creative writing rules in english

What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

• Short stories
• Screenplays
• Flash fiction
• Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

• Find a time of day when your mind is most alert and creative.
• Create a comfortable writing space free from distractions.
• Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
• Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
• Reading is fuel for your writing. Explore various genres and styles.
• Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
• Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
• Small projects can help you hone your skills and boost your confidence.
• Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
• Participating in workshops or classes can also provide valuable insights into your writing.
• Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
• Be open to feedback and willing to rework your pieces.
• Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
• These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

• What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
• What Is A Personal Account In Writing? (47 Examples)
• How To Write A Fantasy Short Story (Ultimate Guide + Examples)
• How To Write A Fantasy Romance Novel [21 Tips + Examples)

Ten Grammar Rules Every Writer Should Know

by Melissa Donovan | Sep 9, 2021 | Grammar Rules | 51 comments

Some of the most overlooked grammar rules and best writing practices.

The more experience I gain as a writer, the more I’m convinced that writing is one of the most difficult skills to master.

It’s not enough to tell a great story, share an original idea, or create an intriguing poem; writers are also obligated to pay diligence to the craft. While the content (or message) of our writing is paramount, the way we use language can be just as critical.

Bad grammar is a distraction. If you can write a riveting story, readers will probably overlook a few grammatical problems. However, each mistake or incorrect construction will momentarily yank readers out of the story. Sure, they can jump back in, but it makes for a negative or unpleasant reading experience.

10 Vital Grammar Rules and Best Writing Practices

The best writing follows the rules of grammar (or breaks those rules only with good reason) and is clear, coherent, and consistent.

In my work as a writing coach and as an avid reader, I see a lot of the same mistakes. These mistakes aren’t typos or occasional oversights. They appear repeatedly, among multiple writers and pieces of writing, and they cause the work to be weak or dull.

Most writers don’t want their work to be weak or dull. We want our writing to be strong and vibrant. If we learn the grammar rules and adopt best practices in the craft, our writing can shine.

Here are ten frequently ignored (or unknown) grammar rules and writing practices:

• Commas: the comma is one of the most common punctuation marks and the most misused. It’s a tricky one because the rules are scarce, leaving usage up to style guides and writers’ best judgement. In weak writing, there are too few or too many commas. Be consistent in how you use commas and strike the right balance.
• Verb tense: The topic of tense warrants an article of its own (or maybe an entire book). There are multiple tenses beyond past, present, and future, and they are worth knowing. Be especially careful of mixing up simple past tense ( I danced all night ) and past perfect tense ( I had danced all night ).
• Adjectives vs. adverbs: People don’t run quick ; they run quickly . The word quick is an adjective; quickly is an adverb. Make sure you’re using adverbs to modify verbs and adjectives to modify nouns.
• Check your homophones: homophones are little devils because spell check won’t catch them and they often sneak past editors’ eyes. Too many youngsters aren’t taught proper homophone use (in other words, they don’t know spellings or definitions of their vocabulary). From common sets of homophones like  they’re, their, and there  to more advanced words like complement and compliment , it pays to learn proper usage and to proofread meticulously.
• Rare or uncommon punctuation marks: if you decide to use a punctuation mark like the ellipsis (three dots) or semicolon (comma with a period over it), then take the time to learn what it’s called and how to use it properly.
• Subject-verb agreement: The subject of a sentence needs to match the verb. Due to verb conjugation, this is especially tricky for people who speak English as a second language and for tots who are learning to speak. Here’s an example of a common mistake: She have two cats. The verb have does not go with the subject she . It should be She has two cats.
• Only proper nouns are capitalized: for some reason, a lot of people have taken it upon themselves to freely capitalize any words they think are important, a practice that is rampant in business writing. The Product is on Sale now is not a correctly written sentence.
• Verb tense consistency and meticulous editing: these errors are often the result of shoddy editing and proofreading. A sentence that was originally in perfect past tense is changed to simple past tense, but one of the words in the sentence is overlooked, and you end up with something like  She went to the store and had shopped for produce . 
• Should’ve, could’ve, would’ve: I don’t know why, but a lot of people seem to think the “ve” in these words means “of.” But it’s short for “have.” These words are contractions for “should have,” “could have,” and “would have,” respectively — NOT “should of,” “could of,” or “would of.”
• Consistency is key: grammar rules don’t cover everything. As a writer, you will constantly be challenged to make judicious decisions about how to construct your sentences and paragraphs. Always be consistent. Keeping a style guide handy will be a tremendous help.

Of course, this list is just a taste of grammar rules and best writing practices that are often overlooked. What are some of the most common grammatical errors you’ve observed? Do you have any best writing practices to share? Leave a comment!

51 Comments

Thanks for the reminders Melissa. Have a nice day!

Thanks, Nasir. You have a nice day too 🙂

Great list! Sometimes I labor over grammar and punctuation in a little sentence for far too long. Having these tips will help.

Thanks, Gabrielle.

Very good advice, Melissa. As a new author, I’ve done lots and lots of proofreading and editing, over and over and over…and still found a couple of typos or errors! One suggestion might be for writers to edit page- by- page, or chapter- by- chapter. rather than waiting for the finished product. It might be good to do your proofing and editing as you go. just a thought. For me, a good English grammar and writing handbook is a must!

Thanks for your advice again.

Cordially, L.A. Wood

I actually think it’s impossible for a writer to catch every single typo and mistake, especially in a long piece, like a book manuscript. That’s why proofreaders and editors are so important!

How very true. I go over my manuscripts many times but always find when I sent it to be edited that I have missed several things. I think it pays to have a beta reader go through your work before having it edited and submitting to an agent/publishing company.

I have found beta readers incredibly helpful for feedback on substance and editors ideal for language. If you can work with both, that’s the best of both worlds.

your and you’re – do young people know the difference?

Sadly, many do not know the difference.

It isn’t only young people. I am in my 60s, and my activities on Facebook have proven to me beyond a shadow of doubt that just as much grammar and spelling incompetence exists among my own peers as in my son’s and grandson’s age groups, regardless of level of education. It is truly pathetic. However, I must add that I also see at least as much competence among the youngsters as I do in my own age group, and nearly as much carelessness and incorrect grammar among professional writers of articles in newspapers and online journals as in a day’s worth of Facebook posts by my acquaintances. It is a paradox!

Hi Willa. It is a paradox! In my experience online and off, people from earlier generations have better grammar skills, but I’ve only drawn that conclusion from my interactions with a small number of people. My impression has been that schools have drifted away from grammar lessons. I do think it’s a combination of what’s being taught (or what isn’t being taught) and simple lack of interest or motivation on students’ part. In any case, it’s unfortunate.

Yes about the what isn’t being taught part. I’ve learned more on google, finding sites such as these, than in the past four years of Highschool. I took two different English classes out of interest; each of them spent half the semester watching Forest Gump… AI… The Kiterunner… Castaway (at least 2 times a semester)… and many more. Of course we’d have our observational notes to take, but it was far from educational.

This is in Canada, Ab. If that makes a difference. But yeah, thanks for putting up sites such as these; they really help where school didn’t.

I’m sorry to hear that. In fact, I find it rather disturbing that high school students are spending their time in English classes watching and rewatching movies. When I was in school, we watched maybe two movies in a school year, and this was after we read and studied the books. I can’t help but think that kids today are being robbed of a decent education.

Totally agree with commas being top! I try to teach students not to comma splice (using commas when it should be a full stop, semi colon or colon) and then realise that novels are littered with them. It’s no wonder they do it too!

I do think incorrect comma use is the most common mistake in writing, but I’m more concerned with mistakes regarding spelling and word definitions. Commas are tricky, and there is a lot of leeway in how we can use them. However, the splicing is one type of comma mistake that’s often obvious (especially when it should be a full stop). I’m glad there are teachers like you who are trying to impart good grammar to students.

An excellent post and a great reminder for both the inexperienced and experienced writer.

Thanks, Helen!

Hi, Melissa!

Great list!

I believe one of the most problematic grammatical errors being used today is this:

It’s totally unacceptable, no matter that TV journalists and everybody else in pop culture uses it.

It’s try TO, stupid!

Sorry, just had to unload that one.

Best writing practices?

Let me mention reading one’s work out loud in a quiet room. Check for cadence, tense, redundancy, unnecessary adjectives, that kind of thing.

Another one would be to always sleep on your manuscript (not literally) and then come back at it the next day with refreshed eyes. You’ll catch those niggling bits you overlooked yesterday.

Always check your work for how it looks visually as black-on-white-space. Effective writing is often about managing the balance between printed text and white space for dramatic effect. An example would be this sentence-paragraph:

“FIRE!” he screamed.

Know your audience. I am a man but I know how to write for women when it is called for. Effective use of these gender cues will endear you to your audience. Example: Sensory cues such as fragrances and color subtleties appeal to most women while most men like action words and urban vernacular like Kapow! and WTF!

Never expect your friends or relatives to know what the hell you’re talking about when it comes to your writing. But I say let them laugh or just plain ignore me. My royalty checks are my real friends. Heh heh.

As a prolific writer/publisher of over 100 short stories, I think I have a pretty good handle on knowing that writing is a marathon, not a race. How often do you see nubes on Amazon forums fretting that they haven’t gotten any reviews yet or that they publically wonder if they’re any good? They should have thought of that BEFORE typing one keystroke. Writing success is all about planning, longevity and staying power, not instant gratification.

I will round out my best writing practices comments with this: NEVER give away your art. Value yourself and your craft and your audience will respond in kind. Walk away from underpaying freelance assignments. Resist the urge to slash your book price to jump-start sales. Why should J.K. Rowling get rich at your expense?

Wayne, I appreciate your feedback and your valuable insights. However, here at Writing Forward , we don’t call people names because they haven’t yet mastered constructs like “try to.” Everybody starts somewhere. Also, the phrase “try and” is colloquial and heavily used in some areas. If you were writing a dialogue for a character who came from one such area, it would be completely appropriate to bring that phrasing into the character’s dialect. That’s just my opinion, of course. It’s still important for the writer to be aware the proper rules.

You might find this article from Grammar Girl interesting: http://grammar.quickanddirtytips.com/grammar-comments.aspx

“I got really frustrated while researching this topic because none of my books seemed willing to take a stand. They all said ‘try and’ is an accepted informal idiom that means ‘try to.’ They say to avoid ‘try and’ in formal writing, but not to get too worked up about it otherwise.”

Grammar Girl goes on to say that she disapproves of this construct (and I’m inclined to agree with her).

Hi again, Melissa!

Cool your jets! My comment “It’s try TO, stupid!” is a satirical takeoff on the famous political phrase used in American politics during Bill Clinton’s successful presidential campaign against George Bush. It actually was based on a sign created by Clinton’s strategist, James Carville which read “The economy, stupid.” It hung in Clinton’s Little Rock campaign HQ and went viral in the media.

At no time did I mean to denigrate any writer here or anywhere. This famous expression is known as a “snowclone,” a type of cliche’ and phrasal template (to paraphrase Wiki). Writing can be wickedly fun and deadly serious at the same time, as seen from Clinton’s successful election to the office of president.

Just as I have your blog on my RSS feed, I have Grammar Girl’s and had read the post you highlighted. She is as frustrated with this as we both are. I love working in idiom when it fleshes out characters and places in time. My kin are from North Carolina and they speak idiomatically all the time, so I get it, Melissa. Thanks.

