how to write a literary analysis essay for middle school

How to Write a Literary Analysis: 6 Tips for the Perfect Essay

by Kaelyn Barron | 2 comments

Sometimes, you’ll want to read a book just for the pleasure of being entertained and taken to a different time or place, and see the world through the eyes of another.

Other times, however, like when you’re in your English Literature class or reading a classic, you’ll have to dig past the surface and look beyond the words on the page to understand the author’s message.

To do this, you can conduct your own literary analysis, and examine how the author uses various literary devices and techniques to artfully tell their story while delivering a larger message.

What Is a Literary Analysis?

The purpose of a literary analysis is to examine and deconstruct a work of literature to evaluate how the writer uses literary components to convey ideas.

A literary analysis is not a summary; it reaches past basic comprehension and facts. Often, this type of analysis will argue the theme, message, or purpose of a work by analyzing the writer’s use of literary devices and narrative techniques.

How to Write a Literary Analysis

These 4 steps will help prepare you to write an in-depth literary analysis that offers new insight to both old and modern classics.

1. Read the text and identify literary devices.

As you conduct your literary analysis, you should first read through the text, keeping an eye on key elements that could serve as clues to larger, underlying themes.

The following is a checklist of the literary and narrative devices you should take note of while reading. (If possible, marking the text with a pencil can be very helpful.)

• Point of view: First, examine the point of view from which the story is told. Who is the narrator? Is it a character from the story, or an unknown, all-knowing figure? Do they have something at stake? Do you find them to be a reliable narrator? The answers to these questions can help shape your argument.
• Recurring symbols : Things like colors, rivers, and seasons may not seem significant at first glance, but together, and especially if they appear more than once, they can signify a deeper message. (Just look at this analysis of Hemingway’s “Hills Like White Elephants” as an example.) Our guide to symbolism explains some of the most common symbols in literature. If you come across these in a text, highlight or circle them. These symbols can also be part of an extended metaphors, so it’s helpful to keep track of them and look for any possible connections.
• Character motivation : The main character’s motivation is extremely important when it comes to advancing the plot. Ask yourself what the character wants, and what’s keeping them from getting it. Why is that thing important to them? Could it carry any deeper significance that its face value?
• Tone : Evaluate the writer’s tone . Do the words convey an anxious, ominous, or hopeful tone? Is it sad, witty, or whimsical? There are lots of ways to describe tone, and your assessment of this literary device can add important insight to your overall analysis.
• Diction : The author’s word choice, or diction , can also influence the piece’s tone. Do any words seem peculiar? Do you think the author chose that word over other synonyms for a reason? When a word stands out to you, ask yourself why it matters that this particular word was chosen over others.
• Imagery: What types of images does the author paint? This can be done explicitly through vivid descriptions, or implicitly through sensory details, or words that evoke the feelings of a place, emotion, or idea.
• Story structure : How is the story structured, and what impact does this have on the story? Is it told in chronological order, or does it jump back and forth in time? What about the characters, setting, and their relation to the narrative?
• Themes : As you’re taking note of the literary elements outlined above, you’ll likely see certain patterns start to emerge. These patterns represent underlying themes . For example, in The Great Gatsby , recurring images, symbols, and even character motivations point to themes of excess, material wealth, and lost values.
• Characters : Your entire essay might actually be a character analysis, depending on your topic. However, you can also cite characterization as a supporting element to your main argument. For example, a specific character, major or minor, might embody an ideal, which contributes to a larger theme.

2. Develop your thesis.

If you’re writing an essay for your literature class, you’ll likely be given a prompt or question to answer with your essay.

If you’re not assigned a topic, you’ll have to think of one yourself. You may find it helpful to develop questions in order to get started.

The answer to this question is known as your thesis . In order to serve as the foundation for your analysis, your thesis needs to meet several conditions. It must be:

• Arguable : Your thesis should reflect your opinion or interpretation, not a fact. For example, “ The Grapes of Wrath is about a family’s migration from the Oklahoma Dust Bowl to California” is not a good thesis, because that’s a simple fact. However, “ Frankenstein is actually a feminist novel that rejects patriarchy” is an arguable interpretation, and we can argue for or against that statement with supporting evidence.
• Supported through textual evidence : While your thesis shouldn’t be an objective fact, you should still be able to support it with textual evidence and details.

3. Create an outline.

Once you have your thesis, it’s time to make a plan for how you’ll prove your argument. Look back at your notes about the literary and narrative devices above. These will serve as your supporting evidence.

Which elements will help you make the most compelling argument for your thesis? You might choose, for example, to build your argument around imagery, symbolism, and diction.

You can dedicate a section to each of these elements and cite evidence directly from the text to explain why and how they support your thesis.

Create an outline to organize your thoughts, so when it’s time to start writing, you won’t forget where you were going with those points.

4. Cite the evidence.

When you’re making your argument, it’s important that you have concrete evidence from the text to support your claims.

When you can, provide direct quotes and other concrete details. For example, if you’re using symbolism as supporting evidence for why Frankenstein is a feminist text, you should be able to cite passages that illustrate the claim.

5. Write your body paragraphs.

Using your outline and notes from the text, you can now start writing your literary analysis. However, may find it helpful to leave room for your introduction and start by writing the body paragraphs, which contain your main arguments.

You’ll already have all the points and supporting details you need in your outline, so you can jump right in, rather than trying to think of the perfect opening line to your essay.

This strategy can also be beneficial because as you develop your arguments, you may generate new ideas or slightly adjust your thesis.

6. Write your introduction and conclusion.

Once you’ve fleshed out your body paragraphs and written a compelling argument, you can write your introductory paragraph (using the thesis statement you developed earlier), as well as your conclusion, which should neatly tie up your argument and leave your readers with some final insights.

Types of Literary Criticism

When you’re analyzing literature, there are numerous lenses through which you can examine the work. For example, common types of literary criticism include ethical, feminist, historic, and social criticism.

This means that your analysis, interpretation, and evaluation of the work will be through one of those lenses.

Analyzing Literature

The best works of literature are filled with hints that will lead you to a bigger picture, and discovering those clues and how they fit together is what makes reading so fun.

Whether you want to ace your next English essay or refine your critical thinking skills, understanding how to analyze literature will lead you to a more fulfilling reading experience.

Did you find this post helpful? Let us know in the comments below!

If you enjoyed this post, then you might also like:

• Symbolism: Common Examples in Life and Literature
• The Last Line of The Great Gatsby, Explained
• Extended Metaphors Explained: Definition, Purpose, and Examples from Literature
• 17 of the Most Common Literary Devices Every Reader and Writer Should Know

As a blog writer for TCK Publishing, Kaelyn loves crafting fun and helpful content for writers, readers, and creative minds alike. She has a degree in International Affairs with a minor in Italian Studies, but her true passion has always been writing. Working remotely allows her to do even more of the things she loves, like traveling, cooking, and spending time with her family.

We read a critic generously when they tackle a difficult topic, so one doesn’t judge Barron overly harshly for a seemingly shallow understanding of the subject. The article is useful as a starting point, giving us a chance to consider why so much of the content is ultimately indefensible. This blog has proven a genuinely valuable teaching resource. My students learn a great deal by exploring how this article manages to fall so far short of the promise in its title. Were her approach more thoughtful and erudite, such a rich opportunity to critically engage with literary theory would be denied Barron’s audience.

Hi Gregory, I’m sorry you found the article shallow. I intended it to be an overview for students, to walk them through the process of writing a solid literary analysis essay. What about the content do you find indefensible?

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12.14: Sample Student Literary Analysis Essays

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• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

The following examples are essays where student writers focused on close-reading a literary work.

While reading these examples, ask yourself the following questions:

• What is the essay's thesis statement, and how do you know it is the thesis statement?
• What is the main idea or topic sentence of each body paragraph, and how does it relate back to the thesis statement?
• Where and how does each essay use evidence (quotes or paraphrase from the literature)?
• What are some of the literary devices or structures the essays analyze or discuss?
• How does each author structure their conclusion, and how does their conclusion differ from their introduction?

Example 1: Poetry

Victoria Morillo

Instructor Heather Ringo

3 August 2022

How Nguyen’s Structure Solidifies the Impact of Sexual Violence in “The Study”

Stripped of innocence, your body taken from you. No matter how much you try to block out the instance in which these two things occurred, memories surface and come back to haunt you. How does a person, a young boy , cope with an event that forever changes his life? Hieu Minh Nguyen deconstructs this very way in which an act of sexual violence affects a survivor. In his poem, “The Study,” the poem's speaker recounts the year in which his molestation took place, describing how his memory filters in and out. Throughout the poem, Nguyen writes in free verse, permitting a structural liberation to become the foundation for his message to shine through. While he moves the readers with this poignant narrative, Nguyen effectively conveys the resulting internal struggles of feeling alone and unseen.

