write three paragraph essay that employs imagery

Definition of Imagery

Imagery is a literary device that refers to the use of figurative language to evoke a sensory experience or create a picture with words for a reader. By utilizing effective descriptive language and figures of speech , writers appeal to a reader’s senses of sight, taste, smell, touch, and sound, as well as internal emotion and feelings. Therefore, imagery is not limited to visual representations or mental images, but also includes physical sensations and internal emotions.

For example, in his novel The Scarlet Letter , Nathaniel Hawthorne utilizes imagery as a literary device to create a sensation for the reader as a means of understanding the love felt by the protagonist , Hester Prynne.

Love, whether newly born or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, that it overflows upon the outward world.

By using descriptive language in an effective and unique way, Hawthorne evokes feelings and allows the reader an internal emotional response in reaction to his description of love. This image is especially poignant and effective for readers of this novel since Hester’s love, in the story , results in darkness , shame, and isolation–the opposite of sunshine and radiance. However, Hawthorne’s imagery appeals to the reader’s understanding of love and subsequent empathy for Hester’s emotions and actions, despite her transgression of societal norms, morals , and laws.

Common Examples of Imagery in Everyday Speech

People frequently use imagery as a means of communicating feelings, thoughts, and ideas through descriptive language. Here are some common examples of imagery in everyday speech:

The autumn leaves are a blanket on the ground.
Her lips tasted as sweet as sugar.
His words felt like a dagger in my heart.
My head is pounding like a drum.
The kitten’s fur is milky.
The siren turned into a whisper as it ended.
His coat felt like a velvet curtain.
The houses look like frosted cakes in winter .
The light under the door looked buttery.
I came inside because the house smells like a chocolate brownie.

Types of Poetic Imagery

For poetic imagery, there are seven primary types. These types of imagery often feature figures of speech such as similes and metaphors to make comparisons . Overall, poetic imagery provides sensory details to create clear and vibrant descriptions. This appeals to a reader’s imagination and emotions as well as their senses.

Here are the main types of poetic imagery:

Visual : appeals to the sense of sight through the description of color, light, size, pattern, etc.
Auditory : appeals to the sense of hearing or sound by including melodic sounds, silence , harsh noises, and even onomatopoeia .
Gustatory : appeals to the sense of taste by describing whether something is sweet, salty, savory, spicy, or sour.
Tactile : appeals to the sense of touch by describing how something physically feels, such as its temperature, texture, or other sensation.
Olfactory : appeals to the sense of smell by describing something’s fragrance or odor.
Kinesthetic : appeals to a reader’s sense of motion or movement through describing the sensations of moving or the movements of an object .
Organic : appeals to and communicates internal sensations, feelings, and emotions, such as fatigue, thirst, fear, love, loneliness, despair, etc.

Famous Examples of Imagery in Shakespearean Works

Writers use imagery to create pictures in the minds of readers, often with words and phrases that are uniquely descriptive and emotionally charged to emphasize an idea. William Shakespeare ’s works feature imagery as a literary device for readers and audiences as a means to enhance their experience of his plays. Shakespeare’s artistic use of language and imagery is considered to be some of the greatest in literature.

Here are some famous examples of imagery in Shakespearean works:

“My bounty is as boundless as the sea, My love as deep.” Romeo and Juliet
“There’s daggers in men’s smiles.” Macbeth
“Sigh no more, ladies, sigh no more, Men were deceivers ever,- One foot in sea and one on shore, To one thing constant never.” Much Ado About Nothing
“If I be waspish, best beware my sting.” The Taming of the Shrew
“Good- night , sweet prince; And flights of angels sing thee to thy rest.” Hamlet
“Lovers and madmen have such seething brains, Such shaping fantasies , that apprehend More than cool reason ever comprehends.” A Midsummer Night’s Dream
“We are such stuff as dreams are made on, and our little life is rounded with a sleep.” The Tempest
“And thus I clothe my naked villainy With odd old ends stol’n out of holy writ; And seem a saint, when most I play the devil.” Richard III
“By heaven, me thinks it were an easy leap, To pluck bright honour from the pale-faced moon” Henry IV
“If music be the food of love, play on, Give me excess of it; that surfeiting, The appetite may sicken, and so die.” Twelfth Night

Writing Imagery

Writers use imagery to evoke emotion in readers. In this way, the reader’s understanding of the poetic subject , setting , plot , characters , etc., is deepened and they have a sense of how to feel about it. Ideally, as a literary device, imagery should enhance a literary work. Unfortunately, some writers try to use this literary device too often, which can lessen the impact of the description and figurative language.

For imagery to be effective and significant, whether, in poetry or a story, it should add depth and meaning to the literary work. Overuse of imagery can feel tedious for readers and limit their access to and understanding of the writer’s purpose. Therefore, it’s essential for writers to balance presenting information in a straightforward manner and using imagery as a literary device.

Difference between Literal Imagery and Figurative Imagery

There is a slight difference in literal and figurative imagery. Literal imagery, as the name applies, is near in meanings and almost the same thing or exactly what the description says. For example, color like the red rose implies the same thing. However, in figurative imagery, a thing is often not what it implies. There is often the use of hyperbole , simile , or metaphors that construct an image that could be different from the actual thing or person. For example, his cries moved the sky is not an example of literal imagery but of figurative imagery as the skies do not move with cries.

Tips to Analyze Imagery

Analysis of imagery is often done in poetry and short stories. However, imagery is present in every literary work where description becomes of some significance. Whenever there is a description in a literary work, a reader first analyses different figures of speech such as metaphors, similes, personifications , images, and hyperbole, etc. There are four major steps in analyzing imagery in a specific description.

Identify the type of figures of speech, types of images, and their roles in the description.
Compare and contrast the types of images and their accuracy in the description.
Compare and contrast the role of the specific figures of speech, their meanings, their roles, and their end product.
Critique the description and see how it demonstrates its actual meanings in the context and setting.

Use of Imagery in Sentences

Iwan’s sweaty gym clothes left a stale odor in the locker room; so they had to keep the windows open.
The tasty, salty broth soothed her sore throat as Simran ate the warm soup.
Glittering white, the blanket of snow -covered everything in sight and also blocked the street.
The tree bark was rough against the deer’s skin but it did satisfy its itch.
Kids could hear the popping and crackling as their mom dropped the bacon into the frying pan, and soon the salty, greasy smell wafted toward me.

Examples of Imagery in Literature

Though imagery is often associated with poetry, it is an effective literary device in all forms of writing. Writers utilize imagery as a means of communicating their thoughts and perceptions on a deeper and more memorable level with readers. Imagery helps a reader formulate a visual picture and sensory impression of what the writer is describing as well as the emotions attached to the description. In addition, imagery is a means of showcasing a writer’s mastery of artistic and figurative language, which also enhances the meaning and enjoyment of a literary work for a reader.

Here are some examples of imagery in literature:

Example 1: Goblin Market (Christina Rossetti)

Early in the morning When the first cock crow’d his warning, Neat like bees, as sweet and busy, Laura rose with Lizzie: Fetch’d in honey, milk’d the cows, Air’d and set to rights the house, Kneaded cakes of whitest wheat, Cakes for dainty mouths to eat, Next churn’d butter, whipp’d up cream, Fed their poultry, sat and sew’d; Talk’d as modest maidens should: Lizzie with an open heart, Laura in an absent dream, One content, one sick in part; One warbling for the mere bright day’s delight, One longing for the night.

In this passage of her poem , Rossetti uses all forms of poetic imagery to appeal to the reader’s physical senses as well as their experience of motion and internal emotions. The reader can visualize the actions taking place in the poem along with a sense of orderly movement paired with disordered emotion. As the sisters Lizzie and Laura go about their maidenly and pastoral tasks, the poet’s description of their divergent mindsets and feelings creates an imagery of the tension between darkness and light, innocence and temptation. These contrasting images evoke unsettled and contradictory feelings for the reader, undermining the appearance of the sisters’ idyllic lives with a sense of foreboding.

Example 2: The Yellow Wallpaper (Charlotte Perkins Gilman)

The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long.

