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Redemption means to secure the release or recovery of persons or things by the payment of a price. It is a covenantal legal term closely associated with ransom, atonement, substitution, and deliverance, thus salvation. Theologically, redemption refers ultimately to the saving work of Christ, who came to accomplish our redemption by giving his life in substitution for our own as the ransom price.

Redemption is an important soteriological term and concept for Christians. The significance of the term is seen in that it serves as the overarching category for the whole saving work of God: redemptive history. It is the overarching rubric for studying the doctrine of salvation, as in John Murray’s famous book: Redemption Accomplished and Applied (Grand Rapids: Eerdmans). Redemption ( apolutrósis ) refers supremely to the work of Christ on our behalf, whereby he purchases and ransoms us—at the price of his own life—securing our deliverance from the bondage and condemnation of sin. As the old song goes, “He paid a debt he did not owe, because we owed a debt we could not pay.” The New Testament speaks of Christ’s saving work in this way frequently. J. I. Packer explains: “New Testament references to the blood of Christ are regularly sacrificial (e.g., Rom 3:25; 5:9; Eph 1:7; Rev 1:5). As a perfect sacrifice for sin (Rom 8:3; Eph 5:2; 1Pet 1:18–19), Christ’s death was our redemption (i.e., our rescue by ransom: the paying of a price that freed us from the jeopardy of guilt, enslavement to sin, and expectation of wrath; Rom 3:24; Gal 4:4–5; Col 1:14)” ( Concise Theology , Tyndale House, 135).

Redemption ( apolutrósis ) refers supremely to the work of Christ on our behalf, whereby he purchases us, he ransoms us, at the price of his own life, securing our deliverance from the bondage and condemnation of sin. The New Testament speaks of Christ’s saving work in this way frequently.

Paul talks to the Ephesian elders in Acts 20:28 about the importance of their watchcare over “the church of God, which he obtained (or purchased or acquired) with his own blood.” He tells the Corinthians: “You are not your own, for you were bought with a price” (1Cor. 6:19–20). Writing to the Colossians, he gives thanks to the Father who “delivered us from the domain of darkness and transferred us to the kingdom of his beloved Son, in whom we have redemption, the forgiveness of sins” (Col. 1:13–14).

To Timothy and the Ephesians he says: “For there is one God, and there is one mediator between God and men, the man Christ Jesus, who gave himself as a ransom for all” (1Tim 2:5–6). He reminds Titus of “our blessed hope, the appearing of the glory of our great God and Savior Jesus Christ, who gave himself for us to redeem us from all lawlessness and to purify for himself a people for his own possession who are zealous for good works” (Titus 2:13–14). To the Galatians he exclaims “Christ redeemed us from the curse of the law by becoming a curse for us” (Gal 3:13); he later elaborates “when the fullness of time had come, God sent forth his Son, born of woman, born under the law, to redeem those who were under the law, so that we might receive adoption as sons” (4:4–5).

But Peter uses this language too, exhorting the Christians of Asia Minor to “conduct yourselves with fear throughout the time of your exile, knowing that you were ransomed from the futile ways inherited from your forefathers, not with perishable things such as silver or gold, but with the precious blood of Christ, like that of a lamb without blemish or spot” (1Pet 1:17–19). And John on Patmos reports that he heard those in heaven sing a new song: “Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth” (Rev 5:9–10).

Old Testament Background

In the Old Testament the idea of redemption is important and features in many contexts. Key words are gāʾal (“redeem,” “act as kinsman”) and pāḏâ (“buy,” “ransom,” “redeem”). Under the Mosaic law firstborn humans and animals were devoted to the Lord through redemption (Exod 13:2, 11–16; 22:29–30; 34:19–20; Num 3:44–51; 18:15–19). Land and other property could be redeemed (Lev 25:23–34), which features in the story of Ruth and Boaz. Boaz is called gōʾēl “kinsman redeemer” (Ruth 2:20; 3:9, 12–13; 4:1, 3, 6, 8, 14).

But the most important illustrative event of redemption in the Old Testament is the Exodus, where Israel is redeemed and God acts as the Redeemer. Moses recounts God’s words to his people in “I am the LORD, and I will bring you out from under the burdens of the Egyptians, and I will deliver you from slavery to them, and I will redeem you with an outstretched arm and with great acts of judgment. I will take you to be my people, and I will be your God, and you shall know that I am the LORD your God, who has brought you out from under the burdens of the Egyptians. I will bring you into the land that I swore to give to Abraham, to Isaac, and to Jacob. I will give it to you for a possession. I am the LORD” (Exod 6:6–8, ESV). The Passover meal (Exod 12:23–28) is a memorial of this redemption.

Elsewhere David addresses God: “O LORD, my rock and my redeemer” (Ps 19:14), and Asaph says of Israel in the wilderness: “They remembered that God was their rock, the Most High God their redeemer” (Ps 78:35). The title is very important to Isaiah in the face of the exile: “Fear not, you worm Jacob, you men of Israel! I am the one who helps you, declares the LORD; your Redeemer is the Holy One of Israel” (Isa 41:14, see also Isa 43:14; 44:6, 24; 47:4; 48:17; 49:7, 26; 50:34; 54:5, 8; 59:20; 60:16; 63:16).

Four Significant New Testament Passages

Four New Testament passages illustrate the importance of the idea of redemption, and ransom price, in relation to the person and work of Christ. “The NT language of redemption . . . refers to the salvific work of Christ and to its effect for humanity. The word of Our Lord places beyond question three facts: (1) the work He came to accomplish was one of ransom, (2) the giving of His life was the ransom price, and (3) the ransom was substitutionary in character” (John Murray). We will see this clearly indicated in Matthew 20:28, Romans 3:22–25, Ephesians 1:7–8, and Hebrews 9:12–15.

Matthew 20:28

Jesus, while challenging his ambitious disciples over their worldly quest for primacy, says: “the Son of Man came not to be served but to serve, and to give his life as a ransom ( lutron ) for many” (Matt 20:28). Jesus’s description of his calling, purpose, and mission in life is striking. Self-giving marks it at every point. He is not here for other people to serve him. He is here to serve others. Indeed, he is here to completely give himself away in serving others, up to and including giving his life away as a ransom price for them. Matthew Henry explains : “Jesus Christ laid down his life for a ransom. Our lives were forfeited into the hands of divine justice by sin. Christ, by parting with his life, made atonement for sin, and so rescued ours; he was made sin, and a curse for us, and died, not only for our good, but in our stead.”

Romans 3:22–25

Paul, in expounding the basis of gracious justification, says: “all have sinned and fall short of the glory of God, and are justified by his grace as a gift, through the redemption ( apolutrósis ) that is in Christ Jesus, whom God put forward as a propitiation by his blood, to be received by faith” (Rom 3:22–25). Paul is crystal clear that our justification (our being counted as righteous, or declared righteous by God) is the absolutely free and gracious gift of the extravagantly loving heavenly Father—we are “justified as a gift by His grace.” That is, justification is given to us freely, without price to us, but its basis is unimaginably costly, and it is only made possible through an exorbitant purchase “through the redemption which is in Christ Jesus.” Free to us. Costly to God. Jesus pays the redemption price of our free justification.

Ephesians 1:7–8

Paul’s glorious prayer in Ephesians 1:3–14 includes this acknowledgement, meant to stir the Ephesians (and us) to wonder, love and praise: “In him we have redemption ( apolutrósis ) through his blood, the forgiveness of our trespasses, according to the riches of his grace, which he lavished upon us” (Eph. 1:7–8). The message, again, is clear. Our forgiveness is both costly and free. The price of our redemption is the blood, the life, and the death of Christ. Only on that basis may we receive forgiveness that is freely lavished on us according to the riches of God’s grace. Over and over we are seeing how God bears the price of our salvation and then gives it to us freely.

Hebrews 9:12–15

Musing on the superiority of the new covenant over the old covenant worship forms, the author of Hebrews says Christ “entered once for all into the holy places, not by means of the blood of goats and calves but by means of his own blood, thus securing an eternal redemption ( lutrósis ). For if the blood of goats and bulls, and the sprinkling of defiled persons with the ashes of a heifer, sanctify for the purification of the flesh, how much more will the blood of Christ, who through the eternal Spirit offered himself without blemish to God, purify our conscience from dead works to serve the living God. Therefore he is the mediator of a new covenant, so that those who are called may receive the promised eternal inheritance, since a death has occurred that redeems ( apolutrósis ) them from the transgressions committed under the first covenant” (Heb 9:12–15).

Hebrews is explaining why Jesus is a better high priest, and better mediator of a better covenant. He is better because he entered through his own blood (9:12)—on the merits of his own righteousness, unlike the Aaronic priests who had to offer sacrifices for themselves and the people. Jesus is both perfect priest and perfect sacrifice in one. Furthermore, the blood of Christ was more effective than Old Testament sacrifices (9:13–14)—cleansing consciences, forgiving sins, and obtaining eternal redemption. Jesus’s death accomplished redemption once for all. He does not merely cancel our debts; he liquidates them.

No wonder Christians sing hymns of redemption with stanzas like these:

William Cowper’s, “There is a Fountain Filled with Blood”:

Dear dying Lamb, Thy precious blood shall never lose its pow’r,

Till all the ransomed church of God be saved to sin no more

E’er since by faith I saw the stream Thy flowing wounds supply,

Redeeming love has been my theme, And shall be till I die:

Norman Clayton, “Now I Belong to Jesus”:

Jesus, my Lord will love me forever, From Him no pow’r of evil can sever,

He gave His life to ransom my soul; Now I belong to Him;

Now I belong to Jesus, Jesus belongs to me,

Not for the years of time alone, but for eternity.

Fanny Crosby, “Redeemed, How I Love to Proclaim It”:

Redeemed, redeemed, Redeemed by the blood of the Lamb;

Redeemed, redeemed, His child and forever I am.

Fanny Crosby, “To God Be the Glory”:

O perfect redemption, the purchase of blood!

To every believer the promise of God;

Samuel Crossman, “My Song Is Love Unknown”:

They rise and needs will have My dear Lord made away;

A murderer they save, The Prince of life they slay.

Yet willing He to suffering goes, That He His foes from thence might free.

Further Reading

  • W. A. Elwell, & B. J. Beitzel, Redeemer, Redemption . In Baker Encyclopedia of the Bible (Vol. 2, pp. 1827–1829). Grand Rapids, MI: Baker, 1988.
  • John Murray. Redeemer; Redemption. In G. W. Bromiley (Ed.), The International Standard Bible Encyclopedia, Revised (Vol. 4, pp. 61–63). Grand Rapids, MI: Eerdmans, 1979–1988.
  • B. B. Warfield. “Redeemer” and “Redemption.” The Princeton Theological Review , (1916) XIV (1–4), 177–201.
  • B. B. Warfield, “The NT Terminology of ‘Redemption,’” in Biblical Doctrines (1929; repr 1981), 327–398.