The speaker recalls his experience with such painful memory through the use of specific punctuation choices. Just by looking at the poem, we see that the first period doesn’t appear until line 14. It finally comes after the speaker reveals to his readers the possible, central purpose for writing this poem: the speaker's molestation. In the first half, the poem makes use of commas, em dashes, and colons, which lends itself to the idea of the speaker stringing along all of these details to make sense of this time in his life. If reading the poem following the conventions of punctuation, a sense of urgency is present here, as well. This is exemplified by the lack of periods to finalize a thought; and instead, Nguyen uses other punctuation marks to connect them. Serving as another connector of thoughts, the two em dashes give emphasis to the role memory plays when the speaker discusses how “no one [had] a face” during that time (Nguyen 9-11). He speaks in this urgent manner until the 14th line, and when he finally gets it off his chest, the pace of the poem changes, as does the more frequent use of the period. This stream-of-consciousness-like section when juxtaposed with the latter half of the poem, causes readers to slow down and pay attention to the details. It also splits the poem in two: a section that talks of the fogginess of memory then transitions into one that remembers it all.

In tandem with the fluctuating nature of memory, the utilization of line breaks and word choice help reflect the damage the molestation has had. Within the first couple of lines of the poem, the poem demands the readers’ attention when the line breaks from “floating” to “dead” as the speaker describes his memory of Little Billy (Nguyen 1-4). This line break averts the readers’ expectation of the direction of the narrative and immediately shifts the tone of the poem. The break also speaks to the effect his trauma has ingrained in him and how “[f]or the longest time,” his only memory of that year revolves around an image of a boy’s death. In a way, the speaker sees himself in Little Billy; or perhaps, he’s representative of the tragic death of his boyhood, how the speaker felt so “dead” after enduring such a traumatic experience, even referring to himself as a “ghost” that he tries to evict from his conscience (Nguyen 24). The feeling that a part of him has died is solidified at the very end of the poem when the speaker describes himself as a nine-year-old boy who’s been “fossilized,” forever changed by this act (Nguyen 29). By choosing words associated with permanence and death, the speaker tries to recreate the atmosphere (for which he felt trapped in) in order for readers to understand the loneliness that came as a result of his trauma. With the assistance of line breaks, more attention is drawn to the speaker's words, intensifying their importance, and demanding to be felt by the readers.

Most importantly, the speaker expresses eloquently, and so heartbreakingly, about the effect sexual violence has on a person. Perhaps what seems to be the most frustrating are the people who fail to believe survivors of these types of crimes. This is evident when he describes “how angry” the tenants were when they filled the pool with cement (Nguyen 4). They seem to represent how people in the speaker's life were dismissive of his assault and who viewed his tragedy as a nuisance of some sorts. This sentiment is bookended when he says, “They say, give us details , so I give them my body. / They say, give us proof , so I give them my body,” (Nguyen 25-26). The repetition of these two lines reinforces the feeling many feel in these scenarios, as they’re often left to deal with trying to make people believe them, or to even see them.

It’s important to recognize how the structure of this poem gives the speaker space to express the pain he’s had to carry for so long. As a characteristic of free verse, the poem doesn’t follow any structured rhyme scheme or meter; which in turn, allows him to not have any constraints in telling his story the way he wants to. The speaker has the freedom to display his experience in a way that evades predictability and engenders authenticity of a story very personal to him. As readers, we abandon anticipating the next rhyme, and instead focus our attention to the other ways, like his punctuation or word choice, in which he effectively tells his story. The speaker recognizes that some part of him no longer belongs to himself, but by writing “The Study,” he shows other survivors that they’re not alone and encourages hope that eventually, they will be freed from the shackles of sexual violence.

Works Cited

Nguyen, Hieu Minh. “The Study” Poets.Org. Academy of American Poets, Coffee House Press, 2018, https://poets.org/poem/study-0 .

Example 2: Fiction

Todd Goodwin

Professor Stan Matyshak

Advanced Expository Writing

Sept. 17, 20—

Poe’s “Usher”: A Mirror of the Fall of the House of Humanity

Right from the outset of the grim story, “The Fall of the House of Usher,” Edgar Allan Poe enmeshes us in a dark, gloomy, hopeless world, alienating his characters and the reader from any sort of physical or psychological norm where such values as hope and happiness could possibly exist. He fatalistically tells the story of how a man (the narrator) comes from the outside world of hope, religion, and everyday society and tries to bring some kind of redeeming happiness to his boyhood friend, Roderick Usher, who not only has physically and psychologically wasted away but is entrapped in a dilapidated house of ever-looming terror with an emaciated and deranged twin sister. Roderick Usher embodies the wasting away of what once was vibrant and alive, and his house of “insufferable gloom” (273), which contains his morbid sister, seems to mirror or reflect this fear of death and annihilation that he most horribly endures. A close reading of the story reveals that Poe uses mirror images, or reflections, to contribute to the fatalistic theme of “Usher”: each reflection serves to intensify an already prevalent tone of hopelessness, darkness, and fatalism.

It could be argued that the house of Roderick Usher is a “house of mirrors,” whose unpleasant and grim reflections create a dark and hopeless setting. For example, the narrator first approaches “the melancholy house of Usher on a dark and soundless day,” and finds a building which causes him a “sense of insufferable gloom,” which “pervades his spirit and causes an iciness, a sinking, a sickening of the heart, an undiscerned dreariness of thought” (273). The narrator then optimistically states: “I reflected that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps annihilate its capacity for sorrowful impression” (274). But the narrator then sees the reflection of the house in the tarn and experiences a “shudder even more thrilling than before” (274). Thus the reader begins to realize that the narrator cannot change or stop the impending doom that will befall the house of Usher, and maybe humanity. The story cleverly plays with the word reflection : the narrator sees a physical reflection that leads him to a mental reflection about Usher’s surroundings.

The narrator’s disillusionment by such grim reflection continues in the story. For example, he describes Roderick Usher’s face as distinct with signs of old strength but lost vigor: the remains of what used to be. He describes the house as a once happy and vibrant place, which, like Roderick, lost its vitality. Also, the narrator describes Usher’s hair as growing wild on his rather obtrusive head, which directly mirrors the eerie moss and straw covering the outside of the house. The narrator continually longs to see these bleak reflections as a dream, for he states: “Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building” (276). He does not want to face the reality that Usher and his home are doomed to fall, regardless of what he does.

Although there are almost countless examples of these mirror images, two others stand out as important. First, Roderick and his sister, Madeline, are twins. The narrator aptly states just as he and Roderick are entombing Madeline that there is “a striking similitude between brother and sister” (288). Indeed, they are mirror images of each other. Madeline is fading away psychologically and physically, and Roderick is not too far behind! The reflection of “doom” that these two share helps intensify and symbolize the hopelessness of the entire situation; thus, they further develop the fatalistic theme. Second, in the climactic scene where Madeline has been mistakenly entombed alive, there is a pairing of images and sounds as the narrator tries to calm Roderick by reading him a romance story. Events in the story simultaneously unfold with events of the sister escaping her tomb. In the story, the hero breaks out of the coffin. Then, in the story, the dragon’s shriek as he is slain parallels Madeline’s shriek. Finally, the story tells of the clangor of a shield, matched by the sister’s clanging along a metal passageway. As the suspense reaches its climax, Roderick shrieks his last words to his “friend,” the narrator: “Madman! I tell you that she now stands without the door” (296).

Roderick, who slowly falls into insanity, ironically calls the narrator the “Madman.” We are left to reflect on what Poe means by this ironic twist. Poe’s bleak and dark imagery, and his use of mirror reflections, seem only to intensify the hopelessness of “Usher.” We can plausibly conclude that, indeed, the narrator is the “Madman,” for he comes from everyday society, which is a place where hope and faith exist. Poe would probably argue that such a place is opposite to the world of Usher because a world where death is inevitable could not possibly hold such positive values. Therefore, just as Roderick mirrors his sister, the reflection in the tarn mirrors the dilapidation of the house, and the story mirrors the final actions before the death of Usher. “The Fall of the House of Usher” reflects Poe’s view that humanity is hopelessly doomed.

Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. Electronic Text Center, University of Virginia Library . 1995. Web. 1 July 2012. < http://etext.virginia.edu/toc/modeng/public/PoeFall.html >.

Example 3: Poetry

Amy Chisnell

Professor Laura Neary

Writing and Literature

April 17, 20—

Don’t Listen to the Egg!: A Close Reading of Lewis Carroll’s “Jabberwocky”

“You seem very clever at explaining words, Sir,” said Alice. “Would you kindly tell me the meaning of the poem called ‘Jabberwocky’?”