All the above aside, let’s all agree that writing is as much science as art, subject to precise rules and a whole lot of imprecision as well. I think that the public school system in America has done a less than stellar job at teaching our children (our present and future writers) the basics of this craft we care so much about. As a professional writer, I try my darndest to color within the lines, but when my characters and plot take me places where historical pressures have shaped certain folks in certain places of this country, I let them speak their “mind.” My Carolina kin say “y’all” and “pie-anna” and yes, “try and.” I love them for that.

And I love you too, Melissa 🙂

Wayne, you have contributed a lot of thoughtful comments here at Writing Forward , and I always appreciate your feedback and input. It’s sometimes difficult to discern someone’s tone in writing, so perhaps I am mistaken, but your tone is coming across as snide and sarcastic. The comment policy here is simple: be respectful. That’s it.

Insinuating people who don’t know the rules of grammar are stupid (either in one’s own words or through a quote), telling me to cool my jets, and other such comments are simply not appropriate here. There are many forums with looser rules. This is just not one of them. I don’t want anyone to come here and feel insulted or intimidated. As you were once a young writer who knew little about the craft, I’m sure you can understand why I want to foster an atmosphere in which writers feel safe and comfortable, regardless of their level of skill or experience.

Thanks for understanding.

Hello Melissa.

“Look! Is this a sacred calling or not? Are you communing with something vast and profound or aren’t you? Do you revere and respect your own humanity in relation to that of your fellow human beings or what? Then, for the love of all that is holy, learn to use a semi-colon.” –Lynn Coady, Canadian novelist

Ha! Love that quote. I’ve never heard it before.

Informative tips. I have never used semicolons in my sentences and I think I should learn about its proper usage in a sentence. Can you do a post on the same? Thanks for the inspiration, anyway.

Here you go: How to use a semicolon .

well Melissa it’s really a nice topic and it helped me in writing. I think it’s not important the words in the story or the article, but the most important thing is the grammatical rules as it showes others that you know how to write

As much as I advocate for grammar, I’m going to have to disagree. I definitely don’t think that grammar is the most important thing in writing. I would say the words and the story itself should be given higher priority. That doesn’t mean I think writers should forgo grammar in favor of good storytelling and word choice; I’m just saying that I can forgive a few grammar mistakes more easily than I can tolerate a boring or uninteresting story.

I disagree with you Eman. I think the theme and the words more important

Grammar’s not top priority, but still vital, agreed. As long as the meaning’s clear (though it sometimes isn’t!), bad grammar is just a distraction from the good stuff. And like most serious distractions, it doesn’t take much to hurt a story–but not as badly as having a weak story under it in the first place.

And I think Eman had the best point: each error just announces that you don’t know your work.

I think most errors do tell the reader that you don’t know something about your craft, although there are exceptions. For example, we all make typos, which are mistakes in which we do know the correct construct but our typing or proofreading missed it. Ugh, typos suck.

Also, use the pronoun “who” with people, the pronouns “which” or “that” with objects.

Just as you would not say, “The ladder who broke”, you would not say “The person that arrived”.

That’s a good reminder. Thanks, Terri.

Where i could look up more extensive rules for using quotation marks in dialogue? i get confused when in one sentence you have a spoken words and thoughts for instance.

I recommend the Chicago Manual of Style for fiction writers. As for dialogue and thoughts, I personally try to avoid including too many thoughts in narrative. I put dialogue in quotation marks and use italics for thoughts, which differentiates them quite effectively.

Thank you. I am a fifty-seven year old student being taught. I covet the knowledge.

Thanks, Rick. Writing and learning are for people of all ages.

In my opinion,writing might be separated to two parts that one of these required really more information and grammar rules others must be just to communicate some people.What is this?So,writing might be art or just we use for communicating.If we understand this difference and we realize why we want to use writing skills,we say that writing is too hard or not.

I agree. Some writing is pure communication, other writing is pure art, and most writing is somewhere in between, a craft.

Thank you for this detailed grammar rules. I often find myself breaking some of these rules. But I’m learning each day and consciously making efforts to improve.

You’re welcome! Keep up the good work.

Great job! thank you so much Melissa.

You’re welcome!

My dear, I would like to be good at writing, but I am not sure where should I start and be a perfect writer, can you advise me please, many thanks.

I don’t believe there’s any such thing as a “perfect writer.” But starting is simple: you write. You write every day. You read and you study the craft. Reading articles like this is a good start. It takes time, patience, and practice. Give yourself time and space to learn. Good luck!

Dear Ms. Donovan,

I was smart enough to learn the most boring and unnecessary lessons at teacher college. In spite of this, I believe I became a decent teacher. Now that I am retired, I am highly motivated to earn a bit of income to be able to pay my bills. Could you please tell me what fundamentals of grammar I must master first.

Andy Farkas

Thanks for your question. I’m not sure what kind of job you want that requires learning grammar, although my hope would be that if you were a credentialed teacher, you already have sufficient grammar skills. I would recommend starting with a simple primer, such as The Elements of Style The Elements of Style .

I join the dozens of people who have already thanked you. I find that these rules are written in an easy to understand form. I may sometimes make some of these mistakes due to carelessness, but I try to always correct what I have written.

Thank you for your kind words, Allison. I appreciate it.

I came up with an easy example to explain ‘homophones’:

‘They’re going down their road to get there’.

I find it useful to create sentences to explain grammar rules.

Yep, that’s a good one!

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What is Creative Writing? A Key Piece of the Writer’s Toolbox

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

• short stories
• screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

• the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

Inspiring Ink: Expert Tips on How to Teach Creative Writing

You may also like, how to start and keep a travel journal: a guide to travel diaries.

A Guide to Shadow Work Journaling

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20 English Writing Rules and Tips to Instantly Improve Your Writing

English writing skills are super important for learners.

Whether you need to pass a test, complete an assignment or write an email to a co-worker, knowing how to say what you want to say in print is vital.

Sometimes you can get away with small mistakes when speaking, but they’ll be easily spotted in writing. 

And while mistakes are a normal part of learning, you can avoid many of the most common ones by following some key rules.

Important English Writing Rules

Capitalize the right words, add commas and periods where needed, use the right tense , make sure your subject and verb agree, put adjectives and adverbs in the right order, make writing more natural with connectors, know the difference between who and whom, don’t mix up few, a few, fewer / little, a little and less, avoid double negation, use indirect speech and questions when needed , avoid the passive voice in informal writing, useful english writing tips, watch out for homonyms, be specific, break up long sentences, only use words you understand, be careful of false friends, answer “the five w” question words, don’t overuse the “to be” verbs, avoid ambiguity, revise what you’ve written… twice, and one more thing....

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Learn the following English grammar rules and you’ll get a solid foundation upon which you can start building your writing skills.

This may sound silly, but capitalization is actually important !

You wouldn’t write your name as mary or john , but Mary or John . It’s just as important to write Sunday and not sunday, and to use a capital letter after a period.

For example:

There are some capitalization errors in this sentence:

i will go to the beach on monday. do you want to come?

This is the correct version:

I will go to the beach on Monday. Do you want to come? 

You don’t need to know everything about English punctuation from the very beginning, but you should at least master the use of commas and periods early on.

Periods are generally used to end a sentence, while commas are trickier. There are many reasons to use a comma but one basic rule is that commas are used when you would naturally pause in your sentence. For example, you would write: First, learn English punctuation rules. 

There’s also a special kind of comma called the Oxford comma . This comma appears before the last item in a series of three or more items. If you follow the AP style , you won’t use it, whereas if you follow any other writing style like the Chicago style , you will.

In this example, there are no commas, so you would run out of breath by the end! It also never finishes since there’s no punctuation mark at the end:

First I went shopping then I was getting tired so I decided to go home It was an adventure

The following sentence is much easier to follow thanks to the punctuation marks:

First, I went shopping. Then, I was getting tired so I decided to go home. It was an adventure!

Here’s an example using the Oxford comma (Chicago style):

I need two pens, three notebooks, and one pencil.

And here’s one without the comma (AP style):

I need two pens, three notebooks and one pencil. 

Learning English tenses is one of the first steps in our language-learning journey.

This isn’t random (by chance). Tenses are at the core of English grammar and without them, we wouldn’t be able to distinguish the past, the present and the future. Tenses allow us to communicate our ideas properly and say what happened when.

When you write, pay special attention to the tenses you use and make sure your choices are correct in the context.

This may be an example of the historical present , but it sounds weird since 1907 already passed:

He dies in 1907. 

This sentence sounds more natural:

He died in 1907. 

Subject-verb agreement is a rule that says that the subject and the verb of a sentence always have to agree. That is, they have to be in the same person and number.

You can’t use the third person plays if the subject is  you, just as you can’t use have been when the subject is my mom.

These two sentences are incorrect:

The price of books are on the rise .

Mary go to school every day.

While these are correct:

The price of books is on the rise.  (“Price” is the subject.)

Mary goes to school every day . (“Mary” is the subject.)

Adjectives can be a nightmare for some English learners, especially when they have to use more than one category of them in the same sentence.

While it’s important to know the order of adjectives , the very first rule you need to remember is that adjectives come before the noun in English.

This sentence would sound very wrong to a native English speaker:

I have bought a car white.

This sentence is correct:

I have bought a white car. 

This also applies when you have several adjectives in the sentence. For example, here’s an incorrect sentence:

I bought a kitchen table beautiful long and wooden last week.

And here it is, corrected:

I bought a beautiful long wooden kitchen table last week.

English adverbs tend to be easier to master, although they also have their own order and rules.

Two important rules you should remember are that adverbs precede the adjective they modify and they normally come after the verb they modify , especially if they’re adverbs of manner and place.

These are two incorrect sentences:

Peter beautifully sings.

He is an intelligent very boy.

And here are the correct versions:

Peter sings beautifully. 

He is a very intelligent boy. 

Connectors , also called linking words, are words we use to link or connect phrases and sentences. Connectors are useful because they make our writing more fluid and natural.

When you don’t use connectors, your text tends to have short sentences. This is how children normally speak or write. When you add connectors to your work, you get closer to how native English speakers talk or write.

No native speaker would talk or write like this:

The car was very beautiful. I couldn’t afford it. I asked my brother for money. I bought the car.

This is much better writing:

The car was beautiful but I couldn’t afford it, so I asked my brother for money and bought it anyway.

Knowing the difference between who and whom and using them correctly can make a great difference in your writing. Even native English speakers often mix these two up!

A basic trick you can use to figure out which one to use is to try to replace “who” or “whom” with a pronoun. If you can say “he/she/they” in the sentence, use who. If you can use “him/her/them” instead, use whom.

Here are some examples of the correct and incorrect ways to use who and whom:

To who do you want to speak? (Incorrect) Who do you want to speak to? (Correct, informal) To whom do you want to speak? (Correct, formal)

There were 50 students, 12 of who were from Spain. (Incorrect) There were 50 students, 12 of whom were from Spain. (Correct)

To learn how and when to use English quantifiers , you should pay special attention whenever you see or hear one of them used. 

The basic rule is to use few when you’re talking about something you can count (cats, TV shows, dollars), and use  less when you’re talking about something uncountable (love, snow, money).

This is incorrect:

I have a little friends.

Since you can count how many friends you have, you would use few:

I have a few friends. 

Here’s another incorrect example:

I couldn’t care fewer.

You can’t count caring, so you should use less here:

I couldn’t care less. 

