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Critical Thinking , Movie About Miami Jackson's Chess Champs, Available for Download

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Critical Thinking

Where to watch.

Watch Critical Thinking with a subscription on Netflix, rent on Fandango at Home, Prime Video, or buy on Fandango at Home, Prime Video.

What to Know

Strategic in delivering all the feels, Critical Thinking is a good old-fashioned underdog story that marks a winning directorial debut for John Leguizamo.

Critics Reviews

Audience reviews, cast & crew.

John Leguizamo

Mario Martinez

Rachel Bay Jones

Principal Kestel

Michael Kenneth Williams

Mr. Roundtree

Corwin C. Tuggles

Sedrick Roundtree

Jorge Lendeborg

Ito Paniagua

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Critical Thinking (2020) Cast and Crew

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Critical Thinking — Cast & Crew

John leguizamo.

Rachel Bay Jones

Michael Kenneth Williams

Corwin C. Tuggles

Jorge Lendeborg Jr.

Angel Bismark Curiel

Jeffry Batista

Will Hochman

Zora Casebere

Ramses Jimenez

Isaac Beverly

Todd Allen Durkin

Sydney Arroyo

Mike Benitez

John Manzelli

Betsy Graver

Landon Price

Gabriel Bonilla

Ruben e. a. brown.

Michele Lepe

Gene Harding

Tatum Price

Brandon Somers

Christy Antonio

Mario Martinez

Sedrick roundtree, oelmy paniagua, marcel martinez, rodelay medina, david brownstein.

Joshua Ritter

Daniel Augustin

Emily Leguizamo

Fernando morales.

Carlos Guerrero

Danitza Vazquez Maccarini

Hotty mathias.

Abigail Cannon

Celine alva.

Gabrielle Barlatier

Alex Bernadotte

Monica Kaufer

Darcy Klebs

Ezell Willis

Brandi Huzzie

Marsha Feldman

Francis allen.

Sidnei Barboza

Santos Caraballo

Bryan Cobaris

K.C. Colebrooke

Patrick h. fox.

Burton Gazzara

Joseph giambrone.

Francisco D Gonzalez

Kyera Greene

David w. leblanc.

P.J. Martinez

Eneida mascetti.

Nelisa Nieto

Darrell nutter, carmen pelaez.

Mitch Silver

Andrea Terrasa

Dondre Tuck

Paul Aldanée

Keanu gomes, angela herrera, rodly saint aude, dito montiel.

Jason Mandl

Scott M. Rosenfelt

Joseph Krutel

Elayne Schneiderman Schmidt

Carla berkowitz.

Harvey Chaplin

Emilio estefan jr..

John J. Brunetti Jr.

Zach zamboni.

Chris Hajian

Chris Foster

Lewis zucker, j. mark harrington, danny santiago, jamie kirkpatrick.

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Critical Thinking - Full Cast & Crew

• 65   Metascore
• 1 hr 57 mins
• Watchlist Where to Watch

In Miami's inner-city, teacher Mario Martinez steps up to coach Miami Jackson High School's struggling chess team, helping the ragtag group of teens to qualify for and claim victory at the 1998 United States National Chess Championship. Based on true events.

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Tv/streaming, collections, great movies, chaz's journal, contributors, critical thinking.

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In the press materials for “Critical Thinking,” producer Carla Berkowitz drops this line about her reaction to reading the true story that inspired the film: “The image and story was haunting and I felt like I had a quantum shift in my perception of chess and who plays it.” The who in question are five Miami-area Black and Latino men who, along with their teacher, Mr. Martinez, brought back to their underprivileged Florida neighborhood the U.S. National Chess Championship. This happened in 1998. The film chronicles the loving camaraderie of the players and the events leading up to their victory.

In that same press release, acclaimed writer and actor John Leguizamo , who plays Martinez and also directs, states that he wanted to make this film because there were very few representations of Latin people on-screen when he was growing up. He also mentioned that the book The Bell Curve  harmfully depicted people of color as being mentally inferior due to our genetics. I wondered if, like me, Leguizamo grew up in an environment where the Black and brown people he knew played chess, so that it wouldn’t seem unusual nor an anomaly that they did. Because Berkowitz’s statement really made me consider what exactly the standard issue chess player was supposed to look like.

Chess has appeared in a lot of movies, from Boaz Yakin ’s “ Fresh ” to Steven Zaillian ’s “Searching for Bobby Fisher” to 2016’s superb Mira Nair film, “ Queen of Katwe .” I even remember it being prevalent in a crappy Gary Coleman TV movie about a smart Black kid. The game always carries the same symbolic qualifier: the person who plays it has a mental capacity for strategy and is intelligent. Chess is often employed to teach life lessons in these movies, to the point where it has become a cliché that just so happens to be used differently depending on who’s playing it. This difference is something that I admit often sticks in my craw, so I found myself wrestling a bit with this movie even though it seemed to be addressing my concern.

Unlike Zaillian’s film, which I guess answers my question of what a “standard issue” chess player is supposed to look like, the protagonists in the other films I’ve mentioned, and in “Critical Thinking,” are people of color whose economical circumstances are far from ideal. This tends to be the model when minorities are seen playing chess in films, which bends the cinematic chess player cliché toward making the ability to play the game the audience’s reason to offer empathy. Sure, they’re broke, probably in crime-ridden areas and may even do a crime or two, but see, they’re smart, so it’s OK to feel for them! This line of thinking has to do with who stereotypically plays chess and who does not.

Leguizamo’s Mr. Martinez speaks to this early in “Critical Thinking” by asking why chess is never associated with brown people despite a Latin man playing a major role in its evolution. “Why don’t you think we know about him?” he asks the students in his critical thinking class before delivering a great, pointed monologue that speaks about how history is taught in schools. The script by Dito Montiel has some sharp commentary about the education system, from what gets funded to the over-reliance on test scores to the differences between Martinez’s inner city school and the posh preppy institutions who fall victim to our heroes on the tournament circuit. There’s a bit more bite than you may be expecting, and the writing is just prickly enough to balance out the moments when the film dives headfirst into its tropes. And there are numerous tropes to swim in; not only is this a sports movie, it’s also an entry in the “Beloved Teacher” genre.

Our chess champion team is comprised of Sedrick Roundtree ( Corwin C. Tuggles ), Ito Paniagua (Jorge Lendeborg Jr.), Gil Luna ( Will Hochman ), Rodelay Medina (Angel Curiel) and later, Marcel Martinez ( Jeffry Batista ) who joins the team after dispensing a hustler’s ass-whipping in a speed chess match. Their dialogue is peppered with the language the PG-13 won’t allow but realism will. Martinez is often telling them “watch your mouth” in his class, even if, in his less guarded moments, he’s prone to occasional profanity. Leguizamo gets good performances from each of them, especially in moments where you really feel the bond between teammates, both in the tournaments and in the streets. When they tell each other that they’ve got each other’s backs, there’s a real emotional pull that emanates straight from the actors.