This essay is part of the Concise Theology series. All views expressed in this essay are those of the author. This essay is freely available under Creative Commons License with Attribution-ShareAlike, allowing users to share it in other mediums/formats and adapt/translate the content as long as an attribution link, indication of changes, and the same Creative Commons License applies to that material. If you are interested in translating our content or are interested in joining our community of translators,  please reach out to us .

Redemption as a Biblical Image of Salvation Essay

Introduction, definition and description of redemption, redemption and a sin, application.

Salvation is healing from sin and its consequences, but people cannot get rid of sin by their own efforts. For salvation, a New Ancestor of humanity was needed, who should be a human but also an utterly sinless Being. However, such a Being is only God Himself who takes on the mission of saving people. Jesus Christ saves humankind through His teaching, life, death, and resurrection (Kenyon, 2017). In the redemptive feat, all these four stages are present in undivided unity. Redemption is one of the significant salvation elements as it helps one dispose of sins. This paper aims to disclose one of the biblical images of salvation – redemption – and trace its application to my practice.

In any Christian church, people see the image of the Cross and Crucification; the cross is the main symbol of Christianity, and its main events are the death and Resurrection of Jesus Christ. According to historical sayings, Christ comes to die, and His death on the cross is not a tragic accident that cut short a promising ministry but a goal towards which He is walking quite consciously (Kenyon, 2017). From the theological perspective, the reality of redemption is so deep and encompassing that any image with which it could be described will be partial.

Just as three projections of a three-dimensional body on a plane allow one to learn something important about it, but do not give an exhaustive picture. Different views on redemption are similar to such projections – they do not contradict each other but enable people to look at the same reality from various perspectives. In general, redemption is understood not as an act of legal redemption but as an act of being, grace-filled, supernatural liberation by the God-man Jesus Christ of fallen humanity from slavery to sin and death.

In the Bible, the redemption aspect reflected in the church tradition is the healing of human nature damaged by sin. In fact, sin is not only individual wrong actions but also internal corruption that prompts us to them (Kenyon, 2017). A fallen person can be compared to a drug addict who commits theft in order to get money for drugs – disposing of condemnation in itself is a necessary but not a sufficient condition for returning to everyday life. A morbid passion for wrongdoings will again push a person to commit a crime.

Sin, in its essence, is disobedience, that is, the mismatch of the will of man and the will of God, the rebellion of man against God. Sin leads to the destruction of the original unity between God and man (Kenyon, 2017). In a positive aspect, the goal of redemption coincides with the ultimate goal of creation, which is the deification of man and, through him, of the whole world. Meanwhile, in the negative aspect, redemption consists in removing those barriers that separate man from God from a certain point on.

Historically, Christianity has seen sin as both a crime and a disease, and in the saving acts of the Lord – people’s deliverance from both guilt and corruption. Therefore, salvation requires, first, the propitiation of God, the removal of a lawful oath, and the return of God’s favor to people. Secondly, it demands the mortification of sins or the granting of new life (Kenyon, 2017). The absolute value of this sacrifice is that Christ loved a man with boundless love.

This principle of redemption may find application not only in the theological fields but also in medical one. Specifically, in the palliative care units, people spend the last days of their lives. Even though they are aware of the coming death, they sustain faith and pray, asking for redemption and forgiveness. It is primarily spread among the elderly, whose life was full of experience. During their stay in the palliative care units, they recollect their wrongdoings and beg Lord to forgive them and dispose of them of those sins.

Some people find immense consolation in this act, while others consider it as punishment. The latter case refers to those who are scared to face the upcoming death and encounter God Himself, who will decide whether to redeem their sins or not. Almost looking into death’s eyes, individuals are either afraid of accepting the situation or hoping to find peace. Hence, as a healthcare professional, one has to be understanding of one’s desire – to be scared or die peacefully. As a result, it is possible to find the application of redemption in palliative care since the dying tend to pray and hope the Lord would grant salvation or redeem their sin.

In summation, redemption is one of the primary elements of salvation that God grants to people. Historically, Christ’s death was the act of atonement for all human sins. Now, He is the only being capable of bestowing redemption for His eternal love to humankind. This act may be perceived as a blessing or punishment, depending on the situation. However, it is considered the most potent aspect of protecting the individual from wrongdoings.

Kenyon, E. W. (2017). The Bible in the light of our redemption . Whitaker House.

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An essay on redemption by Jesus Christ. ... By J. Murray,:

About this item.

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description Page [unnumbered]

An essay on redemption., chap. i. shewing the nature of redemption according to scrip∣ture; wherein it consisteth, and what qualifications were requisite in the redeemer to accomplish it..

R EDEMPTION, in Scripture, signifies the buying back something that is lost, alienated, or mortgaged; or, it signfies deliverance from danger, violence, or oppression. It is applied to persons or things; to either the lives or estates of men. It always has relation to some law of equity, and moral justice. That redemption which our Lord Jesus Christ wrought for his people, was also according to the law and justice of the first constitution which man was placed in. It was observed in the introduction, that the will of God is the source of moral obligation; it was his revealed will, that man should have kept that positive law he gave him, in a state of innocence, or in case he should transgress the precept that was given to him, he should fall under the weight of the threatening, and forfeit the favour of his Maker, in which his true life and hap∣piness consisted; for in the favour of the Almighty is life;

description Page 10

yea, it is in scripture said to be better than life, in as much as moral satisfaction is better than mere creature existence. The threatening implied what is death in a moral sense: The want of friendship with God, and in consequence thereof, pain and bitter remorse of soul, at the apprehen∣sion of the divine displeasure, and the thoughts of fu∣ture evil.

For the Lord drove out the man.
A∣dam and his wife hid themselves from the Lord God, among the trees of the garden.
The seed of the woman shall bruise the serpent's head.
In the day that thou eatest, thou shalt die.

description Page 11

bestowed upon guilty man, it must be in consistency with that first revelation which God made to the world. If sinners be saved and redeemed from sin and punishment, it must be according to law.

The wages of sin is death, but the gift of God is eternal life, Rom. vi. 23.
In the day thou eatest thereof thou shalt surely die.

description Page 12

the Judge of all the earth, he must do right.
When sacrifice and offerings were not required,
a body hast thou prepared me, I de∣light to do thy will, O my God,—thy law I have within my heart.
In the fullness of time, God sent forth his son, made of a woman, made under the law, to redeem them that were under the law, that we might receive the adop∣tion of sons, Gal. iv. 4.

description Page 13

for he came not to de∣stroy the law and the prophets, but to fulfil them, Matth. v. 17.

IT would lead me from my subject to give instances of each of them.—But in a word, That Redemption which our Redeemer perfected, was according to all the known forms of the divine law: But more than all, it was perfectly conformable to the spirit of the law of God. The spirit of our Saviour's obedience was quite answer∣able to the intention and spirit of the law of God: The principles and motives from whence he acted, served, and obeyed, were holy, just, and pure; —love to God and man were his devoted principles. His motives were to glorify Him that sent him; to deliver his people from wrath, and make them happy;—His end to give such a re∣presentation of God's moral character to the world, as should appear quite consistent with itself, and the first revelation of God to man. In the Messiah those draughts of moral character, mercy and truth, righteousness and peace, met together, and in the most regular, moral oeco∣nomy, shewed the justice of the divine proceedings, and vindicated the ways of God to man. Whatever was in∣tended by the spirit of the first law, and revelation of the will of God, was by our Saviour's Redemption perfect∣ly fulfilled.

I have respect to all thy commandments.

description Page 14

The Lord hath sworn and will not repent, thou art a priest for ever, Psal. cx. 4.
that the word of the oath maketh the son a priest, Heb. vii. 28.
I have power to lay down my life, and power to take it up again, this commandment have I received of my father, John x. 18.
And it shall be upon Aaron and his sons to minister: And his sound shall be heard when he goeth into the holy place be∣fore the Lord, and when he cometh out, that he die not, Exod. xxviii. 33.

description Page 15

I am alive, says he, for evermore, and have the keys of hell and death, Rev. i. 18.
the surety of the better covenant.
But the Lord laid on him the iniquities of us all;
to bear our sins on his own body on the tree, 1 Pet. ii. 24.

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Isa. liii. 6. All we, like lost sheep, have gone astray; we have turned every one to his own way, and the Lord hath laid on him the iniquities of us all. 1 Pet. ii. 24. who himself bare our sins on his own body on the tree. 2 Cor. v. 21. For he hath made him sin for us, who knew no sin, that we might be made the righteousness of God in him. 1 Pet. iii 18. For Christ also hath once suffered for sins, the just for the unjust, that he might bring us to God, be∣ing put to death in the flesh, but quickened by the spirit.

DR SIKES, and some others, would willingly explain away the meaning of these passages, without giving them a better, yea, without giving them any meaning at all, and say, they cannot mean a vicarious Redemption; for this would be contrary to the character of God:—But how came those Critics to be better informed what was suitable to the divine character than the Deity himself? It is evident from both the Old and New Testaments, that the Almighty did not want those passages to have any other meaning, than a common reader may find at first instance, because he has often repeated them after the same manner, and does not seem to have thought that understanding them so would injure his character. In scripture, where the Almighty speaks in a mystical and

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figurative manner, it is plain he does not want to have his words understood literally, and always explains his meaning by other plain passages of scripture:—But with regard to those already cited, we do not find any other passages, when taken in their connection and scope, that lead us to any other meaning.

ONE would be ready to apprehend that such literary censors are more zealous for their own pride, than for the character of the Deity, and rather suppose what they themselves would do, if they were in his place, than what they are sure is his mind and will. What their wisdom thinks best, they conclude is fittest for the cha∣racter of their maker;—and have the assurance to say what he ought to do, even when he has said the quite contrary:—Nor will they allow the Deity to be the properest judge of his own character. They have a standard quite above both God and the Scriptures, name∣ly, their own natural notions: —What is not suitable to these, they will not allow to be consistent with either the divine character or common sense.—Nothing is more contrary, and inconsistent with their notions, than vicarious Redemption, when it implies punishment. It is indeed surprising, that these wise men who know the character of the Deity so well by their natural notions, should give such visible demonstrations of their ignorance;—when in every branch of their conduct in very momentous matters, they are not very studious to imitate that character they pretend to know, more than other people. They tell us that the Almighty is all goodness, which no sober man will deny more than they, but will perhaps say, that he is as much all justice, equity and holiness.—But not to say any thing of the absurdity of pretending to say what the Deity is,—which no man can tell further than he himself hath revealed, it might be expected if they believed the Almighty was so very good, that they would imitate his character. If indulging the passions, and gra∣tifying the appetites, be imitations of God in goodness, those devotees of goodness have made considerable attain∣ments.—They can receive bondsmen for debts, throw debtors into jail, domineer over their inferiors and de∣pendents like other men;—and if their lives and conduct

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be a real imitation of their Deity, they are in some jeo∣pardy notwithstanding of that goodness they have learned by their natural notions. They in real life express as much vengeance towards those who injure or offend them, as the rest of their fellow men that differ from them in sentiment; and when fairly provoked, forget what they profess to believe concerning their Maker:—And though they conceive the Deity to be so good as to demand no satis∣faction, yet they want to be satisfied themselves. Such conduct is a burlesque of their pretended belief, and makes them truly ridiculous. If the Deity, they profess to wor∣ship, be as unmerciful as they themselves are, notwith∣standing of that goodness they boast of, they are in dan∣ger of being miserable enough. But after all, it seems not more inconsistent with God to accept of a vicarious Atonement, or Redemption, and CHRIST to give it, than it was inconsistent with him to make the world: For if we consider the character of God, revealed to us in his word, and not what our natural notions suggest, we will find it drawn in such a manner, that this world, as it now appears, is not answerable to that character, i. e. it is nothing in comparison with what God could have made it.—And we may as well complain of God for not making us angels, as complain of his conduct for re∣quiring an atonement for our sins;—for God was good before Time, as well as after it commenced, and according to some people's natural notions of goodness, should have made man so that he could not have fallen;—or in other words, made him a Deity; for this is the language of pride, "ye shall be as Gods."

he came in the end of time to put away sin by the sacrifice of himself, Heb.

