ap lit poetry essay introduction

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Ap lit poetry essay review.

Whenever I prepare my students for the AP Literature exam, I don’t really want it to feel like test prep. I want to take the stress out of it all. I want the experience to build confidence. I want the process, starting around February, to have no stakes or very low stakes; it should be practice, not fear mongering. And I want there to be plenty opportunities for improvement.

So what does that look like?

Well, with essay writing we start small — on the sentence-level — at the beginning of the year, working to achieve mastery over thesis statements, evidence, and commentary. Multiple-choice practice is always completed in class, on paper and while scores are recorded, they never go in the grade book. When my students write full-length essays, they have the opportunity to rewrite as long as they conference with me because I learned long ago that a 15 minute conference with a student is far better than anything I could write in the margins.

But this week I was scratching my head trying to figure out how I could make rubric review NOT feel like test prep. My AP Lit classes were reviewing the Q1 essay, which is the poetry prompt. In my experience, rubrics can suck all the life out of a lesson. Students feel like the speaker in the Walt Whitman’s “When I Heard the Learn’d Astronomer.”

When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick,

The lesson I devised ended up being one of the more memorable ones of the quarter.

Day 1: Rubric Rhymes — I hand out copies of the Q1 rubric and toss highlighters to each student. They have to highlight the key descriptors for each category and point value on the rubric. Once that is done, students have to use their highlights and develop a poem in rhyming couplets that identifies what must be accomplished in order to score a six on this essay.

The poem had to be at least 10 lines long.

I will say, they loved this assignment and it I think its effect will endure.

Here are some samples:

You wants to make a good poetry essay creation? 

That thesis best be full of top notch interpretation 

Don’t just restate or rephrase information 

But rather provide a good explanation 

How many literary elements should you choose?  

Multiple is what you should use

And sprinkle on some good seasoning 

The one that tastes like strong reasoning

The last criterion to make you do well on your examination 

I s make sure the essay demonstrates that advanced type of sophistication

I be writing a thesis 

Just like I be eating reese’s, in pieces 

If you don’t want evidence that’s horrific 

Then you gotta be spec ific 

I could ask Stabz for assistance  

Or I could remember one word: consistence -y  

Unlike my ex,  

You gotta be complex 

If you tryna get to the graduation  

Then you gotta understand sophistication

Student III

You aint got time to waste

But that doesn’t mean that your essay should be written in haste

40 minutes to read and write

And develop ideas with sophistication and insight

First, make sure your thesis isn’t a bore

To develop a sophisticated interpretation really is a chore .

Answer the prompt, be clear and concise ,

Throw in poetic elements and a d evice

That central idea must be developed

Once stated, evidenced and commentary need to envelop

By not just saying what is true, but how and why

With brilliance so bright it would make an AP Reader cry .

S ummarize and your grade will surely suffe r

Articulate the complexity is much tougher

But do it over and over again

Establishing a line of reason, the n

P olish your thoughts like gems

Make those sentences sweet like M&M s

And never forget to discuss what is complex

All these boxes you must chec k

And a six on this essay will be yours

And you will have the wisdom of a thousand Dumbledors .

Day T wo: Performances/The whole-class essay — Class started with an opportunity for students to read their rap/poem in front of the class for extra credit. Some of the performances were epic.

Then I passed out a previous AP prompt and students had seven minutes to complete my four-step pre-writing organizer . Once those seven minutes were up, the fastest typer in class (we had a contest earlier in the year) came to the class computer and we worked together to develop a whole-class essay. This allowed students to think aloud together, wordsmith key phrases, and discuss their insights in a collaborative and non-threatening environment.

Throughout the process, we kept going back to the rubric to check if we were meeting the requirements.

Here are the intros from each class:

Period 1 — In Paul Lawrence Dunbar’s poem “The Mystery”, the speaker discusses navigating through life by himself. Throughout the poem, the speaker exists in a figurative darkness in which he experiences loneliness and questions the benevolence of a higher power; in this frustrated search for meaning and understanding, he illustrates through personification and imagery that whether or not there is a higher power. His conclusion is that he cannot wallow in his dependency and that he must be self reliant.

Period 6 — In Paul Laurence Dunbar’s poem “The Mystery,” the speaker reflects on life. In a state of existential dread, he feels a sense of purposelessness and seeks navigation from a higher being. Paradoxically, in being given no direction, the speaker achieves solace in the inevitability of death and accepts the power of the present. 

Period 8 — In Paul Laurence Dunbar’s poem, “The Mystery”, the speaker is in a lonely place of uncertainty. While reflecting on the inevitability of death and appealing to a higher power, the speaker gains an awareness, not only of his own solitude, but also his powerlessness in the face of destiny. Through the use of personification, juxtaposition, and imagery, an epiphany is achieved in which he accepts the absurdity of life, thus gaining his autonomy.

Day 3: Essay test day — At this point students know the rubric, they did a practice essay the day before as a class, and now they are ready to do it all on their own.

In the comments section below, please share how you prepare students for the poetry essay on the AP exam.

Brian Sztabnik is just a man trying to do good in and out of the classroom. He was a 2018 finalist for NY Teacher of the Year, a former College Board advisor for AP Lit, and an award-winning basketball coach.

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—AP Poetry Analysis—

We choose our AP Poetry Analysis prompts not just to prepare students for the essay on the AP Literature exam, but also to introduce the major themes of the novel or play through a complementary text that addresses the subject matter through a different lens.  Similar to the thought-provoking quotation that we use as the basis of our Journal Discussions, we want to give students another perspective on the issues they will encounter in the novel or play they are about to read.

Oftentimes, the choice of poem is relatively obvious by allusions made in the title or text of the novel or play.  For instance, when reading Chinua Achebe's  Things Fall Apart , it makes sense to analyze William Butler Yeats' "The Second Coming," the poem from which the title of the novel is taken.  Similarly, when reading Kate Chopin's  The Awakening , it is helpful to analyze Charles Swinburne's "A Cameo" since Gouvernail murmurs the first two lines of the poem during Edna's farewell dinner on Esplanade Street. There is a reason that authors and playwrights allude to other literary works, and our job as readers is to determine the thematic connection between the two. 

When there is not an obvious allusion made in the title or text, we have the opportunity to select a poem that relates thematically to the novel or play and is consistent with the AP Literary Analysis prompt already chosen.  For instance, when we teach Sandra Cisneros'  The House on Mango Street , we want students to focus on how Esperanza's feelings towards her neighborhood change over the course of the novel.  To achieve this purpose we chose the 2010 AP Literary Argument prompt for our final essay:

"You can leave home all you want, but home will never leave you."

- Sonsyrea Tate

Sonsyrea Tate's statement suggests that "home" may be conceived as a dwelling, a place, or a state of mind.  It may have positive or negative associations, but in either case, it may have a considerable influence on the individual.

Choose a novel or play in which a central character leaves home yet finds that home remains significant.  Write a well-developed essay in which you analyze the importance of "home" to this character and the reasons for its continuing influence.  Explain how the character's idea of home illuminates the larger meaning of the work.

While there are many poems that focus on the concept of "home," we selected Robert Hayden's "Those Winter Sundays" to compare and contrast with Cisneros' work.  When analyzing any piece of literature, we focus on the four pillars of style analysis:  diction, imagery, language, and syntax.  We go into depth on all four pillars in the Style Analysis Tutorial , so for this section we will focus on what is unique about analyzing poetry in comparison to prose.

When we present a poem to the class, we structure it like an AP Poetry Analysis prompt that students will find on the AP Literature exam so they get more comfortable with the format:

When we first introduce poetry to students, we note that paragraphs and sentences in prose have been replaced with stanzas and lines in poetry.  We emphasize, however, that most poetry is still written in complete thoughts and contains end punctuation.  Our advice to students is to read poetry as if it were prose, pausing and stopping when the punctuation dictates.  We always read poems out loud in class twice — the first time by the teacher to model how it should sound and then a second time by a student reader.  For poems with multiple long stanzas, we might have different students read different stanzas aloud.  

Since every word in poetry is important, we first define any words that students might not know —like "indifferently" or "austere" in Hayden's poem, for example .  We want students to consider the significance of the diction, imagery, and language in a poem —which, again, we discuss in detail in the Style Analysis Tutorial —but in this tutorial we are going to focus on how the specific syntax of poetry, which we call poetic devices, differs from prose and how poets use these poetic devices to establish tone and reveal theme. 

We break poetic devices into three categories based on the repetition of sounds.  The first category identifies the repetition of specific letter-sounds, which takes the form of alliteration, consonance, and assonance.  The second category concentrates on the repetition of syllables, which involves a poem's rhyme, rhythm, and meter.  The third category focuses on the repetition of words or phrases, which we call parallel structure:

I.  Alliteration/Consonance/Assonance

Alliteration is the repetition of consonant sounds at the beginning of words whereas consonance is the repetition of consonant sounds within words.  Assonance is the repetition of vowel sounds.   Poets use repeated sounds not just because they are pleasing to the ear , but also to emphasize certain words  and create connections between words.

Let's look at the opening stanza of Hayden's poem:

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze.  No one ever thanked him.

When introducing poetic devices, we first ask students to find as many repetitions of consonant and vowel sounds as possible within an opening stanza.  For Hayden's poem, students usually notice the repetition of the hard "k" sound that comes at the beginning of words like " cl othes," " c old," and " cr acked"; in the middle of words like "cra ck ed," "a ch ed," "wee k day," "ba nk ed," and "tha nk ed"; and at the end of words like "bluebla ck ."

