coaching creative writing students is part of the process.

Young writers must accept that a first draft is simply that, a first draft. Building a project requires thought and mistakes. (Any writing endeavor does, really.) Students hear ‘creative writing’ and they think… easy. Therefore, a first week lesson plan for creative writing should touch on what creativity is.

Really, creativity is everywhere. We complete a graphic organizer titled, “Where is Creativity?” Students brainstorm familiar areas that they may not realize have such pieces.

The ideas they compile stir all sorts of conversations:

• Restaurants
• Movie theaters
• Amusement parks

By completing this graphic organizer, we discuss how creativity surrounds us, how we can incorporate different pieces in our writing, and how different areas influence our processes.

Creative Writing Lesson, Days Four and Five: Creative Nonfiction

Students need practice writing, and they need to understand that they will not use every word they write. Cutting out lines is painful for them! Often, a lesson plan for creative writing involves providing time for meaningful writing.

For two days, we study and discuss creative nonfiction. Students start by reading an overview of creative nonfiction . (If you need mentor texts, that website has some as well.) When I have books available, I show the class examples of creative nonfiction.

We then continue through elements of a narrative . Classes are sometimes surprised that a narrative can be nonfiction.

The narrative writing is our first large project. As we continue, students are responsible for smaller projects as well. This keeps them writing most days.

Overall, my students and I work together during the first week of any creative writing class. I encourage them to write, and I cheer on their progress. My message to classes is that their writing has value, and an audience exists for their creations.

And that is my week one! The quick recap:

Week One Creative Writing Lesson Plans

Monday: Rules, procedures, TED Talk, discussion.

Tuesday: Prior knowledge—brainstorm the modeling of memorable stories. Draw conclusions about storytelling with anchor charts. Build community through common knowledge.

Wednesday: Graphic organizer.

Thursday and Friday: Creative nonfiction. Start narrative writing.

Students do well with this small assignment for the second week, and then we move to longer creative writing assignments . When classesexperience success with their first assignment, you can start constructive editing and revising with them as the class continues.

These creative writing activities should be easy implement and personalize for your students.

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How to Effectively Teach Creative Writing in Elementary

Today let’s discuss how to  effectively teach creative writing at the elementary level.  Creative writing is such an important writing skill to teach students from a young age. Young writers need to understand the concept of creative writing as using their imagination to express themselves freely through words. 

It’s not just about proper grammar and spelling  (though those are important too!) , but rather about sparking their  creativity , allowing them to dream up  unique characters , exciting adventures, and incredible worlds. By nurturing their storytelling abilities early on, we’re not just helping them become better writers, but also fostering their confidence, encouraging self-expression, and igniting a lifelong love for writing. So, let’s dive into some strategies and tips to make your creative writing lesson plans a hit in your elementary classroom!

What is Creative Writing?

Creative writing is essentially writing in which the author uses his or her imagination to create a story. Creative writing in simple terms refers to the process of expressing thoughts, ideas and stories in a unique and imaginative way.

It’s about letting children’s minds wander  freely,  encouraging them to use their  imagination  to create characters, settings, and plots. Creative writing isn’t just about grammar and spelling; it’s about fostering a love for storytelling, allowing kids to explore their creativity, and helping them find their voice through words on paper. It’s a journey that encourages self-expression, builds confidence, and nurtures a lifelong appreciation for writing. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. 

Creative writing falls under one of the 5 categories of writing but it also combines a lot of these styles together:

• Narrative Writing
• Descriptive Writing
• Persuasive Writing
• Expository Writing
• Creative Writing

Creative Writing Lesson Plans Don’t Have to Be Difficult

Finding creative ways for students to write using their imaginations doesn’t have to be difficult. No matter the grade level, creative writing lessons should offer plenty of opportunities for students to tell their point of view on a subject. Don’t let creating lesson plans for creative writing be a headache! It’s all about giving kids the chance to let loose and share their thoughts in their own special way. 

Whether they’re in 2nd grade, 3rd grade, or 5th grade, the key is to let their imagination run wild. Get them talking about what interests them, throw in some fun prompts, and watch the magic happen! Mix things up with different writing styles – stories, poems, even real-life tales. Make it a safe space where they feel free to jot down whatever comes to mind. By balancing a bit of structure with loads of creative freedom, teaching creative writing becomes a blast for both the teachers and the students!

Here’s How to Teach a Creative Writing Activity to Elementary Students:

1. start with creative writing prompts.

One of the first activities you can try is using writing prompts with students. Writing prompts are a great tool to get students’ brain juices flowing, no matter if they are elementary, middle school, or high school students! Coming up with writing topics for younger students can be especially challenging sometimes. 

Inside   the   How to Write a Paragraph Year-Long Bundle   there are specific writing prompts that are  scaffolded and differentiated  to meet  all  learner’s needs. You will find everything you need inside this resource to  help your students who struggle with writing understand how to write a paragraph  all   YEAR LONG …  trust us! It allows for easy planning for your writing lessons because it’s got different seasonal writing resources and prompts inside no matter what time of year it is. These are the perfect place to start to get your students writing based on themes. 

Once they are comfortable in this category, then it’s time to actually get them to come up with some of their own ideas to write about now   (after all that is the ENTIRE point of a creative writing lesson!)

Try with these juicy writing prompts below to help get your student’s creativity flowing if they need help coming up with a topic to write about :

• Personal memories: “Tell about someone who taught you something really important.”
• Imaginative scenarios: “Let’s create a wild story set in a world where anything goes!”
• Prompts based on a familiar mentor text: “What if your favorite book ended differently? Give it a new twist!”
• Lead-in sentences: “I saw myself in the mirror and couldn’t believe what I saw. Overnight, I…”
• Fascinating or thought-provoking images with a directive: “Who do you think calls this log cabin home? Tell us their story and what they’re up to!”

2. Break Down the Prompts Together

Do NOT rush this next step! We need to make sure our students are coming up with unique and creative writing ideas. During this first week’s lesson plan, you want to make sure students know exactly what they are getting themselves into with the creative writing process. Make it known that these prompts above are to help guide them and their imagination. Help to break down what each prompt is asking/ looking for:

For example, if the prompt says “I saw myself in the mirror and couldn’t believe what I saw. Overnight, I…,” then what questions should the students be asking?

Hopefully, they will tell you they want to know what they look like in the mirror right now.

Then you can have students think of 5 possible situations for what happened and how they look.

3. Do a 5 Minute “Free Write Brain Dump”

During the next step of a creative writing lesson plan, encourage students to do a brain dump in their writing journals on all of their  prior knowledge  on the subject that they will be writing about. This lets you know a couple of things as the teacher: Do they have their own experience on this topic and enough background knowledge? Does the subject areas that they are free-writing about make sense for the creative writing topic? This should only take about 5 minutes and you are NOT worried about spelling or grammar during this step.

For example: if they are planning to write about the solar system but they don’t have much to say during this free write brain dump, this is where you may want to incorporate a mini lesson or guided conference with you to make sure they are picking a topic that they have a lot of background knowledge about or can at least figure out where to find the answers they might need for their writing.

The “free write brain dump” is helpful for students to see a couple of things- okay I know enough information about this topic and am ready to organize my thoughts  OR  I had a hard time just coming up with random thoughts to write about…maybe I need a need a new topic. It will truly help decide their confidence factor for this assignment.

4. Start Your Planning Process

The next step in your creative writing unit should be having students take their decided-upon creative writing topic and  organize  their thoughts and ideas. This step is super important because you want the information to be in the students’ own writing but you also want to make sure they have a plan for how to get their point across.  Your stronger writers may be ready to go but some may need a bit more structure set up to help them.

There are a couple of different ways they can organize their ideas:

Use Graphic Organizers

Graphic organizers are the perfect thing to use if students want to stick with a paragraph-type writing structure. For your lower writers, this might be the way to go because graphic organizers make planning a lot easier and the structure makes it super easy to follow. Graphic organizers also help break down the writing process into chunks so it doesn’t feel like such a difficult task to students who may struggle more with their writing skills or for  ESL students.

Character Development Worksheets

Provide worksheets that prompt students to describe the characters in detail that they want in their story. Include sections for physical appearance, personality traits, motivations, and character arcs. This helps students develop well-rounded characters before they start writing.

Peer Brainstorming

Organize small group brainstorming sessions where students can share their ideas and receive feedback from their peers. This way can totally help students polish up their ideas and come up with fresh new ones for their creative writing.

Story Boarding

Encourage students to create a visual storyboard for their story. They can draw a series of pictures or scenes that outline the plot, helping them visualize the sequence of events in their narrative. We really love this idea for planning for students who are learning English as a second language and students who have more difficulties communicating their thoughts out loud.

Voice Recording

Finally, one last idea: If your students are feeling unsure about writing things down, suggest they talk it out and record their thoughts on a device such as a classroom iPad.

They might be amazed at how easily their spoken words turn into great written stuff on the page! This is another favorite of ours for those students who struggle with getting their thoughts on paper or are learning English as a second language.