In this passage of Gilman’s short story , the narrator uses poetic imagery to describe the yellow wallpaper which eventually ensnares her mind and body. The narrator’s imagery effectively appeals to the reader’s sense of sight, smell, and touch so that the reader is as repulsed by the wallpaper as the story’s protagonist. By utilizing imagery as a literary device, Gilman is able to evoke the same feelings of sickness, despair, fear, claustrophobia, etc., for the reader as she does for the narrator. In addition to this emotional effect, the artistic language used to describe the yellow wallpaper also enhances its symbolic presence in the story.

Example 3: The Red Wheelbarrow (William Carlos Williams)

so much depends upon a red wheel barrow glazed with rain water beside the white chickens

This poem by William Carlos Williams features imagery and, in fact, is an example of Imagist poetry. Imagism was a poetic movement of the early twentieth century that veered away from the heavy description that was characteristic of Romantic and Victorian poems. Instead, the purpose of Imagism was to create an accurate image or presentation of a subject that would be visually concrete for the reader. Imagist poets achieved this through succinct, direct, and specific language, favoring precise phrasing over set poetic meter .

In Williams’s poem, the poet uses simple language and clear expression to create imagery for the reader of a red wheelbarrow, lending beauty , and symbolism to an ordinary object. By describing the wheelbarrow with sparse but precise language, the reader can picture an exact visual image of what the poet is trying to convey which, in turn, evokes an emotional response to the image. This imagery enhances the meaning of the poem’s phrasing such that each word becomes essential, and the poem and its imagery are nearly indistinguishable.

Synonyms of Imagery

Imagery has several synonyms with slightly different meanings. They are imagination, picturing, mental imagery, vision, imaging, and dreaming are almost near in meanings but evocation, chimera, pretense, and mind’s eyes.

Auditory Imagery
Visual Imagery
Gustatory Imagery
Tactile Imagery
Olfactory Imagery
Kinesthetic Imagery
Examples of Imagery in Poetry

write three paragraph essay that employs imagery

Home — Essay Samples — Literature — Novel — Imagery and Diction in Red Sorghum

Imagery and Diction in Red Sorghum

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Published: Jul 18, 2018

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What is imagery?

In terms of writing, imagery is more than creating a pretty picture for the reader. Imagery pertains to a technique for the writer to appeal to the reader’s five senses as a means to convey the essence of an event. The five senses include sight, sound, smell, touch, and taste. The writer does not need to employ all five senses, only those senses that most effectively convey, transport the reader into that event.

Why use imagery?

Imagery engages the reader with specific sensory details. Imagery creates atmosphere/mood, causing the reader to feel a certain emotion. For example, a scary scene includes details that cause a reader to be frightened.

Example from Edgar Allan Poe’s “Masque of the Red Death”

The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in blood — and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

Imagery can be used throughout an entire essay, such as a description essay that focuses on a particular event. Writers should first decide what atmosphere/mood they want to create for their readers and then focus solely on the sensory details that convey that particular atmosphere/mood. For example, if a writer wanted to share the experience of a favorite holiday meal, then s/he would focus on the smells and tastes of all the food and the memories that those smells and tastes conjure. The hectic grocery shopping for all the ingredients would be omitted since that would not express the nostalgia of the meal.

Imagery can also be used per individual paragraph as a means to illustrate a point. For example, in an essay arguing for a ban on smoking, one paragraph could detail the damage to lungs caused by smoking.

A pine tree with pigs instead of pinecones, reading: "The majestic porky pine tree of North America defies categorization."

A brainstorming technique for imagery involves drawing a picture by focusing on one sense at a time. So, find a blank sheet of paper and various colored pencils.

First and easiest would be sight. Slow down to mentally picture every object, shape, color, person, and so on in the scene. Draw, as best you can, representations of each of those visual details. (Only you will see this drawing; no need to stress over perfection.)

Next, take a different sense, such as sounds, and record those sounds on paper with various colors, symbols, or onomatopoeia. (Again, do the best you can to represent what you heard. Your goal is to remind yourself of the sounds, not create a work of art.)

Next, take a different sense and record that particular sense on paper with various colors and symbols.

The objective is to slow down and focus on each sense individually rather than trying to remember the scene all at once. By slowing down and envisioning each sense on paper, you can determine which senses most accurately create the atmosphere/mood for the essay and then apply only those senses in the essay.

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Your chance of acceptance, your chancing factors, extracurriculars, using imagery in college essays: tips and importance.

As I start drafting my essays for college applications, how crucial is it to include imagery, and does anyone have strategies for incorporating it effectively without overdoing it?

Imagery can be a powerful tool in your essays, creating an immersive experience for the reader and showcasing your writing abilities. It's important to use it to bring your story to life, painting a vivid picture of experiences, settings, emotions, or actions. However, the key is balance. You want to enhance your narrative without detracting from your message or making the prose feel forced.

One strategy is to choose moments where detailed descriptions will add value, perhaps when setting the scene or emphasizing a pivotal moment in your story. It's often more impactful to illustrate one memorable instance in detail than to use flowery language throughout.

For example, instead of describing a general passion for nature, you could describe the intricate patterns of frost on leaves during an early morning hike. This paints a picture while telling something meaningful about your appreciation for detail and beauty. Keep it natural, and let your own voice shine through. Best of luck with your applications!

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Imagery in Writing: 7 Secrets to Captivate Readers! 😍

Table of Contents

Imagery in writing is akin to painting a vivid picture using words. As writers, we strive to make our readers not only see but also feel, taste, hear, and smell the world we create. Imagery is not a mere adornment; it’s the essence of expressive storytelling. It helps bring a text to life, adding a human touch that resonates with readers. But what exactly is imagery in writing? How can it transform mundane sentences into mesmerizing landscapes and breathe life into characters? This article will delve into these questions, revealing secrets, dispelling myths, and guiding you through the fascinating world of imagery in writing.

Whether you’re an aspiring novelist, a seasoned poet, a content creator, or a curious reader, this exploration promises to enlighten, inspire, and deepen your appreciation for the beautiful art of literary imagery.

The Essence of Imagery in Writing

The power of imagery lies in its ability to evoke emotions, provide clarity, and add depth to a narrative. By painting a picture with words, a writer can transcend the limitations of language and communicate a more profound understanding of a scene, a character, or a feeling. Imagery can turn a simple description into a vivid snapshot that stays with the reader long after the page is turned.

One of the most striking examples of imagery in writing is found in F. Scott Fitzgerald’s “The Great Gatsby,” where he describes Daisy’s voice as “money.” This simple metaphor encapsulates a complex character trait and sets the tone for the entire novel. This usage of imagery isn’t just about being decorative; it helps to convey the essence of characters and themes, creating a richer reading experience. You can explore this classic masterpiece here .

Imagery also plays a critical role in non-fiction writing. It helps in presenting facts and arguments in a more engaging and accessible way. Whether describing historical events, scientific phenomena, or personal experiences, imagery adds color and life to the text, turning information into a narrative that readers can connect with.

Techniques for Crafting Vivid Imagery

Mastering the art of imagery is not solely the pursuit of poets and novelists; it’s an essential skill for anyone who wishes to engage readers. Whether you’re writing a blog post, a marketing copy, or a scientific paper, imagery can elevate your writing. Here are some practical techniques:

Show, Don’t Tell: Instead of stating that a character is sad, describe the tears welling in their eyes or the slump of their shoulders. Show the readers what’s happening rather than just telling them.
Use Metaphors and Similes: Compare the ordinary with the extraordinary to create fresh insights. A smile like a sunrise can turn a simple expression into a memorable image.
Appeal to All Senses: Don’t limit yourself to visual descriptions. Incorporate sounds, smells, tastes, and textures to create a multi-sensory experience. This adds depth and richness to your writing, making it more immersive.
Be Specific: Generic descriptions can be dull. Opt for specifics to make your imagery more relatable and engaging. Instead of saying “a car,” describe its make, color, and sound to make it more tangible.

For instance, J.K. Rowling’s “Harry Potter” series offers a masterclass in crafting vivid imagery. From the clatter of the Hogwarts Express to the tantalizing aroma of feasts in the Great Hall, Rowling’s descriptions are a sensory delight. Her ability to create a detailed and immersive world has endeared readers of all ages. You can delve into the magical world of Harry Potter here .

