creative writing ma uk

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MA Creative Writing / Overview

Year of entry: 2024

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We normally expect students to have a First or Upper Second class honours degree or its overseas equivalent in a humanities-based subject area.

Full entry requirements

Course options

Course overview.

• Engage with writers, editors and agents.
• Become part of a network of esteemed alumni .
• Learn from a distinguished team that includes novelists Jeanette Winterson CBE, Ian McGuire, Kamila Shamsie, Beth Underdown, Honor Gavin and Luke Brown; poets John McAuliffe, Frances Leviston, Vona Groarke and Michael Schmidt; and non-fiction writers Ellah Wakatama and Horatio Clare.
• Discover the rich literary fabric of Manchester, a UNESCO City of Literature, through Literature Live, Manchester Literature Festival, The Manchester Review, the International Anthony Burgess Foundation and Manchester-based publishers.

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For entry in the academic year beginning September 2024, the tuition fees are as follows:

• MA (full-time) UK students (per annum): £12,500 International, including EU, students (per annum): £26,000
• MA (part-time) UK students (per annum): £6,250 International, including EU, students (per annum): £13,000

Further information for EU students can be found on our dedicated EU page.

The fees quoted above will be fully inclusive for the course tuition, administration and computational costs during your studies.

All fees for entry will be subject to yearly review and incremental rises per annum are also likely over the duration of courses lasting more than a year for UK/EU students (fees are typically fixed for International students, for the course duration at the year of entry). For general fees information please visit: postgraduate fees . Always contact the department if you are unsure which fee applies to your qualification award and method of attendance.

Self-funded international applicants for this course will be required to pay a deposit of £1000 towards their tuition fees before a confirmation of acceptance for studies (CAS) is issued. This deposit will only be refunded if immigration permission is refused. We will notify you about how and when to make this payment.

Policy on additional costs

All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).

Scholarships/sponsorships

Each year the School of Arts, Languages and Cultures offer a number of  School awards and  Subject-specific bursaries  (the values of which are usually set at Home/EU fees level), open to both Home/EU and international students. The deadline for these is early February each year. Details of all funding opportunities, including deadlines, eligibility and how to apply, can be found on the School's funding page  where you can also find details of the Government Postgraduate Loan Scheme.

See also the University's postgraduate funding database  to see if you are eligible for any other funding opportunities.

For University of Manchester graduates, the Manchester Alumni Bursary  offers a £3,000 reduction in tuition fees to University of Manchester alumni who achieved a 1st within the last three years and are progressing to a postgraduate taught masters course.

The Manchester Master's Bursary  is a University-wide scheme that offers 100 bursaries worth £3,000 in funding for students from underrepresented groups.

Contact details

See: About us

Courses in related subject areas

Use the links below to view lists of courses in related subject areas.

• English Literature, American Studies and Creative Writing

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You can find regulations and policies relating to student life at The University of Manchester, including our Degree Regulations and Complaints Procedure, on our regulations website .

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Creative writing ma.

Part of: English

This programme is ideal if you are keen to explore genres such as fiction, nonfiction and poetry, and the creative and critical connections between them. We will introduce you to a wide variety of approaches to writing and contemporary examples. 

Make an enquiry

• Develop your creative work with the support of internationally renowned, award-winning novelists, poets and nonfiction writers. The Creative Writing team at Queen Mary includes Rachael Allen, Katherine Angel, Brian Dillon, Michael Hughes, Nisha Ramayya, Rivers Solomon, and Isabel Waidner. Guest speakers on the programme have included Alexander Chee, Olivia Laing, Darran Anderson, A.K. Blakemore and more.
• Consider fundamental questions about contemporary writing.
• Complete a substantial independent writing project in your chosen genre, with one-to-one support and supervision.
• Study on the only Creative Writing MA offered by a Russell Group university in London.
• Get involved with our thriving practice and research culture, with special focus on innovative and hybrid writing. The Subtexts event series hosts the most exciting local and international writers in warm, accessible spaces in East London, as well as more intimate work-in-progress events for research students. Our brand-new Centre for Contemporary Writing has strong links to wider literary culture and publishing, and programmes public events, symposia, and interdisciplinary workshops. And  you can join the editorial team or submit to our fabulous literary journal Subtexts, gaining vital experience in publishing from both sides.

Creative Writing at Queen Mary has a diverse and dynamic research culture that welcomes writers who want to experiment, innovate, take risks and push boundaries of form and genre. If you are ready to take your writing to the next level, to find your own distinctive voice and subject, and to be challenged and inspired to produce your best work, we would love to hear from you.

Study options

• Full-time September 2024 | 1 year
• Part-time September 2024 | 2 years

What you'll study

The MA is made up of five modules. Two of these, in the first and second semesters, are devoted to Creative and Critical Writing . W e will explore what it means to take a critical , self-aware approach to your writing, the overlap between creative and critical work, and how these topics can be thought about or demonstrated in fiction, poetry, nonfiction and performance. These modules are taught by staff across the Creative Writing team , and we will also invite other prominent writers to deliver seminars and workshops.  

Alongside this central module, you will take a module on the role of research in creative writing, and another on working collaboratively: here you will have the opportunity to work with staff and other students to produce public-facing work. Starting i n the third semester you will work with an individual supervis or to plan and write your Dissertation: a piece of self-directed work that is the most substantial outcome of your MA.  

Our London location means you’ll also have the wealth of London’s literary culture on your doorstep: our MA makes the most of this advantage, ensuring you explore the city’s galleries, libraries and other cultural institutions.  

• Five assessed modules  
• A 15,000-word dissertation

Compulsory Modules for Full Time Study

• Creative and Critical Writing 1  
• Creative and Critical Writing 2  
• Writing From Research  
• Collaborative Practices  
• Creative Writing Dissertation  

Part-Time Study Breakdown Year 1

Creative and Critical Writing 1

Creative and critical writing 2, writing from research, collaborative practices, creative writing dissertation.

Download our latest module information

Online Masters Open Event

Join us online for our next Masters Open Event on Friday 31 May 2024 where you can find out more about student life and study at Queen Mary

Compulsory/Core modules

This compulsory module for the MA in Creative Writing explores such writing across multiple literary forms, including nonfiction, fiction, poetry, and dramatic and visual writing. The module focuses on the ways in which the co-mingling of criticism and creative forms can produce new expressive and epistemological modes and genres. It introduces students to theoretical, methodological, and practical frameworks for understanding and producing creative and critical texts, and texts operating at the intersection of multiple disciplinary fields. It will combine seminar-style discussion and writing workshops.

This module offers students a range of approaches to the application of research in creative practice, including speculative research as a prompt to creative practice; psychogeographic exploration; direct observation of procedure and expertise; reflective journals examining personal experience; and historical and cultural investigation to inform questions of style, form, structure and subject. Students will receive practical training in the use of archival and library resources, and in techniques of sourcing and recording real-world research, and seminars will examine key ethical questions around eliciting and gathering material, including critical exploration of current cultural debates concerning authenticity and appropriation.

This module invites you to consider collaborative practices as integral to creative and critical writing. Countering notions of writing as solitary pursuit, or individualistic, competitive enterprise within a literary marketplace, the materials and activities on this module will demonstrate how collaboration can enable, support, and expand writers¿ research and practice. Collaboration will be understood in a variety of contexts, including conversation, improvisation, co-writing, cross-genre and interdisciplinary composition, DIY publishing, and event organisation. You will read, view, and listen to a range of texts and artworks produced collaboratively; you will be introduced to and asked to invent processes for making work with others; you will be encouraged to reflect on the aesthetic, intellectual, and political challenges that emerge in these collaborative processes. While collaboration is key to this module, it¿s recognized that students¿ abilities and interests differ: an initial stage of allotting roles and responsibilities will address this, and the nature of individual students' contributions to group work may differ.

The MA Dissertation gives students the opportunity to pursue an independently conceived research and writing project. Working with the support of a supervisor, students will identify a form, or forms, in which they wish to work, conduct in-depth research into their chosen topics, and explore relevant and related creative and critical works. The dissertation will be presented in the form of a substantial piece of written work (maximum 15000 words). Students are encouraged to think carefully about their choice of forms and themes in advance, and to discuss these possibilities with members of academic staff. Formal project supervision typically begins in May for full-time students, and somewhat earlier for part-time students. Dissertation submission is usually scheduled for mid-August.

• Critical and research essays
• Close-reading exercises and critical commentaries
• Written exercises (e.g. blog posts, blurbs, walking journals, creative non-fiction, reviews, imitations, bibliographical exercises)
• Translation exercises
• Presentations (group and individual), posters
• Portfolios (written and e-portfolios), log books and learning journals
• Performance projects (group and individual)
• Multi-media (e.g. podcasts, annotated videos, websites)

Dissertation

In the second semester, students will be asked to submit draft dissertation proposals; at least one seminar/workshop will be set aside for group discussion of these drafts, and a final proposal will be required by the beginning of Semester 3. Students will then work with an assigned supervisor to plan and complete an independent creative project or dissertation. The dissertation could be approached in any of the following ways: 15,000 words of hybrid creative-critical work; at least 10,000 words of creative work plus up to 5,000 words of critical work (which could be a self-reflexive essay on their creative and critical practice, or a research project related to the student's creative work); a single 15,000-word project that incorporates its critical component in a creative work.

“My experience of the C reative W riting modules was of profound growth. The lecturers really invested in the development and success of my writing. Each piece I produced was knowledgeably, usefully and warmly critiqued.”   — Numertha Geisinger, Student on MA Creative Writing module, MA English Literature 2021

Teaching takes a number of forms:

• Seminars, involving a variety of forms of group work
• Creative writing workshops
• Small-group tutorials (normally with advisor)
• Presentations by and discussions with visiting artists and writers
• Field trips, performance and gallery visits
• Individual guidance and feedback on written work (where requested)
• Group discussion of written and practical work
• Individual supervision of dissertations/Research Projects
• Writing retreats, workshops and student-led review sessions.

Professor Brian Dillon

Creative nonfiction; The practice and history of the essay; Autobiography and memoir; Writing and illness; Literature and the visual arts.

Dr Isabel Waidner

Interdisciplinary and innovative forms of creative writing, Queer and trans theory with an emphasis on intersectionality, Creative writing with performance and the visual arts, Creative-critical writing and practice-led research and Innovative fiction.

Dr Michael Hughes

Prose fiction; Historical Fiction; Style and voice; Form and narrative; Ludic Writing.

Dr Nisha Ramayya

BA, MA, DPhil (RHUL)

Contemporary and Experimental Poetry and Poetics; Critical Race Theory and Black Study; Feminist and Queer Theory; Visual, Sound, and Video Poetry, and Performance.

Where you'll learn

• Our Graduate Centre: purpose-built study spaces and a roof-top common room with a terrace

• Access to Queen Mary's libraries on all our campuses

• Access to a wide range of online resources (including journals, books, databases and media)

• University of London’s libraries, including Senate House

We are based in central London at Mile End with good access to London's creative writing scene.

About the School

School of english and drama.

The School of English and Drama brings together two of Queen Mary's outstanding departments: the Department of English and the Department of Drama . We collaborate with high-profile organisations: previous works have included projects with the Barbican, Institute of Contemporary Arts (ICA) and the Victoria and Albert Museum (V&A).

The Department of English is one of the country's leading centres for literary study. We have an international reputation for our high-quality research and excellence in teaching: we were ranked first in the UK for research intensity in the last national Research Excellence Framework .

We forge collaborations across academia and beyond. Our teaching staff are involved in a number of research centres and projects, including the Centre for Poetry , the Sexual Cultures Research Group and the Raphael Samuel History Centre .

The Department of Drama is one of the country's leading centres for the study of drama. We have an international reputation for our high-quality research and excellence in teaching. Due to the outstanding quality of our research, we were the top-ranked UK drama department in the last National Research Excellence Framework . This means that your degree will be research-driven, engaging with the latest developments and debates in theatre and performance.

• Tel: +44 (0)20 7882 2901
• School of English and Drama Facebook
• School of English and Drama Twitter

Career paths

• Creative Industries

The MA Creative Writing provides a grounding in research methodologies and practices for students who intended to progress to doctoral work, an enhanced understanding of the study of literature relevant to students who intended to follow a teaching career, and improved competence in transferable skills valued more generally in the market place, including the analysis of complex evidence, the oral and written presentation of arguments and information, and effective time-management. Employer feedback has particularly valued the research skills and high level of critical thinking acquired by graduates of similar MA programmes and the contribution these make to the problem-solving abilities required of those who work at senior levels in complex organizations.

Fees and funding

Full-time study.

September 2024 | 1 year

• Home: £11,950
• Overseas: £24,000 EU/EEA/Swiss students

Unconditional deposit

Overseas: £2000 Information about deposits

Part-time study

September 2024 | 2 years

• Home: £6,000
• Overseas: £12,000 EU/EEA/Swiss students

Queen Mary alumni can get a £1000, 10% or 20% discount on their fees depending on the programme of study. Find out more about the Alumni Loyalty Award

There are a number of ways you can fund your postgraduate degree.

• Scholarships and bursaries
• Postgraduate loans (UK students)
• Country-specific scholarships for international students

Our Advice and Counselling service offers specialist support on financial issues, which you can access as soon as you apply for a place at Queen Mary. Before you apply, you can access our funding guides and advice on managing your money:

• Advice for UK and EU students
• Advice for international students

Entry requirements

Degree requirements.

Applicants are required to submit a sample of creative writing (between 1,000 and 2,000 words). This sample may include fiction, non-fiction, poetry or unclassifiable/hybrid writing.

Other routes

Promising applicants who do not meet the formal academic criteria but who possess relevant credentials and who can demonstrate their potential to produce written work at Masters level will also be considered. As part of the admissions process we may  interview candidates. Applications from mature and non-traditional candidates are welcomed.

Find out more about how to apply for our postgraduate taught courses.

International

Afghanistan We normally consider the following qualifications for entry to our postgraduate taught programmes: Master Degree from a recognised institution. UK 1st class degree: 90%; or GPA 3.7 out of 4.0 UK 2:1 degree: 80%; or GPA 3.0 out of 4.0 UK 2:2 degree: 70%; or GPA 2.4 out of 4.0

Albania We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8 out of 10 UK 2:2 degree: 7 out of 10

Algeria We normally consider the following qualifications for entry to our postgraduate taught programmes: Licence; Diplome de [subject area]; Diplome d'Etudes Superieures; Diplome de Docteur end Pharmacie; or Diplome de Docteur en Medecine from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Angola We normally consider the following qualifications for entry to our postgraduate taught programmes: Grau de Licenciado/a (minimum 4 years) from selected institutions. UK 1st class degree: 17 out of 20 UK 2:1 degree: 15 out of 20 UK 2:2 degree: 13 out of 20

Argentina We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo/ Grado de Licenciado/ Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 9 out of 10 UK 2:1 degree: 7.5 out of 10 UK 2:2 degree: 6.5 out of 10

Armenia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma from a recognised institution. UK 1st class degree: 87 out of 100 UK 2:1 degree: 75 out of 100 UK 2:2 degree: 61 out of 100

Australia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) or Bachelor Honours degree from a recognised institution. UK 1st class degree: High Distinction; or First Class with Honours UK 2:1 degree: Distinction; or Upper Second Class with Honours UK 2:2 degree: Credit; or Lower Second Class with Honours

Austria We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 1.5 out of 5.0 UK 2:1 degree: 2.5 out of 5.0 UK 2:2 degree: 3.5 out of 5.0

The above relates to grading scale where 1 is the highest and 5 is the lowest.

Azerbaijan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma from a recognised institution. UK 1st class degree: 90%; or GPA 4.7 out of 5 UK 2:1 degree: 80%; or GPA 4 out of 5 UK 2:2 degree: 70%; or GPA 3.5 out of 5

Bahamas We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from the University of West Indies. UK 1st class degree: First Class Honours UK 2:1 degree: Upper Second Class Honours UK 2:2 degree: Lower Second Class Honours

Bahrain We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0; or 90 out of 100 UK 2:1 degree: GPA 3.0 out of 4.0; or 80 out of 100 UK 2:2 degree: GPA 2.3 out of 4.0; or 74 out of 100

Bangladesh We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from selected institutions. UK 1st class degree: GPA 3.2 to 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 to 3.3 out of 4.0 UK 2:2 degree: GPA 2.3 to 2.7 out of 4.0

Offer conditions will vary depending on the institution you are applying from.  For some institutions/degrees we will ask for different grades to above, so this is only a guide. 

Barbados We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from the University of West Indies, Cave Hill or Barbados Community College. UK 1st class degree: First Class Honours*; or GPA 3.7 out of 4.0** UK 2:1 degree: Upper Second Class Honours*; or GPA 3.0 out of 4.0** UK 2:2 degree: Lower Second Class Honours*; or GPA 2.4 out of 4.0**

*relates to: the University of West Indies, Cave Hill.

**relates to: Barbados Community College.

Belarus We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma (minimum 4 years) from a recognised institution. UK 1st class degree: 9 out of 10; or 4.7 out of 5 UK 2:1 degree: 7 out of 10; or 4 out of 5 UK 2:2 degree: 5 out of 10; or 3.5 out of 5

Belgium We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (180 ECTS credits) from a recognised institution. UK 1st class degree: 80% or 16/20*; or 78%** UK 2:1 degree: 70% or 14/20*; or 72%** UK 2:2 degree: 60% or 12/20*; or 65%**

*Flanders (Dutch-speaking)/ Wallonia (French-speaking) **German-speaking

Belize We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from the University of West Indies. UK 1st class degree: First Class Honours UK 2:1 degree: Upper Second Class Honours UK 2:2 degree: Lower Second Class Honours

Benin We normally consider the following qualifications for entry to our postgraduate taught programmes: Maitrise or Masters from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Bolivia We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Bachiller Universitario or Licenciado / Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 85%* or 80%** UK 2:1 degree: 75%* or 70%** UK 2:2 degree: 65%* or 60%**

*relates to: Titulo de Bachiller Universitario

**relates to: Licenciado / Titulo de [subject area] 

Bosnia and Herzegovina We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8.5 out of 10 UK 2:2 degree: 7.5 out of 10

Botswana We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 5 years) or Master Degree from the University of Botswana. UK 1st class degree: 80% UK 2:1 degree: 70% UK 2:2 degree: 60%

Brazil We normally consider the following qualifications for entry to our postgraduate taught programmes: Título de Bacharel / Título de [subject area] or Título de Licenciado/a (minimum 4 years) from a recognised institution. UK 1st class degree: 8.25 out of 10 UK 2:1 degree: 7.5 out of 10 UK 2:2 degree: 6.5 out of 10

The above grades assumes that the grading scale has a pass mark of 5.

Brunei We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours degree from a recognised institution. UK 1st class degree: First Class Honours UK 2:1 degree: Upper Second Class Honours UK 2:2 degree: Lower Second Class Honours

Bulgaria We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 5.75 out of 6.0 UK 2:1 degree: 4.75 out of 6.0 UK 2:2 degree: 4.0 out of 6.0

Burundi We normally consider the following qualifications for entry to our postgraduate taught programmes: Diplome d'Etudes Approfondies from a recognised institution. UK 1st class degree: 85%; or 16 out of 20 UK 2:1 degree: 75%; or 14 out of 20 UK 2:2 degree: 60%; or 12 out of 20

Cambodia We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: 80%; or GPA 3.5 out of 4.0 UK 2:1 degree: 70%; or GPA 3.0 out of 4.0 UK 2:2 degree: 60%; or GPA 2.35 out of 4.0

Cameroon We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree; Licence; Diplome d'Etudes Superieures de Commerce; Diplome d'Ingenieur de Conception/ Travaux; Doctorat en Medecine/ Pharmacie; or Maitrise or Master 1 from selected institutions. UK 1st class degree: 16 out of 20; or GPA 3.6 out of 4.0 UK 2:1 degree: 14 out of 20; or GPA 3.0 out of 4.0 UK 2:2 degree: 12 out of 20; or GPA 2.5 out of 4.0

Canada We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Bachelor Honours Degree from a recognised institution. UK 1st class degree: GPA 3.6 out of 4.0 UK 2:1 degree: GPA 3.2 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Chile We normally consider the following qualifications for entry to our postgraduate taught programmes: Grado de Licenciado en [subject area] or Titulo (Professional) de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 6.5 out of 7 UK 2:1 degree: 5.5 out of 7 UK 2:2 degree: 5 out of 7

China We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from selected institutions. UK 1st class degree: 85 to 95% UK 2:1 degree: 75 to 85% UK 2:2 degree: 70 to 80%

Offer conditions will vary depending on the institution you are applying from.  

Colombia We normally consider the following qualifications for entry to our postgraduate taught programmes: Licenciado en [subject area] or Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 4.60 out of 5.00 UK 2:1 degree: 4.00 out of 5.00 UK 2:2 degree: 3.50 out of 5.00

Congo, Dem. Rep. of We normally consider the following qualifications for entry to our postgraduate taught programmes: Diplome d'Etudes Approfondies or Diplome d'Etudes Speciales from a recognised institution. UK 1st class degree: 16 out of 20; or 90% UK 2:1 degree: 14 out of 20; or 80% UK 2:2 degree: 12 out of 20; or 70%

Congo, Rep. of We normally consider the following qualifications for entry to our postgraduate taught programmes: Diplome d'Etudes Superieures or Maitrise from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Costa Rica We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachiller or Licenciado from a recognised institution. UK 1st class degree: 9 out of 10 UK 2:1 degree: 8 out of 10 UK 2:2 degree: 7.5 out of 10

Croatia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Advanced Diploma of Higher Education Level VII/1 (Diploma - Visoko obrazovanje) from a recognised institution. UK 1st class degree: 4.5 out of 5 UK 2:1 degree: 4 out of 5 UK 2:2 degree: 3 out of 5

Cuba We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado/ Arquitecto/ Doctor/ Ingeniero from a recognised institution. UK 1st class degree: 4.7 out of 5 UK 2:1 degree: 4 out of 5 UK 2:2 degree: 3.5 out of 5

Cyprus We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 8 out of 10; or GPA 3.7 out of 4.0 UK 2:1 degree: 7.0 out of 10; or GPA 3.0 out of 4.0 UK 2:2 degree: 6.0 out of 10; or GPA 2.5 out of 4.0

Czech Republic We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (180 ECTS credits) from a recognised institution. UK 1st class degree: 1.2 out of 4 UK 2:1 degree: 1.5 out of 4 UK 2:2 degree: 2.5 out of 4

The above relates to grading scale where 1 is the highest and 4 is the lowest.

Denmark We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor degree from a recognised institution. UK 1st class degree: 12 out of 12 (2007 onwards); or 11 out of 13 (before 2007) UK 2:1 degree: 7 out of 12 (2007 onwards); or 8 out of 13 (before 2007) UK 2:2 degree: 4 out of 12 (2007 onwards); or 7 out of 13 (before 2007)

Dominican Republic We normally consider the following qualifications for entry to our postgraduate taught programmes: Licenciado/ Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 95/100 UK 2:1 degree: 85/100 UK 2:2 degree: 78/100

Ecuador We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado / Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 90%; or 9/10; or 19/20; or GPA 3.7 out of 4.0 UK 2:1 degree: 80%; or 8/10; or 18/20; or GPA 3.0 out of 4.0 UK 2:2 degree: 70%; or 7/10; or 14/20; or GPA 2.4 out of 4.0

Egypt We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from selected institutions. UK 1st class degree: 85%; or GPA 3.7 out of 4 UK 2:1 degree: 75%; or GPA 3.0 out of 4 UK 2:2 degree: 65%; or GPA 2.5 out of 4

El Salvador We normally consider the following qualifications for entry to our postgraduate taught programmes: Licenciado/ Titulo de [subject area] (minimum 5 years) from a recognised institution. UK 1st class degree: 8.5 out of 10 UK 2:1 degree: 7.5 out of 10 UK 2:2 degree: 6.5 out of 10

Eritrea We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.4 out of 4.0

Estonia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree; University Specialist's Diploma; or Professional Higher Education Diploma from a recognised institution. UK 1st class degree: 4.5 out of 5 UK 2:1 degree: 3.5 out of 5 UK 2:2 degree: 2 out of 5

The above grades assumes that 1 is the pass mark. 

Eswatini We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: 80% UK 2:1 degree: 70% UK 2:2 degree: 60%

Ethiopia We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Fiji We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from one of the following institutions: Fiji National University, the University of Fiji, or the University of South Pacific, Fiji. UK 1st class degree: GPA 4.0 out of 5.0*; or overall grade A with High Distinction pass**; or GPA 4.0 out of 4.5*** UK 2:1 degree: GPA 3.33 out of 5.0*; or overall grade B with Credit pass**; or GPA 3.5 out of 4.5*** UK 2:2 degree: GPA 2.33 out of 5.0*; or overall grade S (Satisfactory)**; or GPA 2.5 out of 4.5***

*relates to Fiji National University

**relate to the University of Fiji

***relates to the University of South Pacific, Fiji

Finland We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree/ Kandidaatti/ Kandidat (minimum 180 ECTS credits) from a recognised institution; or Bachelor degree (Ammattikorkeakoulututkinto/ Yrkeshögskoleexamen) from a recognised University of Applied Sciences. UK 1st class degree: 4.5 out of 5; or 2.8 out of 3 UK 2:1 degree: 3.5 out of 5; or 2 out of 3 UK 2:2 degree: 2.5 out of 5; or 1.4 out of 3

France We normally consider the following qualifications for entry to our postgraduate taught programmes: Licence; Grade de Licence; Diplome d'Ingenieur; or Maitrise from a recognised institution. UK 1st class degree: 14 out of 20 UK 2:1 degree: 12 out of 20 UK 2:2 degree: 11 out of 20

Gambia We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: 80%; or GPA 4.0 out of 4.3 UK 2:1 degree: 67%; or GPA 3.3 out of 4.3 UK 2:2 degree: 60%; or GPA 2.7 out of 4.3

Georgia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma (minimum 4 years) from a recognised institution. UK 1st class degree: 91 out of 100; or 4.7 out of 5 UK 2:1 degree: 81 out of 100; or 4 out of 5 UK 2:2 degree: 71 out of 100; or 3.5 out of 5

Germany We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (180 ECTS credits) from a recognised institution. UK 1st class degree: 1.5 out of 5.0 UK 2:1 degree: 2.5 out of 5.0 UK 2:2 degree: 3.5 out of 5.0

Ghana We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: First Class UK 2:1 degree: Second Class (Upper Division) UK 2:2 degree: Second Class (Lower Division)

Greece We normally consider the following qualifications for entry to our postgraduate taught programmes: Degrees from recognised selected institutions in the University sector or Degrees (awarded after 2003) from recognised Technological Educational Institutes. UK 1st class degree: 8 out of 10*; or 9 out of 10** UK 2:1 degree: 7 out of 10*; or 7.5 out of 10** UK 2:2 degree: 6 out of 10*; or 6.8 out of 10**

*Relates to degrees from the University Sector. **Relates to degrees from Technological Educational Institutes.