Though this is an inspirational movie, Leguizamo and Montiel never sugarcoat the dangers of the environment their characters inhabit. The potential for violence, temporary homelessness, crime, and police harassment are always hovering in the margins, sometimes even invading the safe space of Martinez’s class or the school. An early sequence that shockingly ends in violence shows how good Leguizamo is at quickly establishing the audience’s tie to a character. When Rivera (Dre C) is thrown into critical thinking class after a disciplinary problem (“my class is not detention!” Martinez yells at frenemy Principal Kesler [ Rachel Bay Jones ]), he immediately runs afoul of Ito. Rivera’s lack of response is due to Spanish being his primary language, which may also have something to do with the infraction that got him sent to this class. Martinez talks to him in Spanish, lectures Ito and all seems well.

Rivera is then brutally assassinated in broad daylight after accidentally bumping into another person on the street. The film is barely 15 minutes old when this happens, but it immediately establishes that “Critical Thinking” has no plans of abandoning reality for its feel-good message. That sense of realism extends to the way the characters bond with, rib, and defend each other. Additionally, Leguizamo plays Martinez as someone who understands the temptations and frustrations of his students’ world. He challenges them to do for themselves because he knows all too well that the system has no intention of lending a helping hand.

Like Nair does in “Queen of Katwe,” Leguizamo also blatantly refuses to impose on poverty any notions of shame or requests for pity. “Chess is the great equalizer,” Martinez tells his team as they navigate snooty tournament heads and appearances against challengers from much posher ‘hoods. Even when things get expectedly dire for some of the characters, “Critical Thinking” remains focused on the characters’ response to the situation, never once stripping them of their dignity for cheap emotional manipulation.

Of all the team members, Sedrick has the most detailed arc. He has a girlfriend, Chanayah ( Zora Casebere ), who is supportive and tougher than she looks, and a father ( Michael Kenneth Williams ) whose sole job here is to fill that chess movie trope of the angry guy who uses chess as a means of brutal domination. Williams is an always welcome presence, but I could have done without him. Still, there is one very good moment where he shows some growth, and his son makes a snide comment that he silently acknowledges as being right.

The chess scenes are good even if you know nothing about chess. I’ve been playing since I was five, so of course I wanted more detailed representations than Leguizamo provides. I found his classroom lessons and the team’s banter about moves fascinating, and every time I was given a good look at a chessboard, I got closer to the screen to investigate. And yet, despite its acknowledgement of my aforementioned issues, I still felt a little itchy watching “Critical Thinking.” I am always game for a movie that makes me reckon with my personal feelings and biases, and I’m glad this one exists because representation will always speak volumes. If nothing else, “Critical Thinking” reminds you what a chess player can look like.

Odie Henderson

Odie "Odienator" Henderson has spent over 33 years working in Information Technology. He runs the blogs Big Media Vandalism and Tales of Odienary Madness. Read his answers to our Movie Love Questionnaire  here .

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Film credits.

Critical Thinking (2020)

117 minutes

John Leguizamo as Mario Martinez

Rachel Bay Jones as Principal Kestel

Michael Kenneth Williams as Mr. Roundtree

Corwin C. Tuggles as Sedrick Roundtree

Jorge Lendeborg Jr. as Ito Paniagua

Angel Bismark Curiel as Rodelay Medina

Will Hochman as Gil Luna

Jeffry Batista as Marcel Martinez

Zora Casebere as Chanayah

• John Leguizamo
• Dito Montiel

Cinematographer

• Zach Zamboni
• Jamie Kirkpatrick
• Chris Hajian

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Critical thinking.

Directed by John Leguizamo

Chess is the great equalizer

Based on a true story from 1998, five Latino and Black teenagers from the toughest underserved ghetto in Miami fight their way into the National Chess Championship under the guidance of their unconventional but inspirational teacher.

John Leguizamo Rachel Bay Jones Michael Kenneth Williams Corwin C. Tuggles Jorge Lendeborg Jr. Angel Bismark Curiel Will Hochman Jeffry Batista Zora Casebere Ramses Jimenez Todd Allen Durkin Brandon Somers Isaac Beverly Ruben E. A. Brown Sydney Arroyo Carlos Guerrero Michele Lepe Tatum Price

Director Director

John Leguizamo

Producers Producers

Scott M. Rosenfelt Elayne Schneiderman Schmidt Jason Mandl Joseph Krutel John J. Brunetti Jr.

Writer Writer

Dito Montiel

Casting Casting

Avy Kaufman

Editor Editor

Jamie Kirkpatrick

Cinematography Cinematography

Zach Zamboni

Executive Producers Exec. Producers

John Leguizamo Emilio Estefan Jr. Carla Berkowitz Harvey Chaplin

Production Design Production Design

J. Mark Harrington

Art Direction Art Direction

Lewis Zucker

Set Decoration Set Decoration

Composer composer.

Chris Hajian

Costume Design Costume Design

Danny Santiago

Hairstyling Hairstyling

Carol Raskin

Cinema Veritas NRSP Perfect Balance

Primary Language

Spoken languages.

English Spanish

Releases by Date

18 dec 2020, 21 jan 2021, 04 sep 2020, 05 may 2021, releases by country, russian federation.

• Theatrical 18+
• Theatrical 輔12級

117 mins   More at IMDb TMDb Report this page

Popular reviews

Review by Dave Taylor ★★½ 5

I know nothing about chess, but based on the overview given in this movie, it is the most random game in the whole world.

I think therein lies the problem for casual viewers checking this out. I watch hockey about as much as I play chess, but I know if the puck goes in the net, the team that put the puck in the net gets a point. They try to film the chess matches in a similar fashion to your standard sports movies, but I didn’t feel any tension mount (except for the last match) because there didn’t seem to be any rhyme or reason to what pieces were being moved. I only knew the good guys won after…

Review by JBird ★★★

Leguizamo wants his students to Critical Think, Like how to draw or come back from the brink. Although no one planned it, The year of the Gambit, With two chess submissions that don't stink.

Review by Joshua Arispe ★★★ 4

I should probably start off by mentioning that I’m an avid chess player. Chess is the greatest game ever invented and I play it quite often. Some friends of mine also worked on this movie, which I think is pretty cool. So I had many reasons to give Critical Thinking a watch. 

It clicked with me right away. Not as inspiring as it tries to be (thanks to some lame subplots and side characters) but I enjoyed the in-depth look at chess and John Leguizamo as the instantly likeable teacher. Reminded me a lot of Edward James Olmos’ Jaime Escalante from Stand and Deliver . He nails the role and made me wish I had a teacher like him. Hell, I…

Review by Karl ★★★

The true story of a chess team from an underfunded, underserved Florida public high school. Fortunately they have a passionate teacher, Mr. Martinez, who will do whatever it takes to get them to the chess finals in Beverly Hills. Sure it's cliche and you've seen variations of this underdog can-do spirit/inspirational story before, but when it's done right it can be among the most rewarding of viewings.