“Let’s hear it,” said Humpty Dumpty. “I can explain all the poems that ever were invented—and a good many that haven’t been invented just yet.” (Carroll 164)

In Lewis Carroll’s Through the Looking-Glass , Humpty Dumpty confidently translates (to a not so confident Alice) the complicated language of the poem “Jabberwocky.” The words of the poem, though nonsense, aptly tell the story of the slaying of the Jabberwock. Upon finding “Jabberwocky” on a table in the looking-glass room, Alice is confused by the strange words. She is quite certain that “ somebody killed something ,” but she does not understand much more than that. When later she encounters Humpty Dumpty, she seizes the opportunity at having the knowledgeable egg interpret—or translate—the poem. Since Humpty Dumpty professes to be able to “make a word work” for him, he is quick to agree. Thus he acts like a New Critic who interprets the poem by performing a close reading of it. Through Humpty’s interpretation of the first stanza, however, we see the poem’s deeper comment concerning the practice of interpreting poetry and literature in general—that strict analytical translation destroys the beauty of a poem. In fact, Humpty Dumpty commits the “heresy of paraphrase,” for he fails to understand that meaning cannot be separated from the form or structure of the literary work.

Of the 71 words found in “Jabberwocky,” 43 have no known meaning. They are simply nonsense. Yet through this nonsensical language, the poem manages not only to tell a story but also gives the reader a sense of setting and characterization. One feels, rather than concretely knows, that the setting is dark, wooded, and frightening. The characters, such as the Jubjub bird, the Bandersnatch, and the doomed Jabberwock, also appear in the reader’s head, even though they will not be found in the local zoo. Even though most of the words are not real, the reader is able to understand what goes on because he or she is given free license to imagine what the words denote and connote. Simply, the poem’s nonsense words are the meaning.

Therefore, when Humpty interprets “Jabberwocky” for Alice, he is not doing her any favors, for he actually misreads the poem. Although the poem in its original is constructed from nonsense words, by the time Humpty is done interpreting it, it truly does not make any sense. The first stanza of the original poem is as follows:

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogroves,

An the mome raths outgrabe. (Carroll 164)

If we replace, however, the nonsense words of “Jabberwocky” with Humpty’s translated words, the effect would be something like this:

’Twas four o’clock in the afternoon, and the lithe and slimy badger-lizard-corkscrew creatures

Did go round and round and make holes in the grass-plot round the sun-dial:

All flimsy and miserable were the shabby-looking birds

with mop feathers,

And the lost green pigs bellowed-sneezed-whistled.

By translating the poem in such a way, Humpty removes the charm or essence—and the beauty, grace, and rhythm—from the poem. The poetry is sacrificed for meaning. Humpty Dumpty commits the heresy of paraphrase. As Cleanth Brooks argues, “The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations” (203). When the poem is left as nonsense, the reader can easily imagine what a “slithy tove” might be, but when Humpty tells us what it is, he takes that imaginative license away from the reader. The beauty (if that is the proper word) of “Jabberwocky” is in not knowing what the words mean, and yet understanding. By translating the poem, Humpty takes that privilege from the reader. In addition, Humpty fails to recognize that meaning cannot be separated from the structure itself: the nonsense poem reflects this literally—it means “nothing” and achieves this meaning by using “nonsense” words.

Furthermore, the nonsense words Carroll chooses to use in “Jabberwocky” have a magical effect upon the reader; the shadowy sound of the words create the atmosphere, which may be described as a trance-like mood. When Alice first reads the poem, she says it seems to fill her head “with ideas.” The strange-sounding words in the original poem do give one ideas. Why is this? Even though the reader has never heard these words before, he or she is instantly aware of the murky, mysterious mood they set. In other words, diction operates not on the denotative level (the dictionary meaning) but on the connotative level (the emotion(s) they evoke). Thus “Jabberwocky” creates a shadowy mood, and the nonsense words are instrumental in creating this mood. Carroll could not have simply used any nonsense words.

For example, let us change the “dark,” “ominous” words of the first stanza to “lighter,” more “comic” words:

’Twas mearly, and the churly pells

Did bimble and ringle in the tink;

All timpy were the brimbledimps,

And the bip plips outlink.

Shifting the sounds of the words from dark to light merely takes a shift in thought. To create a specific mood using nonsense words, one must create new words from old words that convey the desired mood. In “Jabberwocky,” Carroll mixes “slimy,” a grim idea, “lithe,” a pliable image, to get a new adjective: “slithy” (a portmanteau word). In this translation, brighter words were used to get a lighter effect. “Mearly” is a combination of “morning” and “early,” and “ringle” is a blend of “ring” and "dingle.” The point is that “Jabberwocky’s” nonsense words are created specifically to convey this shadowy or mysterious mood and are integral to the “meaning.”

Consequently, Humpty’s rendering of the poem leaves the reader with a completely different feeling than does the original poem, which provided us with a sense of ethereal mystery, of a dark and foreign land with exotic creatures and fantastic settings. The mysteriousness is destroyed by Humpty’s literal paraphrase of the creatures and the setting; by doing so, he has taken the beauty away from the poem in his attempt to understand it. He has committed the heresy of paraphrase: “If we allow ourselves to be misled by it [this heresy], we distort the relation of the poem to its ‘truth’… we split the poem between its ‘form’ and its ‘content’” (Brooks 201). Humpty Dumpty’s ultimate demise might be seen to symbolize the heretical split between form and content: as a literary creation, Humpty Dumpty is an egg, a well-wrought urn of nonsense. His fall from the wall cracks him and separates the contents from the container, and not even all the King’s men can put the scrambled egg back together again!

Through the odd characters of a little girl and a foolish egg, “Jabberwocky” suggests a bit of sage advice about reading poetry, advice that the New Critics built their theories on. The importance lies not solely within strict analytical translation or interpretation, but in the overall effect of the imagery and word choice that evokes a meaning inseparable from those literary devices. As Archibald MacLeish so aptly writes: “A poem should not mean / But be.” Sometimes it takes a little nonsense to show us the sense in something.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry . 1942. San Diego: Harcourt Brace, 1956. Print.

Carroll, Lewis. Through the Looking-Glass. Alice in Wonderland . 2nd ed. Ed. Donald J. Gray. New York: Norton, 1992. Print.

MacLeish, Archibald. “Ars Poetica.” The Oxford Book of American Poetry . Ed. David Lehman. Oxford: Oxford UP, 2006. 385–86. Print.

Attribution

• Sample Essay 1 received permission from Victoria Morillo to publish, licensed Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International ( CC BY-NC-SA 4.0 )
• Sample Essays 2 and 3 adapted from Cordell, Ryan and John Pennington. "2.5: Student Sample Papers" from Creating Literary Analysis. 2012. Licensed Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported ( CC BY-NC-SA 3.0 )

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Creating Videos to Explore Literary Analysis

Making a short video can be a powerful opportunity for students to explore a reading in a different way from writing an essay.

As an English teacher, one of my first go-to processes when watching a film, even at home for recreation, is digging into the mise-en-scène, or the arrangement of objects and elements onscreen. While considering films this way helps my reader’s brain build analysis, I’m always thinking about steps that help link the processes of reading, writing, and creating. Implementing these steps with my students helps me to know how they think about texts and is also a way for me to learn more about them.

This use of mise-en-scène as a close “reading” step is one way to remind students that everything that appears in a shot for a film or television series (or even TikTok video) is likely there for some purpose. This is true even of still images. By showcasing intentional author and director choices, teachers can activate the writing mind in a variety of ways, which I’ll explain.

Change the Format for Responses to Readings

Rather than write the second or third essay, sometimes I like to let students choose different ways to engage with a reading. This was a practice I used with reading The Catcher in the Rye , in which students responded to the book in groups based on a rubric I shared . When faced with the blank page, sometimes students experience anxiety, but having the opportunity to get up, plan a scene, and talk with peers can help break the ice and inspire thinking processes.

With the design of the rubric, I’m still asking students to create a product that examines the content I’m after, with the additional benefit of the skill building that digital creation allows.

Whether it’s through reenacting a scene somewhere at school or planning a response to sum up thinking about a class reading or concept, film can offer some variety in the ways that students share and present projects. Using film in this way also meets secondary English language arts standards for collaborating and composing using digital and electronic tools—social media apps, YouTube, and laptop cameras. I recommend WeVideo and Adobe tools , which are helpful and specific tools for creating both videos and podcasts.