In order to write (and speak) well in English, you should always keep negation and double negation to a minimum whenever possible.

Remember that you shouldn’t use two negatives to make a positive, so watch out for tricky negative combinations. There are exceptions (which you’ll see in the example below), but this is a good general rule to follow.

Also, try to avoid a double negation if you can easily replace it with an affirmative sentence.

This sentence lost me after the first few words, Are you driving to the movie theater or not!?

I don’t know no way of not driving to the movie theater. (Definitely incorrect)

Here are two other ways you can say the same sentence, but this time without using so many negatives:

I don’t know how to drive to the movie theater. (Correct)

I don’t know any way of driving to the movie theater. (Correct)

The following sentence is technically correct, but only used when you want to react to someone saying someone is impolite.

He is not impolite.

This sentence is correct and neutral in meaning:

He is polite. 

The rules of indirect speech can be difficult at first, but a good piece of writing will include it when necessary. This is another of those topics that can mean the difference between sounding like a beginner and a proficient writer.

Here are two incorrect examples:

He wanted to know what time is it?

They asked me “how do you know.”

And here are the correct versions of the same sentences:

He wanted to know what time it was. 

They asked me how I knew. 

Using the English passive voice will be necessary from time to time, especially if you have to write formally and impersonally. But if you’re just writing a school assignment or a simple email to a friend, try to avoid the passive voice whenever you can.

This sentence is grammatically correct but the way it’s phrased is very odd and unnatural:

Hi, John! The book I was told about by you has been found by me.

This is a much more natural way to say the same thing:

Hi, John! I have found the book you told me about! 

Homonyms are words that sound or are spelled identically but have different meanings.

Take the word spring , for example. You may already know this is the name of one of the seasons, but did you know this word can also mean a piece of coiled (twisted) metal?

Getting to know the most common English homonyms and how they’re used will have a huge positive impact (influence, effect) on your writing. Teachers pay special attention to this, and they’ll lower your mark if you use the wrong words.

Many words in this sentence are confusing homonyms:

I sea you new that cereal killer, two. 

Here is the same sentence, written correctly:

I see you knew that serial killer, too. 

Try to be specific and write exactly what you need to write. Choose one topic and don’t add information that isn’t necessary or is off-topic (not related to the topic).

If you see that three or more sentences in a paragraph aren’t necessary, start writing that paragraph from scratch (from the beginning) again.

This is grammatically correct but very difficult to follow:

Writing is important to improve your English. My friend loves writing. He also reads and teaches little kids. Writing can help you become a better speaker of English, too. 

Here’s a better option:

Practicing your writing skills will improve all your English language skills. I know that because my friend, who teaches little kids, told me. 

With time, you’ll learn how to use English connectors like a professional writer, and you’ll recognize the difference between a sentence that’s acceptably long or unnecessarily long.

You should also avoid using too many short sentences together. This makes your writing sound choppy (uneven and not smooth).

This sentence is grammatically correct, but it can give you a headache:

Writing is an art that you, my dear reader, should master if you really want to convey your message properly and make the reader feel that what you have to say is not only interesting but also necessary for them to read and analyze during the process of reading it. 

This sentence is a much better option:

Writing is an art you should master if you want to communicate properly. Your goal is to make the reader interested in what you write and give them something to think about.

This tip is quite self-explanatory (it explains itself, it’s obvious). If you don’t know the meaning of a word or expression, choose a different word or look up its meaning before you use it. 

Trying to pretend you’re a walking dictionary doesn’t always give you good results, especially if you make a mistake and use the wrong word or spell it incorrectly.

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Two words in this sentence are incorrect:

Irregardless of whether you like it or not, the book entitled “Alice in Wonderland” is a classic.

You might think the previous sentence sounds smart, but entitled means “to believe that you have the right to something.” It doesn’t mean “having the title.” And irregardless is not even a word!

You can rewrite that sentence like this instead:

Whether you like it or not, the book titled “Alice in Wonderland” is a classic.

False friends are words that seem to mean one thing but mean something totally different. Depending on your native language, some words can be false friends for you or not.

One of the most famous cases of this is the Spanish word embarazada, which sounds like it means “embarrassed” in English but really means “pregnant.”

Have a look at some examples. Here’s the Spanish example I mentioned above:

Mary is embarrassed. (What you may say.)

Mary is pregnant. (What you wanted to say.)

Here’s an example from Polish:

He works in a fabric. (What you may say. This is also a Spanish false friend!)

He works in a factory. (What you wanted to say.)

Finally, let’s see a French example:

I love this pain! (You may, but I am sure you wanted to say the next sentence.)

I love this bread!

The five W’s are the main question words in English : What , where , when , who and why. Although it doesn’t start with W, you can also include how in this list.

If you’re writing an assignment, try to answer at least a few of these five questions, unless the topic is so specific that it wouldn’t make sense to do it.

For example, you don’t need to answer all five of them if you’re describing your best friend or talking about the weather, but you can if you’re describing your last holidays.

This example is okay, but it sounds odd because it includes too many unimportant details:

My dog’s name is Kira. She was born in 2016 in Poland. She was born because their parents had puppies.

In this example, all five W’s are answered because they add important information:

Last year I went to France on holiday because I wanted to visit the Eiffel Tower. I spent the whole month of July there with my girlfriend, and we bought a lot of presents for our friends.

“To be” is obviously a crucial and necessary English verb. It allows us to make descriptions, talk about age, occupations, relationships, etc. However, sometimes we use it a bit too much, especially when beginning to write in English.

There are several tricks you can use to reduce the number of unnecessary “to be” verbs in your writing. The most common one is making the person or thing doing the action the subject of the sentence.

This one is correct but it can be improved:

She is very pretty. She is a nurse devoted to her patients.

This is a much better option:

The pretty nurse devotes herself to her patients.

If you write a sentence that can be interpreted in two or more different ways, or it isn’t clear what it’s referring to, it’s an ambiguous sentence. You should try to avoid ambiguity so that the person reading what you write has a clear understanding of your writing.

There are many ways in which you can avoid being ambiguous, but one of the easiest ones is just to make sure the pronouns you use are clear in the context.

In the following sentence, it’s difficult to tell who was a good student, Mary or Sue:

Mary told Sue that she was a good student. 

This next sentence makes it much clearer that Mary is the good student:

Mary described herself to Sue as a good student. 

This tip might be obvious to many of you. When you finish writing, you have to revise your work and look for spelling, grammar and vocabulary errors.

Check whether sentences are too long or too short or if there’s any ambiguity in the text that can be easily solved. Look for false friends, homonyms and any other word you may have used incorrectly.

Take a break and give it a final second reading before sending, printing, or handing in your work.

Here’s what a sentence might look like before proofreading:

In conclusion, thre are thre ways too fry an egg.

Here’s a much cleaner sentence, after editing out the mistakes:

In conclusion, there are three ways to fry an egg. 

Now that you’re familiar with some important English writing rules and tips, you can take your writing to the next level. 

Reading will also help you improve your writing skills because you’ll learn new vocabulary and grammar structures that you can use when you write.

Remember that practice is super important when it comes to writing, so write often!

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Elements of Creative Writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

Content Accuracy rating: 5

As far as I can tell, content is accurate, error free and unbiased.

Relevance/Longevity rating: 5

The book is relevant and up-to-date.

Clarity rating: 5

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Modularity rating: 5

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Organization/Structure/Flow rating: 5

Topics are presented in logical, clear fashion.

Interface rating: 5

Navigation is good.

Grammatical Errors rating: 5

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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A Guide to English: Creative Writing

• An Introduction to Rhetoric
• Critical Thinking, Reading, and Writing
• The Writing Process
• Formatting and Citations
• The Reference Collection
• Searching for Books
• Searching for Articles
• Bibliographic Trace
• Citation Management
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• Periods and Movements in Commonwealth Literatures
• Thematic Genres and "Genre Fiction"
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Creative Writing

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photo courtesy of Nic McPhee.

With your poetic license in your back pocket you can bypass research, right? Not really. Sometimes you need to check your facts for your fiction to work. Encountering something that is factually wrong can break the spell you've cast on your reader and throw them right out of the story. Besides, research can enrich your world-building and inspire you as you put your imagination to work.

Whether you are writing a literary novel, a poem, an essay, a book for young readers, or a multi-volume epic fantasy, your imaginary world sometimes needs an infusion of reality. What does this lonely stretch of highway in Arizona actually look like? Where could I find inspiration to jump-start this poem? What kind of treatment would my protagonist with PTSD get at a VA hospital? What kind of underwear did people wear back in the 1920s, because it needs to come off in this erotic scene.

Try browsing photos using  Google Images  or  Flickr , delving into historical publications using  Google Books , or viewing locations with  Google Earth . People can be a great resource, too. Be prepared to make some phone calls, set up visits, or conduct interviews. Check with a librarian if you have factual or context questions you are having trouble answering. 

These resources will help you think about ways your writing can find support - both as you create something new and as you navigate the writing business.

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Getting published, honing your craft, fiction writing, writers on writing, writing genre fiction, nonfiction writing.

Librarian's Note: These resources can help you find appropriate venues to submit your creative writing for publication. While it is true that there are more outlets than ever to get one's work published, and self-publishing (sometimes denigrated as the " vanity press ") has yielded occasional success stories, it is wise to research publications and publishers before submitting, and observe Yog's law whenever possible.

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Creative Writing 101

You love to write and have been told you have a way with words. So you’ve decided to give writing a try—creative writing.

Problem is, you’re finding it tougher than it looks.

You may even have a great story idea , but you’re not sure how to turn it into something people will read.

Don’t be discouraged—writing a compelling story can be grueling, even for veterans. Conflicting advice online may confuse you and make you want to quit before you start.

But you know more than you think. Stories saturate our lives.

We tell and hear stories every day in music, on television, in video games, in books, in movies, even in relationships.

Most stories, regardless the genre, feature a main character who wants something.

There’s a need, a goal, some sort of effort to get that something.

The character begins an adventure, a journey, or a quest, faces obstacles, and is ultimately transformed.

The work of developing such a story will come. But first, let’s look at the basics.

• What is Creative Writing?

It’s prose (fiction or nonfiction) that tells a story.

Journalistic, academic, technical writing relays facts.

Creative writing can also educate, but it’s best when it also entertains and emotionally moves the reader.

It triggers the imagination and appeals to the heart.

• Elements of Creative Writing

Writing a story is much like building a house.

You may have all the right tools and design ideas, but if your foundation isn’t solid, even the most beautiful structure won’t stand.

Most storytelling experts agree, these 7 key elements must exist in a story.

Plot (more on that below) is what happens in a story. Theme is why it happens.

Before you begin writing, determine why you want to tell your story.

• What message do you wish to convey? 
• What will it teach the reader? 

Resist the urge to explicitly state your theme. Just tell the story, and let it make its own point.

Give your readers credit. Subtly weave your theme into the story and trust them to get it.

They may remember a great plot, but you want them thinking about your theme long after they’ve finished reading.

2. Characters

Every story needs believable characters who feel knowable.

In fiction, your main character is the protagonist, also known as the lead or hero/heroine.

The protagonist must have:

• redeemable flaws
• potentially heroic qualities that emerge in the climax
• a character arc (he must be different, better, stronger by the end)

Resist the temptation to create a perfect lead. Perfect is boring. (Even Indiana Jones suffered a snake phobia.)