Grenada We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from the University of West Indies. UK 1st class degree: First Class Honours UK 2:1 degree: Upper Second Class Honours UK 2:2 degree: Lower Second Class Honours

Guatemala We normally consider the following qualifications for entry to our postgraduate taught programmes: Licenciado / Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 90% UK 2:1 degree: 80% UK 2:2 degree: 70%

The above grades assumes that the pass mark is 61% or less.

Guinea We normally consider the following qualifications for entry to our postgraduate taught programmes: Master; Maitrise; Diplome d'Etudes Superieures; or Diplome d'Etudes Approfondies from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Guyana We normally consider the following qualifications for entry to our postgraduate taught programmes: Graduate Diploma (Postgraduate) or Masters degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.4 out of 4.0

Honduras We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado/a / Grado Academico de Licenciatura (minimum 4 years) from a recognised institution. UK 1st class degree: 90%; or 4.7 out of 5; or GPA 3.7 out of 4.0 UK 2:1 degree: 80%; or 4.0 out of 5; or GPA 3.0 out of 4.0 UK 2:2 degree: 70%; or 3.5 out of 5; or GPA 2.4 out of 4.0

Hong Kong We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours Degree from selected institutions. UK 1st class degree: First Class Honours UK 2:1 degree: Upper Second Class Honours UK 2:2 degree: Lower Second Class Honours

Hungary We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor degree (Alapfokozat) or University Diploma (Egyetemi Oklevel) from a recognised institution. UK 1st class degree: 4.75 out of 5 UK 2:1 degree: 4 out of 5 UK 2:2 degree: 3.5 out of 5

Iceland We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor degree (Baccalaureus or Bakkalarprof) from a recognised institution. UK 1st class degree: 8.25 out of 10 UK 2:1 degree: 7.25 out of 10 UK 2:2 degree: 6.5 out of 10

India We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from selected institutions. UK 1st class degree: 75% to 80% UK 2:1 degree: 60% to 70% UK 2:2 degree: 50% to 60%

Offer conditions will vary depending on the institution you are applying from.  For some institutions/degrees we will ask for different grades to above, so this is only a guide.  

For India, offers may be made on the GPA scale.

We do not consider the Bachelor of Vocation (B. Voc.) for Masters entry.

Indonesia We normally consider the following qualifications for entry to our postgraduate taught programmes: Sarjna I (S1) Bachelor Degree or Diploma IV (D4) (minimum 4 years) from selected degree programmes and institutions. UK 1st class degree: GPA 3.6 to 3.8 out of 4.0 UK 2:1 degree: GPA 3.0 to 3.2 out of 4.0 UK 2:2 degree: GPA 2.67 to 2.8 out of 4.0

Offer conditions will vary depending on the institution you are applying from and the degree that you study.

Iran We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 17.5 to 18.5 out of 20 UK 2:1 degree: 15 to 16 out of 20 UK 2:2 degree: 13.5 to 14 out of 20

Iraq We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from a recognised institution. UK 1st class degree: 85 out of 100 UK 2:1 degree: 75 out of 100 UK 2:2 degree: 60 out of 100

Ireland We normally consider the following qualifications for entry to our postgraduate taught programmes: Honours Bachelor Degree from a recognised institution. UK 1st class degree: First Class Honours UK 2:1 degree: Second Class Honours Grade I UK 2:2 degree: Second Class Honours Grade II

Israel We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 90% UK 2:1 degree: 80% UK 2:2 degree: 65%

Italy We normally consider the following qualifications for entry to our postgraduate taught programmes: Laurea (180 ECTS credits) from a recognised institution. UK 1st class degree: 110 out of 110 UK 2:1 degree: 105 out of 110 UK 2:2 degree: 94 out of 110

Cote D’ivoire (Ivory Coast) We normally consider the following qualifications for entry to our postgraduate taught programmes: Diplome d'Ingenieur; Doctorat en Medicine; Maitrise; Master; Diplome d'Etudes Approfondies; or Diplome d'Etudes Superieures Specialisees from selected institutions. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Jamaica We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from the University of West Indies (UWI) or a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0; or First Class Honours from the UWI UK 2:1 degree: GPA 3.0 out of 4.0; or Upper Second Class Honours from the UWI UK 2:2 degree: GPA 2.4 out of 4.0; or Lower Second Class Honours from the UWI

Japan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from selected institutions. UK 1st class degree: S overall* or A overall**; or 90%; or GPA 3.70 out of 4.00 UK 2:1 degree: A overall* or B overall**; or 80%; or GPA 3.00 out of 4.00 UK 2:2 degree: B overall* or C overall**; or 70%; or GPA 2.3 out of 4.00

*Overall mark is from the grading scale: S, A, B, C (S is highest mark) **Overall mark is from the grading scale: A, B, C, D (A is highest mark)

Jordan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 85%; or GPA of 3.7 out of 4.0 UK 2:1 degree: 75%; or GPA of 3.0 out of 4.0 UK 2:2 degree: 70%; or GPA of 2.5 out of 4.0

Kazakhstan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma from a recognised institution. UK 1st class degree: 3.8 out of 4.0/4.33; or 4.7 out of 5 UK 2:1 degree: 3.33 out of 4.0/4.33; or 4.0 out of 5 UK 2:2 degree: 2.67 out of 4.0/4.33; or 3.5 out of 5

Kenya We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from a recognised institution. UK 1st class degree: First Class Honours; or GPA 3.6 out of 4.0 UK 2:1 degree: Second Class Honours Upper Division; or GPA 3.0 out of 4.0 UK 2:2 degree: Second Class Honours Lower Division; or GPA 2.4 out of 4.0

Kosovo We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8.5 out of 10 UK 2:2 degree: 7.5 out of 10

Kuwait We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.67 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.67 out of 4.0

Kyrgyzstan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma (minimum 4 years) from a recognised institution. UK 1st class degree: 4.7 out of 5; or GPA 3.7 out of 4 UK 2:1 degree: 4.0 out of 5; or GPA 3.0 out of 4 UK 2:2 degree: 3.5 out of 5; or GPA 2.4 out of 4

Laos We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.4 out of 4.0

Latvia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (awarded after 2002) from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 7.5 out of 10 UK 2:2 degree: 6 out of 10

Lebanon We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree; Licence; or Maitrise from a recognised institution. UK 1st class degree: 90% or Grade A; or GPA 3.7 out of 4.0; or 16 out of 20 (French system) UK 2:1 degree: 80% or Grade B; or GPA 3.0 out of 4.0; or 13 out of 20 (French system) UK 2:2 degree: 70% or Grade C; or GPA 2.5 out of 4.0; or 12 out of 20 (French system)

Lesotho We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours Degree (minimum 5 years total HE study); Masters Degree or Postgraduate Diploma from selected institutions. UK 1st class degree: 80% UK 2:1 degree: 70% UK 2:2 degree: 60%

Liberia We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: 90% or GPA 3.7 out of 4.0 UK 2:1 degree: 80% or GPA 3.0 out of 4.0 UK 2:2 degree: 70% or GPA 2.4 out of 4.0

Libya We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from selected institutions. UK 1st class degree: 85%; or 3.7 out of 4.0 GPA UK 2:1 degree: 75%; or 3.0 out of 4.0 GPA UK 2:2 degree: 65%; or 2.6 out of 4.0 GPA

Liechtenstein We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (180 ECTS credits) from a recognised institution. UK 1st class degree: 5.6 out of 6.0 UK 2:1 degree: 5.0 out of 6.0 UK 2:2 degree: 4.4 out of 6.0

Lithuania We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 180 ECTS credits) from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8 out of 10 UK 2:2 degree: 7 out of 10

Luxembourg We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Macau We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (Licenciatura) (minimum 4 years) from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Macedonia We normally consider the following qualifications for entry to our postgraduate taught programmes: Diploma of Completed Higher Education - Level VII/1 or Bachelor Degree from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8.5 out of 10 UK 2:2 degree: 7 out of 10

Madagascar We normally consider the following qualifications for entry to our postgraduate taught programmes: Maîtrise; Diplome d'Ingenieur; Diplôme d'Etat de Docteur en Médecine; Diplôme d’Etat de Docteur en Chirurgie Dentaire; Diplôme d'Études Approfondies; Diplôme de Magistère (Première Partie) – also known as Master 1; or Diplôme de Master – also known as Master 2 from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Malawi We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from selected institutions. UK 1st class degree: 80% or GPA 3.7 out of 4.0 UK 2:1 degree: 70% or GPA 3.0 out of 4.0 UK 2:2 degree: 60% or GPA 2.4 out of 4.0

Malaysia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: Class 1; or 3.7 out of 4.0 CGPA UK 2:1 degree: Class 2 division 1; or 3.0 out of 4.0 CGPA UK 2:2 degree: Class 2 division 2; or 2.6 out of 4.0 CGPA

Maldives We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (awarded from 2000) from the Maldives National University. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Malta We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Bachelor Honours Degree from a recognised institution. UK 1st class degree: First Class Honours; or Category I UK 2:1 degree: Upper Second Class Honours; or Category IIA UK 2:2 degree: Lower Second Class Honours; or Category IIB

Mauritius We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: Class I; or 70% UK 2:1 degree: Class II division I; or 60% UK 2:2 degree: Class II division II; or 50%

Offer conditions will vary depending on the grading scale used by your institution.

Mexico We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado/ Titulo (Profesional) de [subject area] from a recognised institution. UK 1st class degree: 9.0 to 9.5 out of 10 UK 2:1 degree: 8.0 to 8.5 out of 10 UK 2:2 degree: 7.0 to 7.5 out of 10

Offer conditions will vary depending on the grading scale your institution uses.

Moldova We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (Diploma de Licenta) from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8 out of 10 UK 2:2 degree: 6.5 out of 10

Monaco We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Mongolia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from selected institutions. UK 1st class degree: GPA 3.6 out of 4.0; or 90%; or grade A UK 2:1 degree: GPA 3.2 out of 4.0; or 80%; or grade B UK 2:2 degree: GPA 2.8 out of 4.0; or 70%; or grade C

Montenegro We normally consider the following qualifications for entry to our postgraduate taught programmes: Diploma of Completed Academic Undergraduate Studies; Diploma of Professional Undergraduate Studies; or Advanced Diploma of Higher Education from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8.5 out of 10 UK 2:2 degree: 7 out of 10

Morocco We normally consider the following qualifications for entry to our postgraduate taught programmes: Diplome d'Ecoles Nationales de Commerce et de Gestion; Diplome de Docteur Veterinaire; Doctorat en Medecine; Docteur en Medecine Dentaire; Licence; Diplome d'Inegeniuer d'Etat; Diplome de Doctorat en Pharmacie; or Maitrise from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 13 out of 20 UK 2:2 degree: 11 out of 20

Mozambique We normally consider the following qualifications for entry to our postgraduate taught programmes: Grau de Licenciado (minimum 4 years) or Grau de Mestre from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Myanmar We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: 80% or GPA of 4.7 out of 5.0 UK 2:1 degree: 70% or GPA of 4.0 out of 5.0 UK 2:2 degree: 60% or GPA of 3.5 out of 5.0

Namibia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours Degree or Professional Bachelor Degree (NQF level 8 qualifications) - these to be awarded after 2008 from a recognised institution. UK 1st class degree: 80% UK 2:1 degree: 70% UK 2:2 degree: 60%

Nepal We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from selected institutions. UK 1st class degree: 80%; or GPA 3.7 out of 4.0 UK 2:1 degree: 65%; or GPA 3.0 out of 4.0 UK 2:2 degree: 55%; or GPA of 2.4 out of 4.0

Bachelor in Nursing Science are not considered equivalent to UK Bachelor degrees.

Netherlands We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 8 out of 10 UK 2:1 degree: 7 out of 10 UK 2:2 degree: 6 out of 10

New Zealand We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) or Bachelor Honours Degree from a recognised institution. UK 1st class degree: A-*; or First Class Honours** UK 2:1 degree: B*; or Second Class (Division 1) Honours** UK 2:2 degree: C+*; or Second Class (Division 2) Honours**

*from a Bachelor degree **from a Bachelor Honours degree

Nigeria We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from selected institutions. UK 1st class degree: GPA 4.50 out of 5.00; or GPA 6.0 out of 7.0 UK 2:1 degree: GPA 3.50 out of 5.00; or GPA 4.6 out of 7.0 UK 2:2 degree: GPA 2.80 out of 5.00; or GPA 3.0 out of 7.0

Norway We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (180 ECTS credits) from a recognised institution. UK 1st class degree: Overall B grade with at least 75 ECTS (of 180 ECTS min overall) at grade A or above. UK 2:1 degree: Overall B grade UK 2:2 degree: Overall C grade

Oman We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Pakistan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from selected institutions. UK 1st class degree: GPA 3.0 to 3.8 out of 4.0 UK 2:1 degree: GPA 2.6 to 3.6 out of 4.0 UK 2:2 degree: GPA 2.0 to 3.0 out of 4.0

Palestine, State of We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 90% or GPA 3.7 out of 4.0 UK 2:1 degree: 80% or GPA 3.0 out of 4.0 UK 2:2 degree: 70% or GPA 2.4 out of 4.0

Panama We normally consider the following qualifications for entry to our postgraduate taught programmes: Licenciado / Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 91% UK 2:1 degree: 81% UK 2:2 degree: 71%

Papua New Guinea We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours Degree from a recognised institution. UK 1st class degree: Class I UK 2:1 degree: Class II, division A UK 2:2 degree: Class II, division B

Paraguay We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado / Titulo de [professional title] (minimum 4 years) from a recognised institution. UK 1st class degree: 4.7 out of 5 UK 2:1 degree: 4 out of 5 UK 2:2 degree: 3.5 out fo 5

Peru We normally consider the following qualifications for entry to our postgraduate taught programmes: Grado Academico de Bachiller or Titulo de Licenciado/ Titulo (Professional) de [subject area] from a recognised institution. UK 1st class degree: 17 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Philippines We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from selected institutions or Juris Doctor; Bachelor of Laws; Doctor of Medicine; Doctor of Dentistry/ Optometry/ Veterinary Medicine; or Masters Degree from recognised institutions. UK 1st class degree: 3.6 out of 4.0; or 94%; or 1.25 out of 5 UK 2:1 degree: 3.0 out of 4.0; or 86%; or 1.75 out of 5 UK 2:2 degree: 2.5 out of 4.0; or 80%; or 2.5 out of 5

The above 'out of 5' scale assumes  1 is highest mark and 3 is the pass mark.

Poland We normally consider the following qualifications for entry to our postgraduate taught programmes: Licencjat or Inzynier (minimum 3 years) - these must be awarded after 2001 from a recognised institution. UK 1st class degree: 4.8 out of 5.0 UK 2:1 degree: 4.5 out of 5.0 UK 2:2 degree: 3.8 out of 5.0

The above grades are based on the 2 to 5 scale, where 3 is the pass mark and 5 is the highest mark.

Portugal We normally consider the following qualifications for entry to our postgraduate taught programmes: Licenciado (minimum 180 ECTS credits) or Diploma de Estudos Superiores Especializados (DESE) from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 14 out of 20 UK 2:2 degree: 12 out of 20

Puerto Rico We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from a recognised institution. UK 1st class degree: 90/100 or GPA 3.7 out of 4.0 UK 2:1 degree: 80/100 or GPA 3.0 out of 4.0 UK 2:2 degree: 70/100 or GPA 2.4 out of 4.0

Qatar We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0; or GPA 4.4 out of 5.0 UK 2:1 degree: GPA 3.0 out of 4.0; or GPA 3.6 out of 5.0 UK 2:2 degree: GPA 2.4 out of 4.0; or GPA 2.8 out of 5.0

Romania We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 180 ECTS credits) from a recognised institution. UK 1st class degree: 9.75 out of 10 UK 2:1 degree: 8.0 out of 10 UK 2:2 degree: 7.0 out of 10

Russia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma from a recognised institution. UK 1st class degree: 4.7 out of 5 UK 2:1 degree: 4.0 out of 5 UK 2:2 degree: 3.5 out of 5

Rwanda We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours Degree (minimum 4 years) from a recognised institution. UK 1st class degree: 85%; or 17 out of 20 UK 2:1 degree: 70%; or 15 out of 20 UK 2:2 degree: 60%; or 13 out of 20

Saudi Arabia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 4.75 out of 5.0; or GPA 3.75 out of 4.0 UK 2:1 degree: GPA 3.75 out of 5.0; or GPA 3.0 out of 4.0 UK 2:2 degree: GPA 3.0 out of 5.0; or GPA 2.4 out of 4.0

Senegal We normally consider the following qualifications for entry to our postgraduate taught programmes: Maîtrise; Master II; Diplôme d'Études Approfondies (DEA); Diplôme d'Études Supérieures Specialisées (DESS); Diplôme d'État de Docteur en Médecine; Diplôme d'Ingénieur; Diplôme de Docteur en Chirurgie Dentaire; or Diplôme de Pharmacien from a recognised institution. UK 1st class degree: 16/20 UK 2:1 degree: 14/20 UK 2:2 degree: 12/20

Serbia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Advanced Diploma of Higher Education from a recognised institution. UK 1st class degree: 9 out of 10 UK 2:1 degree: 8 out of 10 UK 2:2 degree: 7 out of 10

Sierra Leone We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (Honours) or a Masters degree from a recognised institution. UK 1st class degree: First Class honours; or GPA 4.7 out of 5; or GPA 3.75 out of 4 UK 2:1 degree: Upper Second Class honours; or GPA 4 out of 5; or GPA 3.25 out of 4 UK 2:2 degree: Lower Second Class Honours; or GPA 3.4 out of 5; or GPA 2.75 out of 4

Singapore We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) or Bachelor Honours degree from selected institutions. UK 1st class degree: GPA 4.3 out of 5.0; or GPA 3.6 out of 4.0 UK 2:1 degree: GPA 3.8 out of 5.0; or GPA 3.0 out of 4.0 UK 2:2 degree: GPA 3.3 out of 5.0; or GPA 2.5 out of 4.0

Slovakia We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (180 ECTS credits) (minimum 3 years) from a recognised institution. UK 1st class degree: 93%; or 1 overall (on 1 to 4 scale, where 1 is highest mark) UK 2:1 degree: 86%; or 1.5 overall (on 1 to 4 scale, where 1 is highest mark) UK 2:2 degree: 72%; or 2.5 overall (on 1 to 4 scale, where 1 is highest mark)

Slovenia We normally consider the following qualifications for entry to our postgraduate taught programmes: Univerzitetni Diplomant (180 ECTS credits) (minimum 3 years) from a recognised institution. UK 1st class degree: 9.5 out of 10 UK 2:1 degree: 8 out of 10 UK 2:2 degree: 7 out of 10

Somalia Bachelor degrees from Somalia are not considered for direct entry to our postgraduate taught programmes. Holders of Bachelor degrees from Somali National University can be considered for our Pre-Masters programmes on a case by case basis.

South Africa We normally consider the following qualifications for entry to our postgraduate taught programmes: NQF Level 8 qualifications such as Bachelor Honours degrees or Professional Bachelor degrees from a recognised institution. UK 1st class degree: 75% UK 2:1 degree: 70% UK 2:2 degree: 60%

South Korea We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) from a recognised institution. UK 1st class degree: GPA 4.2 out of 4.5; or GPA 4.0 out of 4.3; or GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.5 out of 4.5; or GPA 3.3 out of 4.3; or GPA 3.2 out of 4.0 UK 2:2 degree: GPA 3.0 out of 4.5; or GPA 2.8 out of 4.3; or GPA 2.5 out of 4.0

Spain We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo Universitario Oficial de Graduado en [subject area] (Grado) or Titulo Universitario Oficial de Licenciado en [subject area] (Licenciatura) from a recognised institution. UK 1st class degree: 8.0 out of 10; or 2.5 out of 4.0 UK 2:1 degree: 7.0 out of 10; or 2.0 out of 4.0 UK 2:2 degree: 6.0 out of 10; or 1.5 out of 4.0

Sri Lanka We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (Special or Honours) or Bachelor Degree (Professional) (minimum 4 years) from a recognised institution. UK 1st class degree: GPA 3.5 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.4 out of 4.0

Sudan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Honours degree from a recognised institution or Bachelor degree in one of the following Professional subjects: Architecture; Dentistry; Engineering; Medicine/Surgery from a recognised institution. UK 1st class degree: 80% UK 2:1 degree: 65% UK 2:2 degree: 60%

Sweden We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (Kandidatexamen) or Professional Bachelor Degree (Yrkesexamenfrom) (180 ECTS credits) from a recognised institution. UK 1st class degree: Overall B grade with at least 75 ECTS at grade A or above (180 ECTS minimum overall); or at least 65% of credits graded at VG overall UK 2:1 degree: Overall B grade (180 ECTS minimum overall); or at least 50% of credits graded at VG overall UK 2:2 degree: Overall C grade (180 ECTS minimum overall); or at least 20% of credits graded at VG overall.

Switzerland We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor degree (180 ECTS credits) from a recognised institution. UK 1st class degree: 5.5 out of 6; or 9 out of 10 UK 2:1 degree: 5 out of 6; or 8 out of 10 UK 2:2 degree: 4.25 out of 6; or 7 out of 10

Syria We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 85% UK 2:1 degree: 75% UK 2:2 degree: 65%

Taiwan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from selected institutions. UK 1st class degree: 85 to 90% UK 2:1 degree: 70 to 75% UK 2:2 degree: 65 to 70%

Tajikistan We normally consider the following qualifications for entry to our postgraduate taught programmes: Specialist Diploma or Masters Degree from a recognised institution. UK 1st class degree: 4.7 out of 5 UK 2:1 degree: 4.0 out of 5 UK 2:2 degree: 3.5 out of 5

Tanzania We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 4.4 out of 5.0 UK 2:1 degree: GPA 3.5 out of 5.0 UK 2:2 degree: GPA 2.7 out of 5.0

Thailand We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.40 to 3.60 out of 4.00 UK 2:1 degree: GPA 3.00 to 3.20 out of 4.00 UK 2:2 degree: GPA 2.40 to 2.60 out of 4.00

Offer conditions will vary depending on the institution you are applying from.

Trinidad and Tobago We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0; or First Class Honours from the University of West Indies UK 2:1 degree: GPA 3.0 out of 4.0; or Upper Second Class Honours from the University of West Indies UK 2:2 degree: GPA 2.4 out of 4.0; or Lower Second Class Honours from the University of West Indies

Tunisia We normally consider the following qualifications for entry to our postgraduate taught programmes: Licence; Diplome National d'Architecture; Maitrise; Diplome National d'Ingeniuer; or Doctorat en Medecine / Veterinaire from a recognised institution. UK 1st class degree: 16 out of 20 UK 2:1 degree: 13 out of 20 UK 2:2 degree: 11 out of 20

Turkey We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.40 to 3.60 out of 4.00 UK 2:1 degree: GPA 2.80 to 3.00 out of 4.00 UK 2:2 degree: GPA 2.30 to 2.50 out of 4.00

Turkish Republic of Northern Cyprus We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.60 out of 4.00 UK 2:1 degree: GPA 3.00 out of 4.00 UK 2:2 degree: GPA 2.50 out of 4.00

Turkmenistan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Diploma of Higher Education (awarded after 2007) from a recognised institution. UK 1st class degree: 4.7 out of 5 UK 2:1 degree: 4.0 out of 5 UK 2:2 degree: 3.5 out of 5

Turks and Caicos Islands We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (accredited by the Council of Community Colleges of Jamaica) from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0; or 80% UK 2:1 degree: GPA 3.3 out of 4.0; or 75% UK 2:2 degree: GPA 2.7 out of 4.0; or 65%

Uganda We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 3 years) from a recognised institution. UK 1st class degree: GPA 4.4 out of 5.0 UK 2:1 degree: GPA 4.0 out of 5.0 UK 2:2 degree: GPA 3.0 out of 5.0

Ukraine We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree or Specialist Diploma from a recognised institution. UK 1st class degree: 10 out of 12; or 4.7 out of 5 UK 2:1 degree: 8 out of 12; or 4.0 out of 5 UK 2:2 degree: 6 out of 12; or 3.5 out of 5

United Arab Emirates We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.0 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

United States of America We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: GPA 3.7 out of 4.0 UK 2:1 degree: GPA 3.2 out of 4.0 UK 2:2 degree: GPA 2.5 out of 4.0

Uruguay We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado/ Titulo de [subject area] (minimum 4 years) from a recognised institution. UK 1st class degree: 10 to 11 out of 12 UK 2:1 degree: 7 to 9 out of 12 UK 2:2 degree: 6 to 7 out of 12

Uzbekistan We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) or Specialist Diploma from a recognised institution. UK 1st class degree: 90%; or 4.7 out of 5 UK 2:1 degree: 80%; or 4.0 out of 5 UK 2:2 degree: 71%; or 3.5 out of 5

Venezuela We normally consider the following qualifications for entry to our postgraduate taught programmes: Titulo de Licenciado/ Titulo de [subject area] from a recognised institution. UK 1st class degree: 81% UK 2:1 degree: 71% UK 2:2 degree: 61%

Non-percentage grading scales, for example scales out of 20, 10, 9 or 5, will have different requirements. 