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x. 1, 11. That he was manifested to take away sin, and in him was no sin, 1 John iii. 5.

IT seems to have been the common opinion of all na∣tions, where any notions of God ever entered, that there was necessity for vicarious Atonements; —for all nations who • • e story we have mentioned in history, had some ri∣tuals of this sort, in their religious worship.—But com∣mon sense tells us, that it is not inconsistent with the Al∣mighty's goodness to demand a vicarious Redemption;— for what is the meaning of requiring satisfaction for the breach of human laws, if this notion of satisfaction be not taken from some notices we have received from the Deity? If it be good for civil government, which all men, for the most part, agree is from God, thus to demand satisfaction in the lower system of his administration, it cannot well be supposed inconsistent with his goodness to demand sa∣tisfaction in the more exalted part of his government.

Is it nothing unto you all ye that pass by? Behold, and see, if there be any sorrow like unto my sorrow, which is done unto me, wherewith the Lord hath afflicted me in the day of his fierce anger, Lam. i. 12.
He bare our sins in his own body on the tree, 1 Pet. ii. 28. The Lord laid on him the iniquities of us all, Isa. liii. 8.

IF JESUS CHRIST came to set us an example of pa∣tience

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Who doth not afflict willingly, nor grieve the children of men without a a cause.
If ye seek me, let these go their way, John xviii. 8.

NONE but a divine person could endure such grief and sorrow, as were inflicted upon JESUS CHRIST;—and un∣less CHRIST could endow his people with the same de∣gree of perfection, power, and holiness that was in him, it would be impossible to copy his pattern.

Thy wrath lieth hard upon

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me, and thou hast afflicted me with all thy waves:— Thy fierce wrath goeth over me; thy terrors have cut me off, Psal. lxxxviii. 7, 16.
He gave himself a ransom to redeem us from all iniquity, and to purify unto himself a pe∣culiar people zealous of good works.
By seeking to become

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wise, he became a fool,
as by one man's disobedi∣ence many were made sinners, so by the obedience of one shall many be made righteous, Rom. v. 19.

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IT was by his holy active obedience, that he procured that favour which man lost by his sin and transgression.

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The whole human race had forfeited their right to com∣munion and fellowship with God,—so there was a forfei∣ture

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For cursed is he that continueth not in all things written in the book of the law to do them.
in the day thou eatest there∣of, thou shalt die.

THIS Redemption which CHRIST accomplished for his people, was a Redemption of persons. There was a necessity of loosing the bonds of the prisoners, and of opening the prison doors, as well as procuring a good in∣heritance in the enjoyment of the favour of God. The divine favour is what the servants of sin cannot enjoy;— because they are Satan's captives, and led by him at his pleasure. This Redemption of the persons of believers was two-fold, according to the nature of their bondage. They were bound over by a just sentence of the law to

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That by the blood of the covenant, Christ brings forth the prisoners out of the pit wherein there is no water.
and the prey of the terrible taken away.
their Re∣deemer is mighty, the LORD OF HOSTS is his name, Jer. l. 34:

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come forth, and all the powers of hell cannot hold them longer.

Rom. viii. 2. called, a fulfilling of the law in them.
travelling in the greatness of his strength.
stumbling block to the Jews, and foolishness to the Greeks, is the power of God, and the wisdom of God, in calling his people out of darkness into his marvelous light.
mighty through God to pull down strong holds, and every imagination, that exalteth itself against the kingdom of Christ.
the enticing words of man's wisdom,
proclaims liberty to the captives, and the opening of the prison doors to those who are bound.
calls not the righteous but sinners to repentance.

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who believes and trembles.
to you is the word of this salvation sent.
out of darkness into his marvelous light:
turning them from darkness unto light, and from the power of Satan unto God.

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know the things which belong to their peace.
only those who know JEHOVAH's name will put their trust in him.
the substance of things hoped for, the evidence of things not seen.
The firm foundation of things hoped for, and the argument or proof of things not seen.

THIS Redemption is meritorious. It is not merely an allusive and figurative one.—When CHRIST is called a Redeemer, it is not because Moses, Joshua, David, and others, were so called, but because he is really a Saviour and Redeemer,—who paid the price of our Redemption. The price he paid was truely worthy of all that ever his people can receive on account thereof. It is a suffi∣cient reason, and argument in law and equity, why God should justify the ungodly. The merit of this Redemp∣tion arose from the nature and dignity of the person who paid the price of it. Our Saviour was truly God, as well as very man, ‡ and the relation his work had to his in∣finitely

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holy person, gave it a value, worthy of all that sinners can ever stand in need of. It is for this reason that our Redeemer is so highly exalted as Mediator,— because being the true God he humbled himself unto the death. The Actions of our Saviour's human nature re∣ceived an infinite value and dignity from their being the

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Rev. v. 19. Worthy is the Lamb that was slain to receive glory, honour, dominion, and power.—For thou wast slain, and hast redeemed us to God by thy blood.

CHAP. II. The Qualifications necessary to fit the Redeemer to perform Man's Redemption

the council of peace was between them both, Zech. vi. 13.

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made a covenant with my chosen, Psal. lxxxix. 3.
when he shall make his soul an offering for sin, he shall see his seed, and prolong his days, and the pleasure of the Lord shall prosper in his hand.

OUR Redeemer's being a party in the new covenant qualified him to know both the number of his spiritual seed, and the great and good things that are laid up for them in the covenant of grace and promise. In conse∣quence thereof he could very properly pardon sin, and for∣give the iniquity of the guilty, because he knew what he had contracted for in their behalf, and what he was able to do in fulfilling his contract. Had not our Saviour been a party in that covenant his suretyship could have no way been answerable to the necessity of guilty man,— who needed one substituted in his place as a covenant-party. It was entirely owing to the first Adam 's being a party in the first covenant, that his posterity were found guilty for the breach of it, and it is because JESUS CHRIST is a party in the second covenant, that his righteousness in fulfilling it, as their surety, is the reason of their accep∣tance with God. Our Saviour's righteousness could not have been a covenant one, unless he had been a party in it. So it was an essential qualification to JESUS CHRIST our Saviour to be a party in the covenant of grace.

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IT was an essential qualification in our Redeemer to be related to both God and man. Man's Redemption could not have been effected by any not truly God, and really man:—For Deity could not suffer, and a mere man could not have given such a ransom as was answer∣able to the spirit of the law, and the demands of justice.— And moreover, as man had offended God, and incurred his just displeasure by disobedience, it was necessary the Reconciler should be able to please God, and restore man into his favour.

THE most perfect man that ever existed, even the human nature of JESUS CHRIST, unless it had been u∣nited to the Deity, could not have effected man's Re∣demption:—For the most perfect finite service could merit no more than a finite reward, and the death of a finite person could not in the nature of the thing be a price of Redemption from an infinite curse,—justly pro∣nounced against sin, wherever it should be found, or in whatever form.

THERE were two things which made it impossible for a mere man to redeem a guilty world.—The nature of justice required that there should be adequate satisfac∣tion made for the offence committed, that the character of the Most High might be justified in justifying the un∣godly. Though we may conceive many things, which we think the Almighty might do, or have done, so far as they respect our interest; yet we are not certain that he could have done otherwise:—On the contrary, we are rather sure, that he could not morally have acted other∣wise or than he would have done it. It is not our part

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in the day thou eatest, thou shalt die?

IT was therefore necessary that our Redeemer should be God and Man, or EMMANUEL,—that he might be able to support the moral character of the Deity, by giving a righteous and perfect obedience conformable to that law,—which was an exact image of his character;— and might be able to give satisfaction to what truly may be called justice, to make a complete Redemption con∣formable to the truth and holiness of God. Thus quali∣fied he could give all the satisfaction the purest justice could exact, in the same nature that had given the of∣fence.—Nor does this represent religion in any unfa∣vourable point of light, or set forth the Almighty as cruel and capricious:—When out of his mercy he found a chosen one,—who at the same time that he repaired that awful breach, could suffer no loss to himself.

HAD what JESUS CHRIST did for sinners ruined him∣self, or had death been able to detain him prisoner;— or had the making of men eternally happy, made him miserable, then might the enemies of the atonement called the scheme of man's redemption a cruel scheme,—and the Deity severe.—But when the sufferings of JESUS CHRIST were salutary to men, and in the event exalted the cha∣racter of the Most High in the esteem of men and angels, and brought honour to our Redeemer also, there does not appear any thing in the whole scheme but what is con∣sistent with perfect goodness. Yea, it exalts the goodness, and extolls the love of God.

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was holy, harmless, undefiled, and separated from sinners;

THE pure law could not find the smallest defect in his sin-offering, nor could the severest justice spy the least imperfection in that nature which was given him for a sacrifice.

THERE was a passive innocence in the human nature of JESUS CHRIST,—whereby he was morally inoffensive. He had no disposition to give or to take offence, as is common among men.—He had no selfish pride in him, nor any inordinate passions arising from the connection between his soul and body. Passions and appetites, not subordinate to pure reason and the will of God, are pe∣culiar to corrupt and imperfect creatures: In CHRIST there were none such. He had no ambition to make him envy or grieve at the good of others, but he constantly rejoiced to see men happy, and to make them so. All the

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affections of his human soul were passively pure and holy, and could not be moved to think or do evil.

Thou lovest righteousness, and hatest iniquity, therefore God, thy God, hath anointed thee with the oil of joy above thy fellows, Psal. xiv. 7.
to seek and save that which was lost.
was called of God as was Aaron.
If I do not the works of my Father, believe me not, John x. 37. The Father which sent me, he doth the work, John xiv. 10.
The Lord hath sworn, and will not repent.

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Thou art a priest for ever, Psal. cx. 4.
I have finished the work thou gavest me to do,— therefore glorify thou me with that glory which I had with thee before the world was, John xvii. 5.

HE could plead the law of his appointment, and the oath that was made to him, as the High Priest over the

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house of God. Without an appointment to his office and work, there would have been no certainty that ever his work should have been accepted:—But as he was so∣lemnly appointed by the oath of JEHOVAH, the law of the appointment secured to him acceptance whenever he should finish his work.

