what is a thesis statement for lord of the flies

• Lord of the Flies

William Golding

• Literature Notes
• Major Themes
• Lord of the Flies at a Glance
• Book Summary
• About Lord of the Flies
• Character List
• Summary and Analysis
• Character Analysis
• Character Map
• William Golding Biography
• Critical Essays
• Concept, Identity, and Manifestations of the Beast
• Golding's Use of the Fable Structure
• Famous Quotes
• Film Versions
• Full Glossary
• Essay Questions
• Practice Projects
• Cite this Literature Note

Critical Essays Major Themes

Problem of Evil

Lord of the Flies was driven by " Golding 's consideration of human evil, a complex topic that involves an examination not only of human nature but also the causes, effects, and manifestations of evil. It demands also a close observation of the methods or ideologies humankind uses to combat evil and whether those methods are effective. Golding addresses these topics through the intricate allegory of his novel.

When Lord of the Flies was first released in 1954, Golding described the novel's theme in a publicity questionnaire as "an attempt to trace the defects of society back to the defects of human nature." In his 1982 essay A Moving Target , he stated simply "The theme of Lord of the Flies is grief, sheer grief, grief, grief." The novel ends of course with Ralph grieving the indelible mark of evil in each person's heart, an evil he scarcely suspected existed before witnessing its effects on his friends and supporters. The former schoolboys sought unthinkingly to dominate others who were not of their group. They discovered within themselves the urge to inflict pain and enjoyed the accompanying rush of power. When confronted with a choice between reason's civilizing influence and animality's self-indulgent savagery, they choose to abandon the values of the civilization that Ralph represents.

This same choice is made constantly all over the world, all throughout history — the source of the grief Golding sought to convey. He places supposedly innocent schoolboys in the protected environment of an uninhabited tropical island to illustrate the point that savagery is not confined to certain people in particular environments but exists in everyone as a stain on, if not a dominator of, the nobler side of human nature. Golding depicts the smallest boys acting out, in innocence, the same cruel desire for mastery shown by Jack and his tribe while hunting pigs and, later, Ralph. The adults waging the war that marooned the boys on the island are also enacting the desire to rule others.

Ironically, by giving rein to their urge to dominate, the boys find themselves in the grip of a force they can neither understand nor acknowledge. The Lord of the Flies tells Simon "Fancy thinking the Beast was something you could hunt and kill!" and then laughs at the boys' efforts to externalize their savagery in the form of an animal or other fearsome creature. Simon has the revelation that evil isn't simply a component of human nature, but an active element that seeks expression.

Outlets for Violence

Most societies set up mechanisms to channel aggressive impulses into productive enterprises or projects. On the island, Jack's hunters are successful in providing meat for the group because they tap into their innate ability to commit violence. To the extent that this violence is a reasoned response to the group's needs (for example, to feed for the population), it produces positive effects and outcomes. However, when the violence becomes the motivator and the desired outcome lacks social or moral value beyond itself, as it does with the hunters, at that point the violence becomes evil, savage, and diabolical.

Violence continues to exist in modern society and is institutionalized in the military and politics. Golding develops this theme by having his characters establish a democratic assembly, which is greatly affected by the verbal violence of Jack's power-plays, and an army of hunters, which ultimately forms a small military dictatorship. The boys' assemblies are likened to both ends of the social or civil spectrum, from pre-verbal tribe gatherings to modern governmental institutions, indicating that while the forum for politics has changed over the millennia, the dynamic remains the same.

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A Summary and Analysis of William Golding’s Lord of the Flies

By Dr Oliver Tearle (Loughborough University)

Lord of the Flies was first published in 1954, although it very nearly wasn’t published at all. Its author, William Golding, was a struggling grammar-school teacher when he wrote it, having been given the germ of the idea by his wife, Ann.

The novel’s title is a reference to Beelzebub, a name for the Devil, which means literally ‘lord of the flies’ (at least in most translations ). Given the fact that power, devilry, and, yes, flies are all central aspects of Lord of the Flies , the title is especially apt.

Golding (nicknamed ‘Scruff’ by his pupils) struggled to get the novel accepted by numerous publishers before Faber and Faber took it on. However, even there it was initially rejected (the initial reader at Faber dismissed it as ‘absurd and uninteresting fantasy’ and ‘rubbish and dull’) until a young editor, Charles Monteith, saw potential in the manuscript and got it accepted. It still sells tens of thousands of copies every year.

But how should we interpret this tale of post-apocalyptic barbarism? Before we offer an analysis of Golding’s novel, here’s a brief reminder of the plot.

Lord of the Flies : plot summary

The novel begins with a plane carrying a group of British schoolboys being shot down; the boys land on a desert island. Two of them, Ralph and Piggy, find a conch shell on the beach, and they use it to signal to the rest of the schoolboys, who then start to form their own ‘society’, with a leader elected among them.

Ralph is named the leader while Jack is his sort of second-in-command, in charge of finding food on the island.

After they start a fire to try to signal for help, they accidentally burn down a large part of the nearby forest, killing one boy. When a ship does sail past, it doesn’t stop to rescue the boys because Jack’s band of hunters have carelessly allowed the signal-fire to go out.

Jack and his gang have managed to hunt and kill a pig for them to eat. Things start to get out of hand, and some of the younger boys in particular are terrified that some sea-monster will come and kill them.

When a parachutist – part of a team of fighter-pilots flying overhead – lands on the island, several of the boys think his flapping parachute is the wings of the mysterious island ‘beast’, and they run away, terrified, and spreading fear to the other boys, who organise a hunting trip to try to catch the beast.

Jack and Ralph fall out, with Jack trying to oust the more senior boy from the position of leader – a move that the rest of the boys resist. Jack stomps off with his hunting band, and many of the other boys subsequently desert Ralph’s ‘side’ for Jack.