Vietnam We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree from a recognised institution. UK 1st class degree: 8.0 out of 10; or GPA 3.7 out of 4 UK 2:1 degree: 7.0 out of 10; or GPA 3.0 out of 4 UK 2:2 degree: 5.7 out of 10; or GPA 2.4 out of 4

Yemen We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters (Majister) degree from a recognised institution. UK 1st class degree: 90% UK 2:1 degree: 80% UK 2:2 degree: 65%

Bachelor Degrees from Lebanese International University (in Yemen) can be considered for entry to postgraduate taught programmes - please see Lebanon for guidance on grade requirements for this.

Zambia We normally consider the following qualifications for entry to our postgraduate taught programmes: Masters Degree from a recognised institution. UK 1st class degree: 75%; or GPA 3.7 out of 4.0 UK 2:1 degree: 65%; or GPA 3.0 out of 4.0 UK 2:2 degree: 55%; or GPA 2.4 out of 4.0

Zimbabwe We normally consider the following qualifications for entry to our postgraduate taught programmes: Bachelor Degree (minimum 4 years) or Bachelor Honours degree from a recognised institution. UK 1st class degree: 75% UK 2:1 degree: 65% UK 2:2 degree: 60%

English language requirements

If you got your degree in an English speaking country or if it was taught in English, and you studied within the last five years, you might not need an English language qualification - find out more .

The minimum English Language requirements for entry to postgraduate degree programmes within the School of English and Drama are:

7.0 overall including 7.0 in Writing, Reading, Listening and Speaking. 

100 overall including 27 in Writing, 24 in Reading, 22 in Listening and 25 in Speaking.

76 overall including 76 in Writing, Reading, Listening and Speaking.

Trinity College London, Integrated Skills in English (ISE) III with Merit in Writing, Reading, Listening and Speaking.

185 overall including 185 in Writing, and 185 in Reading, Listening and Speaking.

185 overall including 185 in Writing, and 185 in Reading, Listening and Speaking. 

Visas and immigration

Find out how to apply for a student visa .

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• MA Creative Writing

Creative Writing

Join our community of internationally renowned, award-winning writers at the Manchester Writing School, where collaboration and experimentation are at the heart of what we do.

Course overview

At the heart of the Manchester Writing School are our masters programmes in Creative Writing, available to study on campus in Manchester and also from anywhere in the world via online distance learning. 

On our Master of Arts (MA) Creative Writing programme, you will explore and practice techniques and styles of modern and contemporary writing and apply these through the development of your own creative work. You will undertake a taught element blending writing workshops with reading units and option units, and then complete your studies through submission of an extended piece of writing from a proposed full-length book or script. 

You will specialise in one of the following routes: Novel (including Short Fiction), Poetry, Writing for Children & Young Adults, Scriptwriting ...

What you need to know

• When does the course start? September 2024 January 2025

1 year full-time (campus) 2 years part-time (campus or online)

Students can begin studying in January or September.

• Where will I study this course? Manchester , Online

Features and benefits

"One of the greatest pleasures of my working life continues to be the Manchester Writing School at Manchester Metropolitan University, a department with a real sense of family, achievement and celebration, and an ethos of nurturing and innovation." Professor Carol Ann Duffy DBE – Creative Director of the Manchester Writing School

Course Information

At the heart of the Manchester Writing School are our masters programmes in creative writing, available to study on campus in Manchester, and also from anywhere in the world via online distance learning.

MA Creative Writing can be tailored to suit your writing preferences by following a specialist route in novel (including short fiction), poetry, writing for children & young adults, scriptwriting (for stage, screen or radio) or creative non-fiction. Watch our playlist to find out more about each route.

This MA blends writing workshops, where you produce and develop your own work-in-progress with regular feedback from tutors and fellow students, with reading courses, which look at the techniques, forms and styles used by a range of writers in modern and contemporary literature. All students also take 30 credits of optional units and can choose from a range of creative writing units or options from courses across arts and humanities subjects. The final piece of work for the MA is the dissertation – an extended piece of creative writing from a proposed full-length book or script. 

The MA is available to complete in one year full-time or two years part-time. The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only.  We have intakes to the programme in September and January each year. 

Visit the Manchester Writing School website for more information, including profiles of staff and published students, news, events and projects.

Please visit our scholarships page for information on funding opportunities .

The programme leader for this course is James Draper . 

Classes for core Workshop and Reading units take place in the evenings (6-8pm UK time) during the autumn and spring semesters. Full-time students take all of their units in a single year and usually have classes two evenings per week. Part-time students spread these units over two years (study pattern may vary depending on specialist route) and usually have classes one evening per week. All students also take 30 credits of optional units and can choose from a range of creative writing units or options from courses across arts and humanities subjects. The MA concludes with the submission of the Creative Dissertation, completed through independent study with one-to-one support from a Dissertation Supervisor.

Creative Dissertation (60 credits)

This unit will build on and progress material produced during the Workshop units. You will compile and edit your creative writing into a substantial, continuous extract from a proposed longer work-in-progress and provide a Genesis Document: an account of the origins of and inspirations for your writing.

Reading Unit 1 (30 credits)

This route-specific unit looks at the forms, themes, styles and techniques used by a range of writers in literature. Outstanding writing is considered in terms of composition, process and presentation, and its relevance to your own work-in-progress. 

The Workshop (2 x 30 credits)

Workshops are led by established practitioners in the specialist literary field (Novel, Poetry, Writing for Children/Young Adults, Scriptwriting or Creative Non-Fiction), giving you a committed editorial readership of professionals and peers, and generating and developing material for a proposed full-length book or script. It is expected that the creative work generated will eventually contribute to your Creative Dissertation.

Option units

Creative project (30 credits).

On this unit, you will be asked to devise, scope, plan, conduct, report and reflect on a creative project of your own choosing. The project should involve a significant stretch from your core work on the programme and explore a new practice. This can be either working in a writing discipline different to your main route through the course, or by adapting or applying your work in a new context.

Green Writing (30 credits)

This unit will explore how creative writers can engage with ecological emergency during a time of crisis. The unit will examine different approaches to writing about nature, ecology and the environment, and demonstrate ways to respond creatively to contemporary climate science. You will study key texts in the field and produce your own original creative work using techniques drawn from those materials, learning how to bring traditionally ‘non-fiction’ perspectives into the realm of fiction.

Reading Unit 2 (30 credits)

Remaking games: creativity, play and communication (30 credits).

This unit explores the theory and practice of hacking and making games as a research method and mode of creative practice. It considers the intersection between creative writing and game design. In the unit we introduce students to reading and making games as a new methodology that combines creative and critical thinking with public engagement and impact at the point of research. For creative writers, the unit helps develop new ways to explore narrative and storytelling through interactive fiction, videogames and analogue games. You will develop new communication skills as part of the research process, creating games to share with other students and wider audiences as a way of engaging the public with your research.  

Teaching Creative Writing (30 credits)

This unit introduces techniques for developing and delivering creative writing workshops in a range of settings and considers how to encourage would-be participants to produce original writing in a variety of styles and genres. Consideration of key pedagogic theories and analyses of demonstrations will offer background context and enable critical reflection on workshop practice.

The Industry (30 credits)

You will learn and acquire practical information about various aspects of the publishing, literary, arts and related industries through seminars and Q&A sessions with guest speakers. These may include agents, editors, publishers, publicists, booksellers, directors, producers, broadcasters, filmmakers, freelancers, performers, artists and illustrators. This unit is designed to give you a broad overview of the state of the industry, as well as some specialist knowledge about opportunities available for those working in your specialist area, as you complete your manuscript.

Writing About Relationships (30 credits)

This course unit explores writing about love and partnership and is designed to help you gain confidence, avoid cliché and improve the quality of your prose style as you write about human relationships and intimacy. 

Study and assessment breakdown

10 credits equates to 100 hours of study, which is a combination of lectures, seminars and practical sessions, and independent study. A masters qualification typically comprises of 180 credits, a PGDip 120 credits, a PGCert 60 credits and an MFA 300 credits. The exact composition of your study time and assessments for the course will vary according to your option choices and style of learning, but it could be:

• Full-time 34% lectures, seminars or similar; 0% placement; 66% independent study
• Part-time 34% lectures, seminars or similar; 0% placement; 66% independent study
• Full-time 100% coursework; 0% practical; 0% examination
• Part-time 100% coursework; 0% practical; 0% examination

Placement options

The Manchester Writing School is one of the UK's leading schools of creative writing. It is also home to ground-breaking outreach activities, international writing competitions, a series of city-wide literary events, innovative publishing projects, the Manchester Children's Book Festival , and Manchester Poetry Library . These activities provide you with many opportunities to get involved and develop your experience in a number of exciting directions.

Whether you've already made your decision about what you want to study, or you're just considering whether postgraduate study is right for you, there are lots of ways you can meet us and find out more about postgraduate student life at Manchester Met.

• a virtual experience campus tour
• chats with current students

Taught by Experts

Your studies are supported by a department of committed and enthusiastic teachers and researchers, experts in their chosen field.

We often link up with external professionals too, helping to enhance your learning and build valuable connections to the working world.

Entry Requirements

Application is by submission of an online form including a personal statement, and a sample of your own creative work. Your application should be tailored to one of our specialist routes: Novel, Poetry, Writing for Children & YA, Scriptwriting or Creative Non-Fiction. You can apply online here: mmu.ac.uk/study/postgraduate/apply/postgraduate-taught-course.

Please indicate at the top of your personal statement which specialist route you are applying for. You should use the rest of the statement to tell us a bit about yourself, give a good overview of your reading and writing interests, and a sense of what has led you to apply for our course and any ideas you have for what you’d like to write with us. Personal statements should be approximately 500 words long.

For the creative sample , applicants to the Novel, Children's & YA and Creative Non-Fiction routes should submit up to 2,000 words of prose; poetry applicants should submit up to 15 poems; and scriptwriting applicants should submit up to 15 minutes running time of script. The work submitted can be a complete piece, or an extract, or a number of extracts from a longer work or works, but must all be within the chosen specialist route.

We have intakes into the programme in September and January each year. For application deadlines, please see the 'How to Apply section'. 

In each application assessed we will be looking for evidence of:

A very high standard of written English

Control of form, style and technique

Substantial reading of contemporary work within the relevant field

Commitment to the craft of writing and willingness to engage with the editorial process of receiving feedback and redrafting work-in-progress

Experience of the development of writing skills through workshops, supervision, mentoring or previous study

Applicants whose first language is not English are required to produce evidence of English Language proficiency. Overseas applicants will require IELTS with an overall score of 6.5, with no sub-component below 5.5, or an equivalent accepted English qualification. Accepted English qualifications can be viewed  here .

If your application meets these criteria, a tutor may contact you to arrange a telephone or face-to-face interview at a mutually convenient time.

Fees and Funding

Uk and channel island students.

Full-time fee: £9,500 per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £1584 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Distance learning fee: £1584 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

EU and Non-EU International Students

Full-time fee: £18,500 per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £3084 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Distance learning fee: £3084 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Additional Information

A masters qualification typically comprises 180 credits, a PGDip 120 credits, a PGCert 60 credits, and an MFA 300 credits. Tuition fees will remain the same for each year of study provided the course is completed in the normal timeframe (no repeat years or breaks in study).

Additional Costs

Specialist costs.

Compulsory estimate : £300

Optional estimate : £2200

Books (novels, poetry collections, children/young adult books, scripts in print, or books of creative non-fiction depending on the specialist route of study) for study on Reading units (up to 10 books per unit for two units). Costs spread across years one and two for part-time students. There is also a list of additional, optional recommended reading for each unit. Students can access much of this via the Manchester Met library (either by loaning books or via the e-book system). All students will require access to a computer in order to undertake their studies (accessing online resources, forums and communication systems). Students can loan laptops on campus. Students will also need access to broadband internet. While most students choose to purchase these for home use, computers with internet access are available to use on campus. While most assessed work will be submitted and completed electronically, students taking the dissertation or manuscript units will be asked to submit printed and bound copies of their work.

placement Costs

Compulsory estimate : £100

There is an optional summer school each year, where students are invited to spend two full days on campus for a suite of masterclass workshops, talks and social activities. Attendance at the school is free of charge, but students are asked to make their own arrangements for travel, accommodation and food. Students undertaking units which involve creating artwork, producing objects, or travelling to conduct research or interviews etc. will need to cover the costs of any materials used and also make arrangements for accommodation, travel and food. Students based outside of Manchester, including distance learners, who wish to attend on-campus or in-person events, activities, or classes are asked to cover the costs of accommodation, food, travel and tuition for these.

other Costs

Optional estimate : £500

Students may be invited to take part in optional public events (e.g. reading from their own work), or attend meetings for extra-curricular projects (e.g. the Rosamond Prize) and are expected to cover the costs of travel, accommodation and food.

Career Prospects

More than 100 of our students and graduates have embarked upon publishing careers, launching first books, with many more achieving publication in journals and magazines, winning writing awards and prizes, and setting up small presses and anthologies. Our alumni include winners of the Costa First Novel Award, Forward Poetry Prize and Yale Windham-Campell Prize, and a long-listing for the Man Booker Prize. 

Our School plays a leading role in establishing Manchester as a city of writers with a commitment to finding diverse new voices and creating opportunities for writer development, enabling new writing and building audiences for the next generation of talent. Manchester has been designated a UNESCO City of Literature in recognition of its thriving live literature scene, with a year-round programme of author events, writers’ forums, networking opportunities and open mic nights. 

We are home to a suite of ground-breaking outreach projects including the Manchester Children’s Book Festival and Mother Tongue Other Tongue , an international multilingual poetry competition that celebrates cultural diversity and the many languages spoken in schools in the UK. Our Manchester Poetry Library holds over 12,000 books and recordings that can be explored through our online catalogue, in person and through our annual events programme. Our School has a strong Manchester presence, with links to many of the city’s major cultural and arts organisations, and also a global reach with students and alumni based across the UK and continental Europe, and in the Americas, Africa, Asia and Australasia.

Our strong partnerships and innovative projects mean that you will have plenty of opportunities to develop your industry experience and network.  

On completion of this course you may decide to pursue PhD study, or to develop a career in bookselling, agenting, publishing, editing, the media, or in teaching creative writing. You will have access to the Careers and Employability Hub located in the Business School at Manchester Met, offering a host of information resources, one-to-one careers support, and employability events throughout the year. This service is also available for up to three years after you graduate. 

The Power of Words Led by Professor Carol Ann Duffy DBE (UK Poet Laureate 2009-2019), the Manchester Writing School is the beating literary heart of a city alive with culture. Find out more about its prestigious past, present and future by watching our video, 'The Power of Words'.   Watch the video Manchester Writing School

Want to know more

Register your interest, got a question.

Please contact our course enquiries team.

Please remember to tailor your application to one of our specialist routes (Novel, Poetry, Writing for Children, Scriptwriting or Creative Non-Fiction) and to include a creative sample relevant to that chosen route.

Please upload your creative sample under the 'Degree Transcript' section of the application portal. 

The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only.

Get advice and support on making a successful application.

You can review our current Terms and Conditions before you make your application. If you are successful with your application, we will send you up to date information alongside your offer letter.

Manchester is your city, be part of it

Your new home, your new city, why university, related courses, english studies.

Programme Review Our programmes undergo an annual review and major review (normally at 6 year intervals) to ensure an up-to-date curriculum supported by the latest online learning technology. For further information on when we may make changes to our programmes, please see the changes section of our Terms and Conditions .

Important Notice This online prospectus provides an overview of our programmes of study and the University. We regularly update our online prospectus so that our published course information is accurate. Please check back to the online prospectus before making an application to us to access the most up to date information for your chosen course of study.

Confirmation of Regulator The Manchester Metropolitan University is regulated by the Office for Students (OfS). The OfS is the independent regulator of higher education in England. More information on the role of the OfS and its regulatory framework can be found at officeforstudents.org.uk .

All higher education providers registered with the OfS must have a student protection plan in place. The student protection plan sets out what students can expect to happen should a course, campus, or institution close. Access our current Student Protection Plan .

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Postgraduate applications

The initial application deadline for this course is 1 June 2024. Further detail here .

Key information

Duration: 1 year full time or 2 years part time

Institution code: R72

Campus: Central London

UK fees * : £10,600

International/EU fees ** : £21,700

Creative Writing (MA)

This course allows you to develop your work as a writer to a professional level, going beyond the personal to write with an engaged sense of literary culture, its social role and contemporary practices. The MA is designed for students with an established writing practice who are intending to develop their creative writing beyond first-degree level. It is also designed for those students wishing to proceed to MPhil or PhD. This MA is taught at our central London location, in the heart of literary Bloomsbury, putting you within walking distance of publishing houses, bookshops, major UK libraries and all of the other cultural attractions of central London.

You will take one of four distinct pathways:

• New Prose Narratives
• Poetic Practice

While the pathways share a similar structure, they are taught separately so as to ensure you can work to a consistently high level. Please see the Course structure section below for more details on each of these.

The MA ranks among the top creative-writing courses in the country and is taught by leading writers whose work encompasses a wide range of approaches and styles.

• Sean Borodale’s Bee Journal was shortlisted for the TS Eliot Prize and Costa Book Award.
• Lavinia Greenlaw has received a Forward Prize for Poem of the Year, the Prix du Premier Roman, a Wellcome Engagement Fellowship and the Ted Hughes Award.
• Nikita Lalwani won the Desmond Elliot Award, and was shortlisted for the Costa Prize and longlisted for the Man Booker prize.
• Redell Olsen has been Judith E. Wilson Fellow in Poetry at Cambridge.
• Anna Whitwham’s novel Boxer Handsome was a New Statesman and Guardian Book of the Year.
• Eley Williams’s Attrib. and other stories won the James Tait Black Memorial Prize and the Republic of Consciousness Prize.
• Matt Thorne has been longlisted for the Man Booker prize and is a winner of the Royal Society of Literature's Encore prize. 
• Dr James Wilkes published his first collection of poetry with Penned in the Margins and his interdisciplinary projects have included collaborations with the Wellcome Trust and BBC Radio 4. 

Our prizewinning, internationally successful alumni include the novelists Sarah Perry, Tahmima Anam, Jenni Fagan and Barney Norris; short-story writer and poet Eley Williams; and the poets Liz Berry, Kayo Chingonyi, Sam Riviere and Sophie Robinson. You can see the work of some of our recent alumni by visiting  www.bedfordsquarereview , our online showcase.

From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.

Course structure

Core modules.

• Supplementary Discourses This weekly one-and-a-half hour seminar is taught within pathway groups and focuses on a broad range of critical texts by practising writers among others. It aims to provide you with the appropriate critical and theoretical skills for discussing your creative work. The course also aims to prepare you for you dissertation. You will acquire a range of critical concepts and vocabulary, a range of critical and theoretical approaches, and the necessary skills to undertake sophisticated reflection and discourse.
• Reading as a Writer This seminar is taught within pathway groups. Students propose texts (and non-textual works) for this syllabus, which is then devised by your tutor. You will make a short presentation on one of your chosen works during the term. The seminar encourages you to think about what it means to read as a writer, how the writer constructs the reader’s experience, and how this insight might inform your own literary composition. It considers different approaches to reading, and the relationship between practice and theory. You will learn how to demonstrate the ways in which reading contributes to your own developing practice as a writer.
• You will undertake a major extended fiction, non-fiction, poetry or poetic practice project under supervision. This will be either 15,000 words of prose, 24 pages of poetry or textual equivalent (to be agreed with the supervisor).
• The Creative Writing Project arises out of work developed in the workshop. In all cases, this should be new work not included in previous coursework submissions however much it has been revised. It can be a different part, or parts, of the same body of work, such as a novel. An important dimension of the MA is to give you the opportunity to begin serious work on a major project that would prepare you for the submission of this work to a publisher or the basis for an application for a practice-based research of a PhD as applicable to you. The Creative Writing Project is a crucial element in this preparation. It will be researched and written mainly in the summer term and during the summer vacation. You should draw on and develop the skills, and the critical and creative contexts, acquired in the first two terms. You should also seek to demonstrate independence, self-direction and originality in your approach to the project’s completion.
• Poetry does not have to have a collective theme or be a sequence, though these are acceptable.
• Poetic Practice - digital, bookworks and other formats of submission are acceptable but should be agreed in advance with the supervisor.

An important dimension of the MA is to give you the opportunity to begin serious work on a major research project that relates to your practice. This could prepare you for an application for the practice-based PhD.

The Extended Essay (Creative Writing) is a crucial element in this preparation. It will be researched and written mainly in the summer term and during the summer vacation. The principle aim of the Extended Essay (Creative Writing) is to enable you to demonstrate your ability to reflect critically and theoretically, and to locate your practice in relation to contemporary writing practices. You should draw on and develop skills acquired in the first two terms. The subject of the extended essay is to be agreed with the supervisor.

This module will describe the key principles of academic integrity, focusing on university assignments. Plagiarism, collusion and commissioning will be described as activities that undermine academic integrity, and the possible consequences of engaging in such activities will be described. Activities, with feedback, will provide you with opportunities to reflect and develop your understanding of academic integrity principles.

You will choose one of the following pathways:

You will learn how to structure and edit your prose to a publishable standard while also developing an expert sense of how best to draw on the personal, the actual and the imagination. We have no house style, and encourage both experiment and rigour. In developing your analytical and editorial skills, you will sharpen your self-criticism.

The content of the workshops will be dictated by the presentations of work in progress by the members of the group, and by the critical dialogue that develops from these presentations. Your tutor will draw up a schedule for this and work will be circulated in advance. You will read and annotate this work and come to class ready to discuss it. Reading of literary exempla and extracts will also feed into workshop discussions. Your tutor may set exercises or additional advance reading, and you will receive intensive feedback supported by individual tutorials.

This pathway is for writers of all kinds of poetry, who are focused on publication on the page. You will learn how to locate and refine your personal poetics, and how to develop a poem to its fullest potential. You will be taught how to revise and edit a poem, how to sustain a writing practice, and how to locate your poetry within a broader literary context.

The workshop welcomes all styles and approaches to poetry focused on publication on the page. The content of the workshops will be dictated by the presentations of work in progress by the members of the group, and by the critical dialogue that develops from these presentations. Your tutor will draw up a schedule for this and work will be circulated in advance. You will read and annotate this work and come to class ready to discuss it. Reading of literary exempla and extracts will also feed into workshop discussions. Your tutor may set exercises or additional advance reading, and you will receive intensive feedback supported by individual tutorials.

This pathway foregrounds the writing in an expanded field of contemporary poetic practice. It offers a consideration of contemporary trends in innovative and experimental poetry: redefinitions of lyric writing, bookworks, visual poetics, performance, sound, conceptual writing, digital poetics and site-specific work.

You will develop, and reflect on, your own practice in the context of an understanding of contemporary experimental practice in poetry from the UK and North America, and consider how contemporary poetry and poetics intersect with such fields as conceptual art writing, sound art, live art, digital poetics, book arts, installed texts and writing in relation to site.

You will explore the broad range of possibilities that literary non-fiction has to offer from memoir to manifesto, from the essay to the hybrid form. You can experiment with the interface between fiction and memoir, and discover how to write out of the self without a form in mind. You will be taught how to activate and deploy your research. You will learn how to draw on these to develop original work of your own to publishable standard.

The workshop will include an exploration of the full range of approaches that non-fiction has to offer. We will encourage you to explore them all, and to draw freely on them in your own work, taking an interdisciplinary approach. We will also teach you how to use the tools and devices of fiction and poetry in the writing of non-fiction. The workshop is also where you present work in progress, and you will receive intensive feedback supported by individual tutorials.

In the autumn term, you will have the opportunity to explore a range of literary non- fiction practices. Working with exempla, which will be read in advance and discussed in class, you will undertake writing exercises, imitation and invention. In the spring term, you will be presenting and critiquing your own creative work-in-progress while continuing to discuss other texts that cast light on the issues that arise.

Optional Modules

• All modules are core

Teaching & assessment

You will work in small groups and with extensive individual attention. We are looking for people who will flourish from working intensively within a rigorous and experimental but supportive environment.  In addition to workshops, you will take modules in Supplementary Discourses and Reading as a Writer, seminars designed to enhance your understanding of your own practice as well as the broader literary context in which you will be situating your work.

You will submit creative and critical coursework, and will undertake a final practical project and dissertation on practice.

In the summer term, you will receive individual supervision and will be offered a programme of events and masterclasses introducing you to leading writers, editors and agents who can advise on next steps. Enhancing the experience, there are regular readings and talks given by students, staff and visiting writers.

Creative coursework (Full-time students and first-year part-time students)

The first portfolio of fiction or non-fiction or poetry (5,000 words prose, 12 pp poetry or equivalent agreed with your tutor) will be submitted for feedback at the beginning of the Spring Term. This is a formative submission which means that it is not formally graded. You will receive feedback and an indicative grade. Under the guidance of your tutor, you then revise this work and resubmit it at the beginning of the Summer Term. It is then a summative submission and is formally assessed.