Students also employ traditional writing methods for scripting what will occur in the videoed exchange. This rough sketch is turned in as part of the process and product . In the past, I’ve also used storyboarding as a method for envisioning written and filmed stories ( Canva has useful resources for this).

Try Zeitgeist Poems

As a reader who appreciates poetry and visual forms, I’m often drawn to the ways that YouTube creators share readings of poems paired with images. In some cases, authors share videos of their own poems. In my class, zeitgeist poems are another Catcher -related activity, resulting in brief, two-to-three-minute recorded responses. This has served as a prereading exercise to think about the idea of a zeitgeist, expanding vocabulary instruction and setting an initial purpose and interest in reading.

The process began with an invitation to write on the page, which then became a multimodal exercise in locating images that paired with and emphasized the words that students chose and arranged to convey the feelings of time, especially related to my students’ experience of the world in 2022. Given their life during the pandemic, there was much to unpack.

As with other video products, students collaborated and explored tools based in social media to create reenactments and do voice-overs for still images. These elements were then combined through the video-editing methods within the platforms the students used. When video is used with the poetic form, imagery is arguably emphasized all the more—an important step for students who may have trouble with visualizing.

Assign Community Video Essays

Finally, I’ve used videos to help students think about poetry and culture, including filmed walk-throughs of projects that they’ve created and written about in response to units of study. Sometimes, students are hesitant to present to a class in real time, but the opportunity to record themselves individually or collaboratively (expanding on learning and presenting about a product they’ve created) can be a more invitational method. This approach also gives students added practice in film editing and media recording techniques that move beyond the slide creation that is common in many of my presentation assignments.

In partnership with fellow teachers, we developed a series of lesson steps that drew upon a unit of study in multicultural literature to help students explore community ideals and engage in problem-solving. This series of lesson steps involved groups deciding how to form a community charter, design their government, and deal with issues that arose within a hypothetical community. Students designed their communities on paper and then used found materials to compose elements of these plans. 

Creating physical objects was an engaging exercise in engineering and creativity, giving my students the chance to use spare objects around the classroom space to create three-dimensional blueprints for community models. Students also drafted their initial ideas for the communities on paper and talked through them in small groups with teacher guidance.

The film they created served as a final reflection and presentation step, as students gave guided tours of their communities. They discussed the values that they wanted to emphasize, their decision-making process when faced with issues, and how they redesigned elements of their communities in response to those challenges. I discovered that students who might have shied away from a presentation at the front of the room in traditional speech format were often more comfortable with the take/retake nature of the short film.

Embrace Usefulness, Novelty, and Accessibility

Although I include writing in class daily, it’s sometimes a nice change of pace and a chance for novelty to invite students to film responses, rather than always jotting ideas in the same modes. Additionally, and perhaps more important, utilizing media this way allows me to reach standards and teach aspects of the composing process that would otherwise be difficult to address. As a teacher who is occasionally cast in student-created TikTok videos, I also understand the pull of media and the accessibility that students enjoy for creating short films.

beginner's guide to literary analysis

Understanding literature & how to write literary analysis.

Literary analysis is the foundation of every college and high school English class. Once you can comprehend written work and respond to it, the next step is to learn how to think critically and complexly about a work of literature in order to analyze its elements and establish ideas about its meaning.

If that sounds daunting, it shouldn’t. Literary analysis is really just a way of thinking creatively about what you read. The practice takes you beyond the storyline and into the motives behind it. 

While an author might have had a specific intention when they wrote their book, there’s still no right or wrong way to analyze a literary text—just your way. You can use literary theories, which act as “lenses” through which you can view a text. Or you can use your own creativity and critical thinking to identify a literary device or pattern in a text and weave that insight into your own argument about the text’s underlying meaning. 

Now, if that sounds fun, it should , because it is. Here, we’ll lay the groundwork for performing literary analysis, including when writing analytical essays, to help you read books like a critic. 

What Is Literary Analysis?

As the name suggests, literary analysis is an analysis of a work, whether that’s a novel, play, short story, or poem. Any analysis requires breaking the content into its component parts and then examining how those parts operate independently and as a whole. In literary analysis, those parts can be different devices and elements—such as plot, setting, themes, symbols, etcetera—as well as elements of style, like point of view or tone. 

When performing analysis, you consider some of these different elements of the text and then form an argument for why the author chose to use them. You can do so while reading and during class discussion, but it’s particularly important when writing essays. 

Literary analysis is notably distinct from summary. When you write a summary , you efficiently describe the work’s main ideas or plot points in order to establish an overview of the work. While you might use elements of summary when writing analysis, you should do so minimally. You can reference a plot line to make a point, but it should be done so quickly so you can focus on why that plot line matters . In summary (see what we did there?), a summary focuses on the “ what ” of a text, while analysis turns attention to the “ how ” and “ why .”

While literary analysis can be broad, covering themes across an entire work, it can also be very specific, and sometimes the best analysis is just that. Literary critics have written thousands of words about the meaning of an author’s single word choice; while you might not want to be quite that particular, there’s a lot to be said for digging deep in literary analysis, rather than wide. 

Although you’re forming your own argument about the work, it’s not your opinion . You should avoid passing judgment on the piece and instead objectively consider what the author intended, how they went about executing it, and whether or not they were successful in doing so. Literary criticism is similar to literary analysis, but it is different in that it does pass judgement on the work. Criticism can also consider literature more broadly, without focusing on a singular work. 

Once you understand what constitutes (and doesn’t constitute) literary analysis, it’s easy to identify it. Here are some examples of literary analysis and its oft-confused counterparts: 

Summary: In “The Fall of the House of Usher,” the narrator visits his friend Roderick Usher and witnesses his sister escape a horrible fate.  

Opinion: In “The Fall of the House of Usher,” Poe uses his great Gothic writing to establish a sense of spookiness that is enjoyable to read. 

Literary Analysis: “Throughout ‘The Fall of the House of Usher,’ Poe foreshadows the fate of Madeline by creating a sense of claustrophobia for the reader through symbols, such as in the narrator’s inability to leave and the labyrinthine nature of the house. 

In summary, literary analysis is:

• Breaking a work into its components
• Identifying what those components are and how they work in the text
• Developing an understanding of how they work together to achieve a goal 
• Not an opinion, but subjective 
• Not a summary, though summary can be used in passing 
• Best when it deeply, rather than broadly, analyzes a literary element

Literary Analysis and Other Works

As discussed above, literary analysis is often performed upon a single work—but it doesn’t have to be. It can also be performed across works to consider the interplay of two or more texts. Regardless of whether or not the works were written about the same thing, or even within the same time period, they can have an influence on one another or a connection that’s worth exploring. And reading two or more texts side by side can help you to develop insights through comparison and contrast.

For example, Paradise Lost is an epic poem written in the 17th century, based largely on biblical narratives written some 700 years before and which later influenced 19th century poet John Keats. The interplay of works can be obvious, as here, or entirely the inspiration of the analyst. As an example of the latter, you could compare and contrast the writing styles of Ralph Waldo Emerson and Edgar Allan Poe who, while contemporaries in terms of time, were vastly different in their content. 

Additionally, literary analysis can be performed between a work and its context. Authors are often speaking to the larger context of their times, be that social, political, religious, economic, or artistic. A valid and interesting form is to compare the author’s context to the work, which is done by identifying and analyzing elements that are used to make an argument about the writer’s time or experience. 

For example, you could write an essay about how Hemingway’s struggles with mental health and paranoia influenced his later work, or how his involvement in the Spanish Civil War influenced his early work. One approach focuses more on his personal experience, while the other turns to the context of his times—both are valid. 

Why Does Literary Analysis Matter? 

Sometimes an author wrote a work of literature strictly for entertainment’s sake, but more often than not, they meant something more. Whether that was a missive on world peace, commentary about femininity, or an allusion to their experience as an only child, the author probably wrote their work for a reason, and understanding that reason—or the many reasons—can actually make reading a lot more meaningful. 

Performing literary analysis as a form of study unquestionably makes you a better reader. It’s also likely that it will improve other skills, too, like critical thinking, creativity, debate, and reasoning. 

At its grandest and most idealistic, literary analysis even has the ability to make the world a better place. By reading and analyzing works of literature, you are able to more fully comprehend the perspectives of others. Cumulatively, you’ll broaden your own perspectives and contribute more effectively to the things that matter to you. 