When we ask students to describe the tone, or feeling, associated with that particular sound, students often say it is harsh and abrupt.  The next question is why Hayden would want to repeat that particular sound in his opening stanza, and how that sound might reflect the feelings that the speaker has internalized when remembering his father and his childhood home.  

Despite the coldness of the relationship he had with his father, it is clear that the speaker's feelings have changed now that he is older.  The adult speaker seems to recognize and appreciate the fact that his father "got up early" during the week, most likely to go to a blue-collar job that produced "cracked hands that ached."  Not only does Hayden alliterate the " w eekday w eather" to emphasize the harsh conditions that his father endured during the week to provide for his family, but he also alliterates the " bl ue bl ack cold" when the speaker's father "made /  b anked fires bl aze" to show how the father also provided comfort for his family in the early morning darkness before any of them had gotten out of bed.

When Hayden stops the opening thought with a caesura in the middle of the fifth line, he uses the period to interrupt the flow of the line to set us up for the devastating final words of the stanza:  "No one ever thanked him."  When reading those words, we sense the guilt and regret the speaker has for failing to appreciate his father when he was a child.

Hayden's use of assonance is also interesting to analyze in the first stanza, specifically with the juxtaposition of long and short "a" sounds.  The long "a" sounds connect the hands that " a ched / from l a bor in the weekd a y weather m a de / banked fires bl a ze."  Those same hands that "ached" from long hours of manual labor outside the home were the same hands that "made" the fires inside the home —on "Sund a ys too"— to provide comfort and warmth for his family.

One could argue that the length of those drawn out "a" sounds  reflects the long thankless days that the father spent providing for his family with no apparent acknowledgment or appreciation of his sacrifice.  Is there bitterness inside the father?  Perhaps those harsh "k" sounds combined with the short "a" sounds in "bluebl a ck," "cr a cked," "b a nked," and "th a nked" reflect not just the speaker's fear of his father as a child, but also the resentment that the speaker imagines the father must have had towards his ungrateful family.

We emphasize with students that any literary interpretation—but especially with an analysis of the subtleties of syntax or poetic devices—is subject to debate.  The role of a literary critic is not necessarily to be "correct," but to make interesting observations based on evidence from the text to make the reader think differently or more deeply about the work.  Some interpretations are more convincing than others based on the evidence to support the claims, and others are more compelling based on the insight and depth of the analysis. 

Our advice to students is to think deeply about the literary work and make as interesting an argument as possible based on the evidence from the text.  An essay does not necessarily have to convince the reader that a certain interpretation is "right," but it should always aspire to be thought-provoking and make the reader think about the work in a new way.

II.  Rhyme/Rhythm/Meter

When we introduce the concept of rhyme, we differentiate between "end rhymes" and "internal rhymes."  When end rhymes create a consistent pattern, we call that a "rhyme scheme" and use letters, such as ABAB,  to represent the repeating pattern.  For Hayden's poem, however, there are no end rhymes, which means there is no rhyme scheme.  The first question that students should ask is why Hayden would choose to write his poem in free verse rather than with a set rhyme scheme.

Just because there are no end rhymes does not mean, however, that there are no internal rhymes.  In the first stanza, we see "blue black " and " cracked " on successive lines and " banked " and " thanked " in the same line.  These internal rhymes are not only aesthetically pleasing to the ear, but they also link those words thematically.  It is up to the reader to make a connection as to why the poet would want to pair those two words.

In the first pairing, the "blue black cold" represents the harsh conditions that the father has to face everyday — "Sundays too"—to provide and care for his family.  His perpetual sacrifice is represented by the " cracked hands that ached," but it seems that the "aching" of his hands does not just reflect a physical hardship; instead, it seems to also imply an internal suffering, one that the speaker is unable to recognize as a child but acknowledges and takes some responsibility for as an adult.  Similarly, the " banked fires" that the father made "blaze" every morning go unacknowledged by his family; despite the fact that he should have been " thanked " for the sacrifices he made, no one ever did.

In the second stanza, Hayden also uses internal rhymes effectively:

I'd wake and hear the cold splintering, breaking.

When the rooms were warm, he'd call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

The first line connects " wake " with the first syllable in " break ing," showing how the father regularly gets up in the early morning to make the house warm for his family by "breaking" the cold.  The tone of the stanza, however, is not one of familial love and warmth.  The present participles at the end of the first line connect with the present participle in the fourth line to create a series of internal rhymes by repeating the "-ing" syllable on "splinter ing ," break ing ," and "fear ing ."  Despite the speaker's understanding at an intellectual level that the father's efforts are "splintering" and "breaking" the cold, they are sublimated by his simultaneously "fearing the chronic angers of that house."  Instead of feeling gratitude for his father's efforts, the speaker only has dread and fear, fully aware that his father's temper is always in threat of "splintering" and "breaking" the peace and tranquility of the house.

When determining rhythm, we have to look at the punctuation and the pattern of stressed and unstressed syllables (i.e. meter) in a line or stanza.  In looking at the punctuation in the second stanza, the first thing we notice is the proliferation of commas.  The comma at the end of the first line creates an asyndeton that takes the place of an "and" that could have easily separated the two present participles in a smoother, more rhythmic way.  Instead, Hayden uses the comma to create a jarring transition between the two participles that abruptly concludes with the period at the end of the line.

One could argue that the punctuation aptly reflects the harsh, abrupt tone that we saw in the consonance of the repeated "k" sounds in the first stanza, which continues in the second stanza with " c old," "brea k ing," " c all," and " chr oni c ."  The commas at the end of each successive line in the second stanza slows the pace and makes us consider each line carefully.  The commas never complete the thought, however, so we carry the tension from one line to the next —and even into the next stanza—understanding implicitly that the "chronic angers of that house" remain unresolved and simmering beneath the surface, which breaks any sense of harmony in the house or rhythm in the poem.

The disruptive punctuation is complemented by the absence of a set meter.   To determine meter, we have to recognize which syllables are stressed and which are not.  The easiest way to do that is to look at the multi-syllable words first to determine where the natural accents lie.  For instance, the word "splintering" in the first line of the second stanza has three syllables, but only one contains the natural accent, which is the first; the final two syllables are unstressed.  Likewise, in "breaking" the first syllable is stressed and the second is not.   In fact, all of the multi-syllable words in the second stanza have the first syllable stressed:

After we find the natural accents, we then look at the single-syllable words, where there is ample room for interpretation.  In general, primary words — like nouns and verbs — are usually stressed whereas secondary words — like articles and prepositions — are not.   This is a guideline but not a rule, however.  When words are stressed, they are emphasized; sometimes it makes sense, based on the context of the line, to stress an adjective, for instance, rather than the noun.  Similarly, stressed and unstressed syllables usually alternate in poetry to create a natural rhythm, but poets will intentionally disrupt the rhythm to call attention to specific words. 

Here is a possible scan of the second stanza in Hayden's poem:

The first line starts off with a series of three rhythmic iambs (two-syllable combinations of unaccented syllables followed by accented syllables) before the pattern is broken with the words "splintering, breaking" at the end of the line.  By analyzing the meter, we can assume that soon after waking—even on Sundays with a fire warming the house—the speaker still feels a sense of tension and unease.  What is interesting is Hayden's decision to end the line with a weak, unaccented syllable, which one could argue conveys a sense of weary resignation, as if the speaker can never escape the constant "splintering, breaking" tension that permeates the house.  

The first syllable of the second line, "When," could certainly be accented, but leaving it unaccented allows that feeling of helplessness to carry over from the previous line and build into another series of rhythmic iambs that runs through the next two lines until it is disrupted once again by a present participle, this time "Fearing," which starts the fourth line and connects to the "splintering, breaking" of the first line.  This rhythmic pattern—and its disruption—repeats itself as if to imply that any sense of harmony within the house cannot remain for long. 

The preposition "of" in the final line of the stanza could also be unstressed, but choosing to accent the preposition creates another series of four straight iambs that is broken once again by a present participle, this time the "Speaking" at the beginning of the final stanza.  What is interesting is that the father is responsible for the "splintering, breaking" of the rhythm in the second stanza, but it is the speaker who is responsible for breaking the rhythm in the final stanza by "Speaking indifferently" to his father, which seems to imply that they both share responsibility for the psychic tension and "chronic angers of that house."  

III.  Parallel Structure

Parallel structure is the repetition of words or phrases within the lines of a poem.  We have already seen how Hayden uses parallel structure in repeating the use of present participles to break the rhythm of the lines in the second stanza and at the beginning of the third.  We also see a key repetition in the penultimate line that, one could argue, unlocks the thematic meaning of the entire poem:

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love's austere and lonely offices?

By repeating "'What did I know, what did I know" the speaker acknowledges his own ignorance as a child of the love and sacrifice that his father demonstrated through his daily actions.  The repetition also implies a sense of guilt and regret that he was unable to understand or appreciate his father when he was younger.  What is obvious is that the speaker has matured over the years —perhaps now having children of his own—and sees his father in a new, more compassionate light.  

To help students identify poetic devices and become more comfortable with the analytical process, we provide five study guide questions on the back of the AP prompt that students should try to answer on their own.  When students return to class, we answer any questions they may have and share our different interpretations of the poem as a whole class.