It's the kind of film that feels great while watching it, but won't likely stay with you, preventing from transcending the formula. The young actors make things worthwhile, particularly Jorge Lendeborg Jr., who has it the roughest of the five players. Also on hand is the late Michael Kenneth Williams. John Leguizamo, who…

Review by Luke Robertson ★★★½

I love this genre of movie. Underdog sports team come together to completely overcome the odds. It’s not my favourite in the genre but it is still a good movie. The cast are decent as well. If you are a fan of high school dramas then I think you’ll enjoy this.

Review by danielle ⚡ ★★ 1

movies can't be formulaic and long like pick a struggle

Review by Tim McClelland ★★★½ 1

There are many films of this type. We've seen the inspirational teacher with the underdog students fighting for their time to shine. When you start watching a film that follows that formula, it will need something special to help it stand out. This movie has cliched elements, but it also has heart and it had me on edge even though I knew the outcome. It took a little time to get me invested, but once I was, I was all in on the movie. It is a great true story so to see it made into a pretty decent film is awesome. I really enjoyed watching this. There is a great story here that has some wonderful characters and it will leave you feeling good. If a movie like this leaves me with a smile on my face, I'd say it did its job just fine.

Review by Justin Decloux ★★★½

I am a sucker for an 'Based on a True Story' underdog sports movie, and the fact that this is about chess (a game I have no interest in playing, but I love due to ti's simple complexity), and stars (and was directed by) John Leguizamo makes this even more my kind of thing. It hits all the expected beats, kind of muddles it's finale (Oh, that's it?), and is directed in a workman like fashion, but I still found it a thrill.

I will continue to not play chess.

Watched for The Bay Street Video Podcast :https://soundcloud.com/thebaystreetvideopodcast

Review by Nicholas Faron ★★★½

I've never understood chess, but hot damn is it exciting to watch (on screen that is).

Review by Jacob Knight ★★★

This review may contain spoilers. I can handle the truth.

John Leguizamo’s feature directorial debut is an R-rated, Dito Montiel scripted after school special about inner city Miami kids winning the US National Chess Championship in ‘98. It hits every beat you expect it to, including Leguizamo (who plays the boys’ coach/teacher/mentor) reading poetry to his class, and even has one of the would-be champs return to the streets to sell drugs for a local assassin after he loses his job. And you know what? That’s fine, because even though Leguizamo isn’t a born filmmaker (the direction here is the very definition of “workmanlike”) he injects street smarts and a POV that, when combined with the troupe young/non-actors, makes it all feel lived-in as opposed to schmaltzy (which, I mean, it still totally is). Maybe I’m just a sucker for this sort of thing, but the amount of screen time devoted to the strategic history of chess alone made the dorkier parts of my brain light up.

Review by waz ★★★½ 2

Coach Carter meets Fresh meets The Queen’s Gambit . There’s truly nothing more exhilarating than seeing two individuals duke it out on one of the most ancient boardgames in history.

With the release of The Queens Gambit  as well as the sudden surge by many popular Twitch streamers, 2020 was a great year for chess that brought hundreds of newcomers to the game. Although this film in particular may have slipped under the radar during the chess boom, it has plenty of heart to it and finishes on a strong, inspirational note. There’s a bit of something for all chess players to be able to relate to or enjoy here whether it’s seeing the camaraderie within a tight-knit team or the familiar intrigue of…

Review by Jeremy Kremser ★★★

My dad didn’t make a single racially charged comment during this whole movie it’s a Christmas miracle

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Summary Based on a true story from 1998, five LatinX and Black teenagers from the toughest underserved ghetto in Miami fight their way into the National Chess Championship under the guidance of their unconventional but inspirational teacher.

Directed By : John Leguizamo

Written By : Dito Montiel

Critical Thinking

Where to watch.

John Leguizamo

Mr. martinez, rachel bay jones, principal kestel, michael kenneth williams, mr. roundtree, corwin c. tuggles, sedrick roundtree, jorge lendeborg jr., oelmy 'ito' paniagua, angel bismark curiel, rodelay medina, jeffry batista, marcel martinez, will hochman, zora casebere, ramses jimenez, isaac beverly, todd allen durkin, detective ransone, detective vargas, michael rivera, sydney arroyo, mike benitez, jitney driver, john manzelli, betsy graver, landon price, concerned coach, critic reviews.

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‘Critical Thinking’ Review: John Leguizamo’s Inspirational High-School Chess Drama

The true story of the Miami Jackson High chess team — five brainy wizards from the inner city — is told in a rousing but conventional way.

By Owen Gleiberman

Owen Gleiberman

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“ Critical Thinking ” is one of those up-from-the-streets high-school competition movies where just mentioning the true story it’s based on kind of gives the game away. Set in 1998, it’s about the five chess wizards from Miami Jackson High who became the first inner-city chess team to win the National Championship. Boom! But, of course, it’s how they got there that matters, and even if this movie weren’t based on a true story, you’d know more or less know where it’s going. “Critical Thinking” has some appealing young actors, and it’s been directed, by John Leguizamo (who costars as the film’s tough-saint teacher), in a way that gives them the space to clown around and then get serious. It’s still, in the end, a bit of a connect-the-inspirational-dots movie, but that doesn’t mean you won’t be inspired.

Leguizamo plays Mario Martinez, who teaches an elective class in chess at Miami Jackson, where his students call him “Mr. T.” They’re a rowdy, bellicose, street-smart bunch, hard to control in class, so at first we think we’re seeing one of those movies, like “Stand and Deliver” or “To Sir, with Love,” about a captivatingly square gadfly instructor who shows a bunch of underprivileged kids how to transcend the expectations (or lack thereof) that have been thrust upon them.

In a way, “Critical Thinking” is one of those movies, though with a crucial caveat: The basic training — the intellectual whipping into shape — has all happened before the drama even starts. Martinez, in his thankless underpaid plaid-shirts-off-the-rack way, is beloved by his students, and he has taught them well; they’re chess players who’ve got the game in their blood. (It’s the only thing that gets them to settle down .) Leguizamo, who spent a number of his early one-man stage shows sketching in (often quite brilliantly) the lives of young people from a similar background, knows how to create scenes that bubble with spontaneity. And he himself plays Martinez with an effusive, slightly weary middle-aged demeanor that’s touching, because what he nails is the unabashed corniness of certain great high-school teachers — their willingness to put on a show for their kids, to turn the life of the mind into energized nerd theater.