Literary Terms to Know for Literary Analysis 

There are hundreds of literary devices you could consider during your literary analysis, but there are some key tools most writers utilize to achieve their purpose—and therefore you need to know in order to understand that purpose. These common devices include: 

• Characters: The people (or entities) who play roles in the work. The protagonist is the main character in the work. 
• Conflict: The conflict is the driving force behind the plot, the event that causes action in the narrative, usually on the part of the protagonist
• Context : The broader circumstances surrounding the work political and social climate in which it was written or the experience of the author. It can also refer to internal context, and the details presented by the narrator 
• Diction : The word choice used by the narrator or characters 
• Genre: A category of literature characterized by agreed upon similarities in the works, such as subject matter and tone
• Imagery : The descriptive or figurative language used to paint a picture in the reader’s mind so they can picture the story’s plot, characters, and setting 
• Metaphor: A figure of speech that uses comparison between two unlike objects for dramatic or poetic effect
• Narrator: The person who tells the story. Sometimes they are a character within the story, but sometimes they are omniscient and removed from the plot. 
• Plot : The storyline of the work
• Point of view: The perspective taken by the narrator, which skews the perspective of the reader 
• Setting : The time and place in which the story takes place. This can include elements like the time period, weather, time of year or day, and social or economic conditions 
• Symbol : An object, person, or place that represents an abstract idea that is greater than its literal meaning 
• Syntax : The structure of a sentence, either narration or dialogue, and the tone it implies
• Theme : A recurring subject or message within the work, often commentary on larger societal or cultural ideas
• Tone : The feeling, attitude, or mood the text presents

How to Perform Literary Analysis

Step 1: read the text thoroughly.

Literary analysis begins with the literature itself, which means performing a close reading of the text. As you read, you should focus on the work. That means putting away distractions (sorry, smartphone) and dedicating a period of time to the task at hand. 

It’s also important that you don’t skim or speed read. While those are helpful skills, they don’t apply to literary analysis—or at least not this stage. 

Step 2: Take Notes as You Read  

As you read the work, take notes about different literary elements and devices that stand out to you. Whether you highlight or underline in text, use sticky note tabs to mark pages and passages, or handwrite your thoughts in a notebook, you should capture your thoughts and the parts of the text to which they correspond. This—the act of noticing things about a literary work—is literary analysis. 

Step 3: Notice Patterns 

As you read the work, you’ll begin to notice patterns in the way the author deploys language, themes, and symbols to build their plot and characters. As you read and these patterns take shape, begin to consider what they could mean and how they might fit together. 

As you identify these patterns, as well as other elements that catch your interest, be sure to record them in your notes or text. Some examples include: 

• Circle or underline words or terms that you notice the author uses frequently, whether those are nouns (like “eyes” or “road”) or adjectives (like “yellow” or “lush”).
• Highlight phrases that give you the same kind of feeling. For example, if the narrator describes an “overcast sky,” a “dreary morning,” and a “dark, quiet room,” the words aren’t the same, but the feeling they impart and setting they develop are similar. 
• Underline quotes or prose that define a character’s personality or their role in the text.
• Use sticky tabs to color code different elements of the text, such as specific settings or a shift in the point of view. 

By noting these patterns, comprehensive symbols, metaphors, and ideas will begin to come into focus.  

Step 4: Consider the Work as a Whole, and Ask Questions

This is a step that you can do either as you read, or after you finish the text. The point is to begin to identify the aspects of the work that most interest you, and you could therefore analyze in writing or discussion. 

Questions you could ask yourself include: 

• What aspects of the text do I not understand?
• What parts of the narrative or writing struck me most?
• What patterns did I notice?
• What did the author accomplish really well?
• What did I find lacking?
• Did I notice any contradictions or anything that felt out of place?  
• What was the purpose of the minor characters?
• What tone did the author choose, and why? 

The answers to these and more questions will lead you to your arguments about the text. 

Step 5: Return to Your Notes and the Text for Evidence

As you identify the argument you want to make (especially if you’re preparing for an essay), return to your notes to see if you already have supporting evidence for your argument. That’s why it’s so important to take notes or mark passages as you read—you’ll thank yourself later!

If you’re preparing to write an essay, you’ll use these passages and ideas to bolster your argument—aka, your thesis. There will likely be multiple different passages you can use to strengthen multiple different aspects of your argument. Just be sure to cite the text correctly! 

If you’re preparing for class, your notes will also be invaluable. When your teacher or professor leads the conversation in the direction of your ideas or arguments, you’ll be able to not only proffer that idea but back it up with textual evidence. That’s an A+ in class participation. 

Step 6: Connect These Ideas Across the Narrative

Whether you’re in class or writing an essay, literary analysis isn’t complete until you’ve considered the way these ideas interact and contribute to the work as a whole. You can find and present evidence, but you still have to explain how those elements work together and make up your argument. 

How to Write a Literary Analysis Essay

When conducting literary analysis while reading a text or discussing it in class, you can pivot easily from one argument to another (or even switch sides if a classmate or teacher makes a compelling enough argument). 

But when writing literary analysis, your objective is to propose a specific, arguable thesis and convincingly defend it. In order to do so, you need to fortify your argument with evidence from the text (and perhaps secondary sources) and an authoritative tone. 

A successful literary analysis essay depends equally on a thoughtful thesis, supportive analysis, and presenting these elements masterfully. We’ll review how to accomplish these objectives below. 

Step 1: Read the Text. Maybe Read It Again. 

Constructing an astute analytical essay requires a thorough knowledge of the text. As you read, be sure to note any passages, quotes, or ideas that stand out. These could serve as the future foundation of your thesis statement. Noting these sections now will help you when you need to gather evidence. 

The more familiar you become with the text, the better (and easier!) your essay will be. Familiarity with the text allows you to speak (or in this case, write) to it confidently. If you only skim the book, your lack of rich understanding will be evident in your essay. Alternatively, if you read the text closely—especially if you read it more than once, or at least carefully revisit important passages—your own writing will be filled with insight that goes beyond a basic understanding of the storyline. 

Step 2: Brainstorm Potential Topics 

Because you took detailed notes while reading the text, you should have a list of potential topics at the ready. Take time to review your notes, highlighting any ideas or questions you had that feel interesting. You should also return to the text and look for any passages that stand out to you. 

When considering potential topics, you should prioritize ideas that you find interesting. It won’t only make the whole process of writing an essay more fun, your enthusiasm for the topic will probably improve the quality of your argument, and maybe even your writing. Just like it’s obvious when a topic interests you in a conversation, it’s obvious when a topic interests the writer of an essay (and even more obvious when it doesn’t). 

Your topic ideas should also be specific, unique, and arguable. A good way to think of topics is that they’re the answer to fairly specific questions. As you begin to brainstorm, first think of questions you have about the text. Questions might focus on the plot, such as: Why did the author choose to deviate from the projected storyline? Or why did a character’s role in the narrative shift? Questions might also consider the use of a literary device, such as: Why does the narrator frequently repeat a phrase or comment on a symbol? Or why did the author choose to switch points of view each chapter? 

Once you have a thesis question , you can begin brainstorming answers—aka, potential thesis statements . At this point, your answers can be fairly broad. Once you land on a question-statement combination that feels right, you’ll then look for evidence in the text that supports your answer (and helps you define and narrow your thesis statement). 

For example, after reading “ The Fall of the House of Usher ,” you might be wondering, Why are Roderick and Madeline twins?, Or even: Why does their relationship feel so creepy?” Maybe you noticed (and noted) that the narrator was surprised to find out they were twins, or perhaps you found that the narrator’s tone tended to shift and become more anxious when discussing the interactions of the twins.

Once you come up with your thesis question, you can identify a broad answer, which will become the basis for your thesis statement. In response to the questions above, your answer might be, “Poe emphasizes the close relationship of Roderick and Madeline to foreshadow that their deaths will be close, too.” 

Step 3: Gather Evidence 

Once you have your topic (or you’ve narrowed it down to two or three), return to the text (yes, again) to see what evidence you can find to support it. If you’re thinking of writing about the relationship between Roderick and Madeline in “The Fall of the House of Usher,” look for instances where they engaged in the text. 

This is when your knowledge of literary devices comes in clutch. Carefully study the language around each event in the text that might be relevant to your topic. How does Poe’s diction or syntax change during the interactions of the siblings? How does the setting reflect or contribute to their relationship? What imagery or symbols appear when Roderick and Madeline are together? 

By finding and studying evidence within the text, you’ll strengthen your topic argument—or, just as valuably, discount the topics that aren’t strong enough for analysis. 

Step 4: Consider Secondary Sources 

In addition to returning to the literary work you’re studying for evidence, you can also consider secondary sources that reference or speak to the work. These can be articles from journals you find on JSTOR, books that consider the work or its context, or articles your teacher shared in class. 

While you can use these secondary sources to further support your idea, you should not overuse them. Make sure your topic remains entirely differentiated from that presented in the source. 