During the planning phase , it is a good time to take the opportunity to do any  mini lessons  you feel needed with students on any of the skills above.

5. Write the Rough Draft

Next is taking the creative narrative and putting it into a rough draft version using their planning method. It’s time for them to start coming up with their own creative short story. Do they have a main character? Is there a problem and solution? Does the writing make sense? After the rough draft, it can be super beneficial to meet with students individually or in small groups to give feedback before they move forward on the final copy. 

Word of advice: Don’t worry about spelling or grammar too much in the rough draft phase! Just help students get their thoughts out onto paper!

6. Time To Write the Final Draft

As the creative writing journey nears its conclusion, it’s time to guide your students toward the crucial phase of crafting their final drafts. This stage marks a shift towards independent work, where students take ownership of refining their narratives. Encourage them to enrich their stories with vibrant sensory details to help bring the writing to life.

This isn’t just about polishing; it’s about infusing their words with emotions and imagination. The final draft represents all of their hard work! Make sure you help them reach their fullest potential with their creative writing and storytelling skills!

A Final Word on Teaching Creative Writing to Elementary Students

When planning your creative writing lesson plans for the school year, it’s best to think about the  overall entire writing process.  For students that you KNOW creative writing will be a challenge for, take some time during English language arts sessions and work with them on the simple structures of writing to help build their confidence. If they struggle with the mechanics and confidence to write, they honestly may not be ready for the creative writing process just yet. Use the resource below to help them refine their writing skills so that all of your students can be a confident and creative writer!

How do you feel about creative writing lesson plans?

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How to Teach Creative Writing to High School Students

Creative Writing was forced onto my schedule; I didn’t ask for it. But it ended up becoming my favorite class period of the day. While academic English courses can feel high-stakes and always short on time, Creative Writing can be a refreshingly relaxed elective class. In many districts with loose curriculums, Creative Writing is what you make of it. In this post, I outline six steps to show you how to teach creative writing to high school students.

Why Teach Creative Writing

Before we get into the how , let’s first address the why . Why bother teaching Creative Writing in the first place? Students’ basic skills are lower than ever; is now really the time to encourage them to break the rules?

If you want to get really deep into why you should teach Creative Writing, I have a whole post about it here.

But think about why you love reading. Is it because you were made to annotate or close read a bunch of classic novels? Probably not. You probably fell in love with reading while you were reading something that was fun. And because it was fun, you read more, and your skills as a reader grew.

The same principle applies to writing. If we can make it fun for our students, perhaps we can foster a love for it. And passion is what leads, eventually, to mastery.

Giving our students the opportunity to fall in love with writing is a gift that might help them grow in their academic writing later.

Teach Creative Writing to High School Students Step #1: Decide on Your Standards or Goals

Your school or district may have a mandated syllabus or curriculum. Mine did not. 

Whether you’re given student goals or have to create them, you must have an overall vision for what your Creative Writing class will accomplish. 

Is this a laid-back, engaging course designed to help students discover the fun in writing? Or is it a supplement to rigorous academics for college-bound high school students? 

If you know your school’s student population well, I encourage you to think about their needs. Some students just need to write more–more of anything, but lots more. Some students are high achieving and ready to write their first novels! If possible, design your course around the needs and interests of the general student population in your school or district. 

Regardless of how rigorous your Creative Writing course will be, deciding on these goals first will help you in backwards planning. 

Teach Creative Writing to High School Students Step #2: Choose Your Final Assessments and Big Projects

Before we can start planning our lessons, we have to decide what skills or knowledge our students will need. And to know what they need, we have to decide on their summative assessments.

Will your final assessment be a short story? A collection of poetry? Are you required to offer a final exam?

Once you know what students will need to do, you can make a list of the skill they’ll need. This list will become a list of lessons you’ll need to teach.

Fairy Tale Retelling Project

My Fairy Tale Retelling Project is a great Creative Writing assessment. For this project, students had to first choose a fairy tale. Then, they rewrote the story from the perspective of the villain.

This project works really well because students have structure. They can pick any fairy tale they want, but they can’t write about just anything.

Secondly, students already know the story, so they don’t have to worry about a beginning, middle, and end. The open-endedness of writing a story completely from scratch has paralyzed my students before. Structure allows students lots of creative freedom without the excuse of “I don’t know what to write.”

Author Study Project

If you’d like your Creative Writing class to help beginner writers have fun and just get some practice with fiction writing, a Fairy Tale Retelling Project would probably be perfect for your class.

Another project I’ve done with my students is an Author Study . In this project, students choose one author to study in-depth. Then, they attempt to replicate that author’s style in an original work.

If you’d like your class to also include lots of exposure to other writers or classic literature, then this might be a great assessment for your class.

Learn more about doing an author study in this step-by-step post.

Test or Final Exam

I also gave my students a final exam focused on literary terms.

This Literary Terms Test allowed me to test students on the academic knowledge they gained throughout class instead of their writing ability. This test also helped me fulfill my district’s requirement of having a final exam at the end of each course.

Once you’ve decided on your class’s major projects and assessments, you can begin designing the rest of your class.

Teach Creative Writing to High School Students Step #3: Backwards Plan

Now that you know what your students will need to do at the end of this class, you can list out everything you need to teach them in order for them to be successful.

For example, if you opt for an author study as a final project, you know what you will need to cover. You will need to teach students some literary terms so that they can describe an author’s style. You’ll need to show them how to analyze a poem.

During the course of your class, you’ll also want to expose students to a variety of authors and mentor texts. Students will need to practice basic writing techniques in order to replicate those of their chosen authors.

If you need some inspiration for what kinds of lessons to teach, check out this post on essential Creative Writing lessons.

Teach Creative Writing to High School Students Step #4: Decide on Your Class Structure

Once you’ve decided on the end goals for your Creative Writing class, you can use them to help create day-to-day plans. 

What will your class look like? Will it be full of lots of quiet and independent work time? Will it be full of frenetic energy with students working in collaborative groups? Are students writing in notebooks or on laptops?

Of course, a successful class will most likely include a mixture of all of the above. But it’s up to you to decide on your ratio. 

Again, I encourage you to think about your school’s population. If you’re on ninety-minute blocks, is it realistic for students to be quietly writing that whole time? If you have high-achieving students, might they benefit from working independently at home and then getting and giving peer feedback during class time?

Use your goals to help decide on a general class structure. 

Warm-ups for Creative Writing

You’ll need a consistent way to begin each class.

When I initially began teaching Creative Writing, I just wanted to provide my students with more time to write. We began every class period with free writing. I gave students a couple of prompts to choose from each day, and then we’d write for about ten minutes. 

( Those journal prompts are right here . Every day includes two prompts plus a third option of freewriting.)

Students were given the option to share part of their writing if they wanted to. Every couple of weeks I’d flip through their notebooks to make sure they were keeping up, but I only read the entries they starred for me in advance. 

Later, I wanted to add some rigor to my Creative Writing class and leverage more mentor texts. I created a Poem of the Week activity for each week of the course. 

This gave students the opportunity to study professional writing before using it as a mentor text for a new, original piece. 

(You can read more about using these Poem of the Week activities here.) 

As my goals for the class and my students change, so did the way we began class. 

How can you begin your class in a way that supports the end goals or teaches the desired standards? How often will peers work together?

Teach Creative Writing to High School Students Step #5: Focus on Engagement Strategies

Now you can actually start planning lessons and projects!

But as you do so, focus on creating engaging ones–especially if your class is meant to be a fun elective.

Need more tips? Check out this post full of Creative Writing teaching tips!

Use Mentor Texts and Lots of Examples

Have you ever tried putting a puzzle together without knowing what the image was going to look like? It would be pretty difficult! Similarly, students need lots of examples of strong writing to aspire to. 

Without clear models or mentor texts , students will happily turn in unread drafts. They’ll choose the first word that comes to their mind instead of searching for a better one. 

But if you surround students with great writing, highlight strong technique when discussing the writing of others, and challenge them to notice the details in their own writing, they’ll naturally become better at self-editing.

I don’t believe that you can provide students with too many mentor texts or examples of strong writing. As you teach Creative Writing, keep or take pictures of strong writing samples from students to use as examples later. 

Nearly all of my lessons and projects include an example along with instruction.

Model and Create with Your Students

You can even use your own writing as an example. When I had students free write to creative writing prompts, I always wrote with them. Sometimes I would then put my notebook under the document camera and model reading my own work.  

I would cross out words and replace them or underline phrases I thought were strong enough to keep. Model for students not just great writing, but the process of strengthening writing.

And then give them plenty of time to edit theirs. This is when having students engage in peer feedback is a game-changer. 

Without great writing to aspire to, however, students easily become lazy and turn in work that is “good enough” in their eyes. Don’t let them get lazy in their writing. Keep throwing greater and greater work in front of them and challenge them to push themselves. 

(This is another reason I love using Poem of the Week warm-ups –they expose students to a new writer every week!)