At one point, using the magnetic chess board at the front of the class, he plays out a chess match authored (and recorded) by Paul Morphy in 1858, and he makes it sound as exciting as something on Roblox. He employs silly accents (Southern, French, Austrian) and puts on wigs and fake beards to enact the game, and he draws the kids into it, challenging them in his geek-with-cool-slang way (“Why is it a wack move, Sedrick? Don’t just talk to me, man, show me!”).

It’s one of the only scenes where we actually witness the mechanics of chess, and while that’s always a challenge for a chess drama (there’s only so much it can lure the lay audience into the heady intricacies of the game), I wish the students’ connection with chess were less of a given, and a little less abstract. Watching “Critical Thinking,” you’d never even know that the art of chess is rooted in thinking several moves ahead. Yet Leguizamo stages the matches with percussive power, the kids pounding their time clocks even as their eyes burrow into the board like lasers.

Much of the film’s appeal lies in the way it revels in chess as a pure symbol of leveling the playing field of opportunity. As Mr. T explains, chess is “the great equalizer.” It doesn’t matter how rich or poor you are, what Ivy League college or prison you’re in: The elemental nature of the game shears away everything but intellectual ability. So in a drama like “Critical Thinking,” where five students (four Latinx and one African-American) bust out of a high school with limited resources to attend a series of tournaments, there’s a democracy-in-action, anyone-can-win-in-America spirit.

The actors are terrific; the roles, as written, less so. Leguizamo is working from a script, by Dito Montiel, that walks the line between lived-in experience and overboiled cliché. Sedrick is played by Corwin Tuggles, who has a great pensive face, and he lends conviction to the character’s struggles at home. But it still feels like a contrivance that his father (Michael Kenneth Williams), an angry curmudgeon who treats his son’s chess victories as if they were beneath contempt, is also…the guy who plays chess with him every day! The other pivotal character is the canny hothead Ito (Jorge Lendeborg Jr,.), who begins to moonlight as a drug dealer, and though it’s not that we don’t buy it, it plays out like one of those obligatory flirtation-with-delinquency subplots from the 1980s.

There’s also a newly arrived immigrant from Cuba who joins the class — a sleek prodigy named Marcel (Jeffrey Batista), who can play (and win) four simultaneous games with his eyes closed. Always good to have someone like that on your team! As likable an actor as Leguizamo is, “Critical Thinking” never generates the teacher/student face-off intensity that “Stand and Deliver” did. The issue of how the team members fund their trips, with Martinez having to win over a skeptical principal (Rachel Bay Jones), creates some tension along the sidelines, yet once these kids start to win their tournaments it seems like they can do no wrong. The picture is pleasant enough, but watching it you’re always one or two moves ahead.

Related: 

Reviewed online, Aug. 31, 2020. MPAA Rating: Not rated. Running time: 113 MIN.

• Production: A Vertical Entertainment release of a Chaplin/Berkowitz production, in association with NRSP, Cinema Veritas. Producers: Scott Rosenfelt, Jason Mandl. Executive producers: Harvey R. Chaplin, Carla Berkowitz, Emilio Estefan Jr.
• Crew: Director: John Leguizamo. Screenplay: Dito Montiel. Camera: Zach Zambone. Editor: Jamie Kirkpatrick. Music: Chris Hajian.
• With: John Leguizamo, Corwin Tuggles, Jorge Lendeborg Jr., Will Hochman, Angel Curiel, Jeffrey Batista, Michael Kenneth Williams, Rachel Bay Jones, Zora Casebere.

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Critical Thinking (2020 movie) John Leguizamo

Critical thinking movie 2020 trailer, cast john leguizamo, rachel bay jones | drama..

Critical Thinking tells the true story of Cuban-American teacher Mario Martinez ( John Leguizamo ) and his national championship winning chess team at Miami Jackson High School. In 1998, Martinez forms a chess team with five LatinX and Black teenagers from the toughest underserved ghetto in Miami. With his guidance and unconventional methods, Martinez inspires the teens to achieve their potential.

This American biographical drama film is directed by John Leguizamo, from a screenplay by Dito Montiel. It stars Leguizamo, Rachel Bay Jones, Michael K. Williams, Jorge Lendeborg Jr., Angel Bismark Curiel, Will Hochman, Corwin Tuggles, Jeffry Batista, Zora Casebere and Ramses Jimenez.

• Starring : John Leguizamo/ Rachel Bay Jones
• Genre : Drama
• Country : United States
• Language : English
• Director : John Leguizamo
• Production : Cinema Veritas / Hialeah Park Studios / NRSP / Perfect Balance
• Distributor : Front Row Filmed Entertainment

Critical Thinking movie

Critical Thinking release date

• September 4, 2020 : USA (internet)
• September 4, 2020 : USA (limited)

Critical Thinking cast

• John Leguizamo as Mario Martinez
• Rachel Bay Jones as Principal Kestel
• Michael Kenneth Williams as Mr. Roundtree
• Corwin C. Tuggles as Sedrick Roundtree
• Jorge Lendeborg Jr. as Ito Paniagua (as Jorge Lendeborg)
• Angel Bismark Curiel as Rodelay Medina
• Will Hochman as Gil Luna
• Jeffry Batista as Marcel Martinez
• Zora Casebere as Chanayah
• Ramses Jimenez as Andre Lamar
• Todd Allen Durkin as Detective Ransone
• Brandon Somers as Harutyun Akopyan
• Isaac Beverly as Pickle
• Ruben E. A. Brown as Donny
• Sydney Arroyo as Cornelia

In November 2018, it was announced John Leguizamo will be directing Critical Thinking from a screenplay by Dito Montiel and that Jorge Lendeborg Jr., Michael K. Williams, Angel Bismark Curiel, Will Hochman, Jeffry Battista, Corwin Tuggles and Rachel Bay Jones had joined the cast of the film.

Critical Thinking was scheduled to have its world premiere at South by Southwest in March 2020. However, the festival was cancelled due to the COVID-19 pandemic. Vertical Entertainment acquired distribution rights to the film and scheduled it for release on September 4, 2020.

Leguizamo’s feature directorial debut holds an 89% approval rating on review aggregator website Rotten Tomatoes, based on 9 reviews.

Also, check these topics out: Agents of S.H.I.E.L.D. Season 7 Episode 12 , Hoops Netflix , Marvel movies in order by release date , I’m Thinking of Ending Things movie , Who won The Masked Singer 2019 , The Game movie , 2020 Oscars , Murder in the Woods trailer , Kids Choice Awards 2020 vote . Critical Thinking (2020 movie) John Leguizamo. Critical Thinking movie 2020 trailer, cast John Leguizamo, Rachel Bay Jones | Drama.

Critical Thinking Wikipedia

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Critical Thinking: Is the 2020 Movie Based on Real Chess Players?