Jack, emboldened by his new supporters, ritually sacrifices a pig, which is decapitated, its head placed on a stick. Simon sees it, and thinks it’s talking to him: some devil-like figure known as ‘Lord of the Flies’. When Simon returns to the others, they set upon him and kill him, not realising who he is. Jack and his hunters run off with Piggy’s glasses. Jack and Ralph fight, and Piggy is killed with a rock.

Jack and the others hunt Ralph, who flees, only to be rescued by a British sailor who was on board a ship that spotted the fire raging on the island and came ashore. The other boys turn up, and when the officer confronts them over their appearance, they all break down in tears.

Lord of the Flies : analysis

Golding conceived Lord of the Flies as a sort of dark counterpart, or response, to the classic Victorian boys’ adventure novel, The Coral Island by R. M. Ballantyne, in which three boys are marooned on a Pacific island.

But whereas in Ballantyne’s 1857 novel the stranded children encounter evil as an exterior force on the island, Golding inverted this: he shows us, unsettlingly, that evil is always lurking within ourselves, and is only ever just beneath the surface in so-called ‘ordinary’ or ‘civilised’ people.

Golding’s working title for his novel, Strangers from Within , makes it clear that the devil – that ‘Lord of the Flies’ – is within us, all of us, rather than outside, elsewhere.

But although Golding’s novel is often viewed as a dystopian tale about ‘human nature’ and how, in times of desperation and disaster, certain people will seize power and others will be the victims of their oppressive control, Lord of the Flies actually has its roots in something more specific than this: the British class system.

The three principal characters of the novel – Ralph, Piggy, and Jack – represent the three main classes in England, much as the famous class sketch from The Frost Report captured in a sketch just over a decade after Golding’s novel appeared.

As John Sutherland argues in his discussion of Lord of the Flies in How to be Well Read: A guide to 500 great novels and a handful of literary curiosities , Ralph is a grammar-school boy, Piggy the product of a working-class ‘tech’ school (a short-lived post-war phenomenon), and Jack the privileged public school boy.

Ralph, therefore, is riddled with self-doubt about his middling position in English society: the Jacks of the world are above him and the Piggies below him. Jack has all of the confidence of someone born into privilege and with an almost innate sense of their right to lord it over everyone else.

The message of Lord of the Flies , then, is that if you remove these schoolchildren from Britain, the British class system will still reassert itself as they construct their own stratified ‘society’. The island on which the boys are stranded becomes like the island of Great Britain which they left.

Piggy, however, is working-class. As Sutherland argues, his use of phrases like ‘the runs’ instead of, say, ‘an upset tummy’ are subtle ways in which Golding, without hammering home Piggy’s origins, reveal his status to the reader. He was always destined to be the scapegoat because the English class system dictated it. Coupled with his physical or evolutionary disadvantage (his extreme myopia and reliance on glasses) and he was doomed from the start.

The British class system, then, informs the novel, making it a peculiarly British dissection of power structures. According to Sutherland, Golding – himself a teacher at the sort of grammar school which produced the decent and honourable Ralph – once said that he would happily blow up every public school in England, and Lord of the Flies shows how it is the Jack Merridews produced by the English public school system which are the most capable of wreaking destructive power over others.

But it’s also true that Lord of the Flies bears the influence of another important experience in Golding’s life: his experience in the Second World War fighting in the Royal Navy, which showed him first-hand how ordinary men could become capable of performing acts of great evil.

Of course, the horrors of Nazi Germany were also an important source for Golding’s depiction of evil, especially the way the other boys merrily join Jack’s command.

Along with its searing commentary on the inherent evils of the British class system, Lord of the Flies is a powerful narrative about how fear is all it takes to persuade many ‘normal’, ‘decent’ people to behave horrifically.

1 thought on “A Summary and Analysis of William Golding’s Lord of the Flies”

We “did” this at school. I don’t know why they thought a book about badly-behaved boys would interest a class of girls!

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Lord of the Flies

William golding, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on William Golding's Lord of the Flies . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

Lord of the Flies: Introduction

Lord of the flies: plot summary, lord of the flies: detailed summary & analysis, lord of the flies: themes, lord of the flies: quotes, lord of the flies: characters, lord of the flies: symbols, lord of the flies: theme wheel, brief biography of william golding.

Historical Context of Lord of the Flies

Other books related to lord of the flies.

• Full Title: Lord of the Flies
• Where Written: England
• When Published: 1954
• Literary Period: Post-war fiction
• Genre: Allegorical novel / Adventure novel
• Setting: A deserted tropical island in the middle of a nuclear world war
• Climax: Piggy's death
• Point of View: Third person omniscient

Extra Credit for Lord of the Flies

Beelzebub. The phrase "lord of the flies" is a translation of the Greek "Beelzebub," a devil mentioned in the New Testament. In the Bible, Beelzebub sometimes seems to be Satan himself, and at other times seems to be Satan's most powerful lieutenant.

Coral Island. William Golding based several of the main ideas in Lord of the Flies on Coral Island (1858), a somewhat obscure novel by Robert Ballantyne, a 19th-century British novelist. In Coral Island , three English boys create an idyllic society after being shipwrecked on a deserted island. They battle wild hogs, typhoons, hostile island visitors, and eventually Pirates on the South Seas.

Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

About the Book

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

• Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
• The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
• Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
• The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
• Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
• Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
• Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
• Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
• The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

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89 Lord of the Flies Essay Topic Ideas & Examples

🔝 top-10 lord of the flies research paper topics, 🏆 best lord of the flies essay titles, 📌 creative lord of the flies thesis ideas, 👍 good titles for lord of the flies essay, ❓ lord of the flies: important questions.