CHAP. III. The Effects of CHRIST 's Redemption, when it is mani∣fested to the Souls of Believers.

by beholding the glory of God, through Jesus, we are transformed into the same image, from glory to glory.

THERE is something in the world which men call Knowledge, which is only a specious resemblance of it, yet is oftentimes mistaken for true understanding. Thro' means of the gospel revelation men may come to some

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specious understanding of the character of JESUS CHRIST, so as to enable them to speak as if they knew him:— But then their knowledge is no more than the wisdom of words. This kind of knowledge may be called a passing view of CHRIST's character, which may lead men to some speculation, but can never be reduced to practice. This sort of spurious knowledge is like that which we learn of the characters of men at court in the common news,— which may enable us to form conjectures concerning the leading draughts of certain reputations, but being remote from the persons, and the theatre on which they act, we are uncertain of the justness of the various descriptions of character which may be given them.—But true know∣ledge of JESUS CHRIST by the gospel, is like that which we attain by friendly information,—where the informer acts the part of a friendly instructor;—and knowing himself the things which he teacheth and describeth, per∣fectly represents them with such evidence, that our know∣ledge becomes certain and real.

THE truths of the gospel, to All who have not felt their power, are only like the common news to a com∣mon reader,—which may learn him to speak, but does not afford any certain knowledge, nor make him any wiser: —Yet, a stranger would perhaps not know the differ∣ence between such persons, and men of more wisdom, if he only heard them speak. It is action • • hich testifies the truth of true knowledge;—he who pretends to know, but is not truly instructed, exposeth his own ignorance when brought to trial. Christians who are really instructed in the knowledge of the gospel, and understand the character of JESUS CHRIST, are enabled according to their mea∣sure, to act his character as a pattern of holiness;— their lives and that of CHRIST are as like one another, in the leading parts of character, as the image of babes and perfect men are like one another. It is a saying common enough with regard to some persons, that it is not for want of knowledge in religion that they do not live as becomes the gospel. This is not true in fact, if we con∣sider the word Knowledge in a strict sense.—Whenever any person knows JESUS CHRIST rightly, it transforms him into his likeness, and disposeth him to walk as he

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also walked. The knowledge of things in which men are not much interested, may be attained without producing any visible alteration in their conduct,—nor would men judge fairly of their understanding, if they should con∣clude them ignorant of what they did not practise,— when neither pleasure nor happiness are connected with such practice.—The knowledge of things indifferent, may be obtained without any visible evidence in action;— for being indifferent, the practice upon knowing them is not absolutely necessary. But to walk as CHRIST also walked, and to imitate him, as the blessed pattern of ho∣liness and perfection, is absolutely necessary to happiness in this life, or that which is to come.

Psal. ix. 10. They that know thy name, will put their trust in thee.
He that loveth not, knoweth not God, 1 John iv. 8.
1 John ii. 4. He that saith, I know him, and keepeth not his commandments, is a liar, and the truth is not in him. ver. 9. He that saith he is in the light, and hateth his brother, is in darkness even until now. He that loveth his brother, abideth in the light, and there is no occasion of stumbling in him. But he that hateth his brother is in darkness, and walketh in darkness, and knoweth not whither he go∣eth, because that darkness hath blinded his eyes.
1 John iv. 6. We are of God: He that knoweth God, heareth us; he that is not of God, heareth not us.—Hereby we know the Spirit of truth, and the spirit of error. Beloved, let us love one ano∣ther: For love is of God; and every one that loveth,

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is born of God, and knoweth God.
Acts xiii. 27. For they that dwell at Jerusalem, because they knew him not, nor yet the voices of the prophets, which are read every Sabbath day, they have fulfilled them in condemning him.

WHEREVER JESUS CHRIST makes a true and real dis∣covery of his own Character and Redemption to the souls of men by his gospel,—so as the discovery becomes the materials of knowledge, or rather knowledge itself, it as necessarily begets esteem of JESUS, as any active principle produceth its proper effects. It becomes a part of a be∣liever's moral constitution, and operates in the soul as a principle of action:—And this knowledge expresseth it∣self in the way of esteeming CHRIST, and all that is his. Such as do not esteem our Redeemer, it is because they do not know him:—They have not the full conviction of his excellence, fitness, and sufficiency.

Ye shall know the truth, and the truth shall make you free, John viii. 32.

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It giveth life to them who have it.

THOSE three kinds of passing views may be illustrated by these similitudes.—The first is like one who views his face in a glass, but forgets what manner of man he was:—The second is like one who receives the dictates of a master upon a subject, the rudiments of which he hath never learned,—so has no knowledge of, but as far as any thing he hath heard said is agreeable with some∣thing

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he has already learned:—The latter is like one who receives the news from another who passeth by, but is not able to form a judgment of what is reported,—because he has not time to be acquainted with the author who re∣ports the facts. That knowledge which superficial en∣quirers have in matters of religion, is like the two last forts of knowledge. Things marvelous may transiently be pointed out to them,—and alarming facts may be told them, which may surprize them,—or create a sudden transport of wonder or fear, according to the nature of the things intimated.—But what so suddenly struck them, may as quickly be removed, so that it never be∣comes a principle of action in their hearts, nor leaves any just or lasting impression upon their minds.—This nei∣ther affords a sufficient information to the judgment, nor produceth a full conviction in the conscience, of the truth of what is reported. It is only a transient passing view of truth, but not the knowledge thereof. The knowledge of JESUS CHRIST consists in the understanding of the character of him that speaketh;—when he makes the report the matter of knowledge in the soul, he maketh it shew his own veracity, and a believer is instructed as well in the character of the person who reveals the truth, as in the report he makes.

THE gospel has this excellency above all other re∣ports:—That it is calculated to make known the charac∣ter and veracity of him who publisheth it, and sheweth with the surest evidence, who he is that is the author of it. We have no proof but what the gospel itself contains, that God is the author of it,—nor have we any certain evidence to satisfy us that we are not imposed upon, but what is expressed in the very testimony we believe. Who∣ever believes the gospel, is firmly persuaded at once, that it is God that speaks, and his word they believe. The first true knowledge of God comes by the gospel,—and it is calculated to produce it. It is much better contrived to make us understand, what God is, and what are his at∣tributes, than all his works put together, for it gives light. "The entrance of thy word giveth light." Divine re∣velation is too often considered as a sort of passive organ, something like the sun, moon, and stars, which are said

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By faith we understand, that the worlds were made by the word of God.

THIS knowledge is not like opinion, which is found∣ed upon probability, nor like conjecture, which is ground∣ed only on some probable marks of truth;—but is founded upon certain understanding of facts, concerning which there can be no reasonable doubt; and on the testimony of one who neither will nor can deceive us.

to the shining light, which shineth more and more unto the perfect day.

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Fairer than the sons of men, and more excellent than all mountains of prey.
Psal. xxvii. 4. One thing have I desired of the Lord, and that will I seek after; that all the days of my life I may dwell in the house of the Lord, to behold his beauty, and enquire in his temple.

WHEN a miserable sinner, under the apprehensions of guilt and the Divine displeasure, receives the intimation of the Redeemer's character, as one who hath paid his ran∣som, and hath delivered him from going down to the pit, he is ready to be enamoured with his love and com∣passion,—and admires him rather as one who hath done him a real service, than one who is intrinsickly worthy of his highest regard;—but when he comes to consider his character more strictly, after his surprize at his mercy is somewhat abated, he comes to see that his chief happiness lies in being joined in fellowship with one, who in all re∣spects is so engaging, that his soul will never need any thing more to satisfy its desires, through an endless tract of duration. When CHRIST and his redemption is ma∣nifested in the soul, the mind rests in the esteem of him,— who is worthy of its most exalted regards.

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BUT this knowledge makes christians also esteem all that is CHRIST's.—Every appointment of his, and every ordinance which bears the stamp of his authority, are dear to them who know him.—His character as a Lawgiver, who rules in mount Zion, is the object of their esteem,— and therefore all his laws appear righteous. It is not how agreeable some ordinances are to flesh and blood, or how they may suit the ends of worldly policy and temporal in∣terest, that engageth a christian to observe them,—but whether they have the seal of CHRIST's appointment add∣ed to them. The knowledge of CHRIST, our Redeemer, teacheth all his children to consider obedience to him in observing his ordinances, not as means which merely lead to glory,—but a very part of glory itself; —for it is their glory to keep his commandments, in every stage of existence whatsoever. The children of heavenly wisdom wisely consider, that there is no difference between the militant state of CHRIST's church, and that of the tri∣umphant, with respect to men's obligation to obey him,— nor will they ever have any desire to be freed from his service.—And therefore they consider these ordinances, which are appointed to them in this life to observe, as the only heavenly exercise they are capable of for the present.

they are more ready to hear than to give the sacrifice of fools.

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They esteem all his precepts and promises,—they say of his commandments, that in all things they are right. Every promise is the object of a believer's trust and confi∣dence,—and what their Lord says, they are able to re∣ceive as faithful sayings:—Because they know the ve∣racity of the author, they chearfully trust his promise. Though many circumstances in providence may intervene, seemingly unfavourable to the accomplishment of God's promise, yet the knowledge they have of the Divine cha∣racter, supports their confidence under every unfavourable circumstance.—Being satisfied concerning God's love towards them, by his giving his son, they conclude, that with him he will freely give them all things.

MOREOVER, they who have been favoured with the discovery of CHRIST's character as their Redeemer, will love all the children of their heavenly father;—for as they esteem him that begat, they will also love them that are begotten. This esteem is of the same kind towards all those who receive the truth in the love thereof, and who bear the image of their heavenly father.—And tho' the children of God may differ in their moral stature, or have different views of some things:—Though they may have different gifts, and various imperfections, in this present state;—yet they esteem one another on account of their common relation to the one Father in JESUS CHRIST. Difference in outward circumstance, or variance in opi∣nion, will not alter their opinion of one another,—while they agree in the original principles of knowledge;— namely, the knowledge of CHRIST crucified. Whenever men begin to disesteem one another, and instead of loving one another, do most heartily hate each other, there is rea∣son to fear something worse than difference in opinion.— Nothing but total ignorance of JESUS CHRIST will pro∣duce such a dismal effect. Men's opinions are what they cannot help, more than they can add a cubit to their sta∣ture,—and if we think them wrong, we ought to pity them, but not hate them. Christian love begets compassion for a brother when he errs, and will not suffer the mind to re∣move its regards for what is only his misfortune.

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They shall not die but live, and discover the works of the Lord.

WHEN this great privilege is obtained, the children of heavenly wisdom find no occasion to be troubled with what passes in the world;—for this reason, be they poor or rich, weak or strong, as to the things pertaining to this life, they are content, because their treasure is in heaven. Satisfaction concerning peace with our Maker, not only makes us easy ourselves, but makes us behave easily towards others with whom we may be concerned. It does not appear that persons who behave with severity towards their fellow man, have any pleasure in contemplating the Divine character;—for all severity proceeds from a sour∣ness of mind, which the love of God subdues wherever it prevails. When men, called christians, through a cruel∣ty of disposition, endeavour to hurt one another, for conscience sake, it argues they have but bad consciences: For if their consciences were purified, they would endea∣vour to follow peace with all men. All true peace of mind arises from satisfaction with those things that are the object of moral contemplation. There are two things especially which fall under this denomination,—the relations we stand in to God,—and the happiness or misery that arise to us from those relations. When these appear favourable to us, they make us happy, when we contemplate them; if unfavourable, they make us un∣happy.