Directed by John Leguizamo, ‘Critical Thinking’ is a 2020 sports film that follows a group of kids from Miami Jackson High School trying to win the National Chess Championship. Led by Mario Martinez, the team comprises Sedrick Roundtree, Marcel Martinez, Gilbert Luna, Rodelay Medina, and Olemy Paniagua. The five boys come from the inner parts of Miami, where the families strive daily for necessities such as food, shelter, and clothing. Coach Mario Martinez sees their interest in chess as an opportunity for growth and sets out on a quest to create history.

Set in 1998, the film portrays what it’s like to come from underprivileged backgrounds and how classism deprives poor people of great opportunities. In addition, the narrative tackles subjects such as racism and juvenile crimes and depicts how the latter results from several other factors in a system that doesn’t uplift the downtrodden. The various characters and backdrops feel authentic and allow the audience to empathize with the people they see onscreen. The compelling performances and organic character journeys have made many wonder if the the story is rooted in reality. Well, allow us to shed some light on the matter.

Critical Thinking: Based on True Events

Yes, ‘Critical Thinking’ is a true story. Written by Dito Montiel and directed by John Leguizamo, the movie captures the events leading up to the 1998 National Chess Championship. It showcases how Mario Martinez and his team of boys from Miami Jackson High School won the title. The group is also the first-ever team from Miami to win the national title in chess . Executive producer, Carla Berkowitz, came up with this idea when she read an article in 1997 about the boys of Miami Jackson. She wanted to tell the story of all these boys doing such incredible things in the chess world with Mario Martinez’s help.

Interestingly the movie is quite close to how the events unfolded in real life. All 5 players in the movie are based on real-life chess players. Even the character of Coach Mario Martinez in the film has a real-life counterpart, who is a chess teacher . The real-life figures also played a significant role in the filming process. In an interview with CineMovie, Carla Berkowitz said , “All the boys that were portrayed and Mario obviously were the consultants in the chess movie.”

Another fascinating aspect is that Berkowitz wanted to make the movie for about two decades. Although filming began in 2018, Carla Berkowitz has been in touch with all players and Mario Martinez since 1997. While describing the movie’s accuracy, the real Mario Martinez and Carla Berkowitz mentioned a few things. First, all games we see the players play in the movie were played by their real-life counterparts. Second, Marcel’s book of chess moves also existed in real life. Third, the scene where Marcel plays with Mario, Sedrick, Roddy, and Gil, with his eyes closed, happened in reality too.

Numerous events in the movie mirror circumstances that transpired in reality, which elevates the narrative’s authenticity. ‘Critical Thinking’ is far more than a chess championship for Mario Martinez and the boys. The group comes from a place where they have nothing but want to create a better life for themselves. However, the boys do not get a fair shot at anything due to racial discrimination and financial circumstances. Coach Martinez sees chess as an opportunity and a metaphor for their life.

At the film’s beginning, Martinez says that chess is an equalizer that puts everyone on a level playing field. In fact, the teacher solves almost every problem with a chess move because he considers the game symbolic of life. The ideology comes from the real-life coach. In an interview with Orlando Sentinel, he said , “Chess is a way of looking at choices and realizing, ‘If I do this, then this will happen. If I do that, then that will happen,'” Martinez deduced, “Choices have consequences. That’s critical thinking. That’s analytical. And that’s life.”

The coach always applies this philosophy in the movie, which leads the boys to bag the national title. Marcel wins the title for the individuals’ category, and Miami Jackson High School wins in the teams’ category. In real-life, Coach Martinez didn’t stop with the 1998 championship title. The teacher went on to win several more via kids who developed an interest in the sport. In the next four years, he offered his guidance to various teams comprising different players representing Miami Jackson and won 4 more national championship titles.

In 2000, Rodelay Medina became the national champion in the expert division. Marcel played three opponents simultaneously while being blindfolded. Therefore, to reiterate, ‘Critical Thinking’ is a true story of a group of boys and their coach from Miami Jackson. It essays how Martinez and his team become the first from Miami to win the National Chess Championship. The narrative also portrays how the boys overcome several struggles and move toward a hopeful future.

Read More: Is Mario Martinez Based on a Real-Life Coach? Where is He Now?

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Critical thinking, common sense media reviewers.

Underdog chess team defies odds but plays into stereotypes.

A Lot or a Little?

What you will—and won't—find in this movie.

Positive themes of teamwork and defiance against t

Main characters are depicted as underdogs whose su

Frequent gun use. One character is abruptly shot a

Occasional kissing.

Frequent use of the words "f--k," "s--t," and "ass

Adults get drunk. Underage characters smoke cigare

Parents need to know that Critical Thinking is a fact-based drama about a high school chess team from an underserved community that defies the odds to make it to the U.S. National Chess Championship. Directed by and starring John Leguizamo, the movie has frequent swearing ("f--k," "s--t," etc.), underage…

Positive Messages

Positive themes of teamwork and defiance against the odds are prevalent. While it exposes some of the broken systems in public education, it fails to fully portray its teen characters' humanity, contributing to problematic stereotypes.

Positive Role Models

Main characters are depicted as underdogs whose success goes against everyone's expectations. Some show determination, but most play into stereotypes associated with Black and Latinx teens from under-resourced communities -- i.e., unmotivated, unintelligent jokesters. That makes it seem like their success is because of some paradoxical talent instead of their strength of character. Failure to see these kids' humanity contributes to their stereotyping, on-screen and off.

Violence & Scariness

Frequent gun use. One character is abruptly shot and killed. Another character is punched and strangled to death. Parents emotionally abuse children.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Frequent use of the words "f--k," "s--t," and "ass."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Drinking, Drugs & Smoking

Adults get drunk. Underage characters smoke cigarettes. Drug dealing.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Critical Thinking is a fact-based drama about a high school chess team from an underserved community that defies the odds to make it to the U.S. National Chess Championship. Directed by and starring John Leguizamo , the movie has frequent swearing ("f--k," "s--t," etc.), underage cigarette smoking, drug dealing, punching, strangling, and gun violence that results in death. Parents emotionally abuse children. While positive themes of teamwork and overcoming challenges are prevalent, the movie's Black and Latinx teens are stereotypically depicted as unintelligent with little work ethic and their success as an anomaly. Rachel Bay Jones and Michael Kenneth Williams co-star. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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What's the Story?

In CRITICAL THINKING, teacher Mr. T ( John Leguizamo ) oversees an unofficial detention hall at Miami Jackson Senior High School, where students are sent if they're deemed troublesome. Mr. T seizes the opportunity to start a chess team, all while navigating limited resources, a school with little faith in his students' abilities, and the stressors of his students' turbulent personal lives. When the team starts to succeed, the students come up with creative fundraisers to pay for travel and lodging at their competitions. But none of this is easy. One teen faces pressures at home from an emotionally abusive father who resents his son's talents. Another is pulled into dealing drugs to make ends meet. All the while, Mr. T is the loving, encouraging adult they crave.