Imagery in Different Genres

Poetry : Imagery in poetry often transcends mere description. Poets like Emily Dickinson and Robert Frost have masterfully used imagery to convey emotions and abstract thoughts. Lines from Frost’s “The Road Not Taken” resonate with readers due to the vivid imagery of the fork in the road, symbolizing life’s choices. Poetry relies on imagery to evoke feelings, creating a sensory experience that’s shared between the poet and the reader. The beauty of imagery in poetry lies in its ability to condense complex emotions into tangible pictures that linger in the mind’s eye.
Fiction : Imagery is the lifeblood of fiction. Authors create worlds through the words they choose, painting landscapes and characters with vivid detail. From Tolkien’s majestic landscapes in “ The Lord of the Rings ” to George Orwell’s dystopian depiction in “1984,” images conjured by words transport readers to different realms. The use of imagery in fiction allows readers to become part of the story, feeling the emotions of the characters and experiencing their surroundings as if they were physically present. Imagery in fiction is like the brushstroke of a painter, transforming the blank canvas into a vibrant scene.
Non-Fiction : Even in non-fiction, imagery plays a crucial role. Travel writers, historians, or biographers create compelling narratives by painting pictures of places, eras, or personalities. A historical account may bring a bygone era to life, or a travelogue might make a distant land feel within reach. Non-fiction writers employ imagery to connect readers with real events, making abstract or unfamiliar subjects accessible and engaging. From describing the magnificence of the Great Wall of China to characterizing a notable figure, imagery adds color and context to non-fiction.
Ghostwriting : The unsung heroes of the literary world, ghostwriters often employ imagery to bring authenticity and flavor to their writing, whether it’s a celebrity memoir or a thrilling novel. Their ability to adapt and create imagery that resonates with the audience’s expectations is what distinguishes them. Ghostwriters must be chameleons, taking on the voice and style of those they write for, and imagery is a powerful tool in their arsenal. It allows them to create vivid and believable narratives that align with the personality and goals of their clients.

The Psychology of Imagery in Writing

The effectiveness of imagery isn’t merely artistic; it’s deeply psychological. Our brains are wired to respond to images, and when words can create those images, they forge a more profound connection with the reader. In fact, research indicates that reading descriptive passages activates the same regions of the brain that process actual sensory experiences. The scent of freshly baked bread in a novel may trigger the same neural pathways as smelling the real thing.

This explains why readers can lose themselves in a well-crafted story. The images created in their minds make the experience tangible and immersive. It’s more than reading; it’s living through the words. Understanding the psychological aspects of imagery helps writers create resonating content. It’s not merely about selecting the right adjectives but crafting an experience that speaks to the readers’ senses and emotions. The art of using imagery in writing reflects an understanding of the human psyche, tapping into shared experiences, desires, and fears.

Are Imagery Enthusiasts ‘Writing Nazis’?

The term “ Grammar Nazi ” has been popularized to describe those passionate about linguistic precision. But what about those who are fervently dedicated to imagery in writing? Can their pursuit of vivid descriptions and sensory engagement be seen as overzealous?

Not necessarily. The commitment to imagery enhances storytelling and connects with readers on an emotional level. It doesn’t enforce rigid rules but invites creativity and exploration. Unlike a strict adherence to grammar rules, imagery offers a playground for creativity where the writer can experiment with different ways to evoke feelings and images.

However, like all things, balance is key. Overuse of imagery can lead to verbose and overwrought writing. Recognizing when to paint with words and when to be concise is an art that requires practice and finesse. Finding the right balance ensures that the imagery serves the story without overwhelming it. The imagery enthusiast is an artist, carefully selecting words to create a rich tapestry of experiences that entertain, educate, and enlighten without becoming oppressive or tiresome.

Debunking Imagery Myths

Myth 1: Imagery is Only for Fiction – Not true! Imagery is used across various genres, including non-fiction. From advertising copy to academic textbooks, employing imagery helps connect with the audience. In fact, the vivid descriptions in historical narratives often make the past come alive, engaging readers more deeply. Imagery’s application isn’t restricted to fictional works; it’s a universal tool that enhances understanding and enjoyment.
Myth 2: Imagery Requires Flowery Language – Another common misconception is that imagery requires complex and flowery language. However, the most powerful images can often be painted with simple words. Imagery is about creating sensory experiences, not about using the most intricate or unusual terms. Whether it’s a children’s book or a technical manual, effective imagery is about clarity and resonance, not complexity.
Myth 3: Imagery is Just Visual – Imagery is often mistakenly believed to be solely about visual descriptions. While visual elements are common, imagery can and should engage all senses. Describing sounds, textures, smells, and even tastes can make writing more dynamic and relatable. From the crunch of snow underfoot to the taste of salty sea air, multisensory imagery brings a piece to life.
Myth 4: Imagery is for Poets Only – Some people believe that imagery is restricted to poetic writing. This is a significant misunderstanding. Business writers, journalists, and even scientific researchers use imagery to make their points more compelling. From making a product description lively to explaining a complex scientific phenomenon, imagery serves all forms of writing. It’s a versatile tool that adds depth and connection regardless of the medium.
Myth 5: Imagery Distracts from the Main Message – Another false notion is that imagery distracts from the core message of the writing, adding unnecessary flair. In reality, well-crafted imagery reinforces the message by creating a relatable context and appealing to the reader’s senses. Instead of diverting attention, it captures the reader’s imagination and helps them connect with the material on a deeper level.
Myth 6: Imagery Requires a Large Word Count – Some writers shy away from using imagery, fearing it will make their work too wordy. This couldn’t be further from the truth. Effective imagery can be concise and still create a vivid picture in the reader’s mind. It doesn’t require lengthy descriptions; even a single well-chosen word can evoke strong imagery.

Understanding these myths and misconceptions helps in approaching imagery in writing with an open mind and a willingness to experiment. By recognizing the falsehoods that have constrained many writers, you can embrace the full potential of imagery across various writing domains. Whether in a fictional tale, a marketing pitch, or an academic paper, imagery can add life, depth, and resonance, enriching the reader’s experience and amplifying your message.

Imagery in writing is an art form that transcends genres and reaches into the very soul of human experience. From evoking emotions in poetry to transporting readers to distant lands in novels, imagery’s power lies in its ability to communicate beyond mere words. The precise selection of words to depict a scene or sensation can transform a passage from mundane to mesmerizing.

But imagery isn’t limited to artistic pursuits. In academic and professional writing, imagery can clarify complex concepts and make abstract ideas tangible. It helps connect the audience to the material, making it more accessible and memorable.

By embracing imagery, writers can transform their work into a vibrant tapestry that resonates with readers, leaving a lasting impression. It’s a tool that, when wielded with skill and understanding, enhances every aspect of writing.

Whether you’re an avid reader, an aspiring writer, or a seasoned professional, appreciating and mastering imagery will enrich your literary journey. The world of words becomes not mere symbols on a page but a living, breathing universe that you can explore, feel, and cherish. This transformation is the magic of imagery.

Takeaways : Imagery in writing is not just a stylistic choice; it’s a multifaceted tool that connects the writer’s vision to the reader’s experience. Embrace it, experiment with it, and explore its potential across various genres and styles. Recognize the misconceptions and free yourself from them to fully unleash the creative power of imagery. Whether enhancing a marketing campaign, crafting a novel, or explaining a scientific concept, let imagery transform your writing into a world alive with sensory richness, emotional depth, and endless possibilities.

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17 thoughts on “ Imagery in Writing: 7 Secrets to Captivate Readers! 😍 ”

The way you’ve broken down the concept of imagery in writing and provided practical tips to weave captivating scenes is fantastic. Imagery truly is the heart of storytelling, and this article’s insights and secrets are a gem for anyone looking to create more vivid and engaging narratives.

reserachers are so important! This is so helpful!

picturing and writing is my favorite. This is a very interesting post to read and learned a lot from it. Thank you for sharing!

These are very informative! Now I know why I am so focused while reading books because I feel like I’m in there. Thanks for sharing this!

Yyyeeesssss Richard, you are speaking the stuff I really like, today! What is (descriptive) writing without images? It would all be boring! I look forward to the day I incorporate it in my blogging.

This is something I am always aware of, especially when I read a lot of books, and with those that are made into movies. I form such a solid image of the characters and surroundings, and I gravitate towards authors that are good at this imagery.

I share the sentiment of researchers. Every time I encounter a well-crafted descriptive passage, my mind ignites in inexplicable ways. Though mastering such art requires practice.