• Ralph’s character development in “Lord of the Flies.”
• The main theme in “Lord of the Flies.”
• The success of William Golding’s debut novel.
• “Lord of the Flies”: a discussion of innocence and power.
• The role of the conch in “Lord of the Flies.”
• Civilization vs. savagery in “Lord of the Flies.”
• William Golding’s commentary on human nature and evil.
• The symbolism of fear in “Lord of the Flies.”
• A literary analysis of “Lord of the Flies.”
• “Lord of the Flies”: a summary of events.
• Evil in “Lord of the Flies” by William Golding The idea is that we are born with both the capacity of good and the capacity of evil and that the way we are raised, or the environment in which we live determines how we […]
• “Lord of the Flies” by William Golding The reader will wonder that all the boys respond in the same manner to the sound of the blown shell. The author uses aesthetics to drive emotions out of the reader about the value of […]
• Symbolism in “Lord of the Flies” by William Golding In The Lord of the Flies, the fire in the story is lit as a symbol of hope and rescue. The island in The Lord Of The Flies resembled the perfect type of Utopia at […]
• Lord of the Flies, an Allegorical Novel by William Golding As the auction proceeds, the reader follows the heartbreaking events of the book. Boys hunt down a pig and place its head on a stick as an ‘offering’ to the ‘beast’.
• Literature Studies: “Lord of the Flies” by W. Golding Although Jack Merridew, one of the lead characters of William Golding’s shockingly unforgettable Lord of the Flies novel, is a child and still has a lot to learn in terms of how society works, the […]
• Writing on the Novel I Love: Lord of the Flies In a given Lord of the Flies essay, one needs to illustrate the different themes used by Golding in his novel.
• Lord of the Flies: Novel Analysis The sinister nature of the novel is inferred in the title which derives from the Hebrew word, Ba’al-zvuv which means god of the fly, host of the fly or literally the Lord of Flies a […]
• Human Nature in “Lord of the Flies” by Golding Considering this, the present paper will analyze the validity of the given statement by drawing on the experiences of characters in Lord of the Flies and evaluating the conditions in which they lived.
• A Comprehensive Analysis of the Key Elements of “Lord of the Flies” by William Golding
• The Role of Simon in “Lord of the Flies” by William Golding
• Literary Comparison of Ballantyne’s “Coral Island” and Golding’s Island in “Lord of the Flies”
• Attitude Towards Children in the Story “Lord of the Flies”
• Jack as a Symbol of Savagery and Anarchy in “Lord of the Flies” by William Golding
• A Description of the Potential for Evil in Everyone as One of the Theme in the Novel “Lord of the Flies” by William Golding
• Evil in Humanity in “Lord of the Flies” by William Golding
• Savagery and the Beast Theme in “Lord of the Flies”
• The Fall of Civilization Into Savagery in “Lord of the Flies” by William Golding
• An Allegory of Sigmund Freud’s Psychoanalysis Theory in William Golding’s “Lord of the Flies”
• A Literary Analysis of the Symbolism in “Lord of the Flies” by William Golding
• A Comparison Between the Movie and Novel “Lord of the Flies”
• Abuse of Power and the Effect of Tyrannical Leadership Between “Lord of the Flies” and “The Chrysalids”
• Fear of the Unknown in “Lord of the Flies” by William Golding
• A Comparison of “Lord of the Flies” by William Golding and “A Separate Peace” by John Knowles on Peer Pressure
• Internal and External Conflicts in “Lord of the Flies” by William Golding
• Importance of the Extract in the Development of the Main Themes in “Lord of the Flies”
• Destructiveness of Jealousy Depicted in “Lord of the Flies” and “Woman Warrior”
• A Demonstration of the Influence and Power of People Over One Another Through the Character of Piggy in “Lord of the Flies” by William Golding
• A Character of Piggy as the Character Who Most Deserved to Be Saved in “Lord of the Flies” by William Golding
• The Role of Government in “Lord of the Flies” by William Golding
• Moral Consequences in “Lord of the Flies” by William Golding
• The Symbolism of Power in “Lord of the Flies”
• An Analysis of Human Behavior in “All Quiet on the Western Front” and “Lord of the Flies”
• Changes in the Conception of God in “Lord of the Flies”
• Inate Evil in “To Kill a Mocking Bird” and “Lord of the Flies”
• A Look at Disturbing Events Highlighted in William Golding’s “Lord of the Flies”
• Allegory of Social Dissolution “Lord of the Flies” by William Golding
• Ralph as a Good Leader in “Lord of the Flies”
• An Analysis of Democratic and Authoritarian Power in “Lord of the Flies” by William Golding
• Leaders and Leadership in “Lord of the Flies” by William Golding
• Golding’s Pessimistic View on People and Society in His Book “Lord of the Flies”
• Analyzing the Themes of Innocence and Fear in William Golding’s “Lord of the Flies”
• A Description of the Occurrence of Civilization in “Lord of the Flies” by William Golding
• Importance of the Beast in “Lord of the Flies” by William Golding
• Golding’s “Lord of the Flies”: A Dream of a Deserted Island Into Reality
• Adventures, Conflicts, and Struggles in “Lord of the Flies”
• Good and Evil in Human Nature in “Lord of the Flies” by William Golding
• Failure of Paradise in Margaret Atwood’s “The Handmaid’s Tale” and William Golding’s “Lord of the Flies”
• Immorality of Human Nature Depicted in Golding’s “Lord of the Flies”
• Formation of Rules and Perception of Civilisation in “Lord of the Flies”
• How Golding Presents the Decline From Civilisation to Savagery in “Lord of the Flies”?
• What Does Piggy Symbolize in “Lord of the Flies”?
• How Does the Second World War Reflect on “Lord of the Flies”?
• What Ideas About Human Nature and Behavior Golding Was Trying to Express in “Lord of the Flies”?
• What Does the Plane Crash Symbolize in “Lord of the Flies”?
• How Does William Golding Present the Character of Jack in “Lord of the Flies”?
• How Does Golding Express His Ideas About Leadership in “Lord of the Flies”?
• How Does Roger Change in “Lord of the Flies” by William Golding?
• How the Society Suppresses Evil in the Novel “Lord of the Flies”?
• How Does Golding Create a Setting in “Lord of the Flies”?
• How Does the Author Present Human Nature in “Lord of the Flies”?
• How Does William Golding Show Evil at Work in “Lord of the Flies”?
• How Anybody Could Regress Into Savagery in Golding’s “Lord of the Flies”?
• How Is the Author’s Characterisation and Language Attributed to the Novel of the “Lord of the Flies”?
• Why Did William Golding Name His Novel “Lord of the Flies”?
• How Does Golding Present Death in “Lord of the Flies”?
• How Does the Setting Affect the Story “Lord of the Flies”?
• How Children Are Treated in the Story of “Lord of the Flies”?
• How Does Golding Make the Physical World Seem Important in “Lord of the Flies”?
• What Is Ralph’s Attitude Toward Piggy in the First Chapter of “Lord of the Flies”?
• How Many Boys Are in “Lord of the Flies”?
• How Golding Creates Tension in “Lord of the Flies”?
• How Does the Opening Prepare the Reader for the Rest of the Novel “Lord of the Flies”?
• Why the Boys Were Doomed to Fail in “Lord of the Flies”?
• What Influenced William Golding to Write “Lord of the Flies”?
• Ways That Golding Presents the Island in “Lord of the Flies”?
• How Golding Uses Symbols in “Lord of the Flies”?
• How Does William Golding Use the Setting to Develop the Main Theme of His Novel “Lord of the Flies”?
• How Does Piggy’s Character Develop Through Golding’s “Lord of the Flies”?
• What Ruined Ralph and Jack’s Friendship in “Lord of the Flies”?
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How to write a thesis-style introduction in 3 easy steps for Lord of the Flies