Step 5: Write a Working Thesis Statement

Once you’ve gathered evidence and narrowed down your topic, you’re ready to refine that topic into a thesis statement. As you continue to outline and write your paper, this thesis statement will likely change slightly, but this initial draft will serve as the foundation of your essay. It’s like your north star: Everything you write in your essay is leading you back to your thesis. 

Writing a great thesis statement requires some real finesse. A successful thesis statement is: 

• Debatable : You shouldn’t simply summarize or make an obvious statement about the work. Instead, your thesis statement should take a stand on an issue or make a claim that is open to argument. You’ll spend your essay debating—and proving—your argument. 
• Demonstrable : You need to be able to prove, through evidence, that your thesis statement is true. That means you have to have passages from the text and correlative analysis ready to convince the reader that you’re right. 
• Specific : In most cases, successfully addressing a theme that encompasses a work in its entirety would require a book-length essay. Instead, identify a thesis statement that addresses specific elements of the work, such as a relationship between characters, a repeating symbol, a key setting, or even something really specific like the speaking style of a character. 

Example: By depicting the relationship between Roderick and Madeline to be stifling and almost otherworldly in its closeness, Poe foreshadows both Madeline’s fate and Roderick’s inability to choose a different fate for himself. 

Step 6: Write an Outline 

You have your thesis, you have your evidence—but how do you put them together? A great thesis statement (and therefore a great essay) will have multiple arguments supporting it, presenting different kinds of evidence that all contribute to the singular, main idea presented in your thesis. 

Review your evidence and identify these different arguments, then organize the evidence into categories based on the argument they support. These ideas and evidence will become the body paragraphs of your essay. 

For example, if you were writing about Roderick and Madeline as in the example above, you would pull evidence from the text, such as the narrator’s realization of their relationship as twins; examples where the narrator’s tone of voice shifts when discussing their relationship; imagery, like the sounds Roderick hears as Madeline tries to escape; and Poe’s tendency to use doubles and twins in his other writings to create the same spooky effect. All of these are separate strains of the same argument, and can be clearly organized into sections of an outline. 

Step 7: Write Your Introduction

Your introduction serves a few very important purposes that essentially set the scene for the reader: 

• Establish context. Sure, your reader has probably read the work. But you still want to remind them of the scene, characters, or elements you’ll be discussing. 
• Present your thesis statement. Your thesis statement is the backbone of your analytical paper. You need to present it clearly at the outset so that the reader understands what every argument you make is aimed at. 
• Offer a mini-outline. While you don’t want to show all your cards just yet, you do want to preview some of the evidence you’ll be using to support your thesis so that the reader has a roadmap of where they’re going. 

Step 8: Write Your Body Paragraphs

Thanks to steps one through seven, you’ve already set yourself up for success. You have clearly outlined arguments and evidence to support them. Now it’s time to translate those into authoritative and confident prose. 

When presenting each idea, begin with a topic sentence that encapsulates the argument you’re about to make (sort of like a mini-thesis statement). Then present your evidence and explanations of that evidence that contribute to that argument. Present enough material to prove your point, but don’t feel like you necessarily have to point out every single instance in the text where this element takes place. For example, if you’re highlighting a symbol that repeats throughout the narrative, choose two or three passages where it is used most effectively, rather than trying to squeeze in all ten times it appears. 

While you should have clearly defined arguments, the essay should still move logically and fluidly from one argument to the next. Try to avoid choppy paragraphs that feel disjointed; every idea and argument should feel connected to the last, and, as a group, connected to your thesis. A great way to connect the ideas from one paragraph to the next is with transition words and phrases, such as: 

• Furthermore 
• In addition
• On the other hand
• Conversely 

Step 9: Write Your Conclusion 

Your conclusion is more than a summary of your essay's parts, but it’s also not a place to present brand new ideas not already discussed in your essay. Instead, your conclusion should return to your thesis (without repeating it verbatim) and point to why this all matters. If writing about the siblings in “The Fall of the House of Usher,” for example, you could point out that the utilization of twins and doubles is a common literary element of Poe’s work that contributes to the definitive eeriness of Gothic literature. 

While you might speak to larger ideas in your conclusion, be wary of getting too macro. Your conclusion should still be supported by all of the ideas that preceded it. 

Step 10: Revise, Revise, Revise

Of course you should proofread your literary analysis essay before you turn it in. But you should also edit the content to make sure every piece of evidence and every explanation directly supports your thesis as effectively and efficiently as possible. 

Sometimes, this might mean actually adapting your thesis a bit to the rest of your essay. At other times, it means removing redundant examples or paraphrasing quotations. Make sure every sentence is valuable, and remove those that aren’t. 

Other Resources for Literary Analysis 

With these skills and suggestions, you’re well on your way to practicing and writing literary analysis. But if you don’t have a firm grasp on the concepts discussed above—such as literary devices or even the content of the text you’re analyzing—it will still feel difficult to produce insightful analysis. 

If you’d like to sharpen the tools in your literature toolbox, there are plenty of other resources to help you do so: 

• Check out our expansive library of Literary Devices . These could provide you with a deeper understanding of the basic devices discussed above or introduce you to new concepts sure to impress your professors ( anagnorisis , anyone?). 
• This Academic Citation Resource Guide ensures you properly cite any work you reference in your analytical essay. 
• Our English Homework Help Guide will point you to dozens of resources that can help you perform analysis, from critical reading strategies to poetry helpers. 
• This Grammar Education Resource Guide will direct you to plenty of resources to refine your grammar and writing (definitely important for getting an A+ on that paper). 

Of course, you should know the text inside and out before you begin writing your analysis. In order to develop a true understanding of the work, read through its corresponding SuperSummary study guide . Doing so will help you truly comprehend the plot, as well as provide some inspirational ideas for your analysis.

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Example of an Insightful Literary Analysis Essay

• DESCRIPTION Student writing Insightful Literary Analysis Essay
• SOURCE Wavebreakmedia / iStock / Getty Images Plus

Get a sense of what to do right with this literary analysis essay example. A literary analysis is more than a book report ; it goes deeper into the text, examining the themes, literary devices, characters, and more. To write a great literary analysis essay, you need a good thesis and a good grasp of the novel , story, poem, or other literary work you’re discussing. You also need examples for inspiration.

Sample Literary Analysis Essay for Middle School or High School

At the middle school level, a literary analysis essay can be as short as one page. For high schoolers, the essay may become much longer as they progress. Often, this type of essay will focus on a specific area of literary analysis , such as character development or imagery within a text. Students can sometimes choose the story, novel, or book series they wish to write about, and they learn to use quotes from the text to support their thesis statements.

This sample essay focuses on the character development of Laura in the book By the Shores of Silver Lake by Laura Ingalls Wilder. The thesis statement for this literary analysis essay is, “When her eldest sister loses her sight, Laura must suddenly take on the role of the oldest child in the family and grow in maturity.”

Literary Analysis of By the Shores of Silver Lake

In By the Shores of Silver Lake , Laura Ingalls Wilder focuses on the theme of coming of age, especially as it relates to her main character, Laura. Although this theme runs throughout the novel, it’s especially apparent as Laura’s role in the family changes. The novel begins with Laura’s older sister, Mary, losing her sight due to scarlet fever. This directly affects Laura, who must go from being a middle child to suddenly assuming the role of the oldest and acting as Mary’s eyes. It’s a role she has had no experience with, and as she learns to accept it and grow to meet her responsibilities, she begins to leave childhood behind.

In previous novels in the “Little House” series, Laura and Mary have a typical sibling relationship. Mary is the oldest and is often placed in charge of Laura, such as when Pa and Ma go to town and leave them alone together in the chapter “Keeping House” in On the Banks of Plum Creek . The two sometimes fight, and Laura plainly resents Mary’s bossiness while at the same time looking up to her sister. This relationship changes at the beginning of By the Shores of Silver Lake , which opens with a simple description of Mary’s rapidly fading eyesight and eventual blindness.

Throughout the first chapters, the reader sees the impact of Mary’s blindness on the family’s daily life. Mary can no longer see to care for herself, and as the family sets out on a journey to their new homestead in South Dakota, Laura’s responsibilities increase. She must guide Mary carefully at the depot as they board the train. In the boarding house, she must cut Mary’s meat for her at dinner and help her find her silverware and food. In the wagon that takes them farther west, she must sit on the uncomfortable end of a board seat to give Mary the safer spot in the middle. At the age of 12, Laura must suddenly make countless small adjustments to show she is responsible for Mary’s safety and well-being.