Set Clear Expectations

Creative writing causes a lot of students anxiety. There’s no “right” answer, so how will they know if they creatively wrote “correctly?”

Help them out by setting clear expectations. Offering a rubric for every project is great for this. If you can, give them specifics to include. “At least 500 words” or “three or more similes” are nice, concrete guidelines that students can follow.

Give Students Choice

Offering students choice always boosts engagement. It lets students take charge of their learning and pursue something that interests them.

For example, when I teach odes , students are given the opportunity to write about something they love.

With an author study , students can study a writer whose style and work they admire.

Teach Creative Writing to High School Students Step #6: Use Clear and Structured Expectations

While showing students excellent prose or perfect poetry should help inspire students, your writers will still need some hard parameters to follow. 

Academic writing is often easier for students than creative writing. Usually, academic writing follows a structure or certain formula. The rubric dictates exactly how many quotes need to be included or how long an essay needs to be. MLA or APA formats tell students how to punctuate quotes and citations. 

These rules don’t apply to creative writing. And while that’s exactly what makes creative writing awesome, it’s often overwhelming. 

So do your students a favor and give them some clear expectations (without, of course, entirely dictating what they need to write about).  

The project also includes a rubric, so young writers know what should be included in their stories.

Don’t give your students so much creative freedom that it paralyzes them! Your writers are still students; give them the same level of structure and organization that you would in any other class. 

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Teach Creative Writing to High School Students Step #7: Give Students Choices

So how do you give students frameworks, requirements, and uphold high expectations without stifling their creativity?

Give students choices. You can write about A, B, or C, as long as you meet requirements 1, 2, and 3. 

Offering choices works with small one-day assignments or lessons as well as bigger, longer-term projects. 

The previously mentioned Fairy Tale Retelling Project is a great example of offering a narrow selection of choices that uphold expectations without dictating what students write. 

Another one of my favorite examples of offering students choices is my “Show. Don’t Tell” Mini-lesson . This lesson touches on everything students need to successfully learn creative writing. 

First I teach them the concept of showing vs. telling in writing through direct instruction. I show them lots of examples of expanding a “telling sentence” into a “showing paragraph.”

Then I model for students how I would write a paragraph that shows crucial information, rather than telling it. 

Lastly, I have students pick a strip of paper from a hat or a bag. Each strip of paper contains a “telling sentence” that they must then write as a “showing paragraph.” Students are limited by the sentences I provide, but they still have complete freedom over how they achieve that detailed paragraph. 

If you wanted to give students even more freedom, you could let them pick their sentences or trade with a peer rather than blindly choosing. 

Any time you can give students a choice, you give them permission to use their creativity and allow them to take some of the initiative in their own learning.

Teach Creative Writing to High School Students Step #8: Encourage Peer Collaboration and Feedback

We can tell students something a hundred times, but they won’t listen until a peer says the same thing. Us educators know the value of positive peer interaction, so don’t limit it in a creative writing class!

There are a ton of ways to implement peer interaction in a creative writing class. I often do this on the first day of class with a writing game. You’ve probably heard of it: everyone writes a sentence on a piece of paper, then everyone passes the paper and adds a sentence, and so on. 

I highly encourage you to use peer feedback throughout the class. I usually start having students share their work from day one with my free “I Am” Poem Lesson so that they can start getting used to having their work read by others immediately.

Make getting feedback so routine in your room that students don’t even question it.

It’s really tempting to let students get away without sharing their work. We don’t want to make shy or anxious students uncomfortable. I mean, what better way to completely ruin creative writing for a student than to make them feel embarrassed all the time, right?

But keep trying to encourage shy students to share. Even if that means you share it anonymously or read it aloud for them. 

I recommend including some kind of peer feedback with every writing assignment . Yes, even short practice assignments. This will work as a kind of “immersion therapy” for receiving feedback on more involved work.

After some time, you might find that your students even begin to share their work without your prompting! 

I like to organize the desks in my Creative Writing class so that students are in little groups. I’ve found that at least half of my classes will begin talking and sharing with one another in their little groups while working on projects. 

They’ll ask each other questions or to remind them of a word. They’ll read sentences aloud and ask if they sound right. Personally, I would much rather hear this kind of chatter in my class than have a dead silent room of boring writers!

However you decide to allow students to work together, be sure to provide the opportunity. Reading and getting feedback from peers could possibly teach students more about writing than any of your instruction (sorry!).

One of the truly great things about teaching creative writing to high school students is that there often isn’t a rigid curriculum. Of course, this is also sometimes one of the worst things about teaching creative writing to high school students!

You have total freedom over the assignments you give, the standards you teach, and how you organize and structure your classroom. After a few years of teaching Creative Writing, however, I’ve found that sticking to these six steps is a great way to have a successful semester.

If you’re excited about teaching your Creative Writing class, but are running low on prep time, check out my complete 9-week Creative Writing course ! Included are two different types of warm-ups, poetry analysis activities from well-known authors, mini-lesson, projects, and more!

Creative Writing in the Natural World: A Framing

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To promote development, detail, and focus of ideas in students' writing, it sometimes helps to start with a fun, creative writing activity that encourages what you want to see in all of their writing. In this minilesson, students practice writing detailed, sensory-rich descriptions by framing a small piece of nature and freewriting about it. From this, students can develop a variety of types of writing including poetry, short stories, science writing, reflections, and other academic genres.

Featured Resources

• Literal vs. Figurative Language Guide
• Internet access and the Flip Book Interactive

From Theory to Practice

This lesson explores figurative language comparisons formally known as simile and metaphor; however, the focus of the lesson is on students' use of their their imaginations to describe their observations in writing rather than on the official terminology for language use. In Wondrous Words: Writers and Writing in the Elementary Classroom , author Katie Wood Ray advises, "Give it [the craft element you identify in a text] a name so you can refer to it easily in the future as you study craft and as you writing your own texts"; yet the name that students use need not be the formal, "correct" name (42). The formal name of the element simply detracts from the ways that writers work. As Ray explains, "What's important is that, in seeing it and naming it for yourself, you have a new vision of what's possible when you try to write well" (42). When we do use formal names for craft elements, best practice pairs such words with students' definitions of the elements. Ray and Lisa Cleaveland say, "We are careful to use the words most writers in the world use for the important concepts of writing . . . if we embed kid-friendly explanations of what they mean...we need not shy away from the words themselves" (98). Further Reading

Common Core Standards

This resource has been aligned to the Common Core State Standards for states in which they have been adopted. If a state does not appear in the drop-down, CCSS alignments are forthcoming.

State Standards

This lesson has been aligned to standards in the following states. If a state does not appear in the drop-down, standard alignments are not currently available for that state.

NCTE/IRA National Standards for the English Language Arts

• 5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
• 6. Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts.
• 8. Students use a variety of technological and information resources (e.g., libraries, databases, computer networks, video) to gather and synthesize information and to create and communicate knowledge.
• 11. Students participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.
• 12. Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).

Materials and Technology

• A piece of loose paper, paper to take notes on, and a writing utensil (pen or pencil)

Preparation

• Scout out a good spot to take students outdoors on the school grounds, a place that preferably has grass or that feels somewhat “natural.” If such an area isn’t available, it is okay to do this activity on constructed spaces such as sidewalks, playgrounds, and even inside the classroom if absolutely necessary, but it’s best done outdoors.
• Prepare the Literal vs. Figurative Language Guide by making it into a transparency or making copies for each student.
• Test out the Flip Book Student Interactive .

Student Objectives

Students will:

• freewrite about a specific place that is framed by their piece of paper using imaginative and literal observations.
• identify nouns in their writing that they would like to focus on and develop further.
• write using specific sensory imagery and figurative language in order to accurately describe their framed “worlds.”

Session One

• Ask students to get out a loose piece of paper.
• Have them fold it in half at least once and tear or cut out the center. (Some students may want to fold it more than once in order to create an unusual shape. That’s okay.) The goal is to be left with a piece of paper with a hole in the middle of it like a frame. The frame can be of any shape or size.
• Explain that you will be taking the class outdoors and that each student will find a spot to place his or her frame. Also explain that students will pretend that what is inside the frame is the entire world, the only thing students will focus on. In their notebooks, students will freewrite about what they find in their frames. Encourage students to use their imaginations. Perhaps they’ll find a bug and write about it as a giant dinosaur or a talking creature. However they proceed, students should write as freely as possible to get as much detailed information down about their framed “worlds” as they can.
• Once students have found a place outdoors for their frames, give them ten to fifteen minutes to freewrite.
• Back inside the classroom, ask students to remind you what a noun is. Ask them why nouns are important in writing. How do they function in a sentence, for example? (One answer is that nouns help us know who or what a sentence is about. They are they focus, and they help us visualize ideas as we talk or write about them in any genre.)
• Have them read over their freewriting and underline three to five nouns that they would like to focus on.
• Collect students' freewriting to be returned in the next session.