WHEN upon enquiry it is found, that the character

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of God appears opposite to what we find to be our own present leading character, it must produce a very great uneasiness in the mind, and make us unhappy. If we find that God stands in the relation of a just and righteous judge to us, and we in the relation of guilty sinners, it will cause no little pain and uneasiness, if we be not quite past feeling.—But if it is found, that he is related to us as a gracious and reconciled God, thro' JESUS CHRIST, bestowing pardon freely upon the guilty, it will produce peace and satisfaction in the soul. Our happiness and misery entirely depend upon what relation we stand in to God, and he to us. To consider him as a just Judge, without perceiving his character as reconciled through his beloved Son, sets before us a very awful prospect;— for in that character he condemns the guilty.—But when he is considered as the LORD GOD, merciful and gracious, in JESUS CHRIST, he is represented, as just, and yet the justifier of the ungodly. When this great point of peace with God is obtained, and the intimation of it made to the conscience, contentment with every o∣ther circumstance of life will be the necessary consequence; this will dispose men to live peaceably, as far as in them lies with every one. It argues a bad conscience, and corrupt heart, to have a constant disposition to quarrel with others about things that are no ways momentous. When we consider the connection of what has been said, we shall not be able to give any other reason for men fall∣ing out with their fellow christians and brethren, but that they know not JESUS CHRIST, and are at variance with their Maker;—for were they in good terms with the Almighty, they would find no great difficulty to live peaceably with all men.—And we may easily learn from observation, that a good man is not at so much difficulty to live peaceably with his enemies, as bad men and hypo∣crites are to live in peace with their most intimate friends. Whoever is fully persuaded of what JESUS hath done for them, will not grudge to seek peace with their very foes; —they know they cannot follow a better example, than that of CHRIST. The various murmurings which pre∣vail among nominal professors of religion, only testify how little they are acquainted with that Saviour who died to

Unbroken: a Story of Survival, Resilience and Redemption

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When Writing a Movie Title in an Essay: Expert Recommendations

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When Writing a Movie Title in an Essay: Expert Recommendations

Choosing the Correct Format for Writing Movie Titles in Your Essay

Understanding the difference between italics and quotation marks for movie titles, guidelines on capitalization for movie titles in your essay, including movie release dates in your essay: do’s and don’ts, do’s and don’ts of including movie release dates in your essay, mentioning movie directors and actors: when and how to include in your essay, providing context for movie titles: how to integrate them seamlessly into your writing, avoiding common mistakes when referencing movie titles in an essay, frequently asked questions, the way forward.

When it comes to writing movie titles in your essay, it’s essential to follow the correct format to maintain consistency and accuracy. Properly formatting movie titles enhances the overall professionalism and readability of your essay. Here are some guidelines to help you choose the correct format:

1. Italicize the titles: When writing the title of a movie, it is customary to italicize it. For example, if you are discussing the film “The Shawshank Redemption,” you should write it as The Shawshank Redemption . This will distinguish the title from the rest of your essay and make it visually appealing to your readers.

2. Capitalizing the first and last words: In movie titles, similar to other titles, it is crucial to capitalize the first and last words. Additionally, capitalize all important words, such as nouns, pronouns, adjectives, verbs, and adverbs. For instance, if you are referring to the movie “The Lord of the Rings: The Fellowship of the Ring,” capitalize it as The Lord of the Rings: The Fellowship of the Ring . This formatting style ensures consistency and professionalism throughout your essay.

3. Exclude articles and prepositions: When including movie titles in your essay, exclude articles (such as “the” or “a”) and prepositions (such as “of” or “in”) unless they are the first or last word of the title. This rule helps maintain conciseness and clarity in your writing. For example, if you are mentioning the film “Gone with the Wind,” write it as Gone with the Wind , without including the article “the.”

By following the correct format for writing movie titles in your essay, you will convey a strong sense of professionalism and ensure that your work is easily readable and visually appealing. Remember to italicize the titles, capitalize the important words, and exclude articles and prepositions unless they are the first or last word of the title. Consistency is key when incorporating movie titles, so be sure to apply these guidelines consistently throughout your writing.

Understanding the Difference Between Italics and Quotation Marks for Movie Titles

When it comes to writing about movies, it’s important to understand the differences between italics and quotation marks for movie titles. Using these punctuation marks correctly can enhance your writing and make it more professional. Here’s a guide to help you navigate this often-confusing aspect of movie title formatting.

Italics: Italics are typically used for longer works, such as movies, books, or TV shows. They are used to emphasize the title and set it apart from the rest of the text. When writing a movie title in italics, it’s important to remember the following:

  • Italicize the entire title, including any subtitles if present. For example, The Godfather: Part II .
  • Do not use quotation marks in conjunction with italics when writing a movie title.
  • Ensure consistency throughout your writing – if you italicize one movie title, be sure to italicize all others.

Quotation Marks: Quotation marks are generally used for shorter works, such as individual episodes of TV shows, songs, or short films. When using quotation marks for movie titles, keep the following guidelines in mind:

  • Place quotation marks around the title, using double quotation marks (” “). For example, “Inception”.
  • If a movie title contains a quotation, only use double quotation marks around the entire title. For instance, “Casablanca: ‘Here’s looking at you, kid'”.
  • Avoid using italics and quotation marks together in the same movie title.

By understanding the distinction between italics and quotation marks for movie titles, you’ll be able to provide clear and cohesive writing. Remember to refer back to this guide whenever you’re unsure of the appropriate formatting for movie titles. Happy writing!

Guidelines on Capitalization for Movie Titles in Your Essay

When it comes to writing your essay, following the proper guidelines for capitalization in movie titles is crucial. By adhering to these guidelines, you can ensure that your essay maintains a polished and professional appearance. Here are some essential tips to remember:

1. Capitalize the first and last words of the movie title, as well as any other important words. For example, in the movie title “The Shawshank Redemption,” capitalize “The,” “Shawshank,” and “Redemption.”

2. Capitalize all nouns, pronouns, verbs, adjectives, and adverbs within the movie title. This includes words like “A,” “An,” “And,” “But,” and “Or.” However, conjunctions and prepositions of fewer than four letters, such as “to,” “for,” “in,” and “with,” should not be capitalized unless they are the first or last word in the title.

3. If the movie title contains a hyphenated word, capitalize both words. For instance, in the movie title “Harry Potter and the Deathly Hallows: Part 2,” capitalize “Harry,” “Potter,” “Deathly,” “Hallows,” and “Part.”

4. Remember to italicize or underline movie titles when writing in an essay. This helps to differentiate the title from the rest of the text and emphasizes its importance.

Including Movie Release Dates in Your Essay: Do's and Don'ts

When it comes to incorporating movie release dates in your essay, following the right practices can enhance the credibility and clarity of your work. To help you navigate this academic landscape, we’ve compiled a list of do’s and don’ts to consider:

  • Use the correct format: When mentioning release dates, stick to the standard practice of including the day, month (abbreviated), and year. For example, “The film was released on July 15, 2022.”
  • Provide context: It’s essential to incorporate the release date in relevant instances, such as when discussing the historical or cultural impact of a particular movie. This offers your readers a comprehensive timeline of events.
  • Verify accuracy: Double-check the accuracy of the release date before including it in your essay. Verify the information through reliable sources, such as reputable film databases or production company websites.

Don’t:

  • Make assumptions: Avoid speculating or guessing the release date of a movie. Only include dates that you can confirm with reliable sources or the film’s official announcements.
  • Overemphasize: While it’s crucial to mention the release date, remember that it is just one aspect of analyzing a film. Don’t let it overshadow other key elements, such as the plot, cinematography, or critical reception.
  • Forget to explain relevance: When mentioning release dates, provide a brief explanation of why they are significant. Help your readers understand why a particular release date matters in the context of your essay’s arguments or analysis.

Mentioning Movie Directors and Actors: When and How to Include in Your Essay

Movie directors and actors play a vital role in shaping the overall impact of a film. When writing an essay that discusses movies, it is important to know when and how to include these individuals in your discussion. Here are some key points to consider when mentioning movie directors and actors in your essay:

1. **Relevance**: Before mentioning a movie director or actor, ask yourself if their contribution is relevant to your essay’s topic or argument. Including their name should add value and support your main points, rather than being a mere distraction.

2. **Introduction**: When introducing a movie director or actor, provide some background information about them. Mention their notable works, achievements, and their overall impact on the industry. This will help your readers understand their significance within the context of your essay.

3. **Specific examples**: To strengthen your argument and analysis, include specific examples from the movie(s) the director or actor worked on. Highlight key scenes or performances that are relevant to your essay’s discussion. This not only adds credibility to your claims but also allows readers to connect with your analysis on a deeper level.

4. **Quotations and citations**: If you are referencing a particular statement or opinion by a movie director or actor, provide a direct quotation and properly cite the source. This demonstrates that you have conducted thorough research and adds authenticity to your essay.

Remember, mentioning movie directors and actors should enhance your essay’s content and provide additional insight into the films being discussed. Take care not to dwell too much on biographical details or personal information that might distract readers from your main arguments. By considering the relevance, providing background information, using specific examples, and incorporating quotations and citations, you can effectively include movie directors and actors in your essay while maintaining a focused and compelling narrative.

Movie titles play a crucial role in capturing the essence of a film and attracting an audience. However, integrating them seamlessly into your writing can be a challenge. To provide context for movie titles in your work, consider the following tips:

1. **Italicize movie titles**: When mentioning a movie title in your writing, be sure to italicize it to distinguish it from the surrounding text. This formatting convention helps readers identify the title and gives it the emphasis it deserves.

2. **Include relevant information**: In addition to simply mentioning the movie title, provide some context to help readers understand its significance. This could involve mentioning the director, main actors, or even a brief synopsis. By offering this additional information, you paint a more complete picture and generate interest in the film.

3. **Describe the genre and theme**: Depending on the context of your writing, it can be helpful to briefly describe the genre and theme of the movie. This allows readers to get a sense of what to expect and how the title fits into the overall narrative. For example, if discussing a romantic comedy, mention that the movie title reflects the lighthearted tone and love-centered plot.

4. **Consider the release date**: Movies are often referred to by their release year to differentiate similar titles or to acknowledge their existence in a series. Including the release date can ensure clarity and provide readers with more background information.

By incorporating these strategies, you can seamlessly integrate movie titles into your writing, offering readers a better understanding of their purpose and encouraging their engagement with the film. Remember, a well-integrated movie title not only enhances the flow of your writing but also adds depth and intrigue to your content.