Even more significantly, Laura must “see out loud” for Mary, as is described in the chapter “Riding the Cars”: “On that dreadful morning when Mary could not see even sunshine full in her eyes, Pa had said that Laura must see for her.” Being Mary’s eyes is perhaps one of the most essential duties Laura takes on. She is not only responsible for Mary’s safety and practical needs, but she must also share her outlook on the world in a way that allows Mary to experience it too. This is no light burden, although Laura carries it well.

By the end of the novel, Laura has taken on the role of eldest. She even takes over Mary’s dream of becoming a school teacher. Laura swears to Mary that she will study hard and become a teacher so she can help finance Mary’s college education. She no longer has the option of sitting back and allowing her sister to lead. Instead, she must literally guide her sister from place to place. She must offer direction with her vision and words, and she must provide a means for her sister to achieve her dreams. Although Laura is only 13 at the end of the novel, she has grown significantly in maturity due to her changing role within the family.

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• DESCRIPTION Literary Analysis Essay Example
• SOURCE Created by Beth Wiggins for LoveToKnow

Why This Essay Is Successful

There are several qualities that make this an insightful literary analysis essay:

• Clear thesis statement - The thesis statement is clear and each point in the essay relates back to it.
• Supporting evidence - The details from the text, including quotes and specific examples, help to prove the thesis.
• Good introduction - The introduction clearly establishes the literary text being discussed and the thesis that will be proven in the essay.
• Strong conclusion - The conclusion restates the thesis and uses parallel structure to give the essay a sense of importance and finality.
• Transitions - Each paragraph in this essay begins or ends with a transition , allowing the words to flow smoothly from one section to the next.

Remember Your Style

As you write your essay don’t forget to document your sources and use the proper style guide. Whether you’re writing an essay in MLA style or a different style, you’ll find that proper formatting will help you get a better grade on any literary essay.

Literary Analysis Essay Writing

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How to Write a Literary Analysis Essay - A Step-by-Step Guide

Interesting Literary Analysis Essay Topics & Ideas

Have you ever felt stuck, looking at a blank page, wondering what a literary analysis essay is? You are not sure how to analyze a complicated book or story? 

Writing a literary analysis essay can be tough, even for people who really love books. The hard part is not only understanding the deeper meaning of the story but also organizing your thoughts and arguments in a clear way.

But don't worry!

In this easy-to-follow guide, we will talk about a key tool: The Literary Analysis Essay Outline. 

We'll provide you with the knowledge and tricks you need to structure your analysis the right way. In the end, you'll have the essential skills to understand and structure your literature analysis better.   So, let’s dive in!

Tough Essay Due? Hire Tough Writers!

• 1. How to Write a Literary Analysis Essay Outline?
• 2. Literary Analysis Essay Format 
• 3. Literary Analysis Essay Outline Example
• 4. Literary Analysis Essay Topics 

How to Write a Literary Analysis Essay Outline?

An outline is a structure that you decide to give to your writing to make the audience understand your viewpoint clearly. When a writer gathers information on a topic, it needs to be organized to make sense.

When writing a literary analysis essay, its outline is as important as any part of it. For the text’s clarity and readability, an outline is drafted in the essay’s planning phase.

According to the basic essay outline, the following are the elements included in drafting an outline for the essay:

• Introduction
• Thesis statement
• Body paragraphs

A detailed description of the literary analysis outline is provided in the following section.

Literary Analysis Essay Introduction

An introduction section is the first part of the essay. The introductory paragraph or paragraphs provide an insight into the topic and prepares the readers about the literary work.

A literary analysis essay introduction is based on three major elements:

Hook Statement: A hook statement is the opening sentence of the introduction. This statement is used to grab people’s attention. A catchy hook will make the introductory paragraph interesting for the readers, encouraging them to read the entire essay.

For example, in a literary analysis essay, “ Island Of Fear,” the writer used the following hook statement:

“As humans, we all fear something, and we deal with those fears in ways that match our personalities.”

Background Information: Providing background information about the chosen literature work in the introduction is essential. Present information related to the author, title, and theme discussed in the original text.

Moreover, include other elements to discuss, such as characters, setting, and the plot. For example:

“ In Lord of the Flies, William Golding shows the fears of Jack, Ralph, and Piggy and chooses specific ways for each to deal with his fears.”

Thesis Statement: A thesis statement is the writer’s main claim over the chosen piece of literature. 

A thesis statement allows your reader to expect the purpose of your writing. The main objective of writing a thesis statement is to provide your subject and opinion on the essay.

For example, the thesis statement in the “Island of Fear” is:

“...Therefore, each of the three boys reacts to fear in his own unique way.”

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Literary Analysis Essay Body Paragraphs

In body paragraphs, you dig deep into the text, show your insights, and build your argument.

 In this section, we'll break down how to structure and write these paragraphs effectively:

Topic sentence: A topic sentence is an opening sentence of the paragraph. The points that will support the main thesis statement are individually presented in each section.

For example:

“The first boy, Jack, believes that a beast truly does exist…”

Evidence: To support the claim made in the topic sentence, evidence is provided. The evidence is taken from the selected piece of work to make the reasoning strong and logical.

“...He is afraid and admits it; however, he deals with his fear of aggressive violence. He chooses to hunt for the beast, arms himself with a spear, and practice killing it: “We’re strong—we hunt! If there’s a beast, we’ll hunt it down! We’ll close in and beat and beat and beat—!”(91).”

Analysis: A literary essay is a kind of essay that requires a writer to provide his analysis as well.

The purpose of providing the writer’s analysis is to tell the readers about the meaning of the evidence.

“...He also uses the fear of the beast to control and manipulate the other children. Because they fear the beast, they are more likely to listen to Jack and follow his orders...”

Transition words: Transition or connecting words are used to link ideas and points together to maintain a logical flow.  Transition words  that are often used in a literary analysis essay are:

• Furthermore
• Later in the story
• In contrast, etc.

“...Furthermore, Jack fears Ralph’s power over the group and Piggy’s rational thought. This is because he knows that both directly conflict with his thirst for absolute power...”

Concluding sentence: The last sentence of the body that gives a final statement on the topic sentence is the concluding sentence. It sums up the entire discussion held in that specific paragraph.

Here is a literary analysis paragraph example for you: 

Literary Essay Example Pdf

Literary Analysis Essay Conclusion

The last section of the essay is the conclusion part where the writer ties all loose ends of the essay together. To write appropriate and correct concluding paragraphs, add the following information:

• State how your topic is related to the theme of the chosen work
• State how successfully the author delivered the message
• According to your perspective, provide a statement on the topic
• If required, present predictions
• Connect your conclusion to your introduction by restating the thesis statement.
• In the end, provide an opinion about the significance of the work.

For example,

“ In conclusion, William Golding’s novel Lord of the Flies exposes the reader to three characters with different personalities and fears: Jack, Ralph, and Piggy. Each of the boys tries to conquer his fear in a different way. Fear is a natural emotion encountered by everyone, but each person deals with it in a way that best fits his/her individual personality.”

Literary Analysis Essay Outline (PDF)

Literary Analysis Essay Format 

A literary analysis essay delves into the examination and interpretation of a literary work, exploring themes, characters, and literary devices. 

Below is a guide outlining the format for a structured and effective literary analysis essay.

Formatting Guidelines 

• Use a legible font (e.g., Times New Roman or Arial) and set the font size to 12 points.
• Double-space your essay, including the title, headings, and quotations.
• Set one-inch margins on all sides of the page.
• Indent paragraphs by 1/2 inch or use the tab key.
• Page numbers, if required, should be in the header or footer and follow the specified formatting style.

Literary Analysis Essay Outline Example

To fully understand a concept in a writing world, literary analysis outline examples are important. This is to learn how a perfectly structured writing piece is drafted and how ideas are shaped to convey a message. 

The following are the best literary analysis essay examples to help you draft a perfect essay. 

Literary Analysis Essay Rubric (PDF)

High School Literary Analysis Essay Outline

Literary Analysis Essay Outline College (PDF)

Literary Analysis Essay Example Romeo & Juliet (PDF)

AP Literary Analysis Essay Outline

Literary Analysis Essay Outline Middle School

Literary Analysis Essay Topics 

Are you seeking inspiration for your next literary analysis essay? Here is a list of literary analysis essay topics for you:

• The Theme of Alienation in "The Catcher in the Rye"
• The Motif of Darkness in Shakespeare's Tragedies
• The Psychological Complexity of Hamlet's Character
• Analyzing the Narrator's Unreliable Perspective in "The Tell-Tale Heart"
• The Role of Nature in William Wordsworth's Romantic Poetry
• The Representation of Social Class in "To Kill a Mockingbird"
• The Use of Irony in Mark Twain's "The Adventures of Huckleberry Finn"
• The Impact of Holden's Red Hunting Hat in the Novel
• The Power of Setting in Gabriel García Márquez's "One Hundred Years of Solitude"
• The Symbolism of the Conch Shell in William Golding's "Lord of the Flies"

Need more topics? Read our literary analysis essay topics blog!