Is It Any Good?

This drama is the classic story of an underdog team overcoming the odds and making it all the way; unfortunately, it falls back on stereotypical characterizations to tell its tale. The Miami Jackson team seems to be in this position because its members -- Black and Latinx teens from under-resourced communities -- have historically underestimated identities. The film plays on the biases that are often held about these identities by depicting the teens as shiftless and unfocused. They're careless in their fundraising efforts, they try to pass notes during tournaments, and they use the threat of physical violence to intimidate their opponents.

Their chess skills are an afterthought, making their success feel like an anomaly. And it certainly doesn't help that a White teen joins the team as they gain momentum and becomes their shining star -- teaching the other kids new chess moves and giving them vocabulary lessons. He's the only teen character whose background, personal life, and stressors aren't explored. So while Critical Thinking is diverse in its casting and exposes some of the broken systems in public education, it misses the mark in humanizing its characters. The failure to see these kids' humanity contributes to their stereotyping, on-screen and off.

Talk to Your Kids About ...

Families can talk about how Critical Thinking handles stereotypes and biases. Can media offer positive representations while still promoting stereotypical characterizations?

What does Critical Thinking teach viewers about student engagement and the importance of teaching things in a fun way?

What role does teamwork play in Critical Thinking ? Why is it an important character strength ?

Movie Details

• In theaters : September 4, 2020
• On DVD or streaming : September 4, 2020
• Cast : John Leguizamo , Rachel Bay Jones , Michael Kenneth Williams
• Director : John Leguizamo
• Inclusion Information : Latino directors, Latino actors, Female actors
• Studio : Vertical Entertainment
• Genre : Drama
• Topics : High School
• Character Strengths : Teamwork
• Run time : 117 minutes
• MPAA rating : NR
• Last updated : February 19, 2023

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CULTURE MIX

Where Lifestyle Cultures Blend

Review: ‘Critical Thinking,’ starring John Leguizamo, Jorge Lendeborg Jr., Angel Bismark Curiel, Corwin Tuggles, Will Hochman, Rachel Bay Jones and Michael Kenneth Williams

Arts and Entertainment

Angel Bismark Curiel , Corwin Tuggles , Critical Thinking , drama , Jeffry Batista , John Leguizamo , Jorge Lendeborg Jr. , Miami , Michael Kenneth Williams , movies , Rachel Bay Jones , reviews , Will Hochman , Zora Casebere

September 5, 2020

by Carla Hay

“Critical Thinking”

Directed by John Leguizamo

Culture Representation:  Taking place primarily in Miami in 1998, the drama “Critical Thinking” has a racially diverse cast (Latino, African American and white people) representing the working-class and middle-class.

Culture Clash:  A dedicated teacher in a tough Miami school encourages his students to learn how to play chess to boost their learning skills, even though they live in an area where some people pressure the students to become school dropouts and criminals. 

Culture Audience: “Critical Thinking” will appeal primarily to people who like feel-good stories about people who overcome obstacles, despite having the odds stacked against them .

There have been many movies about underestimated students, led by an inspirational teacher, who go on to achieve a certain goal together. In these movies, the students are usually underprivileged or disadvantaged in some way when they go up against people who are more privileged and have more advantages than the “underdogs” have. “Critical Thinking” (which is a very bland title for a movie that’s actually quite good) takes this concept and makes a slightly above-average movie, even though it hits a lot of familiar tonal beats that lead to a very predictable ending.

John Leguizamo not only stars in “Critical Thinking,” but he also makes his theatrical-release feature-film directorial debut with the movie, which is based on true events about a group of underprivileged students who competed in a national chess championship. Under his solid direction, “Critical Thinking” has some moments that are less cliché than others. Dito Montiel’s screenplay for “Critical Thinking” doesn’t clutter the movie with too many backstories, although it leaves the impression that the teacher gave higher priority and more attention to the male students than the female students.

In “Critical Thinking,” which takes primarily in place in Miami, it’s 1998 at Miami Jackson High School, where many students are from financially deprived homes in crime-ridden neighborhoods. Mario Martinez (played by Leguizamo) is a teacher for an elective class called Critical Thinking. Mario knows his class is often a dumping ground where delinquent students are sent, but that doesn’t stop him from fighting for the type of respect (and budget) that the financially strapped school gives to regular classes.

Mario’s boss is school principal Ms. Kestel (played by Rachel Bay Jones), a hard-nosed cynic who has an air of racial condescension about her when she deals with Mario and the school’s students, who are mostly people of color. Ms. Kestel comes across as someone who wants everyone to think she’s doing her part to help underprivileged kids, but she’s the type that thinks she’s too good to actually mix with people of color in her personal life.

The threat of violence is always a danger to many of the school’s students. A Spanish-speaking immigrant student who is transferred into Mario’s class doesn’t attend the class for very long, because he gets shot and killed on the street by a local gangster over a petty misunderstanding. Ms. Kestel has this reaction when she and Mario talk about the murder: “While unfortunate, it’s not a total shock anymore.” This police investigation into the murder becomes a subplot to the movie, since one of Mario’s students witnessed the crime, but he doesn’t want to snitch on the gangster.

Meanwhile, life has to go on in Mario’s class, where he teaches a hodgepodge of topics, including art, literature, history and philosophy. The favorite thing he likes to teach is chess. He encourages his students to “dig deeper than your dusty old Britannica encyclopedia” and find things that aren’t taught in textbooks.

He’s not shy about telling his students that influential people of color have often been erased from history because white men were in charge of writing history books for centuries. Mario is aware he could get in trouble for this kind of talk in the classroom, so he peeks outside the classroom door first to make sure that a white co-worker such as Ms. Kestel isn’t lurking nearby to possibly overhear him. On the subject of chess, Mario tells his students, “How come we don’t know that chess was invented in India, perfected in Persia and modernized by a [Puerto Rican] guy named Maura?”

Mario shows the students how chess can help in all aspects of life because it involves the skill of thinking ahead and strategizing. Although he has about 30 students in his classroom on any given day, there are four (and then later five) students who end up being the focus of the story, since they’re the chosen ones for the school’s chess team.

Sedrick Roundtree (played by Corwin Tuggles) is the unofficial student leader of the chess team and the one most likely to encourage the others when they feel defeated. Even before he took Mario’s class, Sedrick was an avid chess player. Sedrick has an unassuming confidence about himself that most people respect.

Oelmy “Ito” Paniagua (played by Jorge Lendeborg Jr.) has a big rebellious streak and is Sedrick’s closest friend. Ito doesn’t really think chess is cool until Sedrick convinces him to join the school’s chess team. Ito is also the student in this chess group who’s most likely to be tempted into joining a gang or becoming a drug dealer. It’s hinted at, but not shown, that Ito comes from an abusive home.