Session Two

• Return students' freewriting from the previous session where they had finished by underlining three to five nouns to focus on.
• Ask students to list their five senses. Ask for a volunteer or two to provide one of their nouns. Use these to practice developing these nouns into fully described sensory experiences. Help students describe them using all five senses. Encourage imaginative leaps so students understand that their descriptions don’t have to be literal.
• At this point, discuss the difference between literal and figurative language, and explain that the goal is for students to describe their nouns using sensory detail and figurative language. Show students the Literal vs. Figurative Language Guide overhead or give them the handout. If the students were to write literal descriptions of their framed “worlds,” for example, they will simply write exactly what is in their frames (Grass looks green; sand feels rough; grasshoppers make a high pitched noise, etc.), but if they write figuratively, they will use their imaginations to describe their observations. This might include using similes, metaphors, hyperbole, and personification. For example, the grass looks like spiky green hair; sand is solid water; grasshoppers are fiddlers who play their legs, etc.
• Using the Flip Book Student Interactive , have students create a page for each of the three to five nouns they underlined. (Each student should complete at least three pages.) On each page, they will develop these nouns by adding sensory-rich, figurative descriptions of them in paragraph or poetry form. The goal is to describe each noun using as many of the five senses and as much figurative language as possible. Encourage students to be imaginative for this process. What might an ant sound like? How might a rock smell?
• Students may need to finish their Flip Books outside of class, or you might reserve some class time tomorrow to finish these up.
• Give students the opportunity to share their finished pieces with the class.
• Encourage students to develop their flip book pages further by illustrating them.
• Students might also use an additional page in their flip books to create a piece of writing such as a short story, poem, or reflection about the natural world. Encourage them to find connections between the nouns in their list. How might that list become one piece of writing instead of three to five separate pieces?
• Discuss ways students can use these writing techniques to improve other writing that they are doing. You might ask students to review one of their past writing assignments and underline places where they might add detail or figurative language in order to develop their ideas.

Student Assessment / Reflections

As long as students participate fully in the freewriting activity and complete at least three pages on their Flip Books, they should receive full credit for this activity. If you would like to turn the Flip Book into a graded assignment, you might require that each page include at least three sensory images and one instance of figurative language. Students might also earn credit by reading one of their pages aloud in front of the class.

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Eight Free Creative Writing Lessons

February 17, 2012 by Ami 17 Comments

I know I throw around the word favorite all the time. But this is the truth: teaching creative writing lessons is my favorite. 

I have taught creative writing enrichment for summer school students. I have taught creative writing in various homeschool settings and co-ops. I have taught big students and little students. And I love it. 

Since I love to share homeschool co-op class ideas , I have compiled the creative writing lessons from a co-op class that I taught. 

Creative Writing Lessons for a Homeschool Co-op Class

First, please remember that any teacher can use these creative writing lessons. You don’t need to be teaching homeschoolers. You can be a classroom teacher or a homeschool teacher at home with one student. You can even be a librarian who needs a fun program series.

Second, I used these creative writing lesson plans with upper elementary students (with maybe a few 7th graders thrown in). However, you can adapt and use them for older students or younger students!

Creative Writing Lesson Plans

Creative writing lesson one.

The first lesson focuses on cliché and metaphor. It prompts students to consider how words matter.

Grab lesson one here .

Creative Writing Lesson Two

The second lesson teaches students about sensory details: why they are important and how to include them in their writing. Students will begin using sensory details to evoke smells and sounds and sights.

Grab lesson two here.

Creative Writing Lesson Three

The third lesson introduces showing vs. telling. Students learn how to recognize authors who utilize showing, and students are able to articulate the difference between showing and telling.

Grab lesson three here.

Creative Writing Lesson Four

The fourth lesson teaches students how to capture images. We use examples of poetry and prose to discuss this important writing skill.

Grab lesson four here.

Creative Writing Lesson Five

The fifth lesson introduces the story elements of character and conflict.

Note: You may choose to split this lesson into two lessons since it covers two big elements. I only had nine weeks with my students, so I had to jam character and conflict together.

Grab lesson five here.

Creative Writing Lesson Six

The sixth lesson introduces the students to point of view and perspective. We have fun reading poems and using pictures to write descriptions from different points of view.

Grab lesson six here.

Creative Writing Lesson Seven

The seventh lesson puts everything we’ve learned together. I read the students some fractured fairy tales, and we watch some, too. Students then use the prewriting activities and their imaginations to begin drafting their own fractured fairy tales.

Grab lesson seven here.

Creative Writing Lesson Eight

The eighth lesson focuses on revision. After a mini-lesson, students partner up for peer editing.

Grab lesson eight here .

For our final class day, students bring revised work, and I host coffee shop readings. This is a memorable experience for students (and their teacher).

Creative Writing Lessons FAQ

Since posting these creative writing lessons, I have had lots of questions. I decided to compile them here in case you have the same question.

Q: What are copywork quotes? A: Copywork quotes are simply great quotes that students copy as part of their homework assignments. You can use any quotes about writing. I’ve included my favorites throughout the printable packs.

Q: Can I use this with a younger or older student? A: Absolutely! Just adapt it to meet the needs of your student.

Q: Can I use this for my library’s programming or my homeschool co-op class? A: Yes! I just ask that it not be used for profit.

Do you have any questions about teaching creative writing? What’s your biggest hang-up when it comes to teaching creative writing? I’d love to hear from you and help you solve the issue.

January 7, 2016 at 1:57 pm

Hi Theresa,

As long as you are not profitting from using them, they are yours to use! Enjoy! Wish I could be there to help facilitate all those young writers! 

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8th Grade Creative Writing Lesson Plans

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Five Creative Writing Lesson Plans for Middle & High School Students

A Poem About Joy:

In this lesson plan, inspired by Ross Gay's "Sorrow Is Not My Name," Teré Fowler-Chapman asks young poets to come up with a list of things that bring them joy and then write a poem inspired by one of the items on that list. The writing exercise, which is a fantastic way to bring social-emotional learning into the classroom, is preceded by a conversation on Gay's poetics and on how joy can exist even in times of sorrow.

Personal Migrations:

Saraiya Kanning, inspired by Wang Ping's "Things We Carry on the Sea," asks young writers to, "contemplate how migration has played out in their own lives, including the lives of their families." This multi-part lesson plan includes a word association game, a discussion of Ping's poem, and a group poem in which students answer the question, "What sort of things have been carried across land, sea, or even across time?" collaboratively. After this, they write their own individual poems, using a series of questions to jump start their creativity, and then craft art pieces using popsicle sticks, pipe cleaners and/or puff paint to trace paths across the surface of their chosen canvas (Kanning used cake board!). This lesson can be shortened or spread out over class periods as part of a unit on immigration and migration.

Rare Bird Erasure:

"Erasure poems use words from another source to create a new poem," Saraiya Kanning writes in this lesson plan, which uses the field guide Rare and Elusive Birds of North America as a source text from which young writers create their own pieces (although you're welcome to use any book you'd like!). Each student receives a photocopied page from the book and goes on a "treasure hunt," selecting 5-10 words that in some way connect to one another. After creating their erasure poem, students can decorate the page with art materials to "create images, patterns, or designs around the words." This lesson plan includes a note on modifications for student with visual impairments.

Titles: Art on their Own:

So often in creative writing, the titling process is overlooked but important: as Sophie Daws says, "Writing a title can feel like putting the cherry on top of your great poem or it can feel like walking on eggshells, where the wrong title could ruin the whole poem and you just can’t come up with the right one!" This lesson plan, drawn from her high school zine residency, uses six prompts to offer a guided approach to coming up with a title for a finished project, from one that asks students to write down their favorite line to another that encourages them to think of how a title can add another tone or angle to their work.

Found Art Handmade Books:

Taylor Johnson bridges creative writing and visual art in this lesson plan, which focuses on crafting handmade books from recycled materials. Johnson suggests using everything from old postcards to yarn to insect wings to create a publication that's truly one of a kind. As far as words go, students can either add something they've previously written to their books whole cloth or cut up bits of their old writing and "remix" it. After the books are done, Johnson suggests creating a classroom library or exhibit for students to browse one another's books.

Image from the Boston Public Library.

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Creative Writing Lesson Plans

This list of creative writing lesson plans continues my departure from some of the more motivational aspects of my website and delves into some teacher resources. This site contains over 1,000 creative writing prompts that can be crafted into many different lesson plans, and I hope that you'll consider trying some of them out. In the meantime, though, if you'd like to find some ideas for lessons independently of those prompts, I've come with a few winners here. If you check out this site, you'll learn that I'm not big into teaching "the craft" of writing and I'm more of a "freedom-based" teacher. You will see that philosophy reflected in these creative writing lesson plans.  Creative Writing Lesson Plans   1. Learn more about your classmates by interviewing one and writing a story based on that person's life. Pair up your students with partners they don't know very well to take full effect of the assignment. Give them free reign to write whatever kind of story they'd like.

2. Collect a random assortment of objects on your desk. Instruct your students to write a story that incorporates at least five of these items, but a story that isn't  about  any of those objects in particular. If you have a cup full of water on your desk, tell your students they can't write a story about a cup full of water.