The second portfolio (identical requirements) will be submitted for formal assessment, along with a revised first portfolio, at the beginning of the Summer Term.

Essays (Full-time students and second-year part-time students)

The essay for Supplementary Discourses will be submitted for feedback at the beginning of the Spring Term. This submission is summative and is formally assessed.

The essay for Reading as a Writer will be submitted for summative assessment at the beginning of the of Summer Term.

Creative Writing Project and Dissertation on Practice (Full-time students and second-year part-time students)

Students receive individual supervisions in the summer term towards the completion of these two submissions, which are made in September.

Entry requirements

UK or equivalent degree in single or combined honours English.

Applicant will be required to provide a writing sample, prose of up to 5,000 words or at least 12 pages of poetry reflecting their chosen pathway: Fiction, New Prose Narratives, Poetry, Poetic Practice.  

Additionally, a sample of critical writing of up to 1,000 words showing your ability to critically engage with a text. 

International & EU requirements

English language requirements.

• IELTS: 7.0 overall. Writing 7.0. No other subscore lower than 5.5.
• Pearson Test of English: 69 overall. Writing 69. No other subscore lower than 51.
• Trinity College London Integrated Skills in English (ISE): ISE IV.
• Cambridge English: Advanced (CAE) grade C.
• TOEFL iBT: 97 overall, with Reading 18 Listening 17 Speaking 20 Writing 26.
• Duolingo: 130 overall, 135 in Literacy, 135 in Production and no sub-score below 100.

A significant number of our Creative Writing students have become published authors or found work in publishing, the media and agencies.

We have an impressive record for placing graduates in academic jobs.

This course will give you a distinctive, creative edge in careers such as publishing, teaching, writing and journalism, administration and marketing.

Fees, funding & scholarships

Home (UK) students tuition fee per year*: £10,600

EU and international students tuition fee per year**: £21,700

Other essential costs***: There are no single associated costs greater than £50 per item on this course.

How do I pay for it? Find out more about  funding options,  including loans, grants,  scholarships  and bursaries.

* and ** These tuition fees apply to students enrolled on a full-time basis in the academic year 2024/25. Students studying on the standard part-time course structure over two years are charged 50% of the full-time applicable fee for each study year.

Royal Holloway reserves the right to increase all postgraduate tuition fees annually, based on the UK’s Retail Price Index (RPI). Please therefore be aware that tuition fees can rise during your degree (if longer than one year’s duration), and that this also means that the overall cost of studying the course part-time will be slightly higher than studying it full-time in one year. For further information, please see our  terms and conditions .

** This figure is the fee for EU and international students starting a degree in the academic year 2024/25.  Find out more  

*** These estimated costs relate to studying this particular degree at Royal Holloway during the 2024/25 academic year, and are included as a guide. Costs, such as accommodation, food, books and other learning materials and printing, have not been included.

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MA Creative Writing

Develop your passion for the craft of writing

• Specialist network events to introduce you to agents and editors and help kickstart your writing career

in the UK for English and Creative Writing courses

Guardian University Guide 2023

for teaching quality in Creative Writing

Times and Sunday Times Good University Guide 2023

for student satisfaction

National Student Survey 2022

Join us for a virtual Open Evening

Be the first to know about upcoming postgraduate open evening dates., teaching and assessment, industry insight, graduate success, course costs, entry requirements, gain confidence in your skills within a community of fellow writers.

Focus on the craft of writing on a postgraduate course designed help you develop your skills, experiment with form and explore a variety of genres.

Our MA Creative Writing course has a long and proud history of graduate success, with many of our students continuing on to careers as published writers.

You will learn from one of the most established and experienced Creative Writing teams in the UK, comprised of practising and published poets, short story writers, novelists, non-fiction writers and screenwriters.

We believe in creating a community of writers who can support and learn from one another. Our specialist workshopping sessions give you the confidence to discuss you work, receive feedback, and reflect on your own work by helping others.

On this course you will:

• Develop your writing skills in your chosen genre or genres.
• Learn from our expert staff, who are all practicing and published writers.
• Gain the confidence to share and discuss you own work with peers and tutors.
• Experience regular readings from guest writers.
• Meet and talk with agents and editors at our annual publishing panel.

Learn the craft of creative writing from practicing and published writers

Our MA Creative Writing course focuses on writing as a craft.  It provides you a strong platform to develop your writing, as you experiment with the wide range of possibilities available to the contemporary writer.

You will have the opportunity to develop your skills in writing prose fiction (the novel or short story), poetry, creative non-fiction (biography, autobiography, memoir, travel), film scripts or drama for the stage or radio.

You may want to work on one project, such as a novel, throughout the course, or you may wish to explore different genres; the course allows for both options.

This list is indicative and subject to change.

Launching the Manuscript

Metaphor and the imagination, sources and transformations, the dissertation, the writing studio.

In this module, you will explore the role of autonomy in the creative writing process, sustaining the longer project, and learning about the publishing industry. You will also be able to learn more about the publishing industry from guest readers and the Agents and Editors’ Panel.

This module encourages innovation and experimentation, pushing you beyond your usual boundaries.

This module provides you with the essential skills of transforming both outer research and inner biographical concerns into fiction.

In this module, you will complete a substantial piece of original writing in the genre of your choice to act as a culmination of your learning throughout the course. As part of this process, you will complete an extensive commentary that charts the development of your work and which places it within its literary context.

This module serves as induction to the MA and to the distinctive methods of the ‘Chichester workshop’ and enables you to experiment in any genre prose, poetry or drama, while exploring key features of those genres.

Feel the support of one of the most experienced teaching teams in the UK

You will learn through a combination of seminar discussion, writing exercises and workshops.

In the intensive MA workshops, you will typically discuss good writing practice and workshop your own writing.

Our commitment to smaller class sizes allows you to feel more confident to discuss your ideas in a supportive environment. It also allows your tutors get to know you and how best to aid your development.

In addition to taught sessions by MA staff and talks by visiting writers, students will also benefit from two master classes a year by our visiting Professors, novelist Kate Mosse and novelist and short story writer Alison MacLeod.

Whilst subject to change, typically lectures and classes run at the following times:

Modules are assessed at every stage of the course, allowing you to clearly see your academic progress at all stages of the course.

To gain a Postgraduate Diploma in Creative Writing, students need to complete four modules. Each module is assessed by an assignment of approximately 6,000 words or equivalent.

To gain an MA in Creative Writing, students need to complete all four modules and a dissertation of 20,000 words (or poetry/drama equivalents).

Find facilities and research centres that support your creative processes

Bishop otter campus.

Click to watch our virtual tour of our historic Bishop Otter campus in the heart of Chichester.

Learning Resource Centre

The Learning Resource Centre (LRC) contains the library, a café, IT/teaching rooms, and the Support and Information Zone (SIZ).

Our campus library holds more than 200,000 books and over 500,000 eBooks.

Expert staff

You will learn from one the countries most experienced creative writing teams.

Subject specific librarians

If you have difficulty finding material for an essay, seminar or project, subject librarians will be happy to provide assistance.

South Coast Creative Writing Hub

The University is home to this community of staff, graduates, and current students who host events with local authors.

Chichester Centre for Fairy Tales, Fantasy, and Speculative Fiction

Our forum for research and debate into beyond realist literature.

Guest speakers

The University regularly welcomes renowned creative writers to speak on their work and industry.

Iris Murdoch Research Centre

The Iris Murdoch Research Centre supports and develops work into this major twentieth century writer.

Local cultural links

The University is placed within the reach of the beautiful South Downs area of the UK.

Gain unique insight into the creative writing industry

Publishing panel.

We also offer advice on publishing and the market place through our annual Agents and Editors’ Panel.

We welcome experts from the publishing industry come to Chichester to talk about getting published and to make contacts with our students.

A number of our students have met their agents and/or editors at one of these panels.

The University boasts a blossoming writing culture and community, with regular book launches and conferences.

In addition, we welcome guest authors to discuss their work, their process, and their careers, providing an in-depth insight into the publishing world.

Some renowned authors to have visited the University in recent years include:

• Carol Ann Duffy
• Michele Roberts
• Vicki Feaver

Bethan Roberts

• Jo Shapcott
• Robert Shearman
• Sarah Hall.

Join our community of successful alumni

The last few years have shown a fabulous flowering of our MA Creative Writing students’ work. Many students at both undergraduate and postgraduate level have continued on to become published writers and win prizes.

In recent years, students have gone on to publish novels, poetry collections, win prizes in major competitions such as the Bridport Prize. Some have also had poems and stories published in magazines such as The Paris Review and Staple .

Multi-award winning writer Bethan Roberts has published five novels and writes drama for BBC Radio 4.

Her novel, My Policeman, follows the story of a 1950s policeman, his wife, and his male lover, and was released in 2012. A film adaptation starring Harry Styles and Emma Corrin was released by Amazon Studios in 2022.

Her fourth novel, Mother Island, was the recipient of a Jerwood Fiction Uncovered prize. Her new novel, Graceland, tells the story of Elvis Presley and his mother.

Isabel Ashdown

While on the MA, Isabel worked on her first novel, Glasshopper, which was published by Myriad Editions.

Glasshopper went on to be named among the best books of the year by both the Observer and The Evening Standard. Since then she has published four more novels.

The latest, Little Sister, is a psychological thriller published by Trapeze, an imprint of Orion publishing.

Glen James Brown

Glen James Brown's Ironopolis was nominated for the Orwell Prize for political fiction, as well as the 2020 Portico Prize.

The book follows the stories of multiple characters within a declining estate in the heart of Middlesbrough.

Gabrielle Kimm

Gabrielle has published three novels with Sphere: The Last Duchess, The Courtesan’s Lover and The Girl With The Painted Face to positive reviews and her work has been published in nine countries.

Gabrielle met her agent, Judith Murray, at one of the English and Creative Writing Department annual Agents and Editors’ panels.

Vashti Hardy

Vashti Hardy’s Brightstorm was published in March 2018 by Scholastic UK and is a middle grade fantasy with sky-ship explorers, sapient creatures and twin heroes.

Brightstorm was selected by Independent Booksellers as the Book of the Season Spring 2018 and was been shortlisted for the Books Are My Bag Readers Award, The Awesome Book Awards, Leeds Book Awards, Stockton Book Awards, and was also listed for the Blue Peter Book Awards.

Course Fees 2024/25

International fee.

University of Chichester alumni who have completed a full undergraduate degree at the University will receive a 15% discount on their postgraduate fees.

For further details about fees, please see our  Tuition Fees  page.

For further details about international scholarships, please see our  Scholarships  page.

• An honours degree at 2:2 or higher in a related discipline
• You will be required to attend an interview and provide a portfolio of work
• If English is not your first language then English language proficiency required is IELTS 6.5 (with no element less than 5.5) – or equivalent qualification

Entry Portfolio

For entry to our MA Creative Writing course, you will be required to send in a portfolio of creative writing. This portfolio should represent some of your best work to date, so please select carefully and present accurately.

A portfolio might consist of any but not all of the following:

• Three short stories
• Three chapters from a novel or non-fiction book
• A radio play
• Two or three scenes of a stage play
• Or a combination of the above, e.g. a short story and five poems.

Please remember to select your writing that you consider to be your best work so far and in a form that suits you.

To apply for the full-time route for this course, please click the button below. Apply for the full-time route

To apply for the part-time route for this course, please click the button below. Apply for the part-time route

Frequently asked questions

Can i choose part time or full time study.

Yes, when you apply you can state which level of study you would like to undertake.

Is the course the same whether I study part time or full time?

Yes, the course will be the same for both part time and full time study.

Can I still attend the Agents and Editor's Panel if I study part time?

Yes, you will still be able to attend all course events if you study part time.

How do I apply?

Apply here to be taken through to our online application form. As part of that process, you will be asked to submit a portfolio of your best current work as outlined in the section above this one.

Related courses

Ba (hons) creative writing and english, ba (hons) creative writing, our address.

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Creative Writing MA, PGCert

Our PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills through practice, revision and discussion.

You are currently viewing course information for entry year:

Start date(s):

• September 2024

Our Creative Writing MA develops your understanding of your own writing and your technical writing skills.

You'll further your awareness of:

• writing processes
• professional writing

This PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills. We teach creative writing in three areas:

• prose writing, with an emphasis on short fiction, creative non-fiction and the essay
• poetry with an emphasis on the practice and study of a variety of poetic traditions and contemporary techniques
• scriptwriting, which includes writing for the theatre and screenwriting

Through these areas, we'll introduce you to a wide range of subjects and opportunities with which writers are working professionally.

Members of  our Creative Writing staff  have received national and international recognition for their writing. You'll work with them to prepare your own writing for submission.

If you complete the Creative Writing PGCert, you can choose to transfer to the second year of our part-time MA.

Important information

We've highlighted important information about your course. Please take note of any deadlines.

Please rest assured we make all reasonable efforts to provide you with the programmes, services and facilities described. However, it may be necessary to make changes due to significant disruption, for example in response to Covid-19.

View our  Academic experience page , which gives information about your Newcastle University study experience for the academic year 2023-24.

See our  terms and conditions and student complaints information , which gives details of circumstances that may lead to changes to programmes, modules or University services.

Related courses

Qualifications explained.

Find out about the different qualification options for this course.

An MA is a taught Master’s degree. It usually involves the study of social sciences, art and humanities, and business, consulting and management. It typically includes:

• subject-specific taught modules
• a dissertation or research project of approximately 15,000 – 18,000 words

You'll usually study an MA full-time over 12 months.

A Master of Arts is awarded for the successful completion of 120 credits of taught modules and a 60 credit dissertation or research project.

Find out about different types of postgraduate qualifications .

A PGCert is awarded if you successfully complete half of the taught modules (60 credits).

What you'll learn

Through this Creative Writing Master's you'll be inducted into the habits and inventive strategies of writers in a module dedicated to this process. You'll also begin to concentrate on skills specific to different fields of the writing craft.

You'll go on to test your own writing in one of three workshops dedicated to poetry, prose or script. You'll also take the opportunity to focus on areas of imaginative writing that are specialisms of our staff. Examples of our specialisms include:

• dramatic monologue
• poetry and translation
• life writing
• screenwriting

Our Profession of Writing module explores the roles and importance of:

• professional opportunities for creative writers

You will study modules on this course. A module is a unit of a course with its own approved aims and outcomes and assessment methods.

Module information is intended to provide an example of what you will study.

Our teaching is informed by research. Course content changes periodically to reflect developments in the discipline, the requirements of external bodies and partners, and student feedback.

Full details of the modules on offer will be published through the Programme Regulations and Specifications ahead of each academic year. This usually happens in May.

To find out more please see our terms and conditions .

Optional modules availability

Some courses have optional modules. Student demand for optional modules may affect availability.

The range of modules will be different if you're studying part-time.

Compulsory modules

• Process  (20 credits)

Optional modules

• Craft: Prose  (20 credits)
• Craft: Poetry  (20 credits)
• Craft: Theatre Script  (20 credits)
• Screenwriting  (20 credits)
• Poetry and Translation  (20 credits)
• The Short Story  (20 credits)

How you'll learn

You’ll be taught using a range of methods, typically including:

• taught sessions
• guided reading
• individual consultations

The portfolio will see you finely develop your work through one-to-one supervision. Our small seminar groups and one-to-one supervision mean you'll work closely with your tutors, who are all writing practitioners.

All our classes take place in the early evening.

Depending on your modules, you'll be assessed through a combination of:

Your teaching and learning is also supported by Canvas. Canvas is a Virtual Learning Environment. You'll use Canvas to submit your assignments and access your:

• module handbooks
• course materials
• course announcements and notifications
• written feedback

Throughout your studies, you’ll have access to support from:

• personal tutors
• our University Student Services Team
• student representatives

You'll also be assigned an academic member of staff. They will be your personal tutor throughout your time with us. They can help with academic and personal issues.

Your development

Our PGCert and MA in Creative Writing allow you to advance your creative ability through:

You will further your awareness of:

• writing craft

Your future

Our careers service.

Our award-winning Careers Service is one of the largest and best in the country, and we have strong links with employers. We provide an extensive range of opportunities to all students through our ncl+ initiative.

Visit our Careers Service website

Follow in their footsteps

• Name: Oisín
• Nationality: British
• Graduated: 2020
• Now working as: Software developer, writer and filmmaker

"I was inspired by the talent and creativity of my peers, and many of them have gone on to be published and recognised. We still support one another, sharing our successes and challenges along the way."

Find out what Oisín liked the most about studying Creative Writing MA at Newcastle University and how this degree helped him in his career as a software developer.

Read about Oisín's journey .

Quality and ranking

All professional accreditations are reviewed regularly by their professional body

From 1 January 2021 there is an update to the way professional qualifications are recognised by countries outside of the UK

Check the government’s website for more information .

The School of English Literature, Language and Linguistics is a lively and diverse community with over 700 undergraduates and 200 postgraduates. We're based in the Percy Building. Our purpose-built postgraduate suite includes:

• several dedicated computer clusters
• meeting rooms
• a kitchen and lounge area

Our award-winning Phillip Robinson Library has an extensive audio-visual collection.

The Newcastle Centre for Literary Arts (NCLA) is a world-class centre of excellence in the field of creative writing which contributes to the cultural life of the North East via:

The NCLA offers you the opportunity to get involved in our writing community through readings and events that feature:

• scriptwriters
• non-fiction writers

Past speakers include:

• Kazuo Ishiguro
• Paul Muldoon
• Val McDermid
• Peter Straughan
• Claudia Rankine
• David Almond

Fees and funding

Tuition fees for 2024 entry (per year).

If your studies last longer than one year, your tuition fee may increase in line with inflation.

Depending on your residency history, if you’re a student from the EU, other EEA or a Swiss national, with settled or pre-settled status under the EU Settlement Scheme, you’ll normally pay the ‘Home’ tuition fee rate and may be eligible for Student Finance England support.

EU students without settled or pre-settled status will normally be charged fees at the ‘International’ rate and will not be eligible for Student Finance England support.

If you are unsure of your fee status, check out the latest guidance here .

Scholarships

We support our EU and international students by providing a generous range of Vice-Chancellor's automatic and merit-based scholarships. See  our   searchable postgraduate funding page  for more information.  

What you're paying for

Tuition fees include the costs of:

• matriculation
• registration
• tuition (or supervision)
• library access
• examination
• re-examination

Find out more about:

• living costs
• tuition fees

If you are an international student or a student from the EU, EEA or Switzerland and you need a visa to study in the UK, you may have to pay a deposit.

You can check this in the How to apply section .

If you're applying for funding, always check the funding application deadline. This deadline may be earlier than the application deadline for your course.

For some funding schemes, you need to have received an offer of a place on a course before you can apply for the funding.

Search for funding

Find funding available for your course

Entry requirements

The entrance requirements below apply to 2024 entry.

Qualifications from outside the UK

English language requirements, admissions policy.

This policy applies to all undergraduate and postgraduate admissions at Newcastle University. It is intended to provide information about our admissions policies and procedures to applicants and potential applicants, to their advisors and family members, and to staff of the University.

Download our admissions policy (PDF: 201KB) Other policies related to admissions

Credit transfer and Recognition of Prior Learning

Recognition of Prior Learning (RPL) can allow you to convert existing relevant university-level knowledge, skills and experience into credits towards a qualification. Find out more about the RPL policy which may apply to this course

• How to apply

Using the application portal

The application portal has instructions to guide you through your application. It will tell you what documents you need and how to upload them.

You can choose to start your application, save your details and come back to complete it later.

If you’re ready, you can select Apply Online and you’ll be taken directly to the application portal.

Alternatively you can find out more about applying on our applications and offers pages .

Open days and events

You'll have a number of opportunities to meet us throughout the year including:

• campus tours
• on-campus open days
• virtual open days

Find out about how you can visit Newcastle in person and virtually

Overseas events

We regularly travel overseas to meet with students interested in studying at Newcastle University.

Visit our events calendar for the latest events

• Get in touch

Questions about this course?

If you have specific questions about this course you can contact:

Melanie Birch Events, Marketing and Postgraduate Administrator School of English Literature, Language and Linguistics Telephone: +44 (0) 191 208 7619 Email:  [email protected]

For more general enquiries you could also complete our online enquiry form.

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You'll find our Ncl chatbot in the bottom right of this page.

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Home > Postgraduate study > Postgraduate courses > Creative Writing MA (Distance Learning)

Creative Writing MA (Distance Learning)

Why choose this course.

The Creative Writing MA (Distance Learning) offers you the chance to study with a range of well-established and award-winning writers in a dynamic writing environment, but without having to relocate or give up current commitments. Taught in our virtual forums and classrooms, modules can be accessed at a time of the week to suit your schedule.

You will learn in workshops, one-to-one or in small groups, with support from practising and published writers and fellow students. Our award-winning former creative writing students include Booker-shortlisted Oyinkan Braithwaite, Joe Pierson, who won the Bridport Prize, Stefan Mohammed, awarded the Dylan Thomas Prize, Bafta-winner, Sarah Woolner, the acclaimed poet Dom Bury and celebrated novelist Faiqa Mansab. 

The non-compulsory campus days give you a chance to visit the campus and attend a relevant lecture, as well as to meet fellow workshop students. Those travelling longer distances who wish to stay longer and explore the cultural opportunities that London offers, or simply to write, are also welcome to attend events taking place on campus for the rest of the week, featuring staff, writers in residences, students and guests.

Curtis Brown Agent's Choice competition

All successful applicants who take up their place with us in September will be entered into our competition to have a consultation with Annabel White , an agent at top London literary agency Curtis Brown.

So make sure the creative work you submit with your application is your very best - it might win you a meeting with a literary agent.

Reasons to choose Kingston University

• Delivered by Distance Learning, this Creative Writing MA helps you to develop the craft of creative writing, either on a general level or through specialising in your chosen genre. Taught in virtual forums and classrooms, your studies can suit your schedule, and you will not have to relocate or give up your job.
• The creative dissertation and critical essay give you the chance to further specialise. You also explore writing in a range of forms and styles and take a module exploring critical theory and experimental/avant-garde writing.
• You will become part of Kingston's thriving community, with events such as readings, lectures from published authors, editors and agents, masterclasses and enriching discussions.
• You will have the opportunity to contribute to Kingston University's publication, Ripple, which includes fiction, poetry, reviews and creative non-fiction and is edited by students on the course.
• You'll study in workshops, learning one-on-one or in small groups with experts in your chosen area. The course is taught by a combination of:
• appointed staff - many are published authors or active researchers, which keeps your learning dynamic.
• peer review - giving you the chance to discuss your own and other students' work in a mutually-supportive environment.

The Art School Experience

As part of  Kingston School of Art , students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.

Our  workshops and studios  are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.

What our students say

In this video, one of our creative writing alumna and a current student discuss why they chose the course, what they enjoyed about it and why they'd recommend it to future applicants.

What you will study

The Creative Writing MA (Distance Learning) follows the same course structure as the successful and popular Creative Writing MA. You'll be taught through individual tutorials, streamed lectures and readings held at or sponsored by the University.

The Writers' Workshop module will encourage you to develop your writing 'voice' through engagement with fellow students across a range of genres (in fiction or creative non-fiction), while the Special Study module enables you to specialise in one genre, such as fiction, non-fiction, poetry or drama.

You will learn the elements of fiction, poetry and drama as well as studying relevant critical theory and trying out your own fictional experiments in the Critical Challenges module. You'll take part in online masterclasses and put all you have learned into practice in the dissertation module. It is possible to use both workshop modules and the dissertation together to work towards a substantial part of a longer piece such as a novel.

This Creative Writing MA will give you the knowledge and confidence to enter the cultural debate and to begin to identify outlets for your own writing.

Full-time students can attend two campus days, scheduled annually, usually in November and February.

Part-time students normally attend the November campus day in the first year and the February campus day in the second year.

Full-time students take two 30-credit modules each semester, including a Special Study workshop on a particular genre e.g. poetry, drama or fiction, in the second semester. You'll participate in general workshops, reading sessions and tutorials with your assigned dissertation supervisor throughout the course.

You may then choose to complete a 15,000-word 60-credit dissertation accompanied by a 3,000-word critical review, for which you'll receive one-to-one supervision as you work towards a September completion.

Core modules

Creative writing dissertation.

This module focuses on your own creative writing and research into your chosen form or genre, developed in consultation with your supervisor. You learn via one-to-one tutorials with your personal supervisor. You produce two pieces of writing:

• a creative dissertation – a portion of a novel, a body of poetry, a play screenplay or other creative form of no more than 15,000 words; and
• a critical essay of approximately 3,000 words – considering the relationships between your own writing and the literary contexts/theoretical concerns that inform published writing in your chosen genre or form.

Your supervisor must agree in advance the final structure, approximate word length and for presentation conventions of these pieces.

Special Study: Workshops in Popular Genre Writing

This online workshop module will be devoted to the creative writing of students all working in the same form and genre of their choice.  It will enable students to develop drafts in their chosen form and genre, and to master its specific codes and conventions. Draft work to be reviewed may include, for example, poetry, prose fiction, non-fiction, writing for the stage, or screenwriting, perhaps in a choice of genres such as crime writing, fantasy fiction, writing for children, historical fiction, science fiction, romance and autobiography. Students will be advised how best to strengthen their knowledge of that form or genre in order to reflect critically and constructively on their own writing.  Attention will then be given to the production of a substantial piece or a collection of pieces of creative writing that reflects their knowledge of and engagement with their chosen form or genre.

Writing the Contemporary

This module provides the opportunity to examine ways in which reading is essential to writing practice and teaches you to apply literary techniques and strategies from contemporary fiction, life writing and poetry texts to your own work. You will develop the concept of ‘reading as a writer' in order to explore how contemporary concerns are brought to the fore by artistic strategies, and examine how an understanding of these can provide models for your own creative practice. You will submit work including a reflective reading journal as well as a creative piece in a genre of your choice.