The use of imagery, its o ne aspect of writing that can be particularly challenging, yet incredibly rewarding when done well. Thank you for your post.

Just an FYI, I offer writing coaching sessions if you need help. If, in a single day, you leave relevant and useful comments on 10 different articles on my blog, I’ll give you an hour at no charge.

Writing is an art, and like any art form, it takes time, practice, and dedication to master. It can be pretty challenging to master the concept of imagery but thnaks to your post. It was so helpful

I have been meaning to get back into writing after a decade break. I am bookmarking this page for future reference.

Your insights into using imagery in writing are fantastic! Your 7 secrets are like a treasure trove for writers, helping us create vivid worlds and engage readers’ senses. Thanks for sharing these captivating techniques! 👏📚

Great mini tutorial about imagery in writing. I need to practice all 7 of these to get better.

There is a great amount of care that goes into creating imagery in writing. You can really make a story, character, etc. come to life.

I was just getting into the basics of this with the class of second graders I was teaching today. We were talking about expanding our sentences, adding detail, and making our writing paint a picture for their readers.

Great examples of how imagery in writing pulls a written work together. I particularly like your explanation of how F. Scott Fitzgerald’s “The Great Gatsby,” describes Daisy’s voice as “money.”

These are great tips! Telling a story is more than words and being able to paint a picture to the reader is such a beautiful skill to have. I know that when I read a book that is a good one, it’s because I can see and feel the emotions through the writing. What’s more I can transported! I suppose that is why reading is such a great escape, no?

Maureen | http://www.littlemisscasual.com

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Writing Imagery to Invoke the Five Senses

An Introduction to Punctuation
Ph.D., Rhetoric and English, University of Georgia
M.A., Modern English and American Literature, University of Leicester
B.A., English, State University of New York

Imagery is vivid descriptive language that appeals to one or more of the senses (sight, hearing, touch, smell, and taste).

Occasionally the term imagery is also used to refer to figurative language , in particular metaphors and similes . According to Gerard A. Hauser, we use imagery in speech and writing "not only to beautify but also to create relationships that give new meaning " ( Introduction to Rhetorical Theory , 2002).

From the Latin, "image"

Why Do We Use Imagery?

"There are a lot of reasons why we use imagery in our writing. Sometimes the right image creates a mood we want. Sometimes an image can suggest connections between two things. Sometimes an image can make a transition smoother. We use images to show intention. ( Her words were fired in a deadly monotone and she gunned down the three of us with her smile. ) We use imagery to exaggerate. ( His arrival in that old Ford always sounded like a six-car pileup on the Harbor Freeway. ) Sometimes we don't know why we're using imagery; it just feels right. But the two main reasons we use imagery are:

To save time and words.
To reach the reader's senses."

(Gary Provost, Beyond Style: Mastering the Finer Points of Writing . Writer's Digest Books, 1988)

Examples of Different Types of Imagery

Visual (Sight) Imagery "In our kitchen, he would bolt his orange juice (squeezed on one of those ribbed glass sombreros and then poured off through a strainer) and grab a bite of toast (the toaster a simple tin box, a kind of little hut with slit and slanted sides, that rested over a gas burner and browned one side of the bread, in stripes, at a time), and then he would dash, so hurriedly that his necktie flew back over his shoulder, down through our yard, past the grapevines hung with buzzing Japanese-beetle traps, to the yellow brick building, with its tall smokestack and wide playing fields, where he taught." (John Updike, "My Father on the Verge of Disgrace" in Licks of Love: Short Stories and a Sequel , 2000)
Auditory (Sound) Imagery "The only thing that was wrong now, really, was the sound of the place, an unfamiliar nervous sound of the outboard motors. This was the note that jarred, the one thing that would sometimes break the illusion and set the years moving. In those other summertimes all motors were inboard; and when they were at a little distance, the noise they made was a sedative, an ingredient of summer sleep. They were one-cylinder and two-cylinder engines, and some were make-and-break and some were jump-spark, but they all made a sleepy sound across the lake. The one-lungers throbbed and fluttered, and the twin-cylinder ones purred and purred, and that was a quiet sound, too. But now the campers all had outboards. In the daytime, in the hot mornings, these motors made a petulant, irritable sound; at night, in the still evening when the afterglow lit the water, they whined about one's ears like mosquitoes." (E.B. White, "Once More to the Lake," 1941)
Tactile (Touch) Imagery "When the others went swimming my son said he was going in, too. He pulled his dripping trunks from the line where they had hung all through the shower and wrung them out. Languidly, and with no thought of going in, I watched him, his hard little body, skinny and bare, saw him wince slightly as he pulled up around his vitals the small, soggy, icy garment. As he buckled the swollen belt, suddenly my groin felt the chill of death. (E.B. White, "Once More to the Lake," 1941)
Olfactory (Smell) Imagery "I lay still and took another minute to smell: I smelled the warm, sweet, all-pervasive smell of silage, as well as the sour dirty laundry spilling over the basket in the hall. I could pick out the acrid smell of Claire’s drenched diaper, her sweaty feet, and her hair crusted with sand. The heat compounded the smells, doubled the fragrance. Howard always smelled and through the house his scent seemed always to be warm. His was a musky smell, as if the source of a muddy river, the Nile or the Mississippi, began right in his armpits. I had grown used to thinking of his smell as the fresh man smell of hard work. Too long without washing and I tenderly beat his knotty arms with my fists. That morning there was alfalfa on his pillow and cow manure embedded in his tennis shoes and the cuffs of his coveralls that lay by the bed. Those were sweet reminders of him. He had gone out as one shaft of searing light came through the window. He had put on clean clothes to milk the cows." (Jane Hamilton, A Map of the World . Random House, 1994)

Observations

"The artist's life nourishes itself on the particular, the concrete. . . . Start with the mat-green fungus in the pine woods yesterday: words about it, describing it, and a poem will come. . . . Write about the cow, Mrs. Spaulding's heavy eyelids, the smell of vanilla flavouring in a brown bottle. That's where the magic mountains begin." (Sylvia Plath, The Unabridged Journals of Sylvia Plath , edited by Karen Kukil. Anchor, 2000)
"Follow your image as far as you can no matter how useless you think it is. Push Yourself. Always ask, 'What else can I do with this image?' . . . Words are illustrations of thoughts. You must think this way." (Nikki Giovanni, quoted by Bill Strickland in On Being a Writer , 1992)

Pronunciation

E.B. White's Drafts of 'Once More to the Lake'
Specificity in Writing
Reading Quiz on 'Once More to the Lake' by E. B. White
An Introduction to Sensory Marketing
Personification
Examples of Images in Poetry, Fiction, and Nonfiction
5 Examples of How to Write a Good Descriptive Paragraph
Definition and Examples of a Concrete Noun
Jacobson's Organ and the Sixth Sense
First-Person Point of View
Overview of the Five Senses
Practice in Identifying Metaphors
Synesthesia (Language and Literature)
polysyndeton (style and rhetoric)
Subject in English Grammar
Ekphrasis: Definition and Examples in Rhetoric

3 Tips When Using Imagery in Your Writing

by The Magic Violinist | 49 comments

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I've been learning a lot about poetry lately, specifically how to use imagery to your advantage so the reader gets a clear and fascinating picture in their head.

How to Use Imagery in Your Writing

Using imagery is something that I've struggled with and even now have to be extra conscientious of as I write. However, I feel like I have started to get the hang of it. Here are the three tips that most stood out in my mind.

1. Expand and specify

When you say, “She went to her room and sat on her bed,” don't stop there. This is your chance to give us a glimpse into her life, her surroundings. What is her bed like? Is it queen-sized with a bedspread that doesn't have a single wrinkle in it? A twin bed with faded sheets that are riddled with holes? With a couple well-chosen details, you can say so much about your character and your story.

2. Be weird

Don't be afraid to get a little out there with your descriptions, especially when it comes to similes and metaphors. Sometimes the strangest comparisons are the ones that work the best. Clichés are tired, predictable, and boring. Instead of describing the snow like, “glittering stars falling from the heavens,” compare it to, “ash drifting to the earth, burning cold.” You can be dark, gross, optimistic, or anything else you want to be. Just get creative.

3. Use the five senses

This is one of the tried and true methods, of course, but it's a good reminder. Don't leave smell and taste out of your passages, the often forgotten senses in writing. But be careful not to make it a checklist situation, either. You don't need every sense in every description, especially not all in a row where it'll be painfully obvious what you're trying to do. Pick one or two that make the imagery unique and exciting.