When it comes to referencing movie titles in your essay, there are a few common mistakes that you should avoid. These mistakes can not only affect the readability of your essay but also undermine your credibility as a writer. To prevent these errors and ensure your references are accurate, here are some handy tips to keep in mind:

  • Italicize the movie titles: One common mistake is failing to properly format the movie titles in your essay. To show that you are referring to the title of a movie, it is essential to italicize it. This helps differentiate the title from the rest of the text and adheres to the standard formatting conventions .
  • Use quotation marks for smaller elements: Within the main body of your essay, you may need to refer to smaller elements of a movie, such as scenes, dialogues, or quotes. To distinguish these smaller elements, use quotation marks around them. This allows readers to understand that you are specifically referencing a smaller part of the movie.
  • Provide accurate spelling: Always double-check the spelling of the movie title you are referencing. Incorrect spellings can lead to misunderstandings and can reflect poorly on your attention to detail as a writer. Take the time to verify the accuracy of the title to maintain the integrity of your essay.

By following these simple guidelines, you can avoid some of the common mistakes when referencing movie titles in your essay. Remember to italicize the movie titles, use quotation marks for smaller elements, and ensure the accuracy of the spelling. These practices not only enhance the readability of your essay but also demonstrate your professionalism as a writer. So, next time you mention a movie in your essay, do it with precision and style.

Q: Why is it important to correctly format movie titles when writing an essay? A: Properly formatting movie titles is important in any writing, including essays, because it demonstrates your knowledge of grammar rules and shows respect for the original work. It also helps establish your credibility as a writer.

Q: Should movie titles be italicized or placed in quotation marks when mentioned in an essay? A: Movie titles should be italicized when mentioned in an essay. This helps differentiate the title from surrounding text and indicates that it is a work of art or literature. Quotation marks can be an alternative option, but italics are the preferred choice.

Q: Are there any exceptions to the general rule of italicizing or using quotation marks for movie titles? A: Yes, there are a few exceptions. If you are handwriting your essay or using a typewriter that doesn’t have italics, underlining the movie title can be an acceptable alternative. Additionally, if you are writing for a publication that follows different style guidelines, such as newspapers or magazines, they may have their own specific rules for movie title formatting.

Q: How should foreign-language movie titles be treated in an English essay? A: When mentioning foreign-language movie titles in an English essay, it is generally recommended to follow the same formatting rules as for English titles. This means italicizing the title or using quotation marks, depending on your chosen style guide. However, if the foreign-language title includes a well-known word or phrase in English, it is usually not necessary to italicize or use quotation marks around that part.

Q: What if a movie title already contains italics or quotation marks within it? A: If a movie title already contains italics or quotation marks within it, you should follow the style guide you are using consistently. For example, if the original movie title has italics, you might need to use quotation marks around the title when mentioning it in your essay to differentiate it from surrounding text.

Q: Should film series or franchises be handled differently when mentioning their titles in an essay? A: When mentioning film series or franchises in an essay, it’s essential to consider the specific title you are referencing. The general rule is to italicize or use quotation marks around the individual movie title, just as you would with a standalone film. However, if you are discussing the series or franchise as a whole, without mentioning specific movie titles, it may be necessary to capitalize it and avoid any special formatting.

Q: How should abbreviations of movie titles be treated in an essay? A: Abbreviations of movie titles should be treated similarly to the full title. If the movie title is normally italicized or placed in quotation marks, the abbreviation should follow the same formatting. For example, if “The Dark Knight Rises” is italicized, the abbreviation “TDKR” should also be italicized.

Q: Can I use bold or underline instead of italics when formatting movie titles in an essay? A: It is generally recommended to use italics for movie titles, but in certain situations where italics are not available (such as some online forms), bold or underline can be used as substitutes. However, be sure to consult your chosen style guide to ensure its acceptance, as preferences may vary.

Q: Should I ever omit a movie title when writing an essay, or is it always necessary to include it? A: Whether or not to include a movie title in an essay largely depends on the context and purpose of your writing. If discussing specific film analysis or providing examples, including the movie title is vital to support your arguments. However, when writing generally about a movie without directly referencing it, the title might not need to be included. Always consider your audience and the clarity of your writing when deciding whether to include a movie title.

In conclusion, following expert recommendations when writing a movie title in an essay ensures accuracy and professionalism, enhancing the overall quality of your work.

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The Shawshank Redemption Frank Darabont

The Shawshank Redemption essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Shawshank Redemption by Frank Darabont.

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The Shawshank Redemption Essays

Receiving redemption: the transformative power of hope anonymous college, the shawshank redemption.

The 1994 movie Shawshank Redemption directed by Frank Darabont tells the familiar tale of Andy Dufresne, played by Tim Robbins, a successful investment banker turned convicted felon who must spend the rest of his days at Shawshank Prison for...

Ropes of Oppression: Escaping the Noose Olivia Roberts 12th Grade

The human conscience is an interesting specimen. From it spurs imagination, curiosity, and all other elements that make us human. The influences of the outside world impact the way one might deem an action. They can even sway us to steer away from...

How Journeys Challenge and Broaden Understanding of the World: "Father and Child," "Spring Hall," and The Shawshank Redemption Anonymous 12th Grade

Through the overcoming of past obstacles, a journey may be a catalyst towards the broadening of one’s understanding of the world. Gwen Harwood’s poem Father and Child explore new understandings of mortality engendered by a transformed perspective,...

Shawshank: The Injustices of the Justice System Anonymous College

Stephen King’s 1982 novella “Rita Hayworth and the Shawshank Redemption”, as well as its motion picture counterpart The Shawshank Redemption , follows the story of a falsely accused murder convict and his journey throughout the bowels of Shawshank...

Patience and Persistence: Andy Dufresne’s Long Game James Sanders College

Sanders, JamesProfessor KraemerEnglish 4May 17, 2021Patience and Persistence: Andy Dufresne’s Long Game The Shawshank Redemption (1994), directed by Frank Darabon, certainly qualifies as a cinematic drama which displays the richness and depth of a...

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My Twisted Path to a Meaningful Life

A bad night of partying left my body broken and nearly paralyzed. I let the pain shape me for the better.

An illustration of a man with crutches, an ankle cast and an upper-body cast standing with a woman holding a drink amid a college party scene.

By Grayson Zulauf

I lifted the sheets to look at my right ankle. Bruised, maybe broken. My back hurt, too. I called my friend Danny to take me to the emergency room. We laughed about our big night out while limping down the stairs, driving south on I-91 and sitting in the waiting room — until the doctor said I may have broken my cervical spine and could become paralyzed.

When the doctor pulled on a latex glove for the anal muscle exam, Danny stepped behind the curtain to call my mother. She asked him what happened. Danny told her he didn’t know. I had passed out on the couch of the third floor of the fraternity house, but I woke up in a bed on the second floor. Everything in between was a blank.

Suspecting that Danny was lying to protect either me or himself, my mother got in her car and drove to the hospital to find out. From Colorado. To New Hampshire.

A week later, she wheeled me from the hospital to an extended stay hotel to recover. My tibia-fibula and lumbar spine fractures were immobilized in hard white casts — and I was 40 pounds lighter. But not paralyzed.

Our first night there, at 1 a.m., the fire alarm went off. In the rush to safety, my wheelchair got stuck in the doorway; it couldn’t summit the lip of the door frame. My mother rescued me with a pair of backup crutches. I hobbled to the parking lot, nightmares of a fiery death looping in my head.

We returned the wheelchair and refilled the painkiller prescription. A few days later, I went back to my senior year of college on crutches, hazy and housed in a room with special accommodations.

And that’s how I started my last year of college, a year I had thought would be full of partying, girls and just enough school to get a job. Now I was facing a year of pain, crutches, recovery and self-pity. Twice a week, I went to physical therapy to relearn how to sit up straight. Every day, my mother called and said, “How are you doing? What happened that night? Stop lying to me.”

For the first time in college, I slowed down. I traded late nights out for long meals in the cafeteria with friends who were kind enough to carry my food tray. I treasured my classes and professors, signing up for faculty dinners and actually doing the reading.

One of my courses was drumming, an easy “A” for science majors who needed to fulfill an art requirement. To start every class, our professor would ask us to rate how we were doing on a scale of 1 to 10. It was rumored that you did better in the class if you ranked yourself high, so I was always an eight or above, despite my full-upper-body brace, leg brace, crutches and painkiller haze.

When a pre-med student rated himself low because of a bad grade in organic chemistry, the professor pointed at me and said, “Look at him. He’s an eight! How can you be a three because of a test?”

There was one other person on campus using my situation for a boost. Near the food court one day, I saw a pair of soccer teammates, Kim and Emma, whom I barely knew. Kim was also on crutches with a torn ACL.

Seeing me, Emma said something to Kim, and they both laughed.

Later I learned why: To cheer Kim up about her missed soccer season, Emma had said, “At least you’re not that guy!”

Hobbled or not, I was responsible for planning our quarterly fraternity formal party. I went dateless since I could barely walk, much less dance. But I still needed to find designated drivers for the night. My friend Annie offered to drive, and she invited Emma along.

Annie and Emma came early to drive Danny and me to the venue so we could set up. I rode with Emma. We started talking about her philosophy class on free will. Free will is an illusion, she had decided. Or not.

The next morning, I emailed Emma to see if she wanted to go to dinner. Emma told Annie, who knew me better, about the invite.

Annie said, “He’s always in it for the wrong reasons.”

She was right. Emma still said yes.

We sat by the window. I wore sweats since real pants didn’t fit over my cast. I left Danny at the library, in disbelief that I had nearly finished my final paper and that I had an actual date, my first ever. Never had I asked a girl out to dinner or coffee or on any sort of respectable outing. Everything had been casual hookups, fraternity and sorority mixers, drunken encounters.

Unsure how it would go, I prepared three questions on a notecard to ask at conversational lulls.

Emma ordered a goat cheese pizza. I had macaroni-and-cheese. We talked about her upcoming internship back home in Michigan and my injuries. At the first pause, I got nervous and went to my notecard: “How was your soccer season?”

At our parting point on the college green, we paused to say good night. Emma was holding her leftover pizza with both hands and saying something important, or long-winded. I interrupted with a kiss. She kissed me back, as much as one can while clutching a to-go box.

I crutch-ran back to the library. With the addition of a kiss to my now-successful date, Danny was even more incredulous: “There was no date! Show me the email!”

I emailed Emma to ask if she would like to watch a movie in my room. She said yes. I showed Danny that email and left him for the second time that night.

We graduated and got our first jobs. Two years to the day after my injury, a college friend, Jonny, fell down a flight of stairs after a night out in New York City and died. At 23, from a traumatic brain injury. When I heard the news, I thought of his mother. Then I thought of my mother, knowing that could have been me, and stopped feeling sorry for myself.

Over time, my leg healed, and my back mostly healed. Every few months, my back locks up and I can hardly move. When that happens, I take a week off and tell my co-workers that I injured myself skiing. At only 33, I can’t help but wonder how much worse and frequent these episodes will get as I age.