Writers' Workshop

This is a workshop-based online module in which students will present and discuss their own work and that of their peers within a group of students writing in a variety of genres and forms. The draft work presented in the module will normally include forms such as poetry, prose fiction, non-fiction, writing for the stage or screenwriting, in a variety of genres, but it may also include genres such as science fiction, romance, crime fiction, writing for children, historical fictional, and autobiography. Students will develop a strong knowledge of the writing workshop ethos, its requirements and etiquette as mutual practical criticism of peer writing will be accompanied by discussion of the scope or constraints of the various genres as well as the implications of working in various forms. Attention will be paid to the relevant components of good writing: appropriate use of language, narrative pace, dialogue, expression, characterisation and mood.

Critical Challenges for Creative Writers

The module is designed to introduce students to some issues of critical and literary theory. The module is also designed to make students more aware of how their work impacts upon wider literary, cultural, political and philosophical issues. Awareness of these theories and of some of the issues surrounding the production and reception of literary texts will stimulate them, encouraging creative and conceptual thinking. The module will explore debates about literature and the practice of creative writing through readings of essays and texts that are relevant to criticism and theory. The academic component of the assessment will support the creative work with the objective that students will also have to demonstrate critical, academic, analytical skills.

Entry requirements

Typical offer.

We normally expect applicants to have:

• A second class degree or above, or equivalent, in creative writing, English literature, literature and language, drama or theatre studies or a humanities subject.
• Applicants with academic qualifications in other subjects, or relevant work experience, will be considered on an individual basis.
• A demonstrable interest in creative writing.

You may also submit a sample of creative writing (maximum of 3,000 words) and a personal statement (maximum of 1,000 words) to support your application for this course.

International

All non-UK applicants must meet our English language requirements. For this course it is Academic IELTS of 6.5 overall with 5.5 in all elements. Please make sure you read our full guidance about English language requirements , which includes details of other qualifications we'll consider.

Applicants from one of the recognised majority English speaking countries (MESCs) do not need to meet these requirements.

Country-specific information

You will find more information on country specific entry requirements in the International section of our website.

Find your country:

• Middle East

Teaching and assessment

Continuous assessments in individual accredited modules plus assessment of final dissertation.

Guided independent study (self-managed time)

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your workload

Year 1: 5% of your time is spent in timetabled learning and teaching activity.

• Scheduled learning and teaching: 93 hours

Guided independent study (self-managed time): 1,707 hours

For part time students

• Scheduled learning and teaching: 44 hours
• Guided independent study (self-managed time): 556 hours
• Scheduled learning and teaching: 49 hours
• Guided independent study (self-managed time): 1,151 hours

Contact hours may vary depending on your modules.

Full time - Year 1

Part time - year 1, part time - year 2.

• Guided independent study (self-managed time): 1707 hours
• Guided independent study (self-managed time): 1151 hours

How you will be assessed

Assessment typically comprises portfolios and a dissertation.

The approximate percentage for how you will be assessed on this course in each full time or part time year:

Type of assessment

• Coursework: 100%

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Class sizes

Class sizes are kept small for this course and usually limited to 10. However this can vary by module and academic year.

Who teaches this course?

This course is delivered by Kingston School of Art. As a student on this course, you will benefit from a lively study environment, thanks to the wide range of postgraduate courses on offer. The combination of academics and practitioners makes it a unique environment in which to further your studies and your career.

The University provides a vibrant and forward-thinking environment for study with:

• courses designed in collaboration with industry professionals  –  enabling you to keep right up to date with the latest developments in the creative and professional writing environment;
• established connections with the London arts and media scene  –  with a range of guest speakers, professors and lecturers visiting the University; and
• committed and enthusiastic staff  –  many of whom are expert practitioners as well as leading academics and researchers.
• opportunity to contribute to Kingston University's publications, such as Ripple. They include fiction, poetry, reviews and creative non-fiction and are edited by postgraduate creative writing students.

Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.

Dr Wendy Vaizey

Course leader.

Mr Oludiran Adebayo

Mr Steven J. Fowler

Dr Marina Lambrou

Fees for this course, 2024/25 fees for this course, home 2024/25.

• MA part time distance learning £5,445
• MA full time (distance learning) £9,900

International 2024/25

• MA part time distance learning £9,295
• MA full time (distance learning) £16,900

2023/24 fees for this course

Home 2023/24.

• full time £9,860
• part time £5,423

International 2023/24

• full time £16,200
• part time £8,910

Tuition fee information for future course years

If you start your second year straight after Year 1, you will pay the same fee for both years.

If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.

Postgraduate loans

If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website .

Funding and bursaries

Bursaries are available from the School of Arts, Culture and Communications for students working on the Kingston University Press (KUP), Ripple magazine or other related activities (find out more and apply after you have enrolled).

Additional costs

Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan . You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.

Photocopying and printing

In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.

Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.

After you graduate

Some of our departmental graduates have achieved notable successes, having published short stories and novels which were started as part of their degree, and attracted good literary agents, for example:

• Oyinkan Braithwaite 's novel,  My Sister the Serial Killer , reviewed by The New Yorker and BBC Radio 4's Open Book and Front Row, has won the Crime and Thriller book of the year at the British Book Awards; Oyinkan is the first black woman to do so.  
• Grainne Murphy has recently signed a two-book deal with Legend Press. Her debut novel,  Where the Edge Is , was published in September 2020, with The Ghostlights to be published in 2021. 
• Ben Halls ' debut  The Quarry  was book of the day in The Guardian in March 2020. 
• Amy Clarke has signed a two-book deal.  Like Clockwork  is a psychological suspense novel about a true-crime podcast host who's obsessively trying to solve the decades-old cold case of a notorious Minnesotan serial killer whose victims were each one year younger than the last. It is due to be published in March/April 2021 by Houghton Mifflin Harcourt, with a second book to follow. 
• A story Seraphina Madsen wrote for the MA Critical Challenges module was published in the UK's pre-eminent literary journal, The White Review, and secured her an agent and a book deal. 
• Stevan Alcock is another MA student whose debut novel – workshopped on our MA – was published by 4th Estate.  
• Hannah Vincent is a former MFA student with novels out with Myriad Editions and Salt. 
• Myriad Editions also run a writing competition each year aimed at finding new writers, with MFA student Karly Stilling winning in 2015. This year the award was won by another current Kingston student, Sylvia Carr . Former MA (now PhD student) Joseph Pierson was a recent runner-up. 
• Julia Lewis is a former MFA student and experimental poet who has gone on to publish a wide range of work. She also rewrote MA tutor James Miller's novel Lost Boys as a collection of experimental poetry. 
• Stefan Mohamed won the Dylan Thomas Prize and has gone to have a successful career as a writer of YA fiction. 
• MA student Vicky Newham signed a two book deal for her crime series. Vicky is on the Daggers longlist for the best crime novel by a first-time author. 
• Faiqa Mansab published her debut novel  This House of Clay and Water in Pakistan and India to great acclaim and it  has been optioned by the talented Sheherzade Sheikh for screen adaptation. 
• Other successes include Susie Lynes and Lauren Forry . 
• Other former students have gone on to work in editorial posts in the publishing industry.

Why I chose Kingston

What our students and graduates say

Initially, it was a bit daunting returning to university as a mature student (in my early 50s) but as there were quite a number of us older students we soon formed a little group and in fact became quite good friends. The thing I possibly enjoyed most about Kingston was the number of workshops on offer pretty much throughout my time there. I found myself signing up for everything, from fiction to thriller to life writing courses. I just loved the vibe of being in that academic and literary environment. It was a huge privilege being able to attend workshops, free of charge, presented by some of the most esteemed literary personalities. In addition, there were publishing events that put us in direct contact with editors, agents and publishers. Weekly events hosted by Kingston Writing School were also hugely inspiring. Listening to authors relating their journeys about the long road from writing to being published was hugely encouraging and something I rarely missed.

The actual MA course and the various modules we had to complete pushed me beyond my comfort zone, particularly in poetry, which is something I'd never had a penchant for. But, thanks to my accomplished lecturers, I ended up enjoying every single one of them.

However, it was one of the extra-curricular workshops that inspired my book, Secrets of a Stewardess . The memoir/life writing workshop was hosted by John Man, author of more than 13 books. I was convinced that I was in the wrong class as I felt that I had absolutely no story to tell, but he somehow managed to coax out of me my years as an airline stewardess in the ‘80s. I also wrote a children's book (which was signed up by an agent) while I was at Kingston University, but used the memoir as part of my dissertation.

I can honestly say that completing my MA in Creative Writing at Kingston University and then being published is one of the most rewarding things I have done. It taught me that you are never too old to achieve your goals - you just need to set them and then work towards them. Studying creative writing gave me the confidence to believe that I actually could write and the whole support system offered at Kingston University, finally helped me to get published.

Secrets of a Stewardess has been published by The History Press who has done an outstanding job of marketing it. WHS Smith Travel bought 2,500 copies upfront; I have been interviewed on BBC Radio 4; I have featured on BBC World Services', The Conversation; I have been interviewed live on Talk Radio Europe; I have had a feature in The Daily Mail newspaper; I have been interviewed and photographed by The Sun newspaper and I featured in Prima magazine's August edition.

Gretchen Ryan

Links with business and industry

A range of additional events and lectures will enhance your studies and add an extra perspective to your learning. Activities for this course include:

Masterclasses

Live online masterclasses in each teaching block with distinguished professors and researchers such as Hanif Kureishi and Paul Bailey.

Distance Learning students who attend Campus Days are able to attend events and readings with publishing specialists and professionals that take place on these days. These have included agents such as Briony Woods, Jemima Hunt and others.

Overseas student visiting for Campus Days who wish to stay for a few days longer will find other lectures and events of interest to attend.

Students within reach of London are also welcome to attend events on campus such as talks from writer and film director Shelagh McLeod, Influx Press editor Sanya Semakula and writers Michael Hughes, Catherine McNamara and Susan Lynes.

Guest lectures

Weekly guest lectures by leading journalists including:

• Samira Ahmed , an award-winning journalist with 20 years' experience in print and broadcast;
• David Jenkins , editor of Little White Lies, a bi-monthly movie magazine powered by illustration;
• Richard Moynihan , Head of digital journalism, The Telegraph and
• Alex Stedman , fashion blogger at The Frugality and former style editor at Red magazine.

Regular readings through Writers' Centre Kingston, which offers an annual programme of events from talks to workshops and festivals, hosted and curated in partnership with institutions local to Kingston University and in London, from The Rose Theatre to the Rich Mix Cultural Foundation, from the Museum of Futures to Kingston First.

Lunchtime lectures

Frequent philosophy lunchtime lectures which focus on a major figure in the history of Western philosophy, introducing students to that thinker's work, usually through the discussion of one of her or his emblematic works. There are also weekly Journalism lunchtime lectures with a range of industry experts.

Ripple magazine

The literary magazine Ripple is edited by MA students, providing a platform for the publication of creative work; and a chance to get hands-on experience of the publishing process.

Research areas

Research in English literature and creative writing at Kingston University covers the following areas:

• 19th and 20th century British and American fiction;
• fictions of globalisation;
• gothic writing;
• travel writing;
• women's writing from the 18th century to the present;
• New Woman and fin de siècle fictions;
• Shakespeare;
• literature of the English Reformation period;
• postcolonial studies;
• theories of gender;
• life writing and trauma;

It focuses around the following research initiatives:

• Iris Murdoch Studies - research on the Iris Murdoch archives acquired by Kingston University in 2003/04).
• Life Narratives Research Group - bringing together best practice from all genres of life narrative work.
• Cultural Histories at Kingston - centred around the concept of the 'cultural text', the group includes scholars from the fields of literature, film, media, history, music, dance, performance, and journalism.
• Writers' Centre Kingston - a literary cultural centre dedicated to creative writing in all its forms, with an annual programme of events, talks, workshops and festivals.
• Race/Gender Matters - captures and concentrates research on theoretical, critical and creative engagements with the materiality of race, gender and language.

We also hold regular seminars and host presentations by visiting speakers.

Course changes and regulations

The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course.  Course changes explained .

Programme Specifications for the course are published ahead of each academic year.

Regulations governing this course  can be found on our website.

Related courses

Creative Writing and Publishing MA

Creative Writing MA

Creative Writing MFA

Journalism PgDip/MA

Magazine Journalism MA

Secondary Teaching leading to Qualified Teacher Status (QTS) PGCE English

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Kingston University , Holmwood House, Grove Crescent, Kingston upon Thames KT1 2EE . Tel: +44 (0)20 8417 9000

MSt in Creative Writing

• Entry requirements
• Funding and Costs

College preference

• How to Apply

About the course

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

• short fiction
• radio drama
• screenwriting
• stage drama
• narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Department for Continuing Education and this role will usually be performed by the Course Director.

You will be allocated a supervisor to guide and advise you on your creative and critical work throughout the second year.

It is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff. Under exceptional circumstances a supervisor may be found outside the Department for Continuing Education.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice. 

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Graduate destinations

Graduate destinations have included publishing creative work in a chosen field, careers in arts/media, and doctoral programmes in creative writing.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made in circumstances of a pandemic, epidemic or local health emergency. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

Entry requirements for entry in 2024-25

Proven and potential academic excellence.

The requirements described below are specific to this course and apply only in the year of entry that is shown. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

Please be aware that any studentships that are linked to this course may have different or additional requirements and you should read any studentship information carefully before applying. 

Degree-level qualifications

As a minimum, applicants should hold or be predicted to achieve the following UK qualifications or their equivalent:

• a first-class or upper second-class undergraduate degree with honours  in a related field.

For applicants with a degree from the USA, the minimum GPA normally sought is 3.6 out of 4.0.

If your degree is not from the UK or another country specified above, visit our International Qualifications page for guidance on the qualifications and grades that would usually be considered to meet the University’s minimum entry requirements.

GRE General Test scores

No Graduate Record Examination (GRE) or GMAT scores are sought.

Other qualifications, evidence of excellence and relevant experience 

• Assessors are looking for writers with a proven record of commitment to their craft, whose work demonstrates significant creative promise. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.
• Applicants do not need to be previously published, but the MSt is unlikely to be suitable for those who are just starting out on their writerly and critical development.

English language proficiency

This course requires proficiency in English at the University's  higher level . If your first language is not English, you may need to provide evidence that you meet this requirement. The minimum scores required to meet the University's higher level are detailed in the table below.

*Previously known as the Cambridge Certificate of Advanced English or Cambridge English: Advanced (CAE) † Previously known as the Cambridge Certificate of Proficiency in English or Cambridge English: Proficiency (CPE)

Your test must have been taken no more than two years before the start date of your course. Our Application Guide provides  further information about the English language test requirement .

Declaring extenuating circumstances

If your ability to meet the entry requirements has been affected by the COVID-19 pandemic (eg you were awarded an unclassified/ungraded degree) or any other exceptional personal circumstance (eg other illness or bereavement), please refer to the guidance on extenuating circumstances in the Application Guide for information about how to declare this so that your application can be considered appropriately.

You will need to register three referees who can give an informed view of your academic ability and suitability for the course. The  How to apply  section of this page provides details of the types of reference that are required in support of your application for this course and how these will be assessed.

Supporting documents

You will be required to supply supporting documents with your application. The  How to apply  section of this page provides details of the supporting documents that are required as part of your application for this course and how these will be assessed.

Performance at interview

Interviews are normally held as part of the admissions process.  

For those applying by the January deadline, interviews are generally held in February and March. For March applicants, interviews are generally held in March and April.

The decision to call an applicant for interview is based on the University Admission Board's assessment of your portfolio, statement of purpose, academic and professional track record and references. Interviews will be conducted in person or by telephone. All applicants whose paper submissions indicate they are qualified for entry will generally be interviewed, either in person or by telephone/Skype. There are always two interviewers. Interviews usually last up to approximately 30 minutes and provide an opportunity for the candidate to discuss his/her application and to explore the course in more detail.

The interview is designed to ascertain, through a range of questions, the shape and emphasis of the candidate's writing and reading, and general suitability for the demands of the MSt. 

How your application is assessed

Your application will be assessed purely on your proven and potential academic excellence and other entry requirements described under that heading.

References  and  supporting documents  submitted as part of your application, and your performance at interview (if interviews are held) will be considered as part of the assessment process. Whether or not you have secured funding will not be taken into consideration when your application is assessed.

An overview of the shortlisting and selection process is provided below. Our ' After you apply ' pages provide  more information about how applications are assessed . 

Shortlisting and selection

Students are considered for shortlisting and selected for admission without regard to age, disability, gender reassignment, marital or civil partnership status, pregnancy and maternity, race (including colour, nationality and ethnic or national origins), religion or belief (including lack of belief), sex, sexual orientation, as well as other relevant circumstances including parental or caring responsibilities or social background. However, please note the following:

• socio-economic information may be taken into account in the selection of applicants and award of scholarships for courses that are part of  the University’s pilot selection procedure  and for  scholarships aimed at under-represented groups ;
• country of ordinary residence may be taken into account in the awarding of certain scholarships; and
• protected characteristics may be taken into account during shortlisting for interview or the award of scholarships where the University has approved a positive action case under the Equality Act 2010.

Processing your data for shortlisting and selection

Information about  processing special category data for the purposes of positive action  and  using your data to assess your eligibility for funding , can be found in our Postgraduate Applicant Privacy Policy.

Admissions panels and assessors

All recommendations to admit a student involve the judgement of at least two members of the academic staff with relevant experience and expertise, and must also be approved by the Director of Graduate Studies or Admissions Committee (or equivalent within the department).

Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.

Other factors governing whether places can be offered

The following factors will also govern whether candidates can be offered places:

• the ability of the University to provide the appropriate supervision for your studies, as outlined under the 'Supervision' heading in the  About  section of this page;
• the ability of the University to provide appropriate support for your studies (eg through the provision of facilities, resources, teaching and/or research opportunities); and
• minimum and maximum limits to the numbers of students who may be admitted to the University's taught and research programmes.

Offer conditions for successful applications

If you receive an offer of a place at Oxford, your offer will outline any conditions that you need to satisfy and any actions you need to take, together with any associated deadlines. These may include academic conditions, such as achieving a specific final grade in your current degree course. These conditions will usually depend on your individual academic circumstances and may vary between applicants. Our ' After you apply ' pages provide more information about offers and conditions . 

In addition to any academic conditions which are set, you will also be required to meet the following requirements:

Financial Declaration

If you are offered a place, you will be required to complete a  Financial Declaration  in order to meet your financial condition of admission.

Disclosure of criminal convictions

In accordance with the University’s obligations towards students and staff, we will ask you to declare any  relevant, unspent criminal convictions  before you can take up a place at Oxford.

The department is committed to supporting you to pursue your academic goals. 

The Rewley House Continuing Education Library , one of the Bodleian Libraries, is situated in Rewley House. The department aims to support the wide variety of subjects covered by departmental courses at many academic levels. The department also has a collection of around 73,000 books together with periodicals. PCs in the library give access to the internet and the full range of electronic resources subscribed to by the University of Oxford. Wi-Fi is also available. The Jessop Reading Room adjoining the library is available for study. You will have access to the Central Bodleian and other Bodleian Libraries.

The department's Graduate School provides a stimulating and enriching learning and research environment for the department's graduate students, fostering intellectual and social interaction between graduates of different disciplines and professions from the UK and around the globe. The Graduate School will help you make the most of the wealth of resources and opportunities available, paying particular regard to the support and guidance needed if you are following a part-time graduate programme. The department’s graduate community comprises over 600 members following taught programmes and more than 70 undertaking doctoral research.

The department provides various IT facilities , including the Student Computing Facility which provides individual PCs for your use. Many of the department's courses are delivered through blended learning or have a website to support face-to-face study. In most cases, online support is delivered through a virtual learning environment. 

Depending on the programme you are taking with the department, you may require accommodation at some point in your student career. Rewley House is ideally located in central Oxford; the city's historic sites, colleges, museums, shops and restaurants are only a few minutes’ walk away. The department has 35 en-suite study bedrooms, all with high quality amenities, including internet access.

The Rewley House dining room has seating for up to 132 people. A full meal service is available daily. The department operates a Common Room with bar for students. 

Department for Continuing Education

The need for new learning opportunities throughout life is now recognised throughout society. An intensive, initial period of higher education is not always enough in times of rapid social, economic and technological change. The Department for Continuing Education is known worldwide as a leading provider of extended learning for professional and personal development.

The department provides high-quality, flexible, part-time graduate education, tailored for adults. Students can undertake graduate-level certificates, diplomas and taught master’s degrees in a wide range of subjects. Increasing numbers of courses are delivered in mixed mode, combining intensive periods of residence in Oxford with tutored online study.

The department recruits adult students of all ages on a regional, national and international level. Many courses are offered jointly with other academic departments around the University. Courses are offered in the following areas:

• Mathematical, physical and life sciences
• Medical and health sciences
• Social sciences .

All postgraduate students on the department's courses are members of its Graduate School. The Graduate School aims to provide a stimulating and enriching environment for learning and research. It also fosters intellectual and social interaction between students coming from different disciplines and professions. Interdisciplinary research seminars, training opportunities and other events are offered by the Graduate School in support of this goal.

All masters' and DPhil applicants are considered for Clarendon Scholarships . The department is committed to seeking scholarship support for other students wherever possible.

View all courses   View taught courses View research courses

The University expects to be able to offer over 1,000 full or partial graduate scholarships across the collegiate University in 2024-25. You will be automatically considered for the majority of Oxford scholarships , if you fulfil the eligibility criteria and submit your graduate application by the relevant December or January deadline. Most scholarships are awarded on the basis of academic merit and/or potential. 

For further details about searching for funding as a graduate student visit our dedicated Funding pages, which contain information about how to apply for Oxford scholarships requiring an additional application, details of external funding, loan schemes and other funding sources.

Please ensure that you visit individual college websites for details of any college-specific funding opportunities using the links provided on our college pages or below:

Please note that not all the colleges listed above may accept students on this course. For details of those which do, please refer to the College preference section of this page.

Further information about funding opportunities for this course can be found on the department's website.

Annual fees for entry in 2024-25

Further details about fee status eligibility can be found on the fee status webpage.

Information about course fees

Course fees are payable each year, for the duration of your fee liability (your fee liability is the length of time for which you are required to pay course fees). For courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on changes to fees and charges .

Course fees cover your teaching as well as other academic services and facilities provided to support your studies. Unless specified in the additional information section below, course fees do not cover your accommodation, residential costs or other living costs. They also don’t cover any additional costs and charges that are outlined in the additional information below.

Where can I find further information about fees?

The Fees and Funding  section of this website provides further information about course fees , including information about fee status and eligibility  and your length of fee liability .

Additional information

This course has residential sessions (residences and retreats) in Oxford. You will need to meet your travel costs in attending these sessions. The tuition fee includes the cost of board and lodging during the residences and retreats (eg for a four day residence, three nights accommodation will be provided). Further, as part of your course requirements, you will need to complete a research placement in the second year. For this placement you will need to meet your travel and accommodation costs, and any other incidental expenses. You may be able to apply for small grants from your department and/or college to help you cover some of these expenses. Further information about departmental funding can be found on the department's website. Please check with your specific college for bursary or other funding possibilities.

Living costs

In addition to your course fees, you will need to ensure that you have adequate funds to support your living costs for the duration of your course.

For the 2024-25 academic year, the range of likely living costs for full-time study is between c. £1,345 and £1,955 for each month spent in Oxford. Full information, including a breakdown of likely living costs in Oxford for items such as food, accommodation and study costs, is available on our living costs page. The current economic climate and high national rate of inflation make it very hard to estimate potential changes to the cost of living over the next few years. When planning your finances for any future years of study in Oxford beyond 2024-25, it is suggested that you allow for potential increases in living expenses of around 5% each year – although this rate may vary depending on the national economic situation. UK inflationary increases will be kept under review and this page updated.

If you are studying part-time your living costs may vary depending on your personal circumstances but you must still ensure that you will have sufficient funding to meet these costs for the duration of your course.

Students enrolled on this course will belong to both a department/faculty and a college. Please note that ‘college’ and ‘colleges’ refers to all 43 of the University’s colleges, including those designated as societies and permanent private halls (PPHs). 

If you apply for a place on this course you will have the option to express a preference for one of the colleges listed below, or you can ask us to find a college for you. Before deciding, we suggest that you read our brief  introduction to the college system at Oxford  and our  advice about expressing a college preference . For some courses, the department may have provided some additional advice below to help you decide.

The following colleges accept students on the MSt in Creative Writing:

• Blackfriars
• Brasenose College
• Campion Hall
• Harris Manchester College
• Keble College
• Kellogg College
• Lady Margaret Hall
• Oriel College
• Regent's Park College
• St Catherine's College
• Somerville College
• Wadham College
• Wycliffe Hall

Before you apply

Our  guide to getting started  provides general advice on how to prepare for and start your application. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

If it's important for you to have your application considered under a particular deadline – eg under a December or January deadline in order to be considered for Oxford scholarships – we recommend that you aim to complete and submit your application at least two weeks in advance . Check the deadlines on this page and the  information about deadlines and when to apply  in our Application Guide.

Application fee waivers

An application fee of £75 is payable per course application. Application fee waivers are available for the following applicants who meet the eligibility criteria:

• applicants from low-income countries;
• refugees and displaced persons; 
• UK applicants from low-income backgrounds; and 
• applicants who applied for our Graduate Access Programmes in the past two years and met the eligibility criteria.

You are encouraged to  check whether you're eligible for an application fee waiver  before you apply.

Do I need to contact anyone before I apply?

You do not need to make contact with the department before you apply but you are encouraged to visit the relevant departmental webpages to read any further information about your chosen course.