Subject: English

Age range: 14-16

Resource type: Lesson (complete)

Last updated

23 May 2023

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This lesson shares a secret 3 step formula for how to write thesis-style introductions for Lord of the Flies. In their 2022 examiner feedback, AQA mentioned thesis-style introductions as a common feature of high grade responses.

In this 24 slide PowerPoint, I provide a range of example thesis-style introductions for different characters and guide students on how to create their own.

It is aimed at helping students push for the higher grades by demystifying the idea of thesis statements into an easy to follow process.

This process can also be used for Macbeth and A Christmas Carol in Paper 1 so I have also included 2 examples for these texts and an extension task for these texts.

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A bundle is a package of resources grouped together to teach a particular topic, or a series of lessons, in one place.

Lord of the Flies 5 lessons on the 5 main characters

5 lessons on the following 5 characters from Lord of the Flies: 1. Ralph 2. Piggy 3. Jack 4. Roger 5. Simon All 5 lessons include detailed exploration of a range of quotations to prepare students for answering an exam question about the character. Also contains a printable revision sheet with key quotations for each character. Also includes some grade 9 model responses. Also contains an activity where students complete 4 partially completed exam responses. This is differentiated with an easier and harder version depending on the ability of your group. Also contains a lesson on how to write thesis style character introductions.

Thesis-style introductions: 3 step plan

‘A thesis-style introduction that demonstrates your understanding of the question can be a really helpful way of starting your answer. It shows that you are ‘in charge’ of your essay and that you know what you think. It can provide a strong foundation for the rest of the essay. Keep referring back to the introduction to create a coherent response.’ AQA examiner’s report 2022 Creating a thesis-style introduction is a challenge for many students but is essential in helping students to reach levels 4-6 in the mark scheme. I have produced a simple 3 point structure to help students quickly generate a thesis statement in timed exam conditions. There is an example of the 3 point structure being used and then students attempt to imitate the structure for 4 other exam-style questions. Examples apply for Lord of the Flies, Macbeth and A Christmas Carol.

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Home — Essay Samples — Literature — Books — Lord of The Flies

Essays on Lord of The Flies

Choosing the right essay topic is a crucial step in your academic journey. It's an opportunity to explore your creativity, delve into personal interests, and engage with the themes and ideas presented in the novel Lord of the Flies by William Golding. We aim to provide you with a variety of essay topics, introduction paragraph examples, and conclusion paragraph examples for different essay types. Remember, a well-chosen topic can make your essay more engaging and insightful.

Essay Types and Topics

Argumentative essays.

In argumentative essays, you'll analyze and present arguments related to the novel. Here are some topic examples:

• 1. The role of fear in the descent into savagery on the island.
• 2. The symbolism of the "beast" in Lord of the Flies and its impact on the characters.

Example Introduction Paragraph for an Argumentative Essay: In William Golding's Lord of the Flies , the pervasive fear among the stranded boys serves as a catalyst for their descent into savagery. This essay explores the profound influence of fear on the characters and the consequences it has on their civilization, ultimately demonstrating the fragile nature of human society on the isolated island.

Example Conclusion Paragraph for an Argumentative Essay: In conclusion, the exploration of fear in Lord of the Flies highlights its ability to unravel the thin threads of civilization. Through the lens of Golding's narrative, we see how fear can lead individuals to abandon reason and morality. As we reflect on this gripping tale, we must consider the implications of fear in our own lives and societies, striving for a world where humanity remains steadfast in the face of adversity.

Compare and Contrast Essays

In compare and contrast essays, you'll examine the similarities and differences within the novel or between it and other literary works. Consider these topics:

• 1. Compare and contrast the leadership styles of Ralph and Jack.
• 2. Analyze the parallels between Lord of the Flies and George Orwell's Animal Farm in terms of power and control.