After we have explicated the poem and answered questions from the study guide, students prepare to write their AP Poetry Analysis essay.  Similar to the other AP essays, we encourage students to use  Hegel's Dialectic to organize their thoughts and outline their arguments:

The AP Poetry Analysis prompt for Hayden's poem asks students to consider how the speaker has "re-assessed" the "strained" relationship he had with his father in childhood.  One possible way to organize the argument would be to have the thesis, or initial claim (i.e. first body paragraph), focus on the "strained" relationship in the speaker's childhood.  The antithesis, or counter-claim (i.e. second body paragraph), could then focus on the speaker's re-assessment of that relationship once he becomes an adult.  The synthesis (i.e. third body paragraph) would focus on what the speaker has learned from the experience, which would also reflect Hayden's overall theme (i.e. "the meaning of the work as a whole").

If this were the first assignment of the year, we would provide a model for what a quality AP Poetry Analysis essay using Hegel's Dialectic might look like: 

When using Hegel's Dialectic for an AP Poetry Analysis essay, it is sometimes helpful to think of the thesis/antithesis/synthesis model in terms of tone and theme instead.  Students should look for competing, yet complementary, tones in the poem, which would then be the focus of their first two body paragraphs.  Students would then resolve the tension between those competing tones by revealing overall theme in the concluding third body paragraph.

Once students have completed the Journal Discussion and written the AP Poetry Analysis essay, they are now ready to begin the novel or play with a solid introduction to the major themes of the work.  Moreover, they will be able to compare and contrast how the author or playwright addresses the Essential Questions with the poet and and the author/speaker of the quotation.  Ultimately, students will have to answer those Essential Questions for themselves, but they now have three different guides to help them along the way.

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AP Passage Analysis Tutorial  >>

AP® English Literature

How to get a 9 on poetry analysis frq in ap® english literature.

• The Albert Team
• Last Updated On: March 1, 2022

Are you taking the AP® English Literature and Composition exam? If you’re taking the course or self-studying, you know the exam is going to be tough. Of course, you want to do your best and score a five on the exam. To do well on the AP® English Literature and Composition exam, you’ll need to score high on the essays. For that, you’ll need to write a complete, efficient essay that argues an accurate interpretation of the work under examination in the Free Response Question section.

The AP® English Literature and Composition exam consists of two sections, the first being a 55-question multiple choice portion worth 45% of the total test grade. This section tests your ability to read drama, verse, or prose fiction excerpts and answer questions about them. The second section worth 55% of the total score requires essay responses to three questions, demonstrating your ability to analyze literary works: a poem analysis, a prose fiction passage analysis, and a concept, issue, or element analysis of a literary work.

From your course or review practices, you should know how to construct a clear, organized essay that defends a focused claim about the work under analysis. Your should structure your essay with a brief introduction that includes the thesis statement, followed by body paragraphs that further the thesis statement with detailed, well-discussed support, and a short concluding paragraph that reiterates and reinforces the thesis statement without repeating it. Clear organization, specific support, and full explanations or discussions are three critical components of high-scoring essays.

General Tips to Bettering Your Odds at a Nine on the AP® English Literature and Composition Exam.

Your teacher may have already told you how to approach the poetry analysis, but for the poetry essay, it’s important to keep the following in mind coming into the exam:

• Carefully read, review, and underline key to-do’s in the prompt.
• Briefly outline where you’re going to hit each prompt item–in other words, pencil out a specific order.
• Be sure you have a clear thesis that includes the terms mentioned in the instructions, literary devices, tone, and meaning.
• Include the author’s name and title of the poem in your thesis statement.
• Use quotes—lots of them—to exemplify the elements throughout the essay.
• Fully explain or discuss how your element examples support your thesis. A deeper, fuller, and focused explanation of fewer elements is better than a shallow discussion of more elements (shotgun approach).
• Avoid vague, general statements for a clear focus on the poem itself.
• Use transitions to connect sentences and paragraphs.
• Write in the present tense with generally good grammar.
• Keep your introduction and conclusion short, and don’t repeat your thesis verbatim in your conclusion.

The newly-released 2016 sample AP® English Literature and Composition exam questions, sample responses, and grading rubrics provide a valuable opportunity to analyze how to achieve high scores on each of the three Section II FRQ responses. However, for purposes of this examination, the Poetry Analysis strategies will be the focus. The poem for analysis in last year’s exam was “The Juggler” by Richard Wilbur, a modern American poet. Exam takers were asked to analyze the following:

• how the speaker in the poem describes the juggler
• what the description shows about the speaker
• how the poet uses imagery, figurative language, and tone to convey meaning

When you analyze the components of an influential essay, it’s helpful to compare all three sample answers provided by the CollegeBoard: the high scoring (A) essay, the mid-range scoring (B) essay, and the low scoring (C) essay. All three provide a teaching opportunity for achieving a nine on the poetry analysis essay.

Start with a Succinct Introduction that Includes Your Thesis Statement

The first sample essay, the A essay, quickly and succinctly introduces the author, title, thesis, elements, and devices. The writer’s introduction sentences are efficient: they contain no waste and give the reader a sense of the cohesiveness of the argument, including the role of each of the analyzed components in proving the thesis. The specificity of the details in the introduction shows that the writer is in control, with phrases like “frequent alliteration,” “off-kilter rhyme”, and “diction evoking an almost spiritual level of power”. The writer leaves nothing to guesswork.

The mid-range B essay introduction also cites some specific details in the poem, like “visual imagery (of the juggler and his balls), figurative language (the personification of the balls interacting with the juggler), and tone (the playful mood of the first two stanza)”. However, the writer wastes space and precious time (five whole lines!) with a vague and banal recitation of the prompt. The mid-range answer also doesn’t give the reader an understanding of an overarching thesis that he or she will use the elements and devices to support, merely a reference to the speaker’s “attitude”.

The third sample lacks cohesiveness, a thesis statement, and organization. The sentences read like a shotgun spray of facts and descriptions that give no direction to the reader of the writer’s approach: how he or she will use the elements and details listed to prove a thesis. The short, choppy sentences don’t connect, and the upshot is something so commonplace as Wilbur describes a talented juggler, who is also a powerful teacher. That doesn’t respond to the prompt, which requires an argument about what the juggler’s description reveals about the speaker.

To sum up, make introductions brief and compact, using specific details from the poem and a clear direction that address the call of the prompt. Writing counts. Short, choppy, disconnected sentences make an incoherent, unclear paragraph. Don’t waste time on sentences that don’t do the work ahead for you. Cut to the chase; be specific.

Use Clear Examples to Support Your Argument Points

The A answer first supports the thesis by pointing out that alliteration and rhyme scheme depict the mood and disconnection of both the speaker and the crowd. The writer does this by noting how alliteration appears when the juggler performs, but not before. The student also notes how the mood and connection to the crowd cohere when the juggler juggles, the balls defying gravity and uplifting the crowd with the balls. Then, the writer wraps up the first point about description, devices, and elements by concluding that the unusual rhyme scheme echoes the unusual feat of juggling and controlling the mood of the crowd.

With a clear focus on attaching devices to individually quoted phrases and poem details, the student leads the reader through the first pass at proving the attitude of the poem’s speaker while commenting on possible meanings the tone, attitude, and devices suggest. Again, the student uses clear, logical, and precise quotes and references to the poem without wasting time on unsupported statements. Specific illustrations anchor each point.

For example, the student identifies the end rhyme as an unusual effect that mimics the unusual and gravity-defiant balls. Tying up the first paragraph, the student then goes on to thoroughly explain the connection between the cited rhyme scheme, the unique defiance of gravity, and the effect on the speaker. The organizational plan is as follows: point (assertion), illustration, and explanation.

The mid-range sample also cites specific details of the poem, such as the “sky-blue” juggler, a color that suggests playfulness, but then only concludes that euphony shows the speaker’s attitude toward the juggler without making that connection clear with an explanation. The writer simply concludes without proving that assertion. Without further explanation or exemplification, the author demonstrates no knowledge of the term “euphony”.

Sample C also alludes to the “sky-blue” juggler but doesn’t explain the significance. In fact, the writer makes a string of details from the poem appear significant without actually revealing anything about the details the writer notes. They’re merely a string of details.

Discussion is Crucial to Connect Your Quotes and Examples to Your Argument Points

Rather than merely noting quoted phrases and lines without explanation, the A response takes the time to thoroughly discuss the meaning of the quoted words, phrases, and sentences used to exemplify his or her assertions. For example, the second paragraph begins with an assertion that the speaker’s view of the world is evident through the diction used when describing the juggler and the juggler’s act. Immediately, the writer supplies proof by directing the reader to the first and last stanzas to find “lens,” “dusk”, and “daily dark”.

The selection of these particular diction choices demonstrates the writer’s knowledge of the term “diction” and how to support a conclusion the student will make by the end of the sentence that the speaker’s attitude toward the world around him is “not the brightest”. The writer gives a follow-up sentence to further convince the reader of the previous point about the speaker’s dim view by adding, “All the words and phrases used just fall flat, filled with connotations of dullness…”

Using the transition, “however”, the A response goes on to further explain that the juggler’s description contrasts with that of the speaker’s in its lightness, by again providing both specifically-quoted words and complete one or two full sentence follow-ups to the examples. In that way, the writer clarifies the connection between the examples and their use and meaning. Nothing is left unexplained–unlike the B response, which claims Wilbur uses personification, then gives a case of a quoted passage about the balls not being “lighthearted”.