3. For five minutes, have your students write a story about their day so far. After they have completed the story, instruct them to re-write the story in five minutes as if something crazy has happened earlier in the day and they are dealing with the aftermath. Lastly, have them re-write the story over the course of five minutes in a different style, such as a western, musical or horror movie. Share the stories and ask your students how the stories different from the originals.

4. Create five characters for your students by wearing five different hats or masks and talking in different voices. Have your students write a story with those five characters and then share them. Discuss how even using the same characters can lead to very distinct stories.

5. Have your students describe their favorite meal. Next, have them write a story in which a character completely unrelated to them eats the meal during a special occasion. Have the most popular stories re-enacted in front of the class at a later date, featuring the meal itself!

6. For one classroom, have your classroom change into a pitch meeting for a television sitcom. The people around the table must come up with the best possible ideas for an episode of television. Pick a popular show or make something up. If it makes sense for your class, have the scenario split into three different groups, with the rest of the class watching the "writers" duke it out followed by rotating in.

7. Have your students read a passage of Shakespeare. Then have them attempt to imitate his style in the form of a short story. Use this exercise to show them how much the English language has changed over time.

8. Give each of your students a different book and have them write a possible passage from the book simply by looking at the cover. Don't let them open the book or look at the back, just have them write.

9. Have your students write a story from your perspective about a day of your life. Make sure that they focus on areas aside from you teaching that particular class.

10. Give the students a few different premises from plots of "Twilight Zone" episodes, which usually come in the form of "a world of tiny people" or "forced to go back in time" plot. Have them create their own "what if" story, depicting the world in a strange or unusual way.  I sincerely hope that these 10 creative writing lesson plans will be helpful in preparing your students for a lifetime of writing creatively. These imagination-focused activities should strengthen their muscles of creativity and can be repeated throughout the year. If you would like to use some creative writing prompts in your classroom take a look at my books,  1,000 Creative Writing Prompts  and  500 Writing Prompts for Kids .  Done with Creative Writing Lesson Plans? Go back to Creative Writing Prompts.

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How to Teach Creative Writing | 7 Steps to Get Students Wordsmithing

“I don’t have any ideas!”

“I can’t think of anything!”

While we see creative writing as a world of limitless imagination, our students often see an overwhelming desert of “no idea.”

But when you teach creative writing effectively, you’ll notice that  every  student is brimming over with ideas that just have to get out.

So what does teaching creative writing effectively look like?

We’ve outlined a  seven-step method  that will  scaffold your students through each phase of the creative process  from idea generation through to final edits.

7. Create inspiring and original prompts

Use the following formats to generate prompts that get students inspired:

• personal memories (“Write about a person who taught you an important lesson”)
• imaginative scenarios
• prompts based on a familiar mentor text (e.g. “Write an alternative ending to your favorite book”). These are especially useful for giving struggling students an easy starting point.
• lead-in sentences (“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”).
• fascinating or thought-provoking images with a directive (“Who do you think lives in this mountain cabin? Tell their story”).

Don’t have the time or stuck for ideas? Check out our list of 100 student writing prompts

6. unpack the prompts together.

Explicitly teach your students how to dig deeper into the prompt for engaging and original ideas.

Probing questions are an effective strategy for digging into a prompt. Take this one for example:

“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”

Ask “What questions need answering here?” The first thing students will want to know is:

What happened overnight?

No doubt they’ll be able to come up with plenty of zany answers to that question, but there’s another one they could ask to make things much more interesting:

Who might “I” be?

In this way, you subtly push students to go beyond the obvious and into more original and thoughtful territory. It’s even more useful with a deep prompt:

“Write a story where the main character starts to question something they’ve always believed.”

Here students could ask:

• What sorts of beliefs do people take for granted?
• What might make us question those beliefs?
• What happens when we question something we’ve always thought is true?
• How do we feel when we discover that something isn’t true?

Try splitting students into groups, having each group come up with probing questions for a prompt, and then discussing potential “answers” to these questions as a class.

The most important lesson at this point should be that good ideas take time to generate. So don’t rush this step!

5. Warm-up for writing

A quick warm-up activity will:

• allow students to see what their discussed ideas look like on paper
• help fix the “I don’t know how to start” problem
• warm up writing muscles quite literally (especially important for young learners who are still developing handwriting and fine motor skills).

Freewriting  is a particularly effective warm-up. Give students 5–10 minutes to “dump” all their ideas for a prompt onto the page for without worrying about structure, spelling, or grammar.

After about five minutes you’ll notice them starting to get into the groove, and when you call time, they’ll have a better idea of what captures their interest.

Did you know? The Story Factory in Reading Eggs allows your students to write and publish their own storybooks using an easy step-by-step guide.

4. Start planning

Now it’s time for students to piece all these raw ideas together and generate a plan. This will synthesize disjointed ideas and give them a roadmap for the writing process.

Note:  at this stage your strong writers might be more than ready to get started on a creative piece. If so, let them go for it – use planning for students who are still puzzling things out.

Here are four ideas for planning:

Graphic organisers

A graphic organiser will allow your students to plan out the overall structure of their writing. They’re also particularly useful in “chunking” the writing process, so students don’t see it as one big wall of text.

Storyboards and illustrations

These will engage your artistically-minded students and give greater depth to settings and characters. Just make sure that drawing doesn’t overshadow the writing process.

Voice recordings

If you have students who are hesitant to commit words to paper, tell them to think out loud and record it on their device. Often they’ll be surprised at how well their spoken words translate to the page.

Write a blurb

This takes a bit more explicit teaching, but it gets students to concisely summarize all their main ideas (without giving away spoilers). Look at some blurbs on the back of published books before getting them to write their own. Afterward they could test it out on a friend – based on the blurb, would they borrow it from the library?

3. Produce rough drafts

Warmed up and with a plan at the ready, your students are now ready to start wordsmithing. But before they start on a draft, remind them of what a draft is supposed to be:

• a work in progress.

Remind them that  if they wait for the perfect words to come, they’ll end up with blank pages .

Instead, it’s time to take some writing risks and get messy. Encourage this by:

• demonstrating the writing process to students yourself
• taking the focus off spelling and grammar (during the drafting stage)
• providing meaningful and in-depth feedback (using words, not ticks!).

Reading Eggs also gives you access to an ever-expanding collection of over 3,500 online books!

2. share drafts for peer feedback.

Don’t saddle yourself with 30 drafts for marking. Peer assessment is a better (and less exhausting) way to ensure everyone receives the feedback they need.

Why? Because for something as personal as creative writing, feedback often translates better when it’s in the familiar and friendly language that only a peer can produce. Looking at each other’s work will also give students more ideas about how they can improve their own.

Scaffold peer feedback to ensure it’s constructive. The following methods work well:

Student rubrics

A simple rubric allows students to deliver more in-depth feedback than “It was pretty good.” The criteria will depend on what you are ultimately looking for, but students could assess each other’s:

• use of language.

Whatever you opt for, just make sure the language you use in the rubric is student-friendly.

Two positives and a focus area

Have students identify two things their peer did well, and one area that they could focus on further, then turn this into written feedback. Model the process for creating specific comments so you get something more constructive than “It was pretty good.” It helps to use stems such as:

I really liked this character because…

I found this idea interesting because it made me think…

I was a bit confused by…

I wonder why you… Maybe you could… instead.

1. The editing stage

Now that students have a draft and feedback, here’s where we teachers often tell them to “go over it” or “give it some final touches.”

But our students don’t always know how to edit.

Scaffold the process with questions that encourage students to think critically about their writing, such as:

• Are there any parts that would be confusing if I wasn’t there to explain them?
• Are there any parts that seem irrelevant to the rest?
• Which parts am I most uncertain about?
• Does the whole thing flow together, or are there parts that seem out of place?
• Are there places where I could have used a better word?
• Are there any grammatical or spelling errors I notice?

Key to this process is getting students to  read their creative writing from start to finish .

Important note:  if your students are using a word processor, show them where the spell-check is and how to use it. Sounds obvious, but in the age of autocorrect, many students simply don’t know.

A final word on teaching creative writing

Remember that the best writers write regularly.

Incorporate them into your lessons as often as possible, and soon enough, you’ll have just as much fun  marking  your students’ creative writing as they do producing it.

Need more help supporting your students’ writing?

Read up on  how to get reluctant writers writing , strategies for  supporting struggling secondary writers , or check out our huge list of writing prompts for kids .

Watch your students get excited about writing and publishing their own storybooks in the Story Factory

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

Culminating in our Coming of Age in 2020 contest, the unit helps teenagers document and respond to what it’s been like to live through what one Times article describes as “a year of tragedy, of catastrophe, of upheaval, a year that has inflicted one blow after another, a year that has filled the morgues, emptied the schools, shuttered the workplaces, swelled the unemployment lines and polarized the electorate.”