All in all, writing a literary analysis essay can be tricky if it is your first attempt. Apart from analyzing the work, other elements like a topic and an accurate interpretation must draft this type of essay.

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Introducing the Literary Analysis Essay: Complete Step-By-Step Guide

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Description

Guide your upper middle and high school students step-by-step through writing the Literary Analysis Essay with these easy-to-use resources. Students will learn all the basics of strong thesis statements, clear topic sentences, specific evidence, and thorough elaboration.

• Graphic organizers include writing tips to help your students succeed.
• Revision strategies help students take ownership of their own writing.
• Color-coded samples help you model the expectations of formal, academic writing.

This "Writer's Toolbox" includes the following:

✅ Teaching Resources

• Teaching Tips & Strategies
• Tips for Time-Saving Feedback
• What is a Literary Essay?
• The Basics of a Literary Essay: Purpose, Audience, Patterns of Organization
• How to Attack a Prompt
• How to Write a Strong Thesis Statement
• What is a Topic Sentence?
• How to Write a Topic Sentence
• Color-Coded Sample Body Paragraph
• How to Give Evidence
• Introducing Quotes
• How to Elaborate
• How to Write an Introduction and Conclusion
• Color-Coded Sample Introduction & Conclusion
• Writing Tips and Reminders
• How to Write a Plot Summary

✅ Section 2: Graphic Organizers

• Literary Analysis Warm-Up (Use this to practice literary analysis without writing an essay.)
• Thesis Statement Think Sheet
• Write a Topic Sentence & Sample
• Evidence Organizer
• Literary Essay Graphic Organizer
• Review Your Outline
• Compare/Contrast Essay (The Outsiders)
• Elaboration Practice
• Write the Body Paragraphs
• Write the Introduction
• Write the Conclusion

✅ Section 3: MLA Format & Avoiding Plagiarism

• What is Plagiarism?
• Quick Reference Guide to MLA Format
• How to Cite Sources

✅ Section 4: Tools for Students

• Transition Words
• Academic Word Bank
• Writing Problem-Solving Strategies
• Literary Essay Checklist/Revision Strategies
• Revision Analysis Checklist
• Literary Essay Rubric

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• How to Write a Well-Developed Paragraph : How to Write a Topic Sentence & more!
• Expository Essay Outlines, Graphic Organizers, and Writing Prompts
• How to Write a Research Paper: Graphic Organizers and Writing Activities
• "The Tell-Tale Heart" Writing Activities with Elaboration Practice
• Daily Grammar Practice: Focus on Formal Writing

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Certified to teach English, grades 7-12

Twelve years of experience teaching the literary essay to eighth grade students in a differentiated classroom

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Bell Ringers

Literature analysis using mentor texts, middle school realistic fiction unit for literature analysis using mentor texts.

Young adult fiction novels are perfect for teaching literature concepts, literature terms, and literature analysis. 

When I developed this realistic fiction unit , I wanted to do so with mentor texts in mind. This unit focuses on literature analysis using mentor texts and  includes studying literary concepts, interacting with the text, and collaborating with others. This 300+ page unit takes 4 weeks and includes mentor text examples for grades 6-8, so you can use it each year!

Connecting with Literature Through Book Clubs

Whether you call them literature circles or book clubs, this realistic fiction unit is perfect for introducing books that your students will read together in groups. First, I like to use the Starbooks Realistic Fiction Novel Selection/Book Club Selections as a pre-lesson to have your students select books.

Let your students test the books with a book tasting at “Starbooks”. You can open up your own “coffee shop” in your classroom to have your students try out books before they make final decisions on their top five books. Get all you need to open up your own Starbooks!

Literature Concepts

I genuinely love teaching realistic fiction because kids can relate to so many of the characters. However, sometimes it’s hard to fit in all the literature concepts in four weeks. That’s exactly why I created this unit the way I did. It makes sure that the focus is literature analysis using mentor texts, but it also breaks down each literary device. 

I put together this realistic fiction unit with 18 lessons designed to cover multiple literature concepts and Common Core State Standards. The general idea is that Overall, here are all the lessons you’ll get with the realistic fiction unit:

• Starbooks Realistic Fiction Novel Selection/Book Club Selections
• Hard and Fast Figurative Language and Literature Terms
• Point of View Impact
• Setting Impact
• Analyzing Character Traits
• Direct and Indirect Characterization
• Analyzing Theme
• Literary Inferences
• Point of View vs. Perspective
• Literary Text Structures
• Inspiration from the Past
• Elements of Plot
• Figurative Language Analysis
• Theme Development
• Central Idea and Objective Summary
• Multimedia Versions Analysis
• Narrative Point of View

Each of realistic fiction unit lessons not only includes interactive notebook activities for independent learning or literature circle groups but also include links to reinforcement activities. The 18 lessons (including two pre-lessons) are designed to be flexible. Since the lessons are modeled after mentor texts, you can use them as they are or use the open questions designed for any realistic fiction novel or short story.

READING WORKSHOP

Each daily lesson follows a reading workshop schedule in the  realistic fiction unit . In addition, each lesson has the following sections:

• CCSS Learning Standards for 6th, 7th, and 8th
• Learning Target for Lesson
• Guiding Questions for Reading Responses
• Interpretive Question for Book Club Discussions
• Teacher Preparation (though all my examples can be used)
• Literature Interactive Notebook Lesson and Examples/Answer Keys
• Learning Period: Lesson, Read Aloud, and Modeling
• Reading Response Break Down
• Display Slides for Reading Response to show students an example for each lesson.
• Different Reading Response Example for each grade with Unique Mentor Texts for each (6th- Ghost by Jason Reynolds; 7th- Freak the Mighty by Rodman Philbrick, and 8th- The Outsiders by S.E. Hinton).
• Graphic organizer reading response options for all lessons
• Book Club Assignment

I start my class by having students complete a bell ringer for 5 minutes while I take attendance.

Next, students review and learn vocabulary terms necessary for the day’s lesson for 10 minutes.

During the next 20 minutes is the learning period. Read aloud from mentor texts to model good reading, metacognition, and also the targeted literature concept for the day.

Next, your students complete their reading response materials in interactive notebooks.

While the students work independently, you can grade their reading responses quickly from the day before.

Next, your students interact and discuss in their literature circle or book club books for 10 minutes or so.

Finally, spend the last few minutes wrapping up and sharing responses. Overall, your students experience reading workshops every day with these lessons. 

LITERATURE TERMS AND FIGURATIVE LANGUAGE REFERENCE NOTEBOOK

With the common core literature standards, there are honestly so many terms and concepts to unpack. Give your students the resources they need in this  realistic fiction unit  with literature terms and figurative language reference notebook pages.

All of the concepts covered in the unit are broken down on these convenient reference sheets. Easily store them in a notebook to use during the unit or they can be used all year long. To snag this for free >> CLICK HERE <<. 

ADDITIONAL RESOURCES

Your  realistic fiction unit  for literature analysis using mentor texts will have everything you need to teach realistic fiction from start to finish. However, additional resources include:

• Three Different Examples for All Reading Responses (6th- Ghost by Jason Reynolds; 7th- Freak the Mighty by Rodman Philbrick, and 8th- The Outsiders by S.E. Hinton).
• Reading Response Slides to Be Displayed While Students are Reading and Writing
• Book Club Slides to Be Displayed During Book Club Meetings
• Graphic Organizers for all Reading Responses
• Literature Circle Forms, Implementation Resources, and Group Grading and Forms.
• Editable Reading Response Rubrics
• Using the  middle school realistic fiction unit  for literature analysis will help your students learn all the common core state standards and engage and interact with high quality literature and one another. 

FREE LITERARY DEVICES REFERENCE BOOKLET

If you’re feeling overwhelmed when it comes to teaching ALL the literary devices in middle school ELA, then I’ve got you covered.

This FREE Literary Devices Booklet  has 17 different reference pages for middle school students to use as they do simple response to reading work or as they navigate their way through complete literary analysis essays.

Each reference pages takes a different category of literary devices and breaks it down into manageable chunks and concepts for students in a way that fosters their independence.

These reference pages will support turning your students into analytical readers and writers in no time. To snag this for free  >>  CLICK HERE  <<. 

• Read more about: Middle School Reading

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My ELA scope and sequence guides break down every single middle school ELA standard and concept for reading, writing, and language in 6th, 7th, and 8th grade. Use the guides and resources exactly as is or as inspiration for you own!

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