Rodelay “Roddy” Medina (played by Angel Bismark Curiel) is the group’s jokester. He dislikes confrontation and arguments, and he gets easily hurt if he thinks his friends are disloyal. Just like Sedrick, Roddy has a passion for chess and is highly competitive when it comes to the game.

Gil Luna (played by Will Hochman) is the quietest and most mellow member of the group. Although he has a Latino name, he can easily pass for being white. His apparent “whiteness” makes him the target of some teasing by the darker-skinned members of the group, but the teasing is never mean-spirited. All of the members of the group end up getting teased or taunted by one another at some point.

Much later in the story, a fifth student joins the chess team. His name is Marcel Martinez (played by Jeffry Batista), a Cuban immigrant who doesn’t know much English. Sedrick recruited Marcel to enroll in the school and join the chess team, after Sedrick and Roddy were playing some chess in Domino Park, invited some local people to pay chess with them, and were blown away by Marcel’s extraordinary talent. There’s a scene in the movie where Marcel can play chess with multiple people at a time, with his back turned to them and without looking at the chessboard, and by calling out the moves that he wants to play.

Sedrick is also the only student whose unhappy home life is shown in the movie. He lives with his alcoholic widower father (played by Michael Kenneth Williams), whose first name is never revealed in the movie. Sedrick father, when he’s not passed out drunk, frequently gets angry and picks fights with Sedrick.

The only time that Sedrick and his father bond is when they play chess together, but his father is a sore loser. Sedrick’s mother was killed by a hit-and-run accident that Sedrick witnessed when he was 6 years old. It’s obvious that he and his father haven’t been able to grieve or talk about her death in a way that can help them heal from the trauma of their loss.

When Sedrick’s father hears about Sedrick being on the school’s chess team, he scoffs at Sedrick and tells him it’s a waste of time because chess isn’t the kind of thing that most people can do as a job. And his father gets even more irritated when Sedrick’s chess team starts competing with other schools’ chess teams. Although it’s never said out loud, it’s clear that Sedrick’s father didn’t have an opportunity to be part of a school chess team that got to travel to different competitions, and he’s jealous and resentful that Sedrick is doing what he never got to do.

Although “Critical Thinking” has some heavy issues, such as gang violence, alcoholism and abusive homes, the movie also has some humor—namely, the camaraderie that the boys have with each other, especially when Roddy is around. And in a rarity for a movie about high-school students, dating isn’t really the cause of any of the angst or conflict in the story, because the boys are so focused on chess. Sedrick is the only one in the group who has a girlfriend. Her name is Chanayah (played by Zora Casebere), and she attends the same school, but she’s written as a fairly minor character.

In fact, the movie’s biggest flaw is how the female students in the movie are essentially written as background characters, with the implication being that the female students weren’t good enough to be on Mario’s chosen chess team. It’s not clear if the girls in his class aren’t interested in chess or if Mario didn’t think they were worth encouraging as much as he encourages the male students to be on the chess team.

Whatever the case, there’s definitely more than a whiff of sexism about how this chess team was assembled—and the gender imbalance is all the more noticeable when Miami Jackson High School’s chess team competes against other schools who have plenty of girls on their chess teams. That’s not to say that the movie needed to rewrite history and put girls on the Miami Jackson team, which was apparently an all-male team in real life in 1998. But the screenplay should have at least addressed why none of the girls in Mario’s class ended up on the team.

Another big question left unanswered in the movie is: “What is Mario’s own background and why did he want to become a teacher?” In one of his many “tough love” lectures to his chosen chess students when they get discouraged or act too rowdy, Mario hints that he also comes from a troubled and tough background like they do. But that’s as far as it goes. No further details are given about what kind of man Mario is when he’s not working as a teacher. There’s no “home life” shown for any of the movie’s characters except for Sedrick.

“Critical Thinking” is not a disappointing movie, but parts of the story could have done more to fill in some blanks. For example, something happens to Ito toward the end of the film and the outcome is never fully explained. If not for the acting of the main cast members, several parts of “Critical Thinking” would be quite boring to watch. Leguizamo’s fast-talking, sometime wisecracking persona serves him well in this role, since Mario is supposed to be an unconventional teacher who can relate to his students.

Lendeborg (as Ito) and Curiel (as Roddy) also stand out in their roles. Ito is a tough guy who doesn’t want to show his vulnerabilities, while Roddy is a vulnerable guy who doesn’t want to be so tough that he alienates his friends. Both portrayals are nuanced and worth watching, since these two characters are more than just generic roles.

Tuggles (as Sedrick) also does a commendable performance, particularly in some emotionally raw scenes that Sedrick has with his father. Williams is a very good actor, but he’s had many roles in movies and TV shows where he’s a guy with a mean streak/bad temper, so there’s really nothing new or noteworthy that Williams does in this movie.

“Critical Thinking” is worth a look for people who want to see a real-life inspirational story portrayed in a familiar way. The believable performances from most of the cast go a long way in preventing the movie from sinking into forgettable mediocrity. With “Critical Thinking,” Leguizamo also has proved that he can do well as a director who makes very good casting choices and who has a knack for telling a crowd-pleasing story.

Vertical Entertainment released “Critical Thinking” in select U.S. virtual cinemas, on digital and on VOD on September 4, 2020.

Critical Thinking (2020)

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Chris Pine got his movie-star education from Denzel Washington

The director, cowriter, and star of "Poolman" reflects on his rise through Hollywood's ranks, from his rom-com days to playing Captain Kirk.

"Is this on camera?" Chris Pine asks me as we stare at each other through the magic of Zoom.

Sporting a graying beard, perfectly combed shoulder-length hair, and a loose-fitting yellow and white cardigan, Pine certainly appears camera-ready. But once I tell him that video won't be recorded, he slouches back in his chair, seemingly pleased that he can keep a toothpick dangling from his mouth during our conversation.

Whether he's playing the handsome leading man in a rom-com or an intensely focused franchise star, Pine has the uncanny ability to adapt into the movie star that's needed at any particular moment. And right now, with the cameras not technically rolling, he doesn't have to be one at all.

Pine didn't want to be a movie star growing up, either. A third-generation actor, he first avoided going into the family business. As a die-hard Yankees fan thanks to his East Coast-raised father, a teenage Pine dreamed of becoming a professional baseball player like his idol, Yankee great Don Mattingly.

When that phase passed ("Kids were starting to pitch faster," he said), he dabbled in theater. But it wasn't until he returned home from a stint studying abroad in the UK during college that he decided to pursue acting in earnest.

"It wasn't a passion," Pine says. "It's something that I found."