If you have any questions about the course, these should be directed to the course administrator via the contact details provided on this page.

Completing your application

You should refer to the information below when completing the application form, paying attention to the specific requirements for the supporting documents . 

If any document does not meet the specification, including the stipulated word count, your application may be considered incomplete and not assessed by the academic department. Expand each section to show further details.

Referees: Three overall, academic and/or professional

Whilst you must register three referees, the department may start the assessment of your application if two of the three references are submitted by the course deadline and your application is otherwise complete. Please note that you may still be required to ensure your third referee supplies a reference for consideration.

Your references will support your commitment to creative writing and suitability to pursue a course of this nature at graduate level. Both professional and academic references are acceptable.

Official transcript(s)

Your transcripts should give detailed information of the individual grades received in your university-level qualifications to date. You should only upload official documents issued by your institution and any transcript not in English should be accompanied by a certified translation.

More information about the transcript requirement is available in the Application Guide.

A CV/résumé is compulsory for all applications. Most applicants choose to submit a document of one to two pages highlighting their academic and writerly achievements and any relevant professional experience.

Statement of purpose: A maximum of 750 words

The statement of purpose should contain sufficient detail to allow it to be assessed against the indicated criteria.

Your statement should be written in English and explain your motivation for applying for the course at Oxford, your relevant experience and education, and the specific areas that interest you and/or in which you intend to specialise.

If possible, please ensure that the word count is clearly displayed on the document.

This will be assessed for:

• your reasons for applying
• evidence of motivation for and understanding of the proposed area of study
• the ability to present a reasoned case in English
• commitment to the subject, beyond the requirements of the degree course
• capacity for sustained and intense work
• reasoning ability and quality of written expression
• capacity to address issues of writerly and critical significance.

Written work: A maximum of 2,000 words of prose fiction or narrative non-fiction or 10 short poems or 15 minutes of dramatic writing (stage, screen, radio or TV)

Your portfolio of creative writing for assessment can be in any of the four genres, or in more than one. It should be clearly indicative of your ability in creative writing.

This will be assessed for excellence in creative writing.

Start or continue your application

You can start or return to an application using the relevant link below. As you complete the form, please  refer to the requirements above  and  consult our Application Guide for advice . You'll find the answers to most common queries in our FAQs.

Application Guide   Apply

ADMISSION STATUS

Closed to applications for entry in 2024-25

Register to be notified via email when the next application cycle opens (for entry in 2025-26)

12:00 midday UK time on:

Friday 19 January 2024 Latest deadline for most Oxford scholarships

Friday 1 March 2024 Applications may remain open after this deadline if places are still available - see below

A later deadline shown under 'Admission status' If places are still available,  applications may be accepted after 1 March . The 'Admissions status' (above) will provide notice of any later deadline.

*Three-year average (applications for entry in 2021-22 to 2023-24)

Further information and enquiries

This course is offered by the Department for Continuing Education

• Course page  and blog on  department website
• Funding information from the department
• Academic staff
• Departmental research
• Continuing Education Graduate School
• Postgraduate applicant privacy policy

Course-related enquiries

Advice about contacting the department can be found in the How to apply section of this page

✉ [email protected] ☎ +44 (0)1865 280145

Application-process enquiries

See the application guide

Visa eligibility for part-time study

We are unable to sponsor student visas for part-time study on this course. Part-time students may be able to attend on a visitor visa for short blocks of time only (and leave after each visit) and will need to remain based outside the UK.

Study Postgraduate

Writing (ma) (2024 entry).

Course code

P-Q3P7  

30 September 2024

1 year full-time; 2 years part-time

Qualification

Warwick Writing Programme , SCAPVC

University of Warwick

Download a prospectus

Virtual tour

Explore our taught Master's degree in Writing.

Writing is a profession and a passion; it is also an act of community. Warwick’s MA in Writing introduces you to the real world of writing, surrounded and supported by writing staff and students who share your ambition. It will show you how to make your way in the world as a writer.

The Warwick Writing Programme, founded in 1996, is the largest and most comprehensive of its kind in Europe and was ranked first by The Times and Sunday Times Good University Guide 2021.

Course overview

Our flexible MA in Writing is open to students from around the world.

Four taught modules (Fiction Workshop 1, Non-Fiction Workshop, or Writing Poetry), plus three other taught modules of your choice.

Across the Autumn and Spring term s , you will take f our taught modules (Fiction Workshop 1 or Non- F iction Workshop plus three other taught modules of your choice ) . In the summer term, you will work with a supervisor on your Long Project , for which you write a long piece of creative work in any genre that the Programme is able to supervise. This creative piece is accompanied by a shorter critical reflection.  

If you study Part Time, you will take either Fiction Workshop 1 or Non-Fiction Workshop in your first Autumn term, and take one optional module in the Spring term. In your second year, you will take two optional modules (one in the Autumn and one in the Spring term) and then do your Long Project in the Summer term.  

Warwick Writing Programme

The acclaimed Warwick Writing Programme is the largest and most comprehensive of its kind in Europe. You will be working alongside practising, award-winning novelists, poets and literary translators. Our teaching staff includes: A.L. Kennedy, Tim Leach, Nell Stevens, Maureen Freely (Chair of the International Booker Prize 2019), Gonzalo C. Garcia and David Morley (winner of the Ted Hughes Award 2015). We are closely involved with The Sunday Times Young Writer of the Year Award. Each year the winner of the award – which has in the past included Sally Rooney and Raymond Antrobus – spends a period of time as writer-in-residence at Warwick, working with students.

Further information about the MA in Writing is available on the  Warwick Writing Programme website Link opens in a new window .

General entry requirements

Minimum requirements.

2:1 undergraduate degree (or equivalent) in a related subject.

In addition to the usual application materials, candidates will be selected on the basis of a personal statement and a portfolio of their written work. The portfolio should be a maximum of 20 pages of poetry or 5,000 words of fiction/non-fiction, or a combination of the two. You must upload this with your online application form.

English language requirements

You can find out more about our English language requirements Link opens in a new window . This course requires the following:

• IELTS overall score of 7.5, minimum component scores of two at 6.5/7.0 and the rest at 7.5 or above.

International qualifications

We welcome applications from students with other internationally recognised qualifications.

For more information, please visit the international entry requirements page Link opens in a new window .

Additional requirements

There are no additional entry requirements for this course.

Core modules

There are no fixed core modules for this programme, but all students take an Optional Core module in writing, normally either Fiction Workshop 1 or Non-Fiction Workshop, though other modules (Fiction Workshop 2 and Writing Poetry) are possible.

Fiction Workshop 1

In this introductory prose workshop you will develop your expressive and technical skills in writing prose fiction, improve your skills as an editor and critic of your own and others’ work, gain a critical understanding of literary craft and technique, develop an understanding of the relationship between your work and the work of classic and contemporary authors.

Non-Fiction Workshop

This module will investigate the presence/absence of the author in nonfiction writing. We will address the limitations and the possibilities, and how creative nonfiction writing relates to all forms of self-expression we have today, from memoirs to social networks.  

Optional modules

Optional modules can vary from year to year. Example optional modules may include:

• Warwick Fiction Workshop 1 and 2
• Writing Poetry
• Writing about Human Rights and Injustice
• Historical Fictions, Fictional Histories
• The Practice of Literary Translation
• Brave New Worlds: Writing Science Fiction and Fantasy

We teach in writing workshops, seminars and one-to-one supervisions.

Each year, the MA group produce an anthology of new writing derived from work done during their time at Warwick. You will get the chance to be involved in the production, editing, writing, and promotion of a new anthology, seeing your work in print and gaining some invaluable hands-on experience along the way.

Class sizes

6 to 15 students.

Typical contact hours

8 hours per week.

Most modules are assessed by portfolios of writing in the relevant genre, sometimes with an accompanying essay. Space for reading, thinking and writing matters almost as much as teaching. Our campus is a good place for writers, with a wide range of creative spaces and events open throughout the year.

Your timetable

Your personalised timetable will be complete when you are registered for all modules and you have been allocated to your lectures, seminars and other small group classes. Your compulsory modules will be registered for you and you will be able to choose your optional modules when you join us.

A career in writing

Our staff have excellent links not only with other writers but also with publishing houses, literary journals and agencies, with national and regional organizations such as PEN and the Society of Authors, and with other creative writing programmes both in Britain and in the USA. We are also the home of the Warwick Prize for Women in Translation.

Many of our alumni have forged highly successful writing careers and picked up major national and international prizes: recent examples include Cynthia Miller being shortlisted for the Forward Prize for Best First Poetry Collection 2021, Sophie Mackintosh's novel The Water Cure , Katy Whitehead winning the 2017 Fitzcarraldo Essay Prize, Michael Askew winning a 2021 Eric Gregory Award for The Association Game , and Sohini Basak's debut collection   We Live in the Newness of Small Differences winning the 2016 Beverly Series.

At Warwick Thursdays, our weekly literary and cultural salon, you will encounter creative practitioners (typically including writers, filmmakers, literary translators, visual artists) and industry guests (typically including publishers, agents, journalists), gaining an insight into a range of possible careers in the creative industries.

Welcome to the Warwick Writing Programme, an internationally acclaimed writing programme that attracts writers and literary translators from across the globe. If you join us you will immerse yourself in contemporary and experimental narratives, including screenwriting, literary translation, gaming, spoken word and fieldwork.

We foster and maintain excellent creative industry links and networks to enable our students to achieve their career ambitions. We are closely involved with The Sunday Times Young Writer of the Year Award, whose recent winners have included Raymond Antrobus, Adam Weymouth and Sally Rooney. We are also the home of the Warwick Prize for Women in Translation.

Our teaching staff of novelists, poets, non-fiction writers, screenwriters and literary translators includes A.L. Kennedy, Tim Leach, Nell Stevens, Maureen Freely, Gonzalo C. Garcia , David Morley , Lucy Brydon, Dragan Todorovic , and Jodie Kim .  

Find out more about us on our website. Link opens in a new window

Our courses

• Literary Practice (PhD)
• Literary Translation Studies (MA)
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As well as tuition fees and living expenses, some courses may require you to cover the cost of field trips or costs associated with travel abroad.

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Associated costs can be found on the Study tab for each module listed in the Module Catalogue (please note most of the module content applies to 2022/23 year of study). Information about module department specific costs should be considered in conjunction with the more general costs below:

• Core text books
• Printer credits
• Dissertation binding
• Robe hire for your degree ceremony

Scholarships and bursaries

Scholarships and financial support

Find out about the different funding routes available, including; postgraduate loans, scholarships, fee awards and academic department bursaries.

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Find out more about the cost of living as a postgraduate student at the University of Warwick.

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The application process for courses that start in September and October 2024 will open on 2 October 2023.

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Creative Writing

Application options include:

Course Overview

The MA Creative Writing at Birkbeck is taught by one of the most diverse and vibrant departments in London. For nearly 20 years we have been enabling dynamic groups of students to improve their creative work and develop as writers. We have a growing list of published and prizewinning authors whose work started life in our seminars.

If you have been writing creatively for a while and feel the need for professional support and feedback and the guidance of published authors and a cohort of like-minded people, then this course is for you.

The course is taught through small seminars and one-to-one tuition. We offer modules in fiction writing - both short story and novel - and work with writers across many prose genres - both fiction and non-fiction. We also offer options in playwriting, poetry, screenwriting and creative non-fiction, and practical opportunities to learn about publishing, producing and editing creative work. 

Entry to the course is based on the submission of a portfolio of creative work, and candidates whose work shows promise will be invited for interview.

Read our blog to keep up to date with our research activities.

Discover the career opportunities available by taking Creative Writing (MA).

Key information and modules

Creative writing ma: 1 year full-time, on campus, starting october 2024.

Central London

Creative Writing MA: 2 years part-time, on campus, starting October 2024

Creative writing: january start ma: 2 years part-time, on campus, starting january 2025, pathways for creative writing (ma).

This course has additional Pathways to offer you the chance to specialise depending on your interests and career goals.

• Creative Writing and Contemporary Studies (MA)

Find another course:

• Birkbeck was ranked 2nd in the UK for its English Language and Literature research in the 2021 Research Excellence Framework.
• In particular, this environment is fostered by close links between the MA and the Centre for Conte mporary Literature at Birkbeck, which runs a wide variety of talks and conferences in this field. In addition to working with the established and award-winning writers who teach the degree, you will have contact with industry professionals, such as publishers and literary agents, who offer a series of platform discussions in the summer term.
• The Mechanics' Institute Review, MIROnline , is a forum for the most exciting new writing in short fiction, poetry and creative non-fiction selected from students on this course and beyond.
• Birkbeck is located in the heart of literary London, in Bloomsbury, WC1. You could be studying in a building that was once home to Virginia Woolf and frequented by members of the Bloomsbury Group. The building houses our own creative hub which includes the Peltz Gallery , the Gordon Square Cinema and a theatre and performance space .
• We have a range of scholarships available to enable talented students on low incomes to study with us, such as the Sophie Warne Fellowship . Once you have secured a place on the course you will be invited to apply for these awards. We offer a number of bursaries for postgraduate students .

Birkbeck makes all reasonable efforts to deliver educational services, modules and programmes of study as described on our website. In the event that there are material changes to our offering (for example, due to matters beyond our control), we will update applicant and student facing information as quickly as possible and offer alternatives to applicants, offer-holders and current students.

Entry Requirements

A second-class honours degree (2:2 or above, though this requirement may be waived if you can demonstrate exceptional talent), a personal statement (to be submitted with your application form) and a portfolio of prose writing of no more than 3000 words.

Your portfolio should be a section of a novel with a synopsis, a couple of short stories or a combination of the two. Please note that poetry, children’s fiction, journalism, screen- or playwriting are not appropriate submissions for this MA. Students are selected on the basis of their portfolio and statement, an interview (selected candidates only) and their degree.

Portfolio guidelines:

• Submit application.
• Wait up to 48 hours.
• Submit writing portfolio (Word or PDF) by logging into your MyBirkbeck profile, then going to the ‘Manage my application’ link and attaching the document.

Applications are reviewed on their individual merits, and your professional qualifications and/or relevant work experience will be taken into consideration positively. We actively support and encourage applications from mature learners.

On your application form, please list all your relevant qualifications and experience, including those you expect to achieve.

Apply now  to secure your place. The earlier you apply, the sooner your application can be considered and you can enrol. You do not need to have completed your current qualification to start your application.

English language requirements

If English is not your first language or you have not previously studied in English, the requirement for this programme is the equivalent of an International English Language Testing System (IELTS Academic Test) score of 6.5, with not less than 6.0 in each of the sub-tests.

If you don't meet the minimum IELTS requirement,  we offer pre-sessional English courses and foundation programmes  to help you improve your English language skills and get your place at Birkbeck.

Visit the International section of our website to find out more about our  English language entry requirements and relevant requirements by country .

Visa and funding requirements

If you are not from the UK and you do not already have residency here, you may need to apply for a visa.

The visa you apply for varies according to the length of your course:

• Courses of more than six months' duration: Student visa
• Courses of less than six months' duration: Standard Visitor visa

International students who require a Student visa should apply for our full-time courses as these qualify for Student visa sponsorship. If you are living in the UK on a Student visa, you will not be eligible to enrol as a student on Birkbeck's part-time courses (with the exception of some modules).

For full information, read our visa information for international students page .

Please also visit the international section of our website to find out more about relevant visa and funding requirements by country .

Please note students receiving US Federal Aid are only able to apply for in-person, on-campus programmes which will have no elements of online study.

Credits and accredited prior learning (APL)

If you have studied at university, you may have accumulated credits through the modules you studied. It may be possible to transfer these credits from your previous study to Birkbeck or another institution.

Creative Writing MA: 1 year full-time or 2 years part-time, on campus, starting in academic year 2024-25

Academic year 2024–25, starting october 2024.

Part-time home students: £5,400 per year Full-time home students: £10,800 per year Part-time international students : £9,915 per year Full-time international students: £19,830 per year

Creative Writing: January start MA: 2 years part-time, on campus, starting in academic year 2024-25

Academic year 2024–25, starting january 2025.

Part-time home students: £5,400 per year Part-time international students : £9,915 per year

Students are charged a tuition fee in each year of their course. Tuition fees for students continuing on their course in following years may be subject to annual inflationary increases. For more information, please see the College Fees Policy .

If you’ve studied at Birkbeck before and successfully completed an award with us, take advantage of our Lifelong Learning Guarantee to gain a discount on the tuition fee of this course.

Discover the financial support available to you to help with your studies at Birkbeck.

International scholarships

We provide a range of scholarships for eligible international students, including our Global Future Scholarship. Discover if you are eligible for a scholarship .

At Birkbeck, most of our courses are taught in the evening and all of our teaching is designed to support students who are juggling evening study with work and other commitments. We actively encourage innovative and engaging ways of teaching, to ensure our students have the best learning experience.

Teaching may include formal lectures, seminars, and practical classes and tutorials. Formal lectures are used in most degree programmes to give an overview of a particular field of study. They aim to provide the stimulus and the starting point for deeper exploration of the subject during your own personal reading. Seminars give you the chance to explore a specific aspect of your subject in depth and to discuss and exchange ideas with fellow students. They typically require preparatory study.

In addition, you will have access to pastoral support via a named Personal Tutor.

Methods of teaching on this course

Teaching is seminar-based. Each session is generally two hours, and there are further regular one-to-one tutorials throughout the year.

Key teaching staff on this course

Staff who may teach on this MA include successful, published authors and practitioners such as:

• David Eldridge
• Richard Hamblyn
• Jonathan Kemp
• Luke Williams

Teaching hours

Our evening hours are normally between 6pm and 9pm (6-7.30pm and 7.30-9pm). Some programmes also offer teaching during the day and this will be clearly signposted to you where it is available.

On our taught courses, you will have scheduled teaching and study sessions each year. Scheduled teaching sessions may include lectures, seminars, workshops or laboratory work. Depending on the modules you take, you may also have additional scheduled academic activities, such as tutorials, dissertation supervision, practical classes, visits and field trips. On our taught courses, the actual amount of time you spend in the classroom and in contact with your lecturers will depend on your course, the option modules you select and when you undertake your final-year project (if applicable).

Alongside your contact hours, you will also undertake assessment activities and independent learning outside of class. The amount of time you need to allocate to study both for taught sessions (this might include online sessions and/or in-person sessions) and personal study will depend on how much you are studying during the year and whether you are studying full time or part time.

Birkbeck’s courses are made up of modules and allocated ‘credit’. One credit is equivalent to ten hours of learning time. Modules are usually in 15, 30 or 60 credit units. A 15-credit module will mean around 150 hours of learning, including taught sessions and independent study or group work. This is spread out over the whole period of that module and includes the time you spend on any assessments, including in examinations, preparing and writing assessments or engaged in practical work as well as any study support sessions to help you in your learning.

On our distance-learning and blended-learning courses, discussion, collaboration and interaction with your lecturers and fellow students is encouraged and enabled through various learning technologies.

Timetables are usually available from September onwards and you can access your personalised timetable via your My Birkbeck Profile online (if you have been invited to enrol).

Indicative class size

Class sizes vary, depending on your course, the module you are undertaking, and the method of teaching. For example, lectures are presented to larger groups, whereas seminars usually consist of small, interactive groups led by a tutor.

Independent learning

On our taught courses, much of your time outside of class will be spent on self-directed, independent learning, including preparing for classes and following up afterwards. This will usually include, but is not limited to, reading books and journal articles, undertaking research, working on coursework and assignments, and preparing for presentations and assessments.

Independent learning is absolutely vital to your success as a student. Everyone is different, and the study time required varies topic by topic, but, as a guide, expect to schedule up to five hours of self-study for each hour of teaching.

Study skills and additional support

Birkbeck offers study and learning support to undergraduate and postgraduate students to help them succeed. Our Learning Development Service can help you in the following areas:

• academic skills (including planning your workload, research, writing, exam preparation and writing a dissertation)
• written English (including structure, punctuation and grammar)
• numerical skills (basic mathematics and statistics).

Our Disability and Dyslexia Service can support you if you have additional learning needs resulting from a disability or from dyslexia.

Our Counselling Service can support you if you are struggling with emotional or psychological difficulties during your studies.

Our Mental Health Advisory Service can support you if you are experiencing short- or long-term mental health difficulties during your studies.

Assessment is an integral part of your university studies and usually consists of a combination of coursework and examinations, although this will vary from course to course - on some of our courses, assessment is entirely by coursework. The methods of assessment on this course are specified below under 'Methods of assessment on this course'. You will need to allow time to complete coursework and prepare for exams.

Where a course has unseen written examinations, these may be held termly, but, on the majority of our courses, exams are usually taken in the Summer term, during May to June. Exams may be held at other times of the year as well. In most cases, exams are held during the day on a weekday - if you have daytime commitments, you will need to make arrangements for daytime attendance - but some exams are held in the evening. Exam timetables are published online.

Find out more about assessment at Birkbeck, including guidance on assessment, feedback and our assessment offences policy.

Methods of assessment on this course

Four short creative pieces with critical essays (67%). A dissertation (15,000 words) in one of the following genres: a novella, novel or collection of short stories, with a preface of 3000 words (33%).

Careers and employability

Graduates can pursue career paths in editing, teaching and writing professionally. Possible professions include:

• creative writer
• magazine or newspaper journalist
• editorial assistant
• academic librarian
• English as a second language (ESOL) teacher
• information officer.

Birkbeck Creative Writing graduates include:

• Niki Aguirre
• Sarah Alexander
• Laura Allsop
• Iphgenia Baal
• Phoebe Blatton
• Mary Lynn Bracht
• Nicole Burstein
• Tray Butler
• Melissa De Villiers
• Liz Fremantle
• AJ Grainger
• Jules Grant
• Emma Henderson
• Sally Hinchcliffe
• Heidi James
• Keith Jarrett
• Olya Knezevic
• Matthew Loukes
• Fiona Melrose
• Suzanne O'Sullivan
• Victoria Richards
• Nadim Safdar
• Karin Salvalaggio
• David Savill
• Stefanie Seddon
• Luke Tredget.

We offer a comprehensive careers service - Careers and Enterprise - your career partner during your time at Birkbeck and beyond. At every stage of your career journey, we empower you to take ownership of your future, helping you to make the connection between your experience, education and future ambitions.

You apply directly to Birkbeck for this course, using the online application link.

You will need to prove your identity when you apply - read more about suitable forms of identification .

When to apply

You are strongly advised to apply now, to ensure there are still places on your chosen course and to give you enough time to complete the admissions process, to arrange funding and to enrol.

You don't need to complete your current programme of study before you apply - Birkbeck can offer you a place that is conditional on your results.

You will also receive information about subject-specific induction sessions over the summer.

Help and advice with your application

Get all the information you need about the application, admission and enrolment process at Birkbeck.

Our online personal statement tool will guide you through every step of writing the personal statement part of your application.

Apply for your course

Apply for your course using the apply now button in the key information section .

Course structure

Course structure listing, course structure and modules for creative writing ma: 1 year full-time or 2 years part-time, on campus, starting october 2024.

You must complete modules worth a total of 180 credits, consisting of:

• two compulsory modules (30 credits each)
• two option modules (30 credits each)
• a 15,000-word dissertation (60 credits).

Compulsory modules

• Creative Non-Fiction
• Writing and Reading Seminar

Option modules

• Contemporary Writing 2: Genre
• Introduction to Playwriting
• Introduction to Screenwriting
• Poetry Workshop
• Writing The Self
• Writing Workshop

MA Creative Writing Dissertation

• Dissertation MA Creative Writing

Course structure and modules for Creative Writing: January start MA: 2 years part-time, on campus, starting January 2025

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Creative Writing MA

• Full-time: 12 months
• Part-time: 24 to 36 months
• Start date: September 2024
• UK fees: £9,250
• International fees: £22,600
• Entry requirements: 2:1

Course overview

Would you love to see your name in print? Are you curious about the creative industries? Or maybe there’s a poem or novel in you that's waiting to come out?

You will be supported to develop your creative work, and learn about the process of writing and publishing from expert staff who are published poets and authors themselves.

We will explore contemporary poetry, fiction and hybrid forms of writing (which cross genres), as well as building on your own critical writing skills. This broad analysis of technique and form will put you in a strong position to pursue a career in writing and the creative arts.

We also offer placements and internships to enhance your professional experience in sectors including publishing, marketing, charity, journalism, theatre, teaching, museums and heritage, events and libraries. Placements are flexible; you choose the duration and number of hours that best fit around your studies and other commitments.

Why choose this course?

Get ‘off the page’.

With Nottingham’s culture and activities , including Writing East Midlands , Nottingham Writers’ Studio , and Five Leaves Bookshop

Explore opportunities

in a  UNESCO City of Literature

Practice your skills

write for  Impact Magazine , the  Nottingham Poetry Exchange , or  The Letters Page  journal

Ranked 10th

for grade point average among 92 universities, and 7th in the Russell Group.

Research Excellence Framework 2021

Course content

Pre-arrival reading lists will be sent out with registration information before you join your course, where available.

This course is made up of 180 credits. 

Full-time students complete six modules across the year, before completing the dissertation over the summer.

Part-time students complete three taught modules in the first year of study, then three in their second, before turning to the dissertation.

All classes take place during weekdays.

• Core modules
• Optional modules
• Dissertation

There are five core creative writing modules, worth 20 credits each:

Develop your fiction through exercises and analysis of point of view, narrative voice, dialogue, and plot, among other techniques.

Expand your poetic range by playing with different approaches to form, exploring a range of creative techniques and sharpening your interpretive skills.

You will be encouraged to reflect on your writing output and incorporate the critiques of others when editing and developing your work.

This module is worth 20 credits. 

One of the key things you need to be able to do as a writer is critique and contextualise your own work.

This not only involves being able to edit and draft your work, it also includes understanding the wider influences from other literary and non-literary works.