How do you keep imagery fresh in your writing? Let us know in the comments .

Keep these three tips in mind as you write for fifteen minutes about your character trying a new restaurant. Focus on the imagery and really put us into the story. When you're done, if you'd like to, share your practice in the comments . Don't forget to give your fellow writers some love, too!

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The Magic Violinist

The Magic Violinist is a young author who writes mostly fantasy stories. She loves to play with her dog and spend time with her family. Oh, and she's homeschooled. You can visit her blog at themagicviolinist.blogspot.com . You can also follow The Magic Violinist on Twitter (@Magic_Violinist).

49 Comments

Does “the stench of his arrogance” count as smell or is it like just a metaphor?

It could be both literal and figurative: maybe he literally has a cologne that he wears to impress people, or maybe “stench” is just a feeling people get after being around him.

Sounds like a metaphor to me – as though he is so arrogant you can practically smell it. I like it.

Funny story: I like the phrase “sunbeams and moonshine,” because it fit my story. I had descriptions of their sandcastle reaching the moon (that’s how high it would become) and how they would go to the moon to fetch moonbeams to give their mum afterwards to make her smile. But my friend pointed out, “Oh, you mean moonshine like the alcoholic drink?” Don’t be as stupid as me!

after they take the drink, they might go even higher 😀

😀 That’s so funny! Unfortunately, it was a children’s story with a teddy as the protagonist.

perhaps there’s a twist in the tale or u could add inn that in the teddy bear’s world, moonshine is only (only only only) a fruit juice 😀

Ha, that’s so funny! I once gave a character the last name “Moonshine” when I was younger and had no clue what it actually was. 😉

It is not really stupid. What if they get literal moonshine and give it to their mother? Then you could show that scene, …

I don’t get it, …

I want to be your online friend

That does not explain why you would call me “loner.” Perhaps you mixed me up with someone else?

no, I apologize for that. i just found your profile and thought it would be nice to be friends with you, you seem clever and nice

If you say so then I must believe you. I, however, can still not understand why you called me a loner, if my memory serves me.

just get over it, i didn’t knew how to say hi lol. how are you?

Perhaps you might just say “Hello?”

hello, how are u?

Rather well, how are you?

They passed through a dirty purple curtain. It stuck to the tip of her fingertip like evaluating her worthiness before letting her enter this separate world. It was still cold outside being the beginning of rain season and her articulations had ached since early morning, but there, in that little shabby restaurant, the comal sitting in a corner produced a cozy atmosphere.

The noise of the street was also gone. Like entering a neutral space, the racket of cars and buses competing to reach the highway had vanished and been replaced for an incessant chatter coming from all tables and culminating with the voice from the radio, placed on top of the fridge, filling the place from above with the yelling of La Qué Buena the radio of choice for most restaurants and taxi drivers.

It had been a rough night, the rough week of an even more painful year but now seated with that man that could have been her father, she felt secure, more complete than ever before. She ordered two quesadillas, one simple and the other one stuffed with meat and potatoes. The decided on sharing a mango drink and she was surprised from the first zip by the sweet taste and the acid aftertaste lingering on her tongue in a rather pleasant way.

The fogginess of her brain was dissipating and she let her eyes travelled from table to table, mesmerized by the vibrancy of colors ranging from yellow to red, making no excuses for their presence in the middle of this damp September morning. She was drawn to the hands of the cook, a plump woman of indefinite age that flipped tortillas with surprising speed while chatting with the owner, smiling and laughing in a way that accentuated the lines around her eyes.

Quesadillas had arrived. They were crispy and slightly brown, smelling of oil and still very hot to the touch. She broke the crust as she had seen he had seen other do and was surprised by the vapor escaping. She felt like a child opening a gift, almost giddy, her heart was warmed.

The first bit almost burned her palate but left it numb so she could devour the rest feeling the melted cheese passing through her throat and descending to her stomach, crispy, hot, perfect. She ate her two quesadillas faster than expected and had almost forgotten her companion until his hand was on hers and reality was back with a bite.

They paid and got back to pushing the purple curtain, to the rain and the noise, but she was not cold anymore.

Good advice to ‘be weird’. Some of the great authors sometimes use similes that make me think ‘Hang on, did they just say that?’ Yet it takes a degree of confidence to pull it off and many do. Using the senses is advice I often give other writers, too. It’s easy to forget to use all the elements that give life its vivid colour.

Good article and reminder – I did this very quickly – no editing as always, and there is much work needed here, but it is an idea. Thanks for the practice!

The New Restaurant At first glance it doesn’t look like much from the outside, they don’t have any of those super plastic windows. I refrain from eating in places with plastic windows. The outer entrance hall only gets light from the outside and the inner doors have black glass so you are looking at yourself just prior to entering. I guess the keeps women from running to the lounge im1mediately after being seated. The doors open automatically, there is a wonderful aroma of bacon wafting over you. It only there for a moment as you pass the doors and approach the hostess it is replaced with the full body aroma of beef. Interesting approach to whet your appetite. The hostess’s station appears to float in the air, it is almost invisible if it weren’t for the calypso pink lighted edge. The hostess is dressed elegantly in a Greek style long black tunic and her hair done up with a gold ribbon tying it all together. Our reservation is ready and she directs us to another woman dressed in a tailed tuxedo jacket, white shirt, black skirt and stiletto heels. Entering the main dining room sections of tables have a various color edging similar to the hostess’s station. There is the distinct smell of coconut and an ever so slight breeze filled with the smell of the sea. Once seated at our table the aromas go away. No, they are replaced with the smell after a hard rain storm, fresh, renewed air the hint of ozone, to cleanse the olfactory? A cloud appears on the table and as it clears the night’s menu becomes clear. A waiter is ready to take our beverage request and he is off in a flash. We contemplate the menu, point to the special and we can smell the meat searing in wine, garlic and oil. My date puts her finger to the fish and the aroma of lemon, tarragon, scallions and wine permeate the air. This is an assault on your sense of smell. But what a way to stimulate your senses and prepare for your meal. There are wine selections for each and it’s aroma accompanies each dish after a few moments of savoring the meals odor alone. Our mouths are literally watering and we have yet to order. I would have to say it is a restaurant worth visiting again.

I either use a sense with a clear connection to my character, or on the basis of how primal is my story.

So for one story in which my character is a dancer, I focus on sound, rhythm and motion.

For another story in which my protagonist was a sociophobe who kept a fearful watch out for other people, I used vision and touch.

For horror, though, I sometimes like to take a leaf from out of John W Campbell’s “Who Goes There?” (the basis of “The Thing” movies). Campbell started that story by focussing on the odours of the Antarctic camp. We associate ‘sniffing out’ with hunting and predation, and smell is a more ancient, primal sense. Smell is not the first sense we use and for many it is scary to have to rely on it, because whenever we have to rely upon it, that means our vision and hearing are not telling us what we need to know.

By using smell, I feel that Campbell heightens our sense of unease.

I agree. I would like my writing to be more creative. Thank you. I think I can, I think I can……

I’m gonna try to incorporate what I’ve learned here at my character… She’s walking towards the new restaurant down the street to meet her date, she’s sweating in a cold breeze, seeing the bright lights inside the restaurant. She wants to turn back, but her feet won’t stop walking, it doesn’t listen to her anymore. She’s standing at the front of the wide, wooden door, blinded by the flash of lights from the reporters. This is the hottest new restaurant in town, owned by the biggest prick she’s about to meet inside. What is she even doing here? She steps inside and silently walks along the red carpet that lead her to long shining tables with giant, long-back seats around it. You wouldn’t see if someone was seated at certain places because of the ambiguous wooden seats painted in red, which almost looks like a spoiled blood. She finally sees him, his legs crossed, looking outside the window which is only beside him. He looks irritated by the sound of people chatting, all looking at him with disgust. And now, they’re looking at me, too. I placed myself across him as he turned his gaze on me. I tried to avoid looking at him, I can see his eyes gleaming from the lights, his gaze burns every part of my body he looks upon. His gray eyes is very deep, it is both as dark as the night-sky and as light as the porcelain vase on our table, filled with white tulips, at the same time. It’s as if he’s seeing my soul. My senses came back to me as the table almost shook from the chef’s bell, it is so loud that I’d think my eardrums would burst.