Example Introduction Paragraph for a Compare and Contrast Essay: The comparison between the leadership styles of Ralph and Jack in William Golding's Lord of the Flies provides valuable insights into the dynamics of human leadership and its consequences. This essay delves into the contrasting approaches taken by these two characters and their impact on the island's civilization.

Example Conclusion Paragraph for a Compare and Contrast Essay: In conclusion, the juxtaposition of Ralph's democratic leadership and Jack's authoritarian rule in Lord of the Flies serves as a powerful commentary on the complexities of human governance. By examining these characters in parallel, we gain a deeper understanding of leadership dynamics and their consequences both in fiction and the real world.

Descriptive Essays

Descriptive essays in the context of Lord of the Flies allow you to vividly depict settings, characters, or events. Here are some topic ideas:

• 1. Describe the lush beauty of the island in detail.
• 2. Paint a picture of the transformation in the appearance and behavior of the characters as they descend into savagery.

Example Introduction Paragraph for a Descriptive Essay: The lush and untouched beauty of the island in William Golding's Lord of the Flies serves as a captivating backdrop for the unfolding drama of the stranded boys. This essay aims to provide a sensory and detailed exploration of the island, evoking the senses and immersing the reader in its natural wonders.

Example Conclusion Paragraph for a Descriptive Essay: In conclusion, the vivid description of the island in Lord of the Flies not only serves as a beautiful canvas but also mirrors the fragile balance of nature and humanity. Through this exploration, we are reminded of the profound connection between our environment and our actions.

Persuasive Essays

Persuasive essays allow you to argue a point of view related to the novel. Consider these persuasive topic examples:

• 1. Persuade your readers that the conch shell symbolizes the only hope for order and civilization on the island.
• 2. Argue for or against the idea that the boys' descent into savagery is inevitable given their circumstances.

Example Introduction Paragraph for a Persuasive Essay: The conch shell in William Golding's Lord of the Flies has been a symbol of order and democracy. This essay takes a persuasive stance in advocating for the significance of the conch as the beacon of hope for maintaining civilization and harmony on the isolated island.

Example Conclusion Paragraph for a Persuasive Essay: In conclusion, the persuasive argument in favor of the conch shell as a symbol of order and civilization underscores the importance of symbols in society and their ability to rally individuals around shared values. As we reflect on the power of the conch, we are reminded of the delicate balance between chaos and order in the human experience.

Narrative Essays

Narrative essays offer you the opportunity to tell a story or share personal experiences related to the themes of Lord of the Flies . Explore these narrative essay topics:

• 1. Narrate your own survival story as a character stranded on the same island as the boys in the novel.
• 2. Share a personal experience where you faced a moral dilemma similar to those encountered by the characters in the story.

Example Introduction Paragraph for a Narrative Essay: Imagine finding yourself on the same remote island as the characters in William Golding's Lord of the Flies . In this narrative essay, we embark on a journey where I, as a fellow survivor, recount the challenges and moral dilemmas faced while striving for survival and maintaining humanity in our isolated microcosm.

Example Conclusion Paragraph for a Narrative Essay: In conclusion, the narrative of my survival journey on the island parallels the timeless themes explored by Golding in Lord of the Flies . It serves as a testament to the human spirit's resilience and the constant struggle to balance our innate instincts with our moral compass. Through this narrative, we are reminded of the enduring relevance of these themes in our lives.

Lord of The Flies Death Analysis

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Power Dynamics in Lord of The Flies

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Depiction of Humans as Inherently Evil in The Lord of The Flies

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The Ralph's Leadership in The Lord of The Flies by William Golding

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17 September 1954, William Golding

Allegorical novel

Ralph, Piggy, Jack, Simon, twins Sam and Eric

William Golding wrote "Lord of the Flies" as a response and counterpoint to R.M. Ballantyne's youth novel "The Coral Island" published in 1857. While Ballantyne's novel presented a romanticized portrayal of young boys stranded on an uninhabited island, depicting them as cooperative and civilized, Golding sought to challenge this idealistic view. Golding was dissatisfied with the notion that children, when left to their own devices, would naturally form a harmonious and idyllic society. He believed that human nature was inherently flawed and prone to darkness and savagery, even in the absence of adult supervision. "Lord of the Flies" served as a critique of the optimistic perspective presented in "The Coral Island," aiming to explore the potential for moral degradation and the loss of innocence in a primal environment.

Innocence, Friendship, Childhood, Fear, Anger, Allegories.

The story follows a group of British boys who find themselves stranded on a deserted island after their plane crashes during a wartime evacuation. Without any adult supervision, the boys must establish their own society and survive until rescue arrives. Initially, the boys attempt to create order and maintain a sense of civilization by electing a leader, Ralph, and establishing rules. However, as time passes, the inherent savagery within some of the boys begins to emerge. Jack, the antagonist, gradually rebels against Ralph's leadership and forms his own tribe, indulging in hunting and violence. The conflict between Ralph and Jack symbolizes the battle between order and chaos, reason and instinct. As the boys succumb to their primal instincts, they gradually lose their sense of morality and descent into brutality. The novel explores themes of power, the loss of innocence, and the darkness that resides within all individuals. Ultimately, the arrival of a naval officer interrupts the boys' descent into savagery, revealing the horrors they have unleashed upon themselves.

"Lord of the Flies" by William Golding is set on a deserted tropical island in the midst of an unspecified global war. The location remains undisclosed, allowing the focus to be on the boys' struggle for survival rather than the specific geopolitical context. The island itself is described as a paradise, with its lush vegetation, beautiful beaches, and abundant resources. The island serves as an isolated microcosm where the boys' behavior unfolds without the influence of adult society. It becomes a blank canvas upon which the boys project their own fears, desires, and conflicts. The absence of adults and external authority creates a vacuum that allows the boys to establish their own social order and rules.

Symbolism (the conch shell, the signal fire, the beast, etc.), allegory (the boys' descent into savagery and the struggle for power), foreshadowing (the appearance of the sow's head), irony, imagery.