You also need an antagonist, the villain , who should be every bit as formidable and compelling as your hero.

Don’t make your bad guy bad just because he’s the bad guy. Make him a worthy foe by giving him motives for his actions.

Villains don’t see themselves as bad. They think they’re right! A fully rounded bad guy is much more realistic and memorable.

Depending on the length of your story , you may also need important orbital cast members.

For each character, ask:

• What do they want?
• What or who is keeping them from getting it?
• What will they do about it?

The more challenges your characters face, the more relatable they are.

Much as in real life, the toughest challenges result in the most transformation.

Setting may include a location, time, or era, but it should also include how things look, smell, taste, feel, and sound.

Thoroughly research details about your setting so it informs your writing, but use those details as seasoning, not the main course. The main course is the story.

But, beware.

Agents and acquisitions editors tell me one of the biggest mistakes beginning writers make is feeling they must begin by describing the setting.

That’s important, don’t get me wrong. But a sure way to put readers to sleep is to promise a thrilling story on the cover—only to start with some variation of:

The house sat in a deep wood surrounded by…

Rather than describing your setting, subtly layer it into the story.

Show readers your setting. Don’t tell them. Description as a separate element slows your story to crawl.

By layering in what things look and feel and sound like you subtly register the setting in the theater of readers’ minds.

While they concentrating on the action, the dialogue , the tension , the drama, and conflict that keep them turning the pages, they’re also getting a look and feel for your setting.

4. Point of View

POV is more than which voice you choose to tell your story: First Person ( I, me ), Second Person ( you, your ), or Third Person ( he, she, or it ).

Determine your perspective (POV) character for each scene—the one who serves as your camera and recorder—by deciding who has the most at stake. Who’s story is this?

The cardinal rule is that you’re limited to one perspective character per scene, but I prefer only one per chapter, and ideally one per novel.

Readers experience everything in your story from this character’s perspective.

For a more in-depth explanation of Voice and POV, read A Writer’s Guide to Point of View .

This is the sequence of events that make up a story —in short, what happens. It either compels your reader to keep turning pages or set the book aside.

A successful story answers:

• What happens? (Plot)
• What does it mean? (Theme: see above)

Writing coaches call various story structures by different names, but they’re all largely similar. All such structures include some variation of:

• An Inciting Incident that changes everything
• A series of Crises that build tension
• A Resolution (or Conclusion)

How effectively you create drama, intrigue, conflict, and tension, determines whether you can grab readers from the start and keep them to the end.

6. Conflict

This is the engine of fiction and crucial to effective nonfiction as well.

Readers crave conflict and what results from it.

If everything in your plot is going well and everyone is agreeing, you’ll quickly bore your reader—the cardinal sin of writing.

If two characters are chatting amiably and the scene feels flat (which it will), inject conflict. Have one say something that makes the other storm out, revealing a deep-seated rift.

Readers will stay with you to find out what it’s all about.

7. Resolution

Whether you’re an Outliner or a Pantser like me (one who writes by the seat of your pants), you must have an idea where your story is going.

How you expect the story to end should inform every scene and chapter. It may change, evolve, and grow as you and your characters do, but never leave it to chance.

Keep your lead character center stage to the very end. Everything he learns through all the complications you plunged him into should, in the end, allow him to rise to the occasion and succeed.

If you get near the end and something’s missing, don’t rush it. Give your ending a few days, even a few weeks if necessary.

Read through everything you’ve written. Take a long walk. Think about it. Sleep on it. Jot notes. Let your subconscious work. Play what-if games. Reach for the heart, and deliver a satisfying ending that resonates .

Give your readers a payoff for their investment by making it unforgettable.

• Creative Writing Examples
• Short Story
• Narrative nonfiction
• Autobiography
• Song lyrics
• Screenwriting
• Playwriting
• Creative Writing Tips

In How to Write a Novel , I cover each step of the writing process:

• Come up with a great story idea .
• Determine whether you’re an Outliner or a Pantser.
• Create an unforgettable main character.
• Expand your idea into a plot.
• Do your research.
• Choose your Voice and Point of View.
• Start in medias res (in the midst of things).
• Intensify your main character’s problems.
• Make the predicament appear hopeless.
• Bring it all to a climax.
• Leave readers wholly satisfied.
• More to Think About

1. Carry a writing pad, electronic or otherwise. I like the famous Moleskine™ notebook . 

Ideas can come at any moment. Record ideas for:

• Anything that might expand your story

2. Start small. 

Take time to build your craft and hone your skills on smaller projects before you try to write a book .

Journal. Write a newsletter. Start a blog. Write short stories . Submit articles to magazines, newspapers, or e-zines.

Take a night school or online course in journalism or creative writing. Attend a writers conference.

3. Throw perfection to the wind. 

Separate your writing from your editing .

Anytime you’re writing a first draft, take off your perfectionist cap. You can return to editor mode to your heart’s content while revising, but for now, just write the story.

Separate these tasks and watch your daily production soar.

• Time to Get to Work

Few pleasures in life compare to getting lost in a great story.

Learn how to write creatively, and the characters you birth have the potential to live in hearts for years.

• 1. Carry a writing pad, electronic or otherwise. I like the famous Moleskine™ notebook. 

Are You Making This #1 Amateur Writing Mistake?

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What You and I Can Learn From Patricia Raybon

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• What Is Creative Writing? The ULTIMATE Guide!

At Oxford Royale Academy, we offer a range of summer school programmes that have become extremely popular amongst students of all ages. The subject of creative writing continues to intrigue many academics as it can help to develop a range of skills that will benefit you throughout your career and life.

Nevertheless, that initial question is one that continues to linger and be asked time and time again: what is creative writing? More specifically, what does it mean or encompass? How does creative writing differ from other styles of writing?

During our Oxford Summer School programme , we will provide you with in-depth an immersive educational experience on campus in the colleges of the best university in the world. However, in this guide, we want to provide a detailed analysis of everything to do with creative writing, helping you understand more about what it is and why it could benefit you to become a creative writer.

The best place to start is with a definition.

What is creative writing?

The dictionary definition of creative writing is that it is original writing that expresses ideas and thoughts in an imaginative way. [1] Some academics will also define it as the art of making things up, but both of these definitions are too simplistic in the grand scheme of things.

It’s challenging to settle on a concrete definition as creative writing can relate to so many different things and formats. Naturally, as the name suggests, it is all built around the idea of being creative or imaginative. It’s to do with using your brain and your own thoughts to create writing that goes outside the realms of what’s expected. This type of writing tends to be more unique as it comes from a personal place. Each individual has their own level of creativity, combined with their own thoughts and views on different things. Therefore, you can conjure up your own text and stories that could be completely different from others.

Understanding creative writing can be challenging when viewed on its own. Consequently, the best way to truly understand this medium is by exploring the other main forms of writing. From here, we can compare and contrast them with the art of creative writing, making it easier to find a definition or separate this form of writing from others.

What are the main forms of writing?

In modern society, we can identify five main types of writing styles [1] that will be used throughout daily life and a plethora of careers:

• Narrative Writing
• Descriptive Writing
• Persuasive Writing
• Expository Writing
• Creative Writing

Narrative writing refers to storytelling in its most basic form. Traditionally, this involves telling a story about a character and walking the readers through the journey they go on. It can be a long novel or a short story that’s only a few hundred words long. There are no rules on length, and it can be completely true or a work of fiction.

A fundamental aspect of narrative writing that makes it different from other forms is that it should includes the key elements of storytelling. As per UX Planet, there are seven core elements of a good story or narrative [2] : the plot, characters, theme, dialogue, melody, decor and spectacle. Narrative writing will include all of these elements to take the ready on a journey that starts at the beginning, has a middle point, but always comes to a conclusion. This style of writing is typically used when writing stories, presenting anecdotes about your life, creating presentations or speeches and for some academic essays.

Descriptive writing, on the other hand, is more focused on the details. When this type of writing is used, it’s focused on capturing the reader’s attention and making them feel like they are part of the story. You want them to live and feel every element of a scene, so they can close their eyes and be whisked away to whatever place or setting you describe.

In many ways, descriptive writing is writing as an art form. Good writers can be given a blank canvas, using their words to paint a picture for the audience. There’s a firm focus on the five senses all humans have; sight, smell, touch, sound and taste. Descriptive writing touches on all of these senses to tell the reader everything they need to know and imagine about a particular scene.

This is also a style of writing that makes good use of both similes and metaphors. A simile is used to describe something as something else, while a metaphor is used to show that something is something else. There’s a subtle difference between the two, but they both aid descriptive writing immensely. According to many writing experts, similes and metaphors allow an author to emphasise, exaggerate, and add interest to a story to create a more vivid picture for the reader [3] .

Looking at persuasive writing and we have a form of writing that’s all about making yourself heard. You have an opinion that you want to get across to the reader, convincing them of it. The key is to persuade others to think differently, often helping them broaden their mind or see things from another point of view. This is often confused with something called opinionative writing, which is all about providing your opinions. While the two seem similar, the key difference is that persuasive writing is built around the idea of submitting evidence and backing your thoughts up. It’s not as simple as stating your opinion for other to read; no, you want to persuade them that your thoughts are worth listening to and perhaps worth acting on.

This style of writing is commonly used journalistically in news articles and other pieces designed to shine a light on certain issues or opinions. It is also typically backed up with statistical evidence to give more weight to your opinions and can be a very technical form of writing that’s not overly emotional.

Expository writing is more focused on teaching readers new things. If we look at its name, we can take the word exposure from it. According to Merriam-Webster [4] , one of the many definitions of exposure is to reveal something to others or present them with something they otherwise didn’t know. In terms of writing, it can refer to the act of revealing new information to others or exposing them to new ideas.

Effectively, expository writing focuses on the goal of leaving the reader with new knowledge of a certain topic or subject. Again, it is predominately seen in journalistic formats, such as explainer articles or ‘how-to’ blogs. Furthermore, you also come across it in academic textbooks or business writing.

This brings us back to the centre of attention for this guide: what is creative writing?

Interestingly, creative writing is often seen as the style of writing that combines many of these forms together in one go. Narrative writing can be seen as creative writing as you are coming up with a story to keep readers engaged, telling a tale for them to enjoy or learn from. Descriptive writing is very much a key part of creative writing as you are using your imagination and creative skills to come up with detailed descriptions that transport the reader out of their home and into a different place.

Creative writing can even use persuasive writing styles in some formats. Many writers will combine persuasive writing with a narrative structure to come up with a creative way of telling a story to educate readers and provide new opinions for them to view or be convinced of. Expository writing can also be involved here, using creativity and your imagination to answer questions or provide advice to the reader.

Essentially, creative writing can combine other writing types to create a unique and new way of telling a story or producing content. At the same time, it can include absolutely none of the other forms at all. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. Fundamentally, we can say there are no real rules when it comes to creative writing, which is what makes it different from the other writing styles discussed above.

What is the purpose of creative writing?

Another way to understand and explore the idea of creative writing is to look at its purpose. What is the aim of most creative works of writing? What do they hope to provide the reader with?

We can look at the words of Bryanna Licciardi, an experienced creative writing tutor, to understand the purpose of creative writing. She writes that the primary purpose is to entertain and share human experiences, like love or loss. Writers attempt to reveal the truth with regard to humanity through poetics and storytelling. [5] She also goes on to add that the first step of creative writing is to use one’s imagination.