After mentioning the term, the B essay writer merely concludes that Wilbur used personification without making the connection between “lighthearted” and personification. The writer might have written one additional sentence to show that balls as inanimate objects don’t have the emotions to be cheery nor lighthearted, only humans do. Thus, Wilbur personifies the balls. Likewise short of support, the writer concludes that the “life” of the balls through personification adds to the mystery and wonder–without further identifying the wonder or whose wonder and how that wonder results from the life of the balls.

Write a Brief Conclusion

While it’s more important to provide a substantive, organized, and clear argument throughout the body paragraphs than it is to conclude, a conclusion provides a satisfying rounding out of the essay and last opportunity to hammer home the content of the preceding paragraphs. If you run out of time for a conclusion because of the thorough preceding paragraphs, that is not as fatal to your score as not concluding or not concluding as robustly as the A essay sample (See the B essay conclusion).

The A response not only provides a quick but sturdy recap of all the points made throughout the body paragraphs (without repeating the thesis statement) but also reinforces those points by repeating them as the final parting remarks to the reader. The writer demonstrates not only the points made but the order of their appearance, which also showcases the overall structure of the essay.

Finally, a conclusion compositionally rounds out a gracious essay–polite because it considers the reader. You don’t want your reader to have to work hard to understand any part of your essay. By repeating recapped points, you help the reader pull the argument together and wrap up.

Write in Complete Sentences with Proper Punctuation and Compositional Skills

Though pressed for time, it’s important to write an essay with clear, correctly punctuated sentences and properly spelled words. Strong compositional skills create a favorable impression to the reader, like using appropriate transitions or signals (however, therefore) to tie sentences and paragraphs together, making the relationships between sentences clear (“also”–adding information, “however”–contrasting an idea in the preceding sentence).

Starting each paragraph with a clear topic sentence that previews the main idea or focus of the paragraph helps you the writer and the reader keep track of each part of your argument. Each section furthers your points on the way to convincing your reader of your argument. If one point is unclear, unfocused, or grammatically unintelligible, like a house of cards, the entire argument crumbles. Good compositional skills help you lay it all out orderly, clearly, and fully.

For example, the A response begins the first body paragraph with “In the first and last stanzas, no alliteration beyond ‘daily dark’ appears, evoking a tone that could hardly be described as cheerful”. The sentence, with grammatically-correct commas inserted to section off the lead-in phrase, “In the first and last stanzas,” as well as the dependent clause at the sentence’s end, “evoking a tone that…,” gives a road map to the reader as to the paragraph’s design: alliteration, tone, darkness. Then the writer hits all three of those with a complete explanation.

The next paragraph begins with a rather clunky, unwieldy sentence that nevertheless does the same as the first–keys the reader to the first point regarding the speaker’s view of the world and the devices and elements used to do so. It’s clear the writer tackles the speaker’s view, the juggler’s depiction, and diction choice–both as promised from the beginning in the thesis statement of the introductory paragraph and per the prompt. The writer uses the transition “In the first and last stanzas”, to tie the topic sentence to the examples he or she will use to prove the topic sentence; then the writer is off to do the same in the next paragraph.

So by the time the conclusion takes the reader home, the writer has done all of the following:

• followed the prompt
• followed the propounded thesis statement in exact order promised
• provided a full discussion with examples
• included quotes proving each assertion
• used clear, grammatically correct sentences
• wrote paragraphs ordered by a thesis statement
• created topic sentences for each paragraph
• ensured each topic sentence furthered the ideas presented in the thesis statement

Have a Plan and Follow it

It’s easier than it sounds. To get a 9 on the poetry analysis essay in the AP® Literature and Composition exam, practice planning a response under strict time deadlines. Write as many practice essays as you can. Follow the same procedure each time.

First, be sure to read the instructions carefully, highlighting the parts of the prompt you absolutely must cover. Then map out a scratch outline of the order you intend to cover each point in support of your argument. Try and include not only a clear thesis statement, written as a complete sentence but the topic sentences to each paragraph followed by the quotes and details you’ll use to support the topic sentences. Then follow your map faithfully.

Be sure to give yourself enough time to give your essay a brief re-read to catch mechanical errors, missing words, or necessary insertions to clarify an incomplete or unclear thought. With time, an organized approach, and plenty of practice, earning a nine on the poetry analysis is manageable. Be sure to ask your teacher or consult other resources, like albert.io’s Poetic Analysis practice essays, if you’re unsure how to identify poetic devices and elements in poetry, or need more practice writing a poetry analysis.

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AP English Literature: Approaches to Poetry Analysis

Mastering the art of poetry analysis is crucial for success in the AP English Literature exam. Here's a comprehensive guide on various approaches to poetry analysis that can enhance your understanding and interpretation of poetic texts:

1. Close Reading:

   - Focus: Examine the language, structure, and literary devices within the poem.

   - Analysis: Pay close attention to individual words, phrases, and images. Consider the impact of sound devices like rhyme, meter, and alliteration.

2. Structural Analysis:

   - Focus: Explore the poem's organization and form.

   - Analysis: Consider the arrangement of stanzas, lines, and the overall structure. Evaluate the impact of the chosen form on the poem's meaning.

3. Figurative Language:

   - Focus: Identify and analyze metaphor, simile, personification, and other figurative elements.

   - Analysis: Explore how figurative language contributes to the poem's themes, tone, and overall impact. Consider the symbolic significance.

4. Imagery:

   - Focus: Examine vivid and sensory language used to create mental images.

   - Analysis: Explore how imagery appeals to the senses and contributes to the poem's emotional or thematic resonance.

5. Theme Exploration:

   - Focus: Identify and interpret the central themes of the poem.

   - Analysis: Consider recurring ideas, motifs, or messages. Reflect on how the poet explores and conveys these themes through language and imagery.

6. Tone and Mood:

   - Focus: Determine the emotional tone and mood of the poem.

   - Analysis: Analyze word choices, diction, and the overall atmosphere created by the poem. Consider how the poet's tone contributes to the reader's emotional response.

7. Character Analysis (Persona):

   - Focus: Consider the speaker or persona of the poem.

   - Analysis: Analyze the characteristics, perspectives, and motivations of the speaker. Consider how the speaker's voice shapes the poem's meaning.

8. Historical and Cultural Context:

   - Focus: Explore the historical and cultural influences on the poem.

   - Analysis: Consider how societal events or cultural movements at the time of writing may impact the poem's themes, perspectives, and language.

9. Allusion and Intertextuality:

   - Focus: Identify references to other works, myths, or historical events.

   - Analysis: Explore how the use of allusion adds layers of meaning to the poem. Consider the impact of intertextuality on interpretation.

10. Sound and Rhythm:

    - Focus: Examine the poem's auditory qualities.

    - Analysis: Consider the rhythm, meter, and sound patterns. Explore how the poet's use of sound enhances the poem's meaning and emotional impact.

11. Symbolism:

    - Focus: Identify symbolic elements within the poem.

    - Analysis: Interpret the significance of symbols and their contribution to the poem's themes or messages. Consider both conventional and unconventional symbols.

12. Comparative Analysis:

    - Focus: Compare the poem with other works or poets.

    - Analysis: Explore similarities and differences in themes, styles, or approaches. Consider how this comparative analysis enriches the understanding of the poem.

13. Biographical Approach:

    - Focus: Consider the poet's life and experiences.

    - Analysis: Explore how the poet's personal experiences or background may influence the themes, perspectives, or emotions conveyed in the poem.

14. Reader Response:

    - Focus: Consider the reader's subjective response to the poem.

    - Analysis: Reflect on your own emotional reactions, interpretations, and connections with the poem. Consider how different readers might respond differently.

15. Contextual Analysis:

    - Focus: Analyze the broader context in which the poem was written.

    - Analysis: Consider historical, cultural, or literary movements that may have influenced the poet. Explore how the poem responds to or challenges the prevailing norms of its time.

By employing these diverse approaches to poetry analysis, you can develop a nuanced understanding of poems and effectively express your interpretations in the AP English Literature exam. Combining these strategies allows for a comprehensive exploration of the multifaceted elements that make poetry a rich and complex form of literary expression.

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Free Resources

Introduction to the Q1: Poem Essay on the AP Lit Exam

Mr. Chilton

Essay Overview

• 3 essays total
• 1 “open response” on book of your choice

Q1 Poetry Essay: Overview

• One poem from 1500-Present
• Renaissance poem
• Romantic poem
• Modern American poem (last 20 years)
• Sometimes two comparative poems on same subject or theme
• Historically the lowest performing essay

But that’s because no one has a teacher that loves poetry like Mr. Chilton!

Think about all the practice with poetry you’ve been given this year through the Daily Doses!

Framework for Question:

“Read the following ___ carefully. Then write an essay in which you discuss the author’s attitudes towards ____ and also discuss the devices (such as ___, ___, or ____) the author uses to convey these views.

• Understand the passage’s meaning, an interpretation of what it conveys
• Comment on the style, devices, techniques, or language used.

What the prompt tells you:

• The prompt tells you a bunch about the poem
• Connects to historical time period (Timeline, anyone?)

Answer all parts of the question!

• Don’t be in a hurry to start writing
• Underline ALL parts of a prompt

Analyze the poem like I taught you...

• Ask questions of the text
• Summarize it / Make a movie in the margin
• Meter, rhyme, special poetic devices, enjambment, etc.