But the childhood memories of both his parents struggling to find work as actors stayed with him. His mother, Gwynne Gilford, eventually gave up acting to become a therapist. Though his father, Robert Pine, is still working as a veteran character actor best known for playing Sergeant Getraer on the late-1970s hit series "CHiPs," he was keeping the family afloat gig by gig during Pine's childhood.

Those Hollywood anxieties are present in Pine's directorial debut, "Poolman," in theaters Friday. Though the film is hardly autobiographical — Pine stars as a burnout pool cleaner in LA who's trying to uncover a city scandal — his character gets support from two parental figures in his life, who are struggling showbiz types played by Danny DeVito and Annette Bening.

"There's a scene at the end when Danny's character, Jack, says that his agent finally called back and offered him a sitcom for $75,000 an episode, and he turned it down," Pine says. He looks down in his lap, almost reliving what he's describing. "And Annette's character has a conniption fit."

Pine finally looks up.

"That's my childhood," he continues. "The dream was for my father to get a television show that paid $70,000 an episode, and that would finally get us out of financial distress."

With a filmography that charts an impressive ascension from heartthrob to the face of IP-fueled blockbusters to prestige fare, it's safe to say that distress is now behind him.

In Business Insider's latest Role Play interview , Pine discusses why he refuses to watch some of his rom-coms, learning how to be a movie star via Denzel Washington, and the untimely end of the "Wonder Woman" franchise.

On hating working at restaurants and refusing to watch his old rom-coms

Early Chris Pine is a trip to watch. You played a hard partier in an episode of "E.R." You cried in front of David Caruso in "CSI: Miami." At that time in your life, were you just going after anything?

Fuck yeah! Don't be a waiter. Actually, I was a host at a restaurant and just hated it. Could not have hated it anymore. I was not a people person. It was all about just getting work.

You started getting noticed thanks to romantic comedies — "Princess Diaries 2: Royal Engagement," "Just My Luck," "Blind Dating" — would you watch any of those titles now? Like, if you're in a hotel room flipping through the channels and it comes on.

I mean, not a chance. And that's for most of my films. It's too difficult because then you're thinking, "God, why did I fucking do that?" Or "Why did they pick that take?"

What I will say, though, is I get more people coming up to me about "Princess Diaries 2," and I think that's because it's played for so many generations of young girls now. So that's a trip.

On being comfortable playing Captain Kirk — by movie No. 3

Playing Captain Kirk in the "Star Trek" movies must have been daunting — not only were you taking on an iconic IP, but the actor who originated the character, William Shatner, is still so synonymous with Kirk. Were you ever comfortable in that role?

It's interesting. Karl Urban decided to go head first into McCoy because Karl loved "Star Trek." With Spock, you have to do Spock-like things, plus Zach [Quinto] kind of looked like Leonard [Nimoy]. And then Kirk is a tricky one. You are the lead of the band of characters, so you don't want to occupy too much space. It's fine if they are doing a thing, but you don't want to. And J.J. [Abrams] never asked me to do a thing, though I did do little nods to Shatner because it was fun.

But I would say I felt most in his shoes in the third movie. By that point, I think I mellowed into it and didn't feel like I was trying too hard.

Has the ship sailed to do Kirk again?

I honestly don't know. There was something in the news of a new writer coming on board. I thought there was already a script, but I guess I was wrong, or they decided to pivot. As it's always been with "Trek," I just wait and see.

On getting a crash course in being a movie star from Denzel Washington and playing a 'non-charming' leading man

"Unstoppable" is the moment, I feel, where you're not fucking around anymore. Tony Scott, working across from Denzel Washington —

Youth really is wasted on the young [ laughs ]. It's such an awesome moment. It's one of the biggest films of the year; all the lights are shining on you, all the possibility of you being able to do whatever you want. I really wish I took more effort to enjoy that moment. 

I was reading a lot of scripts at the time, and I was on a plane when I read this one. And I didn't want to like it because it's a train. It's like, what is my job in this fucking film? The train is going to explode and then it's not. You know exactly what is going to happen.

But Mark Bomback wrote this incredible script, and I was on the plane, and I couldn't stop reading it. I would push it away — No. Buuut. No, nope. Buuut. I just could not turn away from it. Plus, Tony Scott was a god to me. He'd done "Days of Thunder" and "Top Gun," and then you add into that mix Denzel, plus that it's a two-hander that takes place in one location. From an acting class standpoint, I'm getting paid a lot of money to learn at the feet of one of the best who has ever done it. It was out of control cool. I learned more from that set about what it means to be a movie star than probably anything else. 

Before "Hell or High Water," you'd worked with Ben Foster in "The Finest Hours." How much of the praise you received for that movie do you attribute to the comfort you two had in working together?

I think it's more than that. Taylor [Sheridan] wrote a banger script. That script is one of the five best scripts I've ever read in my entire life. So you have the writing. Then you have David [Mackenzie] coming off of making "Starred Up," which is an incredible film, and then you have the Jeff Bridges of it all.

I think I held my own there, but you have these two incredibly dynamic actors: Jeff is the legend, and Ben is a caged animal of an actor. I had a lot of fun because up until that point, I hadn't played a closed-off, non-talkative, non-charming leading man. So I was really stoked to take that on. I think it was all the pieces coming together, not just one thing.

On turning down 'Wonder Woman' twice before director Patty Jenkins convinced him by bringing up 'Casablanca'

By the time you did the "Wonder Woman" franchise, you had done your fair share of blockbusters. Was there a moment in filming the first movie when you realized this one was different than the others?

I got pitched the film and didn't want to do it. Patty came on board and I still didn't want to do it. I had no interest in playing the boyfriend, and it sounded like second fiddle. Then, in talking to Patty, the way she described it was, "Forget the superhero of it all, this is a romance, this is "Casablanca," that's the movie I want to make." And I was like, oh, now that is very cool, because when had you seen a superhero film that was a love story, ultimately? That had nothing to do with blowing shit up.

For me, the pivotal moment is the scene on the tarmac; it's "Casablanca" by a different name. So when I saw that film, man. Film is not an actor's medium, it's a director's and editor's medium, and shit can go wrong really fast, and that was a movie where you're in the theater and you get lost in it. You forget you're in it. That's when you know it's gold.

Do you or Gal Gadot or Patty feel that there's unfinished business with the franchise not doing a third movie?

Me? No. Homie is dead. Steve is gonzo. It would be ridiculous to try to bring me back.

I'm stunned that they said no to a billion-dollar franchise and decided to pivot elsewhere. I don't know what the reasoning was behind that; it's above my pay grade, but Wonder Woman is an incredible character, and Patty is such a thoughtful director. Even think of "Wonder Woman 1984" — that's a blockbuster movie that is a hero's journey not about revenge. I mean, wow. People poo-pooed it, but wow!

This interview has been edited and condensed for clarity.

"Poolman" is in theaters May 10.

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