When students sign up to our creative writing courses, we will teach them how to write with this purpose. Your goal is to create stories or writing for readers that entertain them while also providing information that can have an impact on their lives. It’s about influencing readers through creative storytelling that calls upon your imagination and uses the thoughts inside your head. The deeper you dive into the art of creative writing, the more complex it can be. This is largely because it can be expressed in so many different formats. When you think of creative writing, your instinct takes you to stories and novels. Indeed, these are both key forms of creative writing that we see all the time. However, there are many other forms of creative writing that are expressed throughout the world.

What are the different forms of creative writing?

Looking back at the original and simple definition of creative writing, it relates to original writing in a creative and imaginative way. Consequently, this can span across so many genres and types of writing that differ greatly from one another. This section will explore and analyse the different types of creative writing, displaying just how diverse this writing style can be – while also showcasing just what you’re capable of when you learn how to be a creative writer.

The majority of students will first come across creative writing in the form of essays . The point of an essay is to present a coherent argument in response to a stimulus or question. [6] In essence, you are persuading the reader that your answer to the question is correct. Thus, creative writing is required to get your point across as coherently as possible, while also using great descriptive writing skills to paint the right message for the reader.

Moreover, essays can include personal essays – such as writing a cover letter for work or a university application. Here, great creativity is needed to almost write a story about yourself that captivates the reader and takes them on a journey with you. Excellent imagination and persuasive writing skills can help you tell your story and persuade those reading that you are the right person for the job or university place.

Arguably, this is the most common way in which creative writing is expressed. Fictional work includes novels, novellas, short stories – and anything else that is made up. The very definition of fiction by the Cambridge Dictionary states that it is the type of book or story that is written about imaginary characters and events not based on real people and facts. [7] As such, it means that your imagination is called upon to create something out of nothing. It is a quintessential test of your creative writing skills, meaning you need to come up with characters, settings, plots, descriptions and so much more.

Fictional creative writing in itself takes on many different forms and can be completely different depending on the writer. That is the real beauty of creative writing; you can have entirely different stories and characters from two different writers. Just look at the vast collection of fictional work around you today; it’s the perfect way to see just how versatile creative writing can be depending on the writer.

Similarly, scripts can be a type of creative writing that appeals to many. Technically, a script can be considered a work of fiction. Nevertheless, it depends on the script in question. Scripts for fictional television shows, plays or movies are obviously works of fiction. You, the writer, has come up with the characters and story of the show/play/movie, bringing it all to life through the script. But, scripts can also be non-fictional. Creating a play or movie that adapts real-life events will mean you need to write a script based on something that genuinely happened.

Here, it’s a perfect test of creative writing skills as you take a real event and use your creative talents to make it more interesting. The plot and narrative may already be there for you, so it’s a case of using your descriptive writing skills to really sell it to others and keep readers – or viewers – on the edge of their seats.

A speech is definitely a work of creative writing. The aim of a speech can vary depending on what type of speech it is. A politician delivering a speech in the House of Commons will want to get a point across to persuade others in the room. They’ll need to use creative writing to captivate their audience and have them hanging on their every word. A recent example of a great speech was the one by Sir David Attenborough at the recent COP26 global climate summit. [8] Listening to the speech is a brilliant way of understanding how creative writing can help get points across. His speech went viral around the world because of how electrifying and enthralling it is. The use of many descriptive and persuasive words had people hanging onto everything he said. He really created a picture and an image for people to see, convincing them that the time is now to work on stopping and reversing climate change.

From this speech to a completely different one, you can see creative writing at play for speeches at weddings and other jovial events. Here, the purpose is more to entertain guests and make them laugh. At the same time, someone giving a wedding speech will hope to create a lovely story for the guests to enjoy, displaying the true love that the married couple share for one another. Regardless of what type of speech an individual is giving, creative writing skills are required for it to be good and captivating.

Poetry & Songs

The final example of creative writing is twofold; poetry and songs. Both of these formats are similar to one another, relying on creativity to deliver a combination of things. Poetry can take so many forms and styles, but it aims to inspire readers and get them thinking. Poems often have hidden meanings behind them, and it takes a great deal of imagination and creativity to come up with these meanings while also creating a powerful poem. Some argue that poetry is the most creative of all creative writing forms.

Songwriting is similar in that you use creativity to come up with lyrics that can have powerful meanings while also conjuring up a story for people. The best songwriters will use lyrics that stay in people’s minds and get them thinking about the meaning behind the song. If you lack imagination and creativity, you will never be a good songwriter.

In truth, there are so many other types and examples of creative writing that you can explore. The ones listed above are the most common and powerful, and they all do a great job of demonstrating how diverse creative writing can be. If you can hone your skills in creative writing, it opens up many opportunities for you in life. Primarily, creative writing focuses on fictional pieces of work, but as you can see, non-fiction also requires a good deal of creativity.

What’s needed to make a piece of creative writing?

Our in-depth analysis of creative writing has led to a point where you’re aware of this style of writing and its purpose, along with some examples of it in the real world. The next question to delve into is what do you need to do to make a piece of creative writing. To phrase this another way; how do you write something that comes under the creative heading rather than another form of writing?

There is an element of difficulty in answering this question as creative writing has so many different types and genres. Consequently, there isn’t a set recipe for the perfect piece of creative writing, and that’s what makes this format so enjoyable and unique. Nevertheless, we can discover some crucial elements or principles that will help make a piece of writing as creative and imaginative as possible:

A target audience

All creative works will begin by defining a target audience. There are many ways to define a target audience, with some writers suggesting that you think about who is most likely to read your work. However, this can still be challenging as you’re unsure of the correct demographic to target. Writer’s Digest makes a good point of defining your target audience by considering your main motivation for writing in the first place. [9] It’s a case of considering what made you want to start writing – whether it’s a blog post, novel, song, poem, speech, etc. Figuring out your motivation behind it will help you zero in on your target audience.

Defining your audience is vital for creative writing as it helps you know exactly what to write and how to write it. All of your work should appeal to this audience and be written in a way that they can engage with. As a simple example, authors that write children’s stories will adapt their writing to appeal to the younger audience. Their stories include lots of descriptions and words that children understand, rather than being full of long words and overly academic writing.

Establishing the audience lets the writer know which direction to take things in. As a result, this can aid with things like character choices, plot, storylines, settings, and much more.

A story of sorts

Furthermore, great works of creative writing will always include a story of sorts. This is obvious for works such as novels, short stories, scripts, etc. However, even for things like poems, songs or speeches, a story helps make it creative. It gives the audience something to follow, helping them make sense of the work. Even if you’re giving a speech, setting a story can help you create a scene in people’s minds that makes them connect to what you’re saying. It’s a very effective way of persuading others and presenting different views for people to consider.

Moreover, consider the definition of a story/narrative arc. One definition describes it as a term that describes a story’s full progression. It visually evokes the idea that every story has a relatively calm beginning, a middle where tension, character conflict and narrative momentum builds to a peak and an end where the conflict is resolved. [10]

Simplifying this, we can say that all works of creative writing need a general beginning, middle and end. It’s a way of bringing some sort of structure to your writing so you know where you are going, rather than filling it with fluff or waffle.

A good imagination

Imagination is a buzzword that we’ve used plenty of times throughout this deep dive into creative writing. Every creative writing course you go on will spend a lot of time focusing on the idea of using your imagination. The human brain is a marvellously powerful thing that holds the key to creative freedom and expressing yourself in new and unique ways. If you want to make something creative, you need to tap into your imagination.

People use their imagination in different ways; some will be able to conjure up ideas for stories or worlds that exist beyond our own. Others will use theirs to think of ways of describing things in a more creative and imaginative way. Ultimately, a good imagination is what sets your work apart from others within your genre. This doesn’t mean you need to come up with the most fantastical novel of all time to have something classified as creative writing. No, using your imagination and creativity can extend to something as simple as your writing style.

Ultimately, it’s more about using your imagination to find your own personal flair and creative style. You will then be able to write unique pieces that stand out from the others and keep audiences engaged.

How can creative writing skills benefit you?

When most individuals or students consider creative writing, they imagine a world where they are writing stories for a living. There’s a common misconception that creative writing skills are only beneficial for people pursuing careers in scriptwriting, storytelling, etc. Realistically, enhancing ones creative writing skills can open up many windows of opportunity throughout your education and career.

• Improve essay writing – Naturally, creative writing forms a core part of essays and other written assignments in school and university. Improving your skills in this department can help a student get better at writing powerful essays and achieving top marks. In turn, this can impact your career by helping you get better grades to access better jobs in the future.
• Become a journalist – Journalists depend on creative writing to make stories that capture audiences and have people hanging on their every word. You need high levels of creativity to turn a news story into something people are keen to read or watch.
• Start a blog – In modern times, blogging is a useful tool that can help people find profitable and successful careers. The whole purpose of a blog is to provide your opinions to the masses while also entertaining, informing and educating. Again, having a firm grasp of creative writing skills will aid you in building your blog audience.
• Write marketing content – From advert scripts to content on websites, marketing is fuelled by creative writing. The best marketers will have creative writing skills to draw an audience in and convince them to buy products. If you can learn to get people hanging on your every word, you can make it in this industry.

These points all demonstrate the different ways in which creative writing can impact your life and alter your career. In terms of general career skills, this is one that you simply cannot go without.

How to improve your creative writing

One final part of this analysis of creative writing is to look at how students can improve. It begins by reading as much as you can and taking in lots of different content. Read books, poems, scripts, articles, blogs – anything you can find. Listen to music and pay attention to the words people use and the structure of their writing. It can help you pick up on things like metaphors, similes, and how to use your imagination. Of course, writing is the key to improving; the more you write, the more creative you can get as you will start unlocking the powers of your brain.

Conclusion: What is creative writing

In conclusion, creative writing uses a mixture of different types of writing to create stories that stray from traditional structures and norms. It revolves around the idea of using your imagination to find a writing style that suits you and gets your points across to an audience, keeping them engaged in everything you say. From novels to speeches, there are many forms of creative writing that can help you in numerous career paths throughout your life.

[1] SkillShare: The 5 Types of Writing Styles with Examples

[2] Elements of Good Story Telling – UX Planet

[3] Simile vs Metaphor: What’s the Difference? – ProWritingAid

[4] Definition of Exposure by Merriam-Webster

[5] The Higher Purpose of Creative Writing | by Terveen Gill

[6] Essay purpose – Western Sydney University

[7] FICTION | meaning in the Cambridge English Dictionary

[8] ‘Not fear, but hope’ – Attenborough speech in full – BBC News

[9] Writer’s Digest: Who Is Your Target Reader?

[10] What is a Narrative Arc? • A Guide to Storytelling Structure

The 7 Golden Rules Of Creative Writing

Looking for guidance with artistic and literary writing? Here’s a quick guide that will get your creative juices flowing. Heads…

Looking for guidance with artistic and literary writing? Here’s a quick guide that will get your creative juices flowing. Heads up: these rules will backfire in email exchanges with your boss. Proceed with caution. 

1. The way out of the bottomless rut that is writer’s block is to dive right in: write. It doesn’t matter if the words make sense, as long as they form. String some together and see what happens.

2. Read as much as you can, and pay attention to the authors that stand out [to you]. Do you gravitate towards styles that are simple and bare (Rohinton Mistry), frenzied and chaotic (Jack Kerouac), or elegant and grand (Arundhati Roy)?