These skills are really important when it comes to writing the critical essay – something you have to do alongside the creative work on the course. Yet, this module also explores how criticality itself offers new kinds of creative forms and approaches too, breaking down the traditional divide between prose, poetry and creative non-fiction.

You will explore:

• How to critically examine your own creative work
• How to write a critical essay
• New hybridic forms of writing that cross traditional boundaries (for example, prose, poetry and non-fiction) such as autofiction and autotheory
• New writers of creative, critical and hybridic work

This module is worth 20 credits

Investigate the complex relationships between writer, genre and creative industries.

In considering the production of prose and poetry, we will study the role of:

• booksellers
• literary events

Your assessment consists of a portfolio of either prose or poetry, or a combination of the two, as well as a critical essay.

This module is worth 20 credits.

Explore in depth how to write effective and compelling fiction.

Through in-class discussion and weekly readings and exercises, this module pushes and extends your own craft and technique.

Along the way, you’ll explore how to approach short story, flash fiction and novel writing. You’ll also be introduced to a range of secondary and critical texts that will help you deepen your own understanding of form, genre and style.

You will discover:

• key prose-writing techniques, including point of view, characterisation, dialogue and setting
• a range of form and genre, and the techniques and approaches that are relevant to them
• a range of critical texts that deepen and extend your understanding of prose writing technique

Explore a range of poetic conventions, and the contexts in which poetry is produced, whilst developing your own poetic style. 

Through the ‘practitioner’ approach, you are not only supported in your craft but encouraged to work towards submitting your work for publication. 

The reading list for this module includes: 

• poetry magazines
• new writers’ anthologies
• debut poetry collections
• poetry in performance 

You will select one 20-credit optional module (chosen during enrolment). Examples include:

This module represents a course in cognitive poetics. It aims to understand the meanings, emotions and effects of literary reading based on our current best understanding of language and mind. This means drawing on insights developed in cognitive science, especially in psychology and linguistics. You will also develop skills in stylistics and critical theory.

Cognitive poetics attempts to find answers to the following questions:

• How is it that different readers interpret the same literary work differently?
• How can we care emotionally about fictional people in books?
• How do some literary works make you cry, or laugh, or be fearful or joyous?
• How do we understand the minds of other people, real and imaginary?
• How do literary works create atmosphere, tone, and ambience?
• Does reality and fictionality matter?
• How does language create worlds?

You do not need to have a background in both linguistics and literary studies – either area will be perfect preparation for your exploration of cognitive poetics. You will be taught in a small-group two-hour tutorial discussion.

This module studies the representation of fictional consciousness.

Character consciousness has become so fundamental to any narrative, that we hardly think about the problems involved in representing another person's mind.

On this module, you will:

• explore in depth techniques for the presentation of consciousness in novels and other fictional texts
• learn about the linguistic indices associated with the point of view of characters and the various modes available to a writer for the presentation of characters' thoughts and perceptions
• examine the style of narrative texts that portray consciousness and study the theories that explain their methods
• consider the historical development of consciousness presentation techniques

The module is worth 20 credits.

Gain a practical introduction to the world of contemporary publishing, including:

• small presses
• online writing
• digital narratives
• social media

You will explore the landscape of contemporary publishing, both offline and online, and study the practical skills needed to research, write, edit, and publish writing across a range of forms and platforms.

The module is structured around practical writing tasks, working towards a real-world publication project which will form the basis for your assessment. You will be taught through a mixture of lecture-style content on relevant topics and practice-based workshops.

Alongside the module, you also have the opportunity to take up a work placement with The Letters Page , the School of English's own literary journal.

It has often been suggested that the idea of literary history – a narrative that understands, classifies and explains the English literary past – is an impossibility.

The relationship between literature and the history of the time of its creation is an equally vexed and productive question. We will look at various ways in which literature has combined with the study of history and also how histories of literature have been constructed.

Topics explored include:

• The development of the literary canon
• Periodicity
• Inclusions and exclusions
• Rediscoveries
• Representation

You will also look at the ways in which literary biography relates to the creation of literary histories. We will introduce key topics in the area and apply them to a variety of types of literature, and the myriad critical ways in which such literature has been viewed, both in its immediate moment and retrospectively.

Explore the use of linguistic frameworks to investigate literary texts.

Through a series of practical analyses, you will be introduced to a range of linguistic explorations of poetry, prose, and drama from a wide range of historical periods.

The module will invite you to use the analyses as an occasion for the critical evaluation of the various approaches to language and literature, to investigate the notions of literariness and interpretation, and to consider the scope and validity of stylistics in relation to literature and literary studies.

This module considers a major English literary genre and its critical heritage. It also demonstrates that medieval English romance narratives can be set in complex and profound critical relationship to each other and to other artistic media.

You are encouraged to explore how reading Middle English romance texts can:

• equip us with vocabulary and concepts to discuss the cultural specificities of the literary representations of romance, love and chivalry in this period
• represent public and private identities
• ask questions regarding individuality and selfhood that arise in literature produced in a volatile period of religious and social uncertainty and dissent

These are all issues that now define the Middle Ages for modern scholars.

Study key work in narratology from literary, stylistic and sociolinguistic perspectives.

 We will explore narrative texts in terms of:

• temporal organisation
• characterisation
• point of view

You will examine both literary and non-literary narratives and gain an understanding of the historical development of narrative techniques.

Explore how writers of the modernist period responded to an age of dramatic change, and new formations in society, politics and art.

This was an an age in which revolutionary developments in science, technology, philosophy and psychology prompted the formation of radically new understandings of the self and the world.

Studying a range of literary, dramatic, cultural and critical texts, we consider the individual and collective nature of the formulation of radical aesthetics. We will be discussing modernist and avant-garde approaches to such subjects as:

• Subjectivity and consciousness
• Community and identity: gender, race, nation
• Experimental form and the literary marketplace

We will study these texts in relation to the many relevant contexts of the period, as well as by the light of more recent critical and theoretical approaches that continue to make new the work of the moderns.

This module looks at various authors, movements, and genres in the history of English poetry, from 1500 to the present.

You will gain an overview of certain key chronological areas, and case studies of more specific movements or ideas. Themes and areas of focus may include:

• late medieval
• religious verse
• poetry and science
• Epicureanism
• verse epistles
• gender and recovery
• 'minor' poets and failure
• Empire and Romanticism
• the dramatic monologue
• modernist poetics

Explore a range of modern drama, all themed around the idea of riot.

We will explore the phenomenon of the riot, examining how it is defined and how it might relate to other kinds of western performance event.

• Analyse the way that riots have both been triggered by, and represented in, an assortment of other performances
• Compare and contrast material from a range of different chronological periods and across a range of different genres

Although this module is largely focused on dramatic texts, it gives you the opportunity to consider an assortment of other performance events. For example, we will analyse the drama of Synge and O’Casey, the ballet of Stravinsky and Nijinsky, and the performance poetry of Linton Kwesi Johnson.

Explore the changing meanings of Shakespeare’s plays across text, stage and screen.

The module examines three plays in depth, looking at their literary interest (from textual history and sources to thematic concerns and characterisation) and their performative possibilities on stage and in film. The module is redesigned each year to take advantage of what theatres are currently staging.

By approaching the plays from multiple angles, you will discover the varied potential for reinterpretation and recreation that each text offers.

You will build on seminar discussions to develop your own project question about:

• the interpretive possibilities that the plays offer
• the choices made by specific interpreters of the text

Your project will be developed in consultation with tutors to consider the interplay of performance and text.

Every published document that we read, be it a novel, poetry anthology, or magazine article, has been through a complex process of evolution and editing. This module introduces you to how texts are transmitted from ‘author’ to audience.

We will consider:

• modes of transmission, both manuscript and print
• modes of representation, including scholarly editions and anthologies, both print and digital
• editorial theory and practice, including ‘best text’, genetic editing and single witness

You are encouraged to apply questions of editing to your own areas of interest, and work through the practicalities of producing an edition yourselves.

The book, handwritten or printed, was as innovative and pervasive a technology in the Middle Ages as electronic technologies are in our own time.

This module introduces the study of the book as physical ‘artefact’ and world-changing technology.

We will cover:

• methods of construction and compilation
• handwriting and early printing techniques
• reading marginalia as well as text

You will also be introduced to the benefits and applications, as well as the problems, of applying an understanding of the artefact to the texts contained within.

During the summer, you will complete a 14,000-word creative writing dissertation. This is a major piece of independent research, and you will be allocated a supervisor who is a specialist in your chosen area.

You could choose to do a series of poems or short stories, a piece of non-fiction, or an excerpt from a novel. Your supervisor will guide you through the writing of your project through to completion.

This module is worth 60-credits.

Learning and assessment

How you will learn.

• Group study
• Guest speakers

Teaching consists of workshops in poetry and fiction led by prize-winning writers  Professor Jon McGregor ,  Matthew Welton ,  Thomas Legendre ,  Dr Lila Matsumoto  and  Dr Spencer Jordan .

Students are taught in small seminar groups, so there is plenty of opportunity for discussion of ideas and development of our students as researchers.

MA Dissertation Preparation Day

This is an opportunity for students to learn more about the challenges of a larger-scale research project, about supervision and support, and about the resources available to Masters researchers. It is also a social occasion, bringing together our postgraduate students as an academic community. 

More about the Dissertation Preparation Day

Peer mentoring

All new postgraduate taught students can opt into our peer mentoring scheme. Your peer mentor will help you settle into life at Nottingham and access support if needed. 

More about peer mentoring

How you will be assessed

• Creative writing

Most modules are assessed by written work of varying lengths, corresponding with the content and weighting of the module.

Your course tutors provide detailed comments on assignments.

For your creative writing assessment, this will consist of a portfolio. Depending on the module, this could include poetry, a short story or stories, an excerpt from a novel, or something more experimental that crosses genre or form.

Towards the end of your studies, you will complete a 14,000-word dissertation. This is a major piece of independent research, and you will be allocated a supervisor who is a specialist in your chosen area. You will produce an original piece of work in a medium of your choosing: you could produce a set of poems, a piece of fiction, or a series of short stories, for instance. You will also write a critical essay.

Your dissertation supervisor will provide advice and guidance to help you select your area of study, and offer close supervision and support as you complete your research.

Contact time and study hours

During the autumn semester, there will be approximately six hours of workshops per week for full-time students. Part-time students can expect around half of this contact time per week.

You may also arrange one-to-one tutorials with your tutors. Outside of this time, you will be expected to conduct independent study, whether reading, researching, or writing.

Entry requirements

All candidates are considered on an individual basis and we accept a broad range of qualifications. The entrance requirements below apply to 2024 entry.

• Home / UK students
• EU / International students

Alternative qualifications

Applicants will be asked to submit an example of their written work. You will be contacted by the university with full details of how to submit this.

The School of English welcomes writers of poetry, fiction, or a combination of the two. In reading the writing samples, we are looking for work that indicates that its author would be able to succeed on the course. There is no restriction on the subject matter of the writing sample. We only require that it is your own work.

You will be asked for either:

• no more than 3,000 words of prose fiction (this could be one story, a group of stories, or an extract from a longer piece)

Meeting our English language requirements

If you need support to meet the required level, you may be able to attend a presessional English course. Presessional courses teach you academic skills in addition to English language. Our  Centre for English Language Education is accredited by the British Council for the teaching of English in the UK.

If you successfully complete your presessional course to the required level, you can then progress to your degree course. This means that you won't need to retake IELTS or equivalent.

For on-campus presessional English courses, you must take IELTS for UKVI to meet visa regulations. For online presessional courses, see our CELE webpages for guidance

Visa restrictions

International students must have valid UK immigration permissions for any courses or study period where teaching takes place in the UK. Student route visas can be issued for eligible students studying full-time courses. The University of Nottingham does not sponsor a student visa for students studying part-time courses. The Standard Visitor visa route is not appropriate in all cases. Please contact the university’s Visa and Immigration team if you need advice about your visa options.

We recognise that applicants have a variety of experiences and follow different pathways to postgraduate study.

We treat all applicants with alternative qualifications on an individual basis. We may also consider relevant work experience.

If you are unsure whether your qualifications or work experience are relevant, contact us .

Our step-by-step guide covers everything you need to know about applying.

Where you will learn

Library facilities - school of english.

• manuscripts from the 12th-15th centuries and books in Old and Middle English, Old Icelandic, Viking Studies, and runology
• the  English Place-Name Society  library and archive
• Hallward Library's  DH Lawrence archive (containing Lawrence family papers, manuscripts, first editions, and books owned by Lawrence)
• the Cambridge Drama Collection (over 1,500 items including plays and works about the British theatre from 1750-1850)

Social Science and Arts Graduate Centre

The Graduate Centre for postgraduate students in the Arts and Social Sciences is available on the first floor of Highfield House, next to the Trent Building. Accessible 24/7, this space provides computer stations, a social area with informal seating and areas where students can work individually or in groups. 

The Centre also offers support for students interested in developing their own ideas in the form of seminars, conferences, events, and socials.

University Park Campus

University Park Campus  covers 300 acres, with green spaces, wildlife, period buildings and modern facilities. It is one of the UK's most beautiful and sustainable campuses, winning a national Green Flag award every year since 2003.

Most schools and departments are based here. You will have access to libraries, shops, cafes, the Students’ Union, sports village and a health centre.

You can walk or cycle around campus. Free hopper buses connect you to our other campuses. Nottingham city centre is 15 minutes away by public bus or tram.

Digital Transformations Hub

As a researcher you have full access to the  Digital Transformations Hub  and can use our equipment and software for free.

Additional information for international students

If you are a student from the EU, EEA or Switzerland, you may be asked to complete a fee status questionnaire and your answers will be assessed using guidance issued by the UK Council for International Student Affairs (UKCISA) .

These fees are for full-time study. If you are studying part-time, you will be charged a proportion of this fee each year (subject to inflation).

Additional costs

All students will need at least one device to approve security access requests via Multi-Factor Authentication (MFA). We also recommend students have a suitable laptop to work both on and off-campus. For more information, please check the equipment advice .

You'll be able to access most of the books you’ll need through our libraries, though you may wish to buy your own copies of core texts. The Blackwell's bookshop on campus offers a year-round price match against any of the main retailers (i.e. Amazon, Waterstones, WH Smith).

There are many ways to fund your postgraduate course, from scholarships to government loans.

We also offer a range of international masters scholarships for high-achieving international scholars who can put their Nottingham degree to great use in their careers.

Check our guide to find out more about funding your postgraduate degree.

• Careers advice
• Job prospects

We offer individual careers support for all postgraduate students .

Expert staff can help you research career options and job vacancies, build your CV or résumé, develop your interview skills and meet employers.

Each year 1,100 employers advertise graduate jobs and internships through our online vacancy service. We host regular careers fairs, including specialist fairs for different sectors.

International students who complete an eligible degree programme in the UK on a student visa can apply to stay and work in the UK after their course under the Graduate immigration route . Eligible courses at the University of Nottingham include bachelors, masters and research degrees, and PGCE courses.

Graduate destinations

This course is designed to develop a range of transferable professional skills, including:

• Analytical reasoning
• Communication
• Self-motivation
• Time-management
• Developing and presenting complex ideas

Our graduates have moved into a diverse range of careers, working as:

• Teachers and lecturers
• Copywriters
• Journalists
• Communications officers
• Digital marketers
• Proofreaders

"I loved my time at Nottingham, and the high quality tuition I received definitely lifted my writing to a level that got it noticed by agents and editors, and was the stepping off point for my career as a published author. The MA really did what it said on the tin: it made me understand the internal workings of fiction and, without doubt, made me a better writer."

- Clare Harvey, Creative Writing MA graduate and professional author

Career progression

75% of postgraduates from the School of English secured graduate level employment or further study within 15 months of graduation. The average starting salary was £20,796*

*HESA Graduate Outcomes 2020. The Graduate Outcomes % is derived using The Guardian University Guide methodology. The average annual salary is based on graduates working full-time within the UK.

There are a range of public engagement opportunities open to students in the School of English.

You may also apply to gain editing experience through The Letters Page online journal.

"I’ve always had the aspirations and dreams to work within the publishing industry. I was never sure what specific role I would want or how it would happen. But working with The Letters Page definitely cemented my desire to be a part of that industry…And now I am!"

- Mandy Baker , Creative Writing MA graduate, completed a placement with The Letters Page

Related courses

English literature ma, english studies ma.

The Teaching Excellence Framework (TEF) is a national grading system, introduced by the government in England. It assesses the quality of undergraduate teaching at universities and how well they ensure excellent outcomes for their students in terms of graduate-level employment or further study.

This content was last updated on Thursday 27 July 2023. Every effort has been made to ensure that this information is accurate, but changes are likely to occur given the interval between the date of publishing and course start date. It is therefore very important to check this website for any updates before you apply.

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• Get in touch

MA in Creative Writing (Online)

Transform your passion for reading into the ability to produce prose worthy of public recognition . 

• WHAT YOU LEARN
• COURSE MODULES
• HOW YOU'RE ASSESSED
• ENTRY REQUIREMENTS
• CAREER PROSPECTS

Course details

Additional costs:   due to the nature of the subject, and copyright restrictions placed on institutional libraries by some publishers, students will need to purchase some core texts.

Support with your application:   Contact our adviser team today for application advice.

Why this MA in Creative Writing?

It was Hull where Philip Larkin lived and worked at the University's Brynmor Jones Library for 30 years, writing most of his best work. A seafaring city that connected outwards and brought some of the exotic back to northern England.

Embracing Hull's global-facing outlook, MA Professor and accomplished author Martin Goodman describes the University's MA Creative Writing as an inspiring and collegial environment for online students who want to develop their distinctive voice as a creative writer.

There is also the option to attend face-to-face events , as you seek public recognition and become a valued, active member of a vibrant international creative writing community.

What you learn

Transform your passion for reading into the ability to produce prose worthy of public recognition. Whatever your genre of preference, be it literary fiction, nonfiction, or the likes of fantasy, mystery or romance – you will have the opportunity to hone your creative writing skills and discover the techniques seminal writers have used to significant effect:

push your creative boundaries and give shape to a strong and original creative voice

expand your knowledge of the literary canon and acquire the art of reading as a literary writer 

gain an in-depth knowledge of structure which will help you towards a deeper understanding of your writing process 

become conversant with a range of textual elements such as the use of dialogue, point of view, perspective and sensory detail and apply learned technique to your preferred writing genre 

take your place within the international creative writing community. Critique the work of others and engender the view of published writers as colleagues from who you can learn 

• develop your practice as a creative writer, understand the editing and re-drafting process necessary to produce prose of a publishable standard.

Your questions answered Programme Director Dr Chris Westoby answers some key questions about the course, including which modules you'll study, how you'll learn online, and the entry requirements.

[upbeat music plays throughout]

Dr Chris Westoby: So there are five modules over the course of two years. You're introduced to the programme with The Writer's Craft, which is designed by our programme founder, Martin Goodman. The Writer's Craft teaches you key writing concepts at MA level, how to analyze the work of exemplary authors and locate what makes their writing successful, so that you may apply such skills within your own practice, and you work upon and strengthen your unique writing voice.

This acts as your your foundation, your springboard, from which you launch into the central three genre specific modules. So you have Writing the Short Story, Writing from Life and Writing the Novel where you study and practice specific modes of writing in-depth.

By the end of these four taught modules, you'll be well equipped and raring to embark upon The Writer's Portfolio. This double length and double weighted module sees you liftoff into an extended writing project of your own design.

With the support of a supervisor chosen to help bring out the very best in your work. You learn through a a combination of writing exercises, lectures, guided critical reading, discussion, forums, workshops and webinars.

Well, this is hard to quantify because everyone works at different speeds, which is absolutely fine and part of what we're proud to accommodate. There are also extra elements to each model, which some students may wish to engage in such as further recommended reading.

Our standard entry requirements are a 2:2 BA honours degree or international equivalent.

However, we also recognize other forms of prior experience and therefore encourage anyone who is interested in the programme to get in touch.

Your application may discuss where your career has taken you so far and why this equips you with the skills designed to join this program. You might discuss other writing courses you've attended, which have provided a strong foundation. You might discuss inroads you have made into publication, all of which shows that you are ready to start sharing your work and have practiced polishing it.

Or you may simply demonstrate the strength of your potential as a writer through your creative writing sample.

Even without the standard entry requirements, you may be the ideal candidate for this programme. There are a number of non standard ways in which you may be considered, so please do get in touch.

Your assigned course advisor will help you form an application that lets your unique strengths shine.

Student work

Dear Isobel

Bedtime Stories for Kids

The Watcher Of The Night Sky (Book 1)

Post-Midnight Blues

Festa: A Year of Italian Celebrations - Recipes and Recollections

Mental Health Home Group Material

Into Your Blues

Pack of Lies

The Twinkling Of An Eye

Distant Voices: An anthology of stories

Course modules.

This masters degree allows you to develop your confidence and craft as a writer within a supportive, creative environment.

You study the following compulsory modules.

Because writing takes fire in the readers' mind, in this module, you will examine a wide range of literary works. Focusing primarily on textual elements including; sentence length and flow, perspective, choices of tense you will develop an understanding of how writers achieve their effects. Presented with sections of exemplary writing, you will move from your own visceral responses (e.g., excitement, intrigue, fear) to tracking how the writer deploys elements of craft to trigger desired emotions and atmosphere.

Short stories allow emerging writers to complete narrative arcs and establish a reputation through published works before tackling the longer form of a novel. In this module not only will you develop an appreciation of short stories from a range of international writers, but you will take the short story form and make it your own. Note that this module will also cover two sub-genres within the form; micro-fiction and flash fiction.

This module will introduce you to a wide range of nonfiction prose with a particular focus on travel writing, the essay, memoir, nature writing, and true-crime. You will produce your portfolio of work while practising a range of narrative nonfiction forms within a supportive, peer-driven environment.

What is it about an opening chapter of a novel that makes it virtually impossible to put it down? Throughout this module, you will improve upon your novel writing skills. The critique of your writing in a workshop setting will help you develop a keen awareness of narrative and narration along with a deep understanding of archetypes as an essential part of storytelling. As you develop plot and structure, you will employ editing and redrafting techniques to produce work you are proud to publish.

Creative writing is a rewarding process which requires immense personal discipline. In this module, you will receive guidance on how to structure your writing practice in this respect. Your prose portfolio (up to 15,000 words) represents the culmination of your MA Creative Writing programme. Here you will demonstrate your originality of ideas, grasp of technique and craft, presenting a unique and accomplished body of work to a publishable or near publishable standard.

Hear from our Alumni

Hear their stories, discover their motivations and the obstacles they overcame, and gain valuable insider perspectives.

Join us in May 24

What are the entry requirements.

A minimum 2.2 Bachelor Honours degree  or international equivalent . Applicants who do not meet this requirement may still be considered, but will need to present examples of relevant published work with their application

A creative writing sample (fiction or non-fiction) of 1,500 to 2,000 words

• A personal statement of around 300-500 words. Click here for details of what should be included

An IELTS 6.0 score (with minimum 5.5 in each skill) if your first language isn’t English (or other English language proficiency qualifications accepted by the University of Hull )

One professional or academic reference

If you're unsure whether you're eligible to apply, please get in touch with our friendly course adviser team for advice:

“I chose Hull because I wanted to study somewhere where I would be pushed to break free from my comfort zone."

How you're assessed.

All assessments for the course are based on coursework and submitted online. There are no exams. 

Assessment methods

Your performance on the course will be assessed through a range of methods including:

ongoing tutor and peer feedback

practical work, including group projects and discussion forums

Written assessments

You’ll also be asked to complete a variety of written assessments including:

Critical and creative responses, where you provide examples of crafting skills in work that interests you, and then provide short writing samples that utilise those techniques in your own work

Prose portfolios, comprising one or two pieces of original work

Commentary pieces, describing your ambitions and intent for your prose portfolios

Get more detailed information on the course assessment methods page:

Teaching team

Professor Martin Goodman

Dr Christopher Westoby

Dr Karina Lickorish Quinn

Dr Mick Jackson

Dr Kate Horsley

Barbara Henderson

Tim Hannigan

Dr Megan Hayes

Dr Elizabeth Watkinson

KR Moorhead

Maggie Hamand

Broaden your horizons with face-to-face events.

At the University of Hull, we believe it’s important for students to feel a sense of connectedness, whether they’re studying on campus or online. This is why we hold up to two face-to-face events per year with creative workshops, talks from visionary academics, and a glance into the UK’s thriving creative writing community. Students from previous events have:  

• Formed lasting friendships with fellow creatives  
• Refined their creative writing style on the back of discussion and constructive criticism  
• Drawn inspiration from new perspectives and literary genres  
• Picked up insider knowledge on how to get their work published   

Want to flex your creative muscles, meet your tutors in-person, or form a rapport with like-minded people? You can do all this and more, while exploring topics outside of your course modules. Stay tuned for updates on our face-to-face events – we’d love to have you join us!  

What makes this course stand out? Hear from Programme Founder Professor Martin Goodman about what sets this Creative Writing masters degree apart.