What an “8” looks like

General Reminders:

• Connect closely to the text--NEVER personal or universal (“I have often felt this way… or “The world is a wonderful place, similar to what the poet says”) Uh, no.
• See other tutorials online
• See all websites and resources posted on my website under “AP Literature Test Prep”
• Work hard in class
• Be present every day
• Ask Mr. Chilton questions afterwards
• Work hard on the in-class essays and pester Mr. Chilton as much as possible to improve / question him about your essays
• Buy and study your own test prep booklet or check one out from Mr. Chilton
• See practice essay prompts and responses online

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Ultimate Guide to the AP English Literature and Composition Exam

Do you know how to improve your profile for college applications.

See how your profile ranks among thousands of other students using CollegeVine. Calculate your chances at your dream schools and learn what areas you need to improve right now — it only takes 3 minutes and it's 100% free.

The English Literature and Composition exam is one of the most popular AP exams among self-studiers and enrolled students alike. In 2019, a total of 380,136 students took the AP Literature exam, making it the third most favored AP exam, trailing only English Language and U.S. History in popularity. If you are interested in taking the AP Literature exam—and are taking a class or self-studying—read on for a breakdown of the test and CollegeVine’s advice for how to best prepare for it.

When is the AP Literature Exam?

2020’s AP English Literature and Composition exam day is Wednesday, May 6, 2020 at 8 AM. Check out our blog 2020 AP Exam Schedule: Everything You Need to Know to learn more about this year’s AP exam dates and times. 

What Does the AP Literature Exam Cover?

The AP Literature course engages students in careful reading and critical analysis of fictional literature, leading to a deeper understanding of the ways in which writers provide both meaning and pleasure to their readers—considering structure, style, theme, and smaller-scale elements such as figurative language, imagery, symbolism, and tone. 

Although there is no required reading list, the College Board formerly provided a list of prospective authors in its past AP Literature course description. Regardless of which specific titles are read in preparation for the exam, students should be familiar with works from both British and American authors written from the 16th century to the present. Ten of the commonly studied works in AP Literature courses are:

• Great Expectations , Charles Dickens 
• Invisible Man , Ralph Ellison
• Beloved , Toni Morrison 
• King Lear , William Shakespeare 
• Heart of Darkness , Joseph Conrad 
• The Portrait of a Lady , Henry James 
• Wuthering Heights , Emily Bronte 
• Their Eyes Were Watching God , Zora Neale Hurston 
• To Kill a Mockingbird , Harper Lee 
• A Portrait of the Artist as a Young Man , James Joyce 

How Long is the AP Literature Exam? What is the Format?

The AP Literature exam is one of the longer AP exams, clocking in at 3 hours. It is comprised of two sections. 

Section 1: Multiple Choice

1 hour | 45 Questions | 45% of Score

The first section of the AP Literature exam is one hour long and consists of 45 multiple-choice questions—23-25 Reading questions and 20-22 Writing questions. The multiple-choice questions are grouped in five sets of questions, with each set linked to a passage of prose fiction or poetry that contains between 8 and 13 questions. Students receive two sets of questions about both prose fiction and poetry, with the fifth set varying between prose fiction and poetry. The function of the multiple choice section is to assess a student’s ability to: 

1. Understand and interpret word choice, comparisons, and figurative language

This is one of the most common questions types on the AP Lit exam. Students are frequently asked to infer the meaning of certain words and phrases, and how they impact the rest of the passage. You will also be asked to identify and interpret figurative language.

Source: The College Board

2. Understand the theme of the poem or passage

You should be able to summarize and articulate what the excerpt is about and what sort of message it conveys.

3. Paraphrase or reformulate selected lines from the passage

Students are tested on their reading comprehension by being asked to select the reformulated response that most closely aligns with the original excerpt.

4. Explain the function of…

• The narrator or speaker: Know how a narrator’s or speaker’s perspective controls the details and emphases that affect how readers experience and interpret a text.

• Characters : Grasp how characters allow the reader to explore values, beliefs, assumptions, biases, and cultural norms.

• The plot and structure : Understand what the author conveys by the arrangement of the sections of text, their relationship to each other, and sequence, along with how the reader’s interpretation of the text is affected by these choices.

• Symbols and motifs : Describe the purpose of symbols and motifs and how they contribute to the meaning of the passage.

5. Identify parts of speech, verse forms, and meters

You’ll occasionally need more technical knowledge of parts of speech (adjective, adverb, etc.) and verse forms (blank verse, free verse, sonnet, etc.). You should also have a basic knowledge of poetic meter (iambic pentameter, trochaic tetrameter, etc).

Section 2: Free Response

2 hours 15 minutes | 3 questions | 55% of Score

The second section of the AP Literature exam is two hours (plus a 15-minute reading period) and contains three free response questions. These prompts test three core abilities:

• A literary analysis of a poem
• A literary analysis of a piece of prose fiction (this may include drama) 
• An analysis that examines a specific concept, issue, or element in a meritorious literary work selected by the student. 

The free response essays are graded by college and AP Lit teachers following a standardized rubric.

Below are 3 example free response questions from 2019’s AP Literature Exam: 

1. “Carefully read P. K. Page’s 1943 poem “The Landlady.” Then, in a well-organized essay, analyze the speaker’s complex portrayal of the landlady. You may wish to consider such elements as imagery, selection of detail, and tone.”

2. “Carefully read the following excerpt from William Dean Howells’ novel The Rise of Silas Lapham (1885). Then, in a well-constructed essay, analyze how the author portrays the complex experience of two sisters, Penelope and Irene, within their family and society.  You may wish to consider such literary elements as style, tone, and selection of detail.”

AP Literature Exam Score Distribution, Average Score, and Passing Rate

The AP Literature exam is extremely challenging, with less than half (49.7%) of students achieving a passing score of 3 or higher. The average student score is 2.62—only Physics (2.51) and Human Geography (2.55) have lower average scores. If you’re curious about other score distributions, see our post Easiest and Hardest AP Exams .

Best Ways to Study for the AP Literature Exam

One of the first steps you should take when preparing for the AP Literature exam is to look at its full course description . This will help guide your studying and understanding of the knowledge required for the AP Literature exam. Below are a few more steps you can take to ace the AP Literature exam. 

Step 1: Assess Your Skills

Practice Questions and Tests: Take a practice test to assess your initial knowledge. The College Board’s AP English Literature Course and Exam Description offers some sample multiple-choice questions, and the College Board also provides six sample AP Lit free-response questions with scoring commentaries . Older versions of the AP English Literature exam are also available; you can find a copy of the 2012 AP Lit exam and the 1999 AP Lit exam . Search around the web and you’ll likely turn up even more practice exams with answers keys —some will even have explanations of the questions. You’ll also find practice tests in many of the official study guides, and some even include a diagnostic test to act as your initial assessment.

Identify Areas in Need of Improvement: Once you have taken some kind of formative assessment, score it to identify your areas of strength and areas in need of improvement. It can be helpful to have a friend (or even better, a teacher) score your free-response essays, since they are more subjective than the multiple-choice section. With an accurate formative assessment, you’ll have a better idea of where to focus your studying efforts.

Step 2: Know Your Material

In the case of the AP Literature exam, this means focusing on your reading and writing skills.

Become an Active Reader: When reading, take care to go slowly and reread important or complex sections. Pause often to consider meaning, context, and intent. Become an active reader, underlining and taking notes as you go. Remember that the importance of the text comes not only from the author, but also from how the text affects you, the reader. Pay attention to how you feel and why you feel that way. Visit the College Board’s Reading Study Skills for more information.         

Write Frequently: Prepare for the writing section of your exam by writing frequently. According to the College Board, the goal is to become a “practiced, logical, clear, and honest” writer through the writing process. This means that you will plan, draft, review, redraft, edit, and polish your writing again and again. To be a successful writer on your exam, you will need to organize your ideas ahead of time, use your text wisely to support a clearly stated thesis, and provide a logical argument. Finally, you should pay close attention to your use of grammar, vocabulary, and sentence structure. Visit the College Board’s Writing Study Skills for more information. 

Get Expert Advice: For more specific guidance about test preparation, consider using a formal study guide. One good choice is Barron’s AP English Literature and Composition, 6th Edition . This study guide contains a review of test topics covering details test takers need to know about poetry, fiction, and drama, and includes five full-length practice tests. Some users do criticize it for providing few examples of scored student essays, but plenty of those are available on the College Board scoring examples page . 

The Princeton Review’s Cracking the AP English Language & Composition Exam, 2020 Edition: Proven Techniques to Help You Score a 5 is another solid choice containing a summary of test strategies and a focused review of course content. 

Alternatively, there are many online study resources available. Some AP teachers have even published their own study guides or review sheets online. You can find one such guide here .

Consider using an app to study: A convenient way to study is to use one of the recently-developed apps for AP exams. These can be free or cost a small fee, and they provide an easy way to quiz yourself on-the-go. Make sure you read reviews before choosing one—their quality varies widely. One that does receive good reviews is the McGraw Hill 5 which also saves you some money by covering 14 different AP subjects.      

Step 3: Practice Multiple-Choice Questions

Once you have your theory down, test it out by practicing multiple-choice questions. You can find these in most study guides or through online searches. There are some available in the College Board’s course description.

Try to keep track of which concept areas are still tripping you up, and go back over this theory again. Keep in mind that the key to answering questions correctly is understanding the passage, so practice active reading skills as you’re tackling the multiple-choice questions. This includes underlining, mouthing words, and circling key points. Remember, the answer will always be found in the text, and often the question will tell you exactly where in the text to look for it.