Your discription is so great! I really love it.

“I’ll take the corner booth,” she told the waiter quietly, tucking a loose strand of hair behind her ear.

He was tall and gangly looking as he shrugged and gestured for her to follow him through the dark, romantic restaurant. She tried not to make eye contact with the couples paired off at tables drinking wine and judging her appearance. The weight of her dirty coat hung on her shoulders as the holes in her jeans were prominent and impossible to hide. There was no doubt she carried the stench of dirt, sweat, and tears. But she kept walking, willing these thoughts out of her mind.

She only wanted to have a meal far away from familiar faces, and there was no better place to avoid that than the last place someone would think to look for her. The lights swung above her slightly as she slid into the padded leather booth and the waiter handed her a menu. The menu was dark red and difficult to read, but she made do quickly looking for the cheapest appetizer.

Her stomach rumbled violently as if metal screws were being tossed around in her intestines. When the waiter returned and placed a glass pitcher of water in front of her, she practically lunged after it. She gulped down the iced, water as it dripped down her chin and soaked up the drought living inside her mouth.

“I’ll bring you another one,” the waiter shook his head at her.

She nodded thanks unable to feel ashamed just because of how satisfying it was to sooth the aching inside her throat. Next, was the wired basket of bread where it laid all kinds of dough. The fluffiness of the pumpernickel and the smell of the sourdough wafting towards her.

As she ripped apart the steaming bread and watched the butter melt into a yellow pool, all her problems seemed to dissipate with each bite. She ignored the fact that they would all rise back up as her stomach emptied again, but for now she closed her eyes and let herself drown in the happiness.

Really great job. I felt the ache of sadness in the last paragraph because the girl knows she’ll be hungry again.

The discerning looks that went her way was more powerfully felt.

I ALWAYS forget the sense of smell in my stories and then I have to return and add smell to a scene. Working on it.

Kerry’s Dine-In was established not far from the lake. As Julia climbed up the wooden steps to the front door of the restaurant with Shadow beside her, she took in the swaying lanterns hanging on either side of the doorframe, their tiny candles lit and exuding a warm glow over the deck.

“Ever been here before?” Julia asked Shadow as he opened the door.

He shook his head, holding the door for her. “First time.”

The moment they stepped inside the restaurant, she sensed Shadow stiffen behind her. “Not much of a city person,” he said.

Julia nodded, but her muscles relaxed as the activity in the room washed over her. Waiters cut back and forth across the room, resting trays on their shoulders, to attend the guests in the thirty plus booths scattered throughout the dining area. Guests ate their meals or spoke across their tables to each other. Crystal lamps poured soft light over every booth.

She gazed around the room as she waited in line behind Shadow, her eyes taking in the earth brown hardwood walls and floors and the smiling, laughing people. Warmth filled Julia’s chest. How many times had her mother taken her here as a child?

“Right this way,” the waitress said after Shadow paid for their booth. The blonde-headed woman then turned, weaving through the other employees and down the last aisle of booths in the room.

She stopped beside the last table in the far corner, right by the window, and set out their menus as Julia and Shadow slid into the booth across from each other.

After jotting down Julia’s request for lemonade and Shadow’s for water, the waitress smiled and said, “I’ll be right back with your drinks.” She moved away from the table.

Once the waitress was out of earshot, Julia said, “Do you think he’ll come?”

“He won’t be early, but he won’t be late.” Shadow flicked a glance at the window, which provided a view of the lake. “Sonic’s the type to be right on time and not an instant sooner.”

Julia hoped Sonic would be able to give them some information. The waitress came back with their drinks and they both thanked her.

“Are you both ready to order?” the woman asked, her pen poised to her notepad.

Shadow flipped open his menu. “We’ll need a few minutes.”

“Certainly.” The waitress departed.

Shadow turned a plastic-encased page on the brown, blue and white menu. “If what Sonic knows doesn’t help us, I’ll start looking for your kidnapper myself,” he said. “Whether the military likes it or not.”

“Can’t I come with you?” Julia asked, twirling the ice cubes in her glass with her straw.

He locked eyes with her and shook his head. “I’m not putting you in danger again.”

The way Shadow cut his eyes to the left, his gaze piercing past Julia, made her stop.

She turned in her seat and stared at the person who had just walked into the restaurant. Her insides shriveled.

I decided to have this be a restaurant that Julia had been to many times before. Any feedback/comments are welcome. Thanks! : )

Hello 709 Writer, Thanks for sharing your post, which is so well written that I couldn’t find any flaws. Frankly, I’ve taken a tip from your story, that of being expressive, of tightening up the tale and moving it forward without repeats. I wish you had written more but i realise that you left off at an accurate moment, to arouse our curiosity. Well done!

Thank you for the kind words, Lilian. : )

As I am deaf I always leave out the sounds in my writing. That needs to change I think, but it will be my hardest challenge as I’ve never heard anything but don’t want to be cliche.

You might mention sounds that make no sense in the context, but it might be all the more powerful for it.

I never thought of that. Thanks x

Great post! My readers always compliment me on my descriptions, they say they can see the scenes I describe perfectly. But it is something always worth improving and I did enjoy the tips. Specially the second one. I think I will experiment with it in my next short story. Thank you!

Regarding number three “Using the five senses”. There are more than five senses. Any scientist working in the field aknowledges a minimum of nine, and using the rest of them is what really brings it home. I’ll try to list these in no particular order other than the order I remember them in

Proprioception, the sense of the relative position of parts of your body to relative to each other and the strength or effort being employed in the movement of them. This gets out of wack when we have a growth spurt, which is why teenagers can become so clumsy or use way too much force.

Kinesthetic sense or the sense of balance and energy of movement sometimes gets lumped in with proprioception, but I believe it is distinct from it. Kinesthetic sense is your sense of the momentum of other things and have they move in relation to you, and how you move in relation to the world. I usually try to recall the feeling I get in a boat in bad weather or the the way almost falling feels to help me with using it in writing.

oh wait… [googles “wiki senses”]… there you go: https://en.wikipedia.org/wiki/Sense

using other senses in imagery could be things like “the weight of the clouds is crushing me”; “the earth is trembling”; (Kinesthetic sense)

Thermoception, or the sense of temperatur “the room was as hot like a boiler”; “she gave me the cold shoulder”

interoception or internal sense. the sense of what is happening inside your body “The stomach turns”; “heart in my throat”; “high on caffeine”

Chronoception, the sense of time. typical examples would be “a place where time seems to have stopped” or time can rush or be running. Chronoception also involves our sense of rhythm or beat and the Cyrcadian rhythm, i.e., what time of day it is.

mix these different senses with synesthesia and you will have powerful and novel imagery without even trying, although there are many clichés here too, e.g. “I can smell fear”; “they weight of your words”; “loud colours”

As a food critic, I expect the best of the best. If someone is bragging about a restaurant about how miraculous the food is I feel I must try it. I keep my expectations high when I work. I walk inside and instantly feel the warmth and can hear the low conversations each person is having at their table. There is something very calming about the atmosphere. There is a sense of home when you walk in. You can just feel that this place is a place where people come to chat, eat, and just have a good time. I get a table in the heart of the restaurant and can see the chef cooking through a tiny window. The waitress kindly asked me what I would like to eat, but I coldly dismissed her. I needed more time to think. After about twenty minutes of me going back and forth between the tortelloni alla zucca and the pansotti alla genovese, I decided to go with the tortelloni alla zucca. The restaurant was starting to become more and more empty. I guess I shouldn’t have waited that long to order. A short time after I ordered my food, it was arriving. I could smell the garlic and nuttiness from a few tables away. There was still steam leaving the plate, as the waitress walked. I began to get this feeling of excitement, which is rare. I rarely ever feel excited for a meal, this time was different.