[inspirational music plays throughout]

Hello I'm Martin Goodman, Professor of Creative Writing here at the University of Hull. I'm Director of this MA Online Creative Writing program. And I'm a writer like you. So part of our program here is to welcome fellow writers and encourage you to be the best writer you can be. This course for anybody who wants to take their creative writing seriously, for whom it's something very important. It's probably been very private 'til now, but you're ready to share it, and you're ready to share it, ideally in this online environment. This suits you. Writing is quite a private thing that happens on paper. But we know we have to share it at some times if we're going to reach other readers. So this is what we aim to do with you. The way this course works is to bring you through several different modules. The first one is writer's craft, where we will examine other writers and exemplary pieces of writing and their techniques, how they make their writing work and other readers' minds. And then you build up these skills as you're going through modules about writing the story of writing the novel, writing from life, and then you're released into an extended piece of writing, and that is where you're following the form that most appeals to you. We designed this course to help you build yourself into being the complete prose writer. For me, it's actually been very important to try out all of these fields. So I write novels, I write short stories. I also write non-fiction, I write biographies, I write travel pieces, I write reviews. All of these things are part of what makes a writer able to sustain a living in the world. And you don't have to always be working from your imagination. There's always something you can go to. And in each of these, you're also building up your own skills. So if your main desire in life is to be a novelist, the skills that you can find from learning how to write the creative nonfiction, writing from life, or how to build a little character arc within a short story. These are all essential to you. Every little piece of skill that you develop in writing any form will go into the form of your choosing. It's very important to me that we create a protected space around you. So you're not writing according to what some publisher takes as being that fits my box. You're writing the best work that can emerge from yourself inside this protected space, so it's not judgmental at all. We're completely free. We're saying, begin to yourself and write from that hidden space inside of you. I know that a lot of students are really bursting with their creative writing and looking for feedback, but they find it very hard to get into the classroom. Sometimes it's not good if you're a quiet person to have to face the bustle of a classroom, to have to put out your writing at this particular moment. It's much simpler to do that in your own time, to sort of breathe in. You post it online, and then other people can review it in their own time. That's really what this online course is doing. It is connecting the world through brilliant writers. 

Career prospects

By studying this course, you should gain the confidence and practical skills necessary to produce creative writing of a publishable or near-publishable standard, in your genre of choice.

Want to get published?

Programme Director Dr Chris Westoby discusses how studying creative writing at Hull led to his first book:

You'll also gain valuable transferrable skills which are in-demand across the creative industries and beyond.

MA Creative Writing graduates often go into successful careers in a broad range of industries, such as

professional writing/authorship

marketing and PR

heritage and tourism

journalism and broadcasting

museum curating

Ready to apply?

Our step-by-step application process is easy to follow.

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SUBJECT LEAGUE TABLE 2025

A Creative Writing degree will let you flex your storytelling abilities and study the work of literary legends.Our university rankings for Creative Writing include Scriptwriting and Poetry Writing.

OTHER LEAGUE TABLES

• University League Tables
• Arts, Drama & Music League Table
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• Methodology
• University ranking
• University name
• Overall score
• Entry standards
• Student satisfaction
• Research quality
• Graduate prospects
• 1 2 2 2 3 2 4 1 5 2 6 7 1 8 6 9 1 10 2 11 12 17 13 6 14 15 16 16 7 17 5 18 9 19 22 20 13 21 7 22 2 23 5 24 3 25 26 10 27 8 28 13 29 3 30 13 31 14 32 2 33 5 34 16 35 4 36 13 37 7 38 6 39 2 40 2 41 11 42 6 43 8 44 3 45 New 46 47 6 48 8 49 6 50 4
• University of Warwick VIEW COURSES Royal Holloway, University of Londo... VIEW COURSES University of Birmingham VIEW COURSES University of Leeds VIEW COURSES Newcastle University VIEW COURSES Lancaster University VIEW COURSES University of East Anglia UEA VIEW COURSES University of Strathclyde VIEW COURSES University of Kent VIEW COURSES University of Plymouth VIEW COURSES University of Lincoln VIEW COURSES Keele University VIEW COURSES Manchester Metropolitan University VIEW COURSES University of Hull VIEW COURSES Kingston University VIEW COURSES University of Chester VIEW COURSES Edge Hill University VIEW COURSES Bournemouth University VIEW COURSES Bristol, University of the West of ... VIEW COURSES Canterbury Christ Church University VIEW COURSES Aberystwyth University VIEW COURSES Nottingham Trent University VIEW COURSES Brunel University London VIEW COURSES University of Essex VIEW COURSES University of Westminster, London VIEW COURSES Bangor University VIEW COURSES University of Portsmouth VIEW COURSES Teesside University, Middlesbrough VIEW COURSES Bath Spa University VIEW COURSES University of Brighton VIEW COURSES GET PROSPECTUS University of Greenwich VIEW COURSES De Montfort University VIEW COURSES University of Gloucestershire VIEW COURSES Sheffield Hallam University VIEW COURSES Anglia Ruskin University VIEW COURSES York St John University VIEW COURSES Birmingham City University VIEW COURSES University of Chichester VIEW COURSES Liverpool Hope University VIEW COURSES University of Winchester VIEW COURSES University of Salford VIEW COURSES University of Central Lancashire VIEW COURSES Arts University Bournemouth VIEW COURSES University of Worcester VIEW COURSES University of Bolton VIEW COURSES Liverpool John Moores University VIEW COURSES University of Derby VIEW COURSES Falmouth University VIEW COURSES St Mary's University, Twickenham VIEW COURSES University of Wolverhampton VIEW COURSES
• 100% 100% 99% 98% 97% 97% 97% 97% 95% 95% 94% 93% 93% 92% 91% 91% 90% 90% 90% 90% 89% 89% 89% 89% 89% 88% 88% 88% 88% 88% 87% 86% 86% 86% 86% 86% 85% 85% 85% 85% 85% 85% 85% 84% 84% 84% 83% 81% 80% 79%
• 79% 74% 73% 76% 68% 71% 75% 100% 62% 68% 62% 55% 60% 60% 55% 59% 61% n/a 56% 60% 61% 55% 64% 58% 54% 53% 52% 62% 58% 47% 58% 54% 51% 54% 49% 55% 57% 56% 58% 55% 56% 56% 60% 50% 48% 62% 64% 57% n/a n/a
• 77% 77% 76% 74% 79% 78% 74% 71% 77% 80% 88% 87% 80% 92% 83% 80% 80% 75% 79% 84% 81% 81% 82% 78% 72% 77% 85% 82% 76% 78% 82% 77% 79% 76% 79% 87% 76% 83% 76% 77% 81% 85% 89% 77% 82% 84% 80% 80% 76% 72%
• 86% 87% 89% 90% 94% 82% 87% 85% 87% 86% 75% 83% 86% 84% 77% 70% 73% 70% 71% 82% 69% 75% 77% 81% 84% 77% 71% 79% 81% 78% 68% 82% 67% 80% 79% 63% 88% 72% 72% 64% 70% 74% 64% 63% 65% n/a 62% n/a n/a 80%
• 74% 82% 78% n/a 76% 74% 72% n/a 78% 66% n/a 76% 76% n/a n/a 78% 60% 78% 92% 64% 62% n/a 58% 62% n/a 64% 68% n/a 66% 68% 56% 56% 54% 64% 64% 62% 54% 46% n/a 58% 70% 40% 60% 58% 66% 60% 60% 54% 72% 46%

This table was first published on 14 May 2024. 

Read the  University and subject tables methodology  to find out where the data comes from, how the tables are compiled and explanations of the measures used. 

All measures used to compile the tables are available on the full table view. Maximum scores for the measures: 

Overall score: maximum score of 1000 

Entry standards: no maximum score  

Student satisfaction: maximum score of 4

Research quality: maximum score of 4 

Continuation: maximum score of 100 

Graduate prospects – outcomes: maximum score of 100 

Graduate prospects – on track: maximum score of 100 

The following institutions have courses in this subject but insufficient data to be included in the ranking:  

• - Birmingham Newman University
• - Cardiff Metropolitan University
• - Cardiff University
• - Coventry University
• - Goldsmiths, University of London
• - Leeds Arts University
• - Leeds Beckett University
• - Leeds Trinity University
• - London Metropolitan University
• - Loughborough University
• - Middlesex University
• - Oxford Brookes University
• - Plymouth Marjon University
• - Queen's University Belfast
• - Staffordshire University
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• Credits measure the student workload required for the successful completion of a module or qualification.
• One credit represents about 10 hours of study over the duration of the course.
• You are awarded credits after you have successfully completed a module.
• For example, if you study a 60-credit module and successfully pass it, you will be awarded 60 credits.
• MA in Creative Writing

This qualification is an opportunity to develop your skills as a writer in fiction, poetry, creative nonfiction and scriptwriting for film, radio and the stage. You'll be able to write in a genre of your choice and experiment with at least one other through practical and inspiring activities. You’ll work towards producing a substantial piece of your own creative writing to a professional standard. You'll also hone your practice through sharing, reading and critiquing the writing of your peers in online forums. You’ll work towards producing a substantial piece of your own creative writing to a professional standard.

• Develop writing skills and awareness of approaches to writing
• Progress and hone sophisticated writing skills in at least one genre
• Gain a sound knowledge of, and ability in, a secondary genre
• Engage in sharing, critiquing and reviewing a variety of writing by your peers.

Study for free We’ve a limited number of scholarships available to UK students for the 2023/24 academic year. If you’re passionate about creative writing, you could be eligible for an Open Futures Scholarship. To apply, visit our Creative Writing Scholarship page. Applications close on 24 July 2023.

How to register

Select the module you will study first, read the full description, and follow the instructions to register.

To gain the 180 credits you require for this qualification, you must study the modules in the order shown below and pass part 1 before progressing to part 2:

Please note that MA Creative Writing part 2 (A803) is worth 120 credits. Module fees for postgraduate modules are based on the number of credits you study. Therefore the fee for this 120-credit postgraduate module will be double that for the 60-credit module MA Creative Writing part 1 (A802).

You should note that the University’s unique study rule applies to this qualification. This means that you must include at least 60 credits from OU modules that have not been counted in any other OU qualification that has previously been awarded to you.

Learning outcomes, teaching and assessment

The learning outcomes of this qualification are described in four areas:

• Knowledge and understanding
• Cognitive skills
• Practical and professional skills

If you’ve successfully completed some relevant postgraduate study elsewhere, you might be able to count it towards this qualification, reducing the number of modules you need to study. You should apply for credit transfer as soon as possible, before you register for your first module. For more details and an application form, visit our Credit Transfer  website.

On completion

On successful completion of the required modules you can be awarded the Master of Arts in Creative Writing, entitling you to use the letters MA (CW) (Open) after your name. You will have the opportunity of being presented at a degree ceremony.

If you leave the programme before you qualify for a degree you can qualify for a  Postgraduate Certificate in Humanities (C20)  after successfully completing 60 credits.

Regulations

As a student of The Open University, you should be aware of the content of the qualification-specific regulations below and the academic regulations that are available on our Student Policies and Regulations  website. 

We regularly review our curriculum; therefore, the qualification described on this page – including its availability, its structure, and available modules – may change over time. If we make changes to this qualification, we’ll update this page as soon as possible. Once you’ve registered or are studying this qualification, where practicable, we’ll inform you in good time of any upcoming changes. If you’d like to know more about the circumstances in which the University might make changes to the curriculum, see our Academic Regulations or contact us . This description was last updated on 19 March 2024.

You must hold a UK honours degree (or equivalent), preferably with at least a 2:1 classification. Although your degree does not need to be in Creative Writing or a closely related subject, you will need some knowledge of the subject to successfully complete this qualification, as the MA in Creative Writing assumes all candidates have the knowledge and skills usually acquired by pursuing the subject at undergraduate level. Please note that this is not a qualification for those who are just starting to write creatively

If your degree is not in Creative Writing or a closely related subject, we strongly recommend that you read the preparatory work indicated on the MA Creative Writing part 1 . Alternatively, you could undertake our open-access creative writing courses on OpenLearn  and FutureLearn to ensure your skills (writing, reading, editorial, reflective, analytical) are at an appropriate standard.

If you don’t have a Creative Writing degree, please also make sure that you provide evidence of your experience of writing when you apply – whether through short courses, workshops, or publications.

How long it takes

You will be able to complete this masters qualification within two years by studying one module each year. If you do not study the modules consecutively, you must complete them in a maximum of 10 years to qualify for the degree.

Career relevance

If you wish to pursue a freelance writing career this Masters degree will equip you with necessary writing and editorial skills, as well as equipping you with a raft of highly valued transferable communication and collaborative skills necessary to the modern writer’s usual portfolio of occupations.

If you are aiming for an academic career in higher education, this qualification will provide a route towards a higher level research or writing practice degree (e.g. PhD), which is essential for such a career. A Masters degree can help to enhance your career prospects as a teacher in secondary and higher education (HE); most HE creative writing teaching now demands an MA in the subject.

If your aim is to enter professions associated with the media, culture, creative or knowledge industries, or if you already have a career in one of these areas and are seeking a further qualification as a means of career development, then a Masters degree, supplemented by relevant skills and experience, can prove invaluable. This degree is pertinent to those careers that directly call upon knowledge of the craft of writing, editing and critiquing (for instance, journalism, publishing, copywriting). It may also be relevant for careers that demand skills in the creative use and analysis of texts of various sorts, critical thinking and organisation, and understanding of culture in a broad sense.

Careers and Employability Services have more information on how OU study can improve your employability.

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Creative Writing (MA)

• Duration: 1 year
• Mode: Full time

Conversion course

This is a conversion course . Conversion courses allow you to study a subject unrelated to your undergraduate degree or current career, and support you with a change of career path.

Find out more about studying here as a postgraduate at our next Open Day .

Why study this course

Develop your portfolio of writing in our prestigious programme designed for emerging and more experienced writers.

Taught by experts

Our teaching staff is made up of professional writers and leading researchers.

Hone your craft

Showcase events and Open Mic nights allow you to share your writing with an audience.

Learn outside the classroom

The opportunity to attend a writing retreat with your peers and course tutors.

Network with professionals

A creative industries symposium, featuring panels with agents, editors, and publishers, as well as a Visiting Writer series.

Designed for improving writers with previous experience of the writer’s craft, this one-year full-time course will extend your knowledge and understanding of the practice of creative writing.

Developing your creative writing abilities and ideas beyond your first degree, you will attend workshops, produce two extended portfolios of creative writing in your chosen genre(s), and attend classes in various topics in creative writing. In addition, you will have the opportunity to gain experience in teaching creative writing, or further your knowledge of other areas of creative practice or English Literature by choosing from a selection of research-led modules taught by specialists in the field.

A series of complementary modules stresses an integrated and cohesive experience of developing your craft and writing skills; at the same time, you will have the opportunity to engage with the writing industry, liaise with creative professionals, and showcase your work. 

You will master the ability to independently produce literary works of sophistication and skill, and to participate in writers’ workshops. You will also develop your knowledge and skills in the writing of one or more literary genre(s), the processes of editing and revision, and either the teaching of creative writing, or other areas of creative practice or English Literature.  

Where you'll study

School of English, Communication and Philosophy

Powered by pioneering research, we celebrate curiosity, engage in informed debate and critical analysis, and encourage creative thinking - across and beyond our disciplines.

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Admissions criteria

This is a conversion course. Conversion courses allow you to study a subject unrelated to your undergraduate degree or current career, and support you with a change of career path. No prior knowledge or degree in the subject is required.

In order to be considered for an offer for this programme you will need to meet all of the entry requirements. Your application will not be progressed if the information and evidence listed is not provided.

With your online application you will need to provide:

• A copy of your degree certificate and transcripts which show you have achieved a 2:1 honours degree in any subject, or an equivalent international degree. If your degree certificate or result is pending, please upload any interim transcripts or provisional certificates.
• A copy of your IELTS certificate with an overall score of 7.0 with 6.5 in all subskills, or evidence of an accepted equivalent. Please include the date of your expected test if this qualification is pending. If you have alternative acceptable evidence, such as an undergraduate degree studied in the UK, please supply this in place of an IELTS.
• A personal statement that does not exceed 750 words outlining your motivations for undertaking the course and an awareness of the programme aims and learning outcomes.
• A written piece of 2000 words of prose or drama, or up 10 poems - the number of pages will vary according to the genre or work you are submitting. Something you have previously submitted as part of your BA degree or another course is acceptable.
• A written piece of 1000 words of additional writing, made up of one of the following: literary criticism, an academic essay, journalism, an arts review, or a piece of creative analysis (as required for 'commentaries' on standard Creative Writing assignments).

Application Deadline

We allocate places on a first-come, first-served basis, so we recommend you apply as early as possible. Applications normally close at the end of August but may close sooner if all places are filled.

Selection process

We will review your application and the quality of the portfolio of creative writing submitted and if you meet all of the entry requirements, we will make you an offer.

Find out more about English language requirements .

Criminal convictions

You are not required to complete a DBS (Disclosure Barring Service) check or provide a Certificate of Good Conduct to study this course.

If you are currently subject to any licence condition or monitoring restriction that could affect your ability to successfully complete your studies, you will be required to disclose your criminal record. Conditions include, but are not limited to:

• access to computers or devices that can store images
• use of internet and communication tools/devices
• freedom of movement
• contact with people related to Cardiff University.

Course structure

Overall, the degree programme is worth 180 credits. You will study a mixture of core modules and a selection from a range of optional modules (either from within Creative Writing or the English Literature MA programme).  

The programme is divided into two stages. Stage 1 is comprised of all of your taught modules. On successful completion of Stage 1 you will progress to Stage 2 of the programme.  

As the focus of Stage 2, from May to September of your year of study, you will devote your time to completing your extended portfolio of writing and accompanying critical commentary produced exclusively during the course. You will be supported in this through one-to-one tutorial meetings with your portfolio supervisor. You must successfully complete Stage 2 and pass the module to gain your Master’s degree.

The modules shown are an example of the typical curriculum and will be reviewed prior to the 2024/25 academic year. The final modules will be published by September 2024.

Stage 1 is comprised entirely of taught modules and takes places across the autumn and spring semesters.  It consists of a mixture of core modules and a selection from a range of optional modules that make up a total of 120 credits.

A selection of optional modules in Creative Writing provides you with the opportunity to learn about further areas of creative and critical practice; these may include ideas and approaches in the practice of translating creative work; how literary theory informs creative writing; or creative writing pedagogy, with an emphasis on practical applications and the chance to gain teaching experience.

Each year a wide selection of English literature modules are made available to Creative Writing students that may be taken; if you decide to study an English literature module you may need to submit a sample of critical writing to demonstrate the requisite writing skills, and potentially meet with the module tutor to ensure you have the required background knowledge to study on that module.

Please note that one core module requires evening attendance on select weeks throughout the year.

Stage Two is made up of a supervision-based module that provides you with the opportunity to further specialize in your writing area(s) and genre(s) of choice.  You will work with your assigned supervisor through one-to-one tutorials to further hone your craft, expertise, and knowledge while simultaneously developing an extended body of work.

The module is worth 60 credits and assessed by a final portfolio, which consists of a creative component and an accompanying critical commentary, both to be submitted at the end of the academic year.

The University is committed to providing a wide range of module options where possible, but please be aware that whilst every effort is made to offer choice this may be limited in certain circumstances. This is due to the fact that some modules have limited numbers of places available, which are allocated on a first-come, first-served basis, while others have minimum student numbers required before they will run, to ensure that an appropriate quality of education can be delivered; some modules require students to have already taken particular subjects, and others are core or required on the programme you are taking. Modules may also be limited due to timetable clashes, and although the University works to minimise disruption to choice, we advise you to seek advice from the relevant School on the module choices available.

Learning and assessment

How will i be taught.

Teaching and learning is by a combination of lectures, seminars, workshops, tutor led one-to-ones, guest talks and panels, and showcasing events; it also includes the opportunity to attend a writing retreat and a creative industries symposium.

Throughout the course of your studies you will be expected to read and analyse a range of critical and literary texts, read and assess peer work, and develop self-reflective writing skills.  As you progress in your learning you will move from a wider consideration of the craft to a greater focus on your genre area(s).

Specific learning activities will vary from module to module, but may include writing exercises, critical reading, analysis of craft, the presentation of critical and creative work to others, teaching activities, etc. In the workshop-based modules you will be expected to read and critique the work of your peers, and give focused and constructive feedback in our supportive group environments.

Additional information

As part of the programme, Open Mic sessions take place at regular intervals throughout the academic year, often featuring a professional guest writer, providing you with the opportunity to present your work to an audience. Our Annual Creative Writers’ Retreat usually takes place at the beginning of December. Costs are included in your course fee. The retreat involves a combination of seminars, workshops, and showcase events, as well as time set aside for writing, reading, and reflection.

Each year, at the end of the spring semester we aim to hold an annual Creative Industries Symposium, which takes place over one day and involves guest talks, panels discussions, and presentations by industry professionals: authors, editors, agents, and/or publishers.  

How will I be assessed?

Assessment will vary from module to module. On your taught modules that comprise Stage One, assessment may consist of but is not limited to: portfolios of creative work, academic essays, reflective essays, journals, critical commentaries, video blogs and/or presentations. The assessment for Stage Two is made up of an extended portfolio of work that includes a combination of creative and critical writing.

How will I be supported?

You will be assigned a personal tutor for the course of your studies, who is available to discuss your general academic progress and student experience. You will also have the opportunity to meet with your module tutors to discuss particular aspects of their respective modules.  On some modules – and in particular Stage Two – you will also be assigned a supervisor with whom you will discuss your writing and work-in-progress through one-to-one tutorials.

There is extensive opportunity for formative feedback throughout the course, particularly in the workshop-based modules, in which you will share your own work in progress and receive constructive critique and advice from your peers and tutors. Each module culminates in a summative assessment, and for these assessments along with the mark (where applicable) in-depth feedback is provided by the module tutor. 

What skills will I practise and develop?

The Learning Outcomes for this Programme describe what you will be able to do as a result of your study at Cardiff University. They will help you to understand what is expected of you. 

The Learning Outcomes for this Programme can be found below:

Knowledge & Understanding:

On successful completion of the Programme you will be able to:

• Demonstrate systematic understanding of the creative processes of published and established writers, both past and present
• Understand key aspects of creative writing theory and practice.
• Show comprehensive knowledge of the use of voice, point of view, character, setting, plot, and theme in creative works

Intellectual Skills:

• Analyse and critique specific writing modes, styles, and genres
• Evaluate the strengths and weaknesses of others’ writing.
• Assess and critically reflect on your own writing practice 

Professional Practical Skills:

• Conceptualize and develop creative works to a high standard
• Design and undertake research to inform your creative writing and/or sustain a complex critical argument.
• Understand standards and conventions of the creative industries

Transferable/Key Skills:

• Edit and revise pieces of creative and/or critical writing
• Present your work and engage an audience
• Provide constructive feedback in a supportive manner

Tuition fees for 2024 entry

Your tuition fees and how you pay them will depend on your fee status. Your fee status could be home, island or overseas.

Learn how we decide your fee status

Fees for home status

Students from the eu, eea and switzerland.

If you are an EU, EEA or Swiss national, your tuition fees for 2024/25 be in line with the overseas fees for international students, unless you qualify for home fee status. UKCISA have provided information about Brexit and tuition fees .

Fees for island status

Learn more about the postgraduate fees for students from the Channel Islands or the Isle of Man .

Fees for overseas status

More information about tuition fees and deposits , including for part-time and continuing students.

Financial support

Financial support may be available to individuals who meet certain criteria. For more information visit our funding section. Please note that these sources of financial support are limited and therefore not everyone who meets the criteria are guaranteed to receive the support.

Additional costs

Living costs.

We’re based in one of the UK’s most affordable cities. Find out more about living costs in Cardiff .

Master's Scholarships

An award open to UK students intending to study one of our taught master’s degrees.

Postgraduate loans

If you are starting your master’s degree in September 2024 or later, you may be able to apply for a postgraduate loan to support your study at Cardiff University.

Alumni Discount

The alumni discount is available for Cardiff University graduates who are planning to start an eligible master's in 2024/25.

Careers and placements

Postgraduate study is a gateway to many careers within and beyond academia. Many overseas postgraduates return to lectureships with much enhanced career prospects. Example employers in the UK include Cardiff University, Mencap, Poetry Wales magazine, Teach First, and the Welsh Government, with jobs that include Creative Writing Lecturer, Copyeditor, Copywriter, Librarian, Literary Agent, Literary Editor, Marketing Officer, Novelist, Poet, Publicist, Publisher, Playwright, Recruitment Consultant, Teacher, and Screenwriter, among many others.

Among our roll-call of alumni are Susmita Bhattacharya ( Table Manners , Dahlia), Wales Book of the Year winner Deborah Kay Davies ( True Things About Me , Canongate) and science fiction novelist James Smythe ( I Still Dream , HarperCollins).

Those opting to undertake the optional module Teaching Creative Writing module, will have the chance to sit in on undergraduate classes and to teach a session, and potentially to visit local schools and colleges.

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Related searches: Creative writing , English literature

HESA Data: Copyright Higher Education Statistics Agency Limited 2021. The Higher Education Statistics Agency Limited cannot accept responsibility for any inferences or conclusions derived by third parties from its data. Data is from the latest Graduate Outcomes Survey 2019/20, published by HESA in June 2022.

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Digital Media and Creative Industries Masters Scholarships

Award description.

To support you on our exciting new MA Digital Media and Creative Industries programme, we are offering a number of £5,000 scholarships to Home students starting in September 2024.

This will be offered as a fee discount.

Value of Award

These awards are for a £5,000 fee discount for full-time study for Home students on the MA Digital Media and Creative Industries programme.

Eligibility Criteria

These awards are open to UK students, studying the full-time MA Digital Media and Creative Industries programme. 

They are available to students who commence their study at the start of the 2024 academic year. 

Applications for funding can only be considered alongside an application to study. 

You will not be eligible to hold this scholarship alongside any other University of Birmingham funding awards, apart from the  Postgraduate Progression Award .

How to Apply

In order to apply, you must have completed an application to study. You will then need to complete our simple online funding application form .

Decisions will be made on merit based on your application to study the MA Digital Media and Creative Industries programme.

The deadline for the first round of applications is  Sunday 30 June 2024 at 4pm BST .

Further information

If you have any further queries, please email  [email protected]

College of Arts and Law Postgraduate Team [email protected]