Step 4: Practice Free-Response Essays

Focus on Writing Skills: Use a rich vocabulary, varied sentence structure, and logical progression of ideas. Make sure that your words flow easily from one to the next. According to the College Board’s scoring criteria , writing that suffers from grammatical and/or mechanical errors that interfere with communication cannot earn a the maximum score of a 6, no matter how strong your thesis, compelling your argument, or convincing your evidence is.  

Cultivate Cohesive Writing: You should also strive to write a thoughtful and persuasive analysis of the literature. Begin by writing a quick outline to structure your piece. Make sure that your introduction leads to a clearly stated thesis and use supporting paragraphs to build this argument. Use quotes judiciously in your answers and focus on writing with sophistication and clarity.

Practice, Practice, Practice: The best way to prepare for these free-response questions is through repeated exercises analyzing short prose passages and poems, and through practicing with open analytical questions. 

Understand Scoring: As you prepare for the writing portion of your exam, be sure to review how your free responses will be scored. Each free-response essay is graded on a scale from 0 to 6 with points awarded for three elements: Thesis (0-1 point), Evidence and Commentary (0-4 points), and Sophistication (0-1 point). A comprehensive explanation of the College Board’s scoring rubric is found on their website.  

Study the free-response questions and scored student responses with written explanations provided by the College Board . The most effective way to use these is to read and respond to the prompts first, then review the student samples and scoring explanations. Use this feedback to practice another prompt and repeat the cycle until you are confident that your responses are as strong as the top scorers’. 

Step 5: Take Another Practice Test

As you did at the beginning of your studying, take a practice test to see which areas you’ve improved in and which still require practice.

If you have time, repeat each of the steps above to incrementally increase your score.

Step 6: Exam Day Specifics

If you’re taking the AP course associated with this exam, your teacher will walk you through how to register. If you’re self-studying, check out CollegeVine’s How to Self-Register for AP Exams .

For information about what to bring to the exam, see CollegeVine’s What Should I Bring to My AP Exam (And What Should I Definitely Leave at Home)?

CollegeVine can’t predict how you’ll score on your AP Literature exam, but we can help take the guesswork out of college admissions. Our free chancing engine uses a data-driven algorithm taking into consideration criteria such as GPA, standardized test scores, and extracurricular activities to tell you your odds of acceptance at over 500 colleges and universities.

Check out these other Collegevine articles for more information about AP exams. 

• 2020 AP Exam Schedule
• How Long is Each AP Exam?

Want access to expert college guidance — for free? When you create your free CollegeVine account, you will find out your real admissions chances, build a best-fit school list, learn how to improve your profile, and get your questions answered by experts and peers—all for free. Sign up for your CollegeVine account today to get a boost on your college journey.

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Lit & More

October 9, 2021 ·

My 10 NEW Favorite Poems to Teach in AP Lit

Planning Content & Choosing Curriculum · Poetry Lessons & Resources

This is part two of a previous post, where I list my 10 favorite poems to teach in AP ® Lit . While I haven’t replaced all of these poems, I have added quite a few new titles to my repertoire since I wrote it, so I thought it was time for a Part 2 version! So, without further ado, here are 10 more poems I love to teach to my AP ® Lit students!

AP® is a trademark registered by the College Board, which is not affiliated with, and does not endorse, this website .

“t he drone” by Clint Smith

My AP Lit students studied this poem just a few weeks ago and I was amazed at how deep and varied their analysis went with so little prodding. I paired it with my AP Lit task cards and asked them to pick two questions and prepare their answers on a post-it. Then, they went around the room and shared their response from one of the post-its. This led to a strong discussion and very strong paragraph responses. It’s hard to find a poem that is interesting, relevant, and approachable for emerging learners at the beginning of the year, but this is my new go-to poem for the fall.

I use this poem in my first-day lesson, available here!

“Introduction to Poetry” by Billy Collins

This is another poem I use at the beginning of the year, particularly since it’s so aptly named. In my classes we study one poem per week, unassociated with any of the units we’re studying that follow the bell-ringers. I always use Billy Collins’ “Introduction to Poetry” to kick these lessons off. Not only is it a great representation of figurative language that connects to meaning, but it explains what I expect from them in our weekly analyses. We’re going to “waterski across the surface of the poem” or “walk inside the poem’s room and feel the walls for a light switch,” but definitely not beat it with a hose.

“mulberry fields” by Lucille Clifton

If you’re looking for a more challenging poem for your students, Lucille Clifton’s “mulberry fields” is very powerful. Despite being pretty advanced, my students have enjoyed unpacking it, since the poem’s message about the devastating legacy of slavery is so compelling and relevant.  The poem describes the soil of a plantation that profited off the backs of slave labor, one which still stands in Maryland. It is also a good one to pair with Audre Lorde’s poem, “ Who Said It Was Simple.”

“The Black Walnut Tree” by Mary Oliver

If we’re talking about favorite poems, you can expect to find Mary Oliver’s poetry on my list. On my previous list I included her poem, “Oxygen,” which holds the title of being my favorite all-time poem. “The Black Walnut Tree” is one that I have less of an emotional attachment to, but still love almost as much. I first read this poem when I worked as an AP ® Lit reader in 2013. You would think that reading hundreds of essays on this poem would kill my love for it, but it surprisingly didn’t. It’s a more easy-going text, too, free of any triggers or polarizing discussion risks. I love discussing it in connection with structure and characterization of all the AP ® Lit Essential Skills.

I have a lesson available for purchase for “The Black Walnut Tree,” if you’re interested!

“Baked Goods” by Aimee Nezhukumatathil

OK, so technically this poem now lives in my Honors English class, but I run it like a Pre-AP ® course so I’m still including it. In my Honors Poetry Boot Camp , we explore different poems in connections to emphasized skills or literary terms. I use this poem in connection with our study of personification and the students and I agree: it is just lovely. I love its feeling of freshness among poems that are so often about death, pain, and suffering. This poem and is as sweet as its title, and yet rigorous enough for a place in AP ® English Lit.

“The Illiterate” by William Meredith

This is another poem I’ve used in both Honors and AP ® Lit, but I use it to illustrate why it’s important to include all details included in a poem. When reading “The Illiterate,” students easily grasp that the narrative describes an illiterate man receiving a letter. They can connect the second stanza with the first, with just a little help. But only the most observant reader will connect the narrative with the first line, which says, “Touching your goodness, I am like the man who…” This reminds them that the poem is actually a giant simile for how the speaker is feeling. It’s a great choice if you’re looking for a minor “gotcha” moment, or just to see that lovely, “Oh!” look of comprehension on your students’ faces.

“The Forge” by Seamus Heaney

In my previous blog post on the subject, I talked about how much I love teaching Percy Bysshe Shelley’s “Ozymandias.” One of the reasons is that its meaning connects with structure when the classic sonnet form breaks down midway through the poem, matching its message on how nothing lasts forever. “The Forge” does something similar. It resembles a sonnet as well, yet moves away from the form midway through, like Shelley’s does. The poem, depicting a hard-working blacksmith during changing times, connects with the structural changes as well. It’s a great match with not only structure, but emphasis of sound elements such as onomatopoeia and alliteration as well.

I have a lesson on “The Forge” available for purchase, if you’re interested!  

“We Real Cool” by Gwendolyn Brooks

Sometimes my poem lists show my maturity and growth as a teacher. When I wrote this list three years ago, I would have never included “We Real Cool” on the it. I thought of it as a thruway poem, a gimmick (my apologies, Gwendolyn Brooks). However, I was forced to study it a couple of years ago and I discovered something: there’s a lot going on in this poem. The strange structure, the choice of enjambment, the odd lead-in about the seven at the Golden Shovel, the word choice, I can go on and on. Each year it takes me longer to get through this poem, and I love it more and more. It’s a great choice for talking about words and their connotations if you’re looking to match it to skill!

I’ve created a lesson on “We Real Cool” for purchase, available here! This lesson is also available in my Poetry Unit III bundle , aligned with the CED.

“A Valediction Forbidding Mourning” by John Donne

When making this list I realized that I had a lot of contemporary titles on it, so I tried to get one “classic” on the list. I can’t ignore John Donne (even when I sometimes want to). Donne is the master of metaphysical poetry, which is fancy talk for really weird comparisons. In “A Valediction,” Donne gives us one of the most romantic poems in history where he compares his relationship with his wife to a mathematical compass. My students adore this comparison and this poem, despite its difficulty. It’s a good one for line-by-line analysis but be sure to give it a good chunk of time. There’s a lot to unpack with John Donne!

I’ve created a lesson on “A Valediction Forbidding Mourning” for purchase, available here! This lesson is also available in my Poetry Unit III bundle , aligned with the CED.

“My Father and the Fig Tree” by Naomi Shihab Nye

The poetry of Naomi Shihab Nye is another discovery I’ve made in the past three years. I love her perspective of a person from contrasting cultures, matched with a knack for taking unrelatable circumstances and making them feel like they happened to you. Case in point, this poem. I am not a child of immigrants. Growing up, my parents didn’t move a lot. I’ve barely even eaten a fig! And yet, there is an element of relatability in this poem that makes it so approachable and lovable. We love analyzing the speaker’s relationship with her father and the impact of the fig tree as a symbol.  