When the pain is unbearable and my guilt and self - pity return, Emma runs me ice baths. She strokes my hair and kisses my face while I lie on the couch after a day of sitting. She “camps” with me in our living room, where the stiff floor provides more back support than a bed. She tries to ease the pain with an amateur massage, or at least wields the massage gun with gusto. She moves our couches and books and picks up whatever I drop. She tells me to do my physical therapy and to exercise. She reminds me about everything I love and can still do.

We cook, with Emma standing and me sitting. We binge shows while lying on the floor. We travel on long flights with seat cushions and foam rollers and lacrosse balls, and Emma always takes the middle seat. We talk about how we were fated to be together because free will is a lie. And two years ago, we got married.

Our lives are shaped by pain, but more by love. I told Emma in my wedding vows that my life story is the story of the luckiest boy in the world. We laugh and love and play like puppies, as Danny calls us, through and around and during the pain. Even as it gets worse with each year, the pain is what I make of it: a footnote to the love story.

Last year, 12 years after our first date, we found ourselves back in our college town and went to the same restaurant for dinner. The goat cheese pizza was no longer on the menu, so we split the mac-and-cheese. Then we walked to the green to finish the re-enactment of our first kiss. Except that Emma was sure it happened under the tree in the corner, and I was sure we were on the sidewalk across the road. We pleaded our cases but never kissed, unable to agree, and then walked back to the car.

For my mother, the truth: I never knew, and I still don’t know, how I broke my back and leg, but I have stopped caring. I do know this: That night, I fell into a lifetime of both pain and love. And I would choose it again — if the choice ever existed at all.

Grayson Zulauf, who lives in Burlington, Vt., builds companies that fight climate change.

Modern Love can be reached at [email protected] .

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Want more from Modern Love? Watch the TV series ; sign up for the newsletter ; or listen to the podcast on iTunes , Spotify or Google Play . We also have swag at the NYT Store and two books, “ Modern Love: True Stories of Love, Loss, and Redemption ” and “ Tiny Love Stories: True Tales of Love in 100 Words or Less. ”

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What’s Coming To The PlayStation Plus Game Catalog in May 2024?

From being a cowboy to hacking with a cellphone.

Nicholas Rambhajue

PlayStation has announced new titles coming to the PlayStation Plus Game Catalog and Classic for May 2024, including Red Dead Redemption 2 and Cat Quest . 

Quite an exciting month for gamers, as PlayStation has announced many new titles will be arriving in the PlayStation Plus Game Catalog for Extra and Premium users, and three new titles in the Classic section for May 2024. The Game Catalog includes fan-favourite games Red Dead Redemption 2 and 2Xtreme , first released on the first Playstation that will be arriving on the Classic section for PlayStation Plus Premium users.   

Red Dead Redemption 2 is the biggest game to be added to the PlayStation Plus Game Catalog for new players to get their hands on. Released from the legendary developers behind the Grand Theft Auto series, Rockstar Games, and a prequel to the first Red Dead Redemption game. Set in 1899, you play Arthur Morgan, an outlaw cowboy part of the Wan der Linde gang who must do whatever he can to survive in America by any means necessary as the Wild West ends and transitions to the modern world. It is an epic tale filled with thrills and many details to look out for to make the open-world game stand out. 

What'S Coming To Playstation Plus Game Catalog For May 2024?

Shifting the focus to the Classic section, many veterans and new gamers can look forward to 2Xtreme , developed by Sony Interactive Studio for the first PlayStation. 2Xtreme is a racing game with multiple activities to do, from snowboarding in Japan, in-line skating in Las Vegas , mountain biking in Africa, skateboarding in Los Angeles, and many more sports to explore. As they compete in different sports, players can complete courses throughout the seasons with four levels of difficulty, play in a two-player split-screen, and create their own player. With the game coming to the PlayStation Plus Game Catalog for Premium subscribers, 2Xtreme will receive an enhancement with up-rendering, rewinding, quick save, and custom video filters. 

New PlayStation Plus Game Catalog in May 2024:

  • Red Dead Redemption 2 | PS4
  • Deceive Inc. | PS5
  • The Sims 4 City Living | PS4
  • Crime Boss: Rockay City | PS5
  • The Settlers: New Allies | PS4
  • Stranded: Alien Dawn | PS4, PS5
  • Cat Quest | PS4
  • Cat Quest 2 | PS4
  • The LEGO Movie 2 Videogame | PS4
  • Watch Dogs | PS4

New PlayStation Plus – Classic (Premium) Games:

  • 2Xtreme | PS4, PS5
  • G-Police | PS4, PS5
  • Worms Pinball | PS4, PS5

With the welcomed additions to the PlayStation Plus Game Catalog and Classic, there are many titles for gamers to look out for and expand their horizons. To learn more about each of the games, players can visit the PlayStation Blog . Are you excited to get your hands on these titles?      

Nicholas Rambhajue

Nicholas is a writer from Canada who has loved to play video games since the day he picked up a controller for the PS2 as a baby, to playing fun and wacky games on his many consoles and PCs.

This post may contain affiliate links. If you use these links to buy something, CGMagazine may earn a commission. However, please know this does not impact our reviews or opinions in any way. See our ethics statement.

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PlayStation Plus Game Catalog for May: Red Dead Redemption 2, Deceive Inc., Crime Boss: Rockay City and more

PlayStation Plus Game Catalog for May: Red Dead Redemption 2, Deceive Inc., Crime Boss: Rockay City and more

All titles release May 21. 

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Witness the end of the Wild West era, become the world’s greatest secret agent, take on the role of a rising underworld star, brave an alien world, and much more with May’s PlayStation Plus Game Catalog lineup! Red Dead Redemption 2, Deceive Inc., Crime Boss: Rockay City, Stranded: Alien Dawn, and many more titles are available from May 21. We’re also announcing new classic titles coming to PlayStation Plus Premium. 

Let’s take a closer look at each game. 

PlayStation Plus Extra and Premium | Game Catalog

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Download the image

title for redemption essay

Red Dead Redemption 2* | PS4

From the creators of Grand Theft Auto V and Red Dead Redemption, Red Dead Redemption 2 is a sprawling tale of life in America at the dawn of the modern age. The end of the Wild West era has begun as lawmen hunt down the last remaining outlaw gangs. Those who will not surrender or succumb are killed.

After a robbery goes badly wrong in the Western town of Blackwater, Arthur Morgan and the Van der Linde Gang are forced to flee. With federal agents and the best bounty hunters in the nation massing on their heels, the gang must rob, steal, and fight their way across the rugged heartland of America in order to survive. As deepening internal divisions threaten to tear the gang apart, Arthur must make a choice between his own ideals and loyalty to the gang who raised him.

Red Dead Redemption 2 also includes Red Dead Online — the multiplayer experience set in the living world of Red Dead Redemption 2 — ride solo or form a posse; run moonshine; battle lawmen, outlaw gangs, ferocious wild animals, and much more as you forge your own path on the American frontier.

*PlayStation Plus re-release.

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Deceive Inc.  | PS5

Go undercover as the world’s greatest secret agents in this multiplayer game of social stealth and subterfuge. Disguise yourself as anyone to blend into the crowd, deploy high-tech gadgets to gain the upper hand, and extract the package before the competition takes it for themselves! No trick is too dirty when you work for Deceive Inc. 

Pick your play style with a roster of diverse agents, each with their own customizable weapon and skillset. From world-renowned burglars to up-and-coming espionage sensations, Deceive Inc. prides itself on being an equal-opportunity employer.

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The Sims 4 City Living** | PS4

Take your Sims to the city and explore everything it has to offer, from bustling action outside your door, to unique situations that come only with apartment living in The Sims 4 City Living. Explore a densely populated, urban city with a variety of neighborhoods each with its own unique personality. Enrich and grow your Sims by taking them to different festivals all over the city where they can watch street performers, enter competitions, and meet different walks of life.

Experience the challenges that come with your Sims’ first apartment, then work your way up the penthouse of their dreams.

**Requires The Sims 4 to play. The Sims 4 is sold separately. 

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Crime Boss: Rockay City | PS5

Take on the role of rising underworld star, Travis Baker (Michael Madsen), as you set your sights on becoming the new king of Rockay City. In the solo roguelike campaign, you’ll employ strategy and firepower to carry out cunning heists and claim turf from rival gang leaders, all while trying to evade capture by the tenacious Sheriff Norris (Chuck Norris). Work with your team of planners and handlers, and discover how they each ended up in Rockay City in thrilling flashback missions. Alternatively, form your own gang in online PvE multiplayer and work together to stage audacious robberies.

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The Settlers: New Allies | PS4

The Settlers: New Allies is a strategy game with an in-depth build-up experience and real-time strategic battles. Choose among three factions: the Elari, the Maru, and the Jorn. Each has a unique look, playstyle, and background story. Experience a story-driven campaign set in the world of The Settlers, or go for the special Hardcore mode and its additional challenges. Play online with up to eight players in thrilling skirmish battles against other players or AI for long-lasting fun.

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Stranded: Alien Dawn | PS4, PS5

Brave a new world in Stranded: Alien Dawn, a planet survival sim placing the fate of a small marooned group in your hands. Forge your story through compelling and immersive strategic gameplay as you make vital decisions to protect your survivors from starvation, disease, extreme weather and more. From basic camps to fortified bases, create a stronghold to defend the survivors from attacks by alien creatures that roam an expansive and deadly alien world. Experience an epic and unpredictable journey.

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Cat Quest | PS4

Cat Quest is an open world RPG set in the pawsome world of cats! In search of your catnapped sister you pounce into the massive continent of Felingard – a world crafted in the style of overworld maps of yore and purring with cat-tastic characters, stories, and puns. 

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Cat Quest II | PS4

Cat Quest II is a 2D open-world action-RPG set in a fantasy realm of cats and dogs. Under threat from a continuing war between the cats of Felingard and the advancing dogs of the Lupus Empire, CAT QUEST II tells the tail of two kings, brought together against their will, on a journey of paw-some discovery to reclaim their thrones.

Play as both a cat and dog as you explore their kingdoms solo or with a friend in local co-op! Quest in a world filled with magic, curious monsters, and go on a catventure like never before!

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The LEGO Movie 2 Videogame | PS4

The alien monster invaders have left Bricksburg in ruins and taken Emmet’s friends! It is now up to Emmet and a host of heroic characters to go beyond their world and save their friends from the strange inhabitants of the Systar System. Journey into outer space, discover new worlds, and test your Master Building skills.

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Watch Dogs* | PS4

Play as brilliant hacker Aiden Pearce, who is on the hunt for those who hurt his family in this open world, Chicago-set adventure. You’ll be able to monitor and hack all who surround you by manipulating everything connected to the city’s network. Using your smartphone, you have real-time control over the city’s infrastructure. Trap your enemy in a 30-car pileup by manipulating the traffic lights. Stop a train, and then board it to evade the authorities. Narrowly escape capture by quickly raising a drawbridge. Anything connected to the city’s CTOS can become your weapon.

*PS Plus re-release.