"Lord of the Flies" has had a significant influence on literature and popular culture since its publication. The novel's exploration of the darkness within human nature and its commentary on the fragility of civilization continue to resonate with readers worldwide. One notable influence of "Lord of the Flies" is its impact on dystopian and post-apocalyptic literature. The story's portrayal of a society descending into chaos and the exploration of power dynamics have influenced numerous works in this genre, such as Suzanne Collins' "The Hunger Games" and Margaret Atwood's "The Handmaid's Tale." The novel has also had a profound influence on the study of human behavior and psychology. It raises important questions about the nature of evil, the role of society in shaping individuals, and the impact of isolation on human relationships. These themes have sparked discussions and academic analyses across disciplines, including psychology, sociology, and philosophy. Furthermore, "Lord of the Flies" has become a cultural touchstone, frequently referenced in various forms of media, including films, television shows, and music. Its enduring popularity and ability to provoke introspection and critical thinking contribute to its ongoing influence in contemporary society.

One notable adaptation of "Lord of the Flies" is the 1963 film directed by Peter Brook, which brought the story to life on the big screen. The film received critical acclaim for its raw portrayal of the boys' descent into savagery and its faithful adaptation of the novel's themes. The novel has also inspired theatrical productions, with stage adaptations being performed in different parts of the world. These adaptations provide a unique opportunity to experience the story in a live setting, further emphasizing the intensity and psychological depth of the narrative. Furthermore, the influence of "Lord of the Flies" can be seen in popular culture references, such as television shows, music, and literature. Its impact has sparked discussions and inspired creative works that explore similar themes of civilization, power, and human nature.

1. William Golding expressed dissatisfaction with his own work, describing his novel as dull and unrefined, a sentiment he later expressed in interviews and private conversations. 2. The impact of "Lord of the Flies" extends globally, as the book has been translated into more than 30 languages, allowing readers from diverse cultures to engage with its themes and messages. 3. Before finding a publishing home, "Lord of the Flies" faced considerable rejection, with publishers rejecting the manuscript a staggering 21 times. This highlights the initial challenges Golding faced in getting his work recognized. 4. Esteemed author Stephen King has publicly expressed his admiration for "Lord of the Flies," identifying it as one of his favorite books. King's endorsement speaks to the lasting influence and appeal of Golding's work. 5. "Lord of the Flies" has served as a source of inspiration for a range of musicians across different genres, including rap and metal. Bands like Iron Maiden have drawn inspiration from the novel, incorporating its themes and imagery into their music. 6. "Lord of the Flies" holds a significant place among the most banned books in the United States. Its exploration of dark themes and depiction of violence has led to challenges and attempts to restrict its availability in educational settings.

“Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.” “The thing is - fear can't hurt you any more than a dream.” “Maybe there is a beast… maybe it's only us.” “What are we? Humans? Or animals? Or savages?” “We've got to have rules and obey them. After all, we're not savages. We're English, and the English are best at everything.”

The novel "Lord of the Flies" holds a significant place in literary discourse and continues to captivate readers across generations. Exploring timeless themes of human nature, morality, power, and civilization, it presents a compelling narrative that provokes introspection and critical analysis. Writing an essay about "Lord of the Flies" allows one to delve into the complexities of human behavior, the fragility of societal structures, and the potential for darkness within individuals. The novel's depiction of the descent into savagery and the loss of innocence offers a profound examination of the human condition. Moreover, "Lord of the Flies" serves as a cautionary tale, urging readers to reflect on the consequences of unchecked power, societal breakdown, and the thin veneer of civilization. It prompts discussions on leadership, group dynamics, and the inherent conflicts that arise in challenging circumstances. By exploring the multifaceted layers of the story, an essay on "Lord of the Flies" allows students to sharpen their critical thinking skills, analyze complex themes, and engage in meaningful conversations about the darker aspects of human nature and society. It remains a relevant and thought-provoking piece of literature that invites examination and interpretation from various perspectives.

1. Bhalla, R., & Kowalski, C. (2017). What Lord of the Flies teaches us about primitive defence mechanisms and societal discontent. https://www.cambridge.org/core/journals/the-british-journal-of-psychiatry/article/what-lord-of-the-flies-teaches-us-about-primitive-defence-mechanisms-and-societal-discontent/348B50D2158ABAC55B3E94B2DB6F20BA The British Journal of Psychiatry, 210(3), 189-189. 2. Tippetts, C. S. (1926). The End of the Par Collection Litigation. The American Economic Review, 16(4), 610–621. (https://www.jstor.org/stable/2) 3. Alnajm, A. L. (2015). The main themes in Lord of the Flies. International Journal of English and Literature, 6(6), 98-102. (https://academicjournals.org/journal/IJEL/article-full-text/011E73A53478) 4. Gilfillan, James (1963) "Review: "Lord of the Flies"," Calliope (1954-2001): Vol. 10 , Article 25. (https://scholarworks.wmich.edu/calliope/vol10/iss1/25) 5. Arnold Kruger (1999) Golding's Lord of the Flies, The Explicator, 57:3, 167-169. (https://www.tandfonline.com/doi/abs/10.1080/00144949909596859?journalCode=vexp20) 6. Chougule, R. B., & Hanash, M. M. SCARCE LIFE BETWEEN LEADERSHIP AND NATURE OF SAVAGERY IN WILLIAM GOLDING'S LORD OF THE FLIES. (https://www.literaryendeavour.org/files/9x6upa7d5i55pltczctm/2020-01%2007%20SCARCE%20LIFE%20BETWEEN%20LEADERSHIP%20AND%20NATURE%20OF%20SAVAGERY%20IN%20WILLIAM%20GOLDING%E2%80%99S%20LORD%20OF%20THE%20FLIES%20%20-%20Dr.%20R.%20B.%20Chougule%20&%20Manee%20M.%20Hanash.pdf) 7. Kabra, S. (2021). Lord of the Flies: International Intellectual Property Laws. UC Davis J. Int'l L. & Pol'y, 28, 1. (https://heinonline.org/HOL/LandingPage?handle=hein.journals/ucdl28&div=4&id=&page=) 8. Burgess, J. (1963). Lord of the Flies by Peter Brook, Lewis Allen, Dana Hodgdon. (https://online.ucpress.edu/fq/article-abstract/17/2/31/38032/Review-Lord-of-the-Flies-by-Peter-Brook-Lewis)

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Lord Of The Flies Thesis Statement

The lord of the flies’ thesis statement, by william golding.