3. Add depth, tone, texture, and lilt to your writing. Play with rhythm. Give longer sentences a break with shorter pauses — good writing ebbs and flows. And experiment with intonation: why not throw in a question, like this one?

4. If you’re writing for film or audio, pay heed to the sound of words. Read out loud everything you write, and eliminate anything that would sound awkward in conversation. “A sudden rainstorm washes down in sweet hyphens” sounds nice to read, but who really talks like that? 

5. Structure is said to be the Holy Grail of strong writing. But working bottom-up and upside-down can be as life-changing. Fact: Chuck Palahniuk’s iconic novel Fight Club was born from a short story—now a chapter.

6. There are no rules. Make them. Break them. A thing called poetic license allows you to flout convention, and legendary writers use it to their advantage. Lewis Caroll invented the words ‘chortle’ and ‘galumph’ that once nonsensical, are now part of the English dictionary.

7. Formulas and free-thinking don’t go hand in hand. The more you try to fit your work into a rigid mold, the trickier it gets to build something original and compelling. Become okay with toeing the squiggly line. 

For all other kinds of writing—the clear, concise, and structured kind that won’t get you into trouble—you may want to check Harappa's  Writing Proficiently course. 

Check out the  Speaking Effectively  course from Harappa Education and upgrade your speaking skills. Develop skills with these  online learning courses  today! Explore topics such as Writing Skills , Process of Writing , Report Writing & Types of Reporting from our Harappa Diaries blog section to build your skills for workplace success.

Soumya Bahuguna is Senior Associate, Brand Communications at Harappa Education. In her free time, she plays the piano.

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• Understanding learners

Creative writing for language learners (and teachers)

Creative writing normally refers to the production of texts which have an aesthetic rather than a purely informative, instrumental or pragmatic purpose.

Most often, such texts take the form of poems or stories, though they are not confined to these genres. (Letters, journal entries, blogs, essays, travelogues, etc. can also be more or less creative.) In fact, the line between creative writing (CW) and expository writing (ER) is not carved in stone. In general, however CW texts draw more heavily on intuition, close observation, imagination, and personal memories than ER texts.  

One of the chief distinguishing characteristics of CW texts is a playful engagement with language, stretching and testing its rules to the limit in a guilt-free atmosphere, where risk is encouraged. Such writing combines cognitive with affective modes of thinking. As the poet, R.S. Thomas once wrote, ‘Poetry is that which arrives at the intellect by way of the heart.’ The playful element in CW should not, however be confused with a lax and unregulated use of language. On the contrary, CW requires a willing submission on the part of the writer to the ‘rules’ of the sub-genre being undertaken. If you want to write a Limerick, then you have to follow the rules governing limericks. If not, what you produce will be something other than a limerick: obvious, perhaps, but important too. The interesting thing is that the very constraints which the rules impose seem to foster rather than restrict the creativity of the writer. This apparent paradox is explained partly by the deeper processing of thought and language which the rules require.

What are the benefits of CW for learners?

• CW aids language development at all levels: grammar, vocabulary, phonology and discourse. It requires learners to manipulate the language in interesting and demanding ways in attempting to express uniquely personal meanings. In doing so, they necessarily engage with the language at a deeper level of processing than with most expository texts. (Craik and Lockhart 1972) The gains in grammatical accuracy and range, in the appropriacy and originality of lexical choice, in sensitivity to rhyme, rhythm, stress and intonation, and in the way texts hang together are significant.
• As mentioned above, a key characteristic of CW is a willingness to play with the language. In recent years there has been a resurgence of interest in the role of play in language acquisition. (Carter 2004, Cook 2000, Crystal 1998) In some ways, the tsunami of the Communicative Approach has done a disservice to language teaching  by its insistence on the purely communicative functions of language. Proponents of ‘play’ point out, rightly, that in L1 acquisition, much of the language encountered by and used by children is in the form of rhythmical chants and rhymes, word games, jokes and the like. Furthermore, such playfulness survives into adulthood, so that many social encounters are characterized by language play (punning, spontaneous jokes, ‘funny voices’, metathesis, and a discourse which is shaped by quasi-poetic repetition (Tannen 1989)). These are precisely the kinds of things L2 learners are encouraged to do in CW activities. This playful element encourages them to play creatively with the language, and in so doing, to take the risks without which learning cannot take place in any profound sense.  As Crystal (1998) states, ‘Reading and writing do not have to be a prison house. Release is possible. And maybe language play can provide the key.’
• Much of the teaching we do tends to focus on the left side of the brain, where our logical faculties are said to reside. CW puts the emphasis on the right side of the brain, with a focus on feelings, physical sensations, intuition and musicality. This is a healthy restoration of the balance between logical and intuitive faculties. It also affords scope for learners whose hemisphere dominance or learning-style preferences may not be intellectual or left brain dominant, and who, in the normal process of teaching are therefore at a disadvantage.
• Perhaps most notable is the dramatic increase in self-confidence and self-esteem which CW tends to develop among learners. Learners also tend to discover things for themselves about the language… and about themselves too, thus promoting personal as well as linguistic growth. Inevitably, these gains are reflected in a corresponding growth in positive motivation. Among the conditions for promoting motivation, Dornyei (2001: 138-144) cites:  
• “5. Create a pleasant and supportive atmosphere.
•  6. Promote the development of group cohesiveness.
• 13. Increase the students’ expectation of success in particular tasks and in learning in general.
• 17. Make learning more stimulating and enjoyable by breaking the monotony of classroom events.
• 18. Make learning stimulating and enjoyable by increasing the attractiveness of tasks.
• 19. Make learning stimulating and enjoyable for learners by enlisting them as active task participants.
• 20. Present and administer tasks in a motivating way.
• 23. Provide students with regular experiences of success.
• 24. Build your learners’ confidence by providing regular encouragement.
• 28. Increase student motivation by promoting cooperation among the learners.
• 29. Increase student motivation by actively promoting learner autonomy.
• 33. Increase learner satisfaction.
• 34. Offer rewards in a motivational manner.”   
• All these conditions are met in a well-run CW class. The exponential increase in motivation is certainly supported by my own experience in teaching CW. Learners suddenly realize that they can write something in a foreign language that has never been written by anyone else before, and which others find interesting to read. (Hence the importance of ‘publishing’ students’ work in some form.)  And they experience not only a pride in their own products but also a joy in the ‘flow’ of the process. (Czsikszentmihaly 1997).  
• Finally, CW feeds into more creative reading. It is as if, by getting inside the process of creating the texts, learners come to understand intuitively how such texts function, and this makes similar texts easier to read.  Likewise, the development of aesthetic reading skills ( Kramsch  1993, Rosenblatt 1978), provides the learner with a better understanding of textual construction, and this feeds into their writing.

And teachers? I argued in the first article that teachers, as well as learners, should engage with extensive reading.  In the same spirit, I would argue that there are significant benefits to teachers if they participate in CW.

• There is little point in exhorting learners to engage in CW unless we do so too.  The power of the teacher as model, and as co-writer is inestimable.
• CW is one way of keeping teachers’ English fresh and vibrant.  For much of our professional lives we are in thrall to the controlled language of textbook English and the repeated low level error-laden English of our students.  As teachers of language, we surely have a responsibility to keep our primary resource alive and well.
• CW seems to have an effect on the writer’s level of energy in general.  This tends to make teachers who use CW more interesting to be around, and this inevitably impacts on their relationships with students.
• The experimental stance with regard to writing in general appears to fee back into the teaching of writing.  Teachers of CW tend also to be better teachers of writing in general                

My evidence for these assertions is largely anecdotal, backed by a survey of writing teachers I conducted in 2006.  One of the interesting facts to emerge was a widespread belief among teachers of writing that CW had a positive effect on students’ writing of Expository texts and helped them develop that much- desired but rarely-delivered ‘authentic voice’. Space does not allow me to expand on these findings, nor on some of the possible activities teachers might try.  I will attempt to make good these omissions in some of my blogs during the month of December. I will also make reference there to ways in which CW intersects with some of our major current concerns. Meantime, anyone interested could sample some of the books from the list below: Fry (2007), Koch (1990), Matthews (1994), Spiro (2004, 2007), Whitworth (2001) and Wright and Hill (2009)

• Carter, Ronald.  (2004)  Language and creativity: the art of common talk.  London: Routledge.
• Cszikszentmihalyi. M. ( 1997) Creativity: Flow and the psychology of discovery and invention.  New York: Harper Perennial
• Cook, Guy (2000)  Language Play: Language Learning.  Oxford: Oxford University Press.
• Craik, F.I.M  and R.S Lockhart   (1972)  ‘Levels of processing: a framework for memory research’  Journal of  Verbal Learning and Verbal Behaviour.  11.  671-685
• Crystal, David (1998) Language Play. London: Penguin
• Dornyei, Zoltan (2001)  Motivational Strategies in the Language Classroom.  Cambridge: Cambridge University Press.
• Fry, Stephen (2007)  The Ode Less Travelled.  London: Arrow Books.
• Koch, Kenneth. (1990)  Rose, where did you get that red?  New York: Vintage Books.
• Kramsch, Claire (1993)  Context and Culture in Language Teaching.  Oxford: Oxford University Press.
• Matthews, Paul (1994)  Sing Me the Creation.  Stroud: Hawthorne Press.
• Rosenblatt, Louise  (1978)  The Reader, the Text, the Poem. Carbondale, Illinois: Southern Illinois University Press.
• Spiro, Jane (2004)  Creative Poetry Writing.  Oxford: Oxford University Press.
• Spiro, Jane (2007)  Storybuilding. Oxford: Oxford University Press.
• Tannen, Deborah. (1989)  Talking Voices: Repetition, dialogue, and imagery in conversational discourse.  Cambridge: Cambridge University Press.
• Whitworth, John.  (2001)  Writing Poetry.  London: A and C Black.
• Wright, Andrew and David S.Hill.  (2009) Writing Stories.  Innsbruck: Helbling

By Alan Maley

Please note Alan's now finished writing on the site and will not be able to reply personally to your comments.

CW- not an easy task

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Were ninjas real, it’s vs its, how to cite a report, 10 rules of creative writing.

1. You can write anything in any style.

2. Continually experiment with your style and the forms you use.

3. Read a lot of creative writing, and use the styles and forms you enjoy from what you read.

4. Don’t get too intellectual—feel more than think when writing and when editing your writing.

5. Get constructive criticism from other writers, or else you will see your writing from only your viewpoint.

6. Find the right creative atmosphere for you. Get into this atmosphere as much as possible. It could be in a library meeting room, in your basement with Mozart playing in the background, etc.

7. When you have written a considerable amount of work, send it out for being published. This will make you more concerned about the quality of your work and give you motivation.

8. Even though you can write about anything in creative writing, you must also check if a reader can understand it well enough. A total understanding by the reader is not necessary, but at least some cognitive connection should be able to be established between your writing and the reader.

9. It is a normal practice to take ideas from other writers and expand on them. You are not plagiarizing—only putting your own creative energy into an idea already shown in others’ writing and making it your own idea in the process.

10. When you have written for many years, you can make your own writing rules.

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Writing skills - creative and narrative writing

Part of English Writing skills

Imaginative or creative writing absorbs readers in an entertaining way. To succeed with this kind of writing you will need to write in a way that is individual, original and compelling to read.