A series of writing prompts, mentor texts and a step-by-step guide will help them think deeply and analytically about who they are, how this year has impacted them, what they’d like to express as a result, and how they’d like to express it. How might they tell their unique stories in ways that feel meaningful and authentic, whether those stories are serious or funny, big or small, raw or polished?

Though the contest accepts work across genres — via words and images, video and audio — all students will also craft written artist’s statements for each piece they submit. In addition, no matter what genre of work students send in, the unit will use writing as a tool throughout to help students brainstorm, compose and edit. And, of course, this work, whether students send it to us or not, is valuable far beyond the classroom: Historians, archivists and museums recommend that we all document our experiences this year, if only for ourselves.

October-November

Unit 2: The Personal Narrative

While The Times is known for its award-winning journalism, the paper also has a robust tradition of publishing personal essays on topics like love , family , life on campus and navigating anxiety . And on our site, our daily writing prompts have long invited students to tell us their stories, too. Our 2019 collection of 550 Prompts for Narrative and Personal Writing is a good place to start, though we add more every week during the school year.

In this unit we draw on many of these resources, plus some of the 1,000-plus personal essays from the Magazine’s long-running Lives column , to help students find their own “short, memorable stories ” and tell them well. Our related mentor-text lessons can help them practice skills like writing with voice , using details to show rather than tell , structuring a narrative arc , dropping the reader into a scene and more. This year, we’ll also be including mentor text guided lessons that use the work of the 2019 student winners.

As a final project, we invite students to send finished stories to our Second Annual Personal Narrative Writing Contest .

DECEMBER-January

Unit 3: The Review

Book reports and literary essays have long been staples of language arts classrooms, but this unit encourages students to learn how to critique art in other genres as well. As we point out, a cultural review is, of course, a form of argumentative essay. Your class might be writing about Lizzo or “ Looking for Alaska ,” but they still have to make claims and support them with evidence. And, just as they must in a literature essay, they have to read (or watch, or listen to) a work closely; analyze it and understand its context; and explain what is meaningful and interesting about it.

In our Mentor Texts series , we feature the work of Times movie , restaurant , book and music critics to help students understand the elements of a successful review. In each one of these guided lessons, we also spotlight the work of teenage contest winners from previous years.

As a culminating project, we invite students to send us their own reviews of a book, movie, restaurant, album, theatrical production, video game, dance performance, TV show, art exhibition or any other kind of work The Times critiques.

January-February

Unit 4: Informational Writing

Informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres. Via thousands of articles a month — from front-page reporting on politics to news about athletes in Sports, deep data dives in The Upshot, recipes in Cooking, advice columns in Style and long-form investigative pieces in the magazine — Times journalists find ways to experiment with the genre to intrigue and inform their audiences.

This unit invites students to take any STEM-related discovery, process or idea that interests them and write about it in a way that makes it understandable and engaging for a general audience — but all the skills we teach along the way can work for any kind of informational writing. Via our Mentor Texts series, we show them how to hook the reader from the start , use quotes and research , explain why a topic matters and more. This year we’ll be using the work of the 2020 student winners for additional mentor text lessons.

At the end of the unit, we invite teenagers to submit their own writing to our Second Annual STEM writing contest to show us what they’ve learned.

March-April

Unit 5: Argumentative Writing

The demand for evidence-based argumentative writing is now woven into school assignments across the curriculum and grade levels, and you couldn’t ask for better real-world examples than what you can find in The Times Opinion section .

This unit will, like our others, be supported with writing prompts, mentor-text lesson plans, webinars and more. We’ll also focus on the winning teenage writing we’ve received over the six years we’ve run our related contest.

At a time when media literacy is more important than ever, we also hope that our annual Student Editorial Contest can serve as a final project that encourages students to broaden their information diets with a range of reliable sources, and learn from a variety of perspectives on their chosen issue.

To help students working from home, we also have an Argumentative Unit for Students Doing Remote Learning .

Unit 6: Writing for Podcasts

Most of our writing units so far have all asked for essays of one kind or another, but this spring contest invites students to do what journalists at The Times do every day: make multimedia to tell a story, investigate an issue or communicate a concept.

Our annual podcast contest gives students the freedom to talk about anything they want in any form they like. In the past we’ve had winners who’ve done personal narratives, local travelogues, opinion pieces, interviews with community members, local investigative journalism and descriptions of scientific discoveries.

As with all our other units, we have supported this contest with great examples from The Times and around the web, as well as with mentor texts by teenagers that offer guided practice in understanding elements and techniques.

June-August

Unit 7: Independent Reading and Writing

At a time when teachers are looking for ways to offer students more “voice and choice,” this unit, based on our annual summer contest, offers both.

Every year since 2010 we have invited teenagers around the world to add The New York Times to their summer reading lists and, so far, 70,000 have. Every week for 10 weeks, we ask participants to choose something in The Times that has sparked their interest, then tell us why. At the end of the week, judges from the Times newsroom pick favorite responses, and we publish them on our site.

And we’ve used our Mentor Text feature to spotlight the work of past winners , explain why newsroom judges admired their thinking, and provide four steps to helping any student write better reader-responses.

Because this is our most open-ended contest — students can choose whatever they like, and react however they like — it has proved over the years to be a useful place for young writers to hone their voices, practice skills and take risks . Join us!

• Our Mission

Planning Writing Lessons for the Early Elementary Grades

Teachers can provide thoughtful instruction that supports the sustained development of young students’ literacy skills.

Often, attempting to plan effective and purposeful writing instruction raises many questions: What does lesson planning look like? How will I manage so many students who may be in different stages of their writing? How often should they be editing and revising? The list doesn’t stop there.

By utilizing on-demand writing for assessment and long-range writing for scaffolded practice of applying various writing techniques, teachers can approach their instruction with intentional and tailored lessons that meet the needs of the learners in the classroom, as well as help students develop self-regulated behaviors when crafting a piece of text.

On-Demand Writing

Just like any area of instruction, assessment is critical for knowing what the students’ strengths and areas of growth are, and on-demand writing is how teachers can gather that evidence. An on-demand piece of writing simply means that the teacher provides a specific prompt for the student to write to for the purpose of anecdotal data. For example, let’s say a second-grade teacher prepares for a narrative writing cycle. In the first couple of days before the cycle begins, they’ll ask students to write a narrative about something fun they’ve experienced (with their family or a friend). 

After the prompt is given, students get one or two days to write and are provided with all necessary tools to carry out the process of developing a piece of writing without additional modeling or instruction. Effective tools might include graphic organizers, writing paper, tools for editing, and a writing checklist. However, the teacher will not model how to use the tools. The teacher is informally assessing if the students know how to use these resources to develop a story.

After students complete their piece, the teacher collects them for analysis. It is critically important to determine realistic expectations for what writing should look like throughout various points of the year, so creating a common rubric as a grade level is a great way to stay on the same page for analyzing the assessment. 

Writing growth, similar to reading, happens along a continuum of skills. At the beginning of the year, a second grader can’t be expected to write like an end-of-the-year second grader because they haven’t been taught the grade-level skills necessary to do so yet. On-demand benchmark assessments along the way will gradually raise the expectation of what that student should be able to do. Websites such as Reading Rockets and Achieve the Core provide useful anchor examples of real student writing in various genres that provide annotated explanations of students’ overall writing ability and possible next steps for instruction.

As students engage in daily lessons about crafting a narrative within the instructional cycle of a long-range writing piece, another on-demand prompt may be given at the halfway point of the cycle to track growth and drive future instruction. This could be the same prompt as before or a prompt given in response to a story or passage the student has read.  

It’s important to remember that it’s easy to fall into the trap of using writing prompts daily for students to produce writing simply because it’s easy to manage. If we use this approach exclusively, we rob our students of the opportunity to dive deeply into producing self-chosen, elaborate pieces full of voice and author’s craft.

Long-Range Writing

Long-range pieces give students the autonomy to choose their own writing topic while the teacher assists in walking them through the process. This type of instruction instills the executive-functioning behaviors needed when students are asked to write a piece on demand. When considering how to implement this type of writing instruction, it can be overwhelming. Breaking down long-range instruction using the following components allows for a more manageable approach.

Keep your lesson mini: A mini lesson is 15 to 20 minutes long and organized in a gradual release format, and it allows the teacher to model a specific, focused lesson. For example, narrative writing could be broken into the following mini lessons for a beginning-of-the-year cycle for second grade: introduce and describe a setting, introduce and describe the character, edit on the go (this means to stop and edit before we add more writing), describe the first event in the narrative, introduce a problem, etc. Essentially, each lesson will invite students to add to their story one chunk at a time.

Model, provide independent practice: The teacher begins by modeling one learning target using a well-crafted organizer . An effective organizer teaches students that each genre has a specific structure. As learners begin to recognize the pattern in text structure, they can replicate it when assessed in on-demand pieces. For example, the teacher can start by using a text that clearly introduces and describes the setting, and then read that page out loud and ask students what they notice about how the author introduced the setting.  