A woman with fiery orange hair entered a five-star restaurants, donning a long maroon dress with a slit on the right side of the dress, exposing her leg. Behind her followed a subordinate to her, a young man with dusty brown hair and bright green eyes. He donned a simple tuxedo with a blue tie. On the woman’s left arm, an entire sleeve of tattoos sat, with imagery of pirates and the seas. She wore maroon flats to accompany the dress. This woman was no ordinary person, and was no person for a five star restaurant. The woman and young man continued to walk at a steady pace towards two opaque doors. They seemed to appear as a rich woman and potentially her brother, but the woman herself was a gang leader, and a rather successful one. The man behind her was simply just a member from the gang that she trusted, despite his lanky and childlike appearance. A man in a black and white waiter’s outfit stood at the doorway, and opened the glass doors for the two people as they arrived. The woman seemingly flinched as she entered, as she had forgotten her manners. “Thank you,” the woman curtly said. Her voice was full of a rich Irish accent, and was softer and lower in tone. Admittedly, she wasn’t used to using manners. She mentally noted that she had to remember her manners for the situation that she was in. The woman was meeting with another successful gang leader, one who started at the top. He had found a way to destroy her gang in one step, and she had to be the one to compromise to save the gang. The sight of the rival leader made her sick in her stomach, and made her filled with rage and pure, raw emotions. She had her reasons, to simply put it. The restaurant was elegant in design; warm golden and orange lights dimly lit the tables and decorations, the floors were marble, the walls were a dark, wooden brown. At the tables sat companies of two or three, and rarely more. In the air wafted the smell of enticing and mouthwatering food; steaks, fish, vegetables, and much more. The woman grew hungrily very rapidly, but mentally reminded herself as to why she was here. The young man behind her looked at the restaurant in complete awe. An older waiter approached the duo. He had an easily understandable British accent when he spoke, “Are you Ms. Drae, perchance?” The woman glanced at the waiter. She simply nodded in response. “Right this way, ma’am.” The waiter began to lead the duo to the reserved table. The young man looked at his leader in confusion. “Aylana… how’d he know that it was you?” Aylana, the woman, glanced back at the young man. “Seems like we’re being expected, or he saw us walk in from a distance,” she replied. The young man still showed visible discomfort about the waiter recognizing them so quickly. “Don’t worry about it Jod. I don’t have a good feeling about this either. Besides… you have my pistol, right?” As she spoke to the young man, her voice became hushed, as the waiter may overhear. The man, Jod, nodded in confirmation. Aylana glanced ahead of the waiter, and there she saw the rival leader. Her stomach turned at the sight of him, and in her heart, fires of anger and emotion welled up. She clenched her left fist, but she was well aware that a knuckle sandwich would only ruin this meeting. The redhead released her tensed fist, and crossed her arms instead. The waiter stood next to one of the chairs to pull it out for Aylana. He glided the chair out with little noise being made. Unfortunately, this seat was next to the rival gang leader. However, Aylana knew that she had little choice in the matter. She sat in the extended chair, and immediately crossed her legs. Her eyes were set on the man who sat next to her, and his snake-like grin. Her blood boiled. She knew this was not going to end well, even if the food was gonna be good.

Jacob Delaque was a well known food critic in 1982. He had worked hard to become popular which all started with his education at Berkeley. Here he networked very well and got his first job tasting foods and rating them on a scale from 1-10. He was successful because none of the restaurant workers knew of him, so it was not expected. There were no employees trembling in fear and doubt when he walked in. He was treated as a regular customer here and he liked it. There was no special treatment because he was the critic. A well known story of Delaque’s is at the Barb Key. This place started off as a joint when Delaque’s came to critique their food but it was very popular and had friendly service. It was an old burger shack with a lot of fame over their cheese. Delaque knew he had to go and try their cheeseburgers and chili cheese nachos! He remembers walking in and seeing the sweaty workers move at a pace of life in the city. Barb Key normally had people self serve their condiments as well as finding a table to eat. Think of it as a loud and busy courtyard with only one fast food place to eat. The joint was built like an old trailer with only a kitchen inside. You could see the smoke rise from the roof as it was steamy and hot inside. The smell attracted many new customers near by. Delaque’s remembers the first bite into his juicy burger. The cheese dripped off the burger as well as all the grease but the best part was the crunchy lettuce and onion. It all tasted so fresh. The buns were toasted but not to the point it was burnt brown. Barb Key’s was rated an eleven out of 10, the experience was delightful. Jacob Delaque still goes as often as he can.

The young woman fidgeted in place, she was waiting to be tend to in a new restaurant that her co-workers recommended. It was a small cozy place, with dimmed lights covered with red glass; the blue seats looked worn and the tables had beautiful stained glass pieces decorating the top of them. This woman did not take kindly to new places or with new people and was nervous about ordering, asking herself what if she didn’t like the food there? What if she made a fool of herself?

A young waiter, about the same age as herself with his hair was slicked back and his uniform rumpled, came over to her. “How may I help you today?” His voice was soft and some what calming, as if he was able to tell that she was nervous. “Uhhh… May I have your special please?” Her voice came out faint as she realized she hadn’t chosen her meal as her thoughts were occupied by her nervousness. The waiter flashed her a friendly smiled before going off to place her order.

It was going to take a while so decided to look around the restaurant once more in order to kill some time. There were a few other patrons lingering about over at the small bar, many were older than her and male. The bartender looked bored and forced a smiled every time one of the patrons talked to him. A few other waitresses were hanging around near the small entrance to the kitchen, chatting and most likely gossiping. There was a scent in the air that she did not notice before, it was appetizing and mouth watering; it was similar to meat cooking but with a hint of spices and something she couldn’t recognize.

She didn’t realize the waiter had placed her plate in front of her. “Enjoy your meal.” He told her, walking off before she could thank him. She realized that she did not know what exactly she ordered and scanned her meal. It was a decently sized juicy steak that looked well-done, a side of creamy mashed potatoes and a separate small plate for her green salad on the side. A pot of warm water, a cup, and a few packets of tea was placed on her table. She smiled to herself, happy with her meal, then dug in.

I like how you created the setting around your character!

Lauren was a mischievous person you never knew what her next motive was. After every person she killed you would catch her back at the same diner not far from her house. It reminded her of when she was young and she was having the time of her life with her lover. She didn’t want to think about her let alone couldn’t as it would just break her heart even more since it brought constant pain; constant misery and constant memories to re-appear. “Hello” the waitress asked for the third time already. “Oh my apologies” lauren responded. “It’s fine dear, what would you like to order?’’ Emily said as Lauren read it off her nametag. “Um.. can i get some fries with a milkshake please” the raven head girl said. “Sure thing coming right up” Emily walked away putting the order on the wheel. Lauren looked the small diner it was small but not too small it was actually quite comfortable to sit in. The retro lights giving light; but yet there is still darkness seeping in from the blinds hanging from the windows. Darkness was all that you could see from the inside besides the headlights passing by constantly; the passing cars, pots banging, and soft urban music playing in the background was so calming to her. But yet she still felt hurt; she knew that her lover wouldn’t be there with her or even with here, she’s gone for good and cant get her back. So now to feed her broken heart she hurts others instead.

She stumbled into the cozy, well-lit diner. Rain had just started cascading from the midnight skies and she found herself stuck with nowhere to shelter herself besides the endearing little diner on the corner of Mayberry street. The power had gone out and small tealight candles dotted the compact space. It looked as though there were flickering stars in her eyes from the reflection of the flames. Floral designs painted the walls and there was a warm feeling that overtook her body. A petite, fragile old woman walked over to her and offered her a booth in the corner.

“I’ve never seen you around before sweetheart, what are you doing out and about on such a cold, winter’s day?”

She refused to speak, she couldn’t tell this lady why she had ran away from home, why she had nowhere else to go. Her whole body shivered, goosebumps were sprinkled across her skin. The cold had taken over her body and her mind was in shambles.

“You don’t have to talk, It’s okay. I’ll just bring you a hot chocolate to warm you up.”

The hot chocolate was placed on the table in front of her. She shakily brought her frozen fingers up to the reindeer covered mug. Steam wafted into the air and brought the rosiness back in her cheeks. She took a careful sip, the piping hot liquid flowed down her throat. She felt her insides defrost and her heart start beating once again, though it never stopped. She turned her head to the window and pressed her now heated hand to the dewy glass. She felt a glow within herself, a feeling she hadn’t felt in a millennium.

I love how real this seems. The imagery and descriptiveness is absolutely amazing!