Responding to Prompts

Imagine you’re in an exam and you are asked to write a creative piece called ‘The Party’. What does this title make you think of?Before you decide what you’d write, it’s useful to remember that you do whatever you want with the prompt as long as it’s somehow connected to a party.

• It doesn’t have to be something that really happened
• It doesn’t have to be based on exactly what the title says or is
• It can be as abstract or as mundane as you want it to be.

So this means that for the title ‘The Party’, you could write a lovely descriptive piece about your dream birthday party, or a personal account of a party you attended that was very good – or very bad. You could write a story about a political party, or a doll’s tea party, or a party held by fans to watch the final episode of a TV show everyone is very excited about, or a party that didn’t actually happen because no one turned up. The most important thing is that you choose a story you can write well, showing off your skill in using language effectively and keeping your reader entertained.

Original ideas

There is no formula for having a great idea – but to begin your writing, you do need, at least, some kind of idea. Then you need to find ways to turn your idea into something a reader would enjoy reading. This is the creative part, taking something ordinary and turning it into something extraordinary.

For example, think about writing a description of a coastline. You might start to think straight away about a crowded beach - children playing, deck chairs, sun shining, happy sounds; but, if you stop for a moment, you’ll recall that that's been done before. It's okay, but it's hardly original.

The 'plot hook' in this example is 'What could possibly go wrong?'.

Establish the time and place, as well as the general situation. This can also be used to help develop a suitable mood or atmosphere. It can sometimes help to use a familiar place that your reader can relate to in some way. At this stage, you need to 'set up' the story and begin to introduce the main character(s).

Fiction trigger (or inciting incident)

Use your narrator to tell of an incident or event that the reader feels will spark a chain of events. This helps make the reader feel that the story has really started. From this point, life cannot be quite the same for your main character (that is your protagonist). There is a problem that has to be faced and overcome.

The fiction trigger can be an event that really starts the story. It will develop from the 'plot hook'. If the story is about a day out at the zoo, then maybe an animal has escaped. If it is about a robbery, it might be the event that makes a character consider carrying out a robbery; and if it is about an accident, it will be the event that causes it to happen.

Keeping up the momentum (plot development or rising action)This section builds the tension – keeps the reader absorbed and guessing where it will all lead.

This is where you will move the story forward and will use lots of techniques to keep the reader guessing, 'What will happen next?!'

The problem reaches a head, with suspense creating lots of tension for the reader– showing the reader the possible result of what has come before.

This is not the end of your story – not quite. It will be the key event but your protagonist will, somehow, overcome it and all will be well.

Conclusion (the resolution)

This must leave your reader with a sense of satisfaction, or it could be a twist in the tale leaving questions that linger in the mind.

This is the ending of your story – where all loose ends are tied up to the satisfaction of the reader. A good story will cause the reader to go, 'Hmm – I liked that' or even 'Wow'

By following this story structure, and planning under each of the above headings, you should be able to come up with a tense plot for your own story, one that will engage and absorb your reader.

Writing techniques

Throughout your own story, you will also need to use writing techniques that will work to keep your reader engaged and absorbed. An important skill is to put clear images of the setting and characters in your reader’s mind, as well as to create a sense of atmosphere that suits each part of the story.

• Narration - the voice that tells the story, either first person (I/me) or third person (he/him/she/her). This needs to have the effect of interesting your reader in the story with a warm and inviting but authoritative voice.
• Description - describing words such as adjectives close adjective A word which describes a noun or pronoun. , adverbs close adverb An adverb gives more information about the verb, an adjective or another adverb. , similes close simile A literary technique where a comparison is made between two things using ‘as’ or ‘like’. and metaphors close metaphor Makes a direct comparison by presenting one thing as if it were something else with the characteristic. For example describing a brave person as a lion. that add detail. This is told by the narrator. It helps engage readers by creating vivid pictures and feelings in their 'mind’s eye'.
• Dialogue - the direct speech of characters, shown inside quotation marks. We all judge characters by what they talk about and by the way they speak. This makes dialogue a key technique for creating interest and realism.
• Alliteration - repetition of the same beginning sounds in nearby words.This can create a useful emphasis, maybe to highlight a sound or movement, or to intensify feeling or even to bind words together.
• Connotation - a word’s meaning can be literal, as in 'It looked like a cat', or it can create connotations as in 'As soon as the food reached the table, the boy pounced on it like a cat.' A connotation is a meaning created by a special use of a word in a particular way or context. It works by adding some kind of emotion or a feeling to a word’s usual meaning. All literature depends upon using language that creates connotations. They engage the reader because they evoke reactions and feelings.
• Pathetic fallacy - personification is a kind of metaphor and when nature is described in this way, it is called a use of pathetic fallacy. This can help suggest a suitable atmosphere or imply what the mood of the characters is at a certain point, eg in a ghost story, the storm clouds could be said to 'glower down angrily upon the group of youngsters'. A pathetic fallacy can add atmosphere to a scene. It can even give clues to the reader as to what is to come, acting as a kind of foreshadowing close foreshadow Hint at something that will happen later and have greater significance .
• Personification - this is a technique of presenting objects as if they have feelings, eg 'the rain seemed to be dancing merrily on the excited tin roof.' This creates a sense of emotion and mood for the reader.
• Repetition - the action of repeating a word or idea. This can add emphasis or create an interesting pattern of sound or ideas.
• Onomatopoeia - use of words which echo their meaning in sound, for example, 'whoosh' 'bang'. Using this can add emotion or feeling that helps give the reader a vivid sense of the effect being described.
• Simile - a kind of description. A simile compares two things so that the thing described is understood more vividly, eg 'The water was as smooth as glass.' (Hint - 'like' or 'as' are key words to spot as these create the simile). A simile can create a vivid image in the reader’s mind, helping to engage and absorb them.
• Symbolism - we grow up learning lots of symbols and these can be used in stories to convey a lot of meaning as well as feeling in a single idea or word, eg a red rose can symbolise romantic love; a heavy buckled belt can hint at the power held by the character; an apple can even symbolize temptation if it is used in a way that the reader links to the apple that tempted Eve in the biblical Garden of Eden.
• Impact - symbols help writers pack a lot of meaning into just a single word. They work to engage the reader, too, for the reader automatically gets involved in working out the meaning.

Examples of narration

First person narrator.

I held on to the tuft of grass and slowly looked down - I was too shocked to speak. One moment I had been strolling along the cliff with Vicki, the next I was hanging over the edge. And where was Vicki?

The only thing you shouldn't do is swap the narrative point of view during the story - don’t start with 'I' and then switch to 'he', as it is likely to confuse your reader.

Third person narrator

Steve held on to the tuft of grass and slowly looked down - he was too shocked to speak. One moment he had been strolling along the cliff with Vicki, the next he was hanging over the edge. And where was Vicki?

Ending a short story

The ending of a story doesn't necessarily have to be happy but it has to make sense in a way that ties up what has happened.

There are different types of story endings, for example:

• The cliff-hanger - this isn’t an ending as such, it’s a way of tempting the reader to read the next chapter or instalment. Charles Dickens wrote his chapters like this as they were originally published in magazines in serial form. For example, does the spy manage to stop the bomb in time?
• The twist-in-the-tale - the reader will feel fairly sure about the ending, but in the final part everything changes and we are surprised. For example, we learn that it isn’t a bomb after all, it’s a birthday present!
• The enigma ending - the story stops, but the reader is left a little unsure what will come to happen, yet is intrigued by the possibilities - and still feels satisfied. For example, the bomb is defused and everyone is safe, but then an army commander reports the theft of another bomb… only this time twice as powerful.

There are many possibilities; but there are two endings you should try to avoid:

• The trick ending - a bomb will inevitably explode and as it does, the narrator wakes up - it was all a dream. This is too clichéd and unsatisfying for modern readers.
• The disconnected ending - the secret agent suddenly stops worrying about the bomb, retires, and goes off to play golf. Readers don't like this because the ending has nothing to do with the story – very unsatisfying.

Whatever kind of story you write, work out a satisfying ending and include it in your plan.

Writing that is creative and imaginative needs to be entertaining. You need to experiment a little and not be frightened to try something new.

What might you write about if the following tasks came up in an exam? Take a few minutes to think about different ways you could interpret the task, and maybe sketch a quick plan for your best idea.

• The Best Day of My Life
• The Mysterious Door
• Never Again
• Stormy Weather
• How to be a Hero
• Sunday at the Beach
• My Life as an Expert
• Greetings from the Future
• What I REALLY Learned at School

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Concentration Requirements

Students in creative writing select either Poetry or Fiction as their primary specialization and the other genre as their secondary specialization.

No more than one month after passing comprehensive written examinations, a student must submit to the dissertation director, and to the Director of Creative Writing, a written proposal that describes the dissertation project. The creative writing dissertation must be a minimum of 50 pages of creative writing for a manuscript of poems or a minimum of 150 pages of creative writing for a manuscript of prose fiction. In addition, the dissertation must include a critical introduction that discusses the student’s approaches, styles, methods, and influences and which is acceptable to the Department of English and to the Office of Graduate Services of the College of Arts and Sciences.

All Poetry and Fiction workshops (ENGL 8020 - Poetry Writing, ENGL 8030 - Fiction Writing), creative writing craft courses (ENGL 8201 - Contemporary Poetry, ENGL 8202 - Contemporary Fiction Craft) and form and theory coursework (ENGL 8160 - Form and Theory of Literary Craft) must be completed at Georgia State University during the degree program.

• ENGL 8020 - Poetry Writing 3 Credit Hours
• ENGL 8030 - Fiction Writing 3 Credit Hours
• ENGL 8201 - Contemporary Poetry 3 Credit Hours
• ENGL 8202 - Contemporary Fiction Craft 3 Credit Hours
• ENGL 8160 - Form and Theory of Literary Craft 3 Credit Hours

Fiction Writers

In the interests of facilitating professional specialization within the field of creative writing, the following are required:

The Ph.D. student in Fiction must complete satisfactorily at least 36 hours of graduate coursework beyond the M.A. or M.F.A. (12 courses), plus 20 hours of thesis research credit. Any student who receives more than one C during the program will be dropped from the Ph.D. program.

For fiction writers, the following courses and research hours are required:

(Fiction or Poetry)

• Six hours of courses in or strongly related to an area or areas of secondary specialty (may include a maximum of one Creative Writing workshop in a secondary genre and/or a maximum of one course offered by another department);
• Twelve hours of   ENGL 8030 - Fiction Writing 3 Credit Hours
• Three hours of courses in or strongly related to area of primary specialty

Language Study

• ENGL 8005 - Practical Grammar 3 Credit Hours
• ENGL 8090 - History of the English Language 3 Credit Hours
• ENGL 8210 - Old English 3 Credit Hours
• ENGL 8250 - Middle English 3 Credit Hours

Literary Theory/ Critical Methodology/ Cultural Studies

Three hours of literary theory/critical methodology/cultural studies, unless satisfied at the M.A. level:

• FOLK 6020 - America’s Folk Crafts 3 Credit Hours
• FOLK 6100 - British Folk Culture 3 Credit Hours
• FOLK 6110 - Irish Folk Culture 3 Credit Hours
• FOLK 8200 - Folklore 3 Credit Hours
• ENGL 8060 - Literary Criticism 3 Credit Hours
• ENGL 8065 - Foundations of Modern Critical Theory 3 Credit Hours
• ENGL 8070 - Contemporary Literary Theory 3 Credit Hours
• ENGL 8075 - Feminist Literary Theory 3 Credit Hours
• ENGL 9050 - Topics in Contemporary Literary Theory and Criticism 3 Credit Hours

At Least Twenty Hours of

• ENGL 8999 - Thesis Research 1 to 9 Credit Hours

The Ph.D. student in Poetry must complete satisfactorily at least 36 hours of graduate coursework beyond the M.A. or M.F.A. (13 courses), plus 20 hours of thesis research credit. Any student who receives more than one C during the program will be dropped from the Ph.D. program.