Next, students are invited to help the teacher write a setting to a story together by offering verbal suggestions. The teacher records the students’ ideas and writes an example introduction in the organizer. Then students think about an idea for an introduction of a setting on their own and are prompted to talk to a partner about their story. The students verbally rehearse what they plan to write, as this provides them an opportunity to organize their thoughts and prepares them to get started as soon as they are released to write independently, using the same organizer that the teacher used to model the mini lesson.  

The benefit of this approach is that it gives the teacher time to provide specific feedback over the same crafting element. Having every student write their complete thoughts directly in the organizer in a chunked manner allows for a better visual of where to correct capitalization and punctuation. Essentially, each lesson should invite students to write one or two complete sentences that can be quickly edited before adding the next part of the story.  

Share and reflect: Close each lesson by bringing students back together so that they have an opportunity to share what they’ve produced. This time celebrates students’ creativity, as well as giving them an opportunity to reflect on how they can improve their writing.   

Both on-demand writing and long-range writing are vital in developing confident writers across various genres. It’s important to approach them with a cyclical scope and sequence that allows students to learn the craft, structure, and development of narrative, informative, and opinion styles of writing. By scaffolding and supporting students’ growth in each genre of writing, learners will begin to automatically apply these techniques more independently as the year progresses because of the solid foundation that has been built. 

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Blog Education

27+ Easy-to-Edit Lesson Plan Examples [+ Writing Tips]

By Alice Corner , Dec 07, 2023

Lesson plans are the best way to deliver an effective and engaging lesson. Lesson plans also help keep you on track to ensure that your learners hit their goals and targets, in line with your course curriculum.

But sometimes in the high-pressure world of education, it can be difficult to find the time to create inspiring lesson plans on your own. 

I’ve gathered together 28 of the best lesson plan examples on the internet that you can use to ensure your lessons are insightful and inspiring.

Table of contents (click to jump ahead):

What is a lesson plan?

What is included in a lesson plan, how to write a lesson plan, preschool lesson plan examples, math lesson plan examples.

• Science lesson plan examples

1. Objectives: know your destination

When writing a lesson plan, start by outlining the learning objectives—what you want your students to take from the session and work backward. Having clear and specific goals helps you plan activities for a successful lesson.

2. Welcome to the hook: make ’em want to learn

Start with an engaging “hook” to capture your students’ attention and make them eager to learn more. This could be a thought-provoking question, an interesting fact, or a surprising tidbit.

Apply a top-down method: plan on a course level the lessons you’re going to include and then go deeper and think about the activities you would like to include in each lesson.

3. Step-by-step: outlining the activities

Now that your students are hooked, it’s time to get down to business. Work on exercises or projects you would like your students to take on. These should serve two important purposes: allowing your students to apply the knowledge they learn in class and allowing you, the teacher, to assess students’ understanding of the materials.

This might include direct instruction (i.e., when you teach the material), guided practice (working together as a class), independent practice (students work on their own) and group activities.  Think about the best way to engage students and make sure you include a variety of these activities besides just tests or exams, like quizzes, group discussions, group projects and so on.

Example: If your objective is teaching persuasive writing, your steps might look like this:

• Explanation of persuasive writing techniques and purpose
• Guided practice: analyzing persuasive texts as a class
• Independent practice: having students create a persuasive argument on a given topic
• Group activity: Debating the different arguments in teams

Remember the old adage: “Tell me, and I forget. Teach me, and I remember. Involve me, and I learn.” 

4. Check for understanding: keep ’em on track

It’s not uncommon for students to zone out (we’ve all been there), so it’s crucial to regularly check if they’re on track. This means asking questions throughout the lesson and encouraging your students to reflect on the material.

Once you’ve got all these noted down, you can start arranging all the lessons and activities in a meaningful and logical order as well. This applies to the activities within a single lesson too. Answer these questions:

• How much time do you have for the whole lesson?
• What do you plan to start and end the lesson with?
• How much time do you have for each activity?
• If you still have time after all the activities are done, what are you planning to do?
• If you run out of time, what activities are you planning to drop?

As you plan your lesson, keep in mind that not all students learn at the same pace and in the same way. Tailor your activities and materials to accommodate different learning styles, skill levels and interests. This could mean offering choice in assignments, providing extra support for struggling learners, or challenging high-achievers with extended tasks.

Creating a preschool lesson plan involves careful consideration of the developmental needs and interests of young children. Shaping young minds is a rewarding experience, but it can sometimes feel like juggling too many balls at once.

With so many different essential key skills to teach, using a thorough Preschool lesson plan is important for making sure that your learners progress stays on track.

Break your Preschool lesson plans into learning sections

Preschool curriculums can be complex, covering multiple areas of crucial childhood development.

Help visualize each of these areas in their own right by creating a preschool lesson plan that takes a broad overview.

By breaking your lesson plan into learning sections, like this Preschool lesson plan example, you can get a glance at all elements of your students learning at once.

Get an overview of your week with a weekly lesson plan

A weekly lesson plan works great for preschool education planning, as it helps you identify and build lessons around common themes or goals. In the lesson plan template below, weeks have been broken down into different areas of focus.

Use icons in your Preschool lesson plan

Using icons is a great way to communicate visually. Icons are easy to understand, especially when you’re skimming a document. 

Take this lesson plan template for example, not only do the icons help communicate the lesson themes, they also make the lesson plan example super engaging and fun.

Using icons can also be a great way to help students who struggle with non-visual learning. For more ways to improve your lesson accessibility, check out this guide to creating a Color Blind Friendly Palette .

Creating a math lesson plan involves careful planning and consideration of various elements to ensure effective teaching and learning. Check out these lesson plan ideas for writing the best math lesson plan, as well as some templates you can edit.

Use pops of color in your lesson plans

Just because your lesson plan tackles a complex subject doesn’t mean it has to be boring. In this lesson plan example a mint green color has been used to help break up the design. You could color code different subjects or units if you have multiple classes to teach.

Break your lesson plan into sections to make it easy to follow

Being properly prepared for any eventuality in your lesson starts with good planning. By using sections, like in the lesson plan example below, you can cover all of your bases. 

When lesson planning, consider the following:

• Lesson discussion questions
• Activity options for multiple group sizes
• Lesson notes or feedback

In this math lesson plan activity, the teacher has thought through all of the needs of their class.

Think outside the box when lesson planning

When lesson planning, the world, or at least the internet, is your Oyster. Instead of just teaching vocabulary, use scavenger hunts, word searches, or story activities. 

Try picking a new activity and building your lesson around that. In the lesson activity example below, Merriam-Webster has a dictionary scavenger hunt that will keep students engaged and entertained throughout your English lesson.

Highlight your lesson objectives at the top of your lesson plan

Your learning objectives should guide your lesson planning, not the other way around.

In this sample lesson plan that focuses on analyzing a film for an English class, the learning objectives are housed within the same section as the lesson plan overview, right on the first page:

If you want to learn how to write an actional learning objective , check out this post on learning objective examples .

Science l esson plan examples

Planning a science lesson can mean anything from experiments to monitoring or diagramming and labelling.

Following a template, like in the science lesson plan examples below, can help make sure that your science lessons run smoothly.

Provide a space for reflection in your science lesson plan

Whilst a lesson plan is a place to schedule your activities, it can also be a great document to refer back to when planning future sessions. Adding a reflection section in your science lesson plan can be a great way to add notes about what worked and what didn’t within your lesson, for future reference. 

Break projects down into sections of deliverables

If you’re conducting a difficult lesson, such as a hands-on science project, it can be handy to help yourself and your students by outlining expectations. A checklist can be a great way to make your science lesson plan as effective as possible.

In this lesson plan example, the deliverables have been broken into easy-to-follow checklists.

Use illustrations to bring your lesson plan templates to life

Your lesson plans should inspire you, not bore you! Using illustrations is a great way to bring your lesson plans to life. 

In this sample lesson plan, the teacher has used colorful and playful illustrations to reflect the content of the lessons.

When creating Elementary school lesson plans, you need to make sure that you’re keeping a good overview of many different subjects at once. 

Having a clear, easy to understand Elementary lesson plan, like in the examples below, is really important for making sure that all your learning objectives are being met.

Break your elementary lesson plans into day and subject sections

Elementary students will often be studying various topics and subjects at once and keeping an overview of this can be difficult. By creating a weekly lesson plan you can make sure that your students stay on track. 

In this lesson plan template, subjects and activity have been split across the days, with simple summaries of each section within the lesson plan. 

Include notes sections in your lesson plans

Planning a lesson is important, but reflecting on a lesson is essential. Adding notes sections to your lesson plans, like in this weekly lesson plan example, is a great way to remind yourself to evaluate as you go.

Evaluating yourself and your lessons can be a daunting task. Applying various evaluation strategies, such as a SWOT Analysis , is an easy way to give your evaluations focus.

Creating a high school lesson plan involves a more structured approach, as students at this level are typically engaged in more advanced academic subjects.