Honorable mentions

There are many other poems that make up my AP ® curriculum but these are just a few of my favorites. How do you pick just 10, now 20, poems to teach in AP ® Lit? Honorable mentions include:

• “Mirror” by Sylvia Plath
• “What the Cicada Said to the Black Boy” by Clint Smith
• “The Bean Eaters” by Gwendolyn Brooks
• “Bedecked” by Victoria Redel
• “Those Winter Sundays” by Robert Hayden

The links included in this post are to some of the lessons I’ve created for my Teachers Pay Teachers store. Many are available in my Daily Poetry Bell-Ringers, available here . You can also buy a growing bundle of all of my AP ® Lit poem studies by clicking here . To learn more about how I use poetry on a regular basis in AP ® Lit, check out this blog post .

These are just some of my favorite poems to teach in AP ® Lit. Drop me a line in the comments and let me know what yours are!

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How To Write A Poetry Analysis Essay Ap Lit

Poetry Analysis Essay Overview

A poetry analysis essay is an essay that centers around a poem. It requires an in-depth knowledge of the poem, as well as a keen eye for patterning, sound and rhythm. To put it succinctly, a poetry analysis essay is used to analyze a poem’s various elements, such as form, imagery, diction, etc. This essay looks at nearly every aspect of the poem, including its structure, meaning, and emotion.

Learning the Fundamentals of an AP Lit Poem Analysis Essay

To understand what a poem analysis essay entails and how to write one, it’s important to learn the fundamentals of a poetry analysis paper. This type of essay combines complexity and sensitivity. It’s not enough to just read a poem and offer a brief interpretation. Instead, students must be adept in identifying poetic elements and use them to engage the reader with a deep understanding and appreciation of the poem’s beauty. When writing a poem analysis essay for AP Lit, the following core concepts should be kept in mind:

• Understand the poem.
• Identify and explain its literary elements.
• Link the poem’s elements to its theme.
• Analyze the impact of the poem on the reader.

Researching the Poem

Before beginning to write the essay, it’s important to do the research. To understand the poem, it’s best to read it slowly. Take note of its various elements and the recurring motifs present throughout. The poem should be read multiple times, staying mindful of its structure, language and the overall mood it evokes.

Organizing the Essay

When writing a poem analysis essay, it’s important to structure it properly. It should have an introduction, body paragraphs and a conclusion. To begin, the introduction should be used to clearly introduce the poem and its context. The body paragraphs should discuss the poem’s elements in great detail. This is the heart of the analysis, so each element should be discussed and dissected. All of this should be done through clear, concise language. Finally, the conclusion should be used to summarize the essay and link various elements of the poem back to its theme.

Essay Writing Process

Now that the groundwork of the essay has been laid out, it’s time to dig into the specifics of the writing process. This should be approached methodically and with a sharp eye for detail. Every sentence should be written in a way that adds meaning to the essay. This can be done by using rhetorical devices, such as alliteration, repetition and irony, to engage the reader and create an emotional response. It’s also important to add your own insights and analysis to the essay. This will help to elevate the essay and provide an original take on the poem’s beauty.

Preparing for Evaluation

After the essay has been written, it’s important to do some preparation for the evaluation. Students can study the poem and its elements, as well as various opinions on the poem itself. This will help in formulating a strong essay and constructing a well-informed argument.

Examples and Techniques

When writing a poem analysis essay, it’s important to keep the examples used relevent and succinct. This helps to further the impact of the essay and its analysis of the poem’s elements. Additionally, rhetorical techniques should be used throughout the essay. This could include the use of prosody, diction, similes, metaphors, tone and voice.

Relevant Evidence

Finally, it’s important to back up your claims with relevant evidence. This should be done by citing the poem and its various elements. This will help to lend credibility to your argument and back up your analysis. To conclude, writing a poem analysis essay is a task that involves careful consideration and thought. It involves researching the poem and its elements, organizing the essay’s structure, and applying rhetorical techniques. Understanding these fundamentals and applying them to your essay writing process is sure to secure a top grade on your AP Lit poem analysis essay! Good luck!

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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By submitting my email address. i certify that i am 13 years of age or older, agree to recieve marketing email messages from the princeton review, and agree to terms of use., ap literature book list to help you prep for the exam.

There is not a required AP Literature Book List reading list for the AP English Literature and Composition Exam, but the College Board provides a long list of authors and poets with whom you should be familiar and whose work is of the caliber and density that you are expected to understand. The list may seem overwhelming, but fear not! The following tips on how to approach poems, novels, novellas, and plays for the exam, along with a curated list, will make preparing for the AP Literature Exam a little easier.

When you approach a poem on the AP English Literature exam, always read it at least twice before you go to the questions. The purpose of the first read is to get all the words in your head. Then, in your second read, focus on understanding what you’ve read in the simplest way possible. Don’t worry about symbolism Don’t worry about deeper meanings. The questions will direct you toward those aspects of the poem. Use your second read to look for the main idea. Practice reading the following poems at least twice to familiarize yourself with finding the main idea:

“Autumn Song” by W.H. Auden

“One Art” by Elizabeth Bishop

“There’s a certain Slant of light” by Emily Dickinson

“Let America Be America Again” by Langston Hughes

“Crossing the Swamp” by Mary Oliver

"Lady Lazarus" by Sylvia Plath

“Sunday Morning” by Wallace Stevens

“I Will Keep Broken Things” by Alice Walker

“The Prelude” by William Wordsworth

“The Second Coming” by William Butler Yeats

Longer Works

To be prepared for the Literary Argument, you should know at least three works very well. Two of them should be longer works that you’ve studied in class. We’ll call these the primary works.

Your primary works should be fairly hefty. One of Shakespeare’s plays or a thick, complex novel will do anything that is so rich in incident and form that no matter what the literary argument question asks, you have something to say. The following full-length works are all good choices.

Wuthering Heights by Emily Brontë

Don Quixote by Miguel Cervantes

Invisible Man by Ralph Ellison

The Kite Runner by Khaled Hosseini

Their Eyes Were Watching God by Zora Neale Hurston

The Catcher in the Rye by J. D. Salinger

Hamlet by William Shakespeare

Frankenstein by Mary Shelley

Of Mice and Men by John Steinbeck

The Adventures of Huckleberry Finn by Mark Twain

Shorter Works

The third work you should prepare for the Literary Argument will act as a safeguard in case, for some reason, you can’t apply your knowledge of the other works to the question at all, or in case you need to back up your points with another example. This will be your secondary work. Trust us, the question stem may say that you need to choose only one work to discuss, but an exam reader will be hugely impressed if you can adeptly discuss two or three pieces of literature. Listed below are examples of shorter novels, novellas, and plays that are acceptable to the AP Readers.

Novellas and Short Novels:

The Old Man and the Sea by Ernest Hemingway

The Turn of the Screw by Henry James

Death in Venice by Thomas Mann

Ballad of the Sad Café by Carson McCullers

Candide by Voltaire

Who’s Afraid of Virginia Woolf? by Edward Albee

Waiting for Godot by Samuel Beckett

A Doll’s House by Henrik Ibsen

The Crucible by Arthur Miller

A Streetcar Named Desire by Tennessee Williams

Hopefully this overview of how to prepare for the exam and introduction to the AP Literature book list will make studying for the AP Literature Exam more manageable.

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Your chance of acceptance, your chancing factors, extracurriculars, creating a thesis for ap lit.

This year, I'm taking AP Lit and I'm struggling with writing thesis statements for my essays. Does anyone have any tips or insight on how to write a solid thesis statement for AP Lit essays?

I can definitely give you some advice on how to create a solid thesis statement for your AP Lit essays. In AP Lit, your thesis statement should provide a clear, original, and specific claim about your chosen literary work, which your essay will then analyze and support with textual evidence.

Here are a few steps you can follow to create a strong thesis statement:

1. Read the prompt carefully: Make sure you understand what the prompt is asking you to do, whether it's analyzing a specific aspect of the text, exploring a theme, or discussing a particular character.

2. Choose a clear and specific focus: Decide what aspect of the work you want to explore, such as characterization, theme, symbolism, or structure. Your thesis statement should be specific enough that your analysis doesn't become too broad or unfocused.

3. Make an original claim: Your thesis statement should present an original argument or interpretation, rather than merely stating an obvious fact or restating the prompt. Make sure your claim is one that can be both supported by evidence from the text and challenged by other interpretations.

4. Include some direction for your essay: A strong thesis statement not only makes a claim but also gives some indication of how your essay will support that claim. This helps guide your reader and sets up the organization of your essay.

For example: In The Great Gatsby , F. Scott Fitzgerald uses the contrasting settings of East Egg, West Egg, and the Valley of Ashes to illustrate the corrupting influence of wealth and social class on the characters and their ultimate disillusionment with the American Dream.

In this thesis statement, the focus is on the contrasting settings and their impact on the characters, making a specific claim about the author's intent. It provides direction for the essay, indicating that the writer will explore how Fitzgerald uses these settings to convey his message.

Remember, writing a strong thesis statement takes practice, so keep working at it and tweaking it until you feel confident in your ability to craft a well-argued and coherent claim about the text. Good luck in your AP Lit class!

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AP Lit Prose Analysis: Practice Prompt Samples & Feedback

9 min read • january 2, 2021

Candace Moore

Practicing Prose Analysis is a great way to prep for the AP exam! Review practice writing samples and corresponding feedback from Fiveable teacher Candace Moore.

The Practice Prompt

Notes from the teacher.

While reading, consider the following questions:

• What is the author’s language  doing ?
• What  choices  has the author made in her language?
• What is the  meaning/impact  of those choices?