PlayStation Premium | Classics

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2Xtreme | PS4, PS5

Snowboard in Japan, in-line skate in Last Vegas, mountain bike in Africa, skateboard in Los Angeles and more in this multi-discipline racing game. Compete in a season on 12 intensely insane courses. Two-player split-screen racing, 4 levels of difficulty and Create your own Player make 2 Xtreme a rush! Experience 2Xtreme (first released on the original PlayStation). enhanced with up-rendering, rewind, quick save, and custom video filters.

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G-Police | PS4, PS5

Prowl the skylines in your weapons-loaded DASA-Kamov gunship as a member of the G-Police. Tear between, around and under obstacles like skyscrapers and bridges with 360° flight as you battle menacing rebel ships in the air and heavily armed vehicles on the ground across 35 strategic combat and flight missions. You’ll wreak havoc as you take on the hardcore criminal element terrorizing the gritty cities of 21st century Callisto. Experience G-Police (first released on the original PlayStation), enhanced with up-rendering, rewind, quick save, and custom video filters.

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Worms Pinball | PS4, PS5

Prepare for an action-packed pinball simulation of pure wormage! Worms Pinball offers a table sporting 3D LED displayed sub-games and parallel objectives, transparent ramps, user-controllable moving gadgets, bounce and flip passes, bang backs, death saves… and much more! The depth of gameplay, variety of action, and sophisticated table rules ensure that Worms Pinball will have all gamers, not just hard-core pinheads, hooked.

A note for our PlayStation Plus Extra and Premium members: as part of our normal content refresh, a selection of titles, such as Horizon Zero Dawn, will leave Game Catalog later this month. Members with Game Catalog benefits can still play these games until May 21. You can always check the ‘Last chance to play section’ on the PlayStation Plus -> Collections page on the PS5 console, or PlayStation Plus -> Games -> Games Catalog on the PS4 console for titles you might want to play before they leave the service. 

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Tom Brady admits Patriots got major break from referees in 2017 AFC title game win over Jaguars

Brady is willing to admit that his team got a big break.

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When looking back over the New England Patriots ' dynasty, the 2017 AFC Championship game is largely glossed over. Many forget that the Patriots trailed by double digits for a significant portion of that game before rallying to record a 24-20 victory. It's also largely been forgotten that that game included several controversial calls that went in New England's favor, a fact that Tom Brady recently shed light on. 

Brady, the former Patriots quarterback, recently alluded to then-Jaguars linebacker Myles Jack's forced fumble and fumble recovery early in the fourth quarter and Jacksonville holding a 20-10 lead. Jack stripped then-Patriots running back Dion Lewis of the ball and began to race towards the Patriots' end zone before officials whistled the play dead, stating that Jack had been touched down after scooping the ball up. 

"Oh no, I don't think he was down," Brady said on "The Pivot" podcast, via Sports Illustrated . "Oh God, I don't think we were catching him, either." 

Amazing play by the Patriots but Myles Jack just rips the ball from Dion Lewis pic.twitter.com/3zuXdVImGR — Eric Rosenthal (@ericsports) January 21, 2018

Had the officials not ruled Jack down, the rest of that game could have played out much differently. If Jack would have managed to score on the play, it's hard to envision the Patriots coming back from a 27-10 deficit with just over 13 minutes to play. In that scenario, the Jaguars , not the Patriots, would have likely faced the Philadelphia Eagles in Super Bowl LII. 

Instead, the Jaguars' offense quickly punted after the turnover. The Patriots scored on their ensuing drive and took the lead for good on a Brady touchdown pass to Danny Amendola with under three minutes left. New England then held on to win their eighth AFC title during the Brady/Bill Belichick era. 

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  1. Theme of Redemption in "A Christmas Carol"

    Published: Sep 7, 2023. Redemption is a central theme in Charles Dickens' beloved novella, "A Christmas Carol." The story follows the transformative journey of the protagonist, Ebenezer Scrooge, from a miserly and heartless individual to a compassionate and benevolent man. This essay delves into the significance of redemption in the narrative ...

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  3. What's a good thesis on "Redemption" for The Kite Runner

    Redemption is a major theme in The Kite Runner, and so there are many possible thesis statements to choose from.The first thing to do is read the book and decide which character is most deserving ...

  4. Sin and Redemption

    The people in the world were hopeless and only had death as the end of life. This essay will discuss sin, its consequences and redemption. Sin and redemption are the basis of religion and this will help analyze people's attitude towards sin and redemption. Sin. Sin can be viewed as going against a divine law.

  5. Redemption

    Redemption means to secure the release or recovery of persons or things by the payment of a price. It is a covenantal legal term closely associated with ransom, atonement, substitution, and deliverance, thus salvation. Theologically, redemption refers ultimately to the saving work of Christ, who came to accomplish our redemption by giving his ...

  6. Essays on A Christmas Carol

    Redemption is a central theme in Charles Dickens' beloved novella, "A Christmas Carol." The story follows the transformative journey of the protagonist, Ebenezer Scrooge, from a miserly and heartless individual to a compassionate and benevolent man. This essay delves into the significance of redemption in...

  7. Redemption as a Biblical Image of Salvation Essay

    In summation, redemption is one of the primary elements of salvation that God grants to people. Historically, Christ's death was the act of atonement for all human sins. Now, He is the only being capable of bestowing redemption for His eternal love to humankind. This act may be perceived as a blessing or punishment, depending on the situation.

  8. The Kite Runner Essay

    One of the most dominant themes is the idea of redemption for past wrongdoings. The protagonist, an Afghani-American named Amir, relays the story of his childhood; through this, one realizes the issues he went through and the events that will come to shape the plot of the novel. Amir seeks redemption for his betrayal of his childhood best ...

  9. kite runner redemption essay

    Redemption was a major theme in the novel, The Kite Runner by Khaled Hosseini. Redemption was a main theme in the book; this theme is exemplified by Amir, Baba, and Soraya and who they turn out to be by the end of the novel. The development of Baba's character was greatly affected by his own redemption, which helps develop the theme in the novel.

  10. Redemption

    Redemption - Free Essay Examples and Topic Ideas. Redemption refers to the process of being saved or rescued from a state of negative consequences or sin. It often involves an act of sacrifice or amends made to restore someone's dignity or reputation. Redemption can bring a sense of hope, forgiveness, and renewal to those who seek it.

  11. Forging good titles in academic writing

    Writing effective headings. Although similar, headings are not the same as titles. Headings head paragraphs and help structure a document. Effective headings make your paper easily scannable. Common high level headings in dissertations and research papers are "Methods", "Research results", and "Discussion". Lower level headings are ...

  12. A Christmas Carol Redemption Essay

    Dickens portrays the idea that redemption is possible regardless of one's starting point. Dickens utilises Scrooge in order to illustrate how self-centred, insensitive people can be converted into compassionate and socially conscious individuals. This extract ends a chain of events as benevolence and generosity overcome Scrooge's hostile ...

  13. Redemption Essay

    Redemption Essay. The literal definition of the word "redemption" is the act, process, or an instance of redeeming (forgiven). When I as a human being think of redemption I think of it as a way to accept, forgive and move on after an instance of extreme, usually emotional, infliction. When we think of this in terms of prison, humans are put ...

  14. An essay on redemption by Jesus Christ. ... By J. Murray,:

    SECT. 1st. R EDEMPTION, in Scripture, signifies the buying back something that is lost, alienated, or mortgaged; or, it signfies deliverance from danger, violence, or oppression. It is applied to persons or things; to either the lives or estates of men. It always has relation to some law of equity, and moral justice. That redemption which our Lord Jesus Christ wrought for his people, was also ...

  15. An Essay on Redemption

    An Essay on Redemption (Classic Reprint) John Balguy No preview available - 2018. An Essay on Redemption (Classic Reprint) ... Title: An Essay on Redemption: Author: John Balguy: Edition: 2, reprint: Publisher: Lockyer Davis, 1785: Original from: the New York Public Library: Digitized: Jul 13, 2006: Length: 107 pages :

  16. The Shawshank Redemption Themes

    The Shawshank Redemption study guide contains a biography of Frank Darabont, literature essays, quiz questions, major themes, characters, and a full summary and analysis. ... Redemption. It's right there in the title, after all. As Andy learns all too well, the system under which he is being punished is not invested in his redemption ...

  17. Tsotsi Redemption Essay

    In conclusion, "Tsotsi" is a powerful novel about redemption. Athol Fugard masterfully tells the story of a violent gangster who undergoes a profound transformation. Through his relationship with a baby, Tsotsi learns to connect with his own humanity, and he ultimately finds redemption.

  18. PDF Redemption and Change

    redemption, glorifying Scrooge's behaviour. To build on this, Scrooge informs the gentleman that his donation includes "many back-payments" . This reveals that he is not only improving his behaviour in the present but is also making amends for his past mistakes - portraying his redemption as thorough and complete.

  19. Unbroken: A Story Of Survival, Resilience And Redemption: [Essay

    A person who can say he has is Louis Zamperini, the person in Laura's biography Unbroken. As a child in, Louis was a delinquent and was mischievous, seen when the book states, "Thrilled by the crashing of boundaries, Louie was untamable." (Page 6) Often times he would play pranks, get into fights, and cause mayhem.

  20. PDF How does Dickens present the theme of transformation in A Christmas Carol?

    At the beginning of the novella, Scrooge is presented as a cold-hearted miser. This is evident when it says, "Oh! But he was a tight-fisted hand at the grindstone, Scrooge! A squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner!". The narrative ,"oh", suggests that even the narrator is overwhelmed by how unpleasant ...

  21. When Writing a Movie Title in an Essay: Expert Recommendations

    1. Capitalize the first and last words of the movie title, as well as any other important words. For example, in the movie title "The Shawshank Redemption," capitalize "The," "Shawshank," and "Redemption.". 2. Capitalize all nouns, pronouns, verbs, adjectives, and adverbs within the movie title.

  22. The Shawshank Redemption Essays

    The Shawshank Redemption. Sanders, JamesProfessor KraemerEnglish 4May 17, 2021Patience and Persistence: Andy Dufresne's Long Game The Shawshank Redemption (1994), directed by Frank Darabon, certainly qualifies as a cinematic drama which displays the richness and depth of a... The Shawshank Redemption essays are academic essays for citation.

  23. My Twisted Path to a Meaningful Life

    A bad night of partying left my body broken and nearly paralyzed. I let the pain shape me for the better. By Grayson Zulauf I lifted the sheets to look at my right ankle. Bruised, maybe broken. My ...

  24. What's Coming To The PlayStation Plus Game Catalog in May 2024?

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  25. PlayStation Plus Game Catalog for May: Red Dead Redemption 2, Deceive

    Red Dead Redemption 2 also includes Red Dead Online — the multiplayer experience set in the living world of Red Dead Redemption 2 — ride solo or form a posse; run moonshine; battle lawmen, outlaw gangs, ferocious wild animals, and much more as you forge your own path on the American frontier. *PlayStation Plus re-release.

  26. Tom Brady admits Patriots got major break from referees in 2017 AFC

    Tom Brady admits Patriots got major break from referees in 2017 AFC title game win over Jaguars Brady is willing to admit that his team got a big break