Ensuring that your High School lesson plans account for success and reinforcing skills is one way to deliver the best education for your learners.

Include indicators of skill in your high school lesson plans

In high school, lesson plans tend to be more advanced. In the high school lesson plan example below, the teacher has included a section for indicators of skill. 

Indicators of skill are a great way to measure your students’ understanding of a topic and can be used to help inform your planning and teaching. Add two or three skill indicators into your lesson plans to ensure you know how to identify which students may need additional support from you in teaching.

You can also scroll back to the Math lesson plans section for more ideas on high school lesson plan templates.

Remember how I mentioned you should include timelines in your lesson plan? Well, for a high school lesson plan, you can include a timeline template like this one to make sure your students understand all the dates required for their school project:

When creating art lesson plans, use bright colors, patterns, icons and graphics to create a truly engaging visual art lesson plan, like in the examples below.

Art lessons lend themselves to creative and visual learning , so your Art lesson plans should be creative and visual as well.

Incorporate learning examples in your art lesson plans

Art lesson plans can be one of the most fun to create. Art as a visual medium lends itself to an exciting and decorative lesson plan. 

In the art lesson plan example below, the teacher has inserted visual examples to use during the lesson directly into their lesson plan. Collecting all of this information in one place means that you can quickly refer back to your lesson plan mid teaching. 

Be creative with your art lesson plan design

If you’re creating an art course, you’re probably a creative person. Why not let that creativity shine in your lesson plan templates?

Fun illustrations and patterns have been used in the lesson plan sample below to create a visually appealing lesson plan design.

When picking colors for your lesson plan design, some schools will need to be aware of color connotations. Certain colors should be avoided due to gang or rivalry associations. Some schools will also want to ensure that all materials produced fit within your school colors.

Use colors and patterns in your art lesson plan designs

As well as colors, patterns can be used, like in this art lesson plan example, to create interest in your lesson plan design. 

Picking a patterned but simple background is an easy way to add depth to any lesson plan design.

When creating middle school lesson plans, like in the templates and examples below, it’s important to focus on success and simplicity.

Middle school is a time for make or break for many learners. Skills that they learn in middle school carry them through life and it can be a huge weight to carry. But teaching middle school can also be incredibly rewarding. Here are some tips to help you create an effective middle school lesson plan:

Make note of what success looks like in your lesson plan

In teaching, quite often the end goal is not for the students to just arrive at the correct answer, but to understand the process of getting there. Having this mentality in your mind whilst lesson planning is an excellent way to ensure your students are learning effectively and that you are maximizing your teaching impact.

Add a section to your lesson plans as to what success looks like for you and your students like in the Middle School lesson plan template: 

Color code your lesson plan for ease of use

Colors can be a great differentiator in content and color-coding your lesson plans is a great way to make information pop. In this lesson plan example, each day has a different color which makes planning and evaluating much easier.

Related Reading: What Disney Villains Can Tell Us About Color Psychology

Creating simple lesson plans involves breaking down the content into manageable components and incorporating straightforward activities.

Sometimes simple is best—especially when it comes to lesson planning. When you’re panicked mid-teaching, having a simple and straightforward lesson plan that you can take a quick glance at it can be invaluable. 

Keep your lesson plan simple for stressful situations

When performing under pressure, staying simple is usually the best option. Using a clean and modern lesson plan design is one way to ensure that you can stay focused on what matters: teaching. 

Simple doesn’t have to mean boring, though. Using good design principles and following one or two graphic design trends means that your simple lesson plan template can still look smart.

Use an icon to help differentiate different subject lesson plans

Icons are an easy way to differentiate your lesson plans by subject or topic. In the lesson plan example below, a large book icon has been used at the top of the page so that you can quickly see that this is an English lesson plan.

You could use an icon for each subject you teach, or use icons to tell a story . You could even replace the icon with a photo of your lesson materials!

Use an action plan approach in your lesson planning

In the simple lesson plan example, the tasks in the lesson plan have been labeled as an “action plan” . By keeping the lesson plan design simple, the focus is really on the content of the lesson plan.

Creating an action plan when teaching your lessons is a great mindset for creating engaging lessons and proactive teaching.

Creating an English lesson plan is the best way to keep track of all the learning strands and activities that are needed for learning success.

Imagination, drama, romance and tragedy. English lessons have it all. But they can also be complicated to teach, with many moving parts to any one lesson. 

Like you’ll see in the English lesson plan examples below, creating engaging activities to a strict time schedule is perfectly possible with enough planning.

Use your lesson plan to schedule each activity by the minute

Any teacher will know the feeling of reaching the end of your material with 10 minutes left in the lesson.

Avoid running short (or running over!) in your lessons by planning down to the minute. The English lesson plan example below measures out timings for each activity so you finish perfectly on time. 

You can use a timer on your interactive whiteboard , or get students to time themselves. Scheduling is a great skill to incorporate into any lesson plan.

Creating a history lesson plan is essential for a successful session no matter if you’re teaching the near past or the ancient history.

Using common teaching resources such as timeline infographics , or imaginative play and learning are exciting ways to make your History lesson plans exciting.

Prepare for history lessons with a history timeline infographic

Teaching history effectively and engagingly relies on the teacher’s ability to bring the past back to life. For some students, mentally visualizing history can be difficult. A timeline infographic is a great way to teach historical events.

When planning your history lesson, make sure you have all of your timelines sorted. You can either prepare your history timelines in advance or get the students to create their own history timeline as part of the lesson activity.

Venngage has a whole range of timeline infographic templates that are easy to customize. 

Want to learn more about how to create a timeline infographic ? Check out the video below:

Use themes and historical events to enrich your lesson planning

When planning your history lessons, look for topical themes or historical events that you can anchor your lesson plan around.

In the lesson plan example below, the teacher is using Black History Month as an anchor point for their students’ learning.

Teaching the historical significance of Black History Monthand engaging students in related learning activities throughout February is a great way to contextualize current affairs. There are plenty of resources online to help create your Black History Month lesson plans.

Related Reading: Looking for other global holidays and events to theme your lessons on? Check this Ultimate List of Holidays .

Creating a kindergarten lesson plan involves similar principles to those used for preschoolers but with a bit more structure and focus on foundational academic skills.

We all know that meme “teaching kindergarten is like using a blender without a lid”. Staying organized is super important and having thorough easy-to-follow kindergarten lesson plans is one way to make sure your teaching stays on track. 

Use themes to help plan your Kindergarten lessons

Help your kindergarteners embrace learning by using themes to plan their education. Themes are a great way to work through lots of different learning activities under one thematic umbrella.

This kindergarten lesson plan example uses St Patrick’s Day as its thematic anchor and bases Math, Art, Science and more off of one common theme. 

Make your lesson plans easy to skim

We’ve all been in a spot when our mind goes blank and we need to quickly refer back to our lesson plan. Especially if you’re interviewing or teaching in front of others.

By making your lesson plans easy to skim, you can quickly regain your train of thought and continue conducting a successful lesson.

In the sample lesson plan below the teacher has used simple blocks, checklists and icons to help ensure their lesson plan is easy to understand at a glance.

When creating eLearning , distance learning, remote learning, digital learning lesson plans—basically, anything outside the usual classroom setup—always be ready for its own set of unique challenges.

Engaging learners from behind a screen, or creating lessons that can exist outside of a traditional classroom environment can be difficult. But proper eLearning lesson plans can help you navigate non-traditional learning environments.

Break your eLearning lesson plan into activities or subjects

With so many people shifting to remote or digital learning keeping track of all of your separate subjects can be difficult. Creating an eLearning lesson plan that is broken into smaller chunks, with space for each topic, is an easy way to keep learning on track.

In this eLearning lesson plan example subjects are color coded and broken into small blocks.

For more examples of eLearning lesson plans, check out this post on course design templates .

Looking for more eLearning resources?

• 7 Ways to use eLearning Infographics
• Digital Learning Communication Resources  
• What is an Infographic?
• 10 Types of Visual Aids for Learning

Use a daily schedule when learning remotely

Learning remotely can be a big change for both teachers and students. One way to keep your learning on track is with an easy-to-follow daily schedule. Using a daily schedule as a lesson plan, like in the example below, is one way to maintain a routine during difficult times.

As well as scheduling within your lesson plan, you can also create a calendar to help keep your students on track.

Allow time for creativity and fun in your lesson plans

One of the biggest benefits of eLearning, Remote Learning and Digital Learning is that you can stray from the confines of a traditional classroom. 

Giving students the opportunity to explore topics creatively can be one way to engage your learners in difficult times. Every student will have a different learning style and by scheduling structured creative learning activities you can ensure that your entire class has the opportunity to thrive.

To sum up: Use a lesson plan template to write an actionable and easy-to-follow lesson plan

Writing a lesson plan from scratch can be difficult, which is why Venngage has created tons of lesson plan templates you can edit easily. You can also draw inspiration from the different lesson plan examples in this post to customize your lesson plan template.

Simply create a Venngage account, pick the template you want and begin editing. It’s free to get started.