For poets, the following courses and research hours are required:

• Twelve hours of  ENGL 8020 - Poetry Writing    
• ENGL 8160 - Form and Theory of Literary Craft 3 Credit Hours  (Poetry or Fiction)
• Six hours of courses in or strongly related to an area or areas of secondary specialty (may include a maximum of one Creative Writing workshop in a secondary genre and/or a maximum of one course offered by another department).

Literary Theory/Critical Methodology/Cultural Studies

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By Kate Knibbs

How One Author Pushed the Limits of AI Copyright

Last October, I received an email with a hell of an opening line: “I fired a nuke at the US Copyright Office this morning.”

The message was from Elisa Shupe, a 60-year-old retired US Army veteran who had just filed a copyright registration for a novel she’d recently self-published. She’d used OpenAI's ChatGPT extensively while writing the book. Her application was an attempt to compel the US Copyright Office to overturn its policy on work made with AI, which generally requires would-be copyright holders to exclude machine-generated elements.

That initial shot didn’t detonate—a week later, the USCO rejected Shupe’s application—but she ultimately won out. The agency changed course earlier this month after Shupe appealed, granting her copyright registration for AI Machinations: Tangled Webs and Typed Words, a work of autofiction self-published on Amazon under the pen name Ellen Rae.

The novel draws from Shupe’s eventful life , including her advocacy for more inclusive gender recognition. Its registration provides a glimpse of how the USCO is grappling with artificial intelligence , especially as more people incorporate AI tools into creative work. It is among the first creative works to receive a copyright for the arrangement of AI-generated text.

“We’re seeing the Copyright Office struggling with where to draw the line,” intellectual property lawyer Erica Van Loon, a partner at Nixon Peabody, says. Shupe’s case highlights some of the nuances of that struggle—because the approval of her registration comes with a significant caveat.

The USCO’s notice granting Shupe copyright registration of her book does not recognize her as author of the whole text as is conventional for written works. Instead she is considered the author of the “selection, coordination, and arrangement of text generated by artificial intelligence.” This means no one can copy the book without permission, but the actual sentences and paragraphs themselves are not copyrighted and could theoretically be rearranged and republished as a different book.

The agency backdated the copyright registration to October 10, the day that Shupe originally attempted to register her work. It declined to comment on this story. “The Copyright Office does not comment on specific copyright registrations or pending applications for registration,” Nora Scheland, an agency spokesperson says. President Biden’s executive order on AI last fall asked the US Patent and Trademark Office to make recommendations on copyright and AI to the White House in consultation with the Copyright Office, including on the “scope of protection for works produced using AI.”

Although Shupe’s limited copyright registration is notable, she originally asked the USCO to open a more significant path to copyright recognition for AI-generated material. “I seek to copyright the AI-assisted and AI-generated material under an ADA exemption for my many disabilities,” she wrote in her original copyright application. Shupe believes fervently that she was only able to complete her book with the assistance of generative AI tools. She says she has been assessed as 100 percent disabled by the Department of Veterans Affairs and struggles to write due to cognitive impairment related to conditions including bipolar disorder, borderline personality disorder, and a brain stem malformation.

Boone Ashworth

Carlton Reid

Amanda Hoover

Reece Rogers

She is proud of the finished work and sees working with a text generator as a different but no less worthwhile method of expressing thoughts. “You don't just hit ‘generate’ and get something worthy of publishing. That may come in the future, but we're still far from it,” she says, noting that she spent upwards of 14 hours a day working on her draft.

After her initial registration was refused, Shupe connected with Jonathan Askin, founder of the Brooklyn Law Incubator and Policy Clinic at Brooklyn Law School, which takes pro bono cases centered on emerging tech and policy questions. Askin and Brooklyn Law student Sofia Vescovo began working on Shupe’s case and filed an appeal with the USCO in January.

The appeal built on Shupe’s argument about her disabilities, saying she should be granted copyright because she used ChatGPT as an assistive technology to communicate, comparing her use of OpenAI’s chatbot to an amputee using a prosthetic leg. The appeal claimed that the USCO “discriminated against her because of her disability.”

The Brooklyn Law appeal also claimed that Shupe should be granted copyright for compiling the book—that is, doing the work of selecting and organizing the snippets of AI-generated text. It provided an exhaustive log of how Shupe prompted ChatGPT, showing the custom commands she created and the edits she made.

It includes a side-by-side comparison of the unedited machine output and the final version of Shupe’s book. On a sentence level, she adjusted almost every line in some way, from changes in word choice to structure. One example describing a character in the novel: “Mark eyed her, a complex mix of concern and annoyance evident in his gaze” becomes “Mark studied her, his gaze reflecting both worry and irritation.”

The appeal cites another recent AI copyright decision about the graphic novel Zarya and the Dawn , which incorporates AI-generated images created with Midjourney. In February 2023, author Kris Kashtanova was granted copyright to the selection and arrangement of AI-generated images in the text, even though they were denied copyright on the specific images themselves.

When the USCO granted Shupe’s request for copyright, it did not address the disability argument put forth but agreed with the appeal’s other argument. Shupe could be considered the author of “selection, coordination, and arrangement of text generated by artificial intelligence,” the agency wrote, backdating her copyright registration to October 10, 2023, the day that Shupe had originally attempted to register her work. That gives her authorship of the work overall, prohibiting unauthorized wholecloth reproduction of the entire book, but not copyright protection over the actual sentences of the novel.

“Overall, we are extremely satisfied,” says Vescovo. The team felt that copyrighting the book’s compilation would provide peace of mind against out-and-out reproduction of the work. “We really wanted to make sure we could get her this protection right now.” The Brooklyn Law team hope Shupe’s approval can serve as a blueprint for other people experimenting with AI text generation who want some copyright protection.

“I’m going to take this as a win for now,” Shupe says, even though she knows that “in some ways, it’s a compromise.” She maintains that the way she uses ChatGPT more closely resembles a collaboration than an automated output, and that she should be able to copyright the actual text of the book.

Matthew Sag, a professor of law and artificial intelligence at Emory University, calls what the USCO granted Shupe “thin copyright”—protection against full-fledged duplication of materials that doesn’t stop someone from rearranging the paragraphs into a different story. “This is the same kind of copyright you would get in an anthology of poetry that you didn’t write,” Sag says.

Erica Van Loon agrees. “It’s hard to imagine something more narrow,” she says.

Shupe is part of a larger movement to make copyright law friendlier to AI and the people who use it. The Copyright Office, which both administers the copyright registration system and advises Congress, the judiciary system, and other governmental agencies on copyright matters, plays a central role in determining how works that use AI are treated.

Although it continues to define authorship as an exclusively human endeavor , the USCO has demonstrated openness to registering works that incorporate AI elements. The USCO said in February that it has granted registration to over 100 works with AI incorporated; a search by WIRED found over 200 copyright registration applications explicitly disclosing AI elements, including books, songs, and visual artworks.

One such application came from Tyler Partin, who works for a chemical manufacturer. He recently registered a tongue-in-cheek song he created about a coworker, but excluded lyrics that he spun up using ChatGPT from his registration. Partin sees the text generator as a tool, but ultimately doesn’t think he should take credit for its output. Instead, he applied only for the music rather than the accompanying words. “I didn’t do that work,” he says.

But there are others who share Shupe’s perspective and agree with her mission, and believe that AI-generated materials should be registrable. Some high-profile attempts to register AI-generated artworks have resulted in USCO refusals, like artist Jason M. Allen’s effort to get his award-winning artwork Théâtre D’opéra Spatial copyrighted last year. AI researcher Stephen Thaler has been on a mission for years to prove that he should be entitled to copyright protections for a work made by the AI system he developed.

Thaler is currently appealing a ruling in the US last year that rebuffed his attempt to obtain copyright. Ryan Abbott, the lead attorney on the case, founded the Artificial Inventor Project , a group of intellectual property lawyers who file test cases seeking legal protections for AI-generated works.

Abbott is a supporter of Shupe’s mission, although he’s not a member of her legal team. He isn’t happy that the copyright registration excludes the AI-generated work itself. “We all see it as a very big problem,” he says.

Shupe and her legal helpers don’t have plans to push the ADA argument further by contesting the USCO’s decision, but it’s an issue that is far from settled. “The best path is probably to lobby Congress for an addition to the ADA statute,” says Askin. “There's a potential for us to draft some legislation or testimony to try to move Congress in that direction.”

Shupe’s qualified victory is still a significant marker in how the Copyright Office is grappling with what it means to be an author in the age of AI. She hopes going public with her efforts will reduce what she sees as a stigma against using AI as a creative tool. Her metaphorical nuke didn’t go off, but she has nonetheless advanced her cause. “I haven't been this excited since I unboxed a Commodore 64 back in the 1980s and, after a lot of noise, connected to a distant computer,” she says.

Updated 17-4-2024, 4:35 pm EDT: President Biden's executive order on AI last year asked the US Patent and Trademark office to make recommendations on copyright and AI in consultation with the Copyright Office, it did not ask the Copyright Office itself to make the recommendations.

Updated 18-4-2024, 9 am EDT: This piece has been updated to clarify Stephen Thaler's position on AI system copyright.

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Two UMass Undergraduates Awarded Five College Prose and Poetry Prize for Creative Writing

Previously published on UMass Amherst News .

UMass Amherst undergraduate students Andrea Peter ’25 and Livvy Krakower ’24 were among the 2024 Five College Prose and Poetry Prize recipients honored at a reading and reception April 18 in Hampshire College's Harold F. Johnson Library.

Celebrating creative writing of all genres, the Five College Prose and Poetry Prize, formerly PoetryFest, was reinstated in 2023 after a hiatus due to the pandemic. The contest received 150 total submissions from students representing UMass Amherst, Amherst, Hampshire, Mount Holyoke and Smith colleges, and The Care Center of Holyoke this year.

“For me the most amazing thing about the Five College Poetry and Prose competition is to meet fellow writers from other institutions,” says Krakower, a winner for prose who is an English major and who also won the prize in 2023. “Each college in the consortium is so unique and I am thankful that I have been able to hear pieces I would never hear if not for the competition.”

Peter, a comparative literature major, won a poetry prize in the competition.

“Thanks to Five Colleges, Inc., and our English departments for supporting this work,” says Donna LeCourt, chair of the UMass Amherst English department. “Prizes to undergraduates are important and help to build their reputations in literary and professional communities. The opportunity for our graduate students to judge and manage literary awards provides exceptional professional development and helps distinguish them as creative leaders. I’m happy to see this prize come back to the Five College community.”

“I had a wonderful time judging the prose prize,” says 2024 prose judge and UMass Amherst MFA candidate Danielle Bradley, who was joined on the judging panel by fellow UMass Amherst MFA candidate and poet Ide Thompson ’24. “All of the submissions were impressive, and it was so special to hear many of the winners read their submissions at the reception.”

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