As if you were writing a whole essay,  write a thesis  that establishes

1) the relationship Petry establishes between Lutie Johnson and the setting,

2) which figurative language devices Petry employed to establish the relationship, and

3) any complexity you identified in that relationship. Start a new paragraph  that analyzes  one pattern  of figurative language and its role in the relationship. You should have  at least two pieces of evidence  and  at least three sentences of commentary  making the connection between the language and the claim from your thesis.

Replay: Prose Analysis Thesis and Introduction

Read the selection carefully and then write an essay analyzing how Petry establishes Lutie Johnson’s relationship to the urban setting through the use of literary devices.

Passage and Prompt

Writing Samples and Feedback

Student sample 1.

In  The Street , by Ann Petry, the author establishes a victim and attacker relationship between Johnson and the urban setting. She uses personification, metaphor, and imagery of the wind to convey their relationship. Although the setting is portrayed as very violent, Petry also showcases its annoying characteristics to further add to their relationship.

The passage starts off with introducing the wind as it " rattled the tops of garbage cans  and “ sucked window shades out ”. Immediately, it’s described as a violent figure that gives off an aggressive and depressing atmosphere. It purposely bothers people, going as far as driving them out the streets. It meticulously bothers Lutie Johnson as she shivers when “ the cold fingers of the wind touched the back of her neck, and explored the sides of her head. ”: making her feel uncomfortable and powerless.

Teacher feedback:

You have a thesis that establishes a line of reasoning, and names the relationship between Lutie and the setting, which is great! So that earns the point. My push for you would be to get all of that into one sentence, because that would cut down on the repetition, and strengthen your writing style. 1/1: Thesis

Your paragraph uses well-selected evidence, but as a reader, I’m not convinced that you know what part of your argument you’re proving in this paragraph, or how your line of reasoning is supported. The first three sentences are connected by the violence/aggression, but then you shift to a different aspect of the relationship in the second half without a clear link between. Ev&Comm: 2/4

Student Sample 2

In  The   Street,  by Ann Petry, she establishes a negative relationship between Lutie Johnson and the urban setting. She uses the literary devices, personification and metaphor to show how the wind is impacting the people in the city. Petry also displays how the people in the urban area felt with the wind to express the negative relationship they have with the wind.

The way that the wind is expressed in the passage is as it were a human and has human features. An example of the wind having a human feature would be when the wind “did everything it could to discourage the people walking along the street.” One can notice that the wind ruined a person’s spirit while they are strolling through the streets. "And then the wind grabbed their hats, pried their scarves from around their necks, stuck its fingers inside their coat collars, blew their coats away from their bodies. " Petry used personification in that sentence to make it seem as though the wind has hands by saying that it grabbed hats and stuck its fingers in their coat collars to portray that the wind felt very eerie.

Your thesis establishes a relationship (negative), and names the devices that you will use in your analysis. However, your thesis does not establish a strong line of reasoning because you don’t make a whole argument when you say “how the people … felt” and “how the wind is impacting” instead of giving your interpretation (e.g. the people felt like victims, or the wind assaults them). 1/1

Your paragraph does clearly interpret the personification in the passage, and uses evidence that shows how Petry gives human qualities to the wind. However, you did not go the next step to analyze the relationship through the personification thoroughly. Try to spend more of your paragraph connecting the device to your argument, as well as clarifying the connection between the evidence points in your paragraph. 2/4

Student Sample 3

In  The Street  by Ann Petry, a negative relationship was established between the character Lutie Johnson and the urban setting in the story. The author uses diction, personification, and imagery to portray how the wind and Lutie have a negative relationship.

The word choice of Petry clearly establishes a negative relationship between Lutie and the wind by using words like “discourage,” “entangling,” “cold,” and “shivered.” All of these words hold negative connotation and create a feeling of invasiveness and being attacked. When the wind lifted Lutie’s hair and she “shivered as the cold fingers of the wind touched the back of her neck,” the audience can clearly see that the wind is not creating a pleasant sensation for Lutie. If the author were to use plain diction like “Lutie felt cold when the wind toughed her neck,” there would be no emotion and nor establishment of a strong relationship. The audience would have just known that the wind was cold.

Your thesis establishes your argument about a negative relationship and names the devices you will use. 1/1

The first two sentences of your paragraph are very strong – you have a device supported by the evidence, and your commentary connects to the argument. However, the rest of the paragraph does not analyze the relationship; it only interprets the diction. If you explained the connotation of that line as clearly, you would have a strong commentary. 2/4

Student Sample 4

In  The Street , Ann Petry portrays the abusive relationship between Johnson and the urban setting, through the usage of diction, personification, and imagery. The main culprit of this abuse is the natural wind, how it is violent and stops at nothing to bother the characters.

The passage begins with introducing the wind as it “rattled the tops of garbage cans” and “sucked window shades out”. Right off the bat, the characteristics of the wind is violent, a force that cannot be stopped. The wind is aggressive, purposely bothering the people, completely emptying the streets. The wind then begins abuses Johnson, making her shiver with “[its] cold fingers touch[ing] the back of her neck, and explor[ing] the sides of her head.” This removes any power that Johnson could of had, ending with the wind dominating over her.

You have a strong thesis in regards to its argument establishment – you have clearly interpreted the relationship. 1/1

Your evidence is well-selected, and your commentary tightly connected to the line of reasoning you established in your thesis. The last sentence is very strong. Organizationally, I would move the second sentence to the beginning of the paragraph as your assertion, creating a thread for the paragraph from the start that you can follow through the rest of the sentences. This makes your line of reasoning clearer and stronger, and more “sophisticated”. 3/4

Student Sample 5

In  The Street , by Ann Petry, a tug of war dynamic relationship is established between Lutie Johnson and the urban setting and portrayed in a negative light. Through the use of personification, imagery, and diction the fight Johnson faces against the brutal wind is shown.

Petry uses personification throughout the passage to describe the wind as if it is a person. Things such as, “Each time she thought she had the sign in focus, the wind pushed it away from her” By doing this the audience sees the wind directly affecting Johnson and creating a fighting relationship between the two of them. As Johnson tries to read a sign the wind pushes it away as if it doesn’t want her to go. By making it seem like the wind is trying to directly fight Johnson it makes the fight more personal The wind even chills Johnson by touching the back of her neck with its “cold fingers”. The wind now seems even more human like, as if the wind is grabbing Johnson in an aggressive manner. The act of the wind touching her neck is meant to scare Johnson and hold her back even more for where she needs to go. Each time Johnson tugs away from the wind, the wind pulls even more to fight Johnson.

Your thesis is strong, and establishes the relationship as one with a “tug of war dynamic”. 1/1

Your first sentence of your body paragraph establishes personification as the device, but only defines personification instead of beginning your interpretation that will lead to analysis (e.g. … personification to show the wind as creating barriers for Lutie). Your analysis is clear and effective, however, in showing the relationship and how the personification creates it. 3/4

Student Sample 6

In  The Street , by Ann Petry, the author establishes an obstructive relationship between Luti Johnson and the urban setting, particularly the wind. Petry employs the use of personification, imagery, and metaphor to express how Luti struggles against the wind.

The author used personification to describe the wind throughout this passage. This makes the effects of the wind seem deliberate and personal. When Luti is first introduces in the passage, the wind “lifted” her hair, exposing her neck. This action caused Luti to feel vulnerable and cold. Then, “the cold fingers of the wind touched the back of her neck, explored the sides of her head.” This statement makes it seem as if the wind is purposely violating Luti’s privacy and exposing her to the cold. By using personification to describe the wind, the author takes a natural element and turns it into a cruel, aggressive character. By giving the wind this “personality,” Petry is able to convey how destructive its actions are towards Luti.

Good thesis! You’ve given a very specific name to the relationship that establishes a line of reasoning. Having two sentences to establish these parts isn’t necessary, though. 1/1

I appreciate that you have an assertion that shows where the sentence is going. Again those first two sentences could be one: Throughout the passage, the author personifies the wind’s actions as deliberate and personal. The rest of the paragraph is strong, however, and connects clearly and effectively to your argument. Make sure that it connects clearly to the thesis, as well.

Student Sample 7

In  The Street , by Ann Petry, the author uses personification in order to show the wind as a powerful figure. Through these literary devices, the audience can see the influence of the winds on the people of the town, creating the wind to seem like a relentless bully.

At the beginning of the story, the personification of the wind is established. The wind comes off as aggressive and ruthless by driving people into their homes. The wind’s motive is then revealed, creating a sense of motivation that drives the wind  “It did everything it could to discourage the people walking along the street”  By blinding people with dust and wrapping the newspaper around their feet, the wind is portraying doing what a human would do when they are being malicious and ruthless. When Lutie Johnson is introduced, the audience gains a sense of innocence in her character. So, when the wind  “… blew her eyelashes away from her eyes so that her eyeballs were bathed in a rush of coldness…” , the wind is conceived as a bully. The audience can help to feel bad for what she has to endure. The wind continues to have this bully mentality when she tries to read the sign. However, the wind eventually lets her read the sign, allowing her to see it for an instant.

Strong thesis! “Relentless bully” shows you are clear on the relationship, as well as how you plan to analyze it through the personification. 1/1

You have very effective word choice in your analysis, which makes your writing and analysis fluid. The line of reasoning from your thesis is supported by your interpretation of the wind as malicious, ruthless, etc. However, your introduction of Lutie as a character with innocence is not as clearly connected or supported, and your last sentence seems to contradict the rest of the paragraph. 3/4

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