“Lord of the flies” (Lord of the flies) is a novel written by the British writer William Golding and published in 1954, although it did not achieve a great diffusion until several years later, when it became an obligatory reading in schools and institutes Such was his success that he has been taken to the cinema on two occasions: a first time in 1960 and another in 1990. Not to mention that he has inspired other stories such as the series “Lost” (Lost) or the saga “The Hunger Games “(The Hunger Games).

William Golding was born in 1911, in Cornwall (England), and died in 1993. In 1935, he began as a professor of English and philosophy in Salisbury. He ceased his teaching job to join the Royal Navy in the First World War. In 1954, he published his first novel, “The Lord of the Flies”, for which he won the Novel Prize for Literature.

In line with lord of the flies’ thesis, the novel begins with a plane manned by students of a British school who were being evacuated during the war. The plane suffers an accident and crashes on an island. The few who survive are discovered alone on a desert island, without adults and without rules. Soon, they begin to build a society: they choose a leader democratically, Ralph, and establish an object of power: the conch shell. The role of this will be of vital importance, because it is a natural object on which weighs a cultural construction. That is to say, the conch shell itself is nothing, but as a society, children give it power, the power to call assemblies and give the floor.

In addition, they create norms, social groups and hierarchies according to their age, their capacities and their character: hunters, gatherers, firemen, shelter … All these factors are mentioned in thesis statement for lord of the flies.

But as in any society, what initially begins as an adventure full of courage and companionship, democracy and harmony, ends up leading to jealousies and disputes over power.

Jack, chief hunter craves the power that Ralph owns. His insides and manipulations make that, in the eyes of the other children, Ralph seems weak and unfit for command, which will cause them to end up abandoning him to follow Jack whose strength and courage, make him look better leader and the only one capable of delivering them of a terrible monster they call “The Beast”. Only Piggy, a boy constantly teased by his peers due to his chubby appearance, will stay with Ralph, who from that moment will begin to really value their advice and observations.

In relation to the above, and thesis statement for lord of the flies, we see that the novel itself shows how, often, even in a society erected from childhood innocence, the idyllic gives way to a process of animalization and barbarism, a process of deterioration of society that ends up becoming a hell. It is, therefore, a confrontation between the civilized world and the wild world.

This confrontation is the basis of the author’s thought that, in the face of his dystopian contemporaries, he considered that the bad degradation of society was not due to a bad government, but to society itself, to human cruelty itself.

All the good purposes of harmony and democratic coexistence that follow the savage state, return to this when the human being reveals himself as he really is: a savage being, whose most primal instincts are only masked when he lives in a society in which the danger Death is not imminent and there is easy access to basic products. That is, when the struggle for survival is not necessary.

Apart from this, according to the thesis for lord of the flies, one of the most interesting aspects of the novel is the archetypal construction of the characters. All of them are models of behavior, the incarnation of a specific line of thought and behavior. For example, Ralph embodies rationality, common sense, temperance. While Jack is just the opposite, he is proud, impulsive and wild. For his part, Piggy embodies docility and servility; Roger embodies human cruelty, and Simon is the representative of man’s natural goodness.

Such construction of the main characters reflects with fidelity procedures that take place in a society. This disparity of attitudes is accompanied by a common feeling: fear. Fear of the unknown, death, “The Beast” … However, they do not realize that this being they call “Beast” is inside each of them, it is that being that emerges when survival is at stake and what brings out the worst instincts. Precisely to this the title refers, to the evil that nests in ourselves and that comes to dominate us at times. Said evil has always been represented by the devil, which in some cultures is known as “The Lord of the Flies”.

Likewise, it is possible to notice a confrontation between the democratic power represented by Ralph, with a style of government of dialogue and equality; and the authoritarian defended by Jack, based on physical strength. Such a confrontation of powers, as can be mentioned in thesis statement lord of the flies, was taking place during the First World War, a conflict that Golding lived and in which he participated from the British army, so in this novel he turns his thoughts on the matter.

Finally, “The Lord of the Flies” is one of those great classics that not only do not leave the reader indifferent, but remain engraved in his memory by the strength of the acts and reflections that take place in it. An interesting representation of what is still a kind of experiment (although theoretical), sociological, a study on the future of a society built on the edge of the known world, on which it portrays a pessimistic or, perhaps, realistic conception of the human being, which, in any case, invites reflection and questioning of our ideas and principles about ourselves as human beings.

The ‘Shogun’ Finale Didn’t Show Its Biggest Moment. Good.

[NO FOOTAGE FOUND]

The acclaimed FX drama’s ending is a bold, refreshing change from the usual rhythm of Western TV.

Geoffrey Bunting

Freelance Writer

Katie Yu/FX

FX’s Shōgun , whose 10-episode season ended Wednesday night, is a remarkable adaptation of James Clavell’s 1975 novel . In a landscape of remakes, franchise, and reboots, it is a series that feels remarkably fresh, despite being the fourth time the book has been adapted (including an ill-fated , yet Tony-nominated, 1990 musical). Yet, in a story told almost exclusively in Japanese, perhaps the most remarkable thing about Shōgun is how it ends: not with a riotous, prestige television bang, but with a quiet and considered conclusion.