When it comes to my meals, I am a very picky person. I prefer the moderate of meals; burgers with cheese, ketchup with fries, topped off with a medium Coke. But all month long, I have been hearing ranting and raving about this cafe that just opened. Optimism struck and I decided to give it a try. Upon entering the place, a homeless man wearing a faded San Antonio Spurs hat asked me for change. I thought to myself, “That’s a good way to greet newcomers, filthy peasants waiting at the entrance to panhandle.” The aroma upon entering the establishment was a deluge of eggs, bacon, the crisping of breads, and steaming coffee. I went to the first open seat I seen. I was then greeted by a young petite blonde waitress; she was no older than 20. She seemed very positive and ditzy, she pulled a miniature notepad out, pen, and opened her ears to hear my order. I asked for a brief moment in order to browse the menu, the first item to catch my eye was the burger combo they had for $9.99. She quickly wrote my order and then proceeded to the next customer. I waited an annoying 15 minutes for my meal. When the dish was finally served to me, a heap of cow remains, dirty lettuce, a rotten, and a crunchy bun presented itself. I have never been so disrespected. I paid a hard earned $9.99 for this meal and they serve me complete garbage. I do not even bother complaining, I just pushed back my seat, pushed it back in, and headed for the exit.

As I walk through the front door I look around trying to find an empty table. The restaurant was extremely busy and it wasn’t long until a waiter came walking towards me with a friendly smile he gave me a hand gesture telling me to follow him. I was lead to an empty table clean with pure white covering. I sat down and asked for a drink. As I was waiting I realized the alluring smell of food . It was a nostalgic smell almost as if I went back in time waiting for my mother to finish with dinner. Once the waiter came back with my drink I asked “what was that smell coming from the kitchen?” The waiter told me that it was the chef’s signature dish. I immediately said “well i’ll have that then.” The waiter nodded and headed towards the kitchen. About six or seven minutes have passed by when I saw the waiter come back he was proudly holding this steamy plate of meat and vegetables. When the waiter sat the plate down I could hear the sizzle coming from the plate. It was a dish my mother would make for me when I was a kid I didn’t have to take a bite to know that i was going to love it.

Jaime doesn’t normally like to try new restaurants. She gets skeptical about trying new food, but today that changed. As she walked down Nuevo Avenue, she noticed the sky was the perfect shade of blue and the sun felt delightful on her sleeveless shoulders. Her off the shoulders yellow crop top made her stand out over every other person. The sidewalks were filled with tons of people, going into little shops and cafes. This town is known for all the glamours things it has to offer especially the enormous line at the Dine Inn. The Dine Inn has been around for years and never fails to have outstanding reviews on Yelp. Jaime knew since it was Saturday afternoon the line would get long as people crowded in for lunch and the wait would be unbearable. She decided to get a head start down the street, for she was only a couple blocks away. When she arrived she noticed the building looked very modern with glass doors, high ceilings with long lamps hanging down at almost every table. The tables were made of black and white marble and the chairs a matte black with a bouncy cushion for a seat. Jaime only had to wait ten minutes before she got a table since she was eating alone. The waitress gave her a large laminated menu and smiled ever so softly before she asked what she’d like to drink. She happily replied “Just water for now, please.” The waitress was stunning, with dark brown hair, a small little nose and a mole on the right side of her upper lip like Marilyn Monroe. She said “Are you sure you wouldn’t like to try one of our Monster Slam shakes?” Jaime hesitated to answer her. She was staring at the vivid pictures of the shakes on the menu which looked very delicious. The way the caramel drizzled on top of the fluffy whipped cream called to her and she said, “Actually yes I’d love to.”

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Imagery, Metaphor, and Simile (English II Reading)

Introduction, understanding imagery, understanding similes, understanding metaphors.

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A 3 paragraph essay is a concise format that emphasizes clarity and effectiveness. It allows writers to focus on the essentials and compactly present their arguments. To make your text more impactful, consider the following advice: Prioritize clarity: Define your thesis and use clear language.
Imagery
Beyond the Five-Paragraph Essay. 69. Organically Structured Essays. 70. Paragraphs. 71. Key Sentences. 72. Transitions. 73. ... In terms of writing, imagery is more than creating a pretty picture for the reader. Imagery pertains to a technique for the writer to appeal to the reader's five senses as a means to convey the essence of an event ...
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Written by MasterClass. Last updated: Sep 29, 2021 • 6 min read. Sensory imagery is a literary device writers employ to engage a reader's mind on multiple levels. Sensory imagery explores the five human senses: sight, sound, taste, touch, and smell. Sensory imagery is a literary device writers employ to engage a reader's mind on multiple ...
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5 months ago. Imagery can be a powerful tool in your essays, creating an immersive experience for the reader and showcasing your writing abilities. It's important to use it to bring your story to life, painting a vivid picture of experiences, settings, emotions, or actions. However, the key is balance. You want to enhance your narrative without ...
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Describing sounds, textures, smells, and even tastes can make writing more dynamic and relatable. From the crunch of snow underfoot to the taste of salty sea air, multisensory imagery brings a piece to life. Myth 4: Imagery is for Poets Only - Some people believe that imagery is restricted to poetic writing.
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Voice: Imagery Imagery refers to the use of descriptive language and sensory details to create vivid mental images in the reader's mind. Imagery can evoke emotions, set the scene, and add depth and meaning to writing. Imagery uses language that typically appeals to one of the senses - sound, sight, taste, touch, and smell.
Examples and the Definition of Imagery
Updated on April 23, 2018. Imagery is vivid descriptive language that appeals to one or more of the senses (sight, hearing, touch, smell, and taste). Occasionally the term imagery is also used to refer to figurative language, in particular metaphors and similes. According to Gerard A. Hauser, we use imagery in speech and writing "not only to ...
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Imagery, Metaphor, and Simile (English II Reading) | Texas Gateway. Imagery, Metaphor, and Simile (English II Reading) Resource ID: E2RdM3L8. Grade Range: 10. Sections. Introduction Understanding Imagery Understanding Similes Understanding Metaphors Your Turn Resources.
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In this essay, we will delve into the imagery in "Macbeth," examining its various forms and functions, and how it contributes to the play's overall atmosphere and meaning. The Darkness and Night Imagery One of the…. Imagery in Literature. 3. Imagery In I Wandered Lonely As A Cloud.
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At the end of this module, you are expected to: 1. Single out imagery and figurative language used; 2. Use imagery, and figures of speech in a paragraph; and. 3. Write a short poem using imagery and figurative languages. Understand imagery, figures of speech, and variations on language.
LP
Write short paragraphs or vignettes using imagery, diction, figures of speech, and specific experiences. ... highlight or underline the instances of imagery they find. 3. In pairs or small groups, students discuss the ... Argumentative Essay. English 96% (26) 44. Q1 English 10 Module 6 For Students And Printing. English 100% (11)
write paragraph essay that's employs imagery and proper use of diction
Final answer: Imagery in essay writing is about vividly describing scenarios by appealing to the senses, while proper use of diction involves effectively utilizing language, by choosing expressive and specific words and phrases.They both serve to enhance the quality of the essay and to make it more engaging for readers. Explanation: Imagery and the proper use of diction are crucial in crafting ...
write a three paragraph essay that Employs imagery And proper use of
Diction and Imagery. Diction refers to a writer's choice of words. Imagery refers to descriptive or figurative language that appeals to the senses and is used to create word pictures. voice is a writer's distinctive use of language. Diction can be defined as style of speaking or writing, determined by the choice of words by a speaker or a writer.
write paragraph essay that's employs imagery and proper use ...
write paragraph essay that's employs imagery and proper use of diction. you may use images you imagined. See answer Advertisement Advertisement tapassaha617 tapassaha617 Answer: Once I imagined myself, I was in a pitch dark valley, I was very confused. Without a thought I started walking. But when I tried to stop myself, I was unable to do the ...
Write a three-paragraph essay that employs imagery and proper ...
Find an answer to your question Write a three-paragraph essay that employs imagery and proper use of diction. bernaleshannahnicole bernaleshannahnicole 19.09.2020 English Secondary School answered Write a three-paragraph essay that employs imagery and proper use of diction. See answer Advertisement Advertisement padmakanth007 padmakanth007 ...
Write a three-paragraph essay that employs imagery and proper use of
When I again got on the dragon. It was hot winds blowing towards me. As I stopped my imagination, I got a message. That wherever you go, problems are everywhere. Sometimes you walk towards it and sometimes it walks towards you. But the main thing is believe. Believe in yourself, believe on you supporters, believe on your god. You can end the ...