Over the course of its season, Shōgun ’s action simmers under a calm exterior, erupting here and there in sudden bursts of energy. This isn’t a world of blood and gore, but one in which a conversation can be violence and death sudden and silent, as Lord Yoshii Toranaga (Hiroyuki Sanada) connives his way to becoming shōgun—the de facto military dictator of Japan. As its palace intrigue intensifies, Shōgun is gentle yet decisive in ratcheting up the tension around Toranaga’s grand plan.

It’s understandable, then, if viewers expect the release of that tension to be explosive. After all, so many characters reference that Toranaga is about to plunge Japan into war and even deep into the finale they talk about the battle to come. I admit, despite familiarity with the book, even I thought Shōgun would conclude with a battle—nor would I have blamed co-creators Rachel Kondo and Justin Marks for tossing one in.

To be fair, Shōgun does show a battle in the final episode, so maybe it does technically end with a big fight. It’s only a glimpse, however. Set within the 15-minute stretch in which Toranaga elucidates to his troublesome lieutenant Kashigi Yabushige (Tadanobu Asano) a future he’ll never see is a taste of the Battle of Sekigahara. It’s one of the most important moments in Japanese history, in which Toranaga’s real-world model, Tokugawa Ieyasu, defeated Ishida Mitsunari to pave his way to establishing the Tokugawa Shōgunate.

In Shōgun , we see thousands of CGI soldiers marching up a hill as the sun rises—and, given how they look, perhaps it’s best they weren’t employed in a lengthy battle—before Toranaga rides out, resplendent in golden armor, to meet a similarly decked out Lord Ishido (Takehiro Hira). We cut back to Yabushige, and Toranaga finally reveals his dream to shift power to Edo and bring forth an era of peace under the Toranaga Shōgunate.

Cosmo Jarvis as John Blackthorne and Moeka Hoshi as Usami Fuji.

It is at once a fitting and surprising move. Clavell’s novel ends in much the same way, with Yabushige’s death and the Battle of Sekigahara relegated to an awkward endpaper; it’s a smart move to shift this addendum into Toranaga’s vision of the future. But it’s also a smart move to cleave to the source material here and not rely on bombast and spectacle to close out a series that has hitherto been better without it. That’s not to say Shōgun isn’t a beautiful, epic in scope, and brutal series. Rather, Shōgun plays like a monumental game of chess, and like any game of chess, you don’t need to see the king fall to understand the game is over.

This is part of a stillness that haunts Shōgun , even in its most dramatic moments—a thoughtful, purposeful rhythm. A singular burst of anticlimactic energy at its end would only derail that rhythm. In particular, it would undermine the triumph of dramatic performance precipitated by Shōgun ’s cast.

It’s fitting, then, that this scene is led by Sanada. It’s surprising, after 20 years of working in the West , that this is Hiroyuki Sanada’s first major leading role. Yet it’s impossible to imagine anyone else pulling off Toranaga’s quiet satisfaction in this moment, nor anyone being quite so charmingly baffled as Asano’s Yabushige as he realizes Toranaga is no different than the rest of us. It’s something Sanada carefully unfolds throughout the series, as he shifts from a champion of peace to someone ruthless, ambitious, even greedy, but always brilliant. Shōgun is Sanada’s series, and it’s only right that the most powerful scene in the finale is almost entirely his. Without him, it might have fallen flat.

That said, it’s easy to view this as Shōgun telling us what happens rather than showing us—to paraphrase an oft-misused tenet of storytelling—and to feel that the series’ ending may be all retch and no vomit in the end. But there is an important line early in the series that some may forget, come the finale; a near-direct quote from the book, when Toranaga says that a man has three hearts: “a false heart in his mouth for the world to see, another in his breast to show to his special friends and his family, and the real one, the true one, the secret one, which is never known to anyone except to himself alone.”

It might feel throwaway, but this is a statement of a thesis, an advertisement of the structure the whole series follows. As John Blackthorne (Cosmo Jarvis) finds his feet in Japan, we see the deflecting facade of a Toranaga interested only in peace, his family, and the security of his vassals. Later, when Blackthorne enters Toranaga’s service, we start to understand that Toranaga has pushed Japan to the brink of war, his ambition slowly manifesting. Yet, it is only in the final episode—and, let’s be frank, the title of the series —that the extent of Toranaga’s dream, his secret heart, is solidified.

The final conversation between Toranaga and Yabushige is a beautifully composed scene, the perfect cap to the journey through Toranaga’s hearts. It’s not a rebellion against “show don’t tell” so much as a deeply humanizing moment for Toranaga that might have been lost in the chaos of battle. After a series that has, at times, felt like a slow, deep breath before a plunge, this scene is one last exhalation as the future Toranaga envisions at last becomes fate—inexorable.

Cosmo Jarvis as John Blackthorne and Hiroyuki Sanada as Yoshii Toranaga.

It stands in contrast to what little remains. We see Usami (Moeka Hoshi) bury her son and husband before Blackthorne, with the help of Buntaro (Shinnosuke Abe), raises his ruined ship. They are beautiful visualizations of the grief Toranaga has left in his wake. But we know these people, dead and alive, are no more than pawns in his game. The real conclusion to the series is in those 15 minutes before Yabushige’s headless body tumbles from the cliff.

Shōgun ’s ending might not be to everyone’s tastes, but then the series’ stillness might not be for everyone either. That this stillness remains in the finale, however, rather than giving way to a shattering explosion of unnecessary action is surprisingly bold and, in its own way, shocking. It’s an ending that defies the usual conventions of similar series, that surprises and delights. For a series like Shōgun , so far removed from what we’re both used to and tired of, I can’t think of anything